#she's the reason as why they're good ships in the first place

[tae-shimura-is-my-wife]

[bayetea]

I'm gonna froth at the mouth over this in the tags so bear with me but reason #1278038 why the way rick went about breaking up jiper was bad: rereading her povs in hoo where she gushes over jason feels like even more of an unreliable narrator queer girl comphet psychological horror story

[ns-media]

Incredibly long analysis on Oda's thoughts on romance, way of portraying romance and LuNami in One Piece

Okay, so I want to make a LOOOOONG post about something interesting that's been on my mind for a while, about romance in One Piece. I was originally going to post it on Twitter but this post is way too long for that platform. I always preferred posting here, but not too many people are here nowadays. Anyway, onto the main topic here. I'll be talking about Oda's portrayal of and thoughts about romance, how he views it, why he puts a good chunk of it in "non-canon" material and so on. This post is to understand Oda's perspective on romance and why he goes about it the way he goes about it. I'm a LuNami fan, so this is also to make a point about how he decides to portray them.

Do not read this if you don’t want to see me express unfavorable opinions (and also factual information) about LuHan and other ships I just don't see working out, as they basically don’t fall in line with how romance works in Oda’s work. I'm not mean-spirited about it though. (Also I'll be bringing up SanPu for a bit too, in a favorable way) I am guaranteed to get at least one eyebrow raise or a "What the fuck are you talking about?" from any person reading this whole thing, but that's fine. I'll only tag LuNami because this is for LuNami fans.

Anyhow, in an interview with Aoyama back in 2022, Oda stated how he doesn’t want to include actual romance into his story and how he’s fine with one-sided stuff. His reason is because he fears he would lose certain fans for doing so. This is an interesting statement.

First, if you read this up here, it essentially confirms how Oda doesn’t see one-sided affection as romance so there’s no reason to think that Sanji or Boa’s affection are hints when they’re both for comedic effect.

The reason they're one-sided in the first place is not because he's teasing you with the idea that the other might return that affection one day, no he treats it as a joke, it's as straightforward as that. I don't understand how people try to act like it's not purely for humor. If he intended on making something like Boa and Luffy’s relationship as something to seriously consider being “romance” then Boa wouldn’t be so humorously delusional even after being rejected twice in back to back chapters, she’d be taken aback at the very least. But doesn’t. Why? It’s a joke.

I mean for heaven’s sake, whenever this gag is used with Nyon around, she’s the voice of reason, y’know, a woman who also experienced the same kind of delusional love once? Again it’s all a joke, the entire point of Boa’s gag is that it’s love that’s supposed unreciprocated.

Also, the second time he rejected her was him rejecting her before she even got to ask anything...

This lets us know that Luffy knows how persistent she in trying to get with him and also implying that Luffy is going to say no, no matter what, as he knows how desperate and persistent she is about it. Now that I think about it, Rayleigh left Luffy to train by himself for 6 months before the timeskip fully ended, Rayleigh's supervision made it to where Boa couldn't get to Luffy, but after he left, was fully capable of doing so. I mean just look at Boa down here:

Yeah she said she won't go and remain strong for Luffy's sake, but with her being the way she is, I wouldn't be surprised if Boa in those 6 months went to the island and was asking Luffy multiple times which was how he was able to reject her before even knowing. If what we saw in Chapter 598 was the first time he rejected her, he wouldn't be so quick to know that she was gonna ask it again when he rejected her the 2nd time on panel. We know that the Kuja girls KNEW that Rayleigh left half a year ago as well, meaning they must've gotten to the island itself if they found this out. Unless Rayleigh told them directly, which, to be fair, is likely, but if he didn't, this implies that Boa has been talking to Luffy on the island in those 6 months, and if so, would definitely have brought up marriage at least once, or a lot, honestly, thus explaining Luffy being able to shut down her marriage request before even knowing what she was going to say, because he already heard it THAT much in those 6 months. Now, I don't truly believe that Oda thought of it like that, but it does make logical sense so I figured "why not bring it up".

Also, in a 2014 interview with Fuji TV about the 3D2Y special, Oda's editor mentioned that not only Buggy but BOA bring in the comedic elements into the arc and how they're comic relief characters, again making it obvious that even his editors understand that Boa’s infatuation is a complete joke for the sake of comedy. Same with Sanji. Being a gentleman is part of his character but he tries to score every woman. Why? Jokes.

Even if you somehow use the argument of “Oh but this behavior of his is even stronger towards Nami specifically” I don’t see how any of that can be seen as a “shipping hint” and not a gag that’s exaggerated even further, cause he’s still hitting on every woman. Besides, the first time he actually got his heart broken by a woman was by Pudding, and never Nami, Robin and every other woman despite getting rejected a billion times by them. Why? Because the Nami/Robin affection is for comedy while the story between Sanji and Pudding is supposed to be taken seriously.

It's why Oda went out of his way for Sanji to write a dedicated story between the two, with Sanji getting genuinely sad when Pudding talked shit about him only for everything to turn around by the end where she actually likes him. THAT is a romance story with substance behind it, and Oda clearly wrote it like there is merit to it. There is obviously a story written here with a beginning to an end, Sanji acts no different towards Nami in Wano than in say, Punk Hazard. Beginning of Whole Cake vs end of Whole Cake Sanji is on entirely different terms with Pudding and she is on entirely different terms with him. There is development, a plot, a purpose that impacts the plot. Not just "Haha jokes".

Soooo yeah that’s the first thing I wanted to address regarding that statement.

Second, Oda saying “I don’t want to include romance because I don’t wanna lose fans” may seem like an odd thing for him to say at first given how Oda post-timeskip portrays actual romance in his story, and plenty of times, I might add. This was when Oden/Toki was relatively fresh too so there’s no way he forgot he did so. Because of that, Oda is referring to romance for specific characters rather than for the characters he’s already written romance stories about.

So this basically means that Oda’s fear of losing readers obviously doesn’t stem from the romance stories he has already written, it’s very clear from the interview that he’s hesitant to write romance out of fear of losing some of his readers. But of course as we know, he clearly has written blatant romance already, primarily with non-main characters like Rebecca’s parents, Rouge/Roger, etc. It makes plenty of sense for Oda to not be afraid or hesitant to write romance stories/romantic elements for those non-main characters.

Because well, those stories written are basically all backstories that are over in a few chapters (Senor Pink/Russian) or briefly talked about (like the aforementioned Rouge and Roger.) As such, there’s no long-term impact on the story.

Notice how in the only case of a STRAW HAT having a blatant romance story (Sanji/Pudding), it is a character who's most defining character trait is his lovey dovey/romantic behavior? Oda most likely felt more comfortable giving a romance story to Sanji specifically as that goes with his personality, and likely felt he would not be getting backlash for giving the LOVE cook a romantic story. (Because again keep in mind he clearly stated he's hesitant to include romance due to losing fans of the characters getting romantically involved)

But STILL, even with all of that, the impact of this love story from Sanji's perspective is just erased entirely as Pudding erased his memories, as if Oda is being particularly protective of the Straw Hats getting impacted by any obviously permanent romantic development. (Because as I said SanPu is on entirely different terms from the beginning to the end of WCI, so their romance plot had impact on the story.)

So, because of how romance in One Piece is basically all deceased/minor characters having short backstories or in the case of the one Straw Hat who got a blatant romance story, (I said blatant cause you could say Usopp/Kaya, but it’s not super obviously blatant the way SanPu is) erased from his brain, there’s no obvious long-term impact that romance seems to have in One Piece.

I very much think that this “obvious long-term impact” is what Oda wants to avoid so badly, particularly for the Straw Hats (the main characters of the story). This is because this long-term impact would make it apparent to his readers that romance has a fundamental and established role in the story of One Piece as something important, which goes against his target audience of boys, who, from his point of view, don’t like it.

This idea Oda has stems from how Jump used to be when he was a kid, as clearly stated in the interview with Aoyama. It’s his own experiences with how boys manga are “supposed” to be coupled with his insecurities about being embarrassed to write romance that makes him hesitant to do just that.

This is why I scoff at the idea of “No romance in the crew” being used as an actual argument. People use that argument as if Oda himself is completely against the idea of anybody in the crew getting together, despite the painfully crystal clear reason for “no romance in the crew” being to not alienate readers and lose said readers as he is under the impression that boys won’t like that because of how he thinks that everyone still has this idea that they should be segregated due to how it was when he was a kid himself. It's why he said "People are so supportive of couples!" all surprised in the interview with Aoyama, clearly being surprised about the positive reception it gets that he didn't think it would get. It has nothing to do with him hating the very concept of romance, it's him being under the wrong impression on what his young male readers would find acceptable or not.

There is a reason why almost every single time that he brings up or hints at any, ANY hesitance or opposition towards romance in the crew, he brings up his readers. ALMOST. EVERY. SINGLE. TIME. He tries to please his target audience. “It’s a shounen manga” or “the readers” he keeps saying, despite not even being asked about his readers' opinion. "I don't think there will be any romance in that crew" is said clearly because "It's a shounen manga THEY won't be interested" not because "OMG WTF I HATE ROMANCE BETWEEN THEM GTFO!" the way people intentionally misconstrue this to be. He even says "Nami probably sees all the good aspects/qualities of those guys, BUT One Piece isn't a romance" So he LITERALLY says that his reason isn't "She does not like any of her crewmates in a romantic way!" but instead says "Well it's not a story about romance and I think only girls care so I won't show or depict it because I think my primary young male audience wouldn't give a shit". Nothing about himself. Legitimately nothing about his own opinions about supposedly being disgusted with nakama romance. Gotta love the made-up narrative being presented as a fact to the fandom at large.

Oda's "but" could have EASILY been followed up with something like this: "Nami probably sees all the good aspects/qualities of those guys, BUT she doesn't see them in a romantic way and I don't want it to be that way" or something, but instead essentially opted for "Nami probably sees all the good aspects/qualities of those guys, BUT think of my young male audience! They don't care about romance. They'd probably hate it if I decide to capitalize on Nami seeing their good qualities as romantic, right? After all, only girls want it! It must only be them for asking this!" What I am saying isn't even me grasping at straws, it's RIGHT THERE. "I don't think there will be romance in the crew cause boys will not like it". Bam, that's all it is. I know I am repeating myself but it seriously bears repeating because of how so many people see that one answer in particular as the ultimate evidence against Mugiwara romance. Oda seems like he's being evasive on purpose with that answer, talking about how concerned he is about the opinions of boys while not once talking about whether or not he would like to write it or not.

Also for the love of everything can we get someone who has the untranslated version of this answer? Given how Japanese language works I would not be surprised in the slightest if he's even more evasive than in VIZ's translation.

How people come to the conclusion that he’s disgusted by the very idea of a Mugiwara couple being a thing is beyond me when it’s as clear as day that he opens his mouth about “his readers” and “his audience” for a reason.

I mean hell, Strong World was originally going to be a movie about Nami’s past and the reason he changed it was because of how he kept his TARGET AUDIENCE in mind. He kept the young boys he appealed to in mind despite clearly wanting to write something else at first.

Him pleasing his audience doesn’t equal “I really don’t want this to be a thing”. If anything, he restricts his desires purely on the basis that he thinks whatever he wants to write is not what other people want, why the hell wouldn't you think this applies to the idea of "no romance in the crew" when he literally spoonfed us the reason being exactly that in the earlier photo of the Jump Fests '09 interview?

He clearly wants to avoid it because of this idea that his male audience will take issue with it and not because he doesn’t wanna do it himself. This why he said “Seriously!?” all surprised when Aoyama said he wouldn’t leave if he decided to implement romance into his story, and he was saying this to a man who writes romance and has already said “I love romantic comedies” 2 sentences ago. Oda is THAT unsure of himself and he's THAT much under the impression that males have no interest in romance. I rarely if ever see people bring this up.

There's a sense of insecurity Oda has on the topic of romance. When Aoyama said “I guess you have no interest in love comedies” Oda didn’t say yes or even imply that he's right about that being the case. He just said “I’m not confident I could draw those, it's a bit embarrassing” Again, he's insecure about it. Not AGAINST it. He basically spells it out for you. But many people still pretend as if he's saying all of this because he's supposedly disgusted by romance among the crew being a thing, only because that made up narrative supports what THEY want to be the case, instead of looking into the actual reason for as to why he's saying all these things.

