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Happy rockoween everybody! The rock must get some rest now, but don’t worry, she will be back at the exact same time tomorrow, just like every other day :)
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cripplecharacters · 5 months ago
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Write more Deaf characters!
[Large Text: Write more Deaf characters!]
When answering questions about deaf and hard of hearing characters, I have noticed they are overwhelmingly about:
A character who is deaf in one ear or hard of hearing because of an accident
A character who was born deaf and knows sign language, but seems to have 0 connection to the broader Deaf community
This is not the experience of most d/Deaf people! So, here's your primer to Deaf community and culture, and writing a Deaf character, because they are sorely underrepresented.
(Disclaimer: this post was written using viewpoints I, a singular Deaf person in the United States, have encountered. I tried to make this as general as possible to encompass many Deaf views, but it is possible that I have misconstrued something. Do not take this guide as the be-all and end-all of your knowledge on Deaf culture. Keep reading and researching the Deaf community, and explore viewpoints from many different Deaf people of all backgrounds.)
Why do you write Deaf with capital D?
[Large Text: Why do you write Deaf with capital D?]
The term "deaf" with the lowercase d means not being able to hear. The term "Deaf" with an uppercase D refers to the cultural identity formed by deaf people. This identity is difficult to explain but it includes knowing sign language and engaging with other Deaf people.
There are varying opinions within the Deaf community on who is allowed to call themselves culturally Deaf. Some Deaf believe that only those who were born into the Deaf community (whose family is Deaf, who attended a Deaf school, and/or who have sign language as a first language) are allowed to consider themselves culturally Deaf. On the 'flip' side, some Deaf believe that anyone with hearing loss can claim the label. And of course, you can find someone Deaf with any opinion in between.
This is all intracommunity nuance. If your character is born deaf and learns sign language at a young age or as a first language, they are likely culturally Deaf.
Sign Language Use
[Large Text: Sign Language Use]
Sign languages are the language of Deaf communities. (Note that there are many sign languages in different regions, and they are not related in the same way spoken languages are!)
Most sign languages did not originate alongside spoken language, either, so they usually have different grammar than the spoken language in a region. This means that someone whose first language is sign may have difficulty learning even the written version of the spoken language due to the different grammar and translation. For native signers, the spoken language of their area is their second language.
Sign languages are fully developed languages, with grammar and structure. Sign language is not "less" than spoken language, and encouraging sign language does not discourage speech. (Even if it did, that's not a bad thing! Sign languages are still a valid and rich communication form!) Sign languages have slang and expressions/idioms too.
Sign languages typically have a "manual alphabet" otherwise known as "fingerspelling". This is a way to represent words that don't have a sign. Fluent signers very rarely fingerspell; normally fingerspelling is for proper nouns which don't have a name sign.
Name signs are the last big point I want to cover about sign language. A name sign is a way to refer to someone so you don't have to spell their name every time. It's usually related to someone's attributes, like dimples or a specific way of moving. Sign names can only be given by Deaf people who are fluent in sign language.
Deaf Education
[Large Text: Deaf Education]
For a long time, deaf people were considered unable to learn, just because they couldn't hear. And since 1880, for about 100 years and even still today, the prevailing tradition in deaf education was/is oralism--a teaching method based on speech that rejects sign language.
Historically speaking, if deaf children were to receive an education, they would be sent to a Deaf residential school. These still exist, although there are also many Deaf schools that are typical day schools, just for d/Deaf/hoh students.
Deaf children may also attend "mainstream" schools; they might have sign language interpreters and other accessibility accommodations, or they may be forced to rely on lipreading and context, or placed in special education where their needs often still are not met.
Oralism still has lasting effects today. Deaf people have received, and still do receive, worse education than hearing people.
One common problem is language deprivation. Many deaf children grow up without access to sign language. About 90% of deaf people are born to hearing parents; even if hearing parents do send their deaf kids to a Deaf school, they may not learn sign language themselves, so the child must rely on what they can gather of spoken language at home. Sign language is even discouraged by some audiologists and speech professionals, because it "might interfere with speech". But by depriving deaf children of sign language, more often than not, they are being deprived of all language.
