#shuri and namor

[nilseyart]

my nashuri edits 🔥📷 part 1

Follow me for more edits 🔥

[indiebyrdn7]

NAMURI

[darklinaforever]

Riri and Namor discussing Shuri.

Riri: I bet your chances of getting her number would increase if you spared my life.

Namor: That's ridiculous.

Namor: But what percentage are we talking about?

[mey-amor]

Final poll for nashuri fanzine prompt!

[darkmemesworld]

Why when im scrolling through a tag i flashed by cho0chie 😦?

All jokes aside i had posted a meme and not even 3 minutes later it got flagged.. and im starting to see a lot of prn bots is it just me??? But why did my stuff get flagged but bots thats are showing naked people still up 🤔

[darklinaforever]

Damn yes ! Finally some meaningful lyrics ! This is literally for those mocking Nashuri shippers !

Why Namor x Shuri makes sense in terms of story structure

So if we go off context, Nashuri was already planned by the writers, as seen in interviews and the og script. Which isn't surprising because viewers picked up on their chemistry and romantic undertones in the movie already. The only reason this was changed is because they wanted to focus on the theme of grief and dealing with loss. Which has been the main theme for phase 4 in general since we're moving on to new heroes.

Also not sure if people are aware of this but the choice to kill Ramonda was more or less a last minute decision by Ryan. Angela only agreed to it after Ryan brought up how often it is for characters to come back.

So this could mean Ramonda's coming back to life or will continue to make appearances. If she does come back to life this more or less weakens the "but he killed her mom!" Argument.

Now let's talk about Shuri's story and Namor's role in it. Because at the end of the day this is Shuri's story.

Shuri's story in WF is her journey from childhood to adulthood. Tenoch has said this is his favorite thing about her story.

In the beginning she is a girl by the end she is a woman.

The particular kind of story structure Ryan used is called "The Heroine's Journey" a popular method to use in storytelling with female leads.

You'll find similar stories following this method in movies like "Star Wars, Labyrinth, The Hunger Games, The Wizard of Oz etc."

"The Heroine's Journey" is a female version of "The Hero's Journey" which is used for male leads. T'Challa actually goes through his hero's journey during "Civil War" and "BP" so im not suprised Ryan used the female version for his sister.

If you look at the structure of the heroine's journey Shuri pretty much hits all of these.

Distancing herself from her mother, venturing out of Wakanda (both in America and in Talokan) aka leaving the nest, and having her time to shine.

Both the hero and heroine's journies are a method to mature your lead in a way that makes sense and is relatable since hey, we all gotta grow up some times.

Also a subtle thing Ryan incorporated was how both Ramonda and Okoye treat Shuri like she's a child while Namor treats her like an adult, because she is.

Now something that is not always included but is common in both, is the hero or heroine's being presented with sexual incitement, at times for the first time. This signifies them coming into sexual maturity which is why you won't see it in every story or may just get subtle hits of it.

Now if it wasn't obvious Namor is ment to be Shuri's expirence with sexual enticement. Possibly her first encounter since we don't know her history.

And this isn't a "maybe" situation he literally just is. Firstly, this role usually is presented when the hero leaves the nest, not to mention Namor takes up every single trope of this role.

-Invades the hero's space (hut scene)

-whispers to them (again hut scene)

-touches or caresses them (First holding her hand then putting his mother's bracelet on her)

-shows them something new and exciting (Talokan)

-Is usually older then the hero (20s vs 500)

-Often times wears clothing that is either tight fitted or very little clothing (bro is literally walking around in nothing but jewelry and booty shorts)

Secondly, sometimes you'll straight up get subtle hints and/or introductions of sex it's self.

-In Star Wars there's a scene where Leia has to sit on Han's lap and the ship starts bouncing up and down...

-Again, in Star Wars Kylo Ren wipes his mouth which we see has water on it after meeting with Rey through the force...

-With Shuri in Namor, their fight has a weird amount of grappling and holding, not to mention the back scratching...

Namor treats and speaks to Shuri like she's a grown woman. He doesn't handle her with kid gloves like everyone else, he respects her as an adult who can make her own decisions.

In a dark sense even when it comes to either raging war after Ramonda's death or the alliance. He leaves it up to her to decide.

