#short answer questions

[cherryfennec]

Summer Times

Hi! I'm finally back from my two week abroad trip!

[marzipanandminutiae]

The ladies find it so sexy that I need 13 long paragraphs to summarize my thoughts on if and how various forms of Egyptian mummy consumption by Europeans can be understood as emblematic of modern style European colonialism in Egypt, or not

all the women of the world want me for my long winded swagger and refusal to kill my darlings because goddamnit I need to be SPECIFIC

All of this is so attractive of me I think

[shkika]

If W1 and Gabe ever find a truce, would Gabriel get annoyed by W1 talking to itself all the time or would they actually have good conversations between the 2 of them? Would Gabriel ask why the two of them decided to fuse in the first place? Are they even able to speak?? Who does the speaking??

(So many questions sorry!!! 😫)

Small assortment of low-effort fun doodles where Gabriel actually brings W1 to heaven for you anon!

First of all all of W1's internal dialogue is very much internal. The two brains constantly talk to each other in there silently. So if anything it will be eerily silent, because it'd simply forget to communicate what it's thinking about. VV1 simply has no inherent need to include anyone else in it's conversations with itself.

W1 does have a voice synthesizer and both of them speak. Both are very loose with what the other is allowed to say and I mean VERY. In addition, if they get too excited and try to use the voice synthesizer at the same time it gets super buggy!

As for Gabriel I think he lacks very important context and information about W1 as a whole. He doesn't even know or assume the machine is actually a buy one get one for free kind of deal. I think he'd be a bit..? Weirded out?

Not that he hasn't seen enough horrors, by all means hes desensitized. But Ultrakill's hell is full with quite a few entities that are all about unwillingly sharing a body and using that as torture. W1 enjoying it's predicament is... interesting..? It's curious even! He'd definitely ask it why it is the way it is!

... And many other questions too probably!!!! There's a lot to be curious about with this bug.

[14dayswithyou]

Meowdy Saint 😼

I got goth vibes and so does my AngelOC, Elodie. So it's funny to imagine this pink boy who is secretly an emo boy in disguise next to a wednesday addams esque babe lmao. Poor boy miscalculated, I like that there was an option to be like 'Oh I like that goth style' at the cafe.

But this raises a question! Would he drop the Ren persona and aesthetic if he realized it wasn't totally necessary?

⌞♥⌝ This has been answered multiple times in the past, but yes, he'd drop the light academia aesthetic if Angel wasn't into it! ^^

However, from a game dev standpoint, it'd be extremely difficult for me to include a bunch of types and aesthetics in hopes of making Ren's appearance feel more inclusive for everyone, so it's easier for me to say, "Oh, Angel likes this one anime character" and build the lore around that.

So, for those who like Ren's real appearance and would've preferred if he introduced himself as [REDACTED] (instead of his Haruko persona), I hear you!! ^^

But please understand that if that were the case, the 14DWY storyline would be a lot less interesting and would defeat the entire purpose of Ren's motives. A big part of his characterisation is that he's more than willing to alter every part of himself to become Angel's ideal type, and if their type happened to be [REDACTED], then it'd make the buildup to his reveal in Day ??? feel far less anticlimactic.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[preservationofnormalcy]

[My name is Meghan Hendricks, and I’m about to do something stupid.]

[I’ve scheduled my work to be sent to my superior in the federal government’s oversight committee unless I stop it in one week. A dead woman’s hand. It’ll be somewhat fruitless - I’ve begun to suspect that my work will be restricted, censored, and buried like most other things the Office does.

A lot of the people I talk to are exculpatory of the Office, even if they say they have questions or concerns. I think most of them mean it. I don’t think it’s brainwashing. I think in such a tighly knit community as the supernatural world people feel a more genuine sense of belonging than they might otherwise. A werewolf helping werewolves is going to understandably try and defend the hand that deals the help, even if they’ve bit it in the past. But one thing I’ve learned as I’ve been peeling up rocks and seeing what scurries away is that something isn’t right. Something is hiding in plain sight.

Most people don’t know about it. They can feel the shape of it, the outline the absence of something makes. Some people, however, do know. At least a little. I’ve seen them avoid questions, look away, end interviews. I can see it in their eyes. They know enough to not want to know more.

