#she wanted a real relationship first

[wheneverfeasible]

When Steve’s parents announced their divorce, Steve told Eddie he loved him. They weren’t dating at the time, though Steve thought that the feeling was mutual to at least some extent since Eddie always flirted back with him, but he hadn’t been certain.

He had known his parents stopped loving each other years ago. Hell, he didn’t know if they had ever truly loved each other, but in any case, Steve knew.

His parents decided to sell the house, to move away from Hawkins with its cursed misfortune and small town gossip, and there was no talk of either of them taking Steve with them. Which, sure, he was grown, he hadn’t been part of the conversation at all.

Steve was left at a crossroads on what to do. So, distraught at his change in circumstances, he’d gone straight to Eddie’s and confessed his feelings because he had to know if it was at all possible for anyone to want him the way he wanted them.

Luckily enough for Steve, Eddie did!

The Munsons still had a decent amount left over from the government hush money after everything, so Eddie took his share (Wayne tried to get him to take more since all Wayne had lost was physical possessions and the trailer while Eddie almost lost his life, but Eddie would only agree to a 50/50 split) and together he and Steve threw caution to the wind and found a small place to rent together in one of the new complexes being built as part of the town’s rejuvenation project.

Things were going great. They still visited Wayne, who could now stop working such long hours at the plant and who had moved to a small fixer upper on the outskirts of town. He even moved up the ladder at the plant after some of the higher ups were lost in the “earthquakes” (R.I.P.), which offered better pay and benefits.

Wayne even started dating again, which Eddie informed Steve of in such a scandalized tone, but Steve could tell that Eddie was happy for his uncle, ribbing the older man when they had stopped by one morning and the man hadn’t even been home, stumbling back an hour later with lipstick stains on his shirt’s collar.

(Wayne had told him that he was going to call the cops on them for breaking and entering while he was gone, but there was no heat in it as they set chocolate chip pancakes, eggs, and a steaming cup of coffee before him, having made use of the kitchen while he was out.)

Wayne never introduced any of the women he dated to Eddie and Steve, saying that it wasn’t proper to introduce anyone to the kids yet until he was certain that things were serious, never mind that the “kids” were well into their 20s now.

(Steve also felt a warmth at being included as a “kid” of Wayne’s, however, filling a hole in his heart that his parents had left behind, though his mother had recently reached out to him to rekindle their relationship. His father remained radio silent.)

Eventually, however, there was someone Wayne kept seeing repeatedly, someone he’d met while outside of town when he was at some convention for work and her car had broken down outside of his motel room. She hadn’t left the motel room until the next morning, and Wayne was certain it was just a single night of passion, but…

They had really hit it off, it seemed, and though Wayne hadn’t thought such an amazing and sensual—(“Uncle Wayne! For the love of everything holy, unholy, and whatever’s in-between, please don’t say sensual!)—woman would be interested in him, they exchanged numbers. And then, the day after he’d told her he should be home again from the trip, she called him.

Things only progressed from there, and soon enough there were talks of something committed, of something truly serious, and after a while, Wayne broke the news.

“Boys, my partner is going to be moving back to Hawkins and, while we know it’s a giant leap, we decided to move in together.”

As it turns out, apparently the woman is actually from Hawkins too but had left after the earthquakes tore the town apart, so she is someone that they actually knew. Wayne still won’t tell them who it is, however. He seems a little embarrassed by that, actually, but he also tells them that he is the happiest he’s ever been and he was willing to fight to be with her, so what else can they do but accept that?

They are thus excited for him, excited to finally meet her (again?), and the plan is set that they would have a family dinner together once she was in town. Steve and Eddie are, of course, moderately worried given the whole being queer thing, but Wayne assures them that they will be safe. That Wayne had made damned certain that both his boys would be safe.

(Steve again feels that warmth of belonging to someone, of being loved and cared for and supported in a way he’d never known before.)

And then the day arrives. Steve and Eddie show up early, looking pretty damn spiffy they believe, and help Wayne get the dinner ready, though it’s more like a late lunch really. Eventually, they hear the sounds of tires outside of Wayne’s house.

Wayne, smiling and looking absolutely besotted, moves toward the front door to let his girlfriend in without missing a second. Steve and Eddie hear the door open and close from the kitchen, hear quietly murmured words and what disgustingly sounds like kissing, and then there’s footsteps and—

Steve turns around to greet this mysterious woman, a smile on his face, before dropping the bowl of salad in his hands as shock and something very much like horror make itself known to him.

“MOM???!”