People who are born deaf do not learn spoken language naturally, even when provided with aids like hearing aids and cochlear implants. Many deaf kids who learn speech learn it through extensive speech therapy, and often have a "deaf accent" from copying mouth shapes but not being able to hear or process what sounds they are making, which may also include having an atypically pitched voice (e.g., very high-pitched). Lip-reading is inaccurate and the best lip-readers can only follow about 30% of a conversation, and that's by intently watching with no breaks.
It is possible to learn a language at any age. But it is easiest to pick up a new language when one is young. Children who do not learn a first language by around age 5--the age at which they would start school--have more difficulty learning any language, and may have frequent outbursts or trouble expressing emotions as a result of communication difficulties.
Another problem, especially within the Deaf community, is literacy. Spoken languages are often unrelated to the signed language of the same region. Learning to read and write, as a Deaf child, is like learning a whole new separate language, with different grammar and structure than their native language. This is why captions are not a perfect accessibility tool--it is, for many Deaf people, being offered an alternative in their second language, if they have learned to read and write at all.
Deaf Culture Norms
[Large Text: Deaf Culture Norms]
To hearing people, Deaf conversation can seem very blunt and to the point. This isn't to say Deaf people are inexpressive--quite the opposite: sign languages often use facial expressions as part of the grammar, and there is a lot of expression that can be incorporated into a sign--but there isn't a lot of "talking around" things. You can see part of this culture in name signs, which are usually based off a trait of the person. It's not offensive--it's just how they're recognized!
Another conception is of Deaf people being over expressive, but again, that is just part of sign language grammar. Face and body movements take the place of tone of voice, as well as other grammatical clarifications.
Deaf people talk a lot! It's very hard to end a conversation, because there will always be something else to say or a new person to meet. Hugging and other physical touch are really common greetings.
Tapping people on the shoulder to get their attention is fine. Other ways include flicking the lights or rattling a surface (for vibrations). Eye contact while signing is also important to make known that you are listening. Groups of Deaf people will sit in a circle so everyone can see everyone else. It's rude to talk in a Deaf space. If you are lost in the conversation, you'd ask if you can write or type instead.
Deaf Space also refers to design concepts that are more accessible to deaf people. This includes good lighting, minimal signing-height visual obstacles (e.g., low waist-height shelves), visual indicators instead of bells, open spaces so people can sit in a circle to talk, and automatic doors and wide hallways/passages so it is easier to continue a conversation while walking.
It's also very rude to comment on a Deaf person's voice. Do not mention you're surprised they can speak. Do not call their accent "cute" or "weird" or anything like that. Do not ask them to speak. Do not say their voice sounds really good ("for a deaf person") or that you wouldn't be able to tell they are deaf.
Deaf Views on Deafness
[Large Text: Deaf Views on Deafness]
The Deaf community is incredibly proud of their Deafness. You'll often hear the phrases "hearing loss = deaf gain" or "failing a hearing test" as "passing the deaf test". Continuing the Deaf community and culture is highly valued, and learning sign language is encouraged for everyone.
Many people in the Deaf community dislike cochlear implants as their success is incredibly variable and they require invasive surgery and therapies from a young age. Another big argument against CI is that they are often presented as the only or the first option to hearing parents, who misunderstand CI as a "cure" and then do not give their child access to sign language.
Deaf people also reject any sort of cure for deafness, especially genetic therapies. Many Deaf people do not think of their Deafness as a disability.
(Deaf people will often point out the advantages of Deaf culture and sign language, such as being able to talk over long distances, through windows, and even underwater.)
Most hard of hearing and some deaf people have hearing aids, although it is really an individual choice whether or not to wear them. Many d/Deaf/hoh people are overwhelmed and startled very easily by noise (since they're not used to that much auditory input) and get tinnitus from auditory overstimulation. They may also struggle with auditory processing--locating sounds, interpreting sounds, recognizing and interpreting speech, and other issues.
