#should I tag all the characters mentioned?

[always-just-red]

Hi!

Can I request a fic where the reader starts realizing they have feelings for Sylus and gets so nervous around him that they can’t resonate anymore?

And Sylus thinks that the reader is scared/disgusted by him again so the reader is forced to confess their feelings to not create a bigger misunderstanding

Thanks!

- 🌻

The moment I got this request I was like HELLO— sunflower anon, you just get me 😌 Anyway! Am back from my break and I hope everyone’s ready for some Vulnerable Sylus™️, because I have got him hot to go!!!

A Gentle Touch

Sylus x Reader 🩸

Summary: You really can’t let Sylus into your head this time— he’s living there rent-free already.

Genre: Angst + Fluff (& some Luke and Kieran shenanigans because they were not feeling the angst)

Warnings/Additional Tags: f!reader, injury detail, mentions of possible trauma, humour, some intimacy at the end 😘, Luke and Kieran are having the time of their lives

| Word count: 3.2k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

If you asked, Sylus would tell you.

You catch glimpses: dark, sharp flickers of something monstrous, maybe even infernal. Blood, everywhere— thick in your mouth and your nose. All over your hands. You feel it, too: a yearning, so intense, and you couldn’t say whom it belongs to. Then there’s death. Searing white. Bottomless black. In the middle of all of it— crimson eyes like dying stars.

Every time you resonate, it envelops you, is laid out bare before you: a nightmare you’re caught in the centre of but forced to watch from outside. An other, a spectator. It’s a show, just for you, but it isn’t quite ready yet; someone’s still rehearsing their lines.

If you asked, Sylus would let you see it. It’s a power you have over him, a constant, self-sacrificial: you want it? It’s yours. So you don’t ask. You never ask. Like words mumbled in a haze of wine or sleep, you let him hold onto it. His hands are open, yes, but you don’t have to take.  

Besides, you have your own, world-changing little secret, and he’s going to see it too.

He’s slumped in front of you, blood sheeting down from two bullet wounds just below his shoulder. He catches his breath— one, two— before he peeks over this desk you’ve overturned for cover. You should be peeking over as well: should be counting your enemies, scouting your next move.

Instead, you’re looking at him and holding back. One minute ago you had no idea where he was, how he was, and it’d been eating away at you from the moment you got separated. Now he’s with you— he found you— and the relief is desperate, gushing; it has to escape somehow. It drips: forbidden daydreams, one after the other, like…

How you want to hold his face and urge him to speak so you can just hear his voice.

How you want to press a hand to his heart and feel the beat of it beneath your palm.

How you want to kiss him, want to taste the blood on his split lip, because this is your story, isn’t it? Messy. Violent. Defiant.

He looks at you, that same blood carving a thin line through the pale of his chin. It drops down onto his silk shirt. “What are you thinking about, kitten?” he grins. His best guess: “This is a fine mess we’ve gotten ourselves into, hmm?”

It’s a fine mess he got you into. “Yeah.” You make yourself look away from him, glancing over the desk to assess how much worse the situation is getting. The answer? Significantly. 

Sylus chuckles, drawing your eyes back as he reloads his gun. “Don’t say I never treat you to anything, sweetie.” He fires a few rounds towards the encroaching danger.

Voices go up across the room. Gunshots ring out, louder. Sylus slinks back down, wincing, holding his shoulder, and his fingers turn red. He deftly undoes the first few buttons on his shirt, peeling it back so he can examine his wounds. His jaw clenches; the punctures aren’t closing over fast enough. It’s too much blood, too quick, and he’ll—

He catches you staring. There’s a sheepish sincerity in the way he smiles, as honest and vulnerable as the holes in his shoulder. He holds out his hand. “Time for an energy storm, don’t you think?”

“No,” you snap. “Save your energy. We might need it later.”

“Oh?” An eyebrow perks up in interest, and it’s just like him to spot a double entendre in the midst of all this chaos.

But you’re staring at his chest through his open shirt and you’re such a hypocrite. “Things might get worse,” you explain.

“Worse?” he repeats as bullets fly over your heads, striking the wall across from you and scattering plaster over the floor. He watches it crumble. “Paint me a picture, kitten— what would worse look like?”

Even Rafayel might struggle with that particular creative prompt.

“Come on,” Sylus insists, using the excuse of your silence to push his hand closer to you. “Now’s not the time to play coy.”

“Sylus, I really don’t—”

He grasps your hand, his fingers locking with yours and squeezing tight. Your heart jumps at the touch. It strangles the protests in your throat and stays there, strung up by anticipation and dread.

You’re feeling so much that it takes you too long to realise nothing is happening.

Sylus’s eyes are fixed on your connected palms. He’s squinting, concentrating, and when that doesn’t work— when your hand is paling in the vice of his— he loosens his grip, his thumb feathering over yours as he mumbles a quick: “forgive me.”

He doesn’t let you go. You can still feel him, all of him, imploring to just let him in.

You don’t, and his eyes meet yours, for a moment— like another bullet has bitten through his flesh. Your mouth drops in fake surprise; you’re always so innocent when you pull a trigger on him.

This time, there’s no wound you can push your hands against in a guilty effort to staunch the bleeding. You have to apologise. Have to stitch it up with every word you’ve been guarding, saving, and it isn’t supposed to be like this. “Sylus, it’s not what you think. I—”

Something metal clatters across the floor behind you, bounces like a failing, stuttering heartbeat, then explodes.

…

“Good news, boss! We figured it out!”

Sylus groans, looking up from a report he’s not really been reading as two figures crash into his room. Not good, he thinks, as Kieran flings himself into the nearest armchair. Whatever this is, it’s not good. Luke settles on its arm.

With a sigh, Sylus removes his reading glasses. They stay, hooked on a finger, as he pushes his hair back like he can feel a headache coming on. His eyes flutter closed, and when they open, the twins are both leaning forward, bristling with excitement.

“Ask us,” Luke whispers in a way that makes Sylus think he might not realise he’s speaking out loud.

Another sigh. “What did you figure out?”

Kieran whips out a tired-looking notepad from behind his back. He clears his throat— “ahem!”— then starts to read: “Reasons why Miss Hunter was not able to resonate with you. Number one...”

“How did you find out about—”

“Sshhhh,” Kieran interrupts, putting a finger to where his lips should be. Sylus’s eyes widen in indignation, and Luke comes to his twin’s rescue, silently indicating Mephisto with a few tips of his head. The crow shrinks down on his perch.

“Number one,” Kieran repeats, matter-of-factly. “Your height.”

“My… height?”

