#she’s not an actress and she’s not a director

[felassan]

David Gaider on Morrigan, under a cut for length:

"Morrigan began, waaaay back, as a bit of Morgan le Fey (hence the Dark Ritual) mixed with Delirium from Sandman. The Delirium elements subsided into more of a weird cadence of speech as my idea of Morrigan solidified - more cynical, wanting to connect but unable to. Originally, we were looking for a Middle Eastern actress to play her, as Shoreh Aghdashloo was slated to play Flemeth and we wanted a similar sounding voice -- but it was a real struggle, and then Shoreh unfortunately had to drop out to do a movie. So suddenly we had nobody for either character! Then, one day, Caroline (our VO Director) comes in with a recording sent by a rep for Claudia Black - who hadn't done game VO back then but wanted to get into it. And it was Claudia doing a slow *beat poet* rendition of Baby Got Back. I kid you not. I was already a fan, so I lost my goddamn mind. (Yes, I still have the recording. No, you cannot have it.) Naturally, we jumped on that immediately. As I recall, this was met with resistance from higher up - they had this image of Morrigan as young, like 18 years old (no idea where this came from) and complained that Claudia sounded "too old". Them: "She sounds like she smokes three packs a day!" Me: "That's what I like about her!" Caroline and I were determined, so we pushed ahead. We had to agree to get Claudia to sound "younger", which I was dubious about. The first two sessions we asked her to pitch her voice up and it was AWFUL. Claudia had to focus on sounding "right" instead of acting. So Caroline and I did the sneaky thing, and on the third session we asked her to just... act. Use her natural voice. We loved her performance so much we had the feeling that the team would love it too and forget their nonsense. They did. My best memory of Claudia was when we first met. I'd been flown down to LA for the initial sessions to help the major DAO actors find the character "voice" and, boy, was I nervous. It didn't help that I was a huge fanboy of Claudia's and she was going to be the *first* of all the actors I'd talk to. Caroline gave me a list of rules for "how to talk to a celebrity" - top of the list: DO NOT COMPARE THEM TO OTHER ACTORS. So I meet Claudia, and I'm sweating. I think: I'll start from the beginning, right? "Well, when I started writing Morrigan, the voice in my head was Helena Bonham Carter..." Claudia gives me a look and tilts her head. "So what you're saying is... I'm a very cheap version of Helena Bonham Carter." I'm mortified. I melt. I gasp and stutter and she lets me implode for maybe 30 seconds before she throws her head back and LAUGHS. So wicked. I love her instantly and forever. For the next several days, whenever she's in the booth and I make a comment to Caroline - which she can't hear, because the booth is sound-proof - she'd say "Oh, does he want it more like Helena?" And I'd melt into the desk in renewed mortification and she'd LAUGH. This is Claudia in a nutshell. Morrigan became a real touchstone for me, the heart of DAO. Way beyond her initial inspirations. Some said "she's just an ice queen" like some I'd written (Viconia, Bastila, etc.) but such categories are very reductive, I find. She had a voice I could instantly slip into, every time, without fail. The problem, after DAO was said and done, was with how we were going to honour the Dark Ritual going forward... or, more to the point, how we *weren't* going to honour it. I wasn't willing to let her go, however, so I had to figure it out. BUT... that's a story for another day. CORRECTION: A friend reminds me that the beat poet recording Claudia did was "Smack That" and NOT "Baby Got Back", and now I need to go give it another listen just because I can."

[source thread]

David Gaider: "Actually, when Shoreh's movie wrapped she came back and asked if the role was still available - her grandkids were VERY excited for her to be in a game. It wasn't, but as I recall Caroline was all "well, we have this role in ANOTHER game we're making..." Hence why she ended up in ME2." [source]

David Gaider: "Tali's accent was purely created by the actress - which made it a bit of an Issue when the time came to have more Quarians in ME2. "Do we get the actors to all try and mimic... whatever she's doing?" I'm certain Caroline could write a book about how THAT all went down." [source]