As I said before, almost every single time he is hesitant to write romance he mentions his audience, but in the situations he doesn't bring up his audience, he instead mentions how he's embarrassed to do it. I mean when asked in a 2019 interview with Oda, he was embarrassed when asked if he incorporates arguments with his wife into how Nami argues, perhaps showcasing how he's embarrassed to talk about his wife (ya know, the person he loves) in other words, the person he's romantically attached to. This is definitely a stretch so I'm not saying that I seriously think that this is more proof on how he's embarrassed/insecure about romance, but I figured it was worth bringing up. But embarrassment aside, he also cares a lot about his manga keeping face to his boy audience.

This leads me to the next thing… Oda’s involvement with the movies. Notice how, every single time he’s involved with writing the plot there’s always some LuNami stuff he wants to throw in there?

Strong World obviously, as well as parts of Film: Gold. Now, at first things seem… odd. The LuNami hints between the two in those films are quite a bit more on the nose than anything Oda has written in the manga, like a oh-so clear parallel between Tesoro and Luffy. At first it puzzled me why Oda would relegate these stories and moments to movies. And then, if you read the Aoyama interview, things start to make sense why he approaches things this way.

Movies aren’t treated as a main part of the story by people, it’s not the manga. You have to go out of your way to see the movie. There's no need to watch the movie to understand One Piece's main manga story. Look at the contrast between Chapter 0 and Strong World itself. Chapter 0 is manga content and it seems so much more concerned with the action and hype the young boys are there for (obviously cause it takes place decades before the current canon but that was a deliberate choice, it could've easily been like how Glorious Island, being a prequel to Film Z, was contemporary to the story). While there still is a bunch of that hype/action in the movie itself, there are also romantic elements thrown in there. It's kind of like Oda's experimenting, testing the waters with those movies. It makes sense for him to approach it this way. People who so happen to hate the addition of (LuNami) romance are willing to let things slide and overlook it because said romance is in a movie they don't have to watch.

So basically a non-mandatory-to watch movie provides Oda with more leeway, or rather makes him more comfortable to add what he wants, allowing him to put just a little bit of obvious romantic themes revolving LuNami.

Although it’s just a BIT of leeway, as Oda still kept the young boys in mind as he, of course, changed the movie from what it was originally supposed to be from something darker to something more light-hearted.

Here's where we get to the main point of this long wall of text: After three seconds. See, this could have easily, EASILY been animated into the movie, it’s as simple as having a 1 minute scene of everyone hearing the final part of the message, it could have easily been the post-credits scene, heck 1 minute is probably a lot more than what was necessary to show after three seconds animated. So why did it not happen in the movie? Probably because Nami was blushing.

Blushing is the most cliché and obvious way to tell if someone is into someone else (unless it’s physical like kissing). Oda, likely due to him keeping his young male audience in mind, relegated it to something even MORE obscure than a movie you don't necessarily have to watch, instead of through said movie, it’s through… these pin things? I honestly don’t even know what the heck it’s supposed to be. I know that One Piece Color Walk 6 featured it...

...but I don’t know the origin of this or how it was distributed before the color walk. Was it given to people in theaters? Was this purchasable merch? Did it come with the DVD/Blu-Ray as an extra? There's so little information online on where in the world this came from, and that just goes to show how oddly obscure it is, as if Oda did this on purpose just so that as little people would find about it. As if he thinks “Okay my intentions will be too obvious if this gets put in the movie itself, let me try something else”. It makes sense given how he's clearly shy about the whole romance thing as I explained earlier. Of course in the movie proper Sanji still mentions the whole love message thing but without Nami explicitly blushing at Luffy hearing it, naysayers can easily just interpret it as one of Sanji's self-serving delusions as always, as Nami doesn't show explicit emotions (blushing) giving away that it's really a love message.

Yes, everything I am saying about this isn't some guaranteed factual info or whatever, but this makes WAY too much sense. He had no reason to make this featuring Nami blushing but he did anyway, like it’s a way for him to draw what he wanted without being overly concerned with his demographic at large getting to see this, you know. And it worked! For example, a lot of the LuNami naysayers point out how the message wasn't romantic and they all say it without the knowledge of After three seconds. Oda did a good job with keeping this art on the down low because let's be honest, who outside of the shipping community or people analyzing shipping to insane degrees (me right now) even know about after three seconds? Exactly.

And by the way, you can’t even say that Nami is blushing out of embarassment for everyone hearing it. In that artwork where she blushed, she knows damn well at that point that the only person on the ship who didn't hear the last part is Luffy, so she’s clearly blushing because of how LUFFY SPECIFICALLY heard it, she blushes once she’s realized that he heard it, it’s that straightforward. And Oda wrote Nami saying "It's embarrassing!" in reference to the message.

Oda is the same man who is embarrassed to write very on the nose romance. Not saying "Oh dude this totally means Oda is projecting how he feels writing after three seconds/the ending of Strong World onto Nami by making her say it's embarrassing meaning he sees this as romantic because HE is embarrassed about romance!" ....Well okay I totally AM saying that buuut I am not saying that it's actually true. I just wanted to bring it up lol.

Another perfect example of relegating obvious romantic things to obscure content is a certain sketch. And it’s in the heroine novel, obviously aimed at girls instead of boys, and oh would you look at that:

Oda does a complete 180 and features Nami with Luffy’s hat on with a HEART IN HER HAND… seriously, how more obvious can this sketch get? It can't! And it doesn't need to be subtle this time! Oda knows that on average more girls are going to care about romance so why be subtle here? In the past he said specifically that he thinks girl readers keep asking him questions related to romance, as I clearly said before, and this here novel is targeted at girls as opposed to boys. There’s no reason for Luffy’s hat to be on her, especially because, well, he has nothing to do with Nami's novel, it's not like he plays a role in it. Nami post-timeskip is pretty much never seen wearing his hat before this sketch, making it very peculiar for him to draw her like this here on something aimed towards girls, the demographic he keeps mentioning "loves romance and keeps asking me to include it in One Piece". Seriously, the ONE TIME to bring it back in like, a decade, and it’s done like this? It feels ridiculous to call people crazy for thinking it has to mean something given all the context I have provided.

I mean, notice how in the main manga storyline, Nami hasn’t had his since SKYPIEA??? Hell, even then, she has only had it on her head once in the main manga in Arlong Park, yet Oda made Nami wear the hat in color spreads, which are treated as not important at all by a lot of readers. Color spreads by casual or young readers are usually looked at like “Huh cool artwork I guess, not going to extensively think about it though”, again giving Oda a liiitttle bit more leeway than his main manga story. Why else do you think that Luffy and Nami are CONSISTENTLY portrayed as King and Queen in color spreads and not the main manga storyline? Because from Oda's perspective it gives naysayers or the boys who in his mind supposedly hate romance leeway to say "Oh it's just a color spread! Just fun little aesthetic stuff!", in other words, nothing to take seriously. If he wrote it into his main manga story he would have to explain why Luffy and Nami would dress up as King and Queen too, again making things a loooot more explicit depending on the way he goes about it, and he's already insecure about it, so.... I'm just saying.

Also come on, there has to be a reason why Oda has portrayed Nami with Luffy’s hat plenty of times after Skypiea yet none of those times were in the story proper, just like the movies he's involved in being heavily focused on Nami herself or LuNami. He himself wrote Tesoro and Stella's romance, he himself said that ROMANCE WAS A GOOD IDEA FOR FILM: GOLD yet is much more adamant about romance being included in his manga storyline and it was HIS idea to parallel the romance for Tesoro/Stella that he wrote with Luffy/Nami. Almost as if he is less concerned with a certain audience for the movies and side material than he his for his manga... Nah, that's ridiculous!

Isn’t it just weird how a lot of the side content Oda makes/is involved in is more on the nose with shipping hints? To me it seems like his thought process is “Okay! I can finally do something I want to! I want to make a movie about Luffy saving Nami with a few romantic undertones thrown in there… I could’ve easily made an arc like this in the manga but, can’t let my main audience be disappointed, can I?” Arlong Park and Skypiea are the only times in the manga in which Nami gets to be saved by Luffy. (Funnily enough they’re both are the only times in the main story where Luffy gives Nami his hat.) Both arcs were so long ago. It just seems to me like he wrote Strong World and the romance aspect of Film: Gold to scratch his “Nami gets saved by Luffy” itch. Even with the Zou hug being a thing, it is not something that Oda puts emphasis on at all, it’s pretty zoomed out in the manga, as if he is avoiding any overly direct intimacy that the readers he’s catering to would catch on to. It’s all too suspicious to me.

All this isn't to say that Oda doesn't do any LuNami stuff in the main manga storyline, it just that he's not mega obvious with it at all and doesn't plan to include said mega obvious hints as long as his concern with his boy audience remains there. So it doesn't invalidate any LuNami hints that people think happened in the manga like Nami blushing over the CPR Reiju gave (naysayers could easily say she was just shocked unlike Strong World where it's blatantly her blushing over Luffy hearing what Sanji called a "love message") or things that are more subtle like Nami's "I don't want to marry yet" in Thriller Bark, I'm just saying that cliché hints of romance is what he would like to avoid, something cliché enough that his shounen audience would figure out.

As a side note, Oda's "People seem so supportive of couples!" is also interesting as before his Aoyama interview he always knew/thought that girls are always the ones ask him for romance and as such of course he would know the female demographic would care more about it, so this surprise about people seeming supportive of couples may or may not be him realizing that it's not just girls who are interested, but perhaps boys too. Of course we all know that Oda drew Luffy and Nami together for Aoyama, the author he just talked about romance with. Now again not saying "Oh man this HAS to be a LuNami hint!" because they talked about much more than just romance, but still, something to consider!

Oda's "Ah, seriously!?" is still funny to me when Aoyama said he won't leave if One Piece were to include romance, despite Aoyama writing romance in Detective Conan, interesting reaction from Oda given how Aoyama literally said "I like love comedies" just earlier. As if to convince himself that Aoyama is writing the romance in his story to pander to his female audience instead of doing it because he likes doing it. Anyway I think I am digressing.

I think my theory may hold some water, but hey if you disagree, that’s totally fine. I’m not the best at articulating myself so the way I talked about some things here may just be seen as completely wrong, but hey, that’s okay! If you have something to add, you can do so. I know there will be people disagreeing with me, including even some LuNami fans, but again, I don't mind at all.

My verdict is this: Oda likes the idea of LuNami but due to his concern with his target audience, he won’t make any obvious advances that young boys would pick up on and as a result, tries to sneak in more obvious hints into supplementary/more obscure content like Movies, After three seconds, a sketch, etc. because people take those less seriously/not at face value like stuff that happens inside the manga's story, so only puts more subtle or non-cliché hints in his manga and the less subtle ones in secondary material. (I mean seriously dude, wearing Luffy's hat with a heart in your hand? A romance parallel in a movie? Blushing at the "love message" being heard? Come on, that so much more on the nose than anything in the entire manga)

I guess you can say there are layers to how far Oda is willing to go to show LuNami more explicitly lol. The more of a low profile he think he has from his boy readers, the more explicit it'll be. That is seriously a trend I have been noticing from him.

Honestly, with all this being said and done, I think the only way he will feel totally at ease with including explicit LuNami romance is if he is convinced that his boy audience doesn't mind romance at all and wouldn't leave in salt, bitterness and passive aggression.

I think One Piece will continue to be written like this without on the nose romance. The best we can hope for is a sudden LuNami ending once the story is over, because 1. By then he stops writing One Piece and doesn't need to be walking on eggshells to please his audience and 2. Romance not being written doesn't necessarily mean characters won't end up together as BF/GF, husband/wife. Portraying romance is simply showing us the way that lead to the BF/GF husband/wife relationship in the first place.

Keep in mind that the whole interpretation I have about Oda's portrayal romance and LuNami could be entirely wrong!

To talk about the "Boys don't like romance" thing, I'm a man, and look, I wrote all of this stupid shit. To me it's funny that he still is under the wrong impression that all, or at least most, boys don't like romance. I am not a shipper of everything in fiction myself, LuNami is one of the few ships I even care about. If your audience grows attached enough to a series they would get attached to the characters too, this attachment can lead to a desire of wanting to see these characters be more, that is how I started to love LuNami. I think a decent amount of male One Piece fans feel the same way, for guys like me liking a ship usually takes a slow burn, whereas, usually from what I observe, women ship things much quicker than guys. I also feel less willing at expressing my love for a ship, a big part of it being that many guys just "support" a ship instead of going balls to the wall insane for a ship with a million essays about how great the ship is, on top of that they almost always support the ships I think are lame where it's stupid one-sided love for 95% of the story (For example, men in the English-speaking community support LuHan so much more than LuNami on average it's not even funny) For a long time, many years, I was sitting in the back, keeping my interest in LuNami to myself. And what better way to "come out the shipping closet" I guess you can say, than to make... whatever the hell I wrote here? I don't know man at this point I'm so drained I'm starting to doubt that anything I even said here made any sense, I just flung all the things stored in brain at this post so it may be all over the place but whatever!

