#ship them if you want i can't stop you

[natalinova]

the WHOLE POINT of midge and susie is that THEIR FRIENDSHIP was the biggest love in both of their lives NOT a romantic relationship

[kiraman]

are people aware of the fact that Mizu is not canonically in any way shape or form.............. queer....bi.....

(quick note here because reading comprehension stays dead and people may not read the tag novel: I want bi Mizu! I hc her as sapphic! I love sapphic Mizu)

[beevean]

A more fleshed out idea of how I would have ended the Lenector story in the most balanced way I can think of.

Lenore is Hector's prisoner, as per canon. He still treats her as nothing happened, like a good friend, but Lenore is sulking and angry and not even bothering to keep up the façade like Hector used to do in her position. It's unfair, after she treated him as her only confidant, and she couldn't care less, that's what the traitor gets. Hector thinks he should be happy, to have reversed the roles on her... but he isn't. Unlike Lenore, power over another person doesn't satisfy him. He can't help but see her as a depressed animal in a cage... much like he used to be.

He wanted to protect her, he really did, but only now he's seeing how much hurt he caused her. Much like she said she meant to do with the ring, although to this day he doesn't know if it was a lie or the truth. There is no joy in inflicting her the same fate she inflicted upon him, even if it comes from a place of well-meaning and not selfishness. He has seen what that kind of "eye for an eye" mentality brings to the world, and he wants none of it.

So, he finally takes a decision for himself, and repays the one debt he has with her. He helps her flee from the castle. He is, for the first time, showing empathy to a person and not an animal.

(I don't even think Isaac needs to be kept in the dark. Lenore on her own is harmless, nothing like Carmilla who became a danger to the world. Hector and Lenore are dangerous tools in the wrong hands, but they lack the ambition that makes them solid threats, as they are mostly concerned with feeling safe. If Isaac truly wants to do good to everyone, he has no reason to keep Lenore as a prisoner, not even to force her to work for him. Same for Hector, since the two might have "forgiven" each other, but they have no relationship whatsoever. Perhaps him heeding Hector's request could show more how compassionate he has truly grown.)

Lenore is confused as to why, and Hector more or less explains that he couldn't bear watching her drinking herself into a stupor. Lenore snaps, and yells at him that he has no right to feeling sorry for her after what he has done, after going behind her back, after ruining her life... and is promptly shot down by Hector flashing his mutilated hand. Every ounce of ire Lenore directs at Hector is actually directed at herself, and they both know it. She is deeply regretting everything she did for the sake of people that didn't even respect her, she is just too proud to apologize. And her pride, her insecurity, her need to be the one in control, was what prevented her from truly being the good person she wanted to be. The very reason Hector wasn't happy with her despite her best efforts, and destroyed her life.

She really thought something so paltry as a slave ring would tame the human spirit. She really thought humans, like vampires, would care more about safety than freedom. For a diplomat who set herself to bridge humankind and vampirekind, she let her basic instincts get the better of her.

"Why didn't you just kill me back then?" she yells, attacks, it feels so good to blame Hector rather than herself. "At least I wouldn't have known how little I matter to you!"

"I'm no longer that child," Hector responds. "I'm no longer the boy who believes to have the right to punish others. Besides, shouldn't you know the desire to spare someone's life no matter what?"

They had never breached that subject again, not after Lenore dismissed it in a fit of denial. It still weighs on her. He can no longer care.

"All this time," Hector says at last, "I expected an apology, but I think I don't need it anymore. As much as I don't need you anymore. I'm grateful for your efforts to protect me from your sisters' ire, so now I'll use them to live for myself. I'm sorry it had to be this way."

