#sickness tips

[litwick-whisper]

Sick baby guide

I’m the kinda baby that just feels sick A LOT

Sometimes we get sick in a way that’s not an illness, like bad tummy aches, and they’re so frequent that we can’t drop everything every time, or people don’t take us seriously. Here’s what I do to help.

Ready to be babied? It doesn’t matter if you age regress/dream or you just feel sicky and sad, you deserve to feel better- you’re my baby now!

🫧 Keep a water bottle close to your bed.

You might not feel like having water, sometimes when we’re sick it feels icky in our bellies, but if your mouth dries out like mine does or you just want to flush your sick mouth out a little bit, it’s good to have one within reach.

🫧 Put on some calming music.

It doesn’t have to be classical- just something that makes you feel calm and safe. Play songs that are comforting to you or let you kind of escape into your mind. Whatever music you like, it’s up to you little one.

🫧 Apply a bit of warmth

Whether it’s a heating pad or a heated stuffed animal, it can help, especially for cramps or tummy aches. Just make sure you don’t heat it too much and be careful that you don’t leave heating pads on or let them get too hot, love.

🫧 Get clean

While it does feel good to take a shower, sometimes we’re too sick to, so just changing your pajamas might help, if you can. Only do what you can, I know the experience of being unable to get out of bed, it’s frustrating, but it’ll be okay. You’re doing all you can do.

🫧 Soft Clothes

Put on something soft and comfortable. Baggy pajamas, big hoodies, soft blankets. Make yourself as comfortable as you can.

🫧 Fuzzy socks

If you’re chilling or losing a lot of heat, it might be good to put on a pair of fuzzy socks, or just regular socks. A lot of heat can escape out your feet, so it can be good to keep them warm.

🫧 Paci

Sometimes having a paci in my mouth helps surprisingly much when I’m sick! It soothes, and I also feel like it helps to chase away the icky in your mouth sometimes. If you have something filling your mouth, there’s less room to feel nauseous.

🫧 Make sure to wash your cups and pacis!

It’s so so important to wash your cups and pacis, especially if they’ve been in a sick mouth, it’ll help keep you cleaner and safer. I neglect this a lot but we have to remember, I know we can!

🫧 Telling someone

If you can, tell someone you’re feeling unwell! Whether it’s letting someone you live with know or shooting a friend a text, just let someone know so they can check on you, okay?

🫧 Expressing your distress

It’s okay to cry, little one. It’s okay to whine and cry out and babble. If we’re in pain sometimes we can’t hold it back. It doesn’t make it better, but it’s a perfectly natural reaction to have. You don’t have to feel ashamed.

So many days it feels like we’ll never find peace. Life doesn’t pull punches, I know. But this won’t last forever, the darkness will end. We’ll feel better soon, I know we will. We have to, all of us. ❤️‍🩹

[adminsunnysshortschanel]

BIMARI KAISE DUR KARE | Money Problems Vastu Tips | Bimari Se Bachne Ke ...

[ireonic]

Me: how do I study as a neurodivergent person?

Google: how to help your autistic child study

Me: how to study as an autistic adult/teen

Google: teachers guide to how to deal with autistic children

Me: how do I study as an autistic teen/adult

Google: study tips for autistic people(-written by this allistic man that will talk about autistic people like they're zoo animals)

Me: how to study as a neurodivergent adult, tips from neurodivergent person to neurodivergent students, on how to study independently as an autistic person, no reliant support needed

Google: high functioning autism and school

Me: fuck just. How do I focus during this test that I'm in rn as an AuDHD person

Google: ok, so, to focus on this thing that you currently are doing and need to get done TODAY; weeks before the test you'll need to eat healthy and exercise, meditate, study, set timers, take breaks, drink water, sleep, find the secrets to a happy life, adopt five children, sacrifice a goat, take short showers, brush your teeth

Executive dysfunction:

My fucking deadline:

[reunitedinterlude]

the cake scene saga

[petaldoze]

having a cold and st*rving at the same time isn't fun brothers

[royaltea000]

Al the kinda guy to nut in his pants after a threat

[thatsbelievable]

[liliththinks]

My goal is for people to tell me I'm too thin and I should eat more.

