Okay but it's super interesting how
Din = Power = Ganondorf
Naryu = Wisdom = Zelda
Farore = Courage = Link.
Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.
Din created the body, naryu the mind, Farore the soul.
And the triforce and its wielders so perfectly reflect that.
Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.
Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.
Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.
They sit in perfect parallels to each other.
And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.
Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.
Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.
Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.
But the other direction?
Fire melts ice, ice redirects lightning, lightning burns fire.
And that's the very essence of the triforce.
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This has been on my mind all fuckin day for some reason...
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The real reason the long quiet is called that is because of the 30 second pause they take to respond in any given situation due to the voices in their head not shutting the fuck up
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imagine amanda watching how mothers on vulcan share a telepathic bond with their children and not being able to do this for spock
imagine how it would break her heart, how she might worry they'll never connect when she sees a mother touching her daughter's face or holding her son's hand with purpose, without words
imagine spock melding with her as soon as he's able, showing her he loves her because he can't say it, he'll never be able to say it
imagine her being so proud of her little boy for researching and teaching himself to meld with a non-telepath just for her, all for her
holding him after when he's so exhausted he goes boneless in her arms and she strokes his hair and thanks him
and he mumbles something about it being illogical to thank him before falling asleep and she holds his little hand and feels the tiniest sparks of love still there, so small she might've imagined them before he's snoring softly
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just thinking about javier peña and his yellow shades leaning against his car. his jeans just as tight as always, shirt half buttoned—as though hoping he’ll run into you. hope that you’ll drag your eyes down him like you do when no one else is looking. eyes finding you as soon as you step out of the building, colombian sun not having set. pausing, keys swinging in your hands as you weigh up approaching or heading to your car and leaving for the night. you do the former, take your time too, watching him glance around to check no one is around, before he tugs you the final step and kneads your ass through your work clothes. drops his mouth to your ear, pressing a kiss to the place it meets your cheek, before he tells you, all hushed and in whispered breaths, that he’s half hard, that he wants you badly. his tone reeking of starvation as though it’s killing him, wounding him—
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lifes fleetin do whteve yu want & die 2be a buttrfly aftrwrds
Ta p in to no blurry
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Still thinking about just how deep in it Liliana Temult is. Like in the eyes of the narrative she went from
absent & possibly dead, very sad -> alive just estranged?? mysterious! -> possibly involved in a cult, tragic, can her daughter reach her? -> uncomfortably high up in said cult -> the cult's goddamn General and striking such terror into the local population of the Ruidus that they are afraid of even her appearance or someone who looks like her
Ordinary people who are trying to resist the dictatorial Imperium/Ruby Vanguard alliance and their iron control of the populace are terrified of her. You don't strike terror just by "being there". Terror happens because of actions. And it leaves us to wonder what exactly Liliana Temult has done during her time on the moon to make the citizens fear her so much.
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this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
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all of Aragorn and Arwen's love story in the ROTK appendices is so beautiful... first meeting in the woods of Rivendell at sunset?? Aragorn singing the Lay of Luthien and Arwen looking just like Luthien and him crying Tinuviel just as Beren did???? meeting years later in Lothlorien and Aragorn dressing up nice enough to make Arwen fall in love this time?? (Galadriel the wingwoman. she so set that up.) walking together barefoot in the elanor and niphredil?????? Arwen making the standard as a symbol of her faith that Aragorn will become king???? (and having this sent to him as a gift/message during the course of LOTR) Once Aragorn dies Arwen going to live alone in the waning Lothlorien (where they fell in love, remember) until she dies on the hill where she chose their love over immortality?????
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I really, really wish people who don't have the capacity to properly take care of animals would simply accept and acknowledge that about themselves. This isn't even a post of me trying to be mean or judge anyone, I'm sure most people go into getting an animal with good intentions, but intentions and actions are different. If you don't have the time and the space and the care an animal needs, the animal will suffer. The fleeting joy of having a kitten or puppy or anything else doesn't last forever and they aren't toys to be put down and forgotten once you've moved past the inital excitement. If you don't have the ability to properly care for an animal, just accept that and simply admire them from a distance.
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She was wild and vivid in a cautious and pale world. Always burning a little more brightly than any of us around her. Then I remembered a story written by Henry James. It was the story of a young girl named Isabel. A girl who was as brave as she was beautiful, who was pure of heart and as unafraid to love. His description of Isabel mirrored that of Carolyn and I wondered out loud how it was possible for him to have known her when he wrote that story over a century ago. But, I suppose, it was because he was writing about his dream of a pure and brave American girl, who comes along maybe once every hundred years, if we are lucky. - Carole Radziwill in her eulogy for Carolyn Bessette-Kennedy, July 24, 1999
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Name twinsies!
(Based on the community consensus about LWJ's grey horse's name)
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what are some of your favorite acting moments in the x files?
i may do a proper full list sometime in the future but one thing that i think about every single day of my life is mulder being scripted to cry in the beginning of memento mori and duchovny saying that a lot of actors “try to feel” but people don’t go through life trying to feel, they go through life trying not to feel. “we go through life trying not to cry.” and so he plays it as completely composed, “but struggling,” and it defines an arc.
because if scully tells mulder that she’s got incurable cancer and she is going to die and he says “i refuse to believe that” while crying, it projects to the audience that he already does. why break down over something you don’t think is going to happen? he says “i refuse to believe that” with a straight face, and eventually gets her to acquiesce and admit something that she knows isn’t true, that goes against literally everything in her as a scientist and a doctor and someone whose job is to tell him the truth, and says that maybe they’ll find a cure for her death sentence.
she meets him where he is, and they stay there, and every scene that follows that decision is so haunted by it. they don’t talk about it, they don’t accept it, she’s dying alone and he doesn’t believe.
there’s this really palpable and intense repression that i’ve written about in the past, that comes with the fact that they’re both lying. he does know what’s happening. he is completely capable of understanding. she does not think that he can save her. they both go through it alone, because of that initial refusal, and it doesn’t work if he reacts to that diagnosis with tears.
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Okay I need to write something abt Ivy's brain overheating n starting to cook her head bc it overworks and there's no way there's enough space in her super computer brain for an efficient cooling system combined with Tim involuntarily salivating and feeling hungry when he smells burning flesh as a hold over from eating corpses during the Moon War. This is no longer a want it is a need.
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Behold! An enormous snugglebeast.
It has cookie flavoured lipbalm on its head now.
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