Also Riri, just isn't this to Shuri. This is not to say people can't ship it cause you can ship whatever you want, their all fictional. But Shuri refers to Riri as "a kid", "a child" or "a girl" depending on what translations you watch. This is to show the audience that Shuri does not view Riri as an adult. They're confirmed to have a sisterly bond. Shuri lost a sibling and gained a sibling.

But back to Namor, he also is noticeably kinder to her then he is to literally anyone else in the movie besides his people. Not to mention it's canon that he finds her charming and interesting. He also likes her smile.

It's confirmed by Ryan that he never wanted to kill her even during their fight which some fans noticed, he never tries to kill her even when he has an obvious chance.

And lastly, he sees Shuri as an equal by the end of the movie, showing he has respect for her as a protector of her nation and possibly even views her as a god now but we have to wait and see on that one.

As quoted by Ryan, Namor is ment to be a Peter Pan archetype and when you think about it he really is. He's black and white way of thinking is very childish, he's incredible stubborn, he's arrogant and cocky, yet at the same time, curious and charming. Like Peter he's a father to his people (he literally refers to them as his children) and their sole protector.

There's innocence to his character that's very compelling and shows how young he is in mind.

-he collects (maybe steals, very Killmonger of him) Mayan artifacts from the surface since he never got to see Ancient Maya.

-speaking of collecting things, he even collects random surface world stuff. He has 2 gramophones in his hut, which he most likely got from a ship back in the day.

-he's suprised and charmed by Shuri's kindness. Which makes session since she's the first surface person he's ever spent time with.

-and hey, he got his love of drawing from his mama.

Now what does all this mean for Namor and Shuri in the future? Well for one you got a good amount of back up for them no longer being enemies.

1. Shuri's heroine's journey is over now.

2. Namor was the one who forced her into womanhood.

3. We concluded the story at her finalizing her grief

4. It's canon that Namor was humbled by Shuri after their fight.

5. Wakanda and Talokan will be working with each other.

6. Namor may play a mentor like role with Shuri

7. Dispite many romance scenes being removed they still chose to keep enough hints for people to pick up on.

8. Their fight is described as "intimate" by both writers.

9. Namor and Shuri are described as "two sides of the same coin" and "twin flames" (these are the same descriptions that were used for Rey and Ben Solo in Star Wars)

Why does them having a possible relationship make sense? Well the most basic answer? They're the only two people that can understand what the other is going through.

Their both protectors of great nations that are centered around a resource unique to their land and have a culture and ancestry untouched by colonization. They both know grief of losing people they love. (Namor's mother and his two handmaids, Shuri's brother and mother) Their both EXTREMELY intelligent. (Namor build a vibranium sun underwater and I don't remember where I read it but he learned English in a week.) They both find each other interesting. They both see each other as equals. They both have alot of growing to do.

So will they have some kind of relationship? Most likely. Will it be romantic or platonic? Who knows. But we know they won't be enemies so we have to wait and see.

[artofemmanation]

“It Could Have Been Different - Part 2″

This is how Wakanda Forever ended, right? 

This drawing really got away from me, but it’s finally DONE.  I knew that I didn’t have it in me to draw Namor in all of his Mesoamerican finery, so I cheated and got creative with Photoshop magic.  I also thought that Shuri’s outfit should be minimalist to provide a fun contrast, but of course, she’s wearing the jade jewelry that Namor had given her in Talokan.

And in a nod to Wakandan modesty, Namor actually put on some clothes a tunic.  It is his wedding day, after all.

👉 Prints are now available from my InPrnt shop!

[tarrynmj]

Namor The Sub Mariner 🌊🐚 | Shuri Udaku 🐈‍⬛⚖️

[etnikangel]

Kukulkan and his wife enjoying a late night swim… and I’m not sorry.

Been away 🌊🌊🪼🪼🪼🌘💙

[jbbarnesdeservesmore]

Favorite niche trope:

Evil man so insanely down bad for his girl that he dedicates his life to seducing her into forgiving him for the fact that he killed her mother/ex/best friend

[endlessdreamerxoxo]

If there's a chance to ship a woman of color with a beloved & gatekept male lead because there's amazing chemistry between the two, I'm gonna ship it... even if everyone hates me.

[nilseyart]

My edits AU Nashuri 🔥 part 2

[indiebyrdn7]

[darklinaforever]

Let me be clear.

Ellen's age is never stated in the Nosferatu movie. Even less so when she met Orlok.

