#I apologize to everyone for this post

[uncharted-constellations]

It’s been a minute, (both post wise and design wise) so decided to update the fam + a couple additions compared to last time

[yayee-pspsps]

Kiss kiss fall in love

[egg-oo]

crowley mentions ducks a lot

[valgeristik]

This scene for Gale triggered for me in the funniest place possible

[tedcicle]

"For what it's worth, I was telling the truth when I said I enjoyed working with you"

post by @killingsboys / parkour civilization, season 2 / flowers, hadestown / artwork by @vinestaff / off to nowhere by rubydragonz / artwork by @conswayo / good riddance (time of your life), green day

[daily-odile]

1,,,, 100 days,,,,,,,,, and 800 followers,,,,,,,,,,,,,

From the bottom of my heart, thank you everyone.........!!!!!!!!!!!!!!!!!!

[vaxxman]

Do you like red oktoberfest (like romantically)?

Aha! Interesting and very valid thing to ask! Thanks for your question!

I shall not answer straightforwardly!

Doodle (1) and rambles you didn't ask for below the cut. The answer is in the last paragraph.

Clown language.

I admit I personally prefer showing characters interact with each other and allowing their interaction to be interpreted as either romantic, platonic, or even nothing at all.

I think this approach makes relationships less framed by "signpost cues" of friendship/attraction/love (not that I do not enjoy seeing these either). I think it leaves more room for interesting human interactions, independent of what expectations the reader has for the two characters. Some people seem to search for actions like kissing, hugging, confessions, in order to confirm whether something was supposed to be romantic or not. But then, the absence of such cues make them arrive at conclusions that ignore other forms of relationship-building interactions all together :(

(Fig.1: The unparalleled amount of different flavours of intimate feelings that are evoked from "getting shot and dying on your shoulder" - disease)

So for me, it's Schroedinger's character relationships, with a generous amount of "the true value of this relationship is the collection of interactions we have made along the way" and it doesn't need a name. So with that out of the way:

I am not averted to the idea of Medic and Heavy finally getting their hot steamy Tf2 Sex Update thanks for readin-

[egophiliac]

Can we see the top a Jamil’s hat? Where does it stop?

Jamil's hat has breached containment, this is not a drill, everybody run

[introloves]

theres a video of a soccer player (i think) filming in their teams locker room after winning and showing 500k ppl his teammates bare asses and im sorry to say it but... bokuto

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort

[foolsocracy]

[paintpanic]

Res AU Joronia drawings. Character rambling and bonus doodles under cut.

This AU takes place a good while after the events of Triple Deluxe happened. Since then, Taranza's mostly recovered mentally from everything. He was able to move on from his grief and (somewhat) forgive himself. Now that Joronia's in his life again, seemingly back to her former self, some of those wounds he'd thought were fully healed have started to ache again. He still feels ultimately guilty for what happened to her.

He's thrilled that Joronia's been given a second chance at life, but is somewhat wary deep down. This feels to good to be true, that she's just back with seemingly no strings attached. The other shoe could drop any day now, and he could lose her all over again. Fearing this, he wants to make the most out of what could be a short time to be together again with his friend.

Joronia senses that there's a distance between the two of them now that wasn't there before. It shouldn't be surprising; he's probably still hurt from what she did. Other people definitely are. She's determined, though, to work hard to make it up to everyone she's hurt, and to prove to them (and herself) that she's not really like that, that she's capable of being better.

The Mirror's influence twisted her mind and her perception of reality. It made her feel like she was inadequate, and that everyone else were enemies to be subjugated. Now, she's supposed to be normal and better, but she still feels like there's something wrong with her head. She still doesn't feel good enough, and it still feels like everyone hates her. It's hard to trust herself. She's not sure if it's some lingering effect of the Mirror, or if there's just something inherently wrong with her now. She's scared.

She's afraid that something will happen, that she'll revert to how she was as Queen, and that she'll hurt Taranza again. Someone who'd always helped her, who'd stuck with her even when she was absolutely horrible to him, and who's kindness she's relying on again now, staying at his home as she worked on getting her life back together. She's a burden on him, and she always has been. She hates it.

Still, her deepest, most selfish wish is that they could be real friends again.

