#sincerely- a person who was forced to watch season 1 and is learning about season 2 via osmosis
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randomsufff · 1 month ago
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Legit had a dream where the voice actor for Victor (I think? Or maybe it was the director? Idk someone on the official team) went on a podcast interview and straight up snapped over something and went on a whole rant on how Jayce and Victor were canonically a couple but are doomed lovers and will never be happy. Tumblr and Twitter were going crazy and all the people with that Jayvik pfp were like “vindiCATIONNNN!” but also crashing out.
I’m not even in this fandom- what have these sillies invaded my brain so much 💀
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veiwryn · 7 months ago
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Egypt Episode after Teams are formed pt 2. — Team Phoenix
They still do the same thing they do in canon when it comes to the goat. Eva and Noah would sit on the goat, Bridgette on Eva’s shoulder (there's some tension hinted there), and Izzy on Noah's.
Eva would make a joke about how she's surprised Noah could hold up Izzy, and be met with a snarky (but lighthearted) comment on response. Izzy ends up laughing along and pokes Noah on his cheek, which he merely rolls his eyes at.
This'll be the moment Alejandro realizes he can't just befriend Bridgette, and that maintaining a positive relationship with the rest of his team is a need. He'd notice the tension between Eva and Bridgette and make a mental note of it as he continues portraying this leadership facade. (He was so gonna confront Bridgette about this later).
When Alejandro is on top, Noah would make his "Wow, I'm impressed" followed by a confessional from Eva (after Alejandro's confessional) saying "Noah isn't impressed by Alejandro using basic weight distribution. He's surprised pretty boy is smart." (What could Team Escope say? He looked like a Justin 2.0). Someone charming and smart? That raises some flags for this trio.
Anyway, Alejandro would wish the other teams some luck before the group leaves. And they'd be the first to arrive.
(I forgot to add, but Bridgette would make a confessional saying she felt out of place, but knows she's not alone cause Alejandro was there with her. So, at least she wasn't a total outcast!)
The tricky part is when they get to the river and have to weave. With no Sierra, they'd struggle, but then again, Eva is a wildcard. We don't have much on her, but we know she's been working on her anger and she has been a stunt double. So it would be reasonable for her to know (at least) the basics or weaving, right? She may not know how to explain it, but she could show her teammates how to do it, in hopes they'd understand. She's not Sierra-level weaving, but it's better than the average person!
This is when Alejandro would take Bridgette aside to inquire about her relationship with Eva, and the surfer girl would explain what happened in season 1. He'd offer to talk things out with Eva, but Bridgette refuses, saying this is something she needs to do on her own. Alejandro backs off, he knows he shouldn't be pushy with his only ally. Especially so early in the game. However, he can use her empathy against her.
Alejandro apologized to Bridgette and explained how he wanted to help her because he was new and wanted his teams approval. Bridgette then agrees for him to help her, which Alejandro smiled "sincerely" at before Noah called them over. Alejandro immediately makes his way to Eva while Bridgette hangs by Noah.
There'd be a mini scene between Eva and Alejandro, where he's learning how to weave and would try and bring up Bridgette, only for Eva to glance at him. Effectively shutting him up. (Eva's confessional: Am I doing something wrong?) Then it goes to Noah and Bridgette, who are watching the two; the former with an amused gaze, while Bridgette looks defeated. Noah takes note and asks her about it, Bridgette confesses but stops midway remembering Eva is Noah's friend. Noah reassures her before saying Eva’s been trying to make herself seem more approachable cause she wanted Bridgette to make a move. So it didn't feel forced.
And then cut to another team! (They're on a budget, not everything can be explained on screen!!)
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indecisive-behaviors · 3 years ago
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Originally I was just going to add this as a reblog to my previous post about the parking lot scene in KK2 but it’s almost 2k words so now it’s getting it’s own post. Be forewarned- this is fucking long.
TW for discussion of PTSD, child abuse, neglect, injury, and death, in relation to topics surrounding the show, under the cut-
Obviously, Cobra Kai is a show based around the premise of “what happened to that Lawrence kid after he got kicked in the face?”, which is honestly a pretty cool idea for a show. Johnny’s story is never explained past sitting on the sidewalk with his head in his hands at the tournament, and there are no real context clue’s to figure out what may or may not have happened.
In the show we get to learn early on that Johnny’s life spiraled after the tournament, going from bad to worse to “holy shit how are you still alive”-dropping out/never going to college, working jobs he seems to hate, becoming an alcoholic, presumably many dead end relationships, and not being there for his kid. And yeah, obviously, this would be a hard pill to swallow for anyone watching the show if Johnny had just lost the tournament. If we never got the scene in KK2, he would have just been some kid who lost a tournament- we see at the end of the first movie that(through tears holy shit Billy) that Johnny is the one who gives the trophy to Daniel with his famous line, “You’re alright, LaRusso.” There’s a level of grudging respect in that moment that isn’t lost on anyone who sees that movie- that Johnny, who throughout the movie only sees Daniel as some whimpy kid, gets proven wrong and respects that. If we didn’t have that scene, there’s reason to believe Johnny would have apologized, tried to make amends, Something, even if it was just being less of a dick at school.
But then, we get the parking lot. We get a far off shot, intended to distance you from the scene, framed over Daniel’s shoulder. This makes sense, Daniel is the main character, the protagonist, the underdog hero- why wouldn’t it be framed in his perspective? But the scene is about Johnny. We get the shouting match, the back and forth- “No, you’re the loser man.”- and again it’s fairly obvious how Johnny sees this situation. This is a man who we assume(and is later confirmed) to be a surrogate father figure, who set his friend up for failure, and then basically forced him to do the same by targeting an injured opponent, and forcing him to fight without honor. This same man presumably follows a teenager out to the parking lot, to harass him, to tell him he’s off the team, to tell him he’s a loser, that he’s nothing.
But at that point, Johnny knows the truth, even if subconsciously. At the end of the day Johnny knows that Daniel LaRusso was a worthy opponent, and that regardless of the cheating and manipulation, Daniel could have won anyway, and did win, despite of it.
And then Kreese grabs him, too fast to react to, Johnny too surprised even knowing that Kreese is the bad guy here, not believing that he would ever willingly hurt him- and Johnny isn’t strong enough to fight him off, none of the boys are, so Johnny is forced to suffocate for almost a full 30 seconds(which I double checked for the record- also as a reference, 30 seconds is about the average time it takes for a person voluntarily holding their breath to pass out- this does not account for the oxygen lost during a struggle, and the lack of preparation from both surprise and panic. The only silver lining here is the fact that Kreese was most likely compressing his windpipe, not his jugular, which would have made him pass out in about 5-10 seconds, and would have caused permanent brain damage or death in about 15).
Now, PTSD is a complex thing. I’m not a psychiatrist, and what small amount of information we have is all we have to work off of, but I feel fairly comfortable in saying Johnny mostly likely developed it after the incident. This not an uncommon take in the fandom as far as I’m aware either. But, if we assume this, we also have to assume that after the fact nothing would have been done about this. Not just in the sense that we still don’t really know everything that happened right after the tournament, but that in the early 80s, PTSD wasn’t really a thing yet.
Sure it was absolutely a condition that existed, but Post Traumatic Stress Disorder wasn’t even added to the DSM-III until 1980- and for a long time afterward, was only seen as a condition that affected primarily war vets. Even after an event as traumatic as having a man you considered a father trying to kill you, in public, without remorse, would not have been seen as something to warrant the diagnoses, let alone treatment.
Johnny Lawrence was 17 when Kreese tried to kill him, and this boy would have been offered no resources beyond filing charges with the police. And as we see in KK3, either this didn’t happen either, or someone(presumably Silver) got the charges dropped. So on top of almost being murdered, Johnny had to live with the fact that the man who did that to him was still out there, and to top it off, still ran a dojo at least for a few months after the event. The only relief he could have gotten is after Kreese faked his death.
And sure, Mr Miyagi may have gotten Kreese to let go eventually, but as several people have pointed out in comments and tags, left him and the other boys alone with Kreese still standing there in the parking lot and just... drove off. Kreese has already been established to be a psycho with no problem hurting children, a little bit of glass might not have prevented him from trying again.
So why did I talk about all of that? Because it all contributes to why Daniel LaRusso works as a credible antagonist in season 1 of Cobra Kai.
Think about this- Johnny blames losing everything on Daniel in season 1, but we specifically get a shot in KK1 and later KK2(”You’re alright, LaRusso” and “I did my best” come to mind) where he seems to be at least mostly accepting of the fact that he lost(with what was actually an illegal kick but that’s a rant for another time). So why does he blame him for everything 30 years later?
Because 30 years later, Johnny is forced to go outside, go to work, and pretend like he doesn’t see what feels like every street corner(including right outside his apartment mind you), a literal billboard sized reminder of what happened to him.
The rest of this is mostly speculation but it makes sense in my head so bear with me.
When we get introduced to Robby, it’s made pretty clear that Johnny has not been in his life for a bit. In season 2 we get Johnny’s heart to heart with Miguel, where he divulges that he missed the birth, because he spiraled after his mom’s death. This however doesn’t suggest that he stayed gone, especially knowing that it wasn’t long enough for Robby to not consider seeking out his dad. Because tacked up to the fridge, is a picture of Robby in his soccer uniform as a kid. It’s an early detail you can see in previous episodes, and says a lot about how Robby grew up. To be fair, this could have been given to him by Shannon, and not taken himself, but it’s the sport Robby’s playing that makes me question this. KK1 dedicates an entire scene to Johnny being on the soccer team in high school. Soccer, while maybe not as important to him as karate, is still part of his character. Robby does not know karate in season 1, Johnny obviously didn’t share it with him, but that doesn’t mean Johnny didn’t share anything with him.
So Johnny’s back in his kids life, maybe doing better for himself, maybe cutting back on the drinking. LaRusso Auto is already established to exist at this point but it’s in Encino, a place Johnny has no reason to go to, and probably doesn’t want to. He’s trying again and things are okay. But Robby knows enough about Daniel to know that going to him will piss off his dad. So Johnny had to have talked about him at some point. The billboards here are what’s important- they’re in the first episode, the first scene montage, Johnny draws a dick on one of them as some petty revenge.
The first billboard goes up in the late 2000s to mid 2010s. Johnny sees it, maybe he has Robby with him at the time, maybe he goes home and says something there, but he says something in a way that sticks with even a child as being important. More billboards go up. Dealerships starting popping up more and more. Daniel’s face, and by extension, the memories, the flashbacks, become inescapable. Johnny, for a third time, spirals again. Before he even knows what’s happening, he’s lost his relationship with his son. And it’s all Daniel’s fault. Of course Daniel doesn’t do it deliberately, but the constant reminders are enough to send him back into a tailspin and Johnny blames him for it.
Because it’s Daniel who is a constant reminder of his failures- it’s Daniel who caused him to lose the tournament and almost get killed, Daniel who put up the billboards that trigger his flashbacks, it’s always Daniel Daniel Daniel.
And then Johnny gets it in his head that he wants to be better. He opens a dojo, teaches Miguel and the other kids, wants to try again- and he almost succeeds.
Johnny up to this point has not deliberately antagonized Daniel in any way. Sure he named the dojo Cobra Kai, but Cobra Kai is all he knows. Besides Johnny doesn’t blame karate for his failures, his best memories are Cobra Kai and he’s trying to be better than Kreese. So what’s the harm in this really? His building is in Reseda, there’s no reason for Daniel to ever be there, he doesn’t do it out of spite, it’s because he lives there and rent is cheap. He doesn’t know about KK3, doesn’t know about Daniel’s own trauma. This isn’t an attack. Johnny sincerely just doesn’t know.
Enter Daniel, stage left. Daniel makes no attempt to talk to him- he simply makes demands and accusations, before he starts making active attempts to put him out of business.
Sure, we as the audience know Daniel has good reasons to not want Cobra Kai back. But Johnny doesn’t. All Johnny knows is that the kid he picked on in high school- who won, who got everything Johnny wanted, who grew up to be successful, has a wonderful wife, two kids who love him, a thriving business- is doing everything he can to make his life hell 30 years after the fact.
And this could only have happened because in 1986 John G. Avildsen decided to add in a scene meant for the original movie into the sequel, for absolutely no fucking reason.
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spookyfbi · 4 years ago
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what did cody said about klave?
Omg Anon okay so, twitter user umbrellaacademy invited Cody to do a twitter space with them which they did yesterday (8PM Friday EST) and Cody stayed for OVER TWO AND A HALF HOURS answering fan questions and saying SO MANY things about Dave and Klave and I am still so overwhelmed. I have recorded it and I’ve sent the video to the host and they’ve said they’ll release it soon (although the file is massive so I suspect they’ll have a bit of trouble wrangling it like I did so it might take longer). In the meantime, some highlights under the cut:
- Dave’s favourite thing about Klaus is his openness. He’s charismatic because he’s unafraid to be himself. Cody also finds it endearing that Klaus marches to the beat of his own drum.
- He likes the idea that the briefcase brought Klaus to Dave because of fate/destiny. Dave is the missing piece of Klaus, he fills a void in Klaus. He’s as interested as we are to find out if the timeline loops back in season 3
- Dave is soft spoken. There are qualities of Dave that have grounded and soothed Klaus but also Klaus has pulled Dave out of his shell. Klaus’ openness was like an invitation to Dave to open up and be goofy and strange, and this was a vibe Cody got from Robert as well in the bar scene, but then the dynamic shifted later and he felt that Dave was the one who was opening up first.
- Dave would go with Klaus to be with his family. He would want Klaus to take the reigns and would trust Klaus re- what kind of life they could have together post Vietnam. Although there would be no hesitation from Dave about his love for Klaus, there might be hesitation about planning a life together because of the time period they were in. There’s a sense of peace and wanting to settle from Klaus. Cody just basically being solidly on the Klaus bringing Dave back to 2019 to meet his family train.
-  There is a sensitivity and self awareness to Dave, Cody thinks he accepted his sexuality but just was careful about advertising it because of the time period. He also says that his Dave in season 1 didn’t have the experience we saw in season 2 with his uncle and that might have made him more open (I am staring directly at my reverse George McFly theory).
- Dave’s love for Klaus is unconditional, he loves him for exactly who he is. Dave’s unconditional love is a foil for the conditional love Klaus gets from his family. Klaus doesn’t really know what love is and then he gets fired this laser beam of love from Dave.
- Cody that been in a play where his character was in a relationship with a guy but he thinks Rob hadn’t done that before. The director set the tone that the kiss scene was an intimate and tender scene. He feels like there was a reassurance from Dave to Klaus in that moment.
- Dave was holding 4 shot glasses in the scene where he’s holding them with both hands. 
- Cody describing Dave in 4 words - kind, sensitive, empathetic, soft. Dave would describe Klaus as free spirited, open, unfiltered, unexpected (he also put forward chaotic but didn’t stick with it and replaced it with unexpected).
- Dave’s first thought when he woke up and saw Klaus was “Is this a dream... We’re not sleeping much so this could be a dream, I wouldn’t put it past my brain” Also “The dream coming to reality but maybe not necessarily looking like what he thought.”
- He thinks Klaus probably took the dogtags off Dave after he died as a way to remember him rather than them exchanging them
- He wants Klaus and Dave’s storyline to end with love prevailing. He also floats the idea of Dave taking a dark turn and Klaus has to be the redemptive person to bring Dave back.
In preparation for playing Dave he watched the Ken Burns Vietnam War documentary series on Netflix and also looked up online about the Vietnam war. He also listened to music he thought Dave would be into from 1965-1968: He mentions Motown and Stones (Cody said he himself likes Motown)
- Cody’s favourite thing about Dave is the quality of how he loves Klaus. He describes it as pure and unconditional and simple and he talks about he thinks people need to love each other fearlessly - not just romantically but in friendships as well, especially with what’s happening now (and this sort of clarifies to me why he was talking about love over fear so passionately in the clever klaus q&a and what he meant by that)
- Cody is a fantasy nerd
- He would love to see Dave giving Klaus some agency
- He thinks that Klaus has some guilt about Dave’s death
- He would like to play a Commission agent (Commission Dave rights!!)
- Robert is very open and unassuming and funny and it was easy to have an immediate rapport with him. Cody also talked with Tom Hopper (about their mutual friend Bradley James). He also briefly met Colm and Robin and he also remembered he met Aidan (who here had a theory about a deleted scene with Aidan in the attic?)
- He doesn’t know how time works in the afterlife or how Klaus’ power works but Dave would have waited 50 years for Klaus
- Calem joined the space and they said that they hadn't interacted before but they had a bit of a chat. Calem said that his filming in season 2 was 4 days but about 1 month apart. Calem’s internet kept cutting out and then he disappeared.
- If Dave was one of the 43 children his power could be the care bear love blast and he could fire hot beams of love out of the hole in his chest. He would give Dave a more passive power to round out the more active powers the other Hargreeves have, like a healer
- The scene in the tent was filmed at the studio. The scene on the bus was shot outside. The scene in the trench was partly shot outside but some of it was shot in the studio as well (I wonder if he’s confusing that trench scene with the hallucination at the Rave though?)
- He said the scenes were beautifully lit (I beg to differ, Cody!)
- Klaus helped unlock that part of him (I think he means Dave’s sexuality) and he also says that Klaus was a very specific target to Dave’s love. Klaus seems like one in a million. When you love someone there’s something specific about them that pulls that out of you.
- Calem returns! He was in his room where the internet crapped out on him but then he went downstairs. Cody asked what it was like for Calem to come in and play an established character. Calem said he purposely didn’t talk with Cody about the character before playing him because he’d done the audition without knowing anything about the character so he didn’t want to risk doing something too different from what he’d done in the audition, but he did watch season 1. He also said he was a bit anxious about what the audience would think of him playing the character, and Cody went into acting mentor mode and said that he doesn’t think the job is about appeasing the fans but about trying to be as true as possible. He also said that Calem did a good job and he shouldn’t be hard on himself but Calem then said that he quickly got over it and he wasn’t thinking about it on set, just afterwards. Calem mentioned that he creeped Cody’s IMDB and he said that his dad was a camera operator on Lizzie Borden Chronicles this Cody guest starred in an episode of.
- Dave loves music like Cody. He mentioned Four Tops as another band and then Motown again. He thinks the bar scene shows Dave’s love of music but he wasn’t thinking about that at the time.
- Dave would be overstimulated at first if he came to the future because we’re bombarded with a lot more stimulus than in the 60s. The internet and iPhones would blow his mind. He let’s a “we’ll see” slip, which he then quickly corrects to “we would see”
- The kiss in the bar was definitely the first kiss and he thinks it happened a couple months into the tour. He thinks the feelings were mutual quite early, but that it would have taken some time to act on them and to be able to gauge if each other were really giving off the signals that they like each other.
- He’s appreciative of the fan love and he tries to make a connection with everyone he can
- Dave is an optimistic force who thinks that love will prevail so he would have wanted to do something to make it work despite the obstacles they faced
- Cody doesn’t know how close to the vest Klaus kept the stuff about his powers and the time travel etc but he did see Klaus appear so he does know there’s something strange about him. Dave trusted Klaus and even if it wasn’t explicitly talked about there was enough trust to go “wherever you go I’ll follow, wherever that leads.” When Klaus conjures Dave, Dave is excited to see him but isn’t really surprised or put off by any of the circumstances that Klaus is in.
- He thinks that Dave is more the listener of the relationship, but he could certainly see Dave telling Klaus about Dune and Klaus indulging him.
- Rob is very genuine, very unassuming, very immediately open, very funny, definitely puts you at ease, incredibly thoughtful, very considerate, good dude (wow it’s the complimenting Rob speed run! 8 in a row!)
- The aspect of Dave that Cody connects to most is his non-judgemental quality
- Dave would connect with Vanya’s softness and Luther’s moral compass (he said Diego’s moral compass in the cleverklaus q&a so not sure if he just mixed them up). He thinks Dave might be a bit too sincere for Five and Ben would appreciate being able to unload Klaus on Dave.
- He thinks Dave is not a tattoo guy but Klaus is impulsive so getting a tattoo really aligns with his personality. He thinks that Dave’s actions speak louder than words written on him
- He connects to the fractured family theme of the show on a personal level
- Dave being jewish was something he only learned about through looking at the dogtags, it wasn’t in the script or anything
- Dave might have studied Philosophy if he’d gone to college instead of joining the military, he feels like there’s a dreamer quality to Dave
- Even though Dave was pressured into joining the military, he thinks that Dave believed he was going the right thing by enlisting
- Colm is a Canadian Hall of Fame actor and Reginald is such an intense character so Cody would love to do a scene with him. He would also love to do a scene with Elliot.
- Cody remembered waiting on set to film the scene in the club and he, Rob and Tom were in an 80s hotel with a heart shaped jacuzzi (??? oh was this the set with the Handler and Agnes maybe?)
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dizzydancingdreamer · 4 years ago
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Persephone’s Symphony | Day One | Hades
Hey lovelies— here is the next part! I wanted to pause here and add a little note: the word tiny is thrown around here. I don’t want this to hinder anyone of you to not read this because you think the word doesn’t apply to you. I want to make a couple things clear. 1) All shapes and sizes are beautiful and I, myself, am a wonderfully plump lady. 2) I don’t use the word as a physical description in a way meant to limit a ‘reader insert’ type of fiction— I use it because Bucky Barnes is a super soldier and anyone would be small to him. Thus I hope you can enjoy it the same way I can— because sometimes we all just need to feel like a super soldier could rip us in half. Stay safe my lovelies and please do enjoy!
Synopsis: In which he is the bad one— the dangerous one, the clunky one, the one who only knows how to break things— and she is the good one— the fragile one, the soft one, the one who knows how to put things back together— and he has to keep her alive long enough for anyone else— anyone who can do more than kill— to save her like she deserves to be saved— to save her from him. There are no pomegranates, no three headed dogs, and no requirement to stay— that is, if they don’t count an assassin on the loose out for her neck. In that case, three days in a safe house doesn’t feel like a long time— just long enough for Persephone and Hades to remember why opposites attract.
Pairing: Bucky Barnes x Female!Reader (third person)
Warnings: some angsty moments but overall no warnings
Word count: 4.1k
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She’s tiny. That’s the only thing he can think for the first couple hours. She is so damn tiny and fragile and soft and he doesn’t know how to be around a human that tiny and fragile and soft. Maybe it’s worse because he has to keep this tiny human alive. He hasn’t had to do that before— all the other tiny people in his life have been perfectly capable of keeping themselves alive. Even Steve all those years ago, when he only came up to his shoulder—barely— would have fought tooth and nail to stay alive. Even then it always felt like Bucky was just there in case. Maybe that was just Steve though.
He blinks— he doesn’t want to think about the man right now. He can’t afford to get lost in his head. Gods only know if he starts thinking about those days— the ‘good’ old days— he won’t stop. Maybe not for days. Maybe because they’ll remind him that he’s not supposed to be here— that he isn’t made to keep tiny, gentle, grilled cheese cooking, question asking things alive. Usually he’s the one hindering people from being alive— hindering life itself. Usually it doesn’t bug him this much but he can’t help but equate the girl in the Caltech hoodie with life—
“Is what they say about New York pizza true?”
— And himself with death.
“S’alright— Chicago is better.”
He watches as she flips through a book that she had picked up off the coffee table a few minutes ago. The Big Book of Dogs. Is he supposed to laugh at that? She is— giggling and flipping through pages upon pages of puppies. It isn’t aimed at him, her musical, soft sounds. She isn’t laughing at him. It only feels like she is. He’s learned to separate the difference these days— it’s just in his head. Still, he has to turn away from her, using the guise— his job— of being a bodyguard to keep his gaze moving.
