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#since the post was getting long
cinnabundoll · 4 months
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Chat is any of you interested in hearing out the concepts I made for Due's and Just's backstories
I've only explained it to only one person 😓 I have the concept down but if I were to make a oneshot of it I'd evaporate
If yes, ↓
Due's Pre Escape Backstory, with a temporary name of "The day you and the stars disappeared" (the title could be interchangeable) explores his story before becoming a runaway from the institution he grew up in.
The main goal was to explain his motive as to why he ran away in the first place and what motivated him to do so. (This is his human version) His story is heavily inspired by The Promised Neverland and Chapter 3-4 from Reverse 1999
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"Justice"s Backstory, no name yet, explores his life before becoming a knight and overall protector of the kingdom. The extra I added was that there were two genocides that happened instead of one, The first involving the loss of Just's mentor and the 2nd is the one from his reference.
I gave Just and the child some dynamic, making the child one of his students, (it's like a loophole/phenomenon of the kingdom, the protector being killed by their student something something, Just is the one who breaks that samsara)
Just is a teacher pre knight as he wanted to take the role his previous mentor did after those years of teaching him. Again, Inspired by Chapter 5 of Reverse 1999
And the rest are just bits of puzzle pieces I've tried to conjoined to add more into these.
Please note these are just concepts!(well might as well call these headcanons?) These were meant to be for fun and not taken as canon, although some of my headcanons do connect with these stories ^_^ especially with Due's since i wanted to explore more of his behaviors and add more meaning to them
Feel free to send an ask for any questions regarding these concepts! Or just any headcanons I have for The Sillies in general! (⁠✷⁠‿⁠✷⁠)
"Justice" belongs to @angeutblogo
Due belongs to @dantemoths-lair
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qiinamii · 1 year
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races and naps
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blaiddraws · 21 days
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new york city amirite
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milkywayes · 4 months
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GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).
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slavhew · 5 months
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charmed, i'm sure
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poorly-drawn-mdzs · 7 months
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Lan Wangji Goes To Lotus Pier AU: Part 4.5: Morning Period.
(Part 1, Part 2, Part 3, Part 4)
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thelvadams · 1 year
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DOCTOR WHO • 1.01 'Rose'
It's like when you're a kid. The first time they tell you that the world's turning and you just can't quite believe it, because everything looks like it's standing still.
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lucabyte · 3 months
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So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.
#'but lucabyte didnt you already do a comic with this exact same message? that loop has potentially killed their party intentionally before?'#yes i did absolutely do that thank you for noticing. that is what the cannibalism comic is about. no that was not a metaphor. lol#isat#in stars and time#isat spoilers#in stars and time spoilers#sifloop#isat siffrin#isat loop#in stars and time fanart#isat fanart#lucabyteart#ill ramble elsewhere some other time. maybe in a text post. but. long and short of it: even if you assume the answer to 'how do they know'#is that in sasasap isa got frozen once. theres still the fact that the loops are from sif being too distressed. how far gone does a siffrin#have to be before they can witness a party member die and notice it has no effect. how does loop feel to have planned to kill the party#during act 3. why did they NEED to show sif that. are they trying to preemtively stop them from getting the idea in their head#that maybe that might work? when they're out of all other options? when they just get so frustrated and at wits end?#loop helps in subtle ways through the whole game. and in less subtle ways like begging sif not to use the dagger. and while yes the#overarching reason you need to learn that the loops are tied to sif is because you need to figure out wish craft.... loop doesn't know the#actual mechanics of the loops themselves. just what didn't work. the power of friendship. getting the final hit in. being perfect. etc...#and besides all that.. how did loop feel during that hangout. being so deceitful. especially since before the other shoe drops#sif is enjoying themselves. but they know what's coming the whole time.#as for: why bathing? its the obvious imagery for blood on their hands/washing/never being clean. and is a bit of an inversion of the other#piece i just drew with the other casual closeness and nudity being kind. this one is cruel instead.#anyway tag ramble over ill do a masterpost of all my fanwork with some directors commentary sometime i promise. since i know im often vague
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ashipiko · 15 days
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LOVE IS STORED IN THE. WAFFLES? I THINK.
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sunlit-mess · 2 months
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trying not to get attached
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weaverofink · 2 months
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when u name urself after ur fictional crush but your entire friend group also knows the reference
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rainboweemart · 3 months
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Post beach nap 🏖️💖
+Bonus sketch! Luffy’s fully awake & chatting while having some snacks with Nami 🥰
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teaboot · 1 month
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if ur a murderbot nerd now do u have any fun opinions abt it yet?
Oh my goddd you have no idea
I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.
A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.
To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.
While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats
Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.
I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.
Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.
People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure
Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?
It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?
I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?
Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?
Yeah, that resonates.
I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened
And now I have to just. Keep going
Into... what?
It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.
So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.
So, uh. Yeah. Read Murderbot, I guess
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daily-odile · 3 months
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AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O
ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go
act 3:
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act 5:
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ramblerogue · 1 year
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It's been 3 years, and I still think about the Deep Bleu Sea fight.
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slavhew · 3 months
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i reread this scene and i could just. picture it. so vividly.
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