Hope you loved reading this regardless! See ya!

[quasi-normalcy]

🔥 Star Trek

About the entire franchise?

Alright: I think that it always needs to walk a tightrope between depicting a better future and laundering propagandistic military/colonial narratives. I think that, of the series, TNG and DS9 walked this line best, the former by ensuring that it always (almost always) stayed on the right side of the line, the latter by calling attention to the line and problematizing it whenever it crossed it. Picard season 1 was actually very, very good at recognizing this line and illustrating what happens when your society crosses from the one side to the other side. One of the many reasons why I dislike Picard season 3 is that it seemed blissfully unaware of the line's existence. But for my money, the series with the absolute worst track record of recognising that this line exists and staying on the right side of it (and this is where the scaldingly hot take comes in)...is Voyager.

Seriously, though. We have a ship in the middle of nowhere. It's a Starfleet vessel nominally, but everyone in Starfleet thinks that it's dead, and a third of the crew are rebels who don't want to be there in the first place. And yet, for some reason...it continues to operate under strict military discipline at all times. The ship is basically a military dictatorship under Janeway, absolute, unquestionable, and (as far as anyone knows) for the rest of all of their lives. When one of the Maquis guys in the first season questions why this should be so, Chakotay slugs him. Everyone wears uniforms at all times; we barely see civilian outfits, even on the Maquis, after the first episode. There's another episode where Tom commits insubordination and they keep him in solitary confinement (a form of torture, btw) for a month. There's an episode in the seventh season where Seven of Nine imagines becoming fully human and the way that she embraces her newfound individuality...is by wearing a uniform. So...when you're little better than an automaton, you get to wear whatever you want, but when you're a fully realised person, you join the navy? Oooookay. Everyone is locked permanently into their jobs. Like we all laugh at poor Harry Kim and his "forever an ensign" problem, but just consider what it's like for the poor guy. He doesn't know if he's ever getting home. Every day, he gets up and he goes to the bridge and he presses buttons and takes shit from everyone else...and that's it. That's his life. As far as he's aware, when he's ninety years old, he'll still be up there with one pip on his collar, taking orders and pushing buttons with veined and palsied hands. That's his life; he is his job; they're all their positions in the military hierarchy and that's all that they will ever be...and they're happy about it. There are no labour disruptions, no: "Hey, maybe Chakotay could try pushing buttons for a few days and I could try dispensing New Age wisdom." When Neelix asks to cross-train with Security, he's politely rebuffed. But they're happy about it. Nobody seems to have a serious problem with this. The text of the series is about the value of human individuality versus the "mindless drones" of the Borg Collective, but the subtext is about the value and satisfaction that comes with absolute submission to a power structure. I mean, I like the series nonetheless, it has lots of good episodes, but...honestly?

[shinidamachu]

Sid, why do you think people think Kagome is “so annoying” and “whiny?” How exactly did she earn this reputation among her (rather dumb) haters.

The world is not kind to 15 years old girls, and what is Kagome, if not the perfect representation of one?

People forgot they can dislike a character just because and then move on. They'd rather grasp at straws to try and justify themselves, that way they can pretend they're being rational about the constant hate they're spreading when, truthfully, they're just being miserable.

Kagome specifically is in even greater disadvantage because her critics are, mostly, people who haven't read the source material and are instead basing their takes on a biased adaptation – which they probably watched ages before developping any critical skills – or people who see her as a threat to their ship and therefore are already prone to hate her.

The first group won't ever bother going out of their way to try and get a better grasp of her character by reading a 558 chapters long manga and the second group won't change their minds either way.

That's why they call her out for using the beads of subjugation even if: it wasn't her idea in the first place, it served to balance her relationship with Inuyasha at the beginning – since he was powerful and violent while she wasn't –, the rosary became a symbol of their bond, it saved Inuyasha a couple of times and he was always more annoyed than hurt by it, not to mention Sunrise blowing it out of proportion compared to the manga.

You never see Inuyasha getting bashed for hitting Shippo every other episode or Sango getting any heat for constantly slapping Miroku, because funnily enough people seem to understand it was just dumb, outdated, slapstick comedy, a courtesy they refuse to extend to Kagome.

That's also the reason they call her “annoying” and “whiny”: Kagome’s most important lesson was that it's okay to have feelings, so naturally they twisted that into a bad thing in order to keep hating on her. It's not about how her character was written, it's about people using of bad faith and deliberately mischaracterizing Kagome to pass their internalized misogyny as valid criticism.

I know part of the issue is that audiences nowadays are under the impression that for a female character to be strong, she can't cry or be feminine, but you don't see anyone hating on Sango even though she does cry and she can be as feminine as Kagome depending on the circunstances and on her mood.

The truth is that Kagome is playing a game she can never win, because the refs have decided they want her to lose before the match even starts.

If she stands up and sets boundaries for herself, she's annoying. If she doesn't, she's a doormat. If she feels jealousy, she's a bitch. If she shows kindness, she's boring. If she fights, she's overpowered. If she doesn't, she's useless. If any other character cries, it's heartbreaking. If she cries, she's whiny.

If she goes back to her own world, she's selfish. If she leaves that world behind to live the life she wants for herself, she's a stupid girl who left her family for a boy. If she does something grand, that's only because she's someone else's reincarnation. If she messes something up, the fault is hers and hers alone. She is, somehow, simultaneously a Mary Sue and a toxic abuser.

I've personally seen people slut shaming her because she got hitted on by Koga. I've personally seen people call her a "pick me" girl. Kagome. A pick me girl. Kagome.

And none of this is fair, because she is the kind of character who does her best to see the good in others, to understand the reasons why they act the way they do and to offer them some grace, but she gets very little of that in return, be it in canon, be it in fandom.

They always hold her up to such an impossible standard, but they completely forget to ask themselves: would the characters I stan be able to match the expectations I set for Kagome? Scratch that: would the characters I stan even be able to deal with things the way Kagome managed to do? Would I? The answer is most likely no, so how about cutting her a slack?

You ask me how did she earn this reputation among her rather dumb haters, my answer is: she didn't. They're just incapable of understanding that if a particular nuanced, well written, female character is not their cup of tea, they can simply ignore her and focus their attention on the characters they do like instead of spreading their baseless, misogynistic takes on the internet.

[no-longer-in-the-laboratory]

Although Caitlyn Kirraman does kinda fit the trope of the "good cop" (aka 'guys even though they're a cop they're one of the good ones I swear 🥺') a bit, I personally think she's kind of the opposite in a way? Caitlyn is a Bad Enforcer, which is what makes her such a compelling character.

Think of it this way, What is an Enforcer's job in piltover? To enforce. To make the citizens of Zaun complacent through fear, and to make non-ruling citizens of Piltover complacent through a manufactured sense of safety. They don't serve the people, they serve the council. Their job isn't to do what's right- it's to follow orders.

Caitlyn doesn't do any of these things. The events of the show kick off in the first place because she wasn't following orders. She gets in trouble with Marcus because why? She left her post to investigate the ship and she actually helped a man who was wounded by Jinx. She used Jayce's new position in the council to directly go against both her parents and Marcus's orders and she gets Vi out of prison in order to find Silco, who she intends to track down because he's actively hurting the people. She does things for the sole reason that they're the right thing to do.

Caitlyn is a bad Enforcer, and that's a good thing because the Enforcers aren't a good thing to be apart of.

I feel like a lot of the "good cop" trope boils down to "this cop is good because they serve their community by following orders" and the "bad cop" boils down to "this cop is bad because they do illegal things. they arrest people unfairly, and they disobey orders." When cops are meant to fit arrest quotas that are often filled through unfair arrests. A narrative that wrongly assumes that the system is irrelevant, and that there's only a few bad apples out there abusing their power, and if only we could just get rid of those bad apples, everything would be fine, right?

"if only there were more enforcers like Caitlyn" isn't a sentiment that anyone watching the show should be having, that's like saying "If only there were more members of the sith like (insert name of someone who betrayed the sith here)"

Tldr: Caitlyn isn't a good enforcer, and that's a good thing because Enforcers are awful, and they're supposed to be awful, because it's their job to be awful. God I hope this makes sense and isn't just a ton of word salad.

[whateverisbeautiful]

♥️ Ranking Richonne

#1: For The Future (S9E03) 🏆🥳🎉

This is the one. 🥹 The number 1. 🏆 My favorite Richonne scene. 😍 And it's quite fitting on TOWL eve to discuss Rick and Michonne's final irl dialogue from TWD. How lovely that Richonne's 'last' day together was this beautiful. 😭

Richonne's relationship illustrates what I've always felt true love should be like. What the characters of Rick and Michonne have is a radiant, vivid, and undeniable soulmate love. It's earned and organic, it's devoted and deep-rooted, it's heartfelt, it's fiery, it's passionately palpable, it's everything. And genuinely, this impeccable scene has it all.

So I adore this moment to infinity and beyond, especially because in this scene, we truly get to see Rick and Michonne revel in Richonne...

What's clear from my Top 5 is I tend to really appreciate scenes where Rick and Michonne talk about Rick and Michonne, and this scene is one of the best examples of that.

Throughout all these posts I’ve expressed the sides of Rick and Michonne's relationship that I adore - when they're doting on each other, desiring each other, leading together, parenting together, relaxed and domestic, fighting the fight, being playful and flirty, being reassuring, being hopeful, happy, honest, human, wise, vulnerable, encouraging, and enchanted by the other. And pretty much all of this was captured in this scene right here.

So while I have no notes for this scene, my extra self still has a lot to gush over and praise. I mean naturally, cuz this is my goated Richonne moment. 🙌🏾😌

I just marvel at how special this ship is for only continuing to top themselves with golden scenes to the point that Richonne's last moving dialogue irl is my all-time favorite moment between them.

And if Richonne just had to be taken from me for 6 years, then this was an excellent scene to hold onto as I patiently waited for their return. (which is tomorrow, can you believe it!? 🤗) And it's also an excellent moment for Rick and Michonne to hold onto as their paths part for years and they fight with everything in them to get back to each other. 👌🏽

The chemistry and connection between Rick and Michonne have always been so profound to me, and they’ve been operating like one for a long long time. And in this scene, you just see every single reason why they are meant for each other and how they're ready to take their oneness to new levels. 🙌🏽🎉

Also in this episode, it feels like this is the one time when Rick, Michonne, Judith, Carl, and RJ are all in some way involved as we officially know Michonne will be pregnant after this. 😭

Ok, so first we gotta talk about the great Grimes Family 2.0 sequence just before because it's attached to this #1 moment for me. The episode starts with Rick waking up in his bed with Michonne asleep, and I love any time we get to see their everyday life side.

I adore the way Rick immediately places his attention on Michonne when she sleepily tosses to the other side. And then seeing that she may be feeling a bit restless, he gently gives her a calming kiss on the shoulder. Such a sweet silent act of love for his wife. 🥰

And I love seeing that Rick wakes up with this instant affection for her, just as Michonne does in the next ep when she wakes up and adoringly kisses him while he sleeps. 🥹

Also, this moment makes me a bit sad cuz it’s the last time Rick and Michonne will wake up together like this for years. 😢 But thank goodness they will hopefully soon have mornings together like this again. 🙌🏾

And then, after showing love to his wife, Rick hears Judith cough and goes to gently check on her as she also is sleeping in a similar position as Michonne. Seeing Rick in this house with his wife and daughter, you just know these are the two he’d do absolutely anything for. Including fighting every day for years to get back to them. 🥲

And then they gotta get my waterworks going when Rick walks down the steps and touches Carl’s handprint. Oh how I wish Carl was asleep in another room for Rick to check on. 😭 But the fact that even tho Carl is gone, Rick still finds meaningful ways to feel connected to him is beautiful and makes it feel like he really managed to have a genuine heartfelt moment with his wife, daughter, and son this morning. The truest family man. 🥰

Then Rick takes a walk in the lush community and it’s just nice seeing him get to really take in how much life is growing around them with all the plants and food sprouting up. This is so reflective of what he and Michonne have impressively built together, and Rick deserves this satisfying peaceful moment so much.