All of that brings me here, to the backwoods of upstate New York. I’m dressed in all black, wearing a mask and gloves. My clothing smells of peppermint, and in my bag is a bottle of peppermint oil. It stung my eyes and, before I got the dilution right, burned my skin. I look in my car’s rear view mirror and it hits me that I look ridiculous. I don’t know for sure why the factory foreman Barry warned me about the peppermint, but I had a theory. 

For the last few minutes I’d seen the shape rising into the air, the metal tower with red lights up its length. That was where I needed to be. The highway was thankfully bare, at this time of night. As was the turn-off onto an unmarked gravel road, only distinguishable by the Office’s symbol on a plastic sign, held up on a thin metal spike. I’d learned by now that the broader public couldn’t see the Office logos and signage until they’d been exposed to the extranormal, something the Office calls “memetic masking.” I was, in their terminology, memetically inoculated, and it was that fact that ironically helped me find the path. The gravel road went into the forest, but I pulled over past the road’s entry, into the small area of grass down past the turnoff. I pulled a tarp from my car and threw it over the vehicle, once again feeling ludicrous…and frankly, a little scared. 

The hike was about twenty minutes, mostly uphill on a gentle incline, the numbers station being built on a hill. I’d done worse, but not in a while. I could see pretty well in the light of the full moon, a fact that made me a little more nervous. I walked along the edge of the gravel road, in the dark - hiking onto a government facility, my nerves went wild. Every shift of leaves meant an agent clad in camo, every whip of wind causing a noise that made me think of the things I’d seen since I began this assignment. Not this assignment, I had to remind myself. This wasn’t part of it. Not really.

I saw the fence in the distance first - an eight foot chain link fence that stretched as far as I could see in either direction. Past the fence, I could see dark buildings, giant spools of wire, and above it all the metal tower of the station. I hadn’t exactly planned for this, even though I knew it was more than likely. The handheld cutters in my back pocket were ready, but something in me didn’t want to cut the links, even if I fully intended to pass the fence. Getting in some other way could be a blunder, accidental. Cutting the chain meant intent.]

C] 1 15 12 24 2 12 12 21 16 26 1 15 12 22 21 19 6 26 2 25 3 16 3 22 25

[The voice almost made me vomit. I spun and saw a man. Disheveled, haggard, an unkempt beard and long hair. Older, in his 50’s, but being dirty and ragged made him look even older. He didn’t even look at me, mumbling numbers so fast I could only understand them later once I slowed them down in my recording. After his string of digits he stood there, looking at the fence, then back to me. In the moon’s light I saw his dirty, torn jumpsuit, the logo for the Office on the man’s arm and chest, along with an embroidered nametag - Cecil.]

M] Wh- who are you? What are you doing here? 

C] 4 12 25 16 23 23 12 11 22 2 1 1 15 12 23 8 25 1 22 13 2 26 1 15 8 1 18 21 22 4 26 16 1 26 9 25 22 18 12 21

[His stare was distant, vacant. It was a shock when his hand moved suddenly, pointing upward to the moon. It took me a second to realize what he was saying, and when I did, it confirmed my suspicions.]

M] Here? Now? 

C] 1 15 12 6 19 19 23 2 21 16 26 15 15 16 20 13 22 25 19 16 3 16 21 14 1 15 25 22 2 14 15 16 1

[With that, he turned and walked away. He looked back once, pausing as if making sure I was following - which, despite my better judgment, I did. I attempted to ask him some more questions, trying to understand who he was or why he was here, but he didn’t respond. Not even with his numbers. 

After a moment of walking by the fence, we walked away from it, down the hill. A steep path, rocky and unstable, that he navigated with ease. It was only after climbing down past a tree and a rocky face that I noticed “Cecil” backtracking up a few steps. A huge drainage pipe jutted out from the hillside, hidden from above by rocks and plants. A piece of wood in the pipe was the only flimsy protection, and without hesitation Cecil pulled it aside and bent over to climb inside. Here I was, in the middle of the woods, about to climb into a dirty tunnel to a strange old man’s bunker. 