From the corner of his eye he watches as she lowers the book, peaking over at him from behind a peppy looking Alaskan Malamute— yes, he knows his dogs. He is one, after all.
“You know, I think there are quite a few people who disagree with you on that one.”
Bucky pretends to ignore the way she quirks a brow at him, her eyes drifting back to the page. He also ignores the way his heart spikes at the little movement. Snap out of it, Barnes. He stands, stalking to the living room window and pulling back the heavy green curtain. Nobody is out there— he didn’t expect there would be someone, he just needed to move. How many more hours?
“Thought you were asking me.” He quips, staring out towards the bayou where the water has turned grey and choppy.
He watches as the rain pours down the window pane, tap tap tapping in front of his nose as the sunlight surrenders to the misty storm clouds. As much as he hates to admit it, Wilson was right— the rainy season’s rolling in on the dot. Even he is starting to feel the effects, his bones beginning to leaden.
As if on cue, she yawns, setting down The Big Book of Dogs and curling her legs into her chest, hiding them beneath the mountain of fabric she wears. “I was gauging. Consider it a test.”
Bucky huffs— not sure if he’s annoyed because of her questioning or because of how, despite the tension still laced through his shoulder blades like sailors knots, he isn’t that bothered by it. Annoyed because he isn’t annoyed— that’s a first. He lets the curtain drop again and turns to the TV where Netflix lays open but unused, blocking out one mind numbing haze for another. What would they even watch together?
“Oh yeah? Did I pass?”
Maybe some cheesy sit-com. That feels harmless enough and he’s been catching up on a few of them. Some of them even make him laugh. Maybe that’s in poor taste though. He’s never had to deal with someone else’s grief before— he rarely deals with his own as is.
“Maybe it would be better to just not ask that.”
He doesn’t think before he says it— he doesn’t have time to, it slips out before he can grab it and shove it back in his stupid, sentimental mouth. “You sound like Steve.”
Fuck. Her head pokes up, her doe eyes somehow managing to meet his gaze despite how hard he tries to force his neck to turn in the other direction. How does one person look so soft? He can see the question in her eyes, the way they spark with intrigue. He watches in slow motion as her lips— not glossy like they had been in the picture but still just as pink— peel apart.
“Who’s Steve?” Her voice is too sweet— too sincere. Like she actually doesn’t know. Then again, maybe she doesn’t— they never really used his name.
Bucky can’t answer. It’s too early and Steve is too long of a story. One hundred years worth of story, to be precise. How is he supposed to fit all of that into one answer? He can’t. He can’t answer but he can’t not answer either— not when she’s looking at him like she wants to know every little thing about him.
Bucky can’t answer so he doesn’t answer. “You ask a lot of questions, don’t you?”
She sinks back against the leather cushions, pulling her hands into her sweater. He almost curses when she curls her knees closer to her body. He can’t really see them from under her hoodie but he can see the movement— the way she wraps her arms around her legs so that she looks like a tiny blob of fabric and a head. His chest squeezes at the sight of her pulling away from him. Can he ever say anything right?
He told Wilson— he told him that he wouldn’t be a good fit for the job. What, a man like him? Man, dog, wolf, asshole. What’s the difference? He was right, that’s all that matters. It’s been all of five hours and he’s already making her uncomfortable all because he can’t—
“You’re the one who brought it up.” She grumbles, her soft— less sweet— voice pulling him from his unintentional staring contest with her forehead. His neck flushes with heat. Shit.
Bucky sighs, running a hand through his hair. “I know it’s just— it’s a long story, doll.”
Again, it just slips out. Instead of wanting to push the word back into his lips this time, though, he wants to punch himself in the mouth. Doll? Really? He watches as her eyes blow wide, his stomach sinking when her pink lips peel apart again, her jaw going slack but none of her honeyed words coming out this time. Fuck, fuck, fuck.
Immediately he begins running through apologies in his head. Of course none of them are actually worth their weight— not in gold or anything else. Not even in the energy it would take to say them. What’s he supposed to say? Sorry the last time I spoke to a woman was eighty years ago. That would be even more explaining. Damnit, Bucky!
He tries not to groan out loud, clenching his jaw, still staring into her eyes. Look away, you idiot! He can’t. He’s about to say something— or maybe he’s about to literally throw himself out the window, he isn’t exactly sure which is going to play out just yet— but before he can do either the delicate girl in the Caltech sweater speaks first.
“I— erm—” she squirms in her seat but her eyes stay latched on him the entire time— maybe she’s a fighter after all— “we have time?”
For a moment he just stares at her, lost in the way her nose scrunches, her lips pressing together like she’s the one who said something out of line. Like she, too, is contemplating punching herself in the face. That’s when he caves. It’s to save her from a broken nose. He repeats it like a mantra. He isn’t giving in because he’s weak, he’s giving in because it’s his job to make sure she’s safe— even from herself.
He takes a step forward, only now realizing he’s been standing in the middle of the room the entire time. Has he always been this fucking awkward? Nodding his chin towards the floor, the space in front of where she’s perched, he shoots her a look he can only hope resonates as something along the lines of ‘can I sit?’. She nods and he lowers himself to the ground in front of her, leaning against the side of the couch as gently as the super soldier can muster. Despite his efforts he still lands with a thud, the couch shifting backwards a couple inches. It’s not terrible— she only slightly flinches this time and he only kind of wants to bury himself alive.
“Not that much time—” he watches as her face drops, the way her her cheek twitches like she's sinking her teeth into it, and he hurries the rest of his sentence— “but if you ask—” he tries for a smile that feels more like the right side of his face seizing than anything— “then I’ll answer.”
He waits for a beat, his gaze locked on her hands which she pulls from her sleeves only to twist together again. He has to stop himself from looking down at his own hands— from thinking again about how fragile and delicate she is. He doesn’t have to look to know that both of her hands could fit in one of his. Especially his special hand. She hasn’t asked about it. A few times he’s caught her peeking at it, no doubt a million questions swirling behind those wide eyes of hers, but those are questions she has kept to herself. He wouldn’t blame her if she did ask, though— or if she was terrified.
“Alright,” his eyes flick back to her face, meeting her determined stare and avoiding the way his chest lightens, “deal.”
He nods.
“But—”
Oh no.
“You have to ask me things too. It’s only fair— that way we both know things about each other.”
It’s only fair. He doesn’t know what to say. Again. It seems that every time he feels like he’s beginning to figure her out he gets shoved on his ass. Literally— he is quite literally on his ass right now. All because of what? A little girl? A little girl with small hands and a stare worse than his?
A little girl who thinks he of all people deserves fair. He knew life was cruel but this is worse— this is evil.
“Ask away.”
* * * * * * * * * * * * * * * * * * * * * * *
“Wait, wait, wait— you can’t be serious!”
Her giggles sound more like music than laughter to him. Usually he hates music— the newer stuff at least, maybe Wilson was right; maybe he is an old man— but this is bearable. This is mesmerizing.
He glances up at her from over his shoulder, fighting the same smile that’s been threatening his lips for the better part of two hours now. He isn’t sure why exactly he does it. Maybe because he knows it would be nothing compared to hers. Maybe it’s because it doesn’t deserve to be compared to hers. He isn’t a religious man but it feels blasphemous to even suggest he could exist with a margin of the sanctity she exudes. He’s committed many sins— that he can say with certainty— but to propose that he is the same as her would be the worst one of all.
Of course, that doesn’t stop him from soaking up every pious laugh into his wicked skull— he isn’t a perfect man, after all.
“Deadly serious. Steve was pissed at me for weeks. How was I supposed to know she had a husband?” He is rewarded with more giggles, ones that set his chest on fire.
Is that what happens when demons spend too much time around angels— they start to burn?
She pulls the blanket she acquired around an hour ago over her face, muffling her laughter much to his dismay. “You could have asked her!”
Bucky lifts a shoulder before letting it flop back down again. “You’re right.”
This is how it has gone since he proposed she ask him questions. She asks him her question— usually something light and easy— favourite color, favorite food, what was the last thing he bought. That one threw him for a loop but he answered anyway— Chinese food. She had giggled at that. You don’t seem like a Chinese food kind of guy. She’s not wrong. That is usually what she does after the questions, though— giggles. Giggles and teases him. Tortures him. Same thing. He doesn’t even think she knows what she’s doing.
Then, of course, he asks her questions of his own. They’re pretty much the same— favorite animal, middle name, what Passadena is like. Warm and busy. That was her answer— he’s never been to SoCal so who’s to say whether or not she was telling the truth. He really doesn’t care. He was more paying attention to the timbre of her voice— the way she makes normal words sound important. He didn’t know he could be so enthralled listening to someone talk about a cat named mittens.
For the first hour or so it was questions like that. The easy, no commitment kind. He wouldn’t have minded if they had stayed like that but, as he kept answering, she had grown more and more confident. Honestly, he didn’t mind that either. It was interesting to watch as she became comfortable around him. Well, more comfortable than before— more comfortable than he would have thought she could be around a guy like him. Her knees eventually pushed out of that hoodie and she relaxed into the couch. It was strange— completely and utterly strange.
By the second hour she had braved the first of many hard questions. It wasn’t what he thought it would be— still nothing about his arm— it was nothing close to that, actually.
It was about his mother.
Maybe it wasn’t supposed to be a hard question but it was, unexpectedly so. His mother. He hasn’t thought about his mother in years. Longer. Decades. He wasn’t expecting to feel so guilty about it but there he was, feeling like his throat was being crushed, while describing to the tiny, lovely girl— who has just lost her own mother— his mother’s lily of the valley perfume. He assumed that’s why she asked— because she misses her mother. He doesn’t blame her. He just never thought that he would miss his mother, too, today.
The rest weren’t as bad as that one. They still made his jaw ache, sure, but not like that. The ones about Steve were the only ones remotely comparable. How did you meet him? What was he like? What’s your favourite story with him in it? That was the last question— the one that made her giggle herself into a half hanging, half sprawling position over the arm of the couch— the position she is currently in right now.
He doctored the answers a little bit— he figured now isn’t the right time to tell her he’s pushing a hundred and ten— but he kept the good parts. Like how Steve and he had run through the streets of Brooklyn that night— Steve without a shirt and him in nothing but a pair of boxers that he is pretty sure to this day had belonged to her husband— being chased by the New York police. Good times.
“What, erm, what was her name?” Her voice is extra gentle— airy.
She’s nervous or maybe out of breath. He can’t quite tell, she’s too flopped over to get a proper look. She’s breathtaking either way.
All of a sudden it’s extra hard to fight back his smile. “I thought it was my turn to ask a question.”
Sitting up, she pools back into her seat. She scrunches her nose at him but doesn’t object. He can see that she wants to, though. Her eyes hide nothing. Then again he’s been trained to read people— to see the minute tick of her jaw and the invisible pulsing of her pupils. Invisible to anyone but him. Invisible to anyone who isn’t a monster— the big, bad wolf. His borderline smile dies quickly and he can’t bring himself to search for it again. This is how it should be.
Bucky clears his throat, mulling over what to ask her next. His eyes drift over the tan hoodie, the frays on the cuffs and the fact that there are no strings, and, like that, he has an idea.
“What’s the deal with that hoodie?” He tries to make it casual but he really does want to know— it’s like four sizes too big, there has to be a story.
He tries to make it casual but she still sobers. Like her hands receding once more into the cuffs of her sweater, the last remnants of the giggly girl fade from his line of sight. He chases it as far as he can, watching as her fingers disappear completely and lingering just in case it’s only a fluke. But no, they don’t come back, and he wishes he could disappear with them.
“It was—” her tongue pokes out, swiping against her pink lip and making it shine— “it was my dad’s. He, uh, he went to Caltech too. Was part of their alumni.”
The super soldier nods, pulling his legs up as well, hoping that by copying her she’ll see it as a signal to keep going. He doesn’t want to speak over her and accidentally derail her thoughts. He wants to know about her dad— her whole family actually. Whatever is important to her, like the hoodie.
“We used to go to these big alumni dinners and he would talk at them. Families like us were invited I guess— like a thank you of sorts.” Her eyes take on a faraway look, still latched on his but glassy and distant, no longer actually seeing him. It’s a look he understands too well. “One time he pulled me on stage with him. I think maybe I was thirteen? He said—” she stops, swallowing so hard her throat bobs, and he has to shove his hand under his leg to keep from reaching out— “ah, I’m sorry. He said ‘this girl right here— this is my daughter! If you think I’m good at what I do then you should see her. She’s something I tell you— Gonna be the best this school has ever seen!’”
His chest tightens— not necessarily from her story but from the way her voice cracks, her soft tone becoming scratchy. She swallows again and he hates it. He hates that he can see tears ready to fall and he hates that she’s even here with him under these circumstances.
He hates that he’s still grateful to be here anyway, being the person who she tells her story to.
“Was he right?” He knows it isn’t his question but he has to say something— anything— to make this better. He has no idea if this is it but it’s worth a shot.
Her brows push together, her head tilting slightly to the side, much too elegantly to be normal— are all women this pretty or is it just her? She blinks, clearing some of the mist, eyes drawing over his face. She traces across his brows, down his nose, stopping on his lips for a pulse— like tracing out the rhythm to a song only she can discern. Everything she does is like music. It must just be her.
“What?” She doesn’t say it rudely; she says it like she didn’t hear him— like she was too far lost in the wonderland of her memory to hear anything— and his chest tightens even further.
“You said your father told everyone you were going to be the best— were you?”
He doesn’t take his eyes off of her, slowing his words and waiting for the recognition to creep in. It takes a moment but it does, the last of the glass evaporating into something else.
“I, uhm, I don’t know—”
“You do.” He presses— he can hear the edge of that something in her tone. The downplay is scribed over her feature— lowered eyes, flat mouth, trembling fingers— she wants to say something.
“What do you even know?”
About anything going on in my head— yeah, that’s not familiar at all.
Bucky doesn’t flinch when she hisses the words at him— partly because, despite the clear ice in her words, he doubts they came out as hard as she was hoping they would. Her voice isn’t made to sound wretched. He knows she could tell him the filthiest things— tear him down to the last peg, spit his name out like a curse— and she would still sound like an angel. That makes her dangerous— or at least it would if she didn’t already have tears welling up in those big eyes of hers again.
He flicks a brow, letting one corner of his mouth tick up, telling himself that it’s only for her peace of mind— to let her know that he isn’t angry at her. That he gets it. That sometimes he feels so fucking confused and hurt and scared that he, too, wants to hiss at people because at least then they leave him alone. Yeah, it’s only for her peace of mind.
“Try slamming the ‘you’ harder next time—” he draws the word out, exaggerating the motion while keeping his features a mixture of schooled and relaxed— “usually works out better.”
Her hands— which have been tangling over the collar of her hoodie— drop into her lap with a thunk, her eyes rolling. “Thanks.”
“You’re welcome— but you never answered.”
She shoots him a deadpan stare— well, sort of. She never actually stopped looking at him so her face just morphes from vexed to blank. So far it’s his least favourite expression— he would rather she just got angry. He’d rather see fire— or ice— than nothing.
“I thought it was my turn?” Doesn’t she know that the more she avoids the question, the more he wants to know the answer?
Bucky doesn’t let up— he will if she actually tells him to drop it but she hasn’t and he doubts she will— she’s too determined to win. “Consider it payment for your extra questions.”
He holds her gaze still, waiting for the moment she folds. It takes longer than he expects it would, sitting in silence with her eyes on him for almost three minutes. He almost breaks around two and a half minutes. The girl has a way of looking at him like she can see right into his head. Still, he holds, waiting, waiting, waiting until finally— there it is!
Light a light shining in the darkness, her mouth pulls into a merciful smile— well, if mercy means the coy glint in her eye, that is. “I was the best.”
The super soldier nods, finally letting his gaze drop. He doesn’t say anything— he doesn’t have to. His point has already been made. He never wanted to be right. He just wanted her to say it. Not for him but for herself. He doesn’t let himself mull over what that says about him. Nothing good. That’s the only answer. It says nothing good about him, the lengths he’s already willing to go to keep this soft, icy girl safe. Him, a monster. It only tells him that he’s selfish— but he already knew that. Those are thoughts for another time.
“Your turn.” He reminds her, leaning back against the arm of the couch, all but aware of the foot of space between his head and her hand which is scratching over the leather behind him.
There is no pause this time— no beat, moment, or minute. Just like that she’s back, moving on to the next topic, almost as though she has had the question queued for ages now, dying to know the answer. He supposes it’s only fair— she let him ask his questions.
“What was her name?”
Her voice lacks the airy note it had held the last time she asked, clearly over waiting, and he has to turn to the window to hide the way he finally cracks, his lips sloping up in a grin that’s both too alien and too familiar. It tastes too much like the old days— like peach schnapps and movie theatre popcorn. She’s not ready for that. He knows because he isn’t.
“Delores.”
_______________
Tag List: @xhollycowx @remembered-license @dumble-daddy @hellotvshowtrash @thesummerbucky (if i missed anyone I am so sorry please shoot me a message and I’ll fix it)
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mittensmorgul · 4 years ago
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So for the most part, I outright reject the finale. But I do think, in light of the whole "Jimmy was supposed to be in the bar, and Dean was disappointed by that because his perfect heaven would have Cas in it" just makes me all the more convinced that the final episode was some kind of djinn dream. Like.... There's no other explanation in my opinion. If Dean's perfect heaven was supposed to have Cas, and he tragically gets faked out by Jimmy (????? Why tf would jimmy be there anyway), it just proves that it's not ACTUALLY heaven. That, along with he El Sol beer he's drinking is all the evidence I need. I think after 15x19, Dean and Sam got whammied by some monster, and are stuck in a hallucination, and that's what we're seeing. (My headcanon is that it's actually The Empty doing it, because it knows if it doesn't keep Dean and Sam occupied and spinning in circles, they'll invade the Empty to save Cas. So its trying to prevent that) :)
Hello, anon friendo! I am gonna start by offering the socially distanced version of a high five, because yeah... There is just so much to unpack here, and you provided such a succinct and all-encompassing series of statements to start from. Thank you!
*flings open array of questionable suitcases*
First off, Congrats on having rejected the finale. I know a lot of folks are still struggling with that one, for many reasons. But you have hit upon so many of the points I’ve been trying to make about the finale since it aired. I’d just like to start with some of the assumptions I’ve heard from folks about the finale that make it impossible for me to consider it fully honestly canon. Because so much about it just makes no goshdang sense... like... not at all...
One of the biggest issues I have surrounding the reception of the finale in parts of fandom is that it portrayed a “happy ending.” The show itself spent the entire final season telling us that a gravestone marked Winchester was not and never would be a happy ending (thank you Becky Rosen-- words I never thought I’d say, but honestly and most sincerely meant). Let’s break this down a bit.
Starting from the assumption that “heaven was fixed” so that characters could have true free will there, making it satisfying in any way that Dean died so young and never got to truly experience happiness during life, I would like anyone who has adopted this attitude to then explain Kansas the band. I mean... explain that in any satisfactory canon-compliant way. (hint: you can’t. it makes zero sense in canon, if heaven is truly reformed and “happy” with everyone in possession of free will.)
Which brings me to Misha’s comments about Jimmy being in the Roadhouse. Why, if heaven were truly fixed, would Jimmy ever in a bazillion years attend a party for Dean Winchester? If Heaven were truly a “happy” ending for Dean, why introduce this element of eternal tragedy and heartbreak to his heaven experience? Why taunt him with the eternal loss of Cas-- even if you don’t think he reciprocated Cas’s romantic feelings, he was canonically the best friend Dean ever had, and being forced to exist forever in a place where he had everyone else he ever cared for except for Cas? Is frankly horrific.
How the actual fuck is that a happy ending, in any sense of the word?
How is this the sort of heaven that Dean would’ve made for himself before it was “fixed?” At least in the memorex heaven, he could’ve lived in oblivious peace with Cas, even if it was always just his own memories and not ~actually Cas~. I honestly think that would’ve been happier than the abject tragedy of what we did get, and what we would’ve gotten had the original script played out.
All of this kind of makes me wonder if they ever even actually defeated Chuck. Like... it feels more like Dean got pulled into the Empty at that moment with Cas and Billie, and everything else after that point was the Empty’s endless experience of sorrow and despair we knew it subject its charges to. So that’s one potential for what could’ve actually happened. I mean, everything about the finale was sorrow and despair, you know? Dean didn’t even get to enjoy his pie at a pie festival because Sam smashed in in his face. How is any of it happy, in any way?
Because if that was actually heaven, there wasn’t actually any free will (because why tf would Kansas the band have chosen to put on that concert? why tf would Jimmy have been there, just to torment Dean with the taunt of Cas returning to him only to have that hope snatched away again? It’s cruel. It’s, in fact, a source of intense despair).
The djinn theory could also work, and I’ve read some excellent fix-it fic using that as a premise. But that doesn’t really explain what happened to Jack (and Amara, since she was in there with them) after hoovering up Chuck’s power, you know? I think the simplest explanations in canon are that Chuck actually won via the unified power of Light and Dark being transferred into Jack and effectively using him as a vessel. With Sam and Dean convinced they’d won, they effectively stopped resisting Chuck’s story for them, and using Jack’s understanding of humanity and the Winchesters specifically, Chuck finally was able to implement a version of his story that the Winchesters would just waltz into without thinking it was supernaturally influenced at all. Going bigger and bigger with monsters and cosmic troubles hadn’t worked, but going so small Sam and Dean would barely even notice the influence-- even with the incongruous reappearance of a vampire that appeared in their lives once, for like two whole minutes 15 years ago, and an unsolved case from the journal from more than 30 years ago that John had never even linked to vampires at all.
At this point, I need to mention that I’m watching 10.23 as I type this up. An episode in which we confront the Mark, along with Death, and Dean’s despair, where he learns a version of the truth (but by no means the full truth, or even accurate truth in some respects) about Chuck’s Story, Amara/The Darkness, etc. That would unfold more fully over the next five seasons. And what was the case Dean took in this episode? Vampires. LOLOL omg this show is nothing if not horrifically consistent, yes?
So because of this, I went haring off through my own blog looking for a post I made a long time ago about the symbolism of how various monsters are used on this show (because again, consistency). I got sidetracked by other posts in my monsters tag, including this from after 15.09 aired, which feels particularly awfully relevant. This was my reaction to Chuck’s Story he showed Sam in that episode, about what the future would look like should he successfully trap Chuck with a Mark, and which... yeah is basically exactly thematically consistent with what we saw in the finale, right down to a cheesy twist on vampires. Read the whole post right here, but this is the part that reached up and punched me in the face:
this is how Dean personally reacts when he loses Cas. We know how he reacts when he loses anyone else– think about what he did when Charlie died. He went on a murder rampage against the Stynes for killing her. When Mary died he broke some furniture and went full bore toward both resurrecting her and stopping Jack. But without Cas, Dean loses the will to fight. Sam has… always been different. He referenced Jess in 15.04 to remind us of how he was after she died in the pilot episode. Just like John, he picked up the revenge mission and ran with it. But for Dean, Cas is different. Without Cas… Dean gives up.
Because... Dean gave up. Sure, he and Sam weren’t overrun by vampires in the end. Chuck knew they’d never stop fighting the monsters, one way or another. The only way to get Dean to give up is something Chuck hadn’t quite figured out yet... maybe not until after 15.17, after confronting Cas in the hallway of the bunker, after absorbing Amara’s power, knowledge, and perspective on Dean.
Chuck needed Dean to give up, and honestly? Pushing Billie to clear him off the table and send him (and Cas, that pesky angel who never did what he was told) to the Empty would’ve been a direct way to deal with that... pretty much akin to having one sibling locked in a cage forever, yes?