Luke nods solemnly as Kieran continues: “humanityandconquer.com/power-dynamics describes tallness as a ‘natural advantage when trying to dominate a smaller individual.’ You are very tall. Try crouching when you speak to Miss Hunter.” He glances over the top of his notepad. “If you approach her at her level, she’ll know you mean no—”

“Nope. Next,” Sylus dismisses, waving his hand in a fast-forward motion. That headache is coming on.

“Reason two,” Kieran acquiesces, gaze falling, “your eyes.”

“Oh, for gods’ sake—”

“They’re red,” the twin pushes on, “and red means danger. In fiction, red eyes are symony—” he stops, spells it out— “synonymous with the supernatural. Vampires especially. Plus, lots of bad stuff is red.” He’s going off-script. “Blood. Fire. Sunburns.”

“Sunburns are pink,” Luke muses.

“No, like, bad sunburns, y’know?”

“Oh right, yeah.” There’s a shrug of agreement.

Sylus’s will to live is hanging by a thread, and they really don’t have a care in the world, do they? It must be nice. “Thank you,” he murmurs, “for your little investigation. If that’s all, I would—”

“Reason three!” Luke chirps, wiggling the same number of fingers, and Sylus’s head lolls back against the sofa.

“Miss Hunter is struggling to separate this version of you from your first impression,” Kieran says.

Sylus looks up. “What?”

Luke is rubbing his hands together eagerly, like they’ve finally gotten to the good stuff. “Well, you remember how you and Miss Hunter met,” his twin explains.

Words won’t do it justice, apparently, because the man begins to act it out. He reaches to grip Luke by the throat and Luke pretends to choke, fingers clawing at the grasp. Then Kieran stands up— throws Luke down into the chair and pins him there with his foot before snatching up his hand.

“See what I mean?” Kieran asks over his shoulder. “I mean, it must have been pretty traumatic. You kinda tore her away from everything she knew. Forced her to use her power, et cetera, et cetera.”

Sylus has gone quiet. He’s vaguely aware that the twins are moving, saying more, but he can’t hear it. He feels sick. Then he feels something different: someone poking at his arm. A hand is waved in front of his face, but he doesn’t react.

“Oh, we so got it,” Luke whispers conspiratorially behind him.

“Hell yeah we did!” Kieran whispers back.

There’s the sound of them high-fiving, and it spurs Sylus into action. He’s up out of his seat, out of their shadows, and then the door as well— long before they can stop him. He needs to breathe. He needs the cold night air and the quiet, and his strides drive him towards it, but not fast enough.

He’s about to use his Evol. To let himself evaporate so he can be whole again somewhere else, somewhere easier, but then he stops. He’s by an open door, glancing in at a decadent living room, where you’re sprawled over a black leather couch. This isn’t easier. This hurts, and it hurts more as he forces himself to close the distance between you.

You’re still asleep. You’ve been unconscious ever since that grenade went off, and it’s for the best, really; getting out of that place was… messy. Sylus’s shoulder still aches, the blood on his shirt now crusty and dark. Some of it’s his. Some of it’s yours.

He’s not sure why he’s still wearing it.

The twins did a pretty good job of patching you up, but— looking over you— he would have done better. It was his role, after all. His duty to you, or maybe just a reason to get close to you. He couldn’t do it today. Couldn’t touch you, no matter how noble the intention. And a little part of him was glad for the excuse; his hands always shake.

A blanket is half on your legs, half on the floor, and Sylus stoops to collect the edge of it. He draws it over your shoulder, adjusting it around your arms— at rest by your face. He’s close, now, and he…

He can’t help himself. When has he ever been able to help himself? He lifts his hand slowly; he wants to kiss you. Even though your blood is still drying on his shirt and it’s all his fault.

…

Someone’s hand is on your face.

The touch draws you back into consciousness, tender, careful, then suddenly sharp. “Ah,” you hiss. “Sylus?” Always first on your mind and your lips.

“Not even close,” quips the shadow above you.

“Kieran?”

“Bingo.”  

You use your hand to block some of the room’s light as you open your eyes— a birdlike silhouette taking shape through the gaps in your fingers. “Where’s Sylus?” you ask, teeth clenching as the twin applies a thin strip of surgical tape to a cut on your cheek. “Is he ok?”

“Sheesh, relax. He’s fine,” Kieran tuts, then seems to reconsider, “well…”

“He’s brooding,” chimes a voice from behind you. “Out on the balcony.” Luke.

You rub at your eyes, still drowsy with sleep. “Why’s he brooding? What did you do?”

“Told him he traumatised you,” they speak in unison.

“What?! Why would you say something like that?”

“Because it’s true,” Kieran shrugs. “That’s why you and boss couldn’t, you know…” He twinkles his fingers.

Resonate? Ugh. You slide your feet onto the floor, sitting up straight for a solid second before you bury your face in your hands, omitting a few, pained whines. This is such a mess, and it only got worse while you were asleep. First that stupid grenade, now the twins.

A hand pats at your back. “There, there,” Luke soothes.

You turn to glare at him. His hand retreats.

Forget it; you have to find Sylus.

…

You step out onto the balcony, head full of apologies you’ve had all of a minute to prepare, and it isn’t enough. It felt fitting, in the middle of a shootout— everything was allowed to be frantic and from the heart. Here it’s calm, and if you ruin something— break anything— it’s going to be obvious. There’s no other violence to blame.

Sylus must hear you join him, but he doesn’t turn. He’s leant forwards against the rail, one arm folded upon it, the other outstretched: sporting a glass of liquor that hangs from the tips of his fingers and that he swirls gently, his gaze far away.

The twins really weren’t kidding.

“Hey,” you greet, and it’s sort of pathetic, but you don’t know what else to say.

“Hey,” Sylus returns, “are you—” he looks back at you over his shoulder— “are you alright?”

“Yeah,” you smile warmly. “I mean, the twins are giving me a headache, but that’s, like, standard.”  

He smiles back: a courtesy. You’ve seen him grin through almost every type of pain imaginable, but this one is new. Think about what Luke and Kieran said. What he must be thinking. “Sylus, I—”

“You don’t have to explain,” he stops you, turning his body towards you. “Honestly, I’d… rather you didn’t.”

“Why?”

“Why?” he chuckles, masking a deeper hurt as he lifts his glass to his lips. “You’re really going to make me say it?”

You are; you hold his gaze as he takes a deliberately slow sip of his drink. He smirks, surrenders at once and admits: “I’m really not that strong, sweetie. That’s why.”

“What if I want to explain?”

The smirk falters, and his eyes make their own, sad, silent confession. If you want to explain? He’ll let you. He’ll stand here, listening patiently while you call him a thing of nightmares. While you break him, bit by tortuous bit, by reminding him just how frightening he is.