He holds no grudges anymore, and he has genuinely come to appreciate the real Lenore behind her masks and the way she took care of him during the previous six weeks, when the world would have chewed him and spit him out; but at the same time, he can't bear staying with her. She makes him too sad. It reminds him of how low he allowed himself to be brought for the sake of some scraps of love. She reminds him too much of a version of him he doesn't want to be. There are too many conflicting feelings in him. He can't help but think that, in another life, the two could have been genuine friends, if not more... but not this one. Too much baggage, too much shared misery. He is done with it. No more will he seek safety and love in other people, as if he wasn't strong enough. He deserves better.

Lenore doesn't know what to think anymore. She wants to die so badly, she is almost tempted to not hide herself from the sun: she can't concieve her existence as nothing more than a black hole, unworthy of living. She is nothing more than a disgusting monster doomed to spread misery to the world, she thinks, and she should die like one. She has nothing left, no allies, no home, and the one person she fell in love with is pulling away from her, and she can't bear being abandoned, and she completely understands why he's doing so. At the same time, however... Hector too has nothing left, and yet he wants to live. After everything he went through, after himself desiring death at Isaac's hand, he wants to experience real life, not survival like he has done since he was born. Lenore pretended to praise his strength when she was manipulating him, but now she has come to genuinely admire that trait. Can she, a vampire used to nothing but comfort, be as strong as a human being?

She wants to ask Hector if he thinks she's a good person. A glance at his mutilated hand answers her more than any word could. Lenore, all this time, had no idea what being "good" meant, she was only good at putting up a façade of gentleness, and she thought it was enough. All this time, she behaved like a vampire pretending to be human... so now, she will learn from the best human she has ever met. The best person. The only one who saw her as a person as well, behind her masks, behind her usefulness.

Even if Hector is now walking towards the dawn, with nothing but his resolution. For the first time, he will live for him, for himself.

They will never meet again, but in a twisted way, they gave each other what they needed to grow.

[aeb-art]

cringe is dead or whatever so… here's a super rough comic about geo getting smooched at a new year's eve party o7 (the mall toons of course belong to @8um8le)

happy new year, go kiss a robot xoxo

[charlotterenaissance]

baffling decision for season 2, episode 18 to end with lewis making a legit effort for charlotte, making a picnic of things she likes and hugging her and seeming really happy with her

only for episode 19 to trample all over that with him blowing her off after she mentions that she misses him and hasn't seen him for a while, then apparently forgetting he even has a girlfriend altogether and softly flirting with his ex while the narrative agrees that this is correct because, unlike charlotte, cleo always smiles when she first sees lewis. you know. unlike charlotte. who goes out of her way to try and make lewis happy and smiles literally every time she sees him. there's not even an episode between these!

[aithusarosekiller]

This is on my tiktok but I wanted to post it here too bc it's really been bugging me

The caption essentially said that if I see a characterisation I don't like (I used the example of big buff alpha remus) I just scroll because clearly the content was made for someone else and I'm not the target audience

[ethanray]

Caranthir offering Haleth land in Thargelion

For @feanorianweek Day 4

[doubledyke]

Once I head someone say Sarah is the only really necessary or meaningful female character, and that Nazz and the Kankers are pretty much disposable; ''Nazz has no personality, and the Kankers are absent from 50% of episodes and are just a Diabolous ex-machina ending when they appear. The could work very well without any of them.''

What do you think of this?

are they implying that she's only "meaningful" because she's related to ed? because...yikes dog. sarah serves a pretty similar role to the kankers in that she foils the scams and pranks and acts as an obstacle and/or deterrent. an antagonist. but the way they fulfill the role and the reaction they get from the eds are different in ways that i'm too lazy to get into at the moment.

now i could genuinely be missing something because i've never taken a class on media analysis or whatever the fuck, but i truly don't get what people mean when they say nazz is uniquely lacking in personality. i'm not saying eene has excellent, fleshed out female characters, but some people act as if 1) any of the non-eds have highly complex personalities that are explored canonically 2) being kind, outgoing, flirtatious, sporty, etc. aren't personality traits. just because someone doesn't like her personality doesn't mean it doesn't exist. and we know just as much, if not more about nazz's interests than we do the kankers. or jonny: he likes wood, is laid back and seems to enjoy superheroes. or kevin: he likes bmx. he's a bully. he has a crush on nazz. he's buds with rolf, whose backstory we probably know the most about after the eds (maybe even more?). then there's jimmy who lowkey has a great, complex personality.