Also, still looking through my monsters tag, I’m reminded of 14.15, and still cannot differentiate the version of Heaven in 15.20 from what was done to the people of that town. This... is not... paradise. This is actively what Dean has been insisting is the OPPOSITE of paradise since like… 4.22… No ending where Dean was a “Stepford bitch in paradise” ever had the possibility of being “happy,” at the core of things, and this “fixed” version of Heaven just doesn’t hold up to any degree of inspection. Something is seriously wrong here. https://mittensmorgul.tumblr.com/post/183465650390/so-can-we-talk-about-this-monster-of-the-week-for
And since I was unable to find the post I wrote who knows how long ago about Monsters and how they’re symbolically used on Supernatural to represent larger themes in the episode, I’ll just attempt to sum up what Vampires have been used for. Revenge. Vampires are always, in some way connected to themes of revenge.
(and hooray, I found at least a post adjacent to the one I’ve spent the last four hours trying to find... https://mittensmorgul.tumblr.com/post/187207052080/i-obviously-did-not-think-this-through, where I mention that shapeshifters are about revealing hidden truths (mostly about Dean since most shapeshifters are connected to Dean), zombies are about grief and the inability to move past it.)
So why... why at the end of their road is the monster that comes after them-- literally FOR REVENGE for something that had never been blamed on Sam or Dean to begin with, from season 1, directly connected to John’s revenge mission and the first time they learned about the Colt AND the first time they learned in canon that Vampires were even real... like... this feels very specifically like some kind of layers-of-meta levels of shade on them, you know? Vampires are for revenge, so what vengeance exactly is being visited upon Sam and Dean in this episode? If not Chuck’s entire story for them itself?
So yeah, 100% agree, something is incredibly rotten in the finale. And I am sick to effing death of people trying to convince us that anything about this was “good” or “happy” or “satisfying” in any way. Or even “how it was always supposed to end” with Dean dead bloody, as if the entire back half of the series hadn’t been suggesting that a true win was the subversion of all of Chuck’s story for them, and Dean finally being able to have his chosen family all alive, happy, and chilling on a beach somewhere watching the sunset. Nothing will ever convince me that the ending portrayed in 15.20 wasn’t exactly how Chuck thought he “won,” rendering it entirely irrelevant to the rest of canon, unless all of canon was ultimately the tragedy we’d been encouraged to believe would be firmly defeated in the end.
Folks, you can’t have it both ways. 
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mah-gah-lee · 4 years ago
Text
be stuck with you - owen patrick joyner x (reader)
Tumblr media
Word Count: 2303
Request: YES, from that sweet @idontcare011​, hope you’ll like it ! 
Summary:  you were late and a random boy comes into the elevator at the last minute. By some incredible force of fate (or pretty crappy weather) you find yourself stuck with the young man in this narrow cabin.
Warnings: panic attack and i think it’s all
disclaimer: I don't know Owen personally or what his life is like. All you will read in this "x reader" is from my imagination. My point is not to invade Owen's privacy. I don't want to offend him or offend anybody else in his life (family, potential girlfriend…I heard maybe he has one, so I don’t know but I don’t want to offend her).  All of this is not the reality
Tagged: @asdfghjkl-fanfics​ @standingtalllove​ @lukeys-giggle​ 
---
Thanks God, the quarantine was over and everyone could travel again. However, this stupid virus was not completely gone. Since the health crisis, you have adopted new habits, such as taking the stairs instead of the elevator. But today, you were in a hurry, so you entered the cabin eagerly. The conference you were due to attend was starting in no less than twenty minutes, and your itinerary had said it would take you 15 to get to your planned location. But with the weather conditions creeping in out there, you were sure you would need a lot longer than advertised. The automatic door was closing when a hand stepped in the way. A young blond man appeared and slipped into the elevator. You grumbled at the action, making you fall a few more seconds behind.
 "Sorry" the boy said through his mask.
 But you didn't answer.
 You had almost ten floors to go down together. You looked in your bag for a while to make sure you had your recorder when you felt an uncontrolled jerk. Your body no longer held you in balance but you caught yourself on a side of the elevator as the young man accompanying you tended to stabilize you. The lights flashed for a while and then went out. Your eyes widened as your heart pounded.
 "oh no no no no no no no. Anything except that, please!" you said, frantically pressing a random button.
 “I think we stuck…”
  "Oh yeah, what makes you think that?" The fact that we weren't moving or that the lights went out? "
 The boy threw up his hands in defense, eyes wide with so much animosity.
 "Hey, I'm in the same situation. You don't have to be aggressive."
You groaned before leaning against one of the elevator walls, peering into the face of your elevator failure companion. He had blond hair; his tips reached the base of his neck. But his expressive blue eyes - seeming constantly anxious - reminded you of someone, but you didn't know who. You have pushed the alarm button to warn the staff that there was someone in the lift.
 “Sorry, it’s seems to be a bad day. I’m late and now I’m stuck in an elevator with a perfect stranger”
 “I’m Owen…Not a stranger anymore”
 “I’m y/n, but yes, you still are”
 Owen laughed at your outspokenness and you gave him a polite smile before you were silent for several minutes.
 After what seemed like forever - when it was only ten minutes - you looked at your phone. No networks. For no obvious reason, when everything seemed to be going well, your heart started to beat faster. The thought of being stuck here forever crossed your mind and ached in your chest. The boy in front of you seemed so calm, which made you even more anxious.
 "How the hell can you stay so calm"
 "Oh ... I'm dying inside, just trying to play it cool"
 You can help with giving him an amused smile, he had been so frank. But this little interaction did not bring you back down from your state. You were breathing harder and harder, your chest was heaving quickly, it was nearly out of control. Owen seemed to notice that and give you a concerned look.
 "Panic attack?"
 You nodded briskly and Owen approached you cautiously. You saw his hands move towards you and your gaze expressed fear but you were paralyzed to do anything.
 "I'm going to take that damn mask off you already."
 Gently, he grabbed the fabric mask and pulled a little on it to lower it, he reproduced the gesture with his own mask.
 "Look at me, just me. There's nothing around us. Take a deep breath. I'll count to 3 and then you'll breathe out. Okay?"
 you nodded and when he shook his to urge you to breathe you took a deep breath, like he told you to.
 "1..2..3"
 You sighed, keeping your gaze on him. You started once more and when the blonde asked you if it was better, you were shaking your head negatively.
 "We're starting over but… take my hands and squeeze them as much as you need. Don't worry about grinding them."
 You grabbed his hands and restarted each step over, crushing his hands. But the contact with matter, your breath and Owen's comforting eyes, help you gently. A soothing silence has settled between you. Owen had helped you through this panic attack when you didn't even know each other. But you could feel deep inside that this man was good. Things seemed to calm down for you and you thanked Owen with a genuine smile.
 “You know how to deal with it ... Thanks for that.”
 “I also suffer from anxiety and panic attack. But the elevator is big enough here that it doesn't cause me one. Although I am a little anxious ...”
 “hey, breathe Owen.” You replied with a smirk
 Owen laughed and shook his head as if to say "that's a good one!" You look at the young man again, staring at him intently. It was very rude but you couldn't put a name on his face anymore. You were sure you knew him. Was he a distant cousin? A neighbor? A guy you knew in high school? Or just a guy you saw in an ad? Maybe the ad for these new cereals!
 “Excuse me but ... I've seen you somewhere before, haven't I?”
 “In an elevator, yeah!” he joked
 You laughed he was funny
 “No, I mean ... I feel like I've seen you before but I really can't remember where.”
 he sighed, as if a little tired of the question. You were surprised at his reaction but Owen answers you anyway
 “Yeah, I don't usually talk about that when I first meet a girl, especially when I'm stuck in an elevator with her but ... I'm an actor. I played some stuff on Nickelodeon and now I'm supposed to shoot season two of Julie and the phantoms, it's a Netflix series.”
 You watched him chattering, you nodded then wide your eyes. This is where you saw it! You had been relentlessly browsing the Netflix catalog and seeing the trailer for the series he told you about, but you had avoided it, the show seemed too childish for you. You first reaction was to make fun of him
 "Again, don't forget to breath Owen. But the way, I didn’t want to bother you with that question."
 He laughed lightly then smiled politely at you. You didn't seem to be a hysteric or a weird person. He had a deep feeling that you were a good person, which is why Owen seemed to relax.
 "It's just ... for a while, I thought you were a fan and I didn't want things to be weird all suddenly "
 "Oh don't worry I haven't seen any of your shows.” you said nonchalantly
 Owen burst into laughter. Once again, it was bafflingly sincere and he was really starting to enjoy being stuck in an elevator with you. You smiled, the energy in the cabin was positive that you almost forgot you were stuck with this young man for almost half an hour. You didn't know when you were going to be able to get out of here but you didn't really care anymore for the sole reason that you wanted to get to know this man. You tilted your head back, resting it against the elevator wall before sighing loudly. Seconds later, your gaze turned to Owen again.
 “So tell me about this series that you’re filming. What is it about?”
 "It's a pretty cool show actually. It's directed by Kenny Ortega, I don't know if you see who he is."
 "Hell yeah ... he's the choreographer of Dirty Dancing"
 "Himself ... So what about the storyboard ... It's about ..."
 And then, you listened to him to tell you about the series. Something like a '90s band dying of food poisoning from a bad hotdog and returning twenty-five years later as ghosts to help a super talented young girl to make music after her mom passed away. It made you laugh; it was probably the dumbest death on TV after Marion Cotillard's in Batman. He couldn't even stop anymore so that he sometimes swapped over a few anecdotes from the set. You even got a little exclusive on season two before Owen stopped in the middle of a sentence.
 "Sorry, I got a little carried away. But when you like your job, it's pretty easy to talk about it."
 You smiled at him and Owen started asking you questions, about your work, your life, your passions and you were giving him back. The conversation was fluid, natural You learned that he was German, that his mother tongue was German until he was about four years old, that he had a sister and had lived with his parents until that year when he moved into his own apartment. Getting to know Owen was really nice and you could feel your stomach twist every time he smiled. He was a boy full of humor but also sarcasm.
 You've been stuck with Owen for an hour and a half now. You ended up sitting on the floor of the elevator. Boredom was really starting to take hold of you. You rummaged through your bag for something, anything. An idea crossed your mind when you saw the small block of post-it notes.
 "Owen"
 "hmm?"
 "How would you like to play a game?"
 "What kind of game do you want to play here?"
 "Who am I?"
 "Obviously you are y/n" he tells you with a smirk.
 You laughed before pulling out your notepad and a pencil to show it to the blonde. He claimed to have understood your intention, which made you smile even more. Of course, Owen knew the game you wanted to play. He nodded, and you'd write a celebrity's name on a sticky note before sticking it on your new friend's forehead. He did the same for you. Fortunately, your two post-its are well stuck. Owen spoke
 "I start: am I a man?"
 "Obviously" you say with a smirk, responding to the blonde's previous joke.
 Owen laughed, catching the tone of your voice.
 “But how funny she is! Is my character a man?” He continued.
 You did several parts. You even teased him when he made you guess Julie and the phantoms, because the game didn't stop only with characters, celebrities but also series, movies, musicals. You were laughing when there was another shake, stronger than the first, the lights came back on and you couldn't help but be disappointed. You looked at Owen and he seemed to have the same gaze as yours. The doors barely opened and you found the hotel staff, patiently waiting to ask if you needed medical assistance, while also offering you a bottle of water. You left the elevator car, hurriedly stuffing the many post-its into your bag. You didn't really know how to act with the blond guy next to you. You had formed a little bubble in that enclosed space and now it seemed to have burst. For some strange reason, it made you sad. Now is the time to part ways with your new friend.
 “well, good-goodbye, it was nice to meet you.”
 you rushed into the hotel lobby a little more, but Owen seemed to catch up with you, his long legs only having to take a few strides.
 "wait, y/n!"
 You turned to him, you could see the embarrassment on his cheeks, asking with a frown what was the cause.
 "I think you let that go"
 "No, I don't"
 You looked at the crumpled white paper. It even looked like a piece of chewing gum. And at first glance, Owen's perfectly white teeth were chewing one.
 "I think you did."
 He handed you the paper with a determination that convinces you. You bite your lip as you look at the series of numbers on the packaging: a phone number. His telephone number. Owen swallowed hard as he looked at you. His eyes never leaving your lips.
 "It's pretty spontaneous of me but ... I won't start filming until next week. I hope you're still here the day after tomorrow ... because I would really like to ask you to come have a drink with me ... "
 Your cheeks turned red, did he really just ask you for a date? You did not know what to answer. The urge to say yes was so present but you were afraid to rush. Perhaps humor was your only defense
 "it depends"
 "about what?"
 "Does this appointment include a blocking session in an elevator? This is the only way it works"
 Owen laughed before giving you a genuine smile, showing his perfectly aligned white teeth. God, what a beautiful man.
 "I can try to fix this and find a faulty elevator."
 "So expect a text from me"
 You smiled back at him and gave him a wink before turning on your heels. Owen's heart skipped a beat and he when he arrived several hours late in the hairdressing section of the set, Charlie laughed at him saying that he had never seen him so happy to have a haircut. hair. But in reality, the blond was only waiting for one thing, and that was to receive a message from you, which arrived in a second.
 (y/n) text : "After being stuck in an elevator, here I am stuck in traffic ... Are you sure you want a date with me, you might just end up stuck with me?"
 Owen couldn't help but smile broadly.
 Owen text : "I'm sure. I'd love to even be stuck with you (again).”
(y/n) text : “Fine, ghost boy. See you soon”
171 notes · View notes
anika-ann · 4 years ago
Text
3+1 (Un)Wanted Mistletoe Encounters
Type: One-shot, Reader Insert               Word count: 4200
Pairing: Steve Rogers x Reader
Summary:  Kissing under the mistletoe is one of the most famous Christmas traditions; so obviously, it is not Christmas without it at the Tower.
Unfortunately for the occupants, you are not fond of the tradition – at all. 
...or are you?
Warnings: cliché trope, pushy Pietro, discussion of dub-con I guess, language, fluff
A/N: Idea born from this video where John Mulaney says: “If any decoration needs to be MeToo’ed…” and goes on.
Beatiful divider by firefly-graphics
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1.
You were no Grinch.
In fact, you actually liked Christmas and the Holiday season, you enjoyed both giving and receiving and you appreciated when people found time to spend it together, whether in their own family circle or with their chosen one.
But. There was one significant ‘but’.
And with this being your first Christmas with the Avengers, Sam Wilson was about to learn about the said but first-hand, because that sweet kind-hearted dumbass with a sass streak walked right into it.
Quite literally.
December 23th, you woke up well-rested, got breakfast, wrapped several presents and were on your way to hunt down a lunch in the communal kitchen, when a voice stopped you in the doorway, where you nearly ran into Sam. Nearly.
“Ah-oh,” he hummed, a shit-eating grin spreading on his handsome face and you stopped dead in your tracks, frowning at the ominous sound.
“What?”
And then came the fateful words: “You’re standing under a mistletoe.”
You see, here was a thing; the tradition of hanging a mistletoe and meeting people under it by chance as an excuse to get a kiss from someone was… stupid. Downright idiotic. Pushing people into something they didn’t have a chance to back out from. Forced affection.
Yeah, that was not happening even if Sam was a real swell guy and you did find a newly hung mistletoe above your heads indeed as you briefly looked up to check if his words were true.
“Okay. And?”
His eyebrows rose in surprise, his tone turning slightly wavering.
“…And so am I?”
“And?” you continued, crossing your arms on your chest defensively, already preparing a rant that would hopefully spread like wildfire and ended this dumb tradition altogether. Or well, at least spread around the Tower so no one would ever try to corner you again.
“Really?” Sam deadpanned and you stared right back at him, your face probably displaying precisely how you felt; unimpressed.
“Yes, really,” you emphasized and pointed up at the offensive plant for a good measure. “This is a stupid concept, objectifying people, women especially. It’s about people being forced into showing affection they might not even feel. It’s bordering on a damn dub-con if not non-con.”
Sam blinked a few times, instinctively retreating as he felt you heating up. He raised his hands in a no-harm gesture to show he got your point.
But you were already on roll and you glimpsed Tony in the kitchen, so you thought that there was no harm in him hearing your speech too, just to make sure that the smug loveable bastard of a billionaire got the message as well.
“It’s like all those poor kids being asked why don’t you give your granny a hug before we go and a kiss to your granddad— well, it’s because I don’t want to and it’s my choice to give affection to someone! And now this thing, this is the tip of the iceberg, really, the last fucking drop- it needs to be Me Too’ed, I swear.”
You found yourself panting as you finished, your hands on your hips now – not that you realized you had put them there – and your belly hot and angry for some inexplicable reason; maybe it was the fact that it was Sam, amazing, friendly and understanding Sam Wilson, who had to go and point this stupid poisonous plant out for you; and have the audacity to ask for a kiss.
Dammit!
“I’m sorry, Y/N,” he apologized sincerely, voice kind and without any hint of hurt or mockery. “It won’t happen again. I see that you might have a point in this.”
All the fight instantly left your body, replaced by warmth of friendship, mingling with a shiver of shame for your quick judgement and outburst. You sighed, easing your posture and offering and apologetic smile in return.
“I’m sorry. I didn’t mean to make a big deal of that-“
“No, it’s fine. Like I said, you’re kinda right.”
“Damn right I am,” you hummed, feeling the corners of your lips rise automatically as Sam chuckled and shook his head at your antics.
But hey – you were right. You were not sorry for that.
Still snickering to himself, Sam sidestepped you in the door and patted your shoulder.
As you continued your path as well, you would swear you heard Tony mutter under his breath that you were a Grinch.
Jerk.
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2.
“Hey! Don’t I get a kiss?” Clint called out a complaint as you met both stepped into that damn doorway at the same time.
As he pointed up, all you could do was to sigh, close your eyes and count to ten.
It had only been like four hours maybe; perhaps the word hadn’t gotten to him yet that you were not a fan of making out with random people – even if they were family – just because it was Christmas; or as Tony had put it, that you were a Grinch.
Personally, you thought that his insult had been inaccurate; you had given it a thought. Maybe you were more of a Scrooge. Perhaps you should tell him next time you saw him, just to see his face; Tony did pride in his ability to come up with witty nicknames.
You almost spitted out Bah, humbug now, just because.
“No, you don’t,” you said flatly instead, causing Clint’s jaw to quite literally drop as he looked at you with indignation and horror in his eyes.
“But--- but- mistletoe!” he stuttered and you sighed, deciding to explain it to him too – patiently.
“Why should some stupid plant tell me when someone is worth my affection? Someone who allegedly deserved it by simply standing under the same plant as me, no less? Get. Out. Not happening.”
You winced a bit as you registered the snappy tone you used.
Well. Half of the task of explaining it to him patiently went right, you’d call that a success, you supposed.
The poor archer just blinked, staring at you dumbfounded and mildly hurt; as if you had just told him that Santa Claus was nothing but a trick. Phew, as if you were that heartless…
Just-- logic. In fact, you had given this tradition a generous amount of thought since your last encounter under it and you figured out where it came from, historical inaccuracy be damned.
“I mean, where did the idea even come from? I bet it was just because some dude saw another guy mouth-to-mouth a girl, who happened to eat some of this poisonous parasite, may I add, and she was dying, so he gave her rescue breaths before continuing CPR. And the dude thought, that’s a great idea! Let’s make this a habit, just without the poisoning! Yeah, no. You’re not getting a kiss, Clinton,” you finished, satisfied with yourself as you managed to sound calmer this time.
Also, you were kinda proud of yourself for coming up with this story; it seemed very likely.
“That’s, uhm… an interesting take on history,” Clint hummed, watching you with uncertainty and hesitance and your heart stumbled in your chest as you guessed he was about to say something… cheeky, and outraging, in his cute brotherly way. “I need a hug at least tho.”
There we go.
“Nice try.”
You smirked and sidestepped him to be on your way and almost bumped into Steve, quickly shooting him a smile and disappearing out of sight before a silly idea about him and the stupid plant could form in your head – that would be bad and highly inappropriate, as was your crush on him, not to even mention your feelings—bah -!
“What did you do to her?” you heard the sweet supersoldier ask, a hint of accusation in his voice. Your smile widened, heat rising to your cheeks. Always so chivalrous; your heart could fucking melt.
“I asked for a hug after she refused to give me a kiss under a mistletoe,” Clint ratted you out, still hurt and honestly confused.
You stopped in your tracks as you rounded a corner, chewing on your lip guiltily.
Poor Clint; perhaps you had gone too hard on him… he couldn’t have known. You had to be kinder about it next time – after all, you might have been with them for almost a year now and they made you feel like you fit despite being so-so late to the Avengers party, but all of you still had things to learn about each other.
“Ah, you haven’t heard from Sam. Sorry,” Steve’s voice reached your ear, a notch kinder than before, compassionate even.
Compassion; another quality of Steve’s that you loved-
Bah, HUMBUG, that is not that, the L word is a bit much, that is not what’s happening-
“Wait, you knew- oh… Yeah, a heads-up would be nice,” Clint grumbled and made a pregnant pause, the sign of another prefect line coming. You held your breath in anticipation. “So are you gonna give me a hug or should I just get coffee, aka the hug in a cup-“
You held back laugher and swallowed the fondness for the good-natured archer before you could rush back and give him the damn hug.
“Coffee’s always a safe choice,” Steve replied and you thought you heard a chuckle and a grunt, unable to supress a giggle as you jogged away before they could notice you were still within hearing range.
Clint’s following monologue faded away as you walked.
“Nobody likes me. Nobody. I’m gonna die alone, surrounded by people who are too emotionally constipated to give a man a damn hug…”
Yeah, maybe you should give him a hug next time you saw him… no mistletoe though.
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3.
You truly believed that that would be the end of it; after all, a day had passed since the first incident, the incident that was left without a kiss, and you doubted anyone was out of the loop at this point.
That was stupid of you. Naïve even. You jinxed it.
You were just after light breakfast, ready to get a little work out in – complete with tacky remixes of Christmas songs prepared to cheer you up – when the supposedly fastest man in the Tower, and possibly the whole world, pretty much bumped into you.
And he had to bump into you just as you were walking through that fucking doorway with that fucking plant which you were supposed to put down right after the encounter with Sam, dammit.
But no, you didn’t want to ruin everyone else’s fun; in fact, Clint had taken it his personal mission to meet as many people as he could under the mistletoe to get a kiss… or a hug. Wanda hapilly shared affection with others, either kissing their cheek of hugging them. People were having fun.
So, obviously, you let it be, confident everyone knew better than to corner you.
No good deed ever went unpunished, especially in the Holiday season.
Pietro grinned as he spotted you, downright delighted, and spread his arms almost as if creating a cage around you, leaving very little room to escape.
You did not like that.
“A kiss for a guy who caught you under a mistletoe?” he hummed warmly with a sprinkle of cheek and despite his cheery demeanour, you couldn’t help yourself and rolled your eyes.
“In your dreams, Maximoff,” you huffed, trying to duck under his arm, only for him to move it so quickly it was only a blur to you.
Quick to move, slow to take a hint. Yep, that kind of behaviour had Pietro written all over it… Okay, now you were being mean, but he was being an ass, grinning wider and adding a wink to the mix, so it was only fair.
“How did you know? I thought it was just my sister who was telepathic?”
“Pietro, leave her alone,” Wanda spoke as if on cue, eyeing her brother with a frown from her spot behind the counter where she was trying to figure out a recipe for a special Christmas pastry from her old country.
A hint of a pout appeared on Pietro’s lips as he reciprocated Wanda’s gaze; unfortunately for you, he was still aware enough of you attempting to escape his cage, so far without using force; though you were inclined to violence should it be necessary.
“What?! It’s tradition! I thought Americans loved that!”
“Well, not all of us, so-“ you explained with a sigh, catching a glimpse of Steve as he now looked up from his spot on the couch where he had been nestled with a sketchbook for the past twenty minutes.