He turns back to the view, shrugs, but none of the tension leaves his shoulders. “Go on, then.”

“Sylus?”

“Mmm?”

“You don’t scare me, you know.”

His hand tightens around his glass. “Don’t.”

“Don’t what?”

“Pity me,” he grimaces. “I don’t need it. I know what I am. I’d just… forgotten what I was to you.”

Your captor. Your monster. Except that was a lifetime ago and he’s been so many more things to you since then. Tell him. “Sylus…”

“I felt it,” he snaps, because your voice is still so reluctant, and he’s going to save you the trouble. “When we tried to resonate, I felt it— your fear— just as deep as it used to be. I heard that same voice in your head, the one saying you wouldn’t let me in, couldn’t let me in, so don’t tell me I don’t scare you, sweetie.” The term of endearment tastes sour, you can tell. “I know how you feel. I know—”

“I like you, Sylus.”

“…What?”

You couldn’t take it anymore. “I like you,” you say again, and your heart is beating too quickly for eloquence, so you just have simplicity. “You don’t scare me at all, Sy. I care about you. A lot.”

Sylus stares at you, his eyes wide. There’s no confidence. No smile or drawn-out breath of relief. He sets his glass aside on the railing, gaze leaving yours for a moment, and you get the feeling he needs that moment as much as he needed the drink itself.

Then he looks at you again. Asks in a way that makes you ache: “do you mean it?”

Look at him. Your throat stings. “Of course I mean it.”

“Say it again.”

“I mean it, Sylus. I care about—”

His lips are on yours and the rest of your words are lost in his mouth. You, you say with the way you kiss him back, soft and slow, like you’re relishing something that might slip away. You, you insist— your hand finding his face, his hair, as he kisses you deeper, and you, you, you, when he doesn’t stop.

“Is this alright?” he murmurs, his fingers around your chin and his thumb tugging at your bottom lip.

“Mmm,” you confirm, equally breathless.

He laughs as he withdraws a little, still caressing your face like you’re something of a dream. “You’re not making this easy, kitten.”

“Worried you might traumatise me again?”    

It's a low blow. He scoffs. “Luke and Kieran said—”

“Luke and Kieran once bought arts-and-crafts feathers for Mephisto because they thought the colours would make him, and I quote: more aerodynamic.” You pinch his ear playfully. “I can’t believe you let them get to you.”

“I know,” he groans, lifting your hand so he can press chaste kisses along the line of your knuckles. “Not my finest moment.” He guides your palm to his cheek— leans into it as he leans into an idea. “They said you hated my eyes,” he pouts.

You can’t help giggling. He frowns. “I mean— aww, no,” you scramble, but you’re still laughing. You can’t stop. “Your eyes are… yeah. So pretty.”

“You had to think about it?”

“There were just too many adjectives, y’know? I was struggling to—”

He kisses you again, saving you: crushing your laughter with his own, lightheaded smile. His hand finds yours as his lips move against you, your fingers interlocking as you resonate— chasing an instinct, a need to be impossibly closer— and you let him see everything. Feel everything.

It’s a mad tangle of opposites. Heaven. Hell. Life. Death. You don’t know what any of it means, but it’s yours and it’s his and it doesn’t scare you half as much as it should. Sylus breaks your kiss. He pushes his forehead against your own with a sigh of contentment, and it doesn’t scare him, either.  

Savour each second. Think of some better adjectives, while you still have the time.

He’s going to earn every single one.

…

✨Epilogue✨

Inside, staring out through the floor-to-ceiling windows that separate the room from the balcony, Luke and Kieran stand, looking awfully smug.   

“Mission accomplished,” Kieran nods, flipping closed his notepad, aptly titled: 101 Ways To Get Boss Laid! (There are only, currently, fifty-two.)

Luke’s arms are folded. “We’re like, the best wingmen ever.”

Kieran is silent. He repeats carefully: “Wingmen. Wingmen.”

The beaks of the crow masks gradually turn to face one-another. There’s a mutual epiphany, and both twins almost fall over laughing.

[basicallyjeankirschtein]

Left On Read - JJK Smau

chap2: why me? masterlist

warnings: slutshaming(directed towards you)

notes at end for those interested!

the minute you stepped into yuta’s dorm, you felt like you had just experienced a breakup. a bad, traumatic breakup. there was already a bowl of your favorite candy on the bed, untouched for you to engross yourself in. on the bed held numerous pillows and blankets, too many to count, with a laptop ready to screen Smile.

“hi, yuta.” you greet him with a friendly smile, a bit tense just by the atmosphere of the room. yuta seemed… guilty. a sheepish smile on his face that didn’t seem all that genuine.

“hi!” he greeted back, already yanking you down to his bed to watch the movie. “this is a scary movie, it’s great! we’ll watch the second right after this with everyone else-“

at the mention of the rest of the friend group, yuta began to trail off, going silent. he refused eye contact, instead blankly staring at the screen infront of him.

“you okay?” you asked, a bit concerned by the lack of energy he had just moments before.

“uh, actually, i’ve been meaning to show you something..” yuta begins after hesitating a few moments, fumbling with his phone.

“it’s of the group chat, before you joined…”

your soul leaves your body as you read the messages on his screen.

you don’t know whether you should cry or laugh. maybe both. this was humiliating, and yuta was the only one trying to defend you?

“why would maki do that.” is all you’re able to muster, voice shaky yet lacking emotion.

“… it’s a really long story.” yuta sighed, running a hand through his hair.

“i honestly don’t know that much,” he begins. “she used to be in a friend group with just toge and panda, i joined a bit later. i was left out a lot, she was real mean to me but i never let it get to me… after awhile, she just turned to panda.”

panda? you had heard of him through toge. never met him though, and he’s never been in the group chat. what did maki do to him?

“i guess she lost interest in me cause i never reacted, so she began to fat shame panda a lot..” yuta gulped, sweat beading at his forehead. why did he look so guilty?

“panda left the chat after awhile. the only one who still has his contact is toge. without panda, she must’ve gotten bored and chose to target you..”

“why me?”

-

- yuji do NOT gaf 😭😭 a true sheep

- maki is mean for a reason btw i hate making girls mean i love girls girls so she will be explained soon!