seems like since nazz is pretty, is into stereotypically "girly" things and is nice, people consider her a "bad" (female) character. which to me is hilarious and ironic. these are the same people who call the kankers "evil". like okay... 😂

this idea that all female characters are supposed to be virtuous geniuses... it's a show about 3 dumbass preteen boys. there are tons of female-led shows available out there, and female main characters galore. these people should go watch em. seriously. im tired of hearing about it frankly.

oh and if edd was canonically a girl, people would hate her and call her a mary sue 👍

[gilgil-machine]

I wish some people never had access to internet at all...

TW assault, TW r*pe

[romanticatheartt]

I just want to say, bringing down another character/ship to praise your favorite one, doesn't make me agreeing with you, it makes me hate the favorite character/ship of yours and despise your childish personality... just saying :)

[mysteriouslybluepirate]

My brain nonstop since watching episode 2:

*RUN* angelic choir singing as we pan up Izzy's missing leg and then his body. As we see him holding the gun *RUN* Izzy looks sad, wet, sick, and PISSED, betraying Edward for good this time*RUN* Zoom in on Izzy's face, the mark of his failed attempt dripping in the rain *RUN* Pan to Ed, laughing like a maniac, relieved, and scared, as he realizes that Izzy didn't die. So him killing himself like this would kill all the people left in his life. That he's put the ship in danger for no reason.*RUN*

(Spotify is SO LUCKY my top Songs of the Year reset October, this fucker would be top 50 AT LEAST)

[judasisgayriot]

I can’t do this without you, Nathan.

[lovecolibri]

.

[flowerdante64]

[match-your-steps]

just read a review of the lego movie from 2014 and it is genuinely a horrible piece of literature and through perusing the comments underneath the review, I have gained an intense dislike of the reviewer. it's not even that I liked the lego movie and he didn't it's just that a lot of the stuff he says is factually incorrect, really stupid-sounding, or he doesn't provide any real reason, and in the comments, he reacts to even the friendliest and politest constructive criticism as if it's a personal attack on him.

[notmoreflippingelves]

Naomi/Esteban: 1, 7, 16 and 55 ; Gregory/Manfred (AA): 20, 21 and 59 please!

Naomi/Esteban

Who would end a heated argument by defending their actions with ‘because I love you!’ ?

Both to be honest. Albeit in slightly different ways. Esteban is more likely to have pre-emptively made a decision/taken action without informing Naomi or asking for her permission first. And Naomi would be livid that she wasn't consulted beforehand. Esteban would be very smug and condescending and talk about how he knows better since he's older (physically, maybe but not necessarily mentally) and wiser (questionable) so Naomi should defer to his judgement. And he would use "I love you" in a slightly manipulative way to try and silence all her protestations. (It doesn't work. His love for her just makes her even more determined to save him from his own noble urges).

In circumstances that specifically involve Esteban putting himself at risk (to protect Naomi/other members of his family/Avalor), he would probably also try to pull the "I am older and less worthy/important, so I am more disposable if things should go wrong" bullshit, which would make Naomi absolutely livid.

Also I think it would be impossible for Naomi to end the argument simply with "because I love you." She would specifically end it with "because I love you, you asshole!" (Emphasis on that last part). Sure she loves him and wants him to know that's why she's behaving as she is. But she also wants to remind him that he is incredibly aggravating and often stupid and she can just barely stand the sight of him sometimes.

Would they build a pillow fort together just because?