The Deaf community doesn't have any general complaints about hearing aids, just many prefer not to wear them. Do know that they are an imperfect aid; they just amplify sound, which doesn't improve processing or understanding, and it doesn't make people hearing. Not everyone even benefits from hearing aids--their specific hearing levels may make hearing aids a bad choice of aid.
A big point you'll hear in Deaf spaces is Deaf Can (and Deaf Power). Hearing people have historically treated deafness as a sign of incapability, but Deaf people can do everything hearing people can--except hear.
Myth Busting
[Large Text: Myth Busting]
Myth #1: All Deaf people are completely deaf. This is very far from the truth! Most deaf people have some degree of residual hearing, although this may require very loud sounds and/or at very specific pitches. Plus, there are many culturally Deaf people who are not deaf/hoh at all--CODAs, hearing children born to Deaf parents, are part of the Deaf community.
Myth #2: (Non-speaking) Deaf people do not make noise. Also very far from the truth! First off, Deaf people laugh. Many Deaf people also vocalize without knowing or intending, especially when excited. We can get very loud!
Myth #3: (Speaking) Deaf people talk loudly. While this can be true, often d/Deaf people talk more quietly than expected. This is because with severe to profound levels of deafness, no speaking volume is really going to be audible, so they will often rely on feeling vibrations in their throat to know if they're making noise. Vibrations are detectable at lower volumes than hearing people like to listen to.
Myth #4: Deaf people can't drive. I actually have no idea where this one came from but it's false. Deaf people can absolutely drive, and tend to have a lower rate of accidents and violations than hearing drivers. There is a common trend of treating d/Deaf people like they can't do things unrelated to hearing, but deafness on its own only affects hearing.
Deaf Struggles in the Hearing World
[Large Text: Deaf Struggles in the Hearing World]
A huge problem is just basic accessibility. Many places do not have captions or visual indicators, or rely on hearing (like drive-throughs). Movie open caption screenings are often at awkward times, and caption glasses are hard to find or access and awkward to wear.
Deaf people are also at increased risk of police violence. Police often treat signing as aggression, rather than attempts to communicate. When they yell, talk quickly, or shine a flashlight in Deaf people's faces, it's even harder to understand what is going on. Deaf people are also not often provided with a qualified interpreter and may not understand what is going on or why they were arrested.
Deaf people, specifically those who are mainly kept in the hearing world, have higher rates of drug use and addiction.
Hearing people also treat Deaf people as incapable or lesser. Gallaudet University had only hearing presidents until 1988 after the Deaf President Now protests; then-chair of the board at GU said in a statement that received heavy backlash from the students, "deaf people cannot function in the hearing world".
When writing your Deaf character:
[Large Text: When writing your Deaf Character:]
Were they born to hearing parents or to Deaf parents? (90% of deaf children are born to hearing parents.) Is anyone else in the family d/Deaf?
At what age was their deafness noticed? (It can be at birth, or it can take several years, even for children born deaf.) Is their hearing loss progressive? Is their hearing loss significantly different in each ear?
Were they eligible for cochlear implants? Did they get CI? Did they get hearing aids? (Consider cost as a factor: CI requires the surgery as well as intensive speech therapy; hearing aids are also expensive and can need replacement and refitting.) How well do the aids work for them? Do they have them in one or both ears?
What advice did their family receive from audiologists and speech therapists about sign language and communication, and did their family listen? Did they learn sign language? At what age? Did their parents and family learn sign language? Are they language-deprived? Did they go through speech therapy? What is their speech like? Do they like using their voice?
Did or do they attend Deaf school? Is it residential or day school? If it's residential, did they understand what was happening when they were dropped off? Does the school use sign language or rely on oralism? (Consider time period; most schools now use sign language, but from 1880-about 1980 the predominant method was oralism.)
If they don't attend a Deaf school, what accommodations are they receiving in mainstream setting? Are they in special education? Are they in a Deaf program at a mainstream school? Do they have an interpreter? How much do they understand what is going on in class?