I could hear a match catch fire just as I stepped down onto a concrete floor and stood up past the metal pipe. The space was small, a concrete box that ended in a pile of rubble. It must have been the entrance to an underground section of the complex at one point, but now was only a covered shelter. A camp stove, a bed, an orderly pile of refuse. He was living hard out here, but he was living. Cecil put the match into an old oil lantern and held it up to one wall. ]

C] 13 16 21 16 1 12 2 21 16 3 12 25 26 12 13 16 21 16 1 12 1 22 22 19 26 4 12 19 22 22 18 12 11 9 12 6 22 21 11

[All over the concrete wall, pasted or taped, were papers. Mainly old documents from the Office, with the Office logo watermarked on their corners. Many of them featured heavy black redaction bars. Some were torn, upside down. Cut in patterns, circled with heavy marker lines. I’d seen things like this in movies, of course. The stereotypical red string and thumbtacks on corkboard. This was different, however. When I looked over the collage I couldn’t shake the feeling that this wasn’t a man trying to figure things out. He’d already figured it out, in his own way, and this was some kind of…archive. Memorial. A reminder. I looked at him, and he looked down to the floor. In shame? Sorrow? I couldn’t tell. I scanned the wall again, trying to find some order.  

‘Numbers Station 23 Decommissioned By Order Of Reality Compliance Council.’ ‘Bulletin From Director Walker On Directive 61722.’ ‘Los Angeles–’ the last one was torn off.]

C] 26 15 12 16 26 14 22 21 12 13 22 25 12 3 12 25 26 15 12 11 16 11 21 22 1 11 16 12

M] What is all this? Who ARE you?

C] 1 15 12 23 25 16 21 10 16 23 8 19 16 1 6 4 16 19 19 8 3 12 21 14 12 15 12 25

M] Listen, I – I don’t want numbers. Can you speak?

C] 15 16 26 13 2 1 2 25 12 16 26 2 21 18 21 22 4 8 9 19 12 8 21 11 1 15 2 26 16 21 13 16 21 16 1 12

M] You used to work for the Office…at the numbers station? This numbers station? Is that why you can only –

C] 4 12 18 16 19 19 12 11 25 12 8 19 16 1 6 1 22 26 1 22 23 15 16 20

[I must admit to some frustration. I scan the wall again. None of it made sense. Clearly it did to Cecil, otherwise he wouldn’t have saved all of this. Was the numbers station related to…what happened to my brother? Phrases leap out at me: ‘reality compliance’, ‘the equation’, ‘project dammerung.’ That last one was…all over. There were scraps, shreds with the phrase, but all of it redacted.]

M] What is this? Project Dammerung? 

C] 2 19 1 16 20 8 1 12 4 12 8 23 22 21 13 22 25 1 15 12 2 19 1 16 20 8 1 12 13 12 8 25

M] I don’t…I don’t have time for this. You know why I’m here. Are you going to help me, or not?

[Cecil was silent for once, looking around hesitantly, and finally back to the floor. I give him a moment to respond, and when he remains silent, I take in a breath.]

M] Right. Thank you, Mister…Cecil. I’ll…

[He raises his hand, almost as if he wanted to grab my arm, but was too timid. Raising the lantern to a section of the wall, he gestured to a particular document, from Office Security, or O-Sec. A photo of a serious-looking Asian-American man, Corporal Han. Most of the document was blacked out. Was this a warning? I take in the wall one last time, and drop my bag so I can reach for my camera. A polaroid - no digital trail, no getting the photos developed. With a click I snapped a photo of the wall. 

A noise distracted me. I turned, and Cecil was going through my bag.]

M] Uhh…sir? Cecil? 

[He stopped, looking up at me in almost surprise, as if he’d forgotten I was even there. ]

C] 1 15 12 12 20 16 26 26 8 25 6 26 14 25 8 21 11 11 8 2 14 15 1 12 25 4 16 19 19 1 8 18 12 15 16 26 23 19 8 10 12

[He slid the bag back over to me. I couldn’t figure out what he was looking for, but it didn’t matter now. I needed to get out of there. I put the camera back in, quickly checking that nothing was missing, and backed up towards the pipe.]

M] I know you showed me this for a reason. I’ll figure out how it all adds up, I promise. 

[I enter the pipe again, leaving the old man holding his lantern.]

M] Thank you.

[When I turn away, he looks to his wall one more time. 

I emerge alone into the moonlight, attempting the climb back up the hill. Though I had more scraps of information, I was back at square one, or so I thought. When I reached the top and made it back to the fence, I saw a section of the chain link that had broken, detached from the pole nearby and bent away, covered in a bush that only kept it half hidden. This must be where Cecil still entered the facility. 