Just because? No I don't think so. And certainly not together. That being said, I can see them building separate pillow forts under very specific circumstances for the sheer purpose of outdoing each other. One of them mentioned building pillow forts as children and being very good at it. And the other immediately follows up with "That is nothing. I built forts twice as high and just as impressive." and the inevitable response is "Oh yeah. Prove it!"

And so there just ends up being the pettiest little competition as to who can build the best fort. (Elena is named the judge since she has a foot in both camps. And she's rather shook about the whole thing. She herself would've absolutely accepted a pillow fort building challenge in an instant. But like she kind of expected Naomi and Esteban of all people to act like actual, reasonable adults--as they do in most circumstances. But no, they are the ones acting like children just because neither can bend even in a little where the other is concerned).

Not sure who would win the competition, though I might have to give a slight edge to Esteban. Simply because we know he likes to stack a pillow given the like 6+ we see on his bed in the sick day episode. (Of course, if Elena had taken part, she probably would've won because she has even more stacked pillows on her own bed and she's more stubborn than either of the others to boot).

Can they stay up all night just talking?

Could they stay up all night talking? Yes, probably. Both have a lot to say, enjoy the sound of their own voice, and like spending as much time as they possibly can with their partner.

Would they stay up all night talking? I kind of doubt it. While both are very hard workers, they are also two of the more practical characters on the show. (To an extent, Esteban can definitely have his super irrational moments). Therefore, they know the importance of getting a good night's sleep. They also seem like the sort that genuinely enjoy the sleep that they get. Like they're not going to protest too much or try to stay up any longer than necessary. Sleep is good (especially in each other's arms), so there is no strong drive to push it off.

Do they like watching clouds or star gazing?

Both of them are canonically into sailing, and using the stars to navigate is kind of a big part of that. So I definitely think they would look at the stars together. Additionally, Naomi has lived in a bunch of different places, and Esteban traveled a lot during his time as chancellor. So I think they would both know and talk a lot about the different names for various constellations in different places--as well as any legends/stories associated with these or the stars themselves.

On a similar note, they might also watch the clouds a bit--but more out of practicality than enjoyment. It's always good to be on top of changes in the weather--especially when one or both is out at sea and/or if they have specific plans outdoors in the near future. That being said, Naomi is particularly fond of pointing out any cloud that she sees that even vaguely resembles Esteban's facial hair. (Esteban's usual reply: "You do me a great disservice with that remark, Miss Turner! I would never allow such a miserable, misshapen thing to grace my face.")

Gregory/Manfred

Choose one song that perfectly describes their relationship.

I'm sorry, but I am so bad at this. I don't know music like at all. (It's really just musical theater and artists my parents like. That is the extent of my music knowledge).

So we're gonna have a few songs from random musicals and they're gonna be angsty since that's where my brain goes with this ship.

So I don't think this one will come as a particular surprise especially given I know you are a Les Mis fan...but yeah, the whole sequence of Confrontation --> Stars--> Javert's Suicide.

Just Manfred being horrified and disgusted at being at Gregory's mercy and the audacity of this man to be kind and just and dedicated toward the Truth when he has no right. Just go ahead and substitute "defense attorney" for "thief"/"criminal" in a lot of Javert's lyrics, and you've got Manfred being a toxic, doomed, would-be tsundere.

"Damned if I'll live in the debt of a thief/ Damned if I'll yield at the end of the chase./ I am the Law and the Law is not mocked./ I'll spit his pity right back in his face./ There is nothing on Earth that we share....

"How can I allow this man to hold dominion over me...This desperate man whom I have hunted."

And as for another toxic musical yaoi ship, Judas' reprise of "I Don't Know How to Love Him" from Jesus Christ Superstar. (Arguably Mary Magdalene's original as well). Just Manfred destroying the man that he loves (unrequitedly?) as Judas has done--simply because their goals are not aligned and because he doesn't know how to handle his feelings that he can't help but feel are irrational--especially as Gregory (or Jesus in the original) is just so damned Good and Manfred knows he never would've been worthy of him.