[sicktember]

Sicktember 2024 Prompt-Based Resources to Help You Get Started! 💚

**Sicktember 2023 prompt-based resources can be found [Here]

Hangovers

What is a hangover [niaaa.nih.gov]

15 hangover horror stories [buzzfeed.com]

7 ways to cure your hangover [health.harvard.edu]

How to Write a Drunk Character [allwritealright.com]

Over Indulgence

Dealing with Food hangovers [health.usnews.com]

4 Ways to Stop Digestive Discomfort  [michiganmedicine.org]

I Ate Too Much. Now What Do I Do? [osfhealthcare.org]

Is It Possible… Stomach Explode? [popsci.com]

Campus/Con Crud

Crushing the Campus Crud [hercampus.com]

So What is Con Crud  [granitcon.com]

Coming Down With the Crud  [bmhsc.org]

Rogue Organs

What Is Appendicitis? [hopkinsmedicine.org]

Gallbladder Removal [nhs.uk]

Tonsillectomy [mayoclinic.org]

Spleen Problems and Removal [nhs.uk]

Dizziness/Vertigo

Understanding Vertigo [on.bluecross.ca]

Types of Vertigo [acare.abbott.com]

Dizziness vs. Vertigo [cornerstonephsio.com]

Medieval Treatment

Medicine in the Middle Ages [ncbi.nlm.nih.gov]

6 Medieval Medical Practices [guavahealth.com]

Healing Power of Maggots/Leeches (Modern) [mountainview-hospital.com]

When Medicine was Humorous [merryfarmer.wordpress.com]

Mononucleosis

About Mono [cdc.gov]

Mono For Teens [kidshealth.org]

How to Test for Mono [mountsinai.org]

Sick People Food

What People Around the World Eat When Sick [businessinsider.com]

Sick Day Foods Across the Globe  [nyubiteclub.com]

8 Best Foods to Eat When Feeling Sick [forbes.com]

Toxin/Poison

Poisons and Toxins [sciencelearn.org]

Poisoning. What The Doctors Do [thedoctorwillseeyounow.com]

Common HouseHold Poisons [cincinnatichildrens.org]

FAQs Carbon Monoxide Poisoning [cdc.gov]

Brain Fog/Spaced Out

What is Brain Fog [everydayhealth.com]

Understanding Brain Fog [henryford.com]

Causes of Zoning Out [verywellhealth.com]

Aches And Pains

What Causes Body Aches When Sick? [uclahealth.org]

5 Tips For Writing About Physical Pain [louiseharnbyproofreader.com]

Hypochondriac tendencies

Illness Anxiety Disorder [my.clevelandclinic.org]

Signs You May be a hypochondriac [centerforanxietydisorders.com]

10 Health Anxiety Myths  [happiful.com]

How To Write Anxiety [writerscookbook.com]

Anaphylactic Response

What is Anaphylaxis  [betterhealth.vic.gov.au]

Anaphylactic Shock: What You Need to Know [healthline.com]

Waiting Rooms

What happens in the emergency department [advocatehealth.com]

Triage and Emergency Assessment  [ncbi.nlm.nih.gov]

Setting Description: Emergency Waiting Room [writershelpingwriters.net]

Summer Flu

Can You Get the Flu in the Summer? [verywellhealth.com]

Leisure Sickness  [avogel.ca]

Catching a Cold When It’s Warm [newsinhealth.nih.gov]

Heart Condition/Cardiac Arrest

Types of Heart Attacks [www.healthline.com]

Common Heart Conditions [summahealth.org]

What Does a Heart Attack Feel Like? [health.clevelandclinic.org]

How to Describe a Heart Attack in a Story [writingtipsoasis.com]

Pulling a Ferris Bueller

Define Pulling a Ferris Bueller [urbandictionary.com]

Ferris Bueller’s Day Off Summary [gradesaver.com]

10 Things Ferris Bueller Taught Us [dailyedge.ie]

A Note From the Mods [Tumblr Post]

Sick While Traveling

Take Steps to Stay Healthy While Traveling [cdc.gov]

Motion Sickness [sciencefocus.com]

How to Remove Vomit From Car Interior [wikihow.com]

Sick on Vacation Tips [apartmenttherapy.com]