“I could kiss you before you even notice,” Pietro argued smugly, his expression earning a wolf-like edge as you glared back at him.
Well, it seemed your workout was just about to start, you thought, as you balled your hand into a fist, subtly testing the readiness of the muscles of your leg, prepared to kick the damn man-child to his shin or worse.
“She said no.”
Both your and Pietro’s heads snapped to Steve, who was watching the other man with intense displeasure, all complete with the mildly adorable wrinkle on his forehead – a sign of disappointment and irritation – and a voice that carried the gravity of a Captain’s order.
Which in this situation stirred something in your belly, warmth swelling in your chest as he rushed to your rescue; one not needed, but still appreciated. You didn’t react to Steve’s words aside from giving him a quick grateful smile and shooting Pietro a childish told-you-so look.
“She doesn’t have to do things just because it’s considered a tradition. Leave her be, Pietro,” Steve added, less snappy and simply requesting from the speedster to have a tiny bit of respect for your wishes.
Pietro was most definitely pouting now, but he dropped his arms and released you, still blocking the doorway.
“This is ridiculous,” Pietro muttered under his breath, only for you to hear and you gritted your teeth, irritation spiking again.
“You are being ridiculous. Now move or I swear I’ll slap you.”
“I’d like to see you try, Eagle.”
Oh, we’re doing nicknames now? He could use your title earned by being fast and occasionally deadly all he wanted, flattery would get him nowhere at this point.
“Wouldn’t even see it coming, Speedyboy,” you challenged, chin raised in defiance.
It was ironic, really, how much everyone seemed to insist on following this stupid tradition, even with you. At this point, it was practically everyone but Steve; everyone but the one person you’d be willing to kiss – mistletoe or not, though the plant would at least give you an excuse.
But nope, you just had to get stuck in the doorway with this moron instead.
“Ooookay, you two,” Natasha sing-sang, as she was approaching you from the corridor; you completely missed her arriving, that was how much Pietro irritated you. “Maximoff, move, you’re blocking the doorway. And if you corner her like this again, I’ll kill you in your sleep and you’ll never see that coming,” she promised, voice icily serious despite the twinkle in her eye.
You had no doubt she would deliver just what she promised.
Which was exactly why you leaned over to kiss her cheek, earning a brilliant smile from her and a light brush of her lips against your own cheek.
“Thanks, kotenok,” she hummed just as Pietro gaped and complained.
“That’s so unfair.”
You smirked at him, throwing the smugness he had treated you with right back at him as you went to walk away.
“I give affection to whoever I want and whenever I want. Let your super quick brain process that. Happy Holidays.”
You completely missed the slow smile that spread on Wanda’s face at one point of the whole exchange.
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+1
You decided to stop walking through that damn doorway altogether – just in case.
But at the moment, no one was around, so you made an exception since you considered yourself safe. Though main part of the feeling of security was that you didn’t think there was anyone left of the Tower tenants (who didn’t pay rent at all, somehow) who wasn’t aware of your opinion on the dumb tradition. No one who would be stupid enough to try.
Yet, when you glimpsed a large figure about to walk through the doorway just as you were few feet from it, you halted in your steps, letting them pass first.
And then there was a gust of wind, a warning coming a second too late and a harsh push to your shoulder from behind.
“Running through!”
You, the newest addition to the Earth’s mightiest heroes, Eagle, known for her quick reactions and not losing her cool easily, only managed to yelp in fright as you were knocked over, unable to hold onto anything and falling straight to the ground.
Two strong hands caught you and pulled you back up before you could hit the floor and you gasped, head spinning from the swift movements-- only to blink your eyes open to meet the prettiest pair of eyes you had ever seen; determined, kind, compassionate, loveable. And so damn blue despite the drop of green in their irises.
Your heart was trying to beat its way out of your ribcage as Steve instinctively pressed his chest against yours, holding you close and secure, grasp firm but careful.
Your gaze couldn’t but wander all over his face as you found yourself in such close quarters with him, his own eyes and his lips – gosh, those lips – working as magnets, always alluring your gaze to linger.
“You okay?”
Mesmerized, you watched those lips to move, barely comprehending what he was asking. His voice was warm; honey sweet and rich in spice, delicious, causing your stomach to flip pleasantly, your heart stammer.
It might have taken you a while to stutter out a reply, but no one ever needed to know about that.
“Uhm… yeah. Thanks-- thanks to you… thank you.”
Steve graced you with a small but no less meaningful smile. “Of course.”
Torturously slowly – as if he didn’t want to let you go any more than you wanted him to – he helped you stand straight and let go of your arms.
The moment you lost his touch, you lost your sanity too. You must have.
Before you could change your mind – or to think anything through – you leaned back to him and pressed a quick kiss to his cheek. And perhaps on instinct, you kinda aimed more for the corner of his mouth than the cheek.
He felt warm now too – the tips of his ears turned red in an instant and you, with horror, finally realized what you had done; and just how good it felt to finally show at least a little of what you had been trying to ignore and hide for so long.
Despite his apparent surprise and mild embarrassment, his smile widened a fraction, turning pleased.
“What was that for?” he asked lowly, gaze intense as he studied your face, a hint of a glow in his eyes, something brighter than hadn’t been there before. Hope, maybe?
You certainly hoped. Because you just made an ass of yourself, having acted without thought… and it never felt so good and so awkward at the same time.
Your brain had never been so quick and dumb to come up with a poor excuse either.
“We’re…. we’re under a mistletoe?” you offered reluctantly, your lips still burning after the brief contact with his, head once again nearly spinning due to the proximity – was it just the dizziness or was he leaning in closer?
“I thought you didn’t follow that tradition,” Steve hummed with a grin slowly spreading on his face and through the fog of lovesickness, it finally dawned to you.
You had done exactly what you scolded Sam, Clint and Pietro for – you just went and kissed Steve, no questions asked, no consideration of his possible discomfort.
God, you were such an idiot!
See, that’s why you have banned yourself for as much as imagining kissing Steve and meeting him under the mistletoe! Because when your brain went down that road, it stopped working altogether!
You swiftly retreated a few inches, horrified.
“I—I don’t. I mean. I-- I-I’m so sorry!” you blurted out, words spilling from your lips as the panic rose in your chest. And yet, there was warmth, a pleasant feeling coiling in your belly, breaths coming out short as Steve seemed to erase the distance you had created, his gaze studying you, landing on your mouth. “I shouldn’t have done that! What was I thinking—gosh, I didn’t want to make you-“
You stopped as Steve’s lips kept erasing the distance and ended up a breath from touching yours, tempting, his eyes shining bright with a simple unspoken question. You instinctively licked your lips, heart stumbling in your ribcage.  
“---uncomfortable. Yes, please-“
And then he was kissing you, a little smile playing on his lips as they danced with yours, sweet and soft, hand moving to your nape, thumb caressing the side crook of your neck, drawing a content sigh from you as your eyes fluttered shut, letting you sink into the kiss you had been craving for almost a year.
Your hands sought out his shoulders as he cradled your face, gentle and guiding so he could take more and all you wanted was to give it to him, give him everything he asked for and take it from him too.
Your toes definitely curled in the thick fluffy socks you wore when his fingers squeezed your nape briefly before he withdrew – as if he once again didn’t want to let go for something so boring as oxygen. You wholeheartedly agreed with that sentiment, dizzy from the blissful turn of events.
As you inhaled nevertheless, you were grateful that Steve stayed close enough for you to breathe in him, relieved and delighted smile on your face as you licked your lips, savouring the sensation.
When you met his gaze, you saw nothing but fondness; and your heart could melt.
Steve liked you too. Steve kissed you like he meant it. Now you could die a happy woman but you rather not. You’d rather kiss him again if he was willing.
“Still sorry I did it without asking first,” you whispered an apology even though you were not sorry at all since it led to this.
“It’s okay. I just hope it wasn’t just the tradition that pushed you into kissing back.”
You chuckled and then chewed on your lower lip when thinking of a propriate retort, not missing that his eyes followed the action. Oh, he definitely liked to back, okay. Why had you never kissed before, again?
“I only give affection to whoever I want, whenever I want,” you threw back at him, the words that had a whole new meaning in contrast to when being told to Pietro; not a turn-down, quite the opposite in fact.
And you leaned in, greedy for at least one more kiss, Steve just watched you with a smile, eyes flickering to your lips.
“That’s good to know.”
He didn’t sound like he complained at being at the receiving end of your affection whatsoever.
Maybe, mistletoe wasn’t so stupid after all…
Three rooms over, the red-haired witch was smiling widely as she, thanks to her mental powers, caught a glimpse of what was happening in the kitchen doorway.
“It worked,” she announced, blinking to fully return herself to the present. “Nice work this time, brat moy.”
Pietro scowled at Wanda and couldn’t but wonder about the plan she had orchestrated and asked him to execute.
“How did you know, sestra?”
Wanda just shrugged.
“I had my suspicions before. But when you ran into her the last time, I checked her mind to see just how uncomfortable you made her,” she explained, giving one more scolding glare for his inappropriate behaviour. But well, it led to this and he helped now, so… he was good. “She literally thought she wouldn’t mind being under the mistletoe with the Captain.”
“Lucky bastard,” Pietro muttered, expression only half-sour.
“Shush. Be happy for your teammates. You just flirt anyway.”
The speedster pouted, but didn’t protest; he in fact was happy for the two members of the extended family him and his sister had found. And he indeed was only flirting, enjoying your reactions, talking back and teasing. It was all good fun and he did wish you and the Captain well…
But.
“Well, yeah, but now I won’t be able to do that or to look at her twice. Not without Captain having my head,” he grumbled and Wanda nodded with a grin, not feeling all that bad for him.
It wasn’t like he had his heart broken – more like had his ego tickled; and he had been needing some of that for a while.
“That’s true. Looks like you gotta be faster with the next girl you get your eye on, brat.”
The speedster gasped, shocked at her audacity. “I’ll show you fast-!”
Wanda laughed as she used her powers to freeze him on spot to get a head start.
Now, the Holidays felt truly happy indeed.
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S.R. Masterlist
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Thank you for reading!
If this fic feels like it’s written differently, then I guess that’s fair… I tried to make the style more drabble-like and failed epically, because I just cannot write short and without too many feelings :D
Anyway.
Happy Holidays to you all! May you be given love and affection!
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hopeymchope · 3 years ago
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Wonder Egg Priority finale thoughts
My Tumblr has a lot of anti-bully content, so it was probably no surprise when I began to watch and enjoy Wonder Egg Project this past spring. The series famously hit production delays that forced them to put out a mid-series recap episode, and that decision in turn forced them to push the final episode until late June. But now that the series (or at least season 1) is out there and complete, I thought I’d talk about how it all shook out in the end as well as the questions it left me sitting with.
For the uninitiated, here’s a bit of the context: Wonder Egg Project deals with four middle-school teen girls who’ve undergone hardships either at home or at school or both. They all lose someone they care about to tragic suicides, and then they discover the titular wonder eggs. They get these eggs from a vending machine and then, when they fall asleep, they enter a dreamworld where these eggs hatch to reveal a young person who recently committed suicide. For that night, it is the duty of the girl who got that egg to fight and defend that suicide victim from monstrous enemies that represent their abusers and oppressors. The girls are told that if they protect enough of these victims over many nights, they will be able to resurrect the specific person they lost to suicide. But of course, if you get injured or killed in the dreamworld, it affects your body in reality as well. 
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The squad: Ai, Neiru, Rika, and Momoe.
Obviously, bullying is among the topics most frequently explored here, but we also deal with so many other terrible things that people might experience during childhood and adolescence. Physical, verbal, and sexual abuse are all on the table. Coming to terms with one’s gender identity is raised. It’s a show that manages to tackle a lot of heavy subjects through the lens of what’s essentially magical girl combat. I mean, there are no outfit transformations or any of that stuff, but still.
With THAT out of the way, let me talk about how the series wrapped up.
It’s clear to the viewers that there’s a lot that doesn’t make sense during the show — it’s intentionally very trippy and ethereal at times — and there’s also a lot that raises obvious questions even if you grasp it. Where do the eggs and their connection to the recently deceased come from? How do the psychological traumas of the various egg-children manifest as monsters that can literally kill you? What’s the deal with Acca and Ura-Acca and their freaky dummy bodies? What are they getting out of this whole deal with the eggs and the girls? What do the repeated references to the “temptation of death” mean? How does access to the Egg Garden even work? Is it really possible to resurrect their dead friends? Is Mr. Sawaki a predator or a chill guy or what? Why did Neiru’s sister stab her? And so on. 
The writers could’ve opted to keep things mysterious and hazy and metaphysical for the entire run or they could’ve provided lots of explanations and tried to ground this weird story in some sort of strange logic, but I’m actually pleased that they opted to go down the middle. There are answers for many things, but not for all. And when those answers come, they typically just raise more questions as well as doubts to their validity. 
SPOILERS for the finale/”special episode” below the cut.
So, obviously the answers for Acca and Ura-Acca are centered around Frill. Frill is this interesting fusion between the artificial and the organic; her body can be injured like any regular physical body, but she’s actually an A.I. on the inside. Acca and Ura-Acca are the exact reverse of this — they’re human minds inside of completely artificial bodies. Exactly how Frill started invading girls’ minds to lure them towards suicide is kept incredibly vague, but she serves as the embodiment of the “temptation of death” that was so-often referenced in the show. Frill doesn’t really appreciate life or care about the finality of death, making her a pretty natural foe for the heroes who have spent the entire series learning to appreciate their lives and bemoaning painful losses.
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Can you even believe this bitch?
Acca and Ura-Acca also have documents talking about how warriors of Eros need to battle against Thanatos, the embodiment of death, but what’s that all about? We don’t really get into it. Is Frill somehow Thanatos herself? I mean... I guess maybe you could go that route, but I sincerely don’t think that’s meant to be the case. I assume she’s just another player in the game, and she happens to have taken Thanatos’ side in things. Her artificial existence and resentment of her fathers leads her to treat death flippantly. She was programmed to be selfish sometimes, and that selfishness has ultimately manifested itself in the worst possible ways. Intriguingly, we see Acca and Ura-Acca act similarly selfish in how they drive our four heroes to risk their lives just to battle Frill. Acca in particular shows that he’ll risk anyone’s life to get to Frill, who killed both his wife and daughter. But Acca never has to risk his own life. He’s just risking other people. Both sides of the equation are treating human lives like disposable pawns in some kind of war game. 
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Y’all are SUPER-SKETCH.
It’s never really clear how these eggs work. We’re told that the Accas created the eggs, and honestly, I could’ve figured as much on my own. But they don’t try to explain how the eggs can contain the souls of suicide victims or how they manifest those people into dreams, and frankly, it’s probably better not to try.
I was really shocked that the girls actually manage to resurrect their dead friends. I was 100% certain that was going to be a scam and the point was going to be about learning to move on and live for the moment and appreciate those bonds while you had them, etc. And there is some of that. Alas, the price of resurrecting those people they care about is that the people in question no longer know them or remember them. That was pretty brutal... having our heroes nearly die over and over in service of people who ultimately will no longer care about them at all. Although they did the impossible and brought someone back to life, they had to lose those people all over again. I suppose this, like much fo the finale, emphasizes that we should appreciate our relationships while they last, because you can lose them for so many reasons. Regardless, I’m not surprised that Momoe just wanted to quit and avoid getting hurt after that. It’s understandable.
There’s a lot of discussion around parallels in the last two episodes. Parallel worlds with alternate versions of the self are raised multiple times, Ai gets an awesome encounter with a parallel version of herself that really brought her emotional journey to a head, and we even have to deal with a doppleganger of Neiru at the end. This leads to the revelation that Neiru looks exactly like her formerly deceased sister... a fact that presumably was part of what drove the sister to attack Neiru in the first place. Given that we’ve already been told that they were both genetically engineered, their identical appearances don’ seem that strange. But then the finale tells us that Neiru’s one dream is “to be human,” and suddenly the characters assume Neiru was an A.I. just like Frill. That... seems like a leap to me. I mean, she was genetically engineered to lead her company and never had a family of her own; no wonder she feels inhuman! So I’m not sure if I should take this at face value.
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Neiru real or fake challenge
Another thing that I don’t think we can take at face value is Mr. Sawaki’s explanation of Koito’s death. In episode 12, we meet a parallel version of Ai who actually killed herself. The big boss monster for Ai to fight while protecting Alt-Ai? It’s a dark, abusive version of Sawaki. And our Ai inexplicably assumes this monster was made from her own fears. A very bizarre conclusion to jump to when you remember that every single boss monster has been the abuser of the victim that the girls were defending in that episode. By all available evidence, the Sawaki monster should be a parallel-world Sawaki who is very much exactly the scumbag he appears to be! Notice how Alt-Ai never says a damn word about the Sawaki Monster - never asks who he is or why he’s like this, etc? She’s not even surprised. That just lends further credence to my belief. FOLLOW THE EVIDENCE.
So in the finale, when our version of Mr. Sawaki claims (via a VERY awkwardly inserted voiceover) that Koito’s death was an accident after she tried to ruin his reputation because she fell in love with him, why should I believe any of it?! The previous episode introduced me to Abusive Sawaki! Sure, we don’t have any reason to assume our Sawaki is That Dick, but we JUST learned that he’s certainly capable. Furthermore, how could Koito suddenly be the ONLY accidental death among all of the available suicide victims in the dreamworld? She shouldn’t have even appeared there if it was just an accident! Although I’d like to believe that Sawaki was someone who Ai and the girls were jumping to conclusions about based on nothing... but it sure doesn’t look that way from here. And given how the show ends things, I fear we may have a hard time learning anything else about Sawaki. Ai changes schools and runs away, there is zero comment on what happened to Sawaki’s relationship with her mom... he’s just gone now.
As the final episode winds down, we see Rika and Ai fall back into bad habits, as they all treat Neiru just like they treated the girls they tried so hard to save. Rika acts disgusted by a friend and abandons her, treating Neiru the same way she treated Cheimi. When Neiru finally reaches out to Ai and calls her, Ai ignores the call and throws her phone away, thereby ignoring her friend’s needs in the same way she ignored Koito’s when she failed to record the bullying Koito was experiencing. You might even be able to connect Momoe’s choice to walk away for the sake of self-preservation to her decision to reject Haruka and walk away, honestly. And to compound the bad news that the show gives us near the end, we skip forward months to learn that Ai, Rika and Momoe have all drifted apart. Ai is in a new school, but we don’t see her with any new friends. She’s back where she started the show.
The difference, however, is that she doesn’t seem hopeless and lonely. She seems wistful, sure, but she never seems beaten down. She still treasures the friendships she built even if they wind up fading away. So there’s still a message in here about moving on, because even if you lose a person or a connection, it will forever matter.
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*insert engine rev-up noises*
In the final moments, we see Ai preparing to run in the exact same pose she used back in episode 1 when she first stood up to the abusers within the dreamworld. This time, she runs to grab her chance to reunite with a dear friend. She takes charge of her own future and her own self-worth, somehow gets back into the Egg Garden (even though Rika wasn’t even allowed to enter after she rescued her specified victim, so uh... how did Ai get back in exactly... ?), and insists she’s going to use the eggs to see Neiru... even though the eggs only let you see the dead up to this point, so uh, that doesn’t really make any sense either. Consistency, motherfucker — DO YOU USE IT?
Amidst all the uncertainty that the finale left us with, at least we can see Ai find herself in a more confident place. She spends much of the series learning to stop running from her problems in the real world. Even after she gains confidence in the battles of her dreams, she struggles to face reality. It’s a huge step when she returns to school. Yet even in the very last episode, she opts to run away to a new school rather than cope with seeing Koito each day. But at last, she decides to take charge of her reality and try to reunite with her new best friend, Neiru. She’s wavered on her path, but ultimately, she’s grown. Although you could simultaneously argue that she’s failing to learn the lesson that rescuing Koito should’ve taught her...
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“Ai Ohto is BACK!”
I don’t think any of us expected this finale to be a cliffhanger coming into it.  And unfortunately, we don’t know if there will ever be another season or a movie or anything. Given how people reacted to this finale with such overt hate, I really don’t expect anything more. And I think that would be a goddamn shame. Even with a finale that doesn’t quite stick the landing, I still found it fascinating and engaging. The series is more than worth the trip for the characters, for the themes and topics it explores, and even for the fluid action scenes and music. And this is a series that was made by first-time writers and a first-time director! Yet I’d easily call it one of the best animes from the past couple of years. For total newcomers, that’s a goddamn TRIUMPH.
So I hope we reunite with these girls again. I hope Ai manages to get the band back together, find out exactly what’s going on with Neiru, and face down Frill. Even if they never wind up in some ultimate battle with Thanatos, I don’t know that that’s the point. All of us are in a battle with Thanatos every single day, after all. They just need to show how they’ve all gotten stronger together and truly overcome the “Temptation of Death” by beating back Frill (and her ridiculously powerful dreamworld bug-people) as a unit. 
But maybe that’s too obvious and simplistic of a message for a show like this one. Maybe this complex ending centered on the main protagonist’s self-actualization and the value of fleeing relationships is more in keeping with the melancholy nature of the series. 
... I still really want to see the more obvious happy ending, though. I think they deserve it.
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ashenpages · 4 years ago
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Current Projects & Emoji Voting Key
Quick disclaimer: I’m a romance writer in all aspects of the term, so most of my works will contain mature content. Engage at your own risk, you know the rules, you’re responsible for curating your own experience of the internet, blah blah blah.
This post serves as a current mock up of fic ideas I’m either actively working on or considering working on next. You can drop me an ask about any of them, or just vote via the emoji combo I’ve assigned them.
Voting lets me know you’re excited about an idea and makes it more likely I’ll actually work on it. You can vote anytime, there’re no deadlines or winner announcements, just me gauging your interest by what I see in my ask box most often.
You can also ask me about the original stuff I’m working on currently. The current WIPs are Medusa centric and the emoji for them is: 🐍
Support my original work on Ko-fi and Patreon.
- Lupin: 🤑🤠💍  These are all oneshot ideas, between 5-15K each. If you want to vote for a specific idea, send me the emojis and the number of the idea.
Born from the idea that Goemon and Zenigata probably couldn’t be an item, my brain decided to come up with how I could write for them. Goemon’s teaching an ikebana class as part of his training, and Zenigata shows up as a student on forced recreational leave for his health from the ICPO. Zenigata wins the samurai’s heart through flowers. But what happens when Lupin and Jigen find out? (Only good sexy things, I promise. These beans are in a healthy polycule--be gay, do crimes) (WIP)
Jigen/Lupin, but it's Jigen deciding to seduce Lupin while wearing his own Lupin disguise. The thief is waaaaay too into it, and some artistry is taken with the sex so that they don't mess up the disguise too much during their encoutner.
Jigen/Zenigata/Lupin where Jigen has some fantasices about Zenigata, but is pretty sure they'll never happen. Tells Lupin about them. Suddenly the fantasies are coming true, in the middle of a heist, and Jigen doesn't what to do except get swept up in the moment and enjoy. Plot twist, it's Lupin dressed up as Zenigata granting all his gunman's dreams. Plot twist again, Zenigata catches them at it.
Zenigata/Lupin, where Lupin keeps doing good things in illegal ways and Pops has to find a way to punish him for it. Good thing for Pops Lupin's a masochist?
Trans!Lupin and Trans!Jigen premise: Jigen cares for Lupin after the master thief has top surgery, since Jigen has Been There and Done That. Caring, sweet, and a little sexy. Lupin is a much better patient than Jigen.
The one time Zenigata caught Lupin in an alley and kissed him and it was Jigen in disguise. Things get sexy anyway, and Zenigata has crushes on two thieves now. Lupin and Jigen "kidnap" him later for an evening of taking care of their inspector.