If Richonne had managed to carve out even a semi-decent life a year and a half after the pain of losing their son and fighting a war it would have been commendable. But for them to have healed to the point where they were living a genuinely happy robust life together, speaks to the revitalizing power of their love.

Everything is fruitful and growing in their community, and I love that just like that ripe red tomato Rick finds, Rick is also ready to be fruitful and multiply. Amen. 🥳

And as if the sequence wasn’t already precious enough, Rick places the red tomato at Carl’s gravesite, and he has this quiet moment with his son which just hits my heart. It's like Rick's letting Carl know he's making his dream real just like he promised. 😭

I love that Rick is so devoted to keeping Carl’s memory and wishes alive, including Carl’s desire for Rick to build a bountiful future - specifically one where “Michonne is happy.”

I’ve always found Rick’s teary smile at Carl’s grave interesting because it makes me curious what they're implying he’s thinking. I personally feel like part of it is Rick thinking about the fact that he’s ready to grow their family and knowing Carl would want that for them too. 

So now onto my all-time favorite Richonne scene. 🙌🏽🥳

I truly love that they give Rick and Michonne this at-home, comfortable, living their everyday life moment in bed for their final irl conversation. 😍😭

Where my #2 scene from the season 5 finale was one I really appreciated for depicting Richonne's strength amid tough times, my #1 scene here is one I appreciate so much for depicting Richonne's strength during a time of overall calm. This moment wonderfully and angelically shows how Rick and Michonne's love soars when they finally get to live the peaceful life they fought so hard for.

So I of course love all the scenes where Richonne shower each other in love during high-stakes moments of adversity. But this rewarding scene is so special to me for being a moment of Richonne getting to shower each other in love during a rare time of normalcy after everything they’ve been through. 

So Michonne is up in bed and working on the charter like the Get Things Done Grimes she is. And Rick returns to their room and the moment is just so calm and casual as they ask each other how they slept, and Michonne admits her mind won’t shut off. As we know from their canon ep, they’re very good at helping the other just turn their mind off for a bit and so Rick is def about to help her with that. 😋

I love seeing Rick take his boots off and get right back into bed cuz I know that man already had his mind made up to take today off and just be with his girls. I think about how refreshed Rick was in s9 even though so many of his OG friends were all spread out. And a big reason why he can still seem so content is because as long as he has Michonne and his daughter every day then he has everything.

Then Rick is so encouraging when he tells Michonne she’ll have the charter figured out by supper. Like the charter is a big deal to figure out, but he knows his goddess of a wife can handle it, and I love that he always has so much belief in her. 

When Michonne smiles and says, "yeah, no," Rick is rightfully in full Michonne-stan mode as he tells her it’s good she's leading this place. I love how Rick knows and is grateful that Michonne is so capable of not just helping him lead but being a leader in her own right.

And I like that Michonne says, "with you" because it just shows how much she truly values their partnership and still only wants to lead if it’s with him. The “Me and you” way. 😊

It’s really sweet the way Rick says, "Nah, I’ve been at the bridge, here it’s you." He’s going to make sure Michonne gets credit where credit is due. And again, his reverence for her has always been so lovely to watch throughout this scene and this series. (Rick Grimes is a 'Michonner,' y'all 😋💕)

Also, it's great seeing that Rick is so comfy as he rests on the bed while letting Michonne know she’s the one whose been keeping this place safe and figuring out how to improve it. After roughing it in prison cells, the woods, and mattress-less rooms during the saviors' reign, it's great to see him get to just make himself comfortable in a warm bed with the love of his life.

And Michonne is all multi-tasking by listening to him, writing notes down, and setting a plan to take their daughter to the doctor. Like truly, Rick,...

But he already knows that. 😊

Then I love seeing this parents moment of them talking about Judith’s cough and taking her to the doctor. Rick assures that he checked on her and it’s probably just a cough but Mama Michonne still wants to be sure so she says she's going to take her to Siddiq just in case. And Rick is immediately on board saying he’ll join them. I love this dad, y’all. 🥰

Like this is what’s important to Rick always, so even as a leader with so much on his plate, being around for his family is always the priority, even for just an unassuming doctor's visit. 

And I also love this exchange cuz It’s so clear that Rick and Michonne are equally Judith's parents and obviously have a lot of care for her that they want to take precautions even if it’s a small cough. I'll also just never get over that we went from Michonne saying, "You could've just taken the formula" to now her and Rick talking about Judith as the daughter they're raising together. 🤗

Then my uncontrollable smiling has returned when Rick tells Michonne that they’ll have to promise Judith a Family Fun Day to get her to go to the doctor. 🥰 I love that they’ve coined this term, indicating Family Fun Days are something they do often. They really are such a beautiful caring family, and their eventual family reunion that I've been trying to speak into existence since 2018 is going to be HEAVENLY. 😇

The fact that the word "fun" can even be a part of their lives now is refreshing. And I also love how much this family fun day is something Rick genuinely wants not just for Judith but for him and for Michonne too. Here for it.

Michonne smiles when he says this and then has a realization moment as she asks, "Aren’t you headed back right away?" And Rick says, "I can take the day" and then says “We can.” That man ain’t tell a lie. Rick and Michonne deserve a day off, and I like how this is the beginning of Rick helping Michonne know that it’s okay to take a break in this scene. 😏 And once again, Rick demonstrates that when he's with Michonne...the world can wait. 😌

Rick says the last report was good and “Maggie will be there soon thanks to you.” Which again I love that every chance Rick gets he’s giving Michonne her props.

There's also something a bit sad about this because Rick is so convinced that the others can hold it down for a bit but that ends up not being the case and results in their family fun day getting cut short indefinitely.

I really feel like because Rick values Michonne’s influence and insights so highly in his own life, that’s why he felt so confident that Maggie would have become on board after a visit with Michonne - because he would have had Michonne visited him. He thinks everyone should get in formation when Michonne speaks just like he does, and Rick, sincerely...

Always intuitive, Michonne knows that Maggie is still angry and Daryl too so she tells Rick this and he nods and then he asks, "Well you want me to go?" And I was like now Slick Rick knows the answer to that is no lol.

Michonne places her hand on his and says she wants it to work. And by reaching for his hand it shows that ultimately she of course wants him to stay with her, she just knows how much they’re needed by the others. #SelflessQueen

Also, there's just something so moving to me about the way she looks at him in this moment. Like of course Michonne is known for her only-envision-winning mentality, but here there is also a part of her that needs some reassurance that everything they're trying to do and build really can work despite all the underlying division within the communities and tf.

Needing some reassurance, her husband so sweetly gives her just that when Rick says "It will" in the most comforting tone. And I like how he positions himself to sit up and really look in her eyes as he lets her know that even if everyone isn’t all in yet they will be, “just like we did.”

I love that Rick and Michonne are always a “we”. They’re a package deal cuz they’re one. And that line just felt like a bigger statement to their own journey. How they truly went all in with each other. 

And again the way Michonne looks at him is just heartwarming as she expresses agreement. Her love for him and belief is so visible and sincere. The way they can both always resonantly reach and reassure each other when they speak is perfection.

I love that she then says okay and touches his face, and I also was like sis, you know if you touch him like that this scene is gonna escalate lol. 😋

Then we get to one of my many favorite parts of my favorite scene when Rick looks at Michonne with such genuine abundant love in his eyes and tells her, "Thank you." 🥹

The way Rick always tells her thank you since season 3. 😭 I love the way he adores, praises, and reveres Michonne. Like, for Rick, it is always doting over Michonne hours. 

Michonne asks, "For what?" which just reminded me of when Rick asks her "For what?" when Michonne said she never thanked him in the s3 finale.

And then the way Rick takes a breath and smiles at Michonne on this bed after she asks this - it literally makes me want to shed a tear. It’s just a beyond beautiful wordless moment that really feels like Michonne taking his breath away as he’s overcome with love for her. And that might sound dramatic but hey...

Rick has been in awe of her since literally day one at that fence, and to see seasons later, after getting to know her in the deepest sense, he still has that awe of Michonne but amplified. It's great. And Rick just looks so unabashedly mesmerized by her in this moment which is heartwarming.

Like when she asks 'for what?,' you can tell Rick is just marveling about how incredible she is and how the list of reasons to thank her is miles long.

And this is not really Rick and Michonne's newlywed stage anymore, y'all. This is their married for a while, been through hell and back together after losing our son stage, and Rick still looks at Michonne like she hung the moon and the stars. 😭

And then Rick takes the scene to new heights of heartwarming when he says exactly what he's thanking her for, stating “For everything you’ve done. For everything you’re doing. For you.” Absolutely perfect. 😍😭😍😭

And it's so fitting cuz Michonne really has done so much of value, past, present, and for the future. But the best of the best is Rick saying “for you” because he’s not just grateful for what she does but who she is. And she is someone exceptional. 

I adore that in their final one-on-one irl scene Rick is outright thanking Michone for existing and for the lovely gift that she is and has always been in his life. Honestly, Rick's romantic heart needs to be studied because the things he says to and about Michonne are just everything and more. 🥹

Another thing that makes this scene and ep so special is Rick and Michonne don’t know this is their last day together. So for them, this is just another day. And I love it for showing how all this beautiful love and adoration they’re letting out is not because they’re trying to make their final day count - this is just how they are with each other on the regular.

And I love that we get to see Michonne’s reaction to receiving this genuine love and appreciation from her husband as he gives her her flowers. Michonne deserves every bit of this love. 🙌🏾💐

I am so excited that Michonne will get to have this type of love back in her life when she finally reunites with the man who adores her. 🤗 I firmly believe Rick’s awe of Michonne will only be heightened when he gets to learn how resilient she’s been in his absence for herself, their children, and their community. She’s had to be so strong for so many, and I love that she’ll finally be back in the arms of the one whom she can be most soft and taken care of with.

And the same goes for Rick. After being a man desperately looking and longing for his family while so alone for years - I am elated that he’ll be back with the woman who most makes him feel loved, sane, seen, and home. 

When Rick and Michonne see each other again you know this is about to be a direct quote from both their minds...

Also, something that’s so sweet about the love story crafted for Rick and Michonne is that adoring each other comes so effortlessly to them. They don’t have to constantly remind or force themselves to be attentive and expressive to each other, it’s the most natural thing in the world for them to love this person in front of them out loud.

So yes it’s an active daily choice to love, but I appreciate that it also feels so aligned with how Rick and Michonne want to naturally operate - head over heels in the most grown, grounded, yet grand way. 🥰

Then, after saying something so authentic, accurate, and beautiful by thanking her for pretty much everything, the two share a sweet kiss. And their every kiss is so special to me. Like it’s always passionate no matter what. And just the way he looks at her after 😭 heart-melting. They're irresistible to each other and always have been. 😍

I especially love that Michonne then leans in and kisses him again as her own thank you for his kind words. Those magnets within them mean we’re always gonna see more than one kiss. 😋

And then she slides her hand down his neck and chest and once again I was like - now sis, you know things are about to escalate if you do that. 🤭

And sure enough…😋

Rick starts closing the books and moving them away as he invitingly says, "Why don’t you take a break?" 😏 I love it. It’s cute that Michonne is instantly tickled by this too. She knows what’s up. And she knows she’s down. ijs. 😋

But first she asks, "You want me to stop working?" and she knows good and well the answer is yes - but I love that Rick has always been a little extra when it comes to Michonne so he doesn’t only say yes. Instead, he takes the pencil out of her hand and flicks it away as he says, "yeah" in a way that will never fail to have me smiling and kicking my feet cuz like...

And Michonne was undeniably amused already, but she got especially tickled when he tossed the pencil. That man always has her smitten. 😊

I adore seeing this playful side of them and this reminder that Rick and Michonne are husband and wife and also best friends who could always make each other laugh. 

Even more, I love how Rick fully believes Michonne can do any and everything…but he also knows she shouldn’t have to, especially not all the time. Which is why I appreciate his consistent thing of wanting to give them a chance to have a break and time to themselves.

It's sweet too how, without even fully seeing his face, you can still see from Rick's profile that he has this genuine proud smile upon seeing he made his wife laugh. Her joy is truly one of his favorite things. 🥹

Rick smiling at her here reminds me of how happy he was to have made Michonne smile when he came home with mints to give her in their canon ep seasons ago. #TheirLoveNeverFades

I adore that from season 3 saying "Good, cuz I see things" to this moment in season 9, Richonne stayed flirty with each other, both when strangers and when married. 🥰

And then Michonne teases as she asks Rick, "You want me to stop creating the foundations of a new civilization?"...The questions are just foreplay at this point because they both know what's about to happen rn lol. She and Rick both know that what he wants is in the first three words of her question. 😋

I love the way Michonne talks to him and looks at him and the way Rick can’t help but touch her and study her while she speaks, knowing this is the woman he is so ready to have another child with.