- sorry if it’s rushed i wrote this before bed.. teehee

- gonna do a poll for love interest! keep in mind, i will not write nsfw for canon underage characters regardless of the fact i aged them up to 19. for canon of age characters, they will either be the same age as this squad or a bit older, i will write nsfw for them probably.

okayy thanks for reading chat!! here’s who’s asked to be tagged <3 @shokosbunny @kalulakunundrum @tenthmilo

[firewasabeast]

I 100% agree with you that that was lazy writing. What was the point of deliberately picking someone the audience (and the 118) were familiar with to be Buck's LI when they could have picked some random. What was the point in delving into Tommy's history and his feelings, what was the point of showing him head over heels for Buck in the last ep, of getting a gift for their 6 month anniversary only to say "oh well, I figured we wouldn't last, so I'm gonna get out now before you break my heart". Why let him get that involved if Tommy's ideology was to never allow himself to move forward in the relationship because ultimately he thought it wouldn't last? It's whiplash for the audience after you saw how INVESTED Tommy was in the last ep! And how exactly is this Buck getting off the hamster wheel? This relationship has ended pretty much exactly like all his others - he gets invested, they leave! They had so much potential as a couple - seeing what it's like for two fire-fighters to date knowing they're both in risky jobs, maybe Buck having to meet/deal with Tommy's homophobic father, getting to explore a "new" character's back story instead of rehashing the same story lines from the mains as well as seeing more of how Buck deals with being in a same sex relationship. All wasted.

And since they referenced Glee, if the plan is for it to echo the Kurt/Blaine relationship in that show where they broke up so they could "explore" before getting back together, by doing so they ruined that relationship so much that by the end it wasn't satisfying that they WERE endgame - they weren't the couple we fell in love with. (And also, way to reinforce the negative stereotype of "you can't ever be long term with your first". I should let my sister, my cousin and my aunt know even though they've all been married for years to their husbands - all their first.) Even if they do decide to bring Tommy back down the line, would it even be the same relationship we fell in love with? Would we even trust the writers to stick with it and treat it well? Or if they did a final episode reunion so Buck doesn't end the series alone, how is that satisfying for the audience?

I have been watching 911 since it started, and I have always been part of the general audience up until S7 where I joined the fandom because I thought Buck/Tommy were adorable. It's the first time in years I've become invested in a couple on a show. It's the first time in years that I've dipped my toes back into a fandom. Like you, this ship inspired me to write fic again. I have a bunch of wip's waiting to be posted on ao3 and I honestly don't know if I'll finish them now. And if they have broken them up for Buddie to get together I think I'll stop watching. And not just because I never saw them as a romantic couple (I only ever saw a deep friendship) but because logistically I don't see it working. Besides the fact that I think that while they work as friends, they probably wouldn't gel as a couple, two people on the same team in a relationship? That will screw up the 118 dynamic, especially as this show looooves relationship drama. If they get in a fight, or worse, break up, then what? How would that work within the 118, unless someone transfers out, but then it's bye bye the 118 we love. And not to mention, in the only 4 months I have been in this fandom I have seen some VILE crap from the buddies, and from what I understand it they've been like that for years. And the show runners know about it, so if they go with Buddie, congratulations, you've rewarded toxic behaviour and given them a license to be worse (look at them already, going in the bucktommy tags and gloating).

I told myself after Glee ended and they royally screwed everything up that I wouldn't watch another Ryan Murphy show because he has a history of doing that sort of thing. When 911 came along I was cautious, but it looked like it would be different - more grown up if you will, especially since Ryan Murphy hasn't really been involved since season 1. I should have just gone with my gut. I just hope that, knowing these last two eps were filmed weeks before they aired, the showrunners see how popular they were and realise crap, we've made a BIG mistake. (Everyone should flood instagram and especially Facebook, whoch is more GA than most social media platforms, with RESPECTFUL comments about how devastated they are, and who knows, it might make them consider bringing Tommy back sometime in 8b - I believe they're still writing the back half of the season.)

Side note, I feel really sorry for Lou. Yeah he's going back to SWAT, and I love him in that (even though his character can be a dick sometimes) but he's said in interviews how he's tired of always being cast as "the muscle" due to his size and he seemed genuinely happy to get this role, which was exactly what he was looking for - the sweet, caring, romantic love interest role where he could show some depth, and they screwed him over (sounds like he even thought Buck and Tommy were doing well and wasn't expecting the break up until the end).

(Apologies for the long rant. But what you've been saying really resonated with me and I needed to share your sentiments.)

.

[nightlyrequiem]

Basically when Valeria is getting questioned, she mocks Alejandro by bringing up the fact that right after she left the Mexican special forces, she took his girlfriend with her and made her into her wife. (A fem reader request with reader being the ex girlfriend of Alejandro who used to visit the base but ended up up getting charmed by Valeria and is now her wife.)

Oh I love this. Valeria would totally be able to steal his girl. She's just so suave

Might incorporate this idea into a future series. Or maybe just make a part two or something. I live for the drama tbh I want to write more of Alejandro being upset. I don't even hate his character but I've developed a dislike for him because people ship him with Valeria. That sounds a little pathetic though...

Tags/Warnings: Violence, Valeria and Alejandro Scuffle, TF141 Cameo, Reader Is Only mentioned

Under New Ownership

Phillip Graves keeps one firm hand on Valeria's shoulder as he leads her through Alejandro's base. So many memories flaring up at the familiar sights and smells. His touch is agitating her. Heavy, warm, masculine. She shrugs him off as she's sat in an uncomfortable wooden chair. The interrogation room is nothing more than a shipping container. The others join them. Men of Taskforce 141, and Alejandro and Rudolfo. Valeria regrets nothing. Not betraying and turning her back on her brothers in arms, and not all the damage she's done as El Sin Nombre. Valeria Garza is a woman with many achievements under her belt. Why should she apologize for being successful?

"Have a seat." The blond man says. He turns his attention to Alejandro, who is already glowering at her. "So, how do you two know each other?" He asks.

"Know is a strong word." Alejandro responds. Hatred frosting his voice. Just his voice is enough to alight Valeria's nerves with disgust.

"Strong words are important. Our word is our worth, right?" She taunts. using one of his past proverbs against him. That's all it takes to set him off. To send him storming towards her cursing in Spanish. The others are quick to intercept him. Grabbing ahold of him, like an out-of-control dog, Valeria thinks. Should put him down like one. She was always more of a cat person.

"Yeah? Yeah." Alejandro growls, pulling away and reigning in his temper. He turns back to Valeria, drowning her in his distaste. "Go on, tell them."

Valeria leans back and gets comfortable. As comfortable as a person can be while sitting on a hard chair surrounded by hostiles.

"We served together." She explains with boredom. Nothing but unimportant history. Files collecting dust in a backroom kind of history. "Same squads different units. You were the wild ones. Los Vaqueros." She sneers at him. "We had a common... interest."

Alejandro stiffens. It's barely enough to be perceived but Valeria perceives it nonetheless.

"What might that be?" Graves inquires. Raising a light brow. Valeria angles her head towards the man but keeps her gaze locked onto Alejandro's.