And even though I don't particularly read MVK as wallowing in guilt nearly as much as I do with Kristoph in krisnix, I think here could be an element of that there as well.

"I have been splattered with innocent blood./ I will be dragged through the slime and the mud./ I have been splattered with innocent blood!/ I will be dragged through the slime and the slime and the slime and the mud...

I..I don't know how to love Him./ I don't know why he moves me./ He's a man; he's just a man./ He is not a King./ He is just the same as anyone I know. /He scares me so."

There's also a bit of a similar feel from Burr's parts of "The World was Wide Enough " from Hamilton. Realizing that your idealogical opposite and narrative foil and foe didn't need to die at your hands. That your victory at long last is distinctly Pyrrhic and that there was and should've been room for both of you in the courtroom (which is THE world for all intents and purposes for Manfred).

(For both of the above songs, the beginning isn't really the vibe for angsty Manfred/Greg, so I went ahead and linked to right where the relevant part starts).

And on a much, much lighter note. "Horny Angry Tango" from Crazy Ex-Girlfriend. (Bonus in that both characters are lawyers and the background of this is them duking it out in court in a proxy battle for their relationship issues.) Just Manfred and Gregory getting super hot under the collar while arguing against each other in court, but also like genuinely being furious with each other as opposed to just horny and in denial.

And similarly, You're Only Second Rate from The Return of Jafar. I see this as early in Manfred and Gregory knowing each other. Manfred is just so aggravated by Gregory and thinks its so absurd that Gregory thinks he is a match for him. And he just quickly becomes overly obsessed with him in a totally not healthy or normal way that Greg in no way asked for. But Manfred just can't let this go for some reason. (It's a crush; he's got a crush, but he'll never realize it).

Who would get into a fight to defend the other’s honor? Who tends to the other’s wounds?

I'm not sure I can see either of them getting into a fight to defend the other's honor. Gregory doesn't ever think fighting is the answer, and it would take awhile for Manfred to ever get to the point where he is self-aware enough to admit that he cares about Gregory in order to defend him.

That being said, I can definitely see Manfred getting into a fight that concerns Gregory in some way. Maybe he's jealous of someone else he thinks is moving in on his man? Or someone (Gant probably) makes this mistake of teasing Manfred about his obvious "crush." Then, Manfred gets really really defensive about it (he's so in denial) and may even retaliate with his fists if the person is really pushy about it.

Greg would have to be around to bandage Manfred's wounds, but he would definitely do it and very carefully. Which of course makes Manfred even more furious about everything. HOW DARE HE BE KIND WHEN THIS IS ALL HIS FAULT IN THE FIRST PLACE?

Who tops? Who bottoms?

Honestly, I don't think I've ever seriously thought about this, lol. I am friendly with some Manfredf*ckers, though and so I have thought/heard a little bit about their thoughts re: von Karma sex in general.

My main feeling is that I feel like whether Manfred would top or bottom depends entirely on whom he is being shipped with. He bottoms for Gant and Blaise, he tops Udgey, Yanni, Phoenix, Miles or Kristoph (I've only seen it one fic but like...👀).

But as for Gregory...you know I have a feeling Manfred would bottom for him too. Specifically in the sense of being a rather pushy power bottom and sort of for similar reasons as Kristoph. He's super uptight and repressed--and I feel there's a part of him that would enjoy losing some of his trademark control and perfection but specifically in a controlled, safe, private environment like the bedroom. Also, he's worth it so he would enjoy making his partner do most of the work and he just sits and enjoys like the perfect and deserving von Karma that he is.

As for Gregory, I guess see him more as a service top anyway. He doesn't strike me as particularly dominant, but he strikes me as a submissive even less. Maybe it's the overall "dad" energy that he exudes, but I feel like he would be very attentive to his partner and focus on making sure that they feel good and are well-looked after.

So yeah, they're probably both switches but in this case, Greg as service top to Manfred's power-bottom.