User: "I also never knew that Delerium was part of the inspiration for her (atleast in the beginning)." David Gaider: "It'd be difficult to see that now. The very first drafts were a lot more eccentric - more like Flemeth, I'd say, but times ten. The feedback I got was that she's a bit too LALALULU and I had to agree (and my idea of her was changing anyhow). So that slowly got weeded out." [source]

User: "What had you seen Claudia in that made you such a big fan already? (was it pitch black?)" David Gaider: "Originally? Farscape. Then Pitch Black, yes. I tried watching Stargate just for her, but coming in so late I kinda bounced off it." [source]

User: "My only complaint is, and has always been, why is she the straight romance when everything about her screams lesbian?" David Gaider: "I would have written it, if it’d been allowed (remember this was VERY new back then), but after all was said and done I’m kind of glad I didn’t. The friendship path I wrote for Morrigan with a female Warden is perhaps my favourite but of writing I did from back then." [source]

User: "Morrigant to me was such a fantastic character because of the way she sounded! Her introduction in DAO is iconic to me "Well, Well, what have we here?"" David Gaider: "You have NO IDEA how many takes that took. 😳" [source]

User: "Claudia Black did an amazing job with every line in every game." David Gaider: "She absolutely did. It took some time for her to get her bearings, but by the end of our first few sessions I actually went back and re-wrote a bunch of lines to match Claudia's voice. She informed so much of who Morrigan became." [source]

User: "are YOU the reason we see so much morrigan after dao? (positively, she is one of my all time favourite characters)" David Gaider: "Yes and no. She was always considered, by both me and the team, to be a "face" of Dragon Age. I'd have put her in DA2 if there'd been room, but thankfully that limitation is what allowed Flemeth to grow into her own." [source]

User: "were Morrigan and Flemeth always supposed to be Chasind, and/or did the Chasind have any ties to northern Thedas in earlier drafts of the character? The Chasind are universally depicted with dark skin except for Morrigan and Flemeth." David Gaider: "I don't think we had a very clear idea of the Chasind in general back then - they kind of got abandoned as a concept once we cut the Human Barbarian origin for DAO, and were only picked up again later." [source]

[zzzaru]

epic the musical actor AU anyone

Odysseus (Lead Actor): 

talented emotionally complex actor, juggling weight of being the lead while trying to be a good husband and father

he and penelope had telemachus when they were young, and his career took off shortly after, pulling away from family life

trying to reconnect with them while facing his own insecurities about being enough for them

during the scene where odysseus reunites with telemachus, the emotions hit just a wee bit too close to home, which leads to an actual breakdown

stays late a lot after rehearsals, reworking scenes, trying to be a perfectionist

Penelope (Actress)

fiercely intelligent actress, odysseus’ real life wife

balances being a mother to telemachus, acting career, and the occasional media frenzy over their relationship

while she loves odysseus a lot, struggles w the resentment of his absences

tears up during penelope’s monologue about loneliness (hits too close to home 👎)

shares quiet, intimate moments with odysseus between takes (the directors are TIREDD)

Telemachus (Actor)

a young actor breaking into the industry, cast in the musical just bcuz of his parents’ influence

determined to prove he earned his place on his own

doesn’t love being in his father’s shadow, but he looks up greatly to him

love-hate relationship with his dad

emotionally charged performance during telemachus’ ‘confrontation’ with odysseus

is more lighthearted with the rest of the cast, poking fun at odysseus’ dramatic tendencies

Eurylochus (Actor)

one of odysseus’ oldest friends, cast as his loyal (combative) right hand man.

serves as the group’s voice of reason, but his blunt honesty sometimes causes tension

uses dry humor to diffuse tension between odysseus and telemachus but privately encourages odysseus to make amends

finds himself unexpectedly emotional during luck runs out and mutiny

Polites

comedic glue holding the cast together

actually everybody’s favorite castmate

feels overlooked compared to the larger personalities around him

offers emotional support to telemachus after a tenser rehearsal

can keep his eyes open for a concerning amount of time. very good at playing dead?? actually scared his friends during the cyclops scene

Zeus (Actor)

charismatic, laid back veteran actor

mentor/dad figure

LOVES cracking dad jokes, bringing snacks to rehearsals much to athena’s embarrassment