Somehow in this moment, Rick seems to be intently listening to her while also distracted by her all at the same dang time. 🤭

So Michonne is all cutely smiling at him while waiting for his answer... and then Rick gives an unforgettable answer.

(also the way even Rick and Michonne's movement is in sync in this scene is just 👩🏽‍🍳💋. they're magnets fr)

Rick looks right at Michonne and then says, “I can think of another way to build for the future” and it’s just ahhhhhh. The best. 😭 What a great way to reveal that Rick wants to have a baby with Michonne.

The scene organically transitions from like playful causal morning vibes to a huge serious declaration of love and development for their family and I'm too here for it. 😍

Rick wanting this baby is a huge deal, especially just a year and a half after losing Carl. And him being at this stage has everything to do with his belief in Michonne and him together and knowing he's with the love of his life who has in so many ways healed him with her one-of-a-kind presence.

He's seen the way he and Michonne work so well together in any role - parents, partners, lovers, leaders - and Rick has always known that the two of them can do anything, from reordering the world to raising a growing family.

So then Rick passionately kisses her after he says this - but like this is a giant statement and Michonne knows what he’s implying is a big deal, so she has this curious look at him. And then I absolutely adore this next moment of them transitioning to a more intimate position.

The way Rick is ready for her to do this little maneuver always felt like a nice little suggestion that they’ve done this often. And it’s just so sensual and romantic. 😍 But I also love this shift for showing how Michonne goes right out of work mode and wants to be so fully present and focused on him as she confirms that Rick is really saying what she thinks he’s saying. Their consistent ability to be present with each other deserves another shoutout cuz it's gold. 👏🏽👏🏽

Also, the way Rick just stays with his eyes glued to her as he holds her and the way Michonne tenderly holds his face in her hands. They knew they were gonna have little Richonner hearts everywhere doing front flips with this movement alone. And I ain't mad at it. 😋

Michonne looks right in Rick's eyes as she says a hopeful, "Yeah?" Then Rick says such a certain, "Yeah" that lets you know having a kid with Michonne isn’t some out-of-nowhere idea that just hit him but something he’s thought about and is sure about. Rick is always sure when it comes to him and her. 👌🏽

And you just know Rick loves their future baby already too, especially because the baby will be part of the woman he's madly in love with.

Michonne smiles and softly says, "okay" and then I love the way Rick eagerly pulls her in closer to him. 😊🧲

Then the last line of the scene is Michonne so sweetly repeating Rick's words back, as they so often do throughout their relationship, as she says, "For The Future." 🥹 

Perfect. x1000.

What a fitting final line and final scene to conclude Richonne's last private exchange like this. Especially for two reasons.

One; thinking about the long-term future used to not be a luxury they had at the start of the apocalypse so it shows how far they've come. Two; Rick and Michonne were two people who, even before they met each other, fought to believe in the future even when others around them (and at times their own past partners) didn't. But in finding each other, Rick and Michonne found the one who could fight to live like them, believe in the future like them, and hold onto hope like them - And now here they are in love and getting to feel so hopeful about their future together. 😭

It’s great that such a major decision like having another kid is one Rick and Michonne were both so quickly on the same page about. They both are ready for this. Both want their splendid love to take form in a new life being brought into the world. 🥹

And again it’s such a testament to their powerful relationship and the way they were able to help build each other back up after losing Carl to the point that they could be healed enough to want another kid. I'll never get over it.

Then I adore this shot of Rick looking up at Michonne with the two bathed in light. It feels so reflective of how highly Rick's always viewed her and how Michonne's been the light in his life. She's his future. And he's hers. 🥰

The scene concludes with Rick and Michonne sharing their last irl passionate kiss as things finally escalate, and they savor each other as they do best. And this whole scene and final moment is just so beautiful it makes my heart hurt. Richonne is stunning and their love is a work of art. 🙌🏾

'Epic love story' really is the best way to describe Richonne, and I love love love that Rick and Michonne always enjoy reveling in Richonne. We have that in common. 😋

I just so appreciate that before he left the show, it was made crystal clear that what Rick wanted for his future was to bring life into this world with Michonne, the ultimate and unequivocal love of his life. 👏🏽 And he’s going to learn that even apart, that dream was still achieved. The Get Things Done Grimes got it done. The baby Rick loved before he even was made, lives. Oh I CANNOT wait for Rick to learn about and meet RJ!!! 🥳😭

Knowing Rick and Michonne's individual journeys, it genuinely moves me that two people who went through so much and lost so much but continued to fight for the people they love got personally rewarded with this gorgeous and deep love that’s just for them. And they didn’t shy away from the love that was there, rather they valiantly and completely embraced it and it’s truly what they deserve. They both deserve to be loved this wholly.

I know this is my undeniable #1 scene because each time I watch it, it warms my whole soul and I get fully enwrapped in it - just mesmerized and overjoyed from start to finish. Watching this #1 scene, during every single part I'm just like...

And Rick and Michonne Grimes bathed in bright sunlight and sharing a passionate kiss while acknowledging they want their future and their love to now take shape in the form of a child is just such a fitting final private exchange between them on TWD and so very special. They're a shining light to each other, to the franchise, and to me, y'all. ☀️

When I say Richonne is everything it’s not just a phrase. They literally have everything going for them and are everything to each other. And every scene from my 30th to this #1 moment masterfully illustrates their resplendent love.

This season 9 scene feels like a love letter to Richonne and it's my all-time favorite for capturing everything I adore about Rick and Michonne’s relationship all in one. Tens across the board. 

I look at this whole scene and whenever I see it I just think - This is Richonne. For me, this scene is their definition. ♥️👌🏽

Richonne is truly love incarnate, and this beautiful top-tier moment captured that flawlessly. 👑🤍😌

[midnightshade]

GojoHime: Evidence and Discussion

Jujutsu Kaisen isn't a romance series. It's a horror action series that focuses more on platonic bonds and camaraderie between its characters. That being said, just as any shounen series, it has its fair share of ships, each with its own assortment of crumbs and small details.

GojoHime is a particularly interesting ship to look at. Being a massive fan of it myself,  it's fun to pick through the evidence that supports it. I'd like to share the evidence that I and many other GojoHime fans have found. I'll be starting with the smaller, weaker evidence first and working my way up to the strongest evidence.

Before I start in earnest, I want to clarify that this isn't made to attack any other ship. People can ship whatever they want, and no ship in the series is canon (aside from exceptions like Hakari and Kirara). I like GojoHime so I want to talk about it. That's really it.

With that out of the way, let's begin.

First, let's start with the evidence outside of the manga itself. This one isn't very compelling, but it is cute. In Japan, there is a chip brand called Bakauke. Bakauke has two mascots known as Borin and Barin, who are girlfriend and boyfriend. When Bakauke collabed with Jujutsu Kaisen, Utahime and Gojo were chosen to represent the Borin and Barin respectively, thus being depicted as girlfriend and boyfriend.

Moving on to evidence found within the actual manga, we see that on the splash page for Gojo and Utahime, the print behind them depicts arrows known as a Yagasuri pattern. In Japan, this is a symbol often used for weddings. It's meant for good luck because "a shot arrow does not return," and therefore, a married woman does not (or should not) return to her parents.

We also see depictions of them under an umbrella often used at weddings. Sharing an umbrella is also a common romantic trope in Japan.

Other smaller evidence exists in the form of their phone call. This consists a beeper code, where the number of their call spells out "I like you" in code, and another interesting detail is that Satoru calls Utahime from his recent contacts, implying that he calls her often.

Gojo and Utahime were made to be opposites. Aside from the obvious "opposites attract" trope, it creates a compelling visual story between them. Man and woman, strong and weak, modern and traditional, blue and red. Satoru hates alcohol and loves sweets while Utahime loves alcohol but hates sweets.

Gege said Gojo only puts down his Technique with people he trusts, which we see him do with Utahime. He trusts her enough to have to actively put his Technique back in place after she throws a teacup at him.

Moving on to some of the strongest and most convincing evidence, we have Waka Inoue, Utahime's very own technique, and Gege's past works.

Gojo had a picture of Waka Inoue as his background as a teenager. He clearly finds her attractive, as is common, considering she's a popular model, but the reason why this is important is that Inoue shares a lot of similarities with Utahime.

Both women have noticeable bangs, they're the same height (166cm), and they share a love for alcohol, karaoke, and sports, specifically baseball. Waka is described once as a "competitive crybaby who hates to lose," and as we see in the Anime, Gojo has a way of firing Utahime up and she is also prone to being a bit of a scaredy-cat and a crybaby. We also see her more competitive side come out during the baseball tournament between Kyoto and Tokyo.

Moving on to Utahime's Cursed Technique, as some Japanese fans have pointed out, Utahime's Soro Soro Kinku (Solo Forbidden Area) is based on a real love song about forbidden love with lyrics about a masked lover. The records from the singer, Akina Nakamori, are called Utahime records, and the singer even does Gojo's unlimited void hand sign during her live performances of her song, "Fin."

The most compelling bit of evidence for me is Gege's past works. Two of his three one-shot manga have characters who are very similar to Gojo and Utahime. The male protagonist is usually cocky and teases the female protagonist, while the female protagonist gets annoyed at his antics but is otherwise down to earth and kind.

In Nikai Bongai Barabarujura, the protagonist, Noroma, reminds me of teen Gojo in appearance and behavior. He is "the strongest" who teases Nodoka, the female protagonist, for being weak but has an obvious respect for her drive and inner strength.

In Kamishiro Sosa, we have a similar set-up as before. The male protagonist, Ganji, is very energetic and careless with the female protagonist, Rekko's, feelings, and is seen to have a very similar type of banter as Gojo and Utahime have.

Gege clearly likes that type of pairing, which isn't surprising given the bickering couple and rivals to lovers is a popular trope in romance. It's not unusual for Mangaka to reuse old ideas, and that seems to be what happened with Gojo and Utahime. Even their appearances share similarities.

As you can see, GojoHime has a lot of thought put into it, and it's very interesting to see the little details Gege has put into their dynamic. There's definitely a reason why so many adore this pairing, and I'm glad Gege has paid attention to that.

[magneticflower]

When is it not raining in Ketterdam?

I got rather inspired and wanted to draw Kanej since it had been a while. It snowballed into me also writing a little thing to go along with it. I hope you enjoy both sjsj. The rest of the writing will be under readmore~

 It almost feels like old times, being out on the streets of the Barrel in the wee hours of the morning instead of at the Crow Club to meet her. Almost. Except he wasn't making his way through the Barrel to scout out a target or to discuss intel without the risk of being heard with her, and they weren't teenagers anymore. He was heading towards the docks for a goodbye. It wasn't the first time he had done so in the last five years, and provided her Saints kept watch like she said they did, it wouldn't be the last. 

He made his way down to berth twenty-two and could already see her waiting for him at the railing on the side of her ship, her familiar figure silhouetted by what streams of moonlight could make it through the smoggy sky that encased the Barrel most evenings. He preferred the times when she was silhouetted by the sunsets that only seemed to be visible when she returned, but he couldn't begrudge her for leaving to where she was at her best. He just hated how he felt in the hours leading up to and after her departure. Kaz pulled himself together just fine after, but he had never entirely managed to shake himself of those hours. Maybe one day.

"Punctual as always, Kaz," she said as he made his way to stand in front of her along the railing.

"I know how you like your sleep. I won't keep you long."

"I don't mind losing some sleep, not if it is for you. Saints know I have done it plenty of times before."

"I distinctly remember several instances of you grumbling about that."

Inej rolled her eyes, "Are you trying to keep this brief because you've got somewhere you would rather be, Kaz?"

No, there wasn't a place in the Barrel that he would rather be than right here, right now. Perhaps only his office, but only if she was there with him. "I am trying out being considerate."

"Not what I asked."

Kaz exhaled through his nose, "You know the answer to that, Inej."

Luckily for him, she wasn't keen on being as obstinate as he usually was, so instead of insisting on a real answer, she simply asked, "Then why are you so far?"

He eyed her momentarily, "How could I be closer than I already am while on the dock?"

Inej's eyes looked down and his own followed suit. "Are you telling me you want me to climb up those crates?"