The gap in the fence opened up into what seemed to be a storage yard, the place I’d seen past the fence earlier. Piles of tarp-covered metal or wood beams, spools of wire as tall as I was. In the moonlight, I could see poles dotting the yard, cables stretched between them, each one bearing a floodlight. Though everything had been organized and put away securely, I got the feeling no one official had been here in a long time. Leaves covered most surfaces, and cobwebs shone in the dim light along the roof of a nearby shed. 

Again, it struck me that I didn’t know what I was doing. Any information or leads would be in the building past the storage yard, and surely that had better security? Cameras, keycard locks - what was I even doing here? Walking through the yard, almost lost in thought - the tower of the station rose into the night sky in the distance, red lights along its length. They almost looked like eyes along the body of some thin creature, frozen against the stars. 

And then, lights near the station building. I stood still for a moment, uncomprehending until a pair of floodlights on poles a short distance away snapped on, then the next set. The lights were turning on this way, towards me. I had seconds to react, and I did what I’d practiced. In my bag’s side pocket was a plastic bag, containing a gross mess of wet cotton balls, soaked in diluted peppermint oil. Despite my panic, I threw them in all directions, slinging a handful of them in a wide arc, and then hid before the lights were on in my section of the yard. I could hear the electric buzz of the floodlights snapping on just as I ducked behind a row of wire spools, trying to stop my racing heart.

As I debated my options - running, waiting out the lights…maybe they were on a timer? I heard footsteps approaching, crunching on the leaves and pine needles that had accumulated over the unattended years.  When they got closer, I tried to peek through the center of one of the spools I was hiding behind. I saw his uniform first, O-Sec, Office Security. A large man, built like a weightlifter - could see the black shine of a gun in his right hand and my heart leapt into my throat. It was the man from Cecil’s mural, Corporal Han. Was he the officer assigned to this site? I should have known the Office would still have security even on decommissioned stations like this.]

H] I know you’re here. 

[He stopped in a large open area, looking around at the stacks of materials around him, the sheds and tarps - all hiding places.]

H] Normally, I might blame teenagers. Kids getting a kick out of trespassing on Office property. We had one group a few months ago, teenagers. Two humans, a fae and a vampire. They all forgot their vamp friend couldn’t enter without permission. Fun night.

[He paused, letting the silence fall again. I could see him look around, eyes scanning the yard and narrowing. He sniffed the air in a way that seemed…odd.]

H] But judging by the smell…I think you know what you’re doing. You came in with an idea of what was going on. Either you’re a professional, or someone told you…

[He carefully walked, passing behind a small shed and out of my view. I panicked that I lost track of him for a moment, but then there was a sickening sound. Like flesh stripping and bones crunching, and Han’s voice hissing. Then a sound that echoed through the yard, the sound of a hand - no, a claw, grabbing onto the edge of the shed’s corrugated metal wall, digging in and tearing the metal. A shape followed it. A long maw of shining teeth, white fur. A raised canine lip in a familiar but terrifying gesture of anger and aggression, a low rumble as the muzzle raised, and smelled the air. Then, a whine, another growl, sneezing and huffing as the muzzle retreated behind the shed again, out of my view. Another crunch, a growl, and Han staggered past the shed. Haggard, sweating, panting softly, looking incensed.]

H] And if someone told you, I’m going to have a nice, long…conversation with them. 

[He tried to collect himself, catch his breath, run a hand through his hair. He pulled a bandana from a pocket of his uniform, pulling it over his mouth and nose.]

H] You have one minute. One minute until I call backup. You can hide from me, but can you run from a dozen of us? Most of them won’t have my…shortcomings. 

[My heart was pounding. My head was swimming. My fingers were going numb. I couldn’t claim innocence, not when they found out who I was. Could I make a break for it? All of the ways out seemed to be past him, and if he was what he seemed to be, it would be a short chase. It would end up better for me if I surrendered now, but what happens after that? I’d never work again…or worse.]

H] Cecil?

[Han’s voice was confused, concerned. I snapped around to watch through a gap in the spools as Cecil approached, holding a bottle. The bottle of peppermint oil. He must have taken it earlier when he was looking through my bag.]

C] 1 15 12 18 21 16 14 15 1 9 12 8 25 26 1 15 12 14 2 16 19 1 15 12 16 26 25 16 14 15 1

H] Cecil, what did I tell you about–

[Han took in a breath through the cloth, and exhaled, clearly frustrated. His voice was sharp, low, but his face softened, and there was a soft click as he put his gun away.]