~

Hostage Hotties: @derythcorvinus @katyawriteswhump @honeii-puff

[aardvaark]

sophie devereaux being the person that the leverage team depends on for emotional intelligence is so funny. like she’s relied on to be the peacekeeper, to show compassion for clients, to provide friendship & relationship tips to her teammates… and this is the same woman who is unwaveringly obsessed with the most pathetic wet cat of a man who cannot verbally reciprocate feelings to save his life, and with whom she’s basically having a 5-year-long continuous argument. she has such extreme identity issues that she had to spend months abroad killing off her old aliases and she won’t let her bf know her real name. but SHE’S the team member with comparatively healthy and normal emotional advice?? this family is so weird and i love them

[taxinealkaloids]

harrianthe + sewing (variations on a theme)

[pepperf]

Pop quiz, hotshots! Which would you rather have:

A relationship that, when it goes wrong, you can tell the other person that you need a break to reassess your relationship, and they will discuss this calmly, let you go, and then go away and think about what you said, agree that they were in the wrong, and start working on ways to fix their own behaviour;

OR

A relationship that, when you want to leave, they tell you that you don't really want to go, that you're happier with them, that you should isolate yourself from your family and friends so you can stay with them - and when you disagree and tell them the relationship is just a matter of necessity, they start in on your other relationship (which they have apparently decided is the reason you're going back, despite you making no mention of it), telling you that it's broken, that you shouldn't go back to him - and when you tell them to butt out of your personal business, they tell you they're entitled to have an opinion because you've been stranded alone together for a long time...

Is that or is that not what happened? Because I remember Lila making herself pretty clear on these points, but apparently a bunch of people think we should disregard a woman's expressed opinion about her own life, and go with what she's being told. Because Five knows best, amirite? Gosh he's so smart and clever! And he deserves this - he deserves Lila, no matter what Lila herself says. He's owed it by the universe, because he had a bad life.

Lila did have another relationship like that, where she was told what to do, kept in the dark, told that the other person knew what was best for her...and it wasn't Diego.

[lollytea]

I need to watch Sharpay's Fabulous Adventure to reach my final conclusion on if she's even attracted to men

[hoshizoraorchestra]

idk man just thinking about how damsel3 literally just breaks the narrator. it is worse than the very thing that he will do Anything to prevent. that's how terrible it is to witness and to describe. man. man. i need to lie down.

[dreamieparadise]

Day 13 ☆. Meme

@mimiruku takes place after Miruku left Namimori after HS graduation! He had gone back home. Sob. Momina's heart ached so terribly and she made it everyone's problem.

Here she baked cookies in his honour! Hayato took a bite out of hers before she could show Mimi...so now she's crying.

Fran is over because Momina took over his care after he got kidnapped by the kokuyo gang. She made sure he had his own snacks, bed, and things he could hoard at her apartment. She also makes sure to give things to those vile teens because she knows if she doesn't, they'd just steal from Fran. Sigh... Anyway, he is eating a Miruku gingerbread!! I like thinking this was while Momina is face timing Miruku...Miruku going "can't believe you'd let gingerbread Xixi be eaten...I do not feel loved right now!!"

While Momina goes "nooo Xixi! I love you the most!! You know this!!"

"Oh? Then why is Fran eating baby Xixi!?"

Momina pauses before saying in a weak voice: "....but he's a growing boy and he ate his lunch already..." 🥺

Miruku hangs up as Momina shrieks for forgiveness. [He immediately calls her back after...]

Prompt list

Reference below:

[welcometogrouchland]

[ID: a coloured and shaded digital sketch of Luz and Lilith from the owl house. They're depicted with their designs from For the Future. Luz is tackle-hugging Lilith, ugly crying and exclaiming "I missed you so much". Lilith braces for the hug and smiles with tears also in her eyes. The background is a pale yellow colour and previous versions of the sketch can be seen at low opacity behind the full drawing. End ID]

When you see your cool aunt (actually a loser but you love her) for the first time in months and she has a badass apocalypse makeover but still somehow looks like a librarian

[redrobin-detective]

So watching the newest Spy x Family, I see everyone squealing over Uncle Franky (don’t get me wrong I am too) but I also think his outsider’s perspective is kind of sad. When Anya is waiting for Yor and Loid to get home, the line he says there struck me.

“Hey, do you like your mom and dad?”

Like that’s a weird question to ask a young child who, hopefully, should love their parents. But Franky I think is acutely aware that they aren’t Anya’s real parents and the Forger family is fake. Franky has worked with Twilight for years, knows him very well and has presumably seen him make and drop identities like one would an article of clothes. We’ve even had Franky directly accusing Loid of being too clinical, focusing only the mission. I think Franky believes that once Operation Strix is completed, that he’ll leave and Anya and move on to the next assignment.

 I think that idea has colored a lot of Franky’s interactions with Anya. Yes, he’s also a big kid and wants to run around and be silly. But I also believe he’s trying to give this girl a sense of happiness and family presumably before she’s dropped off at the nearest orphanage once her usefulness is outlived. Like we all know Loid is catching feels but he’s a Good Actor and it might not be readily apparent to his coworker. Idk it must be so sad for Franky to watch this little family interact, to sweep up a child so clearly desperate for love and family in a spy operation, only to realize it won’t last.