Hospital Bed

How to Write a Hospital Scene [writersdigest.com]

Hospital Bed Components & Safety [robsonforensic.com]

9 Way to Help When Someone is Hospitalized [upstate.edu]

First Aid Kit

Make a First Aid Kit [redcross.org]

Travelers First Aid Kit [hopkinsmedicine.org]

Health Plan and First Aid for College [uh.edu]

Flushed Cheeks

Causes of Facial Flushing [verywellhealth.com]

What Can Cause Flushed Skin?  [medicalnewstoday.com]

Doctor's Note

Obtaining a Dr Note for Work [inhersight.com]

How to Get A Dr. Note for School  [solvhealth.com]

[pygmi-cygni]

STOP DOING THIS IN INJURY FICS!!

Bleeding:

Blood is warm. if blood is cold, you're really fucking feverish or the person is dead. it's only sticky after it coagulates.

It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.

Unless in a state of shock or fight-flight mode, a character will know they're bleeding. stop with the 'i didn't even feel it' yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.

blood flow ebbs. sometimes it's really gushin', other times it's a trickle. could be the same wound at different points.

it's slow. use this to your advantage! more sad writer times hehehe.

Stab wounds:

I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.

also, bleeding takes FOREVER to stop, as mentioned above.

if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)

whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites

Concussion:

despite the amnesia and confusion, people ain't that articulate. even if they're mumbling about how much they love (person) - if that's ur trope - or a secret, it's gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.

if the concussion is mild, they're gonna feel fine. until....bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.

Fever:

you die at 106F (40.5C). no 'oh no his fever is 107F!! ahhh!" no his fever is 0F because he's fucking dead. you lose consciousness around 103, sometimes less if it's a child. brain damage occurs at over 104.

ACTUAL SYMPTOMS:

sluggishness

inability to speak clearly

feeling chilly/shivering

nausea

pain

delirium

symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.

fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.

keep writing u sadistic nerds xox love you

[chronic-lee-lizard]

Here are some filling foods for when you feel nauseous or not wanting to eat!!!

Eggs

Greek yogurt

Rice

Cottage cheese

Pastas (always a good option)

Chicken (maybe a plain rotisserie if you are needing something not overwhelming)

Potatoes, especially mashed

Soups, the broth helps :))

Overall anything protein-rich will help you feel full quicker. I know on nights when I’m feeling super nauseous but I know if I don’t eat it’ll get worse these foods have saved me lol.

[armoricaroyalty]

Film Grammar for Simmers

What is film grammar?

"Film grammar" refers the unstated "rules" of editing used in movies and TV. Different types of shots have different associations and are used by editors to convey different types of information to the audience. Many of these principles were first described in the early 20th century by Soviet directors, but they're used consistently across genre, medium, and even language: Bollywood musicals, English period dramas, Korean horror movies, and American action blockbusters all use many of the same techniques.

Because these rules are so universal, virtually everyone has some internalized understanding of them. Even if they can’t name the different types of shots or explain how editors use images to construct meaning, the average person can tell when the “rules” are being broken. If you’ve ever thought a movie or episode of TV was confusing without being able to say why, there’s a good chance that there was something off with the editing.

Learning and applying the basics of film grammar can give your story a slicker and more-polished feel, without having to download shaders or spend hours in photoshop. It also has the bonus of enhancing readability by allowing your audience to use their knowledge of film and TV to understand what's happening in your story. You can use it to call attention to significant plot details and avoid introducing confusion through unclear visual language.

Best of all, it doesn't cost a dime.

The basics: types of shots

Shots are the basic building block of film. In Sims storytelling, a single shot is analogous to a single screenshot. In film, different types of shots are distinguished by the position of the camera relative to the subject. There are three big categories of shots, with some variation: long shots (LS), medium shots (MS), and close-ups (CU). This diagram, created by Daniel Chandler and hosted on visual-memory.co.uk illustrates the difference:

Source: The 'Grammar' of Television and Film, Daniel Chandler, visual-memory.co.uk. Link.