The background plot of Jigen's Gravestone where we see Jigen think he's done for and try to leave Lupin. Our thief has none of it, and we get to relish in the inherent eroticism of Lupin sitting in sniper fire, knowing Jigen's got his back. This is the moment I think Jigen finally believes he can be with Lupin forever.
I love the idea of something longer and more plot driven like a Lupin special where Lupin ends up in hot water and Jigen and Fujiko have to work together to save him. Jigen and Fujiko have such an interesting relationship. They're both partners of Lupin, they don't really like each other, they constantly screw the other over, but when it really matters they take care of each other. I'd like to see that highlighted a little more and also give them space to call each other out and bicker. Nothing sexy between them, but maybe a really interesting threesome with Lupin and Fujiko in a strap on once they save their boy.
- Sonic Vampire Novelist Coffee Shop AU: 📚☕💐
Shadow is an immortal vampire who has seen the world change for the worse too many times. These days it feels like he only lives for his coffee dates with Rouge, another immortal who loves each new era they encounter, warts and all. He has to admit that the book series she got him into speaks to him, at least. If someone in this era can understand him without meeting him, it can’t all be bad. But he hardly expected the goofy blue barista at the new coffee place to understand him the way those books do.
This is a novel length romcom romp with some big feelings about what it means to watch as things change, grow, and die. Expect lots of Big gothic feelings from this one, emotionally charged kissing, and overly-adoring sex. But also expect shenanigans from everyone in the coffee shop, which include Rouge, Amy, Tails, Knuckles, Cream, and more.
- Sonic Blazamy, "Like the Sun": 💖🌸💎
Amy Rose has been in love with Sonic for a while.
Or has she?
When the Sonic, Tails, Knuckles, Shadow, and Silver are trapped as the fuel sources for Doctor Eggman’s newest evil scheme, Amy teams up with Blaze, Rouge, and Cream to save them. With Sonic out of the picture and Amy fulfilling his role, was she ever really in love with him? Or did she just want to be like him?
This is a novel length epic romance with lots of competent women and lots of romantic Blazamy content. Expect flowery hopes and dreams, badass self-actualization, and glancing hand touches that give way to cuddly and sweet sex.
- Persona 5: 🗡🍛☕
After bringing down the Metaverse twice, Ryuji didn’t think graduating high school and figuring out what to do with his life would be so hard. Akira’s back in town, and the gang’s more-or-less all in Tokyo, but everyone else seems to have a plan while Ryuji just floats. How’s he supposed to change the world when he’s not a phantom thief anymore?
This is a novel length fic that addresses how powerless one can feel being just one person in the face of all the corrupted systems and bigotry the world has to offer. It’s about holding on to what you believe in, working through the doubt, and fighting your way to a better tomorrow with the power you do have. The whole gang is queer, featured relationships being Mako x Ann, Ryuji x Akira, Futaba & Yusuke as platonic life partners. Akira is polyamorous and omnisexual, Futaba’s asexual and aromantic while Yusuke is demisexual and very romantic, Makoto’s a lesbian, Ann and Ryuji are bi, and Haru’s pansexual, demisexual, and aromantic. They’re one giant band of queer Phantom Thieves, and even if they’re not really doing the Metaverse thing anymore, they’re still gonna save the world!
Also, I’m gonna make Makoto not a cop. That super didn’t age well. Zenkichi and his boss can work on making them better/abolishing them for other better organizations.
- Hades Game: ❤️‍🔥💀
Oneshot. I just really need to elaborate on the threesome you can have with them in-game, okay? Healthy and canon poly relationships are so few and far between, so often I have to do a ton of groundwork to explain why it’s working in the fic, but NOT WITH THESE KIDS!
Get ready for Meg helping Zag and Than be better at expressing their feelings, lots of kissing, and probably pegging.
- Castlevania Animation Trevor/Sypha/Alucard: 🧛🏰🛌
Castlevania gave Alucard a threesome last season, and I just really need S4 to give me him being taken care of by his partners. They’re probably not going to give it to me, so I’ll need to do it myself. This is just an everybody loves Alucard oneshot, with the gang’s signature banter (to an extent), Sypha being sexy, and Trever being remarkably sincere. This fic is gonna feel like that Ann Hathaway picture with Trevor kissing Alucard and Sypha holding the end of Trevor’s whip while she leans her head on Alucard’s shoulder adoringly.
- Devil May Cry Nico/Lady/Trish: 💋✨😈
Nico’s gay, okay? Like really, really gay. And Lady’s bi and not into men who make her pay bills, but very into women who make amazing guns for her and demonesses with hearts who fight by her side. Trish is ace, but loves people and is pretty attached to Lady at this point. Plus it’s cute when Lady blushes and says nice things like they’re insults. I don’t have super solid ideas for them yet, and I envision these more like a polycule where Lady’s with Nico and with Trish but they’re not with each other more than seeing it as a threesome, but who knows what might happen. This is probably 1-2 oneshots depending on ideas, but might turn into a series of oneshots if people are interested (or I can’t control myself and inspiration strikes).
- Post FMA:B Blind Roy & No Alchemy Ed: 👀👑🙏
This is actually an old novel-length fic I wrote ages ago and didn’t post that didn’t turn out well because I was new to writing sex when I first wrote it. The plot is good, and is all about Roy learning to work with his blindness to reclaim his ambition of being Fuhrer and changing the system to something that actually cares for its people. He and Ed reconnect, fall into bed, and both set about working through their respective traumas about being “useless” having lost their sight/alchemy. They go to Xing as an ambassadorial party to offer Amestris’s collaboration on Al and May’s Alkahestry experiments--and uncover a plot that might threaten both kingdoms.
- Age of Calamity continuity Mipha x Revali: 🦚🐟💘
The first time Revali noticed Mipha, it was in the heat of battle. She stole his mark, taking them down with a flurry of quick blows from her spear. Violence rained from her like water--and then she healed him on her way to her next battle. No questions, no conditions, just pure kindness. The usual need to measure himself against those around him was quiet in her wake. And Revali couldn’t understand it. But how to get to know more about her? A fish and bird may fall in love, but where would they live?
This fic could be a oneshot or novel length depending on how far down the hole I fall. I need it to cover time, but it could be done in linked vignettes or with actually covering events in detail. I may elect to do a oneshot just to get it done and out of my system faster. So much fic to write, so little time.
Expect trans!Revali, polyamorous Zoras, scary competent Mipha, songbird Revali, love confessions that are made up entirely of berating Link for not loving Mipha the way she wants him to, and breaking these characters a little outside of their assigned roles in BotW and Age of Calamity. Background Link x Zelda, and Urbosa x Zelda’s Mom.
- Epic desert romance about Urbosa and Zelda’s mom: 🏜🏝⚡
I just think Urbosa should kiss women and Zelda’s mom should get more development and maybe a name or something. Also, lightning imagery/metaphors/play.
It also went way over my head that Riju wasn’t Urbosa’s daughter the first time I played BotW, so now I want to write about the Gerudo queen who refused to produce an heir. The Gerudo are fascinating and have a very interesting cutlure, but I think it could be examined from a nonbinary perspective that rejected pregnancy and wanting to find a husband. Not in like a hateful way, but in a way that examines if that’s really right for everyone. There’s that shop in town that sells Voe armor, after all. Maybe finding a husband and having children isn’t something you have to do if you don’t want to. And Urbosa really doesn’t want to.
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boogiewrites · 4 years ago
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Burning Star
Chapter 1
Characters: Din Djarin/The Mandalorian / Reader / You
Summary: Din Djarin is a long-time associate and friend. When faced with the truth about the creed he's taken, doubts begin to grow in his mind about his choices. He comes to you, looking for a confidant and he finds more than he bargained for. Begins latter part of S2, porn with plot. A growing romance between two characters that thought of themselves as solitary creatures now wanting to no longer be alone. But with The Mandalorian being who he is, things can never be so simple.
Warnings/Tags: Sexual Content. Dry humping. Confessions of feelings. Hurt/Comfort. Touch Starved. 
Click on my icon then go to my Mobile Masterlist in my bio for my other works and chapters. (Had to do this since Tumblr killed links, sorry.) Please like, comment and reblog if you enjoyed it! It helps out us writers A LOT!
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You couldn’t recall the exact BBY you’d met The Mandalorian. But then again, you weren’t even sure of your birth year, so dates tended to blend into one another in your memory. You recalled every encounter though, every mission he’d asked you to assist him on, the times you’d healed him and his ship, and especially the time he’d come to your planet for refuge with a strange but endearing little green creature. Your small, backwater planet didn’t have much. But that was one of the main things that had drawn you to it. Your parents were nomads, and you’d adopted the same after their death. So you made yourself a home on a green little planet after years of travel. It homed tiny hubs for weary travelers dotted along with the mountainous surface. But the one they called Mando always came to yours.
You had entertained the idea of becoming a Mandalorian after your parent’s death. They were prospectors, planet-hopping and hoping to make a fortune. On one expedition the Imperials decided the planet you and hundreds of others were on was now theirs for the resources. If you want to call it luck, you did live. You were taken in by an orphanage, one of many overrun with children just like you. You were full of anger and hurt and wanted revenge.
You were caught one night, trying to leave, and a woman fatefully saw you and brought you back in, having the first real heart to heart you’d had in your life. With tears in your eyes, you said you wanted the people who killed your parents, dead. You didn’t see this as unreasonable and you still didn't truthfully. You had read about The Mandalorians and were going to join them you’d told her. You were going to learn to fight and be a warrior and take your revenge. Young and full of rage, this was the only thing that made sense. But this woman, who had been watching you knew better than you did. She saw your softness, that capacity for love and sensitivity, and stopped you.
“Do not let their hate make you hard. It’s what they want. You will act recklessly and in their interests with hate in your heart. The only way to defeat evil is with kindness and love.”
It didn’t make sense at the time and when you were in a heated mood you liked to act like it still didn’t. But she was right.
You had previously spent your days reading and learning, drawing the various landscapes your parents took you too and trying to befriend the local fauna. You were a curious child that grew into a curious adult and you had fought hard to keep that sensitivity the woman told you of. So far, it had served you well.
This didn’t mean you didn’t fight. You had to to survive, but when the opportunity for kindness arose you always gave the other being a chance. But if they betrayed that trust you killed them. It seemed fair when it all came down to it. Philosophically speaking, anyway.
You had settled a store for supplies on a long-abandoned mining planet where a nearly extinct mutated species of Nexu lived in the caves under the planet’s surface. You’d protected them for generations now and they trusted you. But they were deadly to anyone else. There were rumors of the mines not being empty, of treasures left behind because they were too tricky to extract. You knew this wasn’t true. You and your toothy, furry associates had explored every bit of the caves that you could find. But that didn’t stop the desperate from trying. This was unfortunately the root of most of the violence in your life. At least you were protecting others in the meantime.
Maybe that’s what drew your Mandalorian to you. He had taken one way, The Way, and you had taken another. You saw in each other what you could have been. He’d given in to his anger and rage when he was young, and you had learned to see past yours. You had the empathy that came from years of self-reflection and control. You had taken different paths, and you both found what was missing in each other. You had the excitement of helping him on quarry hunts on a handful of occasions and he could hide and mend when needed. It was a balance, much like the force you’d read about, and it fell into place without much effort.
Wasn’t it the way that days that began like any other would lead to things you’d never expected? This day was no different. You had previously been most excited about the stew you’d been brewing for the second day, taking your sweet time with an old recipe you’d found in one of the books one of your neighbors had given you. The term neighbor is used loosely as it would be a day's walk, at the least, to the closest person.
The excitement sparked inside your chest as you went out to greet whoever happened to be landing in the field by your settlement. Then you saw the relic hovering above the broken blades of grass. You hadn’t seen a Razor Crest since his and it was easy to know who was going to come off the ramp when it happened upon your humble patch of the planet. You shield your eyes from the burning sun, close this time of the year as the glint off his Beskar armor sends a shock to your eyes.
It was a relief to see you, he thought. Something familiar, consistent, and warm to come back to after the turbulent journey he’d found himself on with the child.
“Hey, stranger!”You call out loudly, waiting for him to be closer so you didn’t have to shout and scare the foul in the surrounding trees. “I know it’s not repairs bringing you in. Your ship is shining like the Bright Star it’s in such good condition. You been on a vacation or something?”
He knew you were joking, his eyes relaxing under his helmet even though you couldn’t see. “Just got back.” his voice hits your ears, the gritty muffle of mechanical filter making it feel remote. You let him approach you, before reaching to hug him. It was something he’d had to get used to, and something you insisted on. After growing close during your time spent on his ship, the trauma bonding of violence and high stakes forced intimacy between two otherwise solitary creatures. For as long as you spent apart, the time picked up where it started when you came back together. Almost dying is hard work, and saving another from it tends to fasten the bond between people with surprising speed.
You had never shied away from him, he’d never given you a reason to. You approached life with an open heart and only shut it to protect yourself when needed. The contact felt soothing despite his hard outer layers. Both physical and figurative. A wrap of strong arms around his helmet, the weight of someone against him, a slight tug down from the height difference. It all felt very sincere, very human to him. At the moment that’s all he was certain about. The helmet hid the troubled eyes that would’ve given him away, and he found himself thankful for it.
“Always good to see you, Manny.” you give him a good squeeze, a kiss to the helmet that you polish out, cooing up at him with attentiveness. You’d refused to call him Mando any longer after one particularly heinous mission. Calling him something everyone else did, something so generic, didn’t fit. So a pet name it was. He’d never had one before. He secretly preferred it. “This Beskar keeping you safe?” you ask, buffing the spot with your sleeve and then patting his chest plate.
“Yes.” he nods. “Except for all the people trying to kill me for it.” You laugh and pat his hard head.
“Can’t blame them. Stylish... strong... beautiful. Just like you, huh?” you give him a wrinkled nose snort and you hear the grunt of amusement and note the subtle nod.
“What I’m best known for. My looks.”
He spoke with such a monotone delivery that his jokes might’ve not landed to someone more fearful and not as knowledgeable of the Mandalorian's personality under all that flash. “Where’s your little guy?”
No sooner than the words were out of your mouth than a gurgle and chirp from a perfectly him sized sack hanging off his shoulders appeared the little green wrinkly friend. “Always close by. Except when I tell him to be. Then he prefers to wander.”
“This goo ball wouldn’t be bad would you?” he tilts his oversized ears and blinks at his father figure as if he’d brutally insulted him. “Never.” you coo and give him little rubs under his jowls. His eyes shut and he happily soaks up the affection. “C’mon. Let's get inside. I bet you’re hungry.”
“He’s always hungry.” a slightly disgruntled Mando grumbles behind you.
“Sounds like you need to eat too.” you retort, hears his heavy footsteps behind you as you enter the humble building you’d built. It was made from the trees that used to fill the little clearing where the landing pad and accommodations were now. They grew fat and had many low, heavy limbs, perfect for construction. The floor was wooden, the walls a mixture of found metal, clay, and beams, same as the roof which made a lovely sound when it rained and kept the harsh seasons out. Dried flowers and herbs hung from low rafters, all part of the long list of things you did to keep yourself busy. You loved making, and your space reflected that. Despite it not being used by anyone but yourself that often, you kept it clean. Shelves and bins as you entered, a small counter for business off the side, a few small tables and chairs on the other side of the large square space with a small kitchen and refresher through doors on the far wall. It wasn’t much, but you’d made it all and it’d served its purpose thus far.
You sit the child down on a table with a cushion in it, letting his round head reach just over the tabletop. He reaches for the flowers in a bottle while you speak and Mando keeps the child's hand from breaking anything.
“Here you go. Been simmering for two days. Broth, meat, and some herbs and veg from the garden. Doesn’t get better than that little one.” You hand him a tiny spoon you’d carved for his equally tiny hands and he makes a confused sound.
“She made that for you, remember? Be nice, use your manners.” he motions towards it with a nod. You watch the child struggle for a moment before giving up and raise the small bowl.
“That works too.” you grin. “You want some? You could get the broth through that absorption accessory I made you.”
“It was destroyed during a mission recently.”
“Ah.” you nod and purse your lips. “I think I have parts to make another.”
He was used to paying for things being made for him. But you and your hobby of tinkering in a little bit of everything had led to a few things that were one of a kind. You’d made a long device that could fit under his helmet to allow liquids to be consumed without removing his helmet. He thought it was thoughtful but it was purely selfish as you were tired of him not eating your food. Before, you had bartered to eat together in separate rooms so you could get feedback. He wasn’t very good at it. Eating to live was his main purpose of doing it at all, not like you that lived to eat.
“Thank you.” is his quiet reply. There’s an easy silence watching the child burp and gulp and making a mess of himself in the process.
“What brings you in this time? You need me to open up the hut? I’ve still got fuel.”
“I’ll refuel before I leave.” You were used to his pauses, but something felt different, you could feel the consideration for his words churning in the silence. “I came to speak to you about something.”
“I can’t tell if this is good or bad.”
“I’m not sure myself.”
Your brow furrows and you lean across the table to engage him. “In trouble again?”
He is still and quiet for another beat. “I found other Mandalorians.”
Your eyes grow wide, “Oh.” you process the information, your surprise clear on your face, you had never been good at keeping control of your expressions. “Is that... not good?”
“We found a common ground and helped each other. But I feel as if I have more questions than I did before. I was so certain before of my standing within the Mandalore creed. I was raised by it, swore to it. And now...”
“What happened Manny?” you reach across and put your hand over his, the child coos at the action. The child could feel emotions, pick up on non-verbal things others couldn’t, and he knew when you were around, his protector was much happier.
“I come from a segment of Mandalorians that broke away from society. They have very different views of The Way. They told me I belonged to a cult of religious zealots.”
“Wow. They didn’t sugar coat that at all did they?” you pat his hand and try to not come off as condescending about it.
“I was not aware of this. This… difference.” you give him a sympathetic smile even though you aren’t sure if he’s looking at your face.
“What do you mean differences?”
“As soon as I met them they removed their helmets.”
“Oh well, yeah that would…” you nod, “That’s a big difference.”
“Have you read about the Children of the Watch? I know you were fond of reading of Mandalore as a child.” he asks with a touch of warmth to his words, as if it made him proud to say it about you.
‘A bit yes. There’s not much about them out there. They’re very strict and secretive. They didn’t want the progressive Mandalorians corrupting what they saw as the true Way. You all believe in being warriors and protecting what’s yours. The helmet thing seems to be the biggest deal.”
“It’s given me… concerning thoughts.”
“Do you mind if I give my opinion on it?”
“That’s what I came for.” his words made you feel special, like you mattered. They didn’t have the tainted burn of someone that wanted to use you or what you for their gain. He came to you to talk. You were flattered.
You turn your body to face his direction, both hands on top of his large, still armored one that he stared at for a moment while you spoke. Watching your hand's flowery movements to accompany your points broke his concentration on them. “I believe this equates to my discovery that I’m not human.”
His attention is grabbed, head swinging up and the child taking notice.
“I am mostly, but I have Cathar in my bloodline....”
It made sense, he thought, he pieced things together, your angled golden eyes, the large swell of hair you styled in various ways, sometimes wild and free and sometimes braided for more function when fighting. Your nails were long and sharp, your teeth a bit pointed as well, he’d never noticed if you could retract them, he thought you’d styled them in that way. Most importantly he could see the strength your ancestors had instilled in you. Even now. You were fierce, proud, loyal, and passionate. It explained your quick temper for those who harmed others for their selfish benefit. If someone had only glanced at you, human would be the general assumption. But if someone took the time to know you as he had, it was easy to believe there was something else in your blood.
“I grew up with what I assumed were humans, but I’ll never know that now. I could’ve been a foundling for all I know. So I had this loyalty to them, what I thought was a bond, a call to be a part of that. But once I came of age and... things started to appear a bit more complicated I went to someone to see what was wrong with me. Turns out nothing, I’m just not human.” you chuckle and shrug, recalling your awkward memories. “I was then left with the questioning of where my loyalty lies. Who was I? Was I Cathar enough to call myself that? Was I human enough to remain within that species, to live and love and fight with them? I was missing such a large portion of who I was, in my blood, I was someone I’d never known. I had so many things I might’ve missed out on you know? Hunting, hierarchies, mating, having family, a pride. We were known for litters, did I have siblings?” you sigh and you feel the sadness well up as it always did when you ponder the unknowns of your existence. “I digress… what I have concluded, and you may take into consideration is that you are in fact, both. Neither is more or less important. They are born of the same thing, they were once one single unit and all future and past components of Manda. You have your war gods, so do they. You have your morals, your duties, your... Way. Even if you were not a Child of the Watch, if you broke those creeds they specified, you are still a Mandalorian. You are not what you speak after all, you are your actions. Both sects believe neither to be a part of the other, but yet they helped you? You help your fellow Mandalorian. It is only a title, The Way is beyond titles, Manny, you know this.”
“I did not know that about you.” was his response.
“There’s far more we don’t know about our fellow man than we do know.” you smile at him and pat his hand. “You are usually quiet and prefer not to discuss frivolous matters. So I don’t bother you with trivia about myself.”
“I don’t believe that you or your beliefs are frivolous.” He pauses a moment, looking at your hand before placing his on top of yours. Both of his now tentatively trying to comfort yours. He didn’t show physical affection, it wasn’t natural to him. You took notice but kept your eyes on the way his hand gently stroked your own as he tried to elaborate the best he could. “You are... very well-read. An… admirable warrior of high morals. Your ideas have helped me with this. I still have concerns...questions. But for the first time since I learned this I feel… better understood.” You could almost feel the pain of him pulling those words out himself to give to another. This wasn’t his strong suit and you knew it. Was it some of the most endearing conversation you’d ever shared? Yes. Did it make your chest ache just slightly with the sweetness he was presenting even though his eyes were hidden? Also yes. He must be hurting, truly upset, and overwhelmed to try to share the burden of it with someone else.
You look back up to him and hold his hands tightly. “You’re very welcome.” you share a connected moment, eyes to the dark void of his visor as your hands move softly and slowly within the others’. “Would you prefer to continue talking about it? Or would you rather us take one of our walks? I think a break might help clear your head.”
“I think you're right .”
--------------------------------------------------------------
You took the opportunity to carry about the child, stopping to let him feel leaves and touch branches, pinching tiny bites of native fruit for him to experience. It was lovely, the scenery and the company. You kept the conversation light, talking about the books you'd read, the things you’d made, how the local Nexu’s were doing, and what the former guests had been up to. He’d met many of the foundlings that had eventually found their way to you. They had been in the same orphanage as you had. He’d scared most of them, and you couldn’t blame them, but he had always asked how they were when you spoke regardless. The child to him was the first foundling he’d taken in, lived with, cared for, and protected. You had helped with the younger children at the orphanage as you grew up and had taken in a handful over the years. And as children did, they would leave once they felt they were ready or the itch to be free came. You were concerned about how your Mando would take losing his little guy. You could tell they had a strong connection. You walked back both holding one of the outstretched arms of the very slow child, you could see how it was easy to be swept up by the little creature.
You had him care for the child, readying him for bed and getting what was needed out of his ship before locking it down and coming into the small clay and brick temporary home next to yours. It was modest, like yours, built from the clay in the hills you’d gathered yourself and decorated with various stones and tile. It was more than enough compared to what he was used to. A small room for the child to sleep, tucked away safe and cozy and you once again held the father figure and wished him a goodnight up against the cool metal of his helmet. He thanks you for your help, as he always does.
You tell him not to mention it, he’d do the same for you, as you always did. The parting goodbyes were always rather special and tender to you. He would tell you he hoped you found yourself in the favor of the maker, to be safe, vigilant, and that he would see you again. He’d always kept his promise.