"We have... quite the similar taste in women." She remarks. Picturing your soft face. The angle of your eyebrows. The delicate lines of your lips. The column of your throat. Something once belonging to him now under her ownership.

You always used to visit the base. All soft angles and colours amongst the gray and violence. Valeria felt compelled by you the first time she saw you, a rare flower amidst the barren desert. Such a thing would wilt under Alejandro's possession. Valeria made haste in befriending you. An act she knew would grate on Alejandro, but she didn't care. He felt threatened by her.

"Don't bring her into this." Alejandro demands. Jabbing a thick, angry finger at her.

"This lovely little thing used to visit him every week." She continues anyway. "But he wasn't the only one she sought out. She always liked me better."

"Okay, enough of this." Price sighs. Trying to redirect the conversation. In due time. Alejandro scowls and breathes heavily like a bull.

"You poisoned her mind with lies." He says, voice cracking with hurt. "She's a good woman, she wouldn't have left if you hadn't fed her your bullshit about me."

Valeria laughs in his face. Mocking and cruel.

"I didn't have to do anything besides show her attention." She scoffs. "You were always so high-strung and busy because of work. You had something so beautiful within your grasp and you chose your little Vaqueros."

"Lying bitch." He barks. Taking an aggressive step forward. "Are you hurting her? Threatening her?" 

Valeria scowls at the accusation. She's wicked and vile but she'd never hurt you. Not even unintentionally like Alejandro has. "I haven't." She snaps. "She's at home - our home, probably curled up in bed. Maybe she's baking something." Valeria shrugs, putting on a show of casualty. "She loves to cook for me. After a long day I get to return home to a warm meal, not something you can relate to."

Rudolfo shakes his head. This isn't going where they want it to. Time is ticking, much like the three bombs she's sent to Chicago.

"I'm going to kill you." Alejandro promises. Eyes wide with anger. "After they've gotten their use out of you, I'm going to put a fucking bullet through your head, Valeria."

"Alejandro-"

"You're not a very good leader if you couldn't even keep your own girlfriend." Valeria sneers. Goading him on. She's not scared of him at all. She leans against her chair, lips curled into a smirk. "You weren't very good at leading in bed either." She coos. "You won't believe the sounds she makes, I have her screaming my name every fucking night-"

Faster than anyone can react Alejandro is on her. Not holding back as he punches her hard in the jaw. The force sends her and the chair toppling over. Blinding her with pain. Not enough for her to not fight back. She slams her fist into his nose, feeling a spray of blood and hearing a satisfying crunch. 

Valeria's blood is fizzing with adrenaline and excitement. Unfortunately, the fight is cut short as the two are pulled apart. Alejandro left struggling and yelling in the grips of Ghost and Rudolfo.

"You're over." Alejandro hisses viscerally. 'Do you hear me? I'm going to get you. I'm going to fucking get you."

Valeria can feel a bruise forming in her jaw. You'll ask what happened and kiss it better when you see it. Alejandro has no one to worry over his injuries but himself. Valeria wants to keep fighting until only one of them is left standing but that will have to come another day. She rubs her jaw. Another day.

"You hit like a pussy." She growls, angry and wound up. Valeria is forced back into the chair. The time for games is over. Valeria hands over the information they seek with as much contempt as she can produce in her five-foot-six body. A storm is steadily rumbling in the distance. Its growls audible through the walls. An omen of what's to come.

[initialdsecretsanta]

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[afunnylittlevampireguy]

When it comes to the old popular Gravity Falls Aus, I only really interacted with Reverse falls and Monster falls (there were other AUs I would see but I don't believe they were popular, plus wasn't much).

Which comes to my thing I need to know, what's up with the Relativity falls au?

I think I saw someone say b4 that it used to just be an age swap between both the pines twins, but now it seems that spread to a multitude of other characters. I've seen it with Pacifica and her father Preston, Fiddleford, even Wendy and her father a bit, Gideon and Bud (less Gideon but I'm assuming he's there yk?). Which also makes me wonder what would happen with Bill in this au, like would his parents take over as the overall big bad or sum? and would he become some strange powerful child who is just hiding out in gravity falls, or maybe waiting to be summoned? The questions are endless lol

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[catpriciousmarjara]

Personal pet peeve: When a particular character has a lot of paperwork and such associated with their job and it has been established in universe that the work is extremely hard, complicated, and tedious but then in fanfic another character in another job position takes up this character's paperwork and does it perfectly. That's not how this works. That's not how any of this works.

Paperwork is not some nebulous pile of papers so easy that anyone can just waltz in and fill it up just like that. Paperwork, especially for large organisations, requires specific training and knowledge. A particular situation might have at least ten forms associated with it depending on how it happened, when it happened, who were involved, who were affected, who filed the initial report etc. It could be form A.1, it could be form B8, it could be G3 or D-3.2e, and then it has to be filed away in a specific way under a specific designation. At times it could be completely nonsensical but still necessary and part of proper procedure....all of that requires training and experience. Someone from a totally unconnected role can't just take over this position and do an excellent job at it, unless it has been previously established that they too had prior training and guidance in this.

Example: Cale(KRS) and Basen Henituse in Trash of the Count's Family. Kim Rok Soo before trasmigration into Cale Henituse was a team leader who has experience with important official documentation and paperwork for the Company. Basen Henituse is established to have been send to territory heirship classes and doing well in them. These two people being able to take on the other's paperwork load is not at all farfetched. (Same with Cale and Alberu though the latter would still have to sign and seal his insignia separately in the end.)

So no someone who's untrained can't just take someone else's paperwork and just breeze through them unless they are like supernaturally intelligent to the point of figuratively downloading all the necessary data and information directly into their brain or something.

Let's not even talk about how the character might have a particular way and organisation of doing things and someone else taking over their workload without permission might just mess that order up and their well intended actions might end up doing more harm than good.

Look at MXTX's Shang Qinghua or Ling Wen. As I'm reading SVSSS right now let's take it as an example.

Someone who can conduct and lead an audit: Shang Qinghua, specifically trained as an auditor. Yue Qingyuan- can possibly fill in for a specific kind of audit.

Someone who cannot conduct an audit: Literally every other Peak Lord on Cang Qiong. Not trained for it. Should not be in charge of it.

Someone who can file in medical paperwork: Mu Qingfang, head of medical operations in the sect.

Someone who can't do that: his Peak Lord colleagues. At most they'll be able to file in incident reports and other such forms that guardians of patients will have to fill in at a hospital.

People involved with merchants and associated business transactions: Shang Qinghua(logistics expert-procurement logistics), and for large contracts, Yue Qingyuan(Sect Leader). Other Peak Lords depending on the goods. For example the Zui Xian Peak Lord when they are negotiating prices for the raw materials or equipment for alcohol brewing or Wei Qingwei when they are sourcing metal.