---

These two need to have a long, honest discussion about their feelings toward each other and themselves. Both of them are absolutely terrified about that prospect, though, because they each think that the other secretly resents them to some degree. If they actually talked through it, they'd quickly realize that they both want the same thing.

[felassan]

.

[kyouka-supremacy]

One last thread. Hoshikawa illustrations that reference other Harukawa bsd illustrations (1/3)

[mizgnomer]

Behind the Scenes of The Star Beast - Part Eight

Excerpts from Benjamin Cook's Star Beast Set Visit - discussing the Camden night shoots:

Is nobody here having a bad time?? WHAT'S WRONG WITH THEM? "I had a little lull earlier," admits David, "at 2AM when we were waiting to turn over- I definitely yawned, maybe twice - but then the blood starts pumping again." Wrap isn't till 3AM. David lives across town. Isn't he worried he'll wake up his family when he gets in? "Listen, the kids are at Davison's," he says (this is Fifth Doctor actor Peter Davison, who happens to be David's father-in-law), "so I'm full of beans. Oh, and sugar. Do you want some?" He's bought a churro from a market stall that's stayed open because it's very much in shot. "You can have more than that." He breaks me off a bigger piece. "The sugar rush will do you good." He offers the director [ Rachel Talalay ] some too: "Go on, Rachel, you deserve it." "Are you doing OK?" she asks him. "Yeah! Sugar! I'll move on to the Yorkie bars next. I give not a fudge at this time in the morning." He claps his hands, dusting off the sugar from his churro. "But are you OK?" "I am at this moment," she says, waving to some fans. "Tomorrow at 4:30AM I might not be. Ask me again then." "You do get a lot of love from the fans, don't you?" says David. "In a tiny way, which is just lovely. I mean, I'm not you," she says, with a laugh. "I love hearing them scream for you. But I'm not used to any of this. And… I think it's stopped raining." "OK, here we go," says Scott. "Let's go for one. Stand by then, folks…" They go for another take. And another. When I catch up with Rachel later – much later, it’s October 2023, and she’s chatting over Zoom from her home in Vancouver – we’re five weeks away from The Star Beast airing on TV. “I didn’t know quite how well the episode was working,” she says, “till my family watched an almost-finished cut. I came downstairs, and my two girls were crying. It was like, oh, OK, this does work! And on a much, much deeper level too. To have them go, ‘We knew it would be full of joy’ – which I think it is – ‘but we didn’t expect it to be so emotional,’ that was very satisfying. It was an emotional time all round.” It was. In more ways than one. Which is something that Rachel wants to talk about – here in DWM – for the first time publicly. “I think I can now,” she says, “because I’m close to two years in remission. I will be this month. Two years in remission. And Doctor Who really helped heal me. Directing Doctor Who while I was only a couple of months post-chemo.” A deep breath. “I had lymphoma,” she explains. “I’d been in chemo for seven or eight months. I wasn’t sure if I was going to survive. Then I was offered The Star Beast. I thought, I’ve got to do this. I didn’t tell anybody I was sick. I hadn’t told anybody except very close family. And I didn’t tell anyone on Doctor Who till I was there long enough to say, ‘Look, I’m well enough, so I don’t want you worried about me.’ Because, frankly, I don’t know that they’d have wanted to hire someone who might not have made it through the shoot. I totally get that. That’s fair enough. [...] “I could not have been surrounded by a more supportive crew,” says Rachel. “The best crew in the world. When I realised, it’s all night shoots, I thought, oh god, and I’m two months post-chemo. But that crew – David especially – made those night shoots so fun. It’s weird now, because I look back at the pictures – like that lovely one of me and David you published last issue – and that was my chemo hair. I was just getting my hair back. But I got healthier and healthier, stronger and stronger, as the shoot went on. When I got back to Canada, the doctor said, ‘You’re a poster child for how well someone can do after chemo. This is what people are capable of.’ “But it’s just what you do,” she reflects, “isn’t it? – when you love Doctor Who in your heart so much. There was no better place for me than Doctor Who.”

Additional parts of this set are in the #whoBtsBeast tag. The full episode list is [ here ]

[p4nishers]

there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.