---------
Going without sleep wasn’t something new for him. So sitting in the light of one of the four moons in the sky wasn’t exactly unexpected when you saw it from the dark interior of your home. He knew you were there. He had detected the movement in the building with his helmet without even looking in your direction. He sat on the stone stoop outside, helmet slowly shifting between looking down to the dirt path in front of him and up into the bright sky. It was the only glint off him from the moonlight, he was without his usual covering of Beskar armor on the rest of his body. He was in his black fabric shirt and pants, odd to see him without the visual breaks the shapes of his armor made. He still had his boots and his helmet on. You had yet to see him without them. You put on a robe to cover yourself in your summer-light sleeping shift and decided to see if you can be of any help.
He couldn’t decide if he was relieved or more anxious at the sight of you. He felt naked suddenly, despite all of his body being covered except his hands. He became hyper-aware of the small patch of skin around his neck that was uncovered, the wind tickling and reminding him he was in his most exposed state around someone in decades. You looked soft as you take slow steps towards him across the grassy garden between the buildings. It wasn’t just your loose hair, the free, flowing fabric showing skin he didn’t recall seeing before. The glow of the moon lent him to think he could see the energy around you as you approached and it bounced off your skin. But unlike The Way he was taught, he didn’t think less of you for appearing delicate. He knew better, but it seemed to help make him feel more at ease in his state of what he would call undress.
“Hey Manny.” your voice was considerate like a mother's and full of affection he didn’t feel he deserved. “Would you like some company?” you ask, tilting your head and holding out a small cup of cold liquid down to him. “Brought tea.” you mumble before moving to stand near him, the edges of your robes reaching out to caress the shaft of his boot on occasion.
With his head low, shielding his chin from your view he takes a sip. At this point in his inner monologue, he didn’t have it in him to ask you to turn away while he drank, hiding in the shadows was good enough.
“Put the kid to bed but you forgot to put yourself down too?” you give him a sleepy smile. You hear a long exhale from the filter in his helmet. “Still too much going on in your head to sleep, huh?” you say with a nod, already knowing. You sit your cup on the corner of the small stone landing in front of the door. You kneel before him, settling in and studying him dutifully. You’d never seen him look so vulnerable before, and you were mixed on your decision about how to approach him.
“Yeah. Still too much.”
“I’m all ears if you want to spill.” you offer with upward palms.
“I don’t want to keep you up. You should go back to bed. You were resting before you saw me.”
“And now I won’t be able to go back to sleep until I know you’re okay.”
A small grunt of acceptance comes from the helmet. “I feel angry and it confuses me. I shouldn’t be angry. I’ve made my decisions. Most a long time ago. But I am. I’m trying to practice humility, acceptance. But there’s only anger and this feeling of being betrayed.”
“That sounds normal to me.” you nod in support, thankful he was finally sharing with you what was going on in his mind. You’d had glances inside before, stories he’d told, where his morals lie, but this felt different. “They did help you. Maybe it’s good to focus on that?”
“I’m not angry at them.”
Your brow shows your confusion.
“I’m angry at the Children of the Watch.”
That was different. You understood him being angry at those that called him a zealot and dismissed his beliefs. Despite them being so similar.
“No matter how small of a part of my creed may have been a lie. It was still a lie. Now I wonder what else was a lie. None of it? All of it? I’ve given my life to this.”
“It’s not... simple.” you offer gently, eyes to the ground, not wanting to antagonize him.
“No. It’s not.” you let him think, studying his bare hands. It gave you plenty to do in the downtime. You’d seen bits of him before when healing him, but you couldn’t recall if you’d seen his hands. The warm brown skin was marked with light and dark scars alike from the years of abuse his body had taken. They were bigger than yours, more square and sturdy in comparison. “The things I’ve sacrificed for a lie.” it was almost a hiss, and you feel the burn of it in your chest for him.
“I know it’s not my apology to give,” you say quietly, rising on your knees to touch his forearms, suddenly aware of the softness and warmth underneath your hands as you touched him. There were no bracers to block you or worry about activating, there was just a man under there after all. “But I am sorry about how much this is upsetting you.”
“You are never a source of upset, Jaira.” Your name came off his lips like a whisper. He had so seldom used it. He wanted to reach out and touch your hands, but the thought of skin against his made him more agitated in multiple ways, both good and bad. Your expressive face told him you had known this but thanked him for the kind words all the same.
“Nor you to me, Manny.” you said his name in the same tender way, making it feel almost vulgar as you rest so close together.
He looks away, you can see the gears shifting from his subtle body language. “I believe it’s long overdue… in the interest of exploring the things I’ve sacrificed... you’ve earned my real name.” Your eyes go large, a quick jerk upward as he moves, bravely so, to place his hand over yours. His skin felt as hot as the sun. “My name is Din. Din Djarin.”
“Din.” you say with an unintentionally sickeningly sweet sigh of revelation. You give a smile that grows larger slowly, feeling it reach up into your eyes. “Din. That’s such a… gentle name. I like it.” you insist with a nudge forward of your chin.
“Yours reminds me of a phrase we have in Mandoa.” he looks down, now preoccupied with his decision to touch your hand. It was so giving, warm, and feeling distinctly feminine when paired with his.
“What’s that?”
“I think it would translate best to luck… destiny. Bright stars that light the good course to take.”
Your eyes went wide like a forest animal. You couldn’t help it, it was one of the sweetest sentiments anyone had ever given you. “Say it for me, Din.”
He felt his chest jerk at the word. He wasn’t used to being affected by them. Certainly not his name. “Jate’kara.”
“I’ve not been able to find much about your language. Would you be willing to teach me someday?”
“Of course.” he sounded borderline offended at your statement.
“Did I say something wrong?” you ask with a tilt of your head.
“No, no.” he shakes his head. “You don’t have to ask things of me like they’re favors.” he clarifies. “Whatever you need of me...I’ll do it.”
It sent a flip to your insides. This felt like a lot of responsibility. You could just... request things from this myth-worthy Mandalorian? It was an odd power rush you weren’t truly capable of dealing with in this rather intimate setting. You were close, almost between his knees, hands clasped together and speaking quietly into the warm night air. The condensation ran cool on your skin, the wind leaving bumps over your skin in its wake. The buzz of animals and insects was loud but faded when you were so close and so deep in conversation. If he said you could ask anything of him. Then perhaps you would. Why sit on the intensity of the moment? Strike.
“What is it that is bothering you? You feel... different. Not angry. I’ve seen you angry this is more subtle more...deep. I feel like you’re holding back. What is it that's making you so angry? You are so logical and reasonable in your approach to things. What is it that's so distressing you can't sleep?”
He takes a deep breath. He hasn’t wanted to say and be thought of as simple or even crude. But you'd asked and he was left with no excuse. “There are things that men want...even need that arent considered with The Way. I am a Mandalorian. But I am also a man. I've given so much of myself to being Mandalorian that I've had to deny myself things that are a part of that human side of me.”
“And with learning of the lies, you’re angry because you feel like you've been suffering for no reason.”
“Yes.” a stern answer and a strong nod to accompany it.
You almost lost your nerve, but with the way his thumb kept sweeping across your skin and the voltage it felt like it created with every touch you would’ve cursed yourself if you didn’t ask. “What have you sacrificed unwillingly, Din?”
Your eyes gave you away if your tone hadn’t. His helmet doesn’t move, he is as still as stone, gray, and shining like a polished river rock as he bores into you. “That is a bold question.”
“You have given me bold answers. I return the earnestness with the things I want to know.”
“You want to know these things?”
“I want to know you.” a direct answer and a slight leaning forward to keep him close as if he might run away in fear. Which was the most ridiculous imagery you could imagine. “I always have. I’ve been witness to your good and the bad actions. I’d like to be a bearer of your thoughts tool. I can’t help but want to understand what makes you, you. Of all the creatures and people I’ve met, you are the only one to hold my attention so completely both with and without his presence.”
Your words made for the most interesting combination of occurrences in his chest and stomach. It was fire and ice, a pull to the man in him, and a calling of praise for the life he led. His cheeks burned, a rare occurrence. It had all been a fantasy before now. But you with your fond words and their heated meanings were making them feel more real by the second.
“You do know how to appeal to both sides of me that I’m talking about.” he pauses and observes your face a moment, and no sign of retreat is within your eyes. “There's been no place for the… physical intimacy that men can crave. I am not one to pay, and I don't have the time to put into such efforts that I believe are needed for such… intimate things. They’re as sacred as an oath. I might've not acted that way when I was young. But clarity is gained with experience.”
“I share the sentiment.” a touch of sadness he understood well was in your eyes and it made his chest ache. A being like you shouldn’t know these feelings. A flash of anger lit within him for the injustice in a universe where a woman like you would ever feel lonely in such a way.
“You’ve taken no oath to hold you back from such things.”
“But I have not had the time, place, or person to swear such sacred oaths.” you give a subdued laugh, throwing his words back at him. “Or… at least I didn’t think I did… because I wasn’t sure if they could.” you look away and he sees it. You meant him.
“They can,” he answers, a deep fearless voice emanates from the helmet that holds your entire body at attention. “There are… obstacles to overcome. But they can.”
With a rush of confidence, you move closer, your chest against his legs and your hands on his knees. “Do you know of any obstacle I have yet to overcome?” a smirk that catches him off guard appears, a playfulness to your eyes bright and doting on him makes him catch the fever you were trying to spread.
“No.” a breathy answer through Beskar.
“Then let me help.” you offer. “I have grown so fond of you over these years. I wasn’t convinced you felt the same.”
“I do.”
“We can approach this issue together and… overcome it the same. As we have before.”
“As we will again.” He recites part of the toast you liked to give before leaving on missions. He remembered it. He did care.
“What obstacles are there? You know you have my silence with such things.”
Where did he even begin? He didn’t feel prepared and ironically he was unprepared for such actions to take place and feelings to be felt. “I know. I trust you.” There was nothing but the truth in his words and you reach to put your hand to the side of his helmet as if it were his cheek. You had always accepted this part of him, treating the helmet as if it WAS him and not an external thing. Which is how he thought of it most of the time. There was never a wish for him to remove it or invasive questions. You were knowledgeable about the Mandalorians and knew their armor was sacred to them, and you assumed as such about this man and his helmet. He places his hand over yours, the warmth between them registering on his helmet display and building condensation on its surface. “Let’s go inside.” he instructs, taking your hands, a flush of warmth through his bones at the touch of another.
“Is the child-?”
“Fast asleep.” he quickly answers, leading you to the small bedroom in the earthen home.
He stands at the long side of the bed for a moment, hand in yours and trying to get his bearings, it had been so long since he’d done anything like this. You saw his head moving and taking in the room and then you and back again, you could sense the uncertainty. “Din, relax.” a warm smile comes across your face, taking the lead, and that was fine with you. You almost coo his name, your hands moving to his upper arms to rub them reassuringly.
“Hard when it’s been so long.” he regrets it as he says it, thinking it might sound a bit pathetic.
“Believe me it’s been a very long time for me too.” you console him, standing chest to chest to start. You follow the hills and valleys of his arms, strong and lean under the pliant fabric to his bare hands, lacing your fingers together, feeling him hide the twitches and jerks from the sensation of touch. “Sit down on the bed. Let me get close to you.” he sits down, sat up far too straight. “Put the bend of your knees against the bed... there we go.” he feels your hands on his thighs and an audible gulp hits your ears that you ignore. “You know I’m not going to judge you. I want this… I want you too.” He feels you close the space between you, your legs sliding between his naturally wide splayed ones. “Now tell me what obstacles did you mean before? Talk to me and let me know what you need.” your hands trace the dark lines on his helmet and a shiver runs down his back.
You were being far better about this than he warranted. It made him want you more, a hunger in his lower stomach slowly growing past his anxiety. “Helmet stays on.” was his first thought, spoken almost too quickly.
“Of course.” you keep your voice quiet and soothing, hands making their trek up and down his arms, waiting to feel them lose their tension. “Do you have to leave everything else on?” you coax him with a squeeze to his biceps, putting one leg up, now visible from beneath your robe over his.
You can’t see it but you get an actual grin out of him. “No.” a more confident response, feeling more relaxed with your unintentional playful humor. You see him look down to see the bare skin, the touchless friction between your bodies growing hotter by the second.“But let’s not get carried away.”
You hear the laugh this time, he sees your expression shift, a triumphant smile for getting him out of his own head. “I know I can be sensitive when I’ve not... been touched in a long time.”
“Yeah?” he liked the sounds of you talking about it a little too much. He wanted to hear anything you’d tell him about your body.
“Yeah.” your breath catches, “Are you?”
He nods, he didn’t have the confidence in this area yet to own what he saw as shortcomings.
“I want to sit in your lap. Can I?” You wanted to take it slow. The last thing you wanted was to scare him off. There is a fine line between indulgence and going too far when it came to dealing with a man like him.
“Yes.” another quick nod, and you are happy to give in, your hips settle well on his strong thighs, feeling secure. To him, it felt it took forever and didn’t last long enough. The drag of your bare skin against his thin clothes was a lot. The weight of what felt like a lifetime of neglect to himself and his needs weighs as heavy on him as you do. He had known touch only through violence for decades now, the tenderness you were offering him willingly was almost overwhelming. He was taught the ways of war and violence since he was young. The ways of more fragile things; of love and intimacy he’d had to learn on his own.
“I’ll go slow.” Slow was the opposite of how your hearts were beating. Your fingers wanted to touch that strip of skin unveiled around his shirt collar, but you only stared at it for the moment. His head pauses just above your chest, your arms resting on his shoulders, fingers light on the edge of his helmet and hungry to move farther down.
“Thank you.” a simple but honest answer.
You’d been close before, seen large spaces of bare skin and carried one another, slept shoved into a single space too small for you both but it had never felt like this. Everywhere your bodies met was warm and giving, both now very aware of the gap between both your hips in this position. You took the time to study him up close, the metal of his helmet was unbelievably smooth as your fingers traced invisible lines and doted on the hard surface separating you from him. Did you want his helmet off? Yes. You wanted to know, to be the only one to know, to touch and feel and savor every inch of him. The more you thought about it, the closer you got to him, the harder it was to recall a time you didn’t think of him this way. Repressing your wants and needs was something you were both personally familiar with.
“It doesn’t bother you when I touch your helmet like this does it?”
“N-no. I like it.” his face a melted mess under the guard. He watched you so close, your bright eyes glowing with the light the moon beaming down. He couldn’t feel it, but he knew everywhere you touched, spots lighting up red with heat, pulsing where more pressure was applied. It was a good introduction to being touched again. You push forward, a single kiss to where you believed his cheek to be. When you pulled away, he answered before you could ask. “Go on.” a heated hiss through the filter deep and dark and heavy as it hit your ears. You place another to the other side, tilting his head you give him another to his forehead. His eyes would close when you were near, a happy sigh, a weighted exhale is let out, feeling his shoulders slumping with each dot of affection. You hold his metal cheeks, a faint kiss to the tinted part of his visor. You press your forehead against his, barely a measurement worth noting separating you as he gives in to your touch, wanting to fall into you, to give you back what you were giving him.
You move your hands slowly, giving him time to register and adapt before moving on, your arms wrap around his helmet, holding him close before leaving a trail of smaller kisses behind, bringing his head only slightly down into your chest. Underneath he was a slack-jawed puddle. Your arms made their way down his shoulders to his back, you could even feel the raised skin of scars you’d helped suture, fingertips light along them, exploring new ones. After your flat palms explored his back, finding his breathing steady and deep you tried something new. A drag of your nails against the fabric drew a deep groan from him. “Good?”
“Ung-” a deep enthusiastic grunt escapes the helmet pushed to your collarbone. “Yes.” You continue, you scratch his back and he swears he could cry at the sensation. You didn’t move away or avoid his scars, the patchwork he felt his body looked like. You embraced it, all of him, and it was hitting him harder than he expected it to.
You take a deep breath, another kiss to soothe to the cold metal. “Do you want to...see me? Or- touch me back?”
He hadn’t even thought about it, his brain hadn’t moved past the feel-good moments you were covering him in.
“Yes.” a simple but hungry answer. As you see his helmet tilt downward towards your chest.
“I want you to too.” Your sincere tone struck him, he watched your agile fingers reach for the belt that held your robe in place. It fell silent, blood in your ears as it was your turn to feel the taste of nervousness on your tongue. Your body was something that did things for you, it wasn’t something you often stopped to consider the aesthetic of. The quiet noises that he let escape as you took off the robe left any hesitation behind with it as it laid on the floor abandoned. His hands didn’t move, his chest did noticeably, as yours mirrored, picking up speed as you moved forward. You take one of his hands, thumbs rubbing circles, leaving small kisses on his fingertips as the sounds beneath the Beskar grew louder. The rhythm of his breathing was now audible, helpless sounds you never expected to hear from anything but pain brushed against your ears and touched you in places no one had in ages. You kiss him palm, nose nuzzled into the only slightly trembling fingers. After you felt the skin-to-skin contact was enough to calibrate him, you meet what you felt to be his eyes, taking his hand and placing it over your breast. You were still covered with the thin sleep shift but it was made for breathability in the heat of summer and didn’t leave much to the imagination. You take him by the wrist of the awkwardly avoidant hand and put it on the curve of your hip. “Is this-?”
“Yes.” he rushes out and sees you smile, causing another kiss to be given to his helmet where you were aiming for what would be his mouth. He groaned, feeling your nipple harden against his palm, the other feeling the silky slip of fabric as he let himself give a firm grip to your fleshiest parts.
“Go on, Din,” you whisper into his visor. “Touch me,” you ask of him. A strangled noise breaking through bitten lips is your answer. You place your hand gently on top of his, showing him it was okay, reminding him how to, helping him give in. Your hand forces his to cup the weight of your chest, the exhale of pleasure fogged up his visor as you had your head rested against his. “Like that, yeah.” you wet your lips and his hand begins to move on its own. Soon his hands are kneading at you, a simple brush of thumb over your nipple forces an inhale he drinks up the sound of.
He fondly recalled this now, that static in the air, the shared breaths and the power he felt with a woman in his grip. He relaxes his head against the bend of your neck, mouth open and watering, hidden from view but the sound of his breathing was enough to tell you he was giving over to it now. The tentativeness leaves, his hand pulls your hips closer to him, both inhaling at the feeling of touch against the places your arousal was spreading from. You let out a small whine at the feeling of the seam of his pants, pressed against by his growing erection.
“Fuck.” you hear exhaled into your shoulder and you shudder. “You feel...so good.” his hand grips you firmly, “Like velvet in my hands…” his lips brush against his helmet and he wishes it was your skin. He was famished for touch, for this connection and lust he’d repressed for so long. But here it was, in his hands, in his lap asking him for more. His hands ran up your bare chest, feeling the pulse under your skin and the slick your sweat had created. “You’re as hot as a star under my hands.” he groans.
You audibly swoon at the comment, feeling that distinct masculine roughness of well-worked hands as his palms moved into your hairline. “And you’re as hard as Beskar under me.” You move your hips, a grind against his, and a fully formed moan escapes, neck going limp and the heaviness of the helmet resting on your shoulder now. You whine, the friction feeling even more delicious against your glossy wet center. He encourages you wordlessly, a hand on your ass to keep a slow rhythm, a painful drag of your engorged clit against the perfectly fit shaft of his cock. Such a thin piece of material between you, you thought. You reach between your legs, a wet mess on both of you and it’s no surprise. “I’m as wet as Kamino, Din.” you hum and smile, the front of his helmet against your neck again. You feel the vibration of his groan against your skin. “Look what you’re doing to me,” you whisper, mouth pressed against his helmet where his ear would be. He sees the light hit your fingers as you raise them. “See that?”
“Fuck...yes little star I do.” he groaned heavily, his chest heaving a bit. You get bolder, your hand moving from your lips to the painfully hard throb in his pants. Another long groan, a jerk of his hips as you palm him, a back and forth against the pressure, feeling him jump against the confines. “Unf - I - I won’t- “ his hips jerk and his hand moved faster than you can register to your wrist. A firm hold that makes you moan and stop. There was that strength you had wanted to be obedient to. “That might be a bit… much for me.” He stopped you out of fear of not being able to stop. He didn’t want to scare you, unleash something he wasn’t ready for or couldn’t control. It was a concern he’d cum too soon and embarrass himself, this wasn’t something he could just jump back into and impress anyone.
He was thankful you weren’t disappointed, “Do you want me to make you cum, Din?” Every time you said his name with such lust in your voice it made him moan. But he didn’t feel the least bit weak for it.
“I wanted us both to...enjoy this.”
“If you think I’m not enjoying myself you’re welcome to put that hand between my legs and find the contrary.” Another moan that makes him slump comes heavily from him. “If you do want to...enjoy this…” you let out a small breathy laugh he raises his head to. “I can arrange that.” you offer, your nose gliding affectionately against the center indent of his helmet. “Relax and enjoy this with me, Din.” you give him a reassuring smile, lining your hips up again. You grind back and forth, his hands finding their place on your body quickly. You straighten your back to give him a view of you, and you finally let your fingers dive under the neck of his shirt, feeling the slightest glimpse of hair at the base of his neck, your fingers go as far into his helmet as they can. You start that back and forth against him, over and over, lazy growing more urgent as each time he gives a harsh drag across your clit, the stimulation you needed. “I’ve thought about you like this, you know.”
A small “Ungff.” was the only response he could manage.
“Wanted my hands to feel your skin, just for pleasure. Wanted to know how you’d feel... thick and throbbing beneath me like this.”
With a deep grunt, his hand holds your hip sternly, the other moving to the back of your head, pressing your forehead to his. “Yes-keep talking like that, fuck.” The demand was thick in his voice, his hands no longer gentle, giving away the need they were trying to find an outlet for.
“You’ve turned me into something I’m not for anyone else. Some needy young girl, hungry for a taste of flash and flesh with a man.”
“You’re so, fuck you’re so soft.” he moans, helmet pushing back against you like a bull, and you were happy to ride. "Your so good at that."
You let it build, focusing on the feeling between your legs, you let your breathing take over, every grind a release of sound, and a step climbed together towards your peak. “I knew you would be impressive. You had to be. Look at you.” You pant and you feel his fingers sink into your hair, a fistful slowly tightening as you held onto his back and head, leveraging and letting your hips do all the work. “No man’s ever made me such a greedy woman with only his hands before Din. No one. Only you.” The filter slips and your mouth falls open, breath fast from exertion, both sets of hands now with a white-knuckled grip against each other's bodies.
It was hot and fast and what you needed to satiate your needs. His hands and sounds told you everything you need to know for now. He wanted you, needed you, craved you. He was giving you the power to make him weak, a rush to your head that wasn’t just your impending orgasm.
“Fuck Din I’m close.” you admit, your mouth open and panting, tongue shamelessly lapping at his helmet, your lips kissing him as if he could kiss back. Once again, he returned the kisses with his hands, switching grip one went to your back, the other back to your breasts bouncing out of their thin confines.
“Fucking do it.” he bites out through gritted teeth, fingers tugging your top down to expose you and give your nipple a pinch.
“Mmmph!” a slight whine but a plea for more. “Yes fuck I love that Din, harder.” your words rush out and he eagerly follows.
“Cum for me. Cum on me. Please.” he growls, and it ignites something in you. Something primal. “C’mon little star, fuckin burn for me.” he commands, a barked order, caught up in it all, the heat, the friction, and the haze of lust around you both he cums. Unexpectedly but it didn’t matter at this point. With that solid thrust against you, a hand gripped into the flesh between your shoulder blades, the masculine energy you’d craved washes over you in the grunts and expletives that leak from the helmet.
