#situational gravity

[noodles-and-tea]

Haha whoops

[against-all-odds-im-back]

I couldn’t pass up the opportunity to draw @1spooky2me ‘s fantastic Bill design

[silvrrsun]

This could’ve happened…

Text typed below cut!

Ford: “Would you mind if I changed my dress shirt? It seems I got residue on it…”

Fiddleford: “Go ahead, Stanford.”

Ford: “Great!”

[normalenjoyer-png]

couldn't get dip's face right lmfao sorry king

[ckret2]

So y'all know the Gravity Falls production bible that leaked three weeks ago. Someone in one of my discord servers pointed this out:

And, naturally, that spawned an entire AU.

AU Concept: Ford was kicked out instead of Stan and takes a job as a trucker to makes ends meet since he couldn't go to college, while still studying the weird and anomalous however he can.

Ford driving around from quirky small town to quirky small town, drifting through the liminal spaces of truck stops, meeting odd people in isolated diners, seeing strange things out on the road—a deer with too many eyes bounding across a two-lane highway, a flirty woman at a rest stop who doesn't blink or breathe, mysterious lights in the sky at night, inhuman growls on the CB or 50-year-old broadcasts on the radio—and taking notes when he stops for gas or food.

Aside from having gotten kicked out before graduating high school, Ford's the same person he is in canon.

He's still an ambitious guy, and here "ambitious" means working hard and saving as much money as he can—so, a long haul owner-operator who spends weeks at a time on the road. (He goes through a LOT of educational audiobooks.) Plus, this is the easiest way for him to get to travel the country; and since it looks like his "travel the world" dreams with Stan are dead, he'll take what he can get.

Since he's never in the same spot long and carries his life in a truck, almost all of Ford's research is in his journal. His bag of investigation supplies has an instant camera, a portable tape recorder, a thermometer, a flashlight, rubber gloves, and a few zip lock bags—and that's about it. It has to share space with all his clothes, toiletries, and nonperishable food when he's on the road. He doesn't have much opportunity to closely examine anything odd he finds, unless he's lucky enough to run into something when he can stop for the night. He has to cram his paranormal research around the side of his full-time job.

He doesn't live in Gravity Falls, but he knows it exists. Every time he moves—to Chicago, to Nebraska, to California—he seems to inch closer. He currently lives in Portland and usually hauls loads between the Pacific Northwest and Chicago or New York. He stops at the truck stop outside Gravity Falls when he can and has gone fishing in town a few times. He doesn't have the benefit of extensive research to know that this is the weirdest town in the world; but it seems pretty weird to him, there are local rumors about the town, and he's had some weird experiences in the area.

Plus, he can't explain it, but it's like the town's calling to him. He wants to move there, but it'd put him over an hour outside of Portland where the nearest jobs are. Maybe if somebody chucked him like $100k to build a cabin in the woods; but what are the odds of that?

He does know Fiddleford. Truck broke down somewhere and Fiddleford kindly pulled over to fix it on the fly. They looked at each other, had mutual knee-jerk "dumb trucker/hillbilly" reactions, and within ten minutes both went "oh wait you're the most brilliant genius i've ever met." Fiddleford's living the same life he was in canon before Ford called him to Gravity Falls—with his family in California, trying to start a computer company out of his garage—but they make friends and keep in contact.

One time Ford stops at a kitschy roadside knickknack store that also sells new agey magic things—crystals, tarot cards, incense, etc. He bought a "lucky" rearview mirror ornament that looks like an Eye of Providence in a top hat and hung it from his cab fan, and ever since then he's had weird dreams whenever he sleeps in his truck.

Things I don't know yet: what Stan's up to; or why Ford's the one who got kicked out. I tend to believe that in canon Stan wasn't just kicked out because he ruined Ford's college prospects, but rather because the family thought he deliberately sabotaged Ford; so in this AU, Ford would've been kicked out over a proportionate crime.

[thebreaddemon]

I don’t think he understands exactly what that means

[ryllen]

i have no other reason of drawing this, other than i just want to

[stillgotscars]

maybe it’s just me, but expecting taylor to have come out with a statement already is a bit insensitive. this entire situation — knowing her concerts were the target of a thwarted terrorist attack, knowing thousands of people came close to being physically harmed or losing their lives — is terrifying, and would be difficult for anyone to grapple with. for all we know, intelligence agencies may have advised her to not say anything right now in order to keep herself, her team, and all of us safe. first and foremost, please keep in mind that she’s taylor, an actual human being before she’s taylor swift, the brand. give her some much-needed space to process this and sort through her emotions. if you think she doesn’t care, you don’t know her well at all.

[stompandhollar]

it is objectively hilarious that Ford’s healthy ex-relationship also started a cult.

[okidraw]

i think i like you better down there sixer !

[lampochkaart]

Kiibo, please, don't ask him complicated questions. He does NOT have emotional strength to think about any of this too hard right now

[mcchi-ken]

fiddauthor galore featuring: another pmmm crossover, me getting the hang of drawing that wonky man (fiddleford), and a wip

the last one is a very obscure entirely italian reference but if you get it. i will give you a little kiss 😋 little hint: its a music video. you know this song. your dad loves it. there's the word gravity in it thats why i chose it

[treahollow]

Okay, hear me out...

Prime Defenders but make it a Gravity Falls au.

Uhh, have some doodles too

[fennekuuu]

i always end up sending characters i like to the backrooms

[ayakashiz]

Reposting this from my twitter thread because it hasn't left my head (and adding a tiny bit more).

Seen so many questionable takes lately about the ivantill kiss, and I know everyone is allowed to have different opinions and interpretations but.

No, Ivan didn’t just pretend to kiss Till for the show. And no, he wasn't trying to make Till hate him either or trying to trigger him over his implied SA to snap him into action.

I think the whole point of the scene (confirmed by the creators) is Ivan finally breaking his mask of perfection and control and giving in to his messy, all consuming feelings, being selfish for once.

Yes, by the end before the strangling starts, he appears more clear headed and now focused on the objective of manipulating the score. But he doesn't really look at it until AFTER he starts strangling Till.

The kiss itself wasn't part of the strategy, or at least not entirely something calculated. Ivan could have skipped the kiss and strangled Till right away and gotten the same result.

The fact that he kissed him AGAIN after he started strangling him, more softly and 'personal', almost like a goodbye or an apology (whether for his selfishness or for their past), tells me he wanted it.

I think a last selfish act doesn't diminish the love he had for Till, it just shows the tragedy of ALNST. Ivan is only human after all. And no matter what kind of mask he built for himself and what illusion of control he had over his life, when faced with the real, imminent possibility of losing Till, he crumbled and did something unexpected.

I have more to say about the Ivan and Sua parallels and how he finally understands her in the Confession comic etc etc but I think I've yapped enough.

I just don't like it when people try to mold the narrative because they're uncomfortable with an unconsensual kiss. It's meant to be painful and heartwrenching, a reflection on Ivan's one sided-feelings and his desperation at the moment —to be seen for the first (and last) time, to not be left behind, to convey his emotions in the only way he could when being seconds away from death.

After all the team confirmed that Ivan is clumsy with emotions and only knows to convey them in 'childish' ways (the nuzzling against his face, the picking fights with Till and teasing him).

I think some people like to think of the kiss as something purely calculated and selfless because it makes it more 'palatable', but in my opinion this take washes out Ivan's character and the flaws that make him just as human, vulnerable and complex as the rest of the cast. He was willing to throw away his life and his perfect image because he wanted something that badly.

[instantly-panicked]

Bill fumbled Ford

Ford fumbled Fiddleford

Fiddleford fumbled his sanity