It doesn't even say how many years passed between her meeting with Orlok and her meeting with Thomas in fact.

The term child is also often alternated with simply young in the movie.

Ellen's age is therefore intentionally ambiguous whether in the present or the past.

The temporality of the movie is also intentionally ambiguous.

Therefore, yes, you can interpret Ellen as being a literal child at the time she met Orlok if you want, but it is actually more likely that the words child and young are just used to express the fact that Ellen was young (not necessarily a child for our time or the era of the movie) with no real life experience and or simply naive at the time. Not that she was literally a child / a little girl.

It's common in movies and in various shows. When a character says themselves to have been a child, it doesn't mean that they literally / officially were ! Shit !

House of the Dragon is a very good example with Rhaenyra telling Daemon in episode 7 of season 1 that he abandoned her when she was only a child, knowing that she was canonically 19 years old when Daemon gone and that in addition we are in the feudal era, where you can marry very young (even before having your first period) and that the majority is 16 years old for girls officially.

I say it again, if the movie was supposed to show Ellen as a child without ambiguity, the temporality would have been clearer, the ages would have been clearly stated, and especially the actress would not have been the same for the opening scene.

Oh, and the film crew would also talk about this very important detail of Ellen who would have been a child when she met Orlok, except that no, generally speaking, they too simply use the term young to designate her at that time.

I'm tired of seeing people try to pretend that it's 100% true that Ellen was a little girl when she met Orlok. No, it's not true.

Officially, it's 50 / 50.

But unofficially, it's a safe bet that since the film's timeline is blurry, that the terms child and young are often alternated in the film and that the film crew from what I saw only used the term young to designate Ellen at the time she met Orlok, well that these terms in the film are there to simply reflect Ellen's naivety at the time she met Orlok, and was simply not yet married.

Knowing that in the Victorian era, a woman is generally still treated like a child while being married, I'll let you imagine when she simply wasn't...

Especially since I recall that Orlok represents Ellen's sexual awakening.

Generally translating in fiction for female characters concerned by the "sexual awakening" aspect of the female character's entry into her real life as a woman with her who therefore leaves the world of childhood. It's a classic. And the female character still doesn't need to be a literal child for this type of scenario.

Reylo in Star Wars is a very good example of that, with Rey experiencing a passage to adulthood thanks to her meeting with her soul mate and sexual awakening Kylo Ren / Ben Solo (the same thing happens on Kylo Ben side by the way).

Or again with Shuri and Namor in Wakanda Forever, Shuri experiencing a sexual awakening thanks to the character of Namor who will symbolically make her grow up, go from child to adult (while officially in age she is already an adult, but not emotionally / on a symbolic level).

So the fact that there is ambiguity about whether Ellen was a child or just young when she met Orlok could also just fit into this category of fictional trope. Namely, Orlok was the character made to allow Ellen to grow in various ways symbolically.

The fact is that Ellen could very well have been a teenager, young or more or less old (remember that at that time women were marriageable at 13 years old, the historical context is important) or already a young woman when she met Orlok. We can't know 100% but I would lean much more towards the second option, since the question of age is never really on the front of the stage in the film (ans Ellen is still considered as young in the film in the current time frame. Von franz literally referred to Ellen as a child in the scene when he first meets her and she is tied up. This is just further evidence that child or young is not a literal reference as Ellen is clearly not a child and married at the time), and not a real factor for the Orlok & Ellen relationship and especially his heart.

People try to create this classic scenario of the adult Orlok targeting a child Ellen to manipulate her as he pleases.

Except that's not the case.

Orlok wasn't interested in Ellen because she was young and easily manipulated. He was interested in her because she was like him, not of the living world, and she called to him. She is the enchantress who brought him into this world. They are connected by destiny. She brought him into this world and only she can take him out of it.

Orlok represents what society restricts in Ellen and prevents her from expressing. Her true desires that were considered evil in a woman at the time.

Seeing Orlok as Ellen's abuser from childhood to adulthood doesn't work on the overall message of the film.

Orlok is not Ellen's real abuser, but the society around her is.

It's all just told in a monstrous way because we're in a horror film who telling a gothic romance.

That was my rant.

[mey-amor]

Second to the last poll is up! Hope the themes that lost haven’t discouraged everyone :( there’s always future zines tho! Or your own projects! Anyways thank you again to those helping us decide!

[laninasinamor]

i miss the Princess and the God King