Someone who can handle annual budgeting: Shang Qinghua. Person who allocates the funds according to the final budget- Yue Qingyuan.

Persons who can't do that: His colleagues who are definitely not trained in finances and accounting.

And so on and so on.

Shang Qinghua was invited back to the sect after literal treason because nobody else could do his job. That should tell you that people without specific training can't just take over the paperwork of another person's job unless their own jobs are connected enough to be sufficiently similar that they can handle it.

So no someone like Shen Qingqiu who's a scholar and tactician primarily, can't take the entirety of Shang Qinghua's or Mu Qingfang's or Yue Qingyuan's paperwork and fill it in for them, no matter how intelligent he is. Though I'm sure Yue Qingyuan would let him sect be damned lmao.

You see things like this in many other fandoms as well. Innocuous forms that anyone can fill in are okay but complicated paperwork for auditing, budgeting, logistics, diplomacy, business transactions, internal affairs, etc? No way. That all takes time to familiarize with before even properly filing them let alone actually doing them.

This is of course a personal pet peeve as I mentioned from the beginning. People are free to write what they want, read what they want, like what they want. This is no way an accusation towards particular individuals. It's just that for me it breaks immersion pretty quickly.

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[sonknuxadow]

i drew these while i was playing shth a few months ago and dont think i ever posted them . well theyre relevant now

[rebo-chan]

Hello, everyone. To today's episode of Tumblr user Rebo-chan loses her mind and assigns each and every Vongola guardian a flower that I have painstakingly searched high and low for (I wish I was being dramatic, I got too invested in this as I worked on it). Is this done in a state of mania? Perhaps, but I am diseased by COVID-19 as we speak and this is what I will do with the time I am meant to be resting with. Nonetheless we must get started. Content under the cut, because I can NEVER make a short post. It's against my core beliefs clearly.

Sawada Tsunayoshi:

The European Orange Lily (Lilium bulbiferum)

My reasoning for this starts with the fact that the "lily" itself has a lot of different meanings, but the important aspect of the lily is that its considered the spring flower and represents often meanings of renewal and rebirth. The very messaging for our sweet boy, a life restarted after he meets his mentor. An orange lily specifically has meanings dipped into warmth, joy, passion (In regards to his devotion to those he loves), 'welcoming' to new opportunities in your life (lol), and most importantly - confidence and pride. Something that he grows to be over the course of his renewal, pride in his friends. Confidence in his strength to protect them. KHR is a story about a nobody becoming somebody strong enough to protect them, even and especially when they falter themselves. It should also be noted that in Hanakotoba (Japanese flower language), orange lilies represent 'revenge and hatred'. Which I think is a factor of Tsuna we can't ignore, as sweet as he is, TYL Tsuna's actions become darker the more you think about them. Tsuna can and has killed when a villain has overstepped too far, and never forget that he just wanted to know "who" Yamamoto's attacker was. For no reason, just to look at him, maybe shake his hand lol. Fr though, that boy's made of fire, both to keep his loved ones warm and to burn their enemies. I think the orange lily fits him nicely.

Also yes, I'll do my best to color-code these flowers~

Gokudera Hayato:

A Red Fressia

So, its quite hard actually to find any sort of 'red' flowers that aren't about some sort of romantic-esque devotion. Just being a red flower inherently puts you in that category of 'passion, love, marriage' meanings when it comes to flowers. It's a real struggle, but luckily he's our only red character amongst the Vongola kids. Okay, so the Freesia is represented by the concept of friendship and ultimate trust. I think it was easier for me to find a flower that represents devotion or duty and tack it on to Gokudera, but I think that's just looking at him on the surface. The story behind the freesia is that the botanist who found them in South Africa decided to name it after his friend as a symbol of their friendship. Very lovely :)<3 For all of Gokudera's dutiful affection for Tsuna, a lot of it is based on the fact that Tsuna was his first friend and the person who he trusted first. His eventual character growth and bonding with the other guardians came as he allowed himself to trust them, when he realized that his 'duty' that he believed to be absolute was above his bonds. Rather, it's his bonds that strengthen his resolve to be the perfect right hand man. Due to the intense representation of friendship and trust, freesias are given to a loved one to represent commitment to them, not unlike Gokudera's commitment to Tsuna and therefore the Vongola family unit. It should also be noted that in Hanakotoba, freesias also have a negative meaning which is childishness and immaturity which I do feel is something that Gokudera has to work through in order to become the best version of himself and has done quite well at by the end of the series. He's our little friendship blossom :)<3 Yamamoto Takeshi: Himalayan Blue Poppy

Let me start this by complaining that 'blue' flowers are so fucking rare, it took me forever to find something matched and was also color-coded with Yamamoto, that didn't dip into too indigo, because of the rarity of a nicely blue flower. To start, blue as a color has all those lovely Yamamoto vibes of being calming, easy on the mind, tranquility, all that beautiful stuff we know Yamamoto to be. (It's almost like Amano color-coded her characters guys..) Poppies themselves got a bit of cultural significance in the West, being the flowers given to WW1 soldiers after they'd passed as a way of remembrance. They're also known for growing in desolate war-torn areas, just a patch of poppies as well as having many soldiers buried with a poppy with them in honor. With that the poppy itself has themes of death, honor, lessons, tradition and remembrance. With Yamamoto’s connection to the Poppy flower, Yamamoto himself is..pretty death-coded. HEAR ME OUT. HEAR !! ME OUT!!!! Varia arc, Squalo ‘dies’ against Yamamoto. Future arc, Tsuyoshi is killed for Yamamoto being involved with the Vongola, Shimon with Yamamoto himself getting nearly killed and then that big moment where he offers to kill Daemon in retaliation for what was done to Kaoru. While not canon as well, the primo fillers are about Yamamoto dealing with the fact he DIDNT kill daisy and how he felt he had to be less easy-natured and actually go for the kills from now on. And of course, his attempt during daily life when he could not do what he loved anymore. He’s VERY death-coded y’all. But the poppy itself isn’t just some omen of death, but the lessons one can gather from those who have passed. Yamamoto’s own battle style is about taking the lessons of those before him who carried Shigure Soen Ryu and then growing upon that to carve a new and improved future for himself and those he cares about. He adapts to their lessons, what Squalo and Tsuyoshi have to teach him. On the fly, continuing the Shigure legacy and creating more moves to eventually pass on to the one that succeeds him. In general, he carries any lessons he has up until the end of the series and tries to never make the same mistake again. Whether that’s his lessons against the Mists he’s battled, his loss against Squalo for not having a proper sword style, and though he doesn’t get a chance against Gamma again, he’s always understood the importance of teamwork. That being said, he’s not just a poppy. He’s a Himalayan Blue Poppy. You see the himalayan blue poppy has a different meaning outside that of the ones that the other poppies do. With its rarity, it also represents success, potential, pursuit of dreams, and possibility.  Yamamoto is the Vongola family’s prodigy, a natural born hitman, the star baseball player on his team. Stuck at a crossroads between his dream and being able to be in a position to protect the ones he loves. An impossibly difficult choice to make, yet Yamamoto handles it with ease. He just won’t choose! He’ll do both! Which fights very nicely with the Hanakatoba meaning of the poppy. “Fun-loving” “A reminder to remember happiness.” Along with general blue color meanings of tranquility, that is Yamamoto to his core, I believe. When things get their worst, he is there to remind everyone that it is never as bad as it feels. To wash away the blood spilled, that is the role of the Vongola Rain Guardian. His crossroad isn’t an issue to him, because that’s not what he fights for! He fights to make things easier for everyone, so they may remember happiness. That sort of thing doesn’t exactly need him to make a choice on his path. Now, does it? If he’s forced to choose, he will just carve out new possibilities for himself and the ones that he loves with the lessons he’s learnt. 