“Yes, fucking cum Din. Give it to me.” you moan shamelessly, head falling back. A yip of “Yes.” building from whines to full roars overcomes you as you do as he asks and explode into a white bright hot light that consumes you. You try to keep the pace, the contact but your body stutters and begins to shake. The now warm metal of his helmet presses between your bouncing tits as your head tilts back and he holds you up with both hands, you never felt fear of falling when his hands were on you. At least not falling into the floor.
It was as if his mind cleared, and he was left soaking in this gleaming woman cumming hard in his arms. He held you up, seeing your chest heave, the pink flushing your skin, how much desire he felt in his growled name as you gnashed your teeth and came on him.
Fuck he felt good.
He got to scoop you up, a trembling and panting shadow of the primal goddess you’d just been, arms wrapping around your waist, one hand moving to see your face as it fought to regain its bearings.
"You glow like a star when you're like this." He isn't sure if he's overstepped, he doesn't know if the shine in your eyes is from the recent orgasm or his words. “Fuck you are… beautiful. You know that?” your mass of hair falls forward as you look down at him, chest still finding its normal pace.
Your eyes blink, a flutter of disbelief and, if he read you correctly, a slice of fear for only a second. “Beautiful?” you ask, feeling a bit bewildered.
His hand stops its gentle stroking against your hair and face. “You act like you’ve never been called that before.” You can feel the subtle laugh in his chest when he says it.
When your face remains still for a moment, eyes bright and full of memories he wishes he could access you reply almost sheepishly, “I've not.”
With the simple, quiet answer he was given more information about you than you knew you'd given up. You'd never let anyone in like this before. No one had ever held you and told you the things you longed to hear from another you cared for. You were like him after all.
With a light hand, you rest against his helmet again, stroking it as if it were his hair. "It means more coming from you than it would anyone else."
Now you've taken his words from him. You managed to make him feel special. Something he had denied his entire life. Something he wasn't sure he even believed anyone could be. In the same sentiment as your confession, he was glad it was you that was changing his changing his mind about such things. Learning the truth about the Children of the Watch, and the questions it brought up about his life was the first in a wave of realizations he'd face. Perhaps it was time to reevaluate how he lived his life if it meant missing out on things like you.
I tagged those who wanted in my Javi fic and interacted with my posts about making this fic. If you want to be added or removed just let me know.
@jaegeeeeer​ @likedovesinthewnd​ @inkededucatednnerdy​  @biharryjames @ladamari68​ @past-romantic​ @weliketomoveit @shikin83​ @ookamikuro​ @anglovesthis​ @swol-bear @louist91syndrome​ @guiltylitpleasures​ @nfnoofiii​ @hellothefriend​ @beatha-dubhach @l-e-i-n-t-h​ @firehart9​ ​
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gaemkyuu · 4 years ago
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The Meeting
Warnings: implied intercourse, but not described A/N: First story that I am posting! I have four more parts, so if you like it, leave me a comment and I will post the others :) Disclaimer: This is a FICITONAL writing piece on Charlie Gillespie. In no way do I claim or declare that Charlie’s portrayal is accurate to real life. I do however, own Teagan Valencia :)
Masterlist
The Teagan Valencia Series: The Meeting  / The Fight / The Proposal / The Present / The Recovery / The Future 
The Meeting
“Quiet on set...! And...Action!”
Teagan watched in silent adoration as Charlie delivered his lines. She didn’t always have the opportunity to sneak away from work to watch him work, but today was an exception. The second season was well underway in the filming process and their popularity was increasing. Kenny noticed Teagan out of the corner of his eye and motioned her over so that she could watch the scene from the monitor. She was amazed at how Charlie looked playing Luke. She had met him three years ago when he was filming Season 1, but yet the boy on camera looked exactly like he did that same day three years ago.
***
Teagan had been visiting Vancouver that weekend to visit family and help her sister get settled. Her little sister had been accepted into the University of British Columbia in the Business program studying Accounting and Finance. She was the pride and joy of filipino immigrant parents as she was attending an esteemed university and getting a degree. All the while their oldest, Teagan, had opted for a non traditional method of getting into the marketing industry by working for a popular canadian clothing brand. Her sister was going to be a university graduate while Teagan worked her way up the ladder in a retail store. Teagan always knew that going to school wasn’t where her path was taking her, but she always knew that hard work, determination and experience were valuable assets in the job market. Something her parents would never understand.
“Charlie watch out!”
They were walking around Gastown in their cute summer dresses killing time before their dinner reservation, when Teagan was knocked over by another person. As she got her bearings, she felt cold liquid on her chest and the weight of another body. The other person quickly scrambled to their feet and profusely apologized, helping her stand as her cousins stood there in shock. She heard a couple more footsteps rush over to where she were standing, dusting off her butt and looking her tackler in the face. In an instant, Teagan had forgotten what had happened as she got lost in the deep green pools of the man in front of her. It wasn’t the eye colour that stole her focus, but rather the intensity of emotions that he conveyed through them. Teagan could see and feel the embarrassment, regret and sincerity of the man.
“Teags?”
Her cousin’s voice broke her trance and she blushed when she realized she had been staring. She noticed that two other people stood behind him, in which she assumed was her friend. One was fairly tall and blonde and the female with long auburn hair and a beanie. Teagan forced herself to focus on what the man was saying rather than the beautiful eyes in front of her.
“I am so so so sorry. I completely didn’t see you and didn’t mean to ruin your dress or tackle you to the floor” Teagan looked down at her once cute summer dress covered in iced coffee from Starbucks. “Is there any way I can make it up to you?” Teagan stood there speechless.
“Uh-uhm- D-Don’t worry about it! It’s totally fine” Teagan felt slightly flustered and out of breath, her blush deepening as she heard her cousin scoff on the side. “I can quickly just go and buy something else to wear”
“Please let us pay for it! We feel horrible!” the man’s female friend offered coming closer to Teagan motioning the other two males as well.
“Seriously, it’s fine! I’m totally fine! Don’t worry about it!” Teagan couldn’t quite understand why she felt embarrassed when they were the ones who were at fault. “What happened anyway?”
“Our friend thought it would be funny to run away with my iced coffee and wasn’t looking where he was running. It’s my fault too because I was chasing after him” the blonde one shyly confessed, rubbing his neck apologetically. “I hope we didn’t ruin your night”
“We were just killing time waiting for our reservation. It isn’t for another half an hour, so we have ample time to grab Teagan a new dress” Teagan silently thanked her cousin as her brain was malfunctioning at the handsome man in front of her. 
“We seriously feel so bad, can we please make it up to you somehow?” the female tried to offer some sort of compensation again.
“It’s totally fine, no hard feelings. It wasn’t like it was on purpose right?” Teagan’s brain started to slowly function as she declined the offer of the female.
“Seriously, we need to make this up to you two. I won’t take no for an answer and if you do say no, I’ll just follow you around until you say yes” The handsome man took a step closer to Teagan, causing her breath to catch and swallow deeply.
“Uhm, okay! I mean, if you won’t take No, I’d much rather just make new friends instead of gaining a stalker!” Teagan could feel her words tumble clumsily out of her mouth. Thus began the start of a new friendship. Teagan, her cousin and their new friends ventured to the nearest H&M to find something else for her to wear. Turns out that the other female, Savannah, had excellent taste in clothing. They all came to learn that they were all in the same age range, with Tegan being born in 1997 and Owen, the blonde being born in 2000. Teagan also came to learn that her handsome tackler’s name was Charlie and that all three of them were actors for a new Netflix project that was scheduled to air in the New Year. The three ladies got along incredibly and their shopping trip turned into all five of them going to dinner. They had lucked out when a table of 5 before them no-showed the restaurant. They spent the evening getting to know one another and a deep friendship was easily formed. Throughout the night, Charlie and Teagan connected on several levels and at times forgot there were three other people at the table. Occasionally the two would banter or tease each other, even though they had met that day. As their dinner came to an end and bills were paid by none other than Charlie, the girls exchanged contact information, planning to hangout on their next day off. But before Teagan could walk away for the night, Charlie slipped a piece of paper in Teagan’s hand apologizing one more time for running into her.
‘Coffee? This time I won’t spill it on you’ was messily written on the one side, with his phone number on the other. Teagan’s cousin didn’t notice the smile that lit up her face, but she quickly snapped a picture of it and tucked it in her purse for safe keeping.
That coffee date with Charlie ended up becoming a regular occurrence, though the only one who would be drinking coffee would be Teagan as Charlie always settled for tea or whatever dessert or smoothie he wanted to explore that day. She appreciated his adventurous side as she was creature of habit at times. She learned a lot about the industry and the many quirks of Charlie Gillespie.  Soon, coffee dates turned into dinner dates and dinner dates turned into weekend cuddles and relaxation, but filming would eventually wrap and the holidays approached, leaving Teagan and Charlie to make a definitive decision in their relationship. Teagan didn’t expect to extend her Vancouver visit from a week to about a month and a half. Reality was coming fast ans soon Charlie would be back to LA and Teagan working in Edmonton.
“Charlie, what are we?” she asked him as both sat on the couch of his apartment. Mama Mia played softly in the background on the TV as she turned to face him.
“Well what do you want to be?” he cheekily asked her, flashing one of his killer smiles.
“Je suis sérieuse. Tu retournes à LA toute suite et moi à Edmonton. C’est quoi ça?" Charlie knew that when Teagan spoke to her in french she was serious. It was one of the things he learned early on about Teagan. He was pleased to know that she was fluent in french, having taken an IB course in high school, but they often bantered about their accents. She understood how french was a huge part of who he was and she didn’t speak to him in french unless it was important. She knew it got his attention right away since he was so used to being around people who only spoke english.
He paused the TV, complete silence filling the room, both of them facing one another. Charlie was off to Vietnam for the holidays and Teagan planned to spend hers with her family in Edmonton, seeing as she had made an impromptu extension to her trip in Vancouver. He knew that the next time they would be seeing one another they would be crossing borders to visit one another and to be honest the distance felt a bit overwhelming. But Charlie couldn’t shake the fact that there was something about Teagan that he didn’t want to let go. 
“What’s going to happen when we both go back to living the way we were before one another?” Charlie chuckled softly to himself, knowing his decision. Teagan cocked an eyebrow at his response.
“Well nothing’s going to go back to the way it was before Teags” she loved hearing Charlie use her nickname. He said it in a way that sounded so comforting to her ears. “You’re mine right?”
“Define: mine” Teagan smiled coyly at Charlie, already understanding what he meant. “I need help understanding you. I don’t speak Charlie Gillespie Language” Charlie rolled his eyes and got down in front of Teagan, settling in between her legs.
“Teagan Jillian Valencia, will you be my girlfriend?” He jutted his lips forward ever so slightly to create the perfect pouty lips and then he comboed them with his best puppy eyes. Teagan shook her head at the dramatics of the man in front of her and kissed him on the lips, pulling him up and forward. “So, that’s a yes?”
She nodded and kissed him again, this time a little more aggressively. Charlie took the hint and started getting all handsy, but Teagan broke their kiss. “As much as I would love to do this right now, Owen comes home in 30 minutes and I would much rather him not walking in on us, again”
“Well let’s make this quick and move to the bedroom!”
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sophiamcdougall · 5 years ago
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EXPLAINING SANREMO
(PART 1) Last week I was swept away, helpless, by the avalanche that is the Sanremo Song Festival and I am still recovering. For your safety, I’ve tried to keep the insanity contained on my Italian side blog. But I want to try to offer you a rough summary of what I’ve learned. Sanremo inspired the Eurovision Song Contest. Over five nights, 24 acts, each with a brand new song, compete at the Ariston theatre in Sanremo for a tacky little golden lion, and the glory of being the year’s Song for Italy. 2020 marked the 70th Sanremo, so depending on who you ask, it’s a venerable national treasure or it’s stale and embarrassing (Many Italians are sick of it. Or say they are, but see below.) It is also an EPIC STRUGGLE between THE FORCES OF GOOD AND EVIL FOR THE SOUL OF HUMANITY Let’s meet some of the protagonists: 
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AKA: host Amadeus, entertainer and comedian Rosario Fiorello, il Bel Paese, and competitor Achille Lauro.
Amadeus got things off to a bad start before the show even began by praising his various female co-hosts - all seasoned TV professionals - for their beauty and their ability to stay “a step behind a man.” Outrage ensues, Amadeus claims he did not mean it like that, but keep this in mind for later. Also competing are Morgan (below, left) and Bugo (below, right.), who are performing a duet.
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Going in, the one thing I know about Morgan is that on more than one occasion, he trashtalked my beloved and blameless Fabrizio Moro. So I hate him and want him to suffer. And apparently he has quite the reputation for throwing tantrums, picking on fellow-artists and sabotaging events he’s part of. But hey. He’s supposedly talented and Bugo clearly thinks he deserves another chance.  And we’re off!
Irene Grandi kicks things off with  “Finalmente Io” (“Finally Me”). But I’m starting with her not so much because she’s the first to sing as because I don’t think the song’s  got enough attention -- either for the fact that it bangs or for what it represents in the drama that’s about to unfold.
Finalmente Io is what, in the business, we call foreshadowing.
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There’s a magical thing that happens to women with when they turn 40. The  develop Not-Giving-A-Fuck superpowers. The song is basically about that. It’s about freedom, and self-acceptance, and being 100% done with male bullshit. (It's also a bit of an ADHD anthem but let’s leave that aside for now.)  “I’ve lost all my patience, and all my fragility,” she sings. 
And, “If you want sex, let’s do it now. Heeeeeeere.”
Irene is the portent everyone misses, a harbinger of what is to come. 
Think of her as John the Baptist.  Onwards. So the first thing one discovers about the Sanremo Festival is that just because we have to get through 24 “big” acts AND 6 (?) new/junior artists, and they all have to perform multiple times, that doesn’t mean there’s any RUSH. Guest singers wander on and perform a song or ten. There’s comedy. We can stop everything to talk about football.  A lady comes on and talks for a million years about how her granny taught her that True Beauty is Found Within. There are also speeches about important subjects like violence against women. In fact, we are going to talk about that a lot, but also a bunch of competent and experienced female TV personalities are stuck taking turns at playing Amadeus’s Glamorous Assistant of the evening and he can’t shut up about how beautiful they all are while they cringe and lean subtly away from him. So it’s ... slow, and awkward, but within its own cheesy terms, things are normal. Too normal. Enter Achille Lauro. 
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Softly, almost whispering, he begins to sing a song called  “Me ne frego”  (”I don’t care” - but with an edge of “fuck you”). This is both an everyday Italian expression and a fascist motto. Well, it was till now. 
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A nation is convulsed. Right-wing Italian boomers are screaming because YOU! CAN’T! DO! THAT! AT! SANREMO! THERE! ARE! CHILDREN! WATCHING! Italian Tumblr, which like the rest of Tumblr is feral, thirsty and gay, is screaming for different reasons entirely. 
Achille, you scandalous creature, what have you done? What have you got to say for yourself?
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Something strange and magical  has released and it cannot be contained. On with the songs. Good songs, bad songs, blah songs. I like “Tikibombom” by Levante - a love letter to weirdos and rebels, “Rosso di Rabbia” (Rage Red) by Anastasio about being, well, angry but scared you can’t do anything useful with it, and “Eden” by  Rancore, about... the nature of sin?? touching on everything from September 11 to the mafia to Snow White and the Seven Dwarfs.   However, this contest is being judged (mostly - it’s complicated) by an industry jury of FOOLS, COWARDS, and TRAITORS who KNOW NOT WHAT THEY DO, so virtually all of the above artists are so far languishing towards the bottom of the provisional rankings. Achille ends up in 17th place and  Rancore at 22.
Truly, the light hath shone in the darkness and the darkness knoweth it not.
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LOOK WHAT YOU’VE DONE TO RANCORE. 
Rapper down, repeat RAPPER DOWN. SEND HELP.
However, for people who went in implacably biased against Morgan, it’s not all bad news. "Sincero” (Sincere) by Morgan and Bugo is in last place. Whether this is anything to do with the song or because Morgan is a nightmare of a person who has systematically alienated everyone in the Italian music industry except the trusting Bugo ... we can but ponder.  Sanremo grinds on. Days blur into each other and I’m not even going to try to cover events in exact order. Sanremo knows no order. Sanremo is like the universe, linear time is a construct that doesn’t really exist, and chaos happens very, very slowly.  But meanwhile, somewhere on the astral plane:
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At least that is what I deduce must have happened.
The competitors and guests look deep within themselves. Do they have what it takes? Are they ready to answer the call? 
Let’s see! It’s Covers Night! Which is also Duets Night!
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That’s Elettra Lamborghini (yes, that Lamborghini) and Myss Keta.
 Are they in tune? No. Does it matter? ALSO NO.
Meanwhile ... something strange is brewing between Amadeus and Fiorello...
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 But wait, PLOT TWIST.
Enter Roberto Benigni.
The beloved actor and director is the latest avatar of the Dionysian frenzy that has chosen Sanremo 2020 for the place of its birth. He is the One who will unite the electric queer mayhem and the impossible grinding tedium  of Sanremo. In him, the two strains will fuse and become unstoppable. He is going to talk about sex for twenty-six minutes
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He reads from the Song of Songs, which ... I knew it was sexy, and all, but is it really like that? Do you ever think about NAKED BODIES? Roberto does. Do you believe in PHYSICAL LOVE? Roberto wishes you would. Anyway, just think of all the sex we could all be having, literally right now, right heeeeere, whether we are  “a woman, and her man. Or a man and his man. Or a woman, and her woman!” He is awful. He is magnificent. He is excruciating. He is spellbinding. We are hanging on his every word and we are considering chewing our own arms off to escape. He proposes an orgy in the orchestra pit. 
Hand on heart, all of that happened. Italian Tumblr, bear witness.
And what of Achille Lauro? He unleashed this madness upon us all,  is he just going to sit back and let everyone else do all the work? Of course not. Achille Lauro came to bring not peace, but a sword, to the world of toxic masculinity and gender in general and his work is not yet done.
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”I too was once a little girl,” Achille sings.
Dressed as Bowie-as-Ziggy, Achille duets with Annalisa on “Gli Uomini Non Cambiano” - “Men Don’t Change”. It’s a heartbreaking song by Mia Martini from 1992 about male abuse of women, and not a single word, or a single pronoun has been changed.
However, although he’s the one in the competition, and the one dressed to dazzle, he leaves Annalisa the spotlight. It’s like she’s the tortured protagonist of the song and he’s a voice in her head, a sympathetic spirit who can’t swoop in to rescue her but can quietly affirm that she deserves better than the the hellish treatment she’s singing about. in fact, he pointedly stays a step behind her at all times. And she’s majestic. 
Of course, he’s not fucking DONE
He’s still got to sing “Me Ne Frego” again. Can he top the cape-drop? You be the judge.
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So Italian Tumblr,  is now writhing on the carpet,  making a sound only bats can hear, and shitposting itself into delirium, but has it all been ENOUGH?
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NO.
Poor Rancore has died again. Toxic masculinity still exists. Amadeus is still pretty gross. Everyone is going to have to GAY HARDER. CAN THEY DO IT? This post is, like Sanremo itself, getting insanely long, so ... STAY TUNED FOR PART TWO, in which Fiorello’s true nature as a chaos being is revealed, Amadeus faces his Calvary, and the gun on the stage goes off.  ----- UPDATE: Part 2 is here
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loveisneurotic · 4 years ago
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Kaguya-sama Blind Reaction/Analysis: S1E1
Hello everyone, this is my blog which I am currently using to react to and analyze Kaguya-sama: Love Is War much more seriously than I should analyze any romcom.
I have only seen the first episode of the anime, which this post shall explore using far too many words. If I'm feeling particularly motivated, I may read the manga as well.
My analysis will contain spoilers. If you're thinking of watching this show and haven't seen it yet, I recommend you at least go check out the first episode yourself before reading any further. I don't know what the rest of the show is like, but what I've seen so far has been both entertaining and thought-provoking.
I'm going in mostly blind, but not entirely blind. There are a few images of the anime and manga that I have been exposed to, although without the attached context. Due to cultural osmosis and the sheer popularity of this work, perhaps that was almost inevitable.
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Figure 1.1.1: Why did this guy write an essay about a single episode of an ongoing romcom?
Kaguya-sama: Love Is War
Season 1 Episode 1
I Will Make You Invite Me to a Movie / Kaguya Wants to Be Stopped / Kaguya Wants It
Power dynamics in relationships
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Figure 1.1.2: Immediately, the mangaka's tastes become clear.
I heard a saying once that really stuck with me: "The partner who cares the least has all of the power."
In the world of dating, I often sincerely believed this saying. You may yearn for someone's affection, but the other person need not give it to you until they are willing and ready. No matter how much you want it, you can't make someone more interested in you, unless you resort to being roundabout, such as adding some mystery and intrigue to your courtship. But is that excessive?
I once felt a potential lover slipping through my grasp, and before I knew it, I found myself chasing after them. As I was yearning for their attention, I felt as if I'd lost my dignity. It was humiliating. Painful. Was it just that they weren't the right person for me? Or was I not funny enough? Not charismatic enough? Not interesting enough? Too clingy? Too talkative? Should I have been more distant and given them more space? Did I seem too weak? Too eager? How should I have maximized my desirability? Regardless, I had surely lost. Perhaps they wanted the satisfaction and validation of conquering me. Playing me for a fool and asserting their superiority by being so distant. Isn't that right? Or is that just insecurity speaking? At what point is it ideal to cut one's losses and walk away?
If someone desperately wants the object of their affection to desire them, does that make them pathetic? Does it make them a loser? If you show more vulnerability and desire than the other person, does that truly make you the weak one in a relationship?
These questions plague our two protagonists and seem to be a driving force behind the main conflict. Since I have also grappled with how much to reveal my own feelings of desire, I find Kaguya-sama: Love Is War to be a particularly fascinating show.
Desire without action
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Figure 1.1.3: Our protagonists are gifted with impressively high academic intelligence paired with impressively low emotional intelligence.
The show wastes no time in introducing us to our two main protagonists. Kaguya was born into a family of high stature (and says "ara ara" frequently enough to power a small country of weebs), whereas Shirogane is a "commoner" (Kaguya's word, not mine) who worked hard to reach the pinnacle of the student body. Like timid schoolchildren, they're crushing on each other, and yet they refuse to admit it due to their pride. Instead, they focus on getting their "opponent" to confess their love first.
What stuck out to me immediately is how they both have different ideas of what their relationship would be like. Shirogane envisions Kaguya as blushing, shy, and conventionally cute, whereas Kaguya (thankfully) envisions herself taking absolute dominance over Shirogane (which plenty of people should see coming as a character trait after the anime's very first scene). The bad news about this is that their two fantasies are at odds. The good news about this is that the mangaka has fantastic taste -- you can learn a lot about a storyteller based on the characterization of a love interest or lead character of the author's preferred gender.
In the event that the two of them become an actual couple, I wonder how on Earth they'll reach a compromise as to how they'll treat each other. Perhaps they will have to figure that out before they can even get that intimate.
I appreciate that we get to see both of their perspectives. It hammers home how everyone has a different truth in regards to what they desire and what they experience, and the show does not hold back when it comes to showing just how different these truths can be -- such as a certain lunch-themed sequence that I will talk about later. This works to great dramatic and comedic effect.
That said, when you spend your time fantasizing about what could happen instead of actually taking action, time is not so friendly to you.
Half a year passes.
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Figure 1.1.4: Two geniuses dedicate their pride to wasting their life and energy.
Immediately, I got the impression that whoever wrote this segment of the story knows what they're doing. This is too real. And by "too real", I mean I very much appreciate the realism. How many of us have waited for ages (or for eternity) to confess our feelings to a specific someone?
This is the curse of having a crush and being incapable of acting on it. It's also why I hate having crushes.