She looked back up, "Well, I may or may not have had my crew leave those right there for that very reason. Come to whatever conclusion that gives you."

"It was raining earlier. They're wet."

"When is it not raining in Ketterdam?"

"Right now."

"Kaz." She gives him a familiar look that tells him she is done with the back and forth. He either does it or doesn't. Of course he does it.

"If I fall on my ass climbing these..." he muttered as he made his way up the boxes to fulfill her request to come closer.

Inej laughed, "If you do perhaps you'll gain greater appreciation for what I used to do for you. At the very least you will leave me with a great memory to reflect on during the less than favorable nights when I'm gone."

Kaz was too busy making his way up to give a retort. It wasn't as if these were particularly difficult, they were just a few measly crates, but his leg never liked this sort of weather and it was proving to stand by that.

"Now that wasn't so bad was it?" She said once he fully made it up, no unceremonious fall to be had.

"It wasn't particularly good either. We're not teenagers anymore," he countered, shifting his weight to better accommodate his leg.

Inej rested her arms on the railing so that she could lean closer to him, a grin on her face. She still had to look down at him even though he stood on the crates now. Regardless, they were closer, just like she wanted. He had wanted it too.

"You're only twenty two, Kaz, you're hardly ancient. Besides, you are the one that declines to simply come on the ship when we say our goodbyes. I know you said it is because it might wake the others, but one day you will have to oblige me, since you are giving being considerate a chance." He knew the last sentence wasn't just a request to come aboard for goodbyes. One day she wanted him to come with her. Maybe one day he would.

"It would be louder. I am not the Wraith."

"No, I suppose you are not. You're just the crow that keeps coming by because she didn't have the good sense not to feed him," she retorts, leaning forward a little more.

"I don't recall you giving me any information recently, Wraith."

"I suppose not," she said as she moved her hands down to place them on either side of his face to prompt him to lean up as she leaned closer to him as well, "Give me a minute to think of something," she finished as she closed the gap between their lips. It was soft and slow. perhaps because the two knew that this was where the goodbye started.

Almost as if Ketterdam couldn't handle the silence of their moment, Inej began to hear the pattering of the beginning of the rainy morning ahead of her. She pulled back, though only enough to stop the kiss, but not enough to let the rain hit his face. Not enough to ruin this.

"Kaz, it's raining."

"When is it not raining in Ketterdam?"

[isagrimorie]

Sometimes there really are interesting things on Reddit, found this one particular passage on r/DaystromInstitute talking about Starfleet and the Cardassian war, in particular, Miles O'Brien and Kathryn Janeway's experiences in a ground war:

Ground combat was much different. O'Brian's reactions to the Cardassians in 'The Wounded' are clear that ground combat wasn't as clean for the Federation as it was in space. Same with Captain Maxwell. Even Captain Janeway was in ground combat in the Federation/Cardassian war (I think it was the episode 'Prey' where Janeway told Seven of a time during the war when she was only Lt. Janeway). O'Brian carrying anger against the Cardassians for making him into a killer. Maxwell so used to destroying Cardassian ships that a year after the treaty is signed he's still in the habit of blowing up Cardassian ships. Janeway, it's entirely possible that until the war ended she spent her entire Starfleet career in combat, earning battlefield promotions, flying up the chain of command to Commander and with the impossible situation that Voyager was in after her promotion to Captain and first command being Voyager, she found herself trying to balance Starfleet ideologies with her own history of being willing to use violence, or in her case, too willing in a few episodes.

This is an interesting thought, I remember being surprised knowing Janeway actually was in actual ground combat. As we learned from DS9, and Strange New Worlds, ground combat is a lot different from ship-to-ship battle.

Ships can also be dangerous but Starfleet shines with ship battles. Ground combats are harder, and bloodier, and leave long-lasting marks on the soldiers who find themselves in them.

I wonder if Janeway distinguishing herself in the Cardassian war is the reason why Voyager got the assignment to go after the Maquis. But also, Janeway might have wanted to distance herself from the war more and focus on science.

But the Delta Quadrant kept pushing her into that place again.

Like, now I wish Janeway interacted with O'Brien at least, two Cardassian war vets.

ETA:

Another good r/DaystromInstitute post on Janeway:

Janeway is intentionally written as a character who intellectually believes in the ideals of the Federation, but whose actions are not always in line with her stated beliefs. I think this is very human and understandable. Very few real humans are as moral as Picard. This is why Quark's quote:

"Let me tell you something about Hew-mons, Nephew. They're a wonderful, friendly people, as long as their bellies are full and their holosuites are working. But take away their creature comforts, deprive them of food, sleep, sonic showers, put their lives in jeopardy over an extended period of time and those same friendly, intelligent, wonderful people... will become as nasty and as violent as the most bloodthirsty Klingon. You don't believe me? Look at those faces. Look in their eyes."

rings so true. Janeway is trying hard to not be the type of human Quark describes, but she is failing. She still tries, though, which I think is important.

All this just makes me love Janeway more, also Starfleet is terrible with mental health.

[sleeplesssmoll]

Since you mentioned liking Secretkeeper, any plans on writing Bkorn/Vertin? finding fics of rare ships is hard ;-;

This is me planting seeds in your mind (lovingly)

You're right! I am an outrageous multi-shipper and I think Vertin and Bkornblume are adorable. They're both a mischievous and playful, yet gentle. They're both sneaky rebels too. Vertin worked from within the Foundation, Bkorn worked within the Stasi to help others. Bkorn seems fond of Vertin in her voicelines. She shares snacks with her and asks Vertin to read her poems in the Wilderness. Bkorn's reactions in the Wilderness like telling Vertin secrets or giggling make me think they enjoy each other's company. There's also this description of her:

A best friend who loves to yap but always lends a ears. Bkornblume is someone Vertin confides in and that makes her special. Also the little animation of them cuddled on the couch sharing a scarf was what finally did me in. Too sweet c:

I won't say I had plans on writing (no drafts or anything) since I'm all over the place with that stuff. I did have some secretkeeper in an idea I had floating around. It actually started as a crappy love triangle with Vertin, Matilda, and Sonetto. This was what I cultivated from my brainrot for anyone interested (not a fleshed out fic but an idea):

Matilda approaches Vertin one day and tells her she's going to confess to Sonetto. Vertin is confused as to why she needs to tell her first, and Matilda tells Vertin to quit playing dumb. They both like Sonetto, but they're also friends. She is warning Vertin out of respect and consideration for her friend, which moves Vertin (i HATE love triangles that aren't triangles. Vertin and Matilda are buddies and they don't want to hurt each other.) Nonetheless, Vertin wishes Matilda good luck and assures her she wants them to be happy. Matilda isn't convinced but thanks Vertin with a big hug before leaving.

When Matilda finally confess, Sonetto needs time to answer. Sonetto decides to ask for Vertin's advice like usual. Vertin plays wingman and says that it's worth trying to see how their relationship goes. Matilda and Sonetto got along since they were kids and she mentions that Matilda had a crush back then too. Sonetto admits she was totally caught off guard and says that she's never been good at noticing things like that. Vertin knows this first-hand, but doesn't bring up her feelings. She then asks Sonetto if there's a reason to reject Matilda. Matilda is cute, energetic, and compassionate. What could go wrong? Sonetto tentatively agree. She thinks highly of Matilda too, but something is amiss. Sonetto hasn't realized she also has feelings for Vertin (she confuses her love with admiration). She accepts Matilda's proposal and the two start dating.

Vertin is happy for Matilda, yet a part of her is also heartbroken. Vertin hates this feeling because she already decided to let Sonetto go. Sonetto and Matilda share the same beliefs and they will always follow the Foundation (in her mind). They're both brilliant arcanists and they are a perfect match. There will come a time where Sonetto will have to leave her side regardless of Matilda's involvement, and so Vertin already prepared herself for another goodbye.

This is where Bkornblume comes in!

Bkorn knows about the situation before everyone else because of course she does. She congratulates Sonetto and Matilda in person, but in the evening she finds Vertin alone in her office and confronts her. "Are you really ok with this?" Vertin tells her it doesn't matter if she's ok or not; Sonetto is better off with Matilda. As Vertin's friend, Bkorn is livid but lends an ear instead of continuing to argue.

Here is where Sonetto and Vertin's paths begin to diverge.

Sonetto and Matilda are happy together, but there are times during their dates that Sonetto's mind wanders to Vertin. Vertin would love this. I wonder what Vertin is up to? Things like that. Vertin's always on the back of her mind, but Sonetto chooses to focus on her girlfriend. Sonetto is very loyal and devoted to Matilda and things progress between them. I want to reiterate that Sonetto really cares about Matilda and she's assuming her affection will grow into true love with time (Sonetto also kisses Matilda first. Matilda initiated, but got flustered so Sonetto met her half-way).

On Vertin's side, Bkorn has decided to treat her on a "date" too to cheer her up (and get her out of the Suitcase because Vertin mentioned that she sees Sonetto everywhere. It's like she's expecting to see her puppy run up to her every time she turns the corner). This "date" will also serve as a reason for them to speak one on one without interruption.

Bkorn was being silly, but Vertin mentions she's never really had a chance to go on a date before, at least not a proper one. Bkorn volunteers to take her on more. Vertin thinks she's joking again but Bkorn says she thinks Vertin needs to take time for herself and experience things. It doesn't have to be serious, just have fun. Life is too short, something they both know all too well. Vertin agrees but she's also worried because she doesn't know what to do. Bkorn reassures her. "Now is a great time for us to learn! We can figure it out together." Yeah, neither of them really know where to go from here but they match each other's vibes. Vertin cheers up a bit too. However, Secretkeeper is a secret from everyone else. Bkorn and Vertin don't want to attract attention since they're not really serious (put a pin in that and then throw it away because this is the only time i've written this out lol)

While the pairs become closer, Sonetto and Vertin grow more distant. Sonetto misses giving Greeting Kisses (Vertin put a stop to it out of respect for Matilda and Sonetto agreed that she had a point. No one wants to make ducky sad). Vertin misses Sonetto falling asleep against her shoulder and helping her with the daily crossword in the newspaper. They feel each other's absence in all the little things. Sonetto knows Vertin enough to tells she's hiding something, but not exactly what which also bugs her.

Relationship wise, Sonetto and Matilda move slow and steady, fumbling through intimacy together. They're both very comfortable with each other and progress step by step.

Bkorn and Vertin are kinda the opposite. Because of their situation, they're very direct about everything. This is especially true for Vertin because Bkorn encourages her to express things outwardly. However, she has no idea what she signed up for. Example:

Vertin is up late as usual and decides to share her thoughts instead of being alone with them (she knows Bkorn isn't asleep yet either), "Are we going to kiss at some point?"

"Do you want to?"

"Most couples do."

"But I'm asking if you want to. If you want a kiss, you'll get one."

"When?"

"Whenever you want."

"Now?"

Bkorn was not ready for this. "Vertin, it's 2am."

"Is that a bad time?"

"That depends on the kiss. Impress me or I'm not letting you sleep over again."

Vertin continues to sleepover after this.

They're whole...situationship (idk what to call it) is like that. Vertin and Sonetto learn things about themselves while they are with their partners. Matilda helps Sonetto get over the guilt she has when people do things for her. Sonetto finally understands that giving can also make the giver happy. Its ok to accept and receive love (screw that martyr mentality!) Naturally this also makes her think back to all the times she and Vertin squabbled about this very thing.

Vertin gets more vocal about her feelings too. She opens up about loss and grief and Bkorn helps her realize that one of the reasons she's very tactile is because she can confirm people's existence through touch. As someone who sees and hears people who no longer exist, physical touch can be a source of comfort. An almost addictive one that she didn't notice until Bkorn brought it up. Bkorn liked the attention, but she noticed a pattern in Vertin that concerned her. Normally Vertin's affection is random but sweet. She'll walk into the room, kiss her cheek or give her a hug, then return to whatever she was originally doing. They're pleasant surprises. However, after a meeting with the Foundation or during a heavy thunderstorm Vertin will always seek her out and it ends up being more than a kiss. The physical attention didn't bother Bkorn in the slightest, but Vertin's almost desperate antics worried her especially when she realized that it was because Vertin was hurting inside (reminder this is/was an "unserious" and "for funsies" situationship). Yes, I gave Vertin unhealthy coping.