H] Why the peppermint, man? You know what that does to my nose. Were you just trying to sneak around without me knowing? 

[Cecil looked at the bottle, then dropped it.]

C] 26 22 20 12 26 1 16 19 19 13 12 12 19 23 15 8 21 1 22 20 23 8 16 21

H] Are you taking your medicine? Probably not. Let’s….let’s get you back home. Not that bunker, home. 

[Cecil seemed to hesitate, but Han put a hand on his upper arm.]

H] You know you can’t be here. Come on. If you come with me to the station I’ll ask someone to bring you dinner when they come pick you up. Okay?

C] 25 12 8 19 16 1 6 4 8 26 13 22 2 21 11 4 8 21 1 16 21 14

[The older man lowered his head, but followed Han as the guard turned and walked back towards the station - but not before looking around, deciding on the row of spools I was hiding behind, and nodding, jerking his head towards the direction of the gap in the fence.

I didn’t need to be told twice. Once Han and Cecil were out of sight, I ran to the exit. I don’t remember much of the next several minutes - running a roundabout way through the forest, coming to the edge, following that until I found my car. I didn’t allow myself time to decompress. I slammed the keys into the ignition and pulled out onto the highway. 

The tears came just as it started to rain, and I drove until it became difficult to continue. I had gained nothing from this. Nothing but a panic attack and a long-lasting nightmare, a recurring dream with claws, spools of wire, and the scent of peppermint. ]

[lavendarneverlands]

put 5 songs you listen to, post it, then send this ask to 10 of your favorite followers <333

Thank you so much lovely🫶🫶🫶

Oh goodness this is a hard question because I like way too many songs😂 though I am a huge Swiftie & since I’ve on my TOG binge have been listening to a lot of fan playlists so let’s let my history decide🤣 these have been in a heavy rotation:

“Who’s Afraid of Little Old Me?” by Taylor Swift

“Red Wine Supernova” by Chappell Roan

“Please Please Please” by Sabrina Carpenter

“Blonde” by Maisie Peters

“Can’t Catch Me Now” by Olivia Rodrigo

@impossibelle @iwantavaldezinator @idfendyr @shadowhunters77 @archerons-elain @cheap-spirits @maevecrom @endlessdaydream @somethingsomewhereanywhere @korepio

p.s. as always, no pressure tags :-) 💕

(Heads up for some tags: this is my main account, the side-blog ur probably used to seeing (as I’m more active) is @acourtofquestions I have a terrible habit of mixing up pages/conversations; so if ur going “who tagged me?” it’s just me lol)

[askchuuyanakahara]

AWEEEE YOURE SO GAY CHUUYA THIS IS SO CUTE

@bioluminescentcat

Chuuya: "But, thank you. I'll be okay. After all, I know how to deal with Dazai."

Chuuya: "I'm sure Dazai will eat anything as long as it's mainly crab.."

@azapofinspiration

Chuuya: "Well, as long as it's not overcooked, that is!"

Chuuya: ".. yes please."

Commissions/Ko-fi

[that-foul-legacy-lover]

HAPPY BIRTHDAY TWO MEEEEE

I just woke up uh

Melusine birthday

Next ask you can delete bc I just had that idea bouncing around

HAPPY BIRTHDAYYYYY SORRY I'M LATE BUT I HOPE YOU HAD A WONDERFUL TIME

despite all that's happened, you still remember your birthday in the real world- it feels like forever ago, and maybe it was in Teyvat. you're not sure about real life, if any time is passing at all, but several months have passed in this odd, beautiful, bloodthirsty world, and when you wake up tucked away in your shell cottage you suddenly realize it's your birthday. no one knows, of course, it wasn't exactly high on your agenda when you were running from those hunting you. but now you're safe! you're away from everyone who wants to hurt you, amongst friends and family. tapping your stumpy little feet in delight, you pitter-patter over to a little table in the corner, stacked high with paper and pencils and different colors. with a hum you begin fashioning a little conical birthday hat for yourself. not really to wear, but just to have, as a way to remember the passing of time

Foul Legacy pokes his head into the room with a chitter, coming over to look curiously over your shoulder. he blinks, scrutinizing the paper hat in your mittens, before suddenly gasping and trilling in realization. a pair of claws wrap around you as Legacy scoops you up and joyfully twirls you around in midair, hugging you close before gently setting you down. the little hat is still in your hands, your tail happily wagging as he helps you set it between your two antennae. the Creator's birthday- YOUR birthday- it's something that should be celebrated by the entirety of Teyvat. but you don't mind that it's not. in fact, you don't care. all you need are your siblings and friends, keeping you in safe, happy company while you heal and begin to flourish again

you skip back to your little table, and begin making another hat for Foul Legacy

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[faux-ecrivain]

1950s househusband x gn reader

marinette4943 asked: Hey!