ATHENA’S DAD STILL

incredibly approachable 

competes with poseidon during press tours

Athena (Actor)

fiercely independent (still zeus’ daughter)

trying to prove herself as a director in her own right

perfectionist

cares for the cast and crew, hates showing it

sometimes teases zeus for being overbearing

lighthearted banter with zeus on set

quiet moments where she talks to hera about living up to her father’s reputation

Poseidon

zeus’ brother and self proclaimed ‘cool uncle’ of the cast

charming, mischievous

lightens the mood during long rehearsals

him and zeus = playful rivalry

leads karaoke nights occasionally

bonds with eurylochus over their mutual love of seafood and practical jokes

Hera

graceful and respected actress

unofficial ‘mom’

ready with words of wisdom

helps penelope and telemachus work through their nerves before emotional scenes

scolds zeus and poseidon for goofing off sometimes

Aphrodite

rising star in the acting world

social media sensation

glamorous and confident, but genuinely kind to everyone

posts behind the scenes and blooper reels

teaches telemachus how to handle social media fame

organizes a cast photoshoot to help everyone look their best for promotional materials

Apollo

multi-talented ‘golden boy’ of the cast

known for singing, acting, guitar solos during breaks

effortlessly charming

somewhat competitive (friendly) with ares

challenges polites to a ‘sing off’ during a wrap party, turns into a cast wide jam session

writes an original song for the cast

Ares

high energy

loves keeping everyone entertained

fiercely loyal to his crew. also dating aphrodite

playful rivalry with apollo

surprisingly good with kids

starts a nerf war on set during downtime, with the entire cast getting involved

improvised ‘is she dead’ in god games, everyone couldnt help but laugh

Antinous

charismatic, mischievous, well liked

known for polished performances

naturally confident

relationship with telemachus started through rehearsals bonding over shared family pressure

admires telemachus’ raw talent

fiercely protective of telemachus

on stage chemistry. directors hate them

Hermes

quick witted, flamboyant

hard worker (in his own. way)

flirty. flirts with half of the crew. especially odysseus and polites

never takes things too seriously

sees himself as the ‘glue’ of the cast (he is not, it's polites)

little scenarios i've been cooking up

during god games, where athena and zeus fight physically, i'm thinking one of the props go askew. athena and zeus are fighting in scene, and then one of the props from above suddenly fall, hitting athena in the head, causing panic from the rest of the crew- she's fine of course, she wasnt hit too hard, but panic ensues for everyone, esp zeus and hermes, since athena is family. (athena is zeus' daughter, hermes is athena's brother). and of course the rest of the crew like odysseus, ares, etc)

zeus’ relationship with ares in th is AU is very much like jay’s and mitchell’s from modern family

scene with the cyclops, where the 'cyclops' is supposed to kill polites, when polites is lying there on the ground with fake blood on him he makes it seem a little too real. he gets 'crushed' by the cyclops, and then he rasps out "captain" to odysseus, desperately (acting) like there is dark fake blood dripping from his head, his fake glasses are broken and then his character dies. polites can keep his eyes open for an unnaturally amount of time, and he can make them seem lifeless so after the scene is done, odysseus and eurylochus both go to hug him just to make sure he's there and fine. they cling to him for a bit. polites is very confused, but the hugs are welcome!!

[lizardsfromspace]

What I love about this is that there's no real segue. He starts talking about how they debated how much she should "earn it", and she "earned" it by being a "bridezilla". But then a sentence later he was subverting the "earned death" by not having she earn it. Colin...Colin you were just talking about how you justified that she deserved it. You were literally just talking about it

Before Jurassic World came out there were a lot of stories about how, before you hate it (lol that everyone assumed it would suck in advance), actually, you PROBABLY only like Jurassic Park because of nostalgia and it doesn't hold up. Which, is just such a specious thing to say, I hate that cliche. It's like when people open coverage of a movie remake by noting the original movie will still exist. Cool. Do you have any actual thoughts or ideas in your head or...? Gonna have any criticism in your criticism?