How involved are they in Deaf community and culture? Are their friends and family involved and supportive of the Deaf community? Do they treat deafness like something to cure? Do their friends and family frequently ignore or "forget" that they are deaf?
In general, consider their scenario, what ableism they've faced, and what their Deaf identity is.
Happy writing, and please continue to send in your questions!
Mod Rock
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sketchyspudley · 1 year ago
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project-sekai-facts · 11 months ago
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How are we feeling about ensekai’s emu3 translation!!! (I’m mad)
(if you remember the 3 whole posts i made when asahi got de-gayed on EN you'll know i am mad too and that this is probably going to get long)
i don't like to be too cynical but it was so obvious that they were going to change that line, i had a feeling since the event first released on JP and after the incident with Asahi where I went through and tracked down multiple other examples of EN removing queer subtext it became clear to me that in no way shape or form was "emu-chan really loves nene-chan" making it to EN without getting changed. what i didn't expect was them changing Nene's line after Luka's comment, which actually makes this whole situation far worse than many of their other instances of toning down queer subtext.
for anyone who isn't aware of what happened, in chapter 5 of the current Emu event, there's a scene where Nene, Rui and the Virtual Singers are talking about what would cheer Emu up. The vsingers all talk about how much Emu loves spending time with Nene, leading to the following exchange
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If you look for them, any fan TL of this scene will be something similar to this:
Luka: ...Fufu. Emu-chan really loves Nene-chan, doesn't she? Nene: Th-that's nothing special...
EN's official translation is this:
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So what's the issue? I'll start with Luka's part. In the original text, she uses the word daisuki, which can mean to "like a lot" or "love". It's a word you will see frequently in the idol/idol-adjacent genre of games, due to its ambiguity in that it can be read as either platonic or romantic when used towards a person, and often will be used in ambiguous situations so that it's harder to confirm the writers' intentions either way. so here, fans of the emu/nene ship could view the fact that emu loves spending her time with nene as more on the romantic side, but people who don't like the ship could view it as platonic and move on.
while they didn't translate daisuki directly, Luka's line still works, and still contains the ambiguity that works as ship tease in the original text. it's a perfectly fine localisation that still conveys the original intent. despite that, there is something to be said about EN's consistent refusal to translate daisuki as love in most instances when it's not used on An/Kohane (but then again, EN has literally teased An/Kohane on their twitter account so is it all that surprising?).
Here's some examples:
Aibou no koto ga daisuki de / he loves his partner -> he cares about his partner very much (The Power of Unity chapter 7 when Kaito is comparing Arata to Akito and Toya)
HARUKA-CHAN, DAISUKI DAYOOOO!!! / HARUKA-CHAN, I LOOOOOVEEE YOU!!! -> You're the best!!! (Dear Me, As I Was Back Then chapter 4 when minori is at an ASRUN concert. this one isn't actually that great of a localisation)
Honachan no koto daisuki dakara. Kore de iinda yo. / I love Honachan, so this is fine. -> I want what's best for her. And this is it. (Leo/need main story chapter 14 after Saki tells Honami she won't bother her anymore)
Minna daisuki de - taisetsuna tomodachi na no / I love them all - they're my dearest friends -> They're all amazing, and very dear to me. (Leo/need main story chapter 17. this isn't good either)
What's particularly amusing about that last one is that there's a second official translation for it that I assume was done by JP staff (since EN never promoted doing the Journey to Bloom subs like they did back when they provided subs for Petit SEKAI) that actually keeps the word daisuki as love.
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Yeah. I love all my friends - and they mean the world to me.
It's a better localisation than the official EN team one.
Questionable localisation choices aside, Luka's line is fine and is actually in line with the original. The issue with this localisation very much lies with Nene's part, because that is an entirely new line.