Sonetto and Vertin are also doing things for their partners! It's not all one-sided. There's a point where Bkorn tells Vertin : "If I didn't know better, I'd assume you love me" in response to how Vertin treats her. Vertin genuniely wishes she could. She wants to love Bkorn but they both know Sonetto still has a grip on her.

Meanwhile Sonetto does everything from making breakfast to showering Matilda with attention (wife-netto). However, Matilda isn't stupid. She's been observing (stalking) Sonetto for years so she can tell something or rather someone is on her mind. However, she believes her love will win over Sonetto eventually. She must have faith.

Even though her divination showed her a sinking ship. It's one of the few times she hopes she is wrong.

From here on is a mess. As in, I don't know where we're going from here either.

I did have some ideas, but not very fleshed out.

Sonetto learns Vertin's secret when Vertin is injured during a mission (I'm always injuring her; this is the extent of my creativity). Sonetto insists on helping Vertin place healing ointment on the back of her shoulder. Vertin says its just a minor injury, but gives in when she sees how worried Sonetto is. She can't say no to that face. While Sonetto's applying the salve, she freezes at the the sight of a few other "injuries". Kiss marks as clears as day and light scratches. Sonetto starts slathering salve on them immediately to erase them, startling Vertin. She quickly realizes Sonetto is erasing the evidence Bkorn left behind, but doesn't mention it. She gives an awkward thanks and the two are super tense around each other after that.

Sonetto racks her brain to find out who the hell put there hands on Vertin and she confides in Matilda. Matilda is shocked, but she's happy (and relieved) Vertin found someone. Sonetto is still reeling, "But why would she hide that from us?" Matilda asks a question she wasn't ready for:

Why is she angry?

Sonetto can't answer. Is it because their friends and friends don't have secrets? No, Vertin always had secrets. That's just the way she is and Sonetto never had a problem with it...until now. She reflects on these ugly emotions and their source.

More stuff happens...idk if I can tie them in well so I'll just jump forward

She eventually suspects Bkornblume but she's still not sure what to do with that information even if she's right.

When Sonetto, Vertin and Bkorn are working together on some paperwork, Bkorn asks Vertin for coffee. Vertin scurries off immediately.

Sonetto asks why keeps bossing Vertin around. Bkorn takes no offense and explains that if she doesn't give Vertin something to do, Vertin will find something to do for her. Usually that means spending Sharpadonties (or stuff that would make Sonetto kill her if she found out). By making a simple request, Vertin can still fulfil her need to provide without going overboard. Since the need to give is part of Vertin, this is Bkorn's way of letting Vertin be herself but in a way that won't hurt her wallet. Vertin returns with freshly brewed coffee for everyone, not just Bkorn. Bkorn thanks her and Vertin lights up like a proud child. Vertin sits still and helps finish the rest of the work without running off to buy snacks or her usual antics. Sonetto remembers her talk with Matilda. She realizes that she could have done something similar to Bkorn because Vertin truly from the bottom of her heart wants to make the people happy. It's adorable--

Sonetto tells Matilda about her new discovery. Matilda gives her a defeated smile. She advises Sonetto to talk to Vertin one on one. It'll be better for both of them. Afterall, they're all friends here. They want what's best for each other. This time when Matilda kisses her, it feel different. Like a goodbye?

Sonetto can't sleep that night and ends up finding Vertin in the living room in her favorite armchair by herself. Vertin can't sleep because Bkorn had a similar talk with her (they've been talking about it because bkorn has feelings for Vertin but there's no room in her heart for her.)

Up until now Sonetto and Vertin have been somewhat tense around each other but Vertin can tell somethings bothering her. "What's wrong, Sonetto?"

This time, Sonetto has a request. "Can I hug you?"

Vertin bolts up and gives her one, "Are you alright?"

That's when Sonetto realizes how much she truly missed Vertin and how stupidly in love she is with her. And from here...

I don't think I settled on a proper conclusion so I just replay scenes in my head repeatedly. There are interactions with Vertin and Matilda too because they're friends. Really need this to be a proper triangle!

But thanks for sticking around until this point. I don't make many posts about ships aside from TK14 and Verneider so this exploded out of me. The repressed one was me the whole time.

[doughliciousfrosting]

Your tmnt au meeting Monkey kid and the gang?

I think you're talking about my 2012 TMNT designs? Which I understand, theyre really far from canon HELPP but they're not really an au 😭 or they were never really meant to be. Anyways I have a lot of thoughts and I could explain why I picked each character and paired them up with each other and if I can I'll definitely draw the rest of them!!

I'll explain right now why I paired Mei with Donnie and Tang with April

First and foremost though,

⚠️ NONE OF THESE ARE SHIPS ⚠️

With that out of the way I'll start with why I paired Mei and Donnie. I like to think that Mei is a super good builder and tbh, this is actually pretty canon. We see her rebuild her bike in S1 Ep 3 and in S1 Ep1 she's also the one who builds their secret fortress which is INCREDIBLY made. With this information in mind it can be quick to assume Mei is a pretty good mechanic! In S3 of 2012 TMNT we know that Casey and Donnie spend a lot of time in the small barn out back working on stuff both seperately and at times together! While I do think Casey can understand some of the tech jargon Donnie talks about (as long as it relates to car parts) I don't think Casey can really understand the technical stuff. I think Casey's knowledge probably comes from self taught experience, as a result he can identify each part and what they do but not the technical terms for them and professional blueprints for things and stuff. Which is why I think Donnie would be absolutely ecstatic to have someone able to read his work!! And like I said earlier Mei is really good with tech as we see a lot in the earlier seasons before they delved hard into mystic magic and stuff. I would have paired Mei with Casey but I have other ideas grrr!!! If people are interested I'll explain more.

Moving on to why I paired Tang with April! I kinda rewrote April a lot HELP I think her writing had a lot of problems so I just changed stuff lol. I like to think that the reason April tried so hard to prove herself and stuff was because she doesn't want to be useless. I feel like she gets sorta babies a lot (mainly by her father) and it makes her want to overachieve to prove a point, prove that she's grown and that she's perfectly capable of handling herself. The problem though is the years of fighting experience she lacks. In a normal situation April can 100% take care of herself but in ones where she faces opponents with a lifetime's experience in combat versus her measily 1 and a half years the difference is huge. And on top of this April has to figure out her psychic powers, which in S4 literally blew up in her face. I just think she struggles with feeling inadequate, when she does something she wants to be the best and it's hard for her to feel like she has a place in the team when everyone else seems not to struggle the way she does in battle. She just tends to forget the difference in fighting experience even though they're all the same age. Anyways, being unsure of ur worth on the team and struggling with your powers seems like it would be right up Tang's alley!! Tang in S3 Ep8 has a huge tipping point where we see he struggles with self doubt and feeling like he isn't needed. Then later when he discovers he has powers he struggles to control them and get them to do what he wants. I think Tang reassuring April is just a really nice gesture!! Especially since Tang and April are like the most human out of the rest of the group (excluding Casey but he struggles in a different way). I think in a group full of spectacular talents, it's easy to feel ordinary which is a thought I think plagues Tang and April's minds while their characters develop. I tried to keep this short so I hope it makes sense ahhh if you're still reading you're totally awesome and cool!!!

[baileybeez]

My Top 10 Catradora Moments (My Opinion Obviously)

10. Adora Has Always Loved Catra

This is the moment I believe Adora firmly knows she's in love with Catra. I know she's in love with Catra beforehand but I believe this is the first time she realizes 'I'm in love with Catra'. Adora is getting ready to face an uncertain outcome with Horde Prime and she's trying to remain strong. But we can see glimpses of her looking for Catra wanting to her come back. We then see as she's heading to the Heart of Etheria, memories are being projected. The first one that comes up that really hits Adora is Catra. Catra saying her last and classic 'Hey Adora' and Adora is at first thrilled she's back. But then it changes to Catra when she was younger training in the fright zone, Catra from when she was chipped, Catra from Season 4, Catra from season's 1-3 and then current Catra. This to me screams 'Adora has always loved Catra despite all the hardships they've endured'. Even though she realizes deep down, this isn't the real Catra, she wanted to reciprocate her touch. But then the fake Catra disappears as Adora is almost off the edge.

Also this scene brought that iconic 'Somewhere Only We Know' tiktok.

9. God She's Cute When She Laughs

Everyone knows I'm a sucker for fluff so this little moment always stuck out to me. We've seen Catra blush before and she looked at Adora's New She Ra Form and was like 'Damn...she kinda bad.' But this one was so sweet and wholesome. Catra at first is annoyed cause they're teasing her about how cute her helmet is and at first you think she's gonna be defensive about it. At first she is but then she see's Adora laugh and freezes. Adora is so happy Catra is getting along with her friends and is back to the Catra she grew up with. And Catra just smiles at Adora, any frustration she had melted away.

8. Princess Prom

Ya'll this episode was the reason I gave She-Ra a shot. I saw this scene floating around online and I just had to find out what was going on. At the time, I had only recently accepted myself as sapphic and this was one of the first scenes that caught my attention during that time. There were already strong hints of Catradora later becoming a thing but this scene hit differently. We get to see the dynamic these two would have for a few more seasons. The shift between them as they become enemies while still seeing they still care for one another.

7. It's Over, He's Gone

The end moment with these two in She-Ra was fantastic. Hearing Catra's soft 'Adora' as the two smile at each other was adorable. Adora reaches out her hand to Catra and reassures her that it's over and that Horde Prime is gone. These two had gone through so much because of the Horde. And now, their foreheads touch as they're just happy they made it to their happy beginning for each other. With Catra still being snarky and saying 'Good riddance'. It's a good final moment where the two can be happy. And now this just makes me wish we got a She-Ra movie.

6. Please Just Stay

First of all, if you haven't already please read Don't Go by Nate Stevenson. It's a fanfiction he created that takes place after Save the Cat and really helps highlight this and other scenes I'm about to get into later. It's also just really good. But Catra beforehand is struggling to figure out why Adora saved her and dealing with the aftermath of what Horde Prime did to her. She and Adora just had a big fight with Adora telling Catra she never hated her. We find out later, the chip on Catra is tracking the ship they're on and they need to get it off. With Catra needing to confront Entrapta (who she also didn't end things on good terms with) and Adora. Adora tells Catra once they're done, they can drop her off and she won't have to see any of them again. We see this crumbles Catra's usual strong self as she lets herself be vulnerable for a moment. Grabbing Adora's wrist and then her hand requesting that she stays, Adora also blushes. Catra also comes up with an idea to read what Hordak's planning since their minds are connected. Catra knows Adora will continue to fight Horde Prime and knows she'll be reckless. She just asks Adora to stay with her with two two holding each other. I love this moment as we see the two work together and slowly build their bond again.

5. You Coming?

As Adora is succumbing to the virus and Catra calls out to her, we get this moment of Adora's wish. She's back home with Catra, Glimmer and Bow as they're all getting ready for Scorpia's Princess Prom. Adora wants desperately to have this future with her friends and home happy. She's slowly learning to be selfish after she's been stuck trying to give and give as She-Ra. And she wants a life with Catra, the person she's come to love and married to in this vision. Stevenson confirmed couples in Etheria have something to show they have ties to each other. Catra is wearing Adora’s wing buckle on her shirt and Adora is wearing Catra's head piece on her dress. At first, Adora is sad because part of her wants to embrace this future but doesn't think she deserves this. But seeing Catra, the person she's married to in this version ask her if she's coming with them. She can't help but want to follow her. Even when Adora was dying, all she wanted was a peaceful life with her friends and the person she loved.

4. We're Going Home

Save The Cat in general is a great episode and my personal favorite of She-Ra's. Adora manages to save Catra with the help of her friends as Catra is still unconscious from the fall and whatever Horde Prime did to her. Adora gently holds Catra and telling her she's not done yet and that they're going home. Adora's healing powers manage to work on Catra as she wakes up. She also says her classic 'Hey Adora' in a very weak voice. And Adora is so relieved that she just embraces Catra and and Catra is shocked. We see how hesitant Catra is accept Adora's embrace but eventually she does while letting out a deep breath of relief. With her purring being the last thing we hear before the episode ends. Catra purrs mostly when she's around Adora, she's always happy to be accepted by Adora. This description from Nate Stevenson also really helps sells the moment too.

'They stay that way for a long time, Catra’s face tucked into Adora’s shoulder, Adora gently cradling Catra’s head. Adora is careful not to hug Catra too hard or make her feel restrained, anticipating the moment that Catra will start to pull away — but Catra doesn’t. She hangs on so tightly it hurts, her claws digging through Adora’s jacket and into her back, latching into her like she did when she was a kitten and didn’t know how much her claws could hurt. Adora tries not to wince, tries not to move a single muscle, worried that if she does the spell will break and Catra will struggle away, appalled at having shown weakness. But Catra doesn’t let go. And so neither does Adora.'