And like. No it does. The incredibly acclaimed and still incredibly popular film is still good. I promise you the past does have good art. I always wonder how people who casually chalk up any affection for old art to nostalgia account for viewers who *didn't* watch it as a child, or watched it years later. It turns out they don't

It also turns out that, yes, Steven Spielberg is a better director who makes better films than the guy who changed his mind three times in one interview answer about if the lady who got eaten by a big fish in Jurassic World deserved it for being a bit mean at her wedding or not. The guy who forgot to give an actress bruises for a everyone-ignores-the-abuse-victim-has-bruises scene in The Book of Henry & who looked at the script for The Book of Henry saying "there is a river you can throw things in and they will disappear" and cast a tiny creek may not have the same flair for visual storytelling, I feel

One of the greatest moments in promotional interview history was when they asked the director of Jurassic World about the discourse around that bit where that lady is picked up by pterodactyls and then eaten by a mosasaurus, and whether she "deserved" it, and you would expect most directors to go "no, that's not how it works"

But instead Colin Trevorrow casually said "she earned that fate by being a Bridezilla", and then he must have realized, saying that out loud, how bizarre that sounded, bc he doubled back and immediately said "uh it was meant to subvert the idea that characters 'earn' their death, the point is it was random", to the person he had just said "she deserved to get eaten for caring about her wedding too much" to a second prior. Absolute masterclass sir

[jewishbarbies]

yes, let’s invite the white racist popstar to be part of our secret awards club so she can help us exclude deserving minorities from getting awards!!

[scarlettfevor]

I just saw this video talking about actresses who've had to wear sexualized outfits on film that made them uncomfortable (think Margot Robbie in Suicide Squad) and it brought up an ongoing concern of mine about how films and tv shows are way more explicit now than they've been before. Thinking about how many actresses have been topless or nude on camera when it's totally unnecessary) Like I know Hollywood is experimental and would show sex and nudity in their films, I don't have a problem with that it's just how disproportionate the amount of women vs men who have to be naked and sexualized in film is. It's misogyny, pure and simple. Forcing actresses to put their bodies and sexuality on display for the pleasure of male directors and a male audience. And I hate that you can never point out how many actresses have come out and said that no, they didn't like wearing sexualized outfits on screen, they didn't like going nude/being pressured to go nude, they don't like sex scenes or explicit rape scenes but still anytime anyone mentions this you have to fight puritan allegations because god forbid you question how a notoriously sexualized and objectified marginalized community seems to always be sexualized and objectified in media.

[poomphuripan]

Ladies of My Stand-In (2024) dir. Pepzi Banchorn Vorasataree

[nonbinary-morro]

ok so im currently rewatching nimona in the hindi dub (thank you @sir-ballister-boldheart-boldheart for the link! everyone should check out their great posts about it too btw)

and right of off the bat, im kinda obsessed with this line change:

in the OG, Nimonas quip/joke is "The one armed club is about to get some new members"

but in the Hindi dub its changed to "Agar inmisay kisi ka basu pasand ai toh bata'dayna" (sorry if my hinglish isnt the best i dont do this kinda thing often XO)

(which translates to: "if you find a liking to any of these arms tell me")

which is not only equally as hilarious but also soso cute cause the implication shes ready to chop of any arm he wants as a fucked up kinda karma/compensation or as a replacement is just, so good. violent and in character but also establishes a side of care for him early on which is really cool.

[1111iza]

source

[pynkhues]

Closed set during the sex scenes? That makes so much sense now because till you said that i have been wondering how they could do these scenes in front of everyone and their mom's

(x)

Yeah, they're pretty standard these days. The idea is that it's only absolutely essential people who are there. My sister is a costume standby so one of her jobs is tucking and taping the actors to give them what little modesty she can (and robing them up between takes), so she's pretty familiar with closed sets. There can be variations of who's there outside of the director, camera operator and boom operator, like I wouldn't be surprised with the American system if, say, Rolin was there too, and for that first sex scene in 1.01, they might've had the stunt coordinator there too for the levitating scene, but I'd be surprised if there were many more people than that, especially after Jacob said that on the podcast.

[skania]

#TBH would love to see your opinion on akane getting the star eyes#other than just ‘she’s copying ai’ bc I think that’s a bit of a cop out#sure i think she highly empathizes with ai#but I think there’s more too it but idk how to put it in words

Thank you so much for bringing this up @verimin because this is another thing I see a lot and I just. don't. get it!