In the original text, Nene's "that's just normal" or "that's nothing special" or however you choose to TL it, is meant to be her questioning Luka's statement, since all the things that the other vsingers said that Emu liked were pretty normal things like going shopping and playing video games with nene. To Nene, these things are normal activities for them to do together, so she gets embarrassed by the fact that Luka concludes from that information that Emu loves Nene. When I dissect it like that I think you can really tell what the writers were going for here lol.
"That's just us being friends" does still convey the idea that Nene thinks these activities aren't anything out of the ordinary and she isn't sure why the vsingers are picking these out as some of Emu's favorite things to do, but it's very different from the original line. "But those are just normal things we do together" is something I just came up with on the spot, but it's a lot closer to the original text and still conveys the same meaning. The fact they changed the line to "that's just us being friends" is, honestly, not even subtle that they're covering up queer subtext. The original scene was very clearly written in as ship tease, and EN mentioning "friends" for no reason, especially since the word nor anything close to it was not used in the original, is instantly a red flag because it's like the go-to for queerbaiting and censorship. This was intentional. There was no need for them to specify that the relationship is platonic, Luka's part is ambiguous for a reason so that fans can view it how they like.
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Just to top all this off, here's Rin's original line just before that Luka+Nene interaction:
Oh, and! And! She said that playing games with Nene-chan is also super fun!
And here's Rin's line from the official EN translation:
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That's not the same thing, but even more weirdly, the incorrect part (super fun->really loves) is a correct translation for the part changed in Luka's line. So, they can do it, they are willing to say "really loves", just not in the right places. Maybe because Rin's part is less personal than Luka's part? It's strange actually, this isn't the first time they've done this either. Off the top of my head I can think of an example from Shiho's Varied Kindness 2* story where they translated the word "suki" as really loves, despite that being much stronger than the original word used (and the fact that daisuki is used a lot in the Leo/need stories and it's incredibly rare if not entirely unknown for them to translate it correctly).
It's not subtle that they're trying to remove implications of the characters possibly being queer, they did it in curtain call and they did it in walk on and on, and multiple times before then too. And considering some of the content in this year's events and the amount of times they say daisuki alone, it's gonna keep happening. honestly i hate the fact that i keep trying to justify the translations in these posts. these translations are intentional. what happened in the curtain call translation back in october says enough. when a character who uses explicitly romantic language towards another guy passes as a straight character in the translation you know they're doing it on purpose.
oh and once again, it's only the EN server that has this issue. The scene in question was translated almost word-for-word on the TW and KR servers.
read fan translations. they're better than what EN gives us and people put a lot of effort into them.
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bcolfanfic · 3 months ago
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at the end of the day we are all engaging in an online space in which we make dead ww2 vets gay and write fictional gay stories, sometimes erotica, about them. the majority of normies you stop on the street would think we are all horrible deranged freaks. they wouldn’t let anyone out of the ‘what the fuck is wrong with you’ gulag because they’re writing the Iliad with the dead vets as opposed to writing crack fic or mpreg or insert whatever trope you think is OOC or cringe. read and write what you like!!! ignore what you don’t!!! but having any sort of superiority complex about doing this little hobby “correctly” is ridiculous i’m sorry!!!
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showroomcertifiedzine · 8 days ago
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The wait is (finally) almost over! Preorders for Showroom Certified open on December 13th!!🎉🥳 We're excited, are you?
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pinkhairswagtourney · 1 year ago
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and the winner of the pink hair cringefail tourney , with 5,420 votes , is ...
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hitori gotoh aka bocchi from bocchi the rock !!!!
thank you so much for participating in this tourney !! it's been so much fun watching everyone root for their faves [:
the not - pink - enough tourney will be out soon , make sure to check the blog for updates <3
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burakku-jakku · 1 year ago
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NEWS: A new Black Jack themed plush set will be available soon at the Black Jack pop-up limited shop. The set, called "Osamu Tezuka characters - Sit up ball chain mascot" will be for sale in Japan starting on November 23rd.
(x)
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raw-time · 5 months ago
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I don’t get when people hate on someone for having any/an extreme amount of piercings, tats, or any body modifications. Who tf cares?? It’s not like it’s on YOUR body. No one’s forcing YOU to get it. Why get mad at what someone else chooses to do with their own body??
