#small room ideas

[the-laughing-puppeteer]

Family Room - Game Room Small minimalist enclosed dark wood floor game room photo with gray walls and a standard fireplace

[filmedbyheidi]

(vlog preview) working hard for my goals, cooking chicken recipes, home shopping, laundry, wfh vlog🍳living, no so alone, in ph

link: youtube.com/@byheidi

tags: #adultinglife #silentvlog #workingfromhome #adultinglife #silentvlog #workingfromhome #cookingvlog #smallstudioapartment #laundryday #smallapartment #smallliving #daysinmylife #livingwithacat #catslife #cathomevideos #dayswithcat #homeshopping #outandabout #independentliving #chickenrecipes #weekinmylife #silentvlog #livingaloneseries

[mienar]

small town buzz

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[mindyharington]

Game Room Oklahoma City Picture of a small, enclosed game room with a dark wood floor, gray walls, and a typical fireplace.

[screenandscripts]

Game Room - Modern Family Room Example of a small, enclosed, minimalist game room with a dark wood floor, gray walls, and a traditional fireplace.

[totesmag]

Maximizing Small Spaces

Small spaces can be a challenge when it comes to decorating and organizing. However, with the right approach, these spaces can be transformed into functional and stylish living areas. The purpose of this blog post is to share tips and ideas for maximizing small spaces. Importance of maximizing small spaces In today’s fast-paced world, more and more people are opting to live in smaller homes or…

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[mayasaura]

one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.

the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)

the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.

Oh boy my friend, have you come to the right place!!

So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.

Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.

So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.

[art-is-kayos]

AU where Ayin Fucking Died so Angela had to make him a mini boxbot out of scrap.

[emomomortal]

they're having a girl's night! which means painting nails so she's painting the tips of his fingers with a paintbrush

I'm their biggest fans I wish them nothing but a life of whimsy and joy

[andrews-jort-loving-pipe-dream]

I just think Wymack should clear out his extra bedroom and give it to Kevin.

Just imagine the look on Kevin's face when he finally gets a room of his own that he can do whatever he wants with...

[oldfarmhouse]

[mienar]

from us it begins

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[moonlit-tulip]

A gimmick which I think would be interesting in a visual novel: small variation in the visual designs of the sprites and backgrounds based on who's narrating a given scene. Not large variations, mostly—buildings are going to have generally the same architecture, people are going to have generally the same outfits, et cetera—but lots of details shifting around on the margins, showing the texture of the characters' thought-processes through the visual design of the world as they see it, rather than only through the text of their narration.

So, for example, one could have one viewpoint character be unusually faceblind, and portray this by having all the sprites have Same-Face Syndrome when viewed from their perspective, even as they hold onto more variation face-wise in everyone else's perspectives. One could have one viewpoint character who's unusually conscious of the fine details of their physical environment, and portray this by drawing the environment-art with much more fiddly detail when in their perspective, showing wood-grain and electrical wiring and other such things which are abstracted away in others' perspectives of the same areas. Et cetera.

[calistozom]

A nostalgia post. It's been a long time since I've drawn Meteora, and for much longer I've had an old idea related to her, namely, a decoration for tails. A long time ago, I often came across "chapters in the book of spells" that various authors did on behalf of their OCs in the SVTFOE au’s. I wanted to try it too, but nothing really worked. The title picture, poem, spells and wands did not give me much in terms of inspiration and only when I came across the idea of a diary and monsters’ tails did I strike gold.

Sadly, in another fit of self-criticism, I abandoned this project half-way through and only recently found the strength to return to it again.

Anyway, here I have several pages of Meteora's diary, in which she showcases various types of jewelry for different types of tails. I think some of the enthusiasm in the description that I have tried to convey here must belong to the ghost of Heinous (the part of her that she has been suppressing for so long). Of course, most of the decorations here would hardly work as intended (the laws of physics and high mobility of the limb will obviously be a big obstacle), but no one pretends to be realistic here.

... and at the end there is also a small gif with a ghost appearance (even two – because I still haven't decided which transition turned out better) >w<

[triglycercule]

dust with a fucked up savior complex save me dust with a fucked up savior complex SAVE ME!!!! he's literally sooo savior complex coded. he killed his underground to "save" everyone and stop the human from killing them. he thinks that it's better that he does the murdering instead of the human because he has better intentions. he's sad at the beginning (rightfully so) but savior complex dust really gets so much cooler when you add in the fact that dust eventually started to LIKE killing his underground 😭😭 like just..... imagine a manic dust who's gone mad going around claiming he's helping everyone with what he's doing when he's really,,,, not. soo cool.,,, (like dude how are you SAVING people if they don't exist after you've killed the person who was killing them. there is nobody to be safe but yourself anymore) (can you tell this was inspired by the one comic of dust killing his papyrus and saying "it was better if i did it" or something)

but also also on the other hand,,,,, revenge fueled dust??? he's gotten SO bitter from the repeated resets and genos that he's genuinely bitter enough to risk it all to stop the human. he doesn't have pure intentions in this one. dust doesn't claim he's saving anybody with what he's doing murdering them all. he KNOWS it's bad and wrong and hypocritical but he does it anyways because he wants to not only stop the human but to make them suffer. he purposely wants them to keep coming back after killing them just so he can kill them over and over and over and have them experience a fragment of the suffering he did with having all of his friends and family killed. but i think a revenge fueled dust (in contrast to savior complex dust) would be a lot cooler if he still felt shitty for killing everyone. it's painful to do but hate is stronger than love and dust's hate for the human is MUCH stronger than his love for the underground atp