Lambo Bovino: Green Envy Zinnia

Contrary to the title, the green envy zinnia has nothing to do with envy. Quite the opposite, actually. The zinnia itself represents endurance (HEAR. ME. OUT LOL), lasting affection, joy, and various other things. So, the zinnia is super fucking tough, again hear me OUTTTT. They bloom all the way from springtime to autumn, something pretty unheard of from flowers which gave them their meaning. A green envy Zinnia specifically represents growth or a journey. Wishes of a healthy and successful growth. And I believe that is the hope for Lambo, as he progresses through the series. He is quite literally a child, both himself and TYL. But that’s just the thing for him, to the one that chose the guardians (Iemitsu, it’s very implied that it was Iemitsu), Lambo is an INVESTMENT. And a correct one if twenty years old Lambo was anything to go by. Not only that, the zinnia represents a joyous endurance. This doesn’t have to be painful for him, and it’s not as he’s allowed to both be a kid in Tsuna’s care while also holding on tight when told to stay out of the fight. (“You have to take the younger me wherever you go, he wants to go with you.”). And as a bit of an angsty little hehe on my part, the zinnia also represents missing those who have passed, that you remember someone and love them even now that they’re not with you. (“Seeing you all again, I thought the day would never happen. It’s making me emotional.”) Honestly, judging by how Lambo fights when he gets the opportunity to properly do it, he just isn’t weak. Destroying Kikyo’s box animal, fighting against Ooyama, and of course against Levi too. In Hanakotoba, the Zinnia represents loyalty. He is their youngest blossom, enjoying being around the one he considers a brother with hidden potentials to grow into someone with the ability to be Vongola’s shield. If the ones he loves ever make it to see that sight, of course. 

Ryohei Sasagawa: Yarrow (Achillea millefolium) 

Okay, so the yarrow is first of all a funky flower. If you’ve never seen OTHER colors of the yarrow flower, I implore you to google it. Especially the red ones? Why are you so pretty? Lucky enough for this flower (and me I’m starting to lose my mind here, this was a much bigger task than I thought it would be) the different colors don’t change the meaning of the flower here which is neat. It also unfortunately has no hanakotoba meaning either. So, anyway. The yarrow. It represents a warrior’s bravery, protection, and healing. The healing comes from the fact that its a commonly used herb for bruises, cuts, and sprains. There’s also huge folklore around it which affects its scientific name, as Achilles used yarrow to take care of the men he was in charge of. This flower was also used as a ward against evil, where people would hang this outside of their homes in order to protect them from evil getting inside. A superstition developed around this leading to Yarrow to be named the devil’s nettle to refer to the belief that the devil would come around and shake the yarrow that people hung up due to wanting to curse them. This flower also represents strong everlasting love, to the point where a little tradition propped up where people would shove this flower up their nostrils whenever they had a nosebleed so if they dreamt about their crush it meant that they liked them back lol. Yall there was so much rich lore on this flower, it’s super neat. More than I could fit in here. Anyway, I’m sure yall see the connection with Ryohei acting as the group older brother, being the motivating factor for them. He was the first to go up during Varia arc and set the tone for the rest of the battles, that the Vongola would win. Last to show up during future, representing that all of them had finally been reunited. A draw against Aoba, again the very first battle, almost symbolizing HOW shimon would end. He’s the strength in their arms, acting as the last person to leave in future arc until they were ready to go. Taught them and helped lead them to make decisions during that arc. It’s almost his duty to protect the younger ones, even getting up on Hibari’s case in the fillers for not helping out his younger classmen. We can’t even dismiss the way he would prefer to shield Kyoko from everything that they go through, and getting aggressive with Tsuna when Tsuna broke something he thought both of them saw eye to eye on.  Not much rattles him, honestly if you pay attention to his scenes, only getting the most nervous and agitated TRULY when he fears he won’t be able to protect someone (Asking Tsuna how Kyoko reacted to the news, Tozaru getting on his case about Lambo coming to the battle) Otherwise, he’s his happy loud confident self ready to tackle on anything for the sake of the family. Destroying the misfortune that attacks the family with their own body, the yarrow represents that duty well. For every bruise the younger one gets, Ryohei has the ability to heal it. For every fear, Ryohei tackles it first. Acting as a ward and protector for his family. Hibari Kyoya

Clematis (Etoile Violette)

Clematis is a climbing flower, to start with. One of those flowers that grow along walls and vines. It’s a very adaptable flower, able to work with various environments and thrive amongst them. They’re known as the traveler’s joy, meant to wish travelers good luck and act as protection to those who pass by them. While also having a more negative reputation, having “killed” other plants by outcompeting them considered having done the devil’s work. (The plant is actually considered invasive aha oops) The clematis though, itself represents mental fortitude, cleverness, and the ability to find hope in perilous situations. Hibari himself, I mean just that back and forth reputation is just him, no? Acting as Namimori’s protector, keeping a watchful eye on the town while also being utterly terrifying for Namimori students and almost overwhelming to those competing with him. (Dino will only find escape from Hibari in death, Mukuro is the same) But, he is also undoubtedly Vongola’s wall. Similar to Ryohei, not once throughout the series really and truly faltering. The clematis itself with its representation in mental fortitude can be given to someone when they need mental strength. I think the best way to represent this is directing you to that moment in Shimon arc when Tsuna, while not physical beaten, had been mentally tormented by everything that had happened and Hibari came to his battle to Adel. A simple, but strong “Little animal, your face right now is dull. Watch my fight.” It’s in that fight Tsuna gets his mental strength back, being given a hint to answer the question he’s been stressing and faltering over. Then there’s future arc, having been the only one TYL Tsuna trusted with the plan. Kokuyo Arc, Gokudera seeing an already defeated Hibari and taking him to the battle. Varia arc, the gang realizing that if Hibari is fighting next then they may have already won it and refusing to succumb to the poison in the sky battle. Rainbow arc, Tsuna considering them in that list of people he “just expects to help him.” He has the ability to be their hope, to be another factor of their strength. Where Ryohei is holding them up on the physical aspect, Hibari is absolutely their mental strength. (Isn’t it charming that the two eldest are the pillars of their group? I think it is). Also, in Hanakotoba, the clematis represents moral beauty and order. And that’s just the kinda man who could run something like the discipline committee, isn’t? The special thing, finally is that the etoile violette represents a sense of freedom from troubles. A free man, unchained himself and choosing to help those younger than him. Sometimes for the thrill of a battle, sometimes to actually help them with the reputation of a devil. Unpredictable, but still trusted.  It’s the sky that allows the clouds to roam freely, but even someday that sky will be beaten to death. 