Manufacturing affection in others, AKA the extraction of vulnerability
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Figure 1.1.5: A plan is devised to weaponize jealousy in the name of affection.
To express your truest feelings means being vulnerable. That implies taking a risk and feeling responsible for any potential consequences of rejection, as well as putting our dignity on the line. It would be so much easier for the object of our affection to make themselves vulnerable instead. So instead of being direct and honest, we act indirect. We drop hints. We act suggestively, but not explicitly. We may even place them in situations where we think they are more likely to confess. If they don't pick up on it, we can pretend we didn't mean anything by it. That way, we don't have to risk our dignity. We can just wait for them to make the move.
It sucks.
Incidentally, it sucks even more when both you and your love interest are thinking that way.
It sucks infinitely more when both you and your love interest are COMMITTED to thinking that way.
Someone has to break the deadlock, whether that's immediately or eventually.
If this show isn't one of those romcoms where the status quo never changes ever (judging by the quality of writing, I have faith that it isn't), then at some point, either Shirogane or Kaguya is going to have to be explicit about how they really feel. And it's going to feel scarier to them than anything else they've ever done.
It's gonna be great.
If we could all grow up and live in environments where it's safe and encouraged for all of us to be honest about how we feel and what we want, surely love would be much less painful for so many people.
Chaos theory
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Figure 1.1.6: If your prospective lover won't protect you, then your friend definitely will.
Chika is the ideal wild card and agent of chaos in this arena of love.
From a writing perspective, Chika is immensely useful. The mangaka probably could have gotten by without a third character in the mix, but she serves as a catalyst and an unknown element, able to create unpredictability and subversion of expectations. For a comedy-oriented story, this is invaluable.
Blissfully unaware of the mental turmoil that plagues our two lovesick dorks, she is able to unintentionally invalidate whatever schemes that Kaguya or Shirogane spent so much mental energy on, which adds extra comedy and tension for the audience. She is also an effective vehicle for Kaguya's jealousy and projection, as seen in the lunchbox scene which I have so graciously foreshadowed.
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Figure 1.1.7: We have confirmed visual on an unidentified fourth person. Chekhov would love this. From their posture, I wonder if they'll be a gloomy character?
Misunderstandings and assumptions
I've heard that most interpersonal conflicts in life emerge from misunderstandings. In the absence of communication, assumptions are born and give rise to misunderstandings.
You may know where I'm going with this. Let's talk about the lunchbox sequence.
Figure 1.1.8 (not pictured because tumblr wishes to deny me of my image spam): Kaguya is too prideful to admit she thinks that a couple is doing something cute.
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Figure 1.1.9: Pride is considered a sin for a reason.
From a writing perspective, I was impressed by the lack of romantic intentions in Shirogane in this whole sequence. Not once did he try to get Kaguya to show vulnerability to him. Instead, Kaguya is the only one spinning the situation in a romantic way, while Shirogane's driving force is the misunderstanding that Kaguya is looking down on him for what he eats. Because of this misunderstanding, Shirogane doubles down and makes his food even better, making the situation even more complicated and more stressful for Kaguya. This was definitely my favorite comedy sequence from the first episode.
I appreciate that the show has demonstrated the ability to create these scenarios where one of the characters doesn't even have love on their mind, but there are still romantic thoughts coming from the other character which drives the drama. It gives me a lot of faith in the variety this show will have to offer, and makes me excited to watch more.
When it comes to comedy rooted in misunderstandings, it is important to have miscommunication or lack of communication. In order to resolve a misunderstanding, you need to talk about it. For a pairing as dysfunctional as Kaguya and Shirogane, expecting healthy communication sounds highly unreasonable, which makes them prime material for a whole world of misunderstandings.
Misunderstandings are rooted in assumptions about what the other person meant when they said something or made a certain gesture or expression. When Kaguya glared at Shirogane and his food, he didn't even think to ask "What's the matter?" He just made an assumption about how she felt. I wonder if trying to understand Kaguya's feelings would be considered a sign of weakness by Shirogane?
A prerequisite to initiating an emotional conversation is the desire to understand or be understood by the other person -- assuming that your assumptions haven't already built a narrative for you. It is far easier to make assumptions than it is to attempt any sort of understanding.
In the end, Shirogane fled, unwilling to confront or attempt to understand the intense and passive-aggressive Kaguya. Kaguya feels that she cannot directly ask to try his lunch, so perhaps this is the closest she can get to initiating such a conversation with him at this time. Despite their mind games where they imagine the reactions of their opponent, they still have a lot of difficulty understanding each other.
I am curious to see if this prospective couple's communication skills and emotional intelligence will improve over the course of the story.
The burden of potential romance
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Figure 1.1.10: Even the infallible genius Kaguya succumbs to superficial jealousy. It's "mind over matter" versus "matter over mind". That's how the saying goes, right?
Chika is a free spirit, able to ask Shirogane for whatever she wants without being neurotic. That is the power of not being bounded by a crush. Kaguya, who lacks that degree of freedom, briefly loathes her for experiencing something that Kaguya cannot ask for. It's amazing how much someone's feelings for a friend can change without a single word being spoken between them. All it takes is an action, unintentional or not, combined with the raw strength of insecurity. Just as quickly, the status quo can return back to normal too, with the act of properly making up.
To Chika, asking for food from someone doesn't mean anything at all, whereas with Kaguya, it is an admission of defeat. In that sense, a relationship that will only ever be platonic brings peace of mind, whereas a relationship that can be potentially romantic brings leagues upon leagues of anxiety if the outcome is of great concern.
Love is neurotic.
Is love worth the pain? For some people, it is not. For others, the reward is immense -- but only if you can make sure your relationship with this person doesn't end up being a nightmare for your emotional health.
Love and self-identity
The final scene of the episode surprised me in a good way. It's a brief departure from the comedy, and reveals a more heartfelt side of the show.
Kaguya's servant asks her an insightful question. It is substantially more insightful than I would expect from any romcom: "If you fell in love some day, would you wait for that person to confess their love, like now? Or would you confess your love?" I found myself immediately curious to hear Kaguya's answer, since I knew it would be highly informative about her character.
"If that time comes, I would consider the risk of someone stealing him first and come to the one rational conclusion." Even in the realm of love, Kaguya seems precise and calculating. It's as if she hesitates to give a straight answer, but then she confirms: "Of course I would go."
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Figure 1.1.11: "Please understand."
It is not embarrassment or rejection that Kaguya fears; it is the absolute destruction of her identity and sense of self. Kaguya is the daughter of a family that practically runs the country. In her mind, everyone yearns for her and wishes to serve her. Turning that around and reaching out to another person to express her own desire would be a direct contradiction of that. It is probably a similar situation for Shirogane, where the infallible self-image he has built up is being put at risk during his romantic duels against Kaguya.
Kaguya clearly feels trapped. She and Shirogane see each other as threats to be conquered, but in reality, they both share a mutual enemy that is much more imposing and insidious: their own simultaneous disgust at the idea of vulnerability.
Their freedom is dominated by their insecurities, and so, even despite their impressive stature, they are still very human. Their upbringing that has lead them to become so accomplished may be more of a curse than a blessing, due to the resulting pride and self-image they likely feel pressured to uphold.
It is hard to cast aside a lie that you have bought into for your whole life.
If our two protagonists wish to have a chance of establishing a healthy romantic relationship, they have a lot of their own demons to overcome first. If they cannot set aside their pride and reach mutual understanding, they have no hope.
Until then, they will both remain trapped in a hell of their own design, however tragically comedic it may be.
My hopes for this story's future
I can tell that the mangaka, unlike far too many writers all over the world, actually seems to have a solid understanding of romance and the conflict that arises within. I've watched too many anime that place huge focus on the "will they or won't they" crap which never runs any deeper than one or both of the characters being too embarrassed to just say what they're thinking, without any sort of convincing mental blocker. In that case, it's clearly just manufactured drama which is designed to pad out the story and waste your time rather than pose interesting questions and themes. In the case of Kaguya and Shirogane, the two of them have substantial communication issues which are depicted in a comedic yet mature way, which I have found engaging.
I very much hope that the show will more deeply explore the themes and questions surrounding the ideas of vulnerability, emotional intelligence, and superiority within relationships. Kaguya and Shirogane have been set up to be great vehicles for such exploration, and I hope the mangaka can capitalize on that, especially if our protagonists can confront these issues directly.
My impression is that the ending will make or break this story. If the mangaka can pull it off well, I can already believe the payoff will be hugely satisfying.
Of course, in order to get to that point, we'll have to see a certain something. It has to do with the most sacred word amongst romcom enthusiasts: "progress". Indeed, after spending chapters upon chapters watching two characters bumble around amidst the same exact status quo, those little signs of advancements in a relationship are highly rewarding.
Underneath all of their aggression, if we can see Kaguya and Shirogane slowly open up to each other and realize the benefits of vulnerability, I think we could witness something really beautiful and really emotionally cathartic.
I've still only seen one episode, but I believe the mangaka has laid a fantastic groundwork for a series and can do a great job developing upon what I've seen so far. On that note, I will surpass our prideful protagonists by opening my heart to this story and entrusting it with my vulnerability, believing it can deliver satisfying development and resolution. You can do it!
Closing thoughts
I did not expect to write so much about a single episode of an ANIME of all things, but here we are. If only I could conjure this kind of power back when I actually needed it in high school English class!
The first episode alone is already so rich with characterization and themes that I managed to find quite a lot to talk about. Given how much I found myself relating to the characters and some of their situations, it's clear to me how this show became so popular. Not only are the animation, direction, and writing excellent, but also many people can probably relate to love feeling like a battlefield.
I do not want to believe in the idea of winners and losers in relationships. That idea creeps into my head whenever I'm having trouble keeping the interest of a new date, and I find myself wondering where those thoughts even come from. Lately, I have been reflecting on the way I relate to other people. Perhaps I've started experiencing this show at a time in my life when I most needed it, and that's why I felt driven to write such a large analysis.
This show poses some very interesting questions about romance that I do not actually know the answer to at the time of writing. I do not know yet how much the show is actually going to explore these themes. Regardless, I appreciate how this show is helping me reflect, and I am curious to see if and how the mangaka will answer some of the questions brought about by the story's themes.
This is a show that I'll most likely have to pace myself with. There was so much to process in this first episode alone. If I went any faster, I'm not sure if I'd even catch all of the details and character moments. I'm excited to move onto the second episode soon.
A highly subjective footnote about my cultured tastes
I'm glad that Kaguya is a sadistic dom with a gentle and vulnerable side, solely on the basis of that being my favorite personality type in a love interest. It also helps that it makes Kaguya's fantasies that much funnier with Shirogane acting so out of character. I feel like this show was made for me.
What was I writing about again? Oh yeah, writing a gigantic wall of text about an anime romcom. Somehow, I spent an entire day on this essay. Hopefully someone got a kick out of it.
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alwaysthinkingoutloud · 4 years ago
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Hannibal Episode-by-Episode Meta/Analysis: Episode 11, Season 1 (Rôti)
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As pieces of Will’s mind start to disintegrate, he feels the uprising waves of unbelongingness. Waves that do not meet with resistance, however. Waves that consist of trillions of transparent water drops that have no identity but what they reflect. Waves that feel just like him, getting unleashed. The emphasis being on unleashed, it is not the growing of a seed that was sowed against his will. It is the emerging of what was already there, what took a lifetime to frost, to hide. That frozen-up dark side starts to melt down as his devils start burning hotter and brighter. His body and soul are burning hotter and brighter so that the iced identity of him would thaw free. 
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As the walls that were once forced up are melting down, so is he. He feels as he is liquefying and even beyond that, vaporizing. Transforming into the form known as the most irregular state of the matter, the most chaotic one. Freest one. The most moldable one that gives him the opportunity to be shaped, to exist whichever way he wants, no more buried pieces of his entity. All this is an inevitable outcome enhanced by his encephalitis that will, surely, be treated at the end of the day but that will not be before chains of Will’s darkest side are broken for good, irreversibly. And that is what Hannibal ever hopes for while hiding Will’s condition knowing he cannot do it forever. He does not need to. Icebergs that once come down, do not go back up.
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“How do you keep your whites so clean?” 
asks Dr. Gideon to the officers in his transfer vehicle, genuinely puzzled. It is amazing how sincere that question is and how insightful it is on a killer’s mind. The mind that has very hard time comprehending how people can want to keep it clean, when it is undeniably existential for men not to and that is as real as the life itself. When the blood is bound to spill and give everything else the color everything needs to be seen in. To think whites can remain whites, it is pretentious and even laughably fake. Nothing is that clean. No conscious, no mind, no heart. Dr. Gideon may not know who he truly is, but he sure as hell knows something: red is inevitable.
Dr. Gideon is not the only one who sees this, Will seems to be making peace with that notion too since he slips in and out of Gideon’s shoes easily, almost effortlessly. Will understands him well since he too feels his identity being ripped apart into pieces where he does not know if all or none of those pieces belong to him.
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A room full of antlers imagines Will, in a room full of people. How convenient. He feels trapped into, obliged to something he does not know what. Jack pushes from outside while his own mind pushes from the inside, leaving no room for him to be, so the only thing left for him to do is melt away to his release. He will not be guideless then though, as Hannibal offers himself as his gauge.
Unlike Dr. Gideon who has everyone to tell him who he is and who is not and no one to help him know it for sure; Will has Hannibal. He uses what is happening to Will to uncure the concrete that is his identity and give Will every chance to mold it all over again.
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“It is hard to shake off something that is already under your skin.” 
says Will to Jack. How true is that. He is not fighting some foreign threat, he is in a battle with forsaken, neglected dark corners of his mind. The stag emerges again from one of those corners, and Will now knows what it represents and who it is going to lead him to. And he follows. Not because he needs to, but because he wants to. He sees Dr. Gideon as Garret Jacob Hobbs, someone else who he understood a bit too well too. Understood and killed. Killed and enjoyed. Enjoyed and not regretted.
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“I am taking (my identity) back one piece at a time. You should see the pieces I got out of my psychiatrist.” 
says Gideon to Hannibal, when Hannibal suggests that it is a terrible thing to have one’s identity taken from him. It is a curious emphasis to make on Gideon’s part after seeing Hannibal treating Will the way he is -a psychiatrist playing with his patient’s mind-, as he insinuates that Will also will be taking his revenge one day by taking a piece of Hannibal. Hannibal must have expected Will to reciprocate to his actions at some point, but I bet he never thought the piece of him that Will was going to be able to take would be his heart. Is not that some sort of a revenge too?
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Will shoots Dr. Gideon not when he speaks of killing Alana but precisely when he turns into GJH in Will’s eyes and mentions his becoming. He is not doing it to protect anyone else but himself. He just wants the illusion to end, the curtain in front of his eyes to come down, no matter the cost.
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The only person who can see what happened as a success is Jack. Dr. Gideon is brought down and the fact that it was done by Will shooting him and Will ending up getting hospitalized in the process hold no importance. A success he sees fit to celebrate with a drink. Hannibal counts on Jack’s untouchable arrogance that he will keep Will in the field even if he advised against it. How can a very experienced FBI officer like Jack not see the way Will is getting reshaped, though? Of course, he does. He is just willing to let this transformation happen up until the moment Will becomes something unrecognizable. Even Hannibal, with all his double and double-double agendas, looks more concerned about Will’s well-being. As he speaks to Bedelia about his feelings of what is going on with Will, it gets clear Hannibal really is not enjoying it. He saw what was happening to Will and he fueled it too, thinking all this had to happen as the means to an end. An end he desires for Will, an end Hannibal will not force him into. He does not want to see Will fall more than a parent would want to see his kid fall only so he can learn to get back up again, stronger. So, all he can do is watch. Watch and hope that one day Will will understand why.
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of-elves-and-mad-hatters · 4 years ago
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“The Azure Sky” - Chapter 2 - Lego Elves
Shadows to the Brightest Flame: Series
- The legacy of Lumia’s influence is scarred eternally into the lands of Elvendale. Burdened by a prophecy foretelling her demise and need for a successor, she watches for one capable of such power. Yet her enemies are working steadily to undo all she’s labored so long for, and it is millenia too late to make peace. 
Emily Jones, heir to Eimileen, is a bold girl dedicated to protecting Elvendale, but the world she has grown so fond of is not so black and white as it seems, and the titles of Guardian of Portal and Guardian of Light may hold darker legacies some ancient elves have worked tirelessly to hide. 
In conjunction with the extended version of the Guardian of Light prophecy I wrote previously
Basically a rewrite of all of the Lego Elves & Secrets of Elvendale storylines with an additional arc beyond the Season 4: Into the Shadows. There will be a varying degree of deviation from canon.
Technically a crossover with Lord of the Rings/Hobbit/Silmarillion in terms of worldbuidling, as I set Elvendale as being north of Middle-Earth, cause this is fanfic and I can. So there will be mentions of the Noldor, Sindar, Silvan, and some Tolkien characters, but they will be mostly background. Definitely not an issue if you aren’t familiar with the Middle-Earth fandom; everything will still be easy to understand. 
Book 1: The Azure Sky
Grieving over the unexpected death of her grandmother, Emily Jones is accidentally trapped in another world. Befriending a few young elves in an attempt to find her way home, Emily discovers many secrets about her grandmother’s past, but for every truth she learns two more questions take its place, leaving her vulnerable to darker force inhabiting this realm. 
A rewrite of Unite the Magic
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Chapter 1 
_______________________________________________________________________
Chapter 2
Shaking, Emily pushes herself up to her knees, viewing the scenary around her with shock and confusion. Trees extend in every direction, leaves mottled with unusual tones of pinks and violet. The silky soft grass glistens in the light, though as she runs her hands of the blades, she finds them dry of dew. Despite the density of the foliage, the sun illuminates the area to the brightness of midday during the summer. Birds chorus grandly behind the anonimity of the branches. 
“Who are you?”
Emily jumps, turning to find a girl looming curiously behind her, though perhaps that would not be the most accurate term. She looks odd, dressed in a bright magenta dress cut and sewn to mimic flames and embroidered with some sort of baroque designs, though it’s hard to tell since most are faded and stained. Her tan skin is marked by bright tattoos on one shoulder and her face, emboldening her warm brown eyes and burgundy and marigold hair, the long, chaotic curls draped like a canopy from her narrow head. Two sharp, pointed ears complete the bizarre ensemble.
“Well, aren’t you going to introduce yourself after falling through a portal?” The corners of the girl’s lips curve impishly upwards.
“Portal?” Emily stutters out, staring at the being before her with the same wariness one would watch a racoon.
“Yeah, the one you just came through?” the girl rasps. She leans closer, hands on her hips. She cocks her head. “How did you open one anyways? That kind of magic is super hard to learn, kept locked away by a bunch of grouchy ancients who jump at their own shadows.”
“Um, I don’t…know really…”
“What do you mean you don’t…” the girl stops short as Emily tucks a strand of hair behind her ear. “You’re not an elf.”
“No…I’m human” Emily answers. Her voice drops hesitantly. “What’s an elf?”
“Well, I am,” the girls begins, but she seems distracted. She studies Emily’s clothes, “You must be from that other realm, the one the Great Sisters made a portal to a century and a half ago, with all those humans.”
“I guess so.” Emily chuckles slowly. Portals, elves, much more likely she’s lying on the ground in her grandmother’s garden in a coma and dreaming. Consequences of being a clutz.
“You don’t know how you got here, do you?” Emily shakes her head. The girls smiles fondly and extends her hand, “Well I guess we’re just gonna have to figure that out aren’t we?” She pulls Emily to her feet. “I’m Azari, fire elf, and I have a feeling this is going to be quite an adventure.” A rogue-ish smile breaks onto her face, and she looks overall like a fanciful devil. 
Emily swallows her nerves and forces a smile. “I’m Emily, and I sincerely hope not.”
Azari laughs, the sound rolling through the air with the intensity of a wildire.
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Fire elf in the lead, the pair hustle down the grassy hill. This vantage point, to which Emily had been facing away from when she landed in this place, looks down upon a vibrant blue lagoon, framed on either side by jagged mountains. Azari turns onto a path to the right, leading to a sloping outcropping ornamented with unusual apple trees.
“Where are we going?” 
“To Farran Leafshade, earth elf, and general buzzkill. His idea of fun is studying different kinds of dirt.” Azari wrinkles her nose. “Who does that? Of all the elves I know, earth and not, even those in agriculture think that’s the most boring part of the job. What kind of person do you have to be in order to want to do that in your free time?”
“A little weird, I guess, but I’m sure he’s a great guy…elf..person..thing…”
Azari shrugs. “He could do with a little spontenaity every now and then. Live a little, you know? Anyways he’s pretty in tune with all the goings of the forest, plus his home is where we all get together for anything important.”
Emily looks quizically at her. “You all?”
“Me, Farran, Aira and Naida. We’ve all been friends since forever.”
Emily nods. “And do you think they might know how I got here, and maybe how to get home?”
“Maybe, Aira and Naida know the legend of the Great Sisters better than I do, I get bored with history. Besides, Naida’s mother’s mother was one of the Sisters who created the portal in the first place. We might be able to go to her for help.”
“Who are the Great Sisters?”
“Well they’re,” Azari stops short and shakes her head. “No, I better let one of the others explain. I always get the details mixed up.”
As they near the pinacle of the slope, a sophistcated treehouse becomes visible through some of the towering branches. Seated on a set of roughly hewn steps is a male elf. He has a fairly light complexion, muted lime green eyes, and a wavy mess of short, dark brown hair that almost conceals the tips of his ears. He holds a pad of paper and a pencil in his hand, conversing with an elven girl standing to his right. She’s slim, but not overly tall, pale face accented with lavender eyes and hair, the latter pulled into a rather elaborate ponytail, though quite a number of strands have loosened. She wears a strange winged contraption, to which her fingers are busy adjusting the straps.
“Remember to time it correctly this time,” she chides the boy, her voice light and airy.
“I know,” he grumbles, leaning forward to rest his head tiredly on his hand. “After forty-five test flights, one can have the tendency to make a mistake.”
“Nonsense, that only means it should be perfectly engrained into your muscle memory.” She tightens one last strap. “There. Now in five, four, three…”
“Aira! Farran!” Azari calls. 
The purple-haired girl turns, her face erupting into a beaming smile. “Azari! So good to see you! Who’s your friend? She looks odd, why are her ears so round?” The words flit from her mouth with the speed of a hummingbird. 
Emily, overwhelmed, only stares dumbly in response.
“Aira, that’s not polite,” the boy gently rebukes, striding over to join them. “I’m Farran Folasion. This is Aira Arlaynaiel. It’s a blessing to meet you.”
“You don’t have to be so formal, Farran,” Azari responds. “This is Emily, and she’s a human.”
“A human? This far north? How?” The boy asks incredulously.
“I don’t know,” Emily starts shyly. “I guess I came through some sort of portal. There aren’t any elves where I come from, least that anyone knows about.”
Aira’s eyes widen. “The gates of Great Sisters!”
Azari nods. “That’s what I was thinking.”
“We have to find Naida!” Aira exclaims.
The fire elf smirks. “Also what I was thinking.”
Gushing, Aira and her sweep Emily off in a new direction down the hill. The air elf buzzes with excitement, chattering with such speed that Emily can’t make sense of half of what comes out of her mouth, but it seems to be spurts of curious questions about her human-ness alternating with speculations of the significance of her appearance in Elvendale. It seems whatever these gates or portals were, they were supposed to be permanently sealed decades ago.
Farran trails just behind the group, and unlike his companions, his face is devoid of anything cheerful. He casts skeptical glances towards Emily, concern creasing his brow. He runs one hand anxiously through his hair. He sighs.
At least they’re going to see Naida, the wisest of their little group. She would be the voice of caution Azari and Aira desperately need to hear.
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