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vynnyal · 9 months ago
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Btw I'm basically speedrunning now
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Rock mod rock collection reveal? More likely than you think
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cripplecharacters · 17 days ago
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I have a small cast of fan characters, for a little story that I do post on here but purposely has a very small audience. All of them have various disabilities. (One is deaf, one has a facial difference and unrelated speech issues, one has a congenital limb difference and autism, one is blind… there are others.) I only have one of those disabilities (autism), and the more I write, the more I feel like I shouldn’t write. I follow this blog, look up resources, and try very hard to avoid any harmful tropes. I make it known that I am open to issues being pointed out to me so that I can do better.
But time and time again I feel like I am doing more harm than good. Tonight I have reached the point of wondering whether I should even keep writing these disabilities at all. It’s not that I don’t consider the research worth doing, or that I don’t want to put forth the effort. It’s not that at all. It’s just that I am so overwhelmed and scared of getting things wrong. I don’t want to contribute to any harmful depictions in any way, but I feel like I will mess up no matter what. I feel like it’s arrogant of me to write characters who deal with things I don’t, and that no amount of research can give me the nuance or awareness to write things I don’t experience. I feel like nothing I could do in this situation would be good or right.
Because on the other hand, I don’t want to get rid of the characters’ disabilities, since that’s bad too!
I try very hard to write in a respectful and informed way. But at the end of the day, I don’t have those others disabilities, so maybe I just shouldn’t be writing them. Is it better to avoid writing what I don’t personally experience, and just stick to my own disability?
— MicronLizard
Hi!
Of course we have to write about experiences other than our own. Otherwise our stories would be boring--we can't only write people exactly like us all the time.
Please write disabled characters of all types. Don't be afraid to make mistakes. You won't know everything and that's okay! It's okay for your work to not be perfect representation. And there are plenty of resources out there to help you fix mistakes. Run ideas by us, get a sensitivity reader, ask around disabled communities if anybody is willing to give feedback!
Even if you've done all your research, you won't create a character that resonates with 100% of people with your character's disability. Everyone has different experiences. Some disabled characters that others love are not what I want to see represented; that doesn't mean it's bad representation!
The goal is just to write something beyond a trope. It's impossible to capture every single nuance of the messy reality of disability within a story. If you are so scared of writing "good rep" that you don't include it, we won't get any more rep. Imperfect but well-intentioned representation is far better than stereotypes or no representation at all.
Mod Rock
Hello!
From this ask, I don't see any way in which your writing would be doing harm. As you mention: you research, you try to avoid harmful tropes, look up resources, are open to feedback, put in effort. Plus on the basis of this ask existing and us answering it, you talk to other disabled people about writing disabled characters.
Just based on this, you're doing more than 90% of published writers who write disabled characters, and more than 99% of writers who only share their stories online. I know that this blog might give off a different impression based on the complexity and specificity of asks we get and advice we give, but the average writer doesn't know there's more than one sign language nor that most blind people can see a bit, most of them refuse to say the word "amputee" in favor of basically anything else. A ridiculous amount of people are under the impression that the only good story involving a disabled person is one that ends in a cure. The bar is on the floor.
Most of the harmful representation we reference in all the posts, the tropes that get repeated all the time, they are a result of not doing research and not looking a single thing up, simply not caring. Most "representation" is done from memory, literally whatever the author thinks the disability is. It's not a rare occurrence to see a disabled character and be able to tell that there wasn't even a Wikipedia article involved when creating the character, let alone actual disabled humans. Half the time the memory isn't even from a real source, it's just a different badly made character.