In film, scenes typically progress through the different types of shots in sequence: long shot, medium shot, close-up. When a new scene begins and the characters arrive in a new location, we typically begin with a wide establishing shot of the building’s exterior to show the audience where the scene will be taking place. Next comes a long shot of an interior space, which tells the where the characters are positioned relative to one another. The next shot is a medium shot of the characters conversing, and then finally, a close-up as the conversation reaches its emotional or informational climax. Insert shots are used judiciously throughout to establish themes or offer visual exposition.

Here's another visual guide to the different types of shots, illustrated with stills from Disney animated films.

This guide is almost 2,000 words long! To save your dash, I've put the meat of it under the cut.

Long shot and extreme long shots

A long shot (sometimes also called a wide shot) is one where the entire subject (usually a building, person, or group of people) is visible within the frame. The camera is positioned far away from the subject, prioritizing the details of the background over the details of the subject.

One of the most common uses of long shots and extreme long shots are establishing shots. An establishing shot is the first shot in a scene, and it sets the tone for the scene and is intended to give the viewer the information they’ll need to follow the scene: where a scene is taking place, who is in the scene, and where they are positioned in relation to one another. Without an establishing shot, a scene can feel ungrounded or “floaty.” Readers will have a harder time understanding what’s happening in the scene because on some level, they’ll be trying to puzzle out the answers to the who and where questions, distracting them from the most important questions: what is happening and why?

(I actually like to start my scenes with two establishing shots: an environmental shot focusing on the scenery, and then a second shot that establishes the characters and their position within the space.)

Long shots and extreme long shots have other uses, as well. Because the subject is small relative to their surroundings, they have an impersonal effect which can be used for comedy or tragedy.

In Fargo (1996) uses an extreme long shot to visually illustrate the main character’s sense of defeat after failing to secure funding for a business deal.The shot begins with a car in an empty parking lot, and then we see the protagonist make his way up from the bottom of the frame. He is alone in the shot, he is small, and the camera is positioned above him, looking down from a god-like perspective. All of these factors work together to convey his emotional state: he’s small, he’s alone, and in this moment, we are literally looking down on him. This shot effectively conveys how powerless he feels without any dialogue or even showing his face.

The same impersonal effect can also be used for comic purposes. If a character says something stupid or fails to impress other characters, cutting directly from a close-up to a long shot has a visual effect akin to chirping crickets. In this instance, a long shot serves as a visual “wait, what?” and invites the audience to laugh at the character rather than with them.

Medium Shots

Medium shots are “neutral” in filmmaking. Long shots and close-ups convey special meaning in their choice to focus on either the subject or the background, but a medium shot is balanced, giving equal focus to the character and their surroundings. In a medium shot, the character takes up 50% of the frame. They’re typically depicted from the waist-up and the audience can see both their face and hands, allowing the audience to see the character's facial expression and read their body-language, both important for interpreting meaning.

In most movies and TV shows, medium shots are the bread and butter of dialogue-heavy scenes, with close-ups, long shots, and inserts used for punctuation and emphasis. If you’re closely following the conventions of filmmaking, most of your dialogue scenes will be medium shots following the convention of shot-reverse shot:

To keep long conversations from feeling too visually monotonous, consider staging the scene as a walk-and-talk. Having two characters move through a space can add a lot of dynamism and visual interest to a scene that might otherwise feel boring or stiff.

Close Ups

Close-ups are close shots of a character’s face. The camera is positioned relatively near to the subject, showing just their head and shoulders. In a close-up, we don’t see any details of the background or the expressions of other characters.

In film, close-ups are used for emphasis. If a character is experiencing a strong emotion or delivering an important line of dialogue, a close-up underscores the importance of the moment by inviting the audience to focus only on the character and their emotion.

Close-ups don’t necessarily need to focus on the speaker. If the important thing about a line of dialogue is another character’s reaction to it, a close-up of the reaction is more effective than a close-up of the delivery.

One of the most iconic shots in Parasite (2019) is of the protagonist driving his employer around while she sits in the backseat, speaking on the phone. Even though she’s the one speaking, the details of her conversation matter less than the protagonist’s reaction to it. While she chatters obliviously in the background, we focus on the protagonist’s disgruntled, resentful response to her thoughtless words and behavior.