Chrome Dokuro

Lupine (Blue Bonnet)

The Lupine flower is before anything else, a second chance at life. A recovery from one’s trauma and the admiration that comes from that. Its gratitude and kindness put into one. There’s a legend around the lupine flower about a land full of drought where Native Americans had believed would be saved by selflessness and yet no one had come forward to do anything, until a young girl came forward and offered the last of her possessions. The rain came to fall at her sacrifice, and hundreds of lupines had blossomed from the ground saving the tribe from drought and hunger as the seeds of the Lupine could be harvested to be eaten. The Lupine represents that the world will always give back if you are willing to help. Chrome, from her introduction, is told to be a girl who has nothing. With two parents who want nothing to do with her and no friends by her side. She runs forward to save a kitten and is gravely injured. With neither of her parents willing to help her, Chrome wonders if she is going to die here but is offered a deal by Mukuro. It’s here that Chrome is offered her second chance and she spends the whole series trying to return the favor to Mukuro. All while healing from her own trauma, the type of trauma that “no one could care about her”, as she is offered food and bonds from Tsuna, Kyoko, Haru, I-pin, Bianchi, Hibari, and so many others. It's in her second chance that she gets to experience what life truly had to offer her, as thank you for her continued selflessness. It’s that gratitude that she represents and the never-ending desire to give when she doesn’t accept Mukuro’s assistance anymore with her organs because she can no longer give him anything now that he’s out of Vindice Prison. She resolves that she will become someone who can protect the people she and Mukuro like. Her confidence isn’t perfect and she falters quite a bit, not believing that her powers are as great as those around her. But, that’s okay, because her goodness has brought her to people who have got her back until she can figure herself out. She has Mammon to correct her when her illusions are seen through that they are well made, but she’s just dealing with professionals and that’s why they’re seen through. There’s Tsuna who relies on her blindly, never doubting her strength to protect them as he asks her to act as defense during Shimon arc and protect Enma from his attack. Alongside with Fran, she is trusted to protect Yamamoto and Gokudera in the final battle against Vindice and taken with Tsuna against Jaegar. She has a lot of space to continue growing, but Lupin also represents voracity and happiness in Hanakotoba. She has her second chance to learn all about that, or as Mukuro put it to her, “An ending is merely the beginning of another cycle.”

Rokudo Mukuro

Aconitum (Wolfsbane)

Wolfsbane is also referred to as Monkshood. This is another one with pretty rich lore with its connection to werewolves. It’s referred to as “queens of the poisons” and has a pretty negative message to it on the outside. First of all, this thing’s poison? TOUGH AS HELL. Delirium, frothing at the mouth, vision impairment, and of course the classic coma<3 It’s got an uncanny resemblance to what rabies actually looks like. Fun, right? Okay, fr though onto its meaning. Wolfsbane is an omen that danger is nearby, not unlike the unnerving feeling Tsuna gets whenever he senses Mukuro nearby. Said to have come from Hell itself, the saliva that has dripped down from Cerberus himself. Not unlike our sweet boy. But, being an omen does not always represent something bad. Is he bringing the danger to you, or is he warning you of the true danger that lies past him? It’s a little bit of both. Aconitum represents concealed wisdom and caution in decision-making. But it also DOES represent protection, a proper and true warning of the dangers of the wild. That beauty does not always mean safe. For his twisted sense of vengeance and believing that taking over the world is the only way to destroy it for the sake of what was done to him, he isn’t necessarily wrong for being enraged about what happened to him. Yet, despite his hate, he doesn’t drag those who he cares about further down into it than he has to. He sends Ken and Chikusa away when they are going to get caught, he never uses Chrome for anything besides as a vessel to help her, and he says during Rainbow arc that if he forced Fran to continue past his limits he’d be no better than those nasty adults of his past. Aconitum balances sweetly between light and darkness, similar to Mukuro. He won’t admit it, but he cares for those amongst the Vongola. He infiltrates the Millefiore and sends the Vongola information after Tsuna’s death, he helps Chrome form a barrier around Enma so he could be safe from Tsuna’s X-Burner. And, of course he teams up with Vongola’s team during the rainbow arc. These are undoubtedly kind actions,  but when Tsuna gets angry at Mukuro during Rainbow claiming that he didn’t believe that Mukuro was the type to abandon his allies, Mukuro says that that was just his idea of him. Even though it was Chrome ultimately rejecting him, he instead pretended that he really was some big bad heartless person. Definitely, Mukuro is no angel, but also he’s no demon either. He’s.. just a human at the end. The aconitum’s dance with both light and dark, a flower that tries to warn, can be read both good and bad depending on how you look at it. His rejection of his ‘official’ position as part of the Mafia, yet acting as the Vongola Mist Guardian when their goals align. He’s as confusing as the duty he embodies, but he succeeds nonetheless in ensuring the family is untouchable in his deceptions. After all, the best way to fool your enemies is to fool your allies first.

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[hypervoxel]

Oh, so, like, the entire first season's establishment of the characters and their interactions don't actually matter in Helluva Boss. Okay, cool.

Like, I get that characterization develops over time and the writers come up with new ideas and places they want to take the story, but. So much of the Stolas/Blitzø stuff recently isn't character development: it's retconning.

[myfairkatiecat]

Okay I’m going to say it, some of y’all treat the KOTLC tag like it’s a tumblr community instead of an organization system that gathers together everything people post and tag as KOTLC

[freebagels]

In case you needed something depressing to think about, think about how if they went through with making Hater a skinny skeleton twink, he'd be popular in the fandom. But alas he is not.