I can see your worries, but logically speaking, you seem to know too much to do a lot of this dumb shit. You don't have to know literally everything to show something with depth and nuance, things that most writers don't consider as an aspect of disability representation in the first place. We have a "don't just ask us 'how to write a disabled character?'" rule in our FAQ because of this - people don't expect there to be any nuance and are surprised to hear that we aren't actually a monolith. A lot of people, and I genuinely mean it, don't differentiate between disabilities. There are writers who write about their deaf characters using braille to read and their blind Japanese characters using ASL to speak. I see artists confuse mobility canes and white canes. Don't even start me on the nonsense that goes on in the realm of mentally ill characters.
If every writer did what I mentioned in the first paragraph of my reply, life would be awesome. There's a difference between a mistake in the grand scheme of things and literally not seeing disability as something worth thinking about for more than a few minutes. Like yeah, there is a chance that when reading, a reader with disability X might go "oh, the author isn't X" because there was an oversight in how the character did some activity on page 71. So what? That's bound to happen literally no matter what you write unless it's an autobiography. Toph Beifong is considered a beloved character that's still one of the best blind characters in media even though she falls into tropes and gets stuff wrong. Trying to make something absolutely perfect is counterproductive and ironically enough will result in less good representation.
You might decide to scrap your character with a facial difference because you think you shouldn't write them, but I promise you that the new indie horror game dev won't. Characters that will be the pain of my existence, made by people who couldn't give less shit, will keep being made into eternity. There's no avoiding it. There will be ninety-nine horrible characters made that might as well have had "ableism" as their character concept. If you decide to not scrap yours, we will have the 1% that was made with respect and sincerity in mind.
No one reasonably expects 100% accuracy from works of fiction, I personally expect research and respect. If you're doing that, your work will probably be at the very top of representation I've seen. Keep writing.
mod Sasza
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the-alan-price-combo · 3 days ago
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I made a mobile based on the Animals' GoGo Mania/Pop Gear performance of "Don't Let Me Be Misunderstood"!! 🐾💖✨️
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(Bonus Mickie Most and Hilton Valentine silliness under the cut 🙏)
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cellbitupdates · 9 months ago
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🟩Cellbit respondeu aos posts do Ludwig e Mizkif/🟨¡Cellbit respondió a las publicaciones de Ludwig y Mizkif!/🟥Cellbit replied to Ludwig and Mizkif's Instagram posts!
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haveyouheardthisband · 1 year ago
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showroomcertifiedzine · 1 month ago
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So, what's the deal with Showroom Certified?
When we started this project, we estimated finishing in “Q2 2024”- we’re now in Q4 2024, with no updates on pre-orders beginning for a while now. So, what happened? Is the project dead? What’s going on?
I’m not going to beat around the bush– we fucked up! I (Juno) and the other mods have never run a zine before, and there’s been a bit of “we bit off more than we could chew” as we move into post-art production. All three of us also unfortunately happened to fall into our own respective IRL crises that drew our attention away from the project for a stretch of time. These are explanations, not excuses, and on behalf of the mod team I’d like to apologize– both to our contributors, and to spectators who’ve been waiting for the zine to finally be available.
However, I am not about to leave everyone who’s been waiting on this zine in the dust. Showroom Certified will be completed, and will be available before the end of the year! (Or at the worst, very early next year.) We’re currently discussing the financial situation (i.e. taxes, manufacturing costs, etc.), and we’re also finally settling on manufacturers for the merch.
Our main obstacle at this point is the money– since this is such a small project (compared to other zines, at least), we’re trying to figure out a way to produce everything with the smallest out-of-pocket costs on the mods’ part, since we’re all broke 20-somethings lol. We’re considering how best to approach pre-orders when the time comes, and we think we’ve come up with something that will keep things relatively easy on our end while also keeping all our promises! Stay tuned for more details (once we have the details actually solidified).
We haven’t been the best at communicating updates to you guys, so going forward, I’ll be typing up updates like this for you all on a weekly basis! We’re aware of how long the radio silence has been, so hopefully these will work to regain some of your trust and interest in the project.
TL;DR: All the art for the zine has been completed, and despite issues on the mod side of things, we're slowly but surely gearing up to get preorders open! Thank you for being so patient with us- we'll keep updating you like this through the rest of production! See you next week!
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