In my opinion, Simblr really overuses close-ups in dialogue. A lot of conversation scenes are framed entirely in close-ups, which has the same effect of highlighting an entire page in a textbook. The reader can’t actually tell what information is important, because the visuals are screaming that everything is important. Overusing close-ups also cuts the viewer off from the character’s body language and prevents them from learning anything about the character via their surroundings.

For example, a scene set in someone’s bedroom is a great opportunity for some subtle characterization—is it tidy or messy? what kind of decor have they chosen? do they have a gaming computer, a guitar, an overflowing bookshelf?—but if the author chooses to use only close-ups, we lose out on a chance to get to know the character via indirect means.

Inserts

An insert shot is when a shot of something other than a character’s face is inserted into a scene. Often, inserts are close-ups of a character’s hands or an object in the background. Insert shots can also be used to show us what a character is looking at or focusing on.

In rom-com The Prince & Me (2004) (see? I don’t just watch crime dramas…) the male lead is in an important meeting. We see him pick up a pen, look down at the papers in front of him, and apparently begin taking notes, but then we cut to an insert shot of his information packet. He’s doodling pictures of sports cars and is entirely disengaged from the conversation. Every other shot in the scene is an establishing shot or a medium shot or a close-up of someone speaking, but this insert gives us insight into the lead’s state of mind: he doesn’t want to be there and he isn’t paying attention.

Insert shots are, in my opinion, also used ineffectively on Simblr. A good insert gives us extra insight into what a character is thinking or focusing on, but a poorly-used insert feels…unfocused. A good insert might focus on pill bottles on a character’s desk to suggest a chemical dependency, on a family picture to suggest duty and loyalty, on a clock to suggest a time constraint, on a pile of dirty laundry or unanswered letters to suggest a character is struggling to keep up with their responsibilities. An ineffective insert shot might focus on the flowers in the background because they’re pretty, on a character’s hands because it seems artsy, on the place settings on a dining table because you spent forever placing each one individually and you’ll be damned if they don’t make it into the scene. These things might be lovely and they might break up a monotonous conversation and they might represent a lot of time and effort, but if they don’t contribute any meaning to a scene, consider cutting or repurposing them.

I want to emphasize: insert shots aren’t bad, but they should be carefully chosen to ensure they’re enhancing the meaning of the scene. Haphazard insert shots are distracting and can interfere with your reader’s ability to understand what is happening and why.

Putting it all together

One of the most basic principles of film theory is the Kuleshov effect, the idea that meaning in film comes from the interaction of two shots in sequence, and not from any single shot by itself. In the prototypical example, cutting from a close-up of a person’s neutral expression to a bowl of soup, children playing, or soldiers in a field suggests hunger, worry, or fear, respectively.

The Kuleshov effect is the essence of visual storytelling in a medium like Simblr. You can elevate your storytelling by thinking not only about each individual shot, but about the way they’ll interact and flow into one another.

Mastering the basics of film grammar is a great (free!) way to take your storytelling to the next level. To learn more, you can find tons of guides and explainers about film grammar for free online, and your local library doubtless has books that explain the same principles and offers additional analysis.

Happy simming!

[nabitalks]

IF YOU ARE RADQUEER AND ARE SCARED YOUR ACCOUNT WILL GET TERMED AND YOU DONT HAVE A SPARE EMAIL, USE THIS WEBSITE

https://www.mailslurp.com/tools/fake-email-generator/?email=CGt3sx65GncF%40fakemailserver.com

I've used this website so many times

[wl-princess11]

i know being boney isn’t seen as “attractive” but if i was that skinny, i wouldn’t worry about ANYTHING that i wanted to eat 🦋

[devouredflesh]

and walk through this house in your shoes..

[daneesoro]

1. The first one definitely looks better, good for impactful sequences but the 2nd one should be the go-to, at least for the regular scenes that aren't funny or relevant.

2. "Good" Is actually used for cartoony series, use the more natural poses for shows that have realistic acting.

3. Flowy/light hair tends to block expressions. It's also distracting because scene time usually ends before it even settles. While it's fine to use for dramatic scenes, it's still advisable to use "heavy" hair in general.

4. Avoid using too much 'Barbie hands' unless a character is supposed to move daintily.

NOT general art tips. These are just some stuff I made for the old animation team I worked with.