We see Akane acting as Ai twice in the manga. The first time she does it because she needs to put on a role, and the girls suggest she act as Aqua's ideal woman.

That's it, that's all there is to it. Akane was just playing a role.

The second time is, again, all about playing a role. She is auditioning to play Ai, so she obviously acts as Ai.

These are by no means the only instances where we have seen Akane with the star eyes though.

(Spoilers for the entire manga below the cut!)

Whenever she becomes one with the character she is playing, she gets the starry eyes.

This is also the case for these two instances:

In both cases here, Akane is channeling the emotions of a character that she has made her own. She is empathizing with Ai to the point that she feels her emotions, but it's only because she constructed Ai's profile and character so thoroughly in her mind.

So basically, it's once again about acting.

This one instance could be the only outlier, but it actually fits the same pattern.

Her experience during Love Now taught her that she needs to play a role in front of the camera to protect herself.

Before Love Now, Akane was always just herself in front of the camera and that almost killed her. Now, she knows better than to show her vulnerability.

So instead of showing how nervous she is, she acts collected.

And so, since she is still acting, she gets the star eyes.

It's not that Akane is imitating Ai, it's that what she went through during Love Now changed her. She didn't only learn to lie in front of the camera, she also gained the confidence to do the kind of acting that commands all the attention to herself.

So you could say that doing a psychological analysis of Ai made some of Ai's confidence and her ability to tell convincing lies rub-off on her, but that's about it.

Besides, while it may have contributed to bringing her out of her shell, the fact that Akane is able to pull it off so effortlessly shows she was born with it.

All in all, saying that Akane is copying Ai makes no sense because we can clearly see Akane do a 180° whenever she plays her lol

[tvnacity]

man, people criticized barbie for being a sanitized intro to feminism but clearly that’s the level it needed to be at considering the academy watched the whole thing and went yeah… director (and main actress) whom??? We Must Nominate Ken

[143bc]

Still from Anna’s directorial debut - Woman of the Hour

[tarragonthedragon]

i keep seeing people criticising tv shows and movies by being like "i thought x character was bad but im NOT BLAMING the actor i think the actor is GREAT and WONDERFUL i blame the WRITERS and DIRECTORS"

usually this is directed at female characters and characters of colour and like while i understand the impulse to not dunk on actors and actresses who are more likely to be receiving really shitty hate comments just for existing i do think a) the attacks on writers and directors are also really mean and personal sometimes? and also b) this feels incredibly performative

[sunnykeysmash]

Dee's the writer and director... stepping into the leader position she naturally gravitates towards... she's casting the roles. She cast wrong in dee day, but this will change.

She always wanted the lead role before, which got in-between mac and dennis, but if she steps back (behind the scenes), she won't be their buffer anymore and then...

I rewatched aluminum monster vs fatty magoo and noticed how bad mac is at being controlling and manipulative (he follows exactly what frank says, doing things that he's still trying to apply to this day, like announcing dennis' announcement), how dennis can only ever see himself as filling the role perfectly, and how dee naturally stages a strike and everyone listens to her.

I also rewatched gets held hostage and noticed how it heavily features frank's will and how his gun saves the day, both elements that are coming back in tandem in ep2 of s16... and hostage is a very interesting ep in analyzing the group dynamics and how they interact with each or betray each other. It's also like... its talk of stockholm syndrome, because due to dee's monologue I feel like "why are you doing this to me?" will be a theme, in s16. Because it's like... well ok, no only is it also in gets whacked p2, but it implies that you fell in love with the other person because they did something to you...

look, I'm being rambly (as usual), but what I'm saying is that I feel like s16 will pull a lot from s3 specifically... I guess we will see more clearly when it airs, but I wanted to put it out there. It's not just THAT season tho there's like, season 9 too. and 14.

[dontyouloveher]

lol

[capricornsicle]

Amy Lin Workman (New Zealand actor, director, writer, and award-winning cosplayer) as new Teen Wolf character Hikari Zhang

+ bonus content from her Instagram, @/itsamyworkman