I saw your yandere housekeeper and loved the way you wrote it. Do you intend to do a next part?

If so, could you tag me in it?

————————————————————

Name; Angelo

Thirty second official post

@marinette4943

————————————————————

From Part 3; 

        He is absolutely whipped for you, everything you do is committed to his memory, and he inches closer to you with every passing second. “You’re welcome, so, are you going to give me a tour of the town or some advice to settle in, and get along with my neighbors?” He didn’t want to, but he figured that it was best to be as helpful as possible. That way, you’ll trust him the most and will come back to him whenever you need help. You, however, scoot away from him, eventually ending up near the end of the couch in a corner. “Oh, uhm, certainly. I’ll be happy to give you advice and a tour, but I was hoping we could simply have a friendly chat first…” Angelo responds hopefully, he just wants to get to know you and does want to talk about anyone else.

              However, something you said earlier caught his attention. “Unexpected? Wh-what do you mean by that?” He questions nervously, his wide eyes nervously glancing at you and his bottom lip quivering at the thought of you hating him. You tilt your head, slightly confused and then you try to clarify without sounding rude. “Well, back where I’m from men don’t often wear dresses, that’s all.” Before you can clarify any further he interrupts you, which was quite rude and he apologizes for that, but doesn’t stop talking. “Sorry for interrupting, but you don’t like it? Does my fashion sense upset you?” He inquires his expression shifting into anxiety and his mind begins to work in overdrive. His hands squeezes the cloth of his dress and he twists the fabric. Angelo doesn’t do well with rejection, of any form or shape. 

          Suddenly this conversation seems very awkward to you and you regret opening your mouth. “That’s not what I meant, that dress looks great on you. It’s just someone have to get used to, that’s all.” He smiles and he seems content with your response. “Really? You mean it? Thank you!” It isn’t often that he gets a compliment from anyone and it’s been a while since anyone he was interested in complimented him (excluding his spouse, he loves his spouse so very much and is very interested in them). Angelo relaxes and leans his head on your shoulder, which causes you to cringe and push his head away. He whines and leans against you once more, this time he wraps his arms around your arm and nuzzles your neck. Now you’re very uncomfortable and have begun to regret your decision to let him inside.

 ———————————————————-

 Subtly, you try to push him away. You didn’t want to be rude, but his unnecessary affection was making you extremely uncomfortable. Sadly, his grip on your arm does not loosen and seems to tighten. Angelo scoots closer, he’s so close that you could count each one of his eyelashes. He sighs, seemingly unaware of how close he is, or maybe he knows and just doesn’t care. You clear your throat and lean as far away from him as you can. “Ahem, so, about that tour…” You smirk awkwardly and try to make a simple conversation, if only to alleviate the discomfort you felt. He acknowledges your words with a hum, but doesn’t respond for quite some time. It’s silent and awkward as you try to ignore the very obvious bedroom eyes Angelo is sending your way.

        You clear your throat again and try to get his attention. “Ahem, Angelo, could you please let go of me or move away?” It takes a moment for your words to sink in and when the do, Angelo shoots away from you. His eyes are wide, his face is flushed with embarrassment and his mouths is agape. It’s clear that he’s absolutely mortified by his behavior. Immediately he begins to apologize. “Oh my goodness, I’m so sorry, Neighbor! That was so inconsiderate of me, Oh! I feel so ashamed! Oh, I should go, I shouldn’t behave like that around you!” Part of his apology sounds a bit like an excuse, but you can tell by his expression that his apology is sincere. “Did I make you uncomfortable? Oh, I’m truly sorry if I did!”