3. I'm Not Leaving

Save the Cat and The Heart Part 2 have my favorite Catradora moments and this one is one of them. We saw how Catra came back to Adora when she needed her and almost died trying to save her. Shadow Weaver comes in though and sacrifices herself with Adora and Catra reuniting. This time it's Catra rescuing Adora and coming to her aid instead of the other way around. Adora is struggling to use the failsafe and realizes it might not work. She tells Catra to get far away from where she is and that there's no more time. Saying how she can save everyone and touches her forehead with her own. While also stating how it's okay and she's ready. It's heavily implied Adora is going to die trying to use the Failsafe and Catra stands firm on staying with Adora. Saying whatever happens she'll stay here with her. And we see that as Horde Prime's virus is trying to take control of the Heart, Catra is facing it with Adora.

2. You Matter To Me

I love the scene of Adora trying to save Catra from the chip she's being controlled under. Adora is trying desperately to bring Catra back out and trying not to hurt her despite Catra attacking Adora. Then Catra does break free from control and tells Adora she should have stayed away and asks why she came back when she doesn't matter. With Adora gently holding her face telling Catra she matters to her. This is also asked later again by Catra in Don't Go.

“Why did you come back for me?” she demands.

“I —“ Adora’s voice trails off in the silence. Catra doesn’t let go. The only sound is the soft, muffled humming of the ship’s engines as it moves through space, away from Horde Prime. “Because…” She trails off again.

What is she supposed to say?

“Because…you’re Catra,” she finishes weakly.

Because at the end of the day, Adora will always care for Catra. Then Catra get's possessed again as she walks towards the edge fighting to not be controlled by Horde Prime. Adora reminds Catra she's never listened to anyone in her life and asks if she's going to start now. Catra looks amused as she just says Adora's an idiot with Adora agreeing, tears in her eyes. Adora then says she's going to take Catra home as Catra breaks free from Horde Prime saying 'Promise?'. Adora holds out her hand saying 'I promise!'. This is obviously a parallel to when they were kids and they promised to look out for each other. It's such a heartfelt and touching scene

I Love You

'Catra she distracts you, confuses you.' - Shadow Weaver

'You Etherians are all alike. Such strong connections to one another, it's what makes you weak.' - Horde Prime

And yet their 'weakness' and 'distraction' saved the universe. The Catradora confession scene is number one as it is a finale to Catra and Adora's character arcs. Adora is dying and seemingly getting ready to accept her fate. That there won't be a happy future for her. But then she hears Catra still reaching out and calling for her to wake up. Catra hasn't given up on Adora and Adora never gave up on Catra, so she shouldn't start now.

Adora does try to reach for Catra but doesn't quite make it with her saying it's too late and that she failed. Catra reassures her that she's got Adora and won't let go. In desperation and perhaps wanting to finally tell Adora, Catra says.

'Don't you get it? I love you! I always have! So please just this once, stay!'

We hear Catra and Adora's theme Promise in the background playing this whole time which we haven't heard since the episode Promise. Last time it was Catra leaving Adora to follow her own path and Adora learning to let go of Catra. Now, it's Catra reaching out for Adora as Adora takes her hand. Adora is blushing as Catra has tears in her eyes begging for Adora to stay. Adora does wake up in awe asking if Catra loves her. Catra is blushing while smiling calling Adora an idiot. Then she looks surprised as Adora just smiles at Catra saying she loves her too. They then kiss as Adora is finally able to activate the Failsafe but the two are too busy kissing.

I also want to add in the storyboard version of this scene where Catra says 'We always said it would be you and me, together at the end. But not now, okay?'.

Honorable Mentions Down Below:

[leikeliscomet]

Racism in the ace community is seen as a joke from the outside and a confusing concept in the inside but it's pretty bait tbh:

Barbie, Wednesday and Elsa are ace-coded but not canon aces but they're widely accepted as ace icons in the community. Lacking genitalia, disliking romance and being single are not inherently asexual yet the community happily claims them as ace solely on those reasons. But Selah Summers? Nah she actually didn't say the words "aroace" even though the director confirmed it so she didn't really count. Abbi Singh? Nah she had a girlfriend and her superpower is being a succubus and it's not like the Imperfects actually addressed the themes of an asexual lesbian South Asian woman and her sexuality or anything. Fei Hargreeves? Well yeah the actress and producer confirmed it but she never said it on screen. Ace characters of colour always get held "screened" for approval to be "real rep" in a way white aces aren't its so weird (this also happens to gay aces but that's another post)

Almost anything involving Yasmin Benoit. The reason she's unacceptable ace rep is because of misogynoir. She's spoken so many times about never dating and not having sex (which mind you is none of our business and she shouldn't need to explain herself in the 1st place) and yet she's "too sexual" to represent the community. Again with the nitpicking, popular white ace accounts were so quick to dogpile her for not-so-good takes but when she speaks about racism? Crickets. When she spoke about sexual harassment? Crickets and not only that but they defended her harasser. The main ace activists that defended her were other Black aspecs.

Not understanding how desexualisation affects POC. Specifically, Black women are excluded from representations of love and sex because we're seen as undesirable. It's common for TV/Film to pair up everyone but the Black girl, or have a rebound Black partner for the non-Black main character who's disposed of when they're ready for their "real" non-Black partner again. This isn't done for Black aspecs benefit. It's a form of dehumanisation. Friendship especially in m/f is needed but exclusively pushing for friendship between Black women and non-Black men when there is romance coded or confirmed and shaming Black women in fandom or in show for shipping the Black female character is not doing what you think its doing.

Not understanding how sexualisation effects POC. Again linking to Yasmin, POC, especially Black people have been sexualised due to white supremacy. The "allosexual privilege" framework fails to acknowledge this because Black people's sexual attraction and sex is seen as aggressive and animalistic. Black people aren't "allowed" to be ace because of this sexualisation and why Yasmin regardless of what she wears or does is seen is too promiscuous.

Not acknowledging ace POC as ace rep. Again, where was the acknowledgement of Selah and the Spades as groundbreaking rep? The first aroace darkskin Black girl as a lead in any film? Sherronda J Brown spoke about Big Mouth's Black ace character and someone said it didn't count just bc they dislike the show. Again with Abbi and Fei the community didn't make noise for them like they did Todd from Bojack Horseman or Florence from Sex Ed (mind you the gap between how they did Florence vs O is jarring in itself) Isaac from Heartstopper was inspirational for many aspecs and I wont take that away but the way he's instantly credited for ace representation when he has so little screentime compared to the others is wild.

Just tired tbh. "Listen to POC aces!" "POC aces are valid!" Prove it then...?

[saintsenara]

I made up some ships and I wanna know your opinion on them, I don't know if they can be considered deranged but whatever 🤷‍♀️

Snape/Padma. I ship them in a one-sided way? like Padma has a crush on Snape and she's very embarrassed about it. Maybe she grows out of it and wonders "What did I even see on him in the first place?"

Neville/Barty Crouch Jr. I made it up while watching Goblet of Fire. I have no idea how that would even work.

thank you very much for the ask, anon!

padma patil/severus snape

in half-blood prince, snape describes ron as "so solid he cannot apparate half an inch across a room", which is an opinion padma - who has the worst time anyone has ever had [at least parvati manages to pull the boy from beauxbatons!] with ron at the yule ball - is bound to share.

so sure. the couple that hates together stays together.

barty crouch jr./neville longbottom

which got a shoutout from another anon:

i have long maintained that barty crouch jr. is the best villain in the series, and his absolutely horrifying treatment of neville is but one reason why.

the pre-twist narrative of goblet of fire presents "professor moody" as eccentric, but nonetheless principled, brave, and one of the good guys - which is unsurprising, since the narrative is written from harry's perspective, two people harry respects [arthur weasley and sirius] speak highly to him of moody, dumbledore also respects him, and moody dislikes both snape and draco malfoy.

while harry is - understandably - shaken and upset when the lesson on the unforgivable curses reaches the killing curse [when he learns for the first time what his parents were murdered with], this isn't the case for the first two curses "moody" demonstrates. which means that the narrative ends up slightly underselling [even after crouch is unmasked] the fact that neville is deliberately forced to relive his parents' torture by the torturer himself.

and is then swept up by crouch in the aftermath of this ordeal and manipulated into becoming an accessory to his plan to kidnap harry and resurrect voldemort.

for obvious reasons, the denouement of goblet of fire primarily focuses on crouch and harry. but there is plenty of implication in the book that crouch also seeks out neville - above and beyond the other people he uses to further his harry-related plan - simply for the fun of psychologically torturing him.

i think this isn't given as much attention as it could be by the fandom, largely because crouch is basically forgotten in order of the phoenix, when neville's focus - like harry's, sirius', and the rest of the order's - becomes bellatrix lestrange, who's presented in that book as the ringleader of the attack on frank and alice longbottom and the person on whom neville would love to get revenge.

and while i think that we are supposed to understand bellatrix as the ringleader of her little gang of four, this seems to have coalesced - in lots of fans' interpretation of canon - into the idea that rodolphus, rabastan, and barty don't really do anything of note during the attack, and that they should be seen as falling somewhere on a scale from more sophisticated and restrained in their violence [especially common in portrayals of rodolphus] to followers who do as they're told to smol beans who were just there by mistake [very, very common with fanon!barty].

but barty crouch jr. didn't slay for a full year - with a packed teaching load as well! - to be disrespected like this. he's a solid-gold villain, he was directly involved in the torture on the longbottoms, and he's having the time of his life in goblet of fire attempting to also torture their son.

which can - if an author is so inclined - be taken to some very dark teacher/student places...

[krakapi]

I'm probably not the first person to say this, but I really don't understand all the hate Genmui receives. It isn't illegal, they aren't related, nor are they toxic.

The two main reasons I hear every fucking time as to why people dislike this ship are that :

A. They're too young

B. They only ever interacted once

Addressing the first part, that being that they aren't of age to be dating. That's false. Most teenagers begin relationships (although not long lasting) as, well, teens. Additionally, Genya (16) and Muichiro (14) share the same 2 year age gap as Zenezu (Zenitsu x Nezuko), an extremely popular, canon and hetero ship in the franchise.

Zenitsu (16) and Nezuko (14), do end up together after Muzan's defeat, and have kids, who then have kids, etc. However, before marriage, Zenitsu was absolutely in love with a then demon Nezuko. That's cute and all, if we just ignore the fact that Nezuko herself was turned into a demon at 12. Demon's don't age. Meaning, even if she was physically able to age herself, mentally, she is a young girl. Which, in itself, is kinda icky if you ask me.

As for the second claim, that being that they rarely had any interactions. Although in the manga it is indeed true that we don't see them talking together often, it's important to realize that Demon Slayer was a very rushed, short series. Therefore, it was very direct, and focused mostly on the plot. Aside from that, it is known that Muichiro and Genya are good friends with Tanjiro and company. It's displayed in this cute lil' manga panel :

(Zenitsu keep your hands away oh my god...)

They probably are relatively close, so it's safe to say that "behind the scenes", they hangout. Also, and not to bring up another canon HETERO ship, but Inoaoi (Inosuke x Aoi) literally have the same amount, if not less exchanges than Genmui. Heck, most people agree that them being a couple is random, no matter the adorableness. Listen, I don't want to pull the homophobia "card", but with the past two comparisons I've used, and the fact that Genmui is a gay pairing, it's difficult to say otherwise.

With that being said, I've also seen alot of people claiming that because Demon Slayer takes place during Taisho era Japan, these characters would be 100% straight, or even... homophobic. First of all, L opinion. Just because the society of that time was more openly against queer people, does not mean that they didn't exist. Many people of the lgbtq+ community back then did not ever get the chance to come out of the closet.

Second of all, the Demon Slayer Corps is known to be accepting of all people. You can't expect to maintain a secret military-like organization if you're too picky on who's joining. The most prominent and talked about example is Mitsuri Kanroji, who was praised by Kagaya for her incredible strength, which was deemed weird by society for a woman. As a Demon Slayer, you're basically reduced to a human sacrifice, ready to give up your life on a whim. Who the fuck really cares about what gender you wanna make out with?

Anyways, to conclude, Genmui is an overhated ship <3 If you really dislike it that much, you can sit in the corner and be miserable.