#she's level 99

[isekyaaa]

I Was Transmigrated as the Saintess, but the Villainess is Doing Such A Good Job That I Think I'll Leave the Work to Her and Slack Off!

[theirisianprincess]

[arataka-reigen]

The funniest thing Villainess Level 99 did was introduce the concept of dark magic also being able to heal people like light magic it just looks grotesque as fuck when it's used to do that

[amalgamasreal]

I would normally source this but it's from /a/ and has no credit on it.

[kalmeria]

priorities

[eebie]

Grinds my teeth to dust…. i wish touch didnt have so many Implications. im just trying to survive out here

[captainuranium543]

The greatest struggle a fairy tail fan faces is accepting that not everyone can be as correct about a character as you are

[mantisgodsdomain]

Finally, we get the opportunity to put our Spy Cards worldbuilding in a work. Though there are many questions about such things as "regulation" "how these cards are printed" "who approves a single spy card", and so on, we are here to present a bold new take: this game is based like 60% on obscure roach memory-reading tech that got turned into a card game with absolutely No card-game-related intentions included in the original tech and most of the card vetting is just from the fact that there aren't too many card printers out there and most of them make cards that need to be translated from Roach.

Strictly speaking, as a card game, it is not a terribly good or well-balanced one. It's popular primarily because of a mix of the difficulty involved in getting the data for high-level cards, the fun of seeing the variety of monsters that can be brought to the table, and the incredible amounts of ham and drama that goes into specifically the professional scene.

[normal-thoughts-official]

i get and agree with all the criticism on how fictional characters have been sanitized to never have any real flaws but if you think that flaws like selfishness are inherently more interesting and better written than flaws like low self esteem you're simply not as media literate as the sense of superiority you've developed to cope makes you think you are

[moghedien]

my durge multiclassed into an oath of the ancients paladin at level 10 so I got to start smiting at level 11 and the first person I got to smite was a random bhaalist in the under city that recognized me, called me a heretic, and attacked me. turning around and just divine smiting them to death felt good actually I hope it made Jaheira proud of me

[rabbitindisguise]

big oof

[ya-kiri]

Elizabeth is MERCILESS!!!

[miniewa]

Yumiella Dolkness from Villainess Level 99

I haven't watched the anime, but Yumiella just looks adorable in the clips I saw of her.

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[celleryeller]

I gotta love an anime where the protagonist is the embodiment of Autism Creature

[sadlynotthevoid]

I love when a character is super strong or competent in something and the reason behind it is stupidly simple. Like, so stupid.

As in, they ask "how did you became so strong?" And the reason is something like "I always eat my vegetables". Buddy, that shouldn't make you able to throw a whole person like a boomerang.

Or a character becomes suddenly good at something and they're like "I practiced hard", but then they show them doing some hardcore, at the speed of the light, practice— for a pair of days.

It's so funny. It doesn't make sense. I love it.

Btw, this was caused for watching Villain Level 99 too early in the morning.