          You chuckle and wave off his worries, you begin to placate him, and attempt to halt his incessant apologies. “Oh, it’s alright, Angelo. It really isn’t that terrible, I was uncomfortable, but I’m sure you didn’t mean anything by it.” Oh, he certainly meant something by his actions, it wasn’t anything sinister, but it was something that Angelo wasn’t ready to face. He was experiencing so much turmoil, the very idea that he almost betrayed his spouse made his physically ill. He could never hurt them like that, sure they weren’t the best spouse, but he still loved them. “No, I-I have to leave, I-I can’t-Oh!” Angelo struggles to breathe, his previous actions set in, and he felt like crying.

         He has to leave, Angelo couldn’t stay another minute is your presence. Especially when he’s constantly tempted to crawl into your arms and never leave them. Once more, you try to reassure him, but he doesn’t listen. “Angelo, it really isn’t a big deal. I’m sure you meant nothing by it and nothing came of it, so it’s alright. Let’s just sit back down and enjoy a nice, civil conversation.” It sounded as though you were trying to calm him down, and that made him feel even worse. Well, the way he felt when you expressed concern for him, made him feel even worse. “No, no, I have to go. My sp-spouse is coming home soon an-and I don’t want to disappoint them.” He tries to reason with himself and his desires, but it’s not working.

       Mostly because his heartbeat seemed to increase with every word that you spoke, he knew what that meant, and he couldn’t give into such sinful desires. He had to stay loyal to his spouse, although, thoughts of loyalty seemed to remind Angelo of the way his spouse has been behaving recently.  Which causes his brows to furrow and halts his apologies, as his mind wanders to his spouses recent behavior. His spouse has been distant (more so than usual) and they keep coming home late. Normally, he wouldn’t worry about that, but each night they come home smelling like cheap perfume, and then he starts to think about the recent rumors he’s heard. The ones about househusband Damian and his cheating spouse. This causes Angelo to consider the idea that maybe his spouse is cheating on him, and the very thought is appealing to him. It causes him to be sick, and he nearly faints. (Luckily you caught him before he could actually fall, and now you’re fussing over him, oh, his heart can’t take it!)

         No, he can’t give into temptation. He has to stay loving and loyal, it’s not that hard, and surely his spouse will take notice of his devotion. He just has to keep trying, right? It doesn’t matter how exhausting it is or how much easier it would be to allow his new neighbor into his heart. Angelo has to remain strong, and eventually, he’ll be rewarded for his loyalty, won’t he?

————————————————————

    (I don’t really like this installment of househusband Angelo, I’m not proud of it, but I figured that if I do a bit of writing about one of my favorite OCs then I might get back into writing. But, who knows, I’m a creature of habit and writing is exhausting. Anyway, I hope you enjoy this, and hopefully, I’ll be back to writing at a normal pace again.)

[becasart]

SPOUSE SWAPPP

+hair length flippp

I'm so satisfied with my redesigns of em 🥰

Also, just out of curiosity, what is y'all's fave dynamic from these ships? :0

[a2zillustration]

The desire to draw these two again but without the motivation to make something more than one of these little charts (oops)

Thank you Valc0 for making the sheet!

[solradguy]

There are too many stories where the dragons are the villains, or where the dragon was just being an animal and was killed for it by encroaching humans, or is a metaphor for human greed that is killed with violence because changing habits or retraining it would have been too much effort

I have been trying very hard to find short stories with dragons that aren't like this lately and have only found a very, very, small handful and even then most of them aren't really what I'm looking for. A lot of historical stories with dragons tend to come from Europe or near-Europe, and it's really interesting how if you go back far enough the line between "Christian demon," "actual snake," and "dragon" gets very fuzzy.

It reminds me of when I was a kid and asked my (Catholic) dad why we weren't allowed to pray for Satan/Lucifer—because he had sinned and you were supposed to pray for sinners to get better... right?—and he didn't give me a very satisfying answer and I thought about it too long afterwards, and I'm still thinking about it, and I think it's given me a disproportionate amount of sympathy for demons, monsters, and dragons.

[inkdemonapologist]

My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue

its not actually that hot, is what im saying

Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:

BatIM has a theme.

I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.

But what's the theme or central question of BatDR?

You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.

I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.

There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.

The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.

The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.

But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.

The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.

[ray935sworld]

"Max is the bad guy"

You mean the Max that was telling the interview host that his behavior (clear protest against FIM regulations regarding interview statement) is not towards him and he doesn't wanna upset him?

The one who said no comments but promised the journalists more answers outside?

Him? Yeah... Right.