[possamble]

AHA thank u i was mostly just. frantically pulling the "no hetero" card bc farcille is super super always endgame for me and the "marcille has two hands" thing is absolutely not for me and my personal characterization of marcille

i like. can't find it anymore for some reason but there was a farcille fic set just after the shuro confrontation where laios reaches over to hold marcille's hand and ask her if she likes him or if she's just tolerating him too and it was so. the vulnerability. the puppyness.

that safety and security he must feel in knowing that she wears her heart on her sleeve and he will always know when she's unhappy with him because she will absolutely let it be known. the way that falin's first revival was the turning point for the way he felt about her because, for the first time in his life, protecting falin wasn't something he had to shoulder alone. there was finally someone else who cared about her as much as he did (in his eyes, resenting his parents for failing to protect her) and would stop at nothing to save her. the way it must have been proof for him that, not only was falin not alone anymore, he wasn't alone anymore.

idk why i like rather than dislike the fact that his only framework for parsing how he feels about "the first girl other than his sister that he's ever cared this much about" is a comphet romantic lens. like he would have the autism moment of fully assuming that he's in love with her for a while and just like. not? doing anything about it? because he doesn't feel the urge to, nor is he sad that he knows marcille would mostly likely never "feel the same way" about him?

like. he "figures out" that he's "in love with marcille" with all the passion of printing out a label and sticking it onto a favourite scrapbook for organizational purposes. he's equally happy to be her husband or brother-in-law so long as it means she stays close and is part of his family.

i know logically i should hate it but it's sooo crunchy to me. my comphet besties ever. designated plus one and dance partner to all fancy and formal occasions. having actual real chemistry but the "romantic" part of it is some weird shapeshifter smokescreen. augh

[charlieconwayy]

fryleela meme ♥ [1/8 episodes] → season one, episode 10 "a flight to remember"

[dancedance-resolution]

well fellas it’s happening i think i am maybe developing a crush on the girl ive been fucking recently 🫥

[freakinator]

i think the thing about kab that frustrates me the most is that she seems to think shes a lot more helpless than she actually is, always looking for someone to help solve her problems for her even when shes fully capable of doing things on her own but she just doesnt believe she does

first and foremost is clown: why is her go to solution always clown?? mfer hasnt even logged on in months and most likely will not log on until he finishes elden ring which will surely take a while and thats not even mentioning the fact that they arent teammates -- seemingly a moot point considering how close they are but a declaration of intent to team is important on lifesteal cause it essentially signals to the other person "i'll be there for you" and is a big reason why betrayals hurt so damn much because trust is a rare commodity that essentially got stomped on, the fact that clown wont even do that tells me that he feels no obligation to her and its fair to assume that he'll act accordingly. kab seems to think hes reliable and will always be there for her which is fair cause he has been in the past but the thing is he isnt right now, she cant rely on him cause he just simply wont be there for her -- if he was then he wouldve killed mane by now

second is hannah: i'll admit that out of everyone on the server hannah is probably who kab can rely on the most right now and yet despite that hannah 1. has not logged on in a while and 2. prioritizes her own safety over kab's, to the point of essentially abandoning her and taking red's side when team mice had a fallout so despite being one of the two if not the only person who would throw everything away to help kab out, at the end of the day shes only as reliable as her survival instincts would let her be

third is zam: to put it as bluntly as possible, zam has never and will never prioritize kab. his main and only priority is the server itself esp spawn, the only reason he goes out of his way to assist helpless players is cause he wants to keep the server functional and leaving the weaker players who arent willing or arent able to fight back for dead basically ensures that all conflict will eventually stagnate and therefore leaving the server in a state of decay. his oath is not and has never been an arbiter of morality, its more akin to stewardship rather than justice therefore regular conflict such as grudge kills are far too trivial and most importantly normal and necessary for the server to keep functioning and will never make him go out of his way for her. sure she can ask for gear, thats something that he prides himself on and he can be rather generous esp if hes got a surplus of material, but he will never solve her problems for her unless the source of her conflict affects the server itself such as when mane escalated from hunting kab down repeatedly to becoming the main spawn griefer

she needs to learn to be more independent, to take responsibility, to not rely on other ppl so much esp if there isnt mutual trust and willingness to defend each other between them. she can ask for help of course but she cant solely rely on assistance to help solve her conflicts on the server and with her karma thing going on, how does she expect to fulfill all that if she cant even stand on her own feet without a crutch? like its one thing if it was a whole team but shes the sole arbiter, how is she meant to enact revenge for the whole server if she cant even solve her own problems? how is she meant to face off against some of the best pvpers on the server (who dont hesitate to kill weaker players btw) if she cant even spill blood on her own? she can make traps but is she willing to? over and over again? can she deal with the consequences of being a hunter? cause shes not getting off of this scot-free regardless of how morally good her actions are

[m00n-pr1sm]

Amy Dunne Character Analysis

Disclaimer

This analysis will be of Amy’s character from both the book and the movie, although the 2014 movie adaption takes greater precedence with only some additional details and quotes included from the book as it does delve deeper into Amy’s psyche and add further characterization. Thus some traits may be accentuated further than they are in the movie, not being completely faithful to either story. It’s an analysis of Amy in her totality across mediums, of course being entirely my opinion. There are of course adaptational differences but I will not include the major ones from the books (ex. her relationship with Hillary Hand). This is an analysis focusing primarily on Amy’s neuroses she demonstrates and the childhood links to them, it doesn’t cover in-depth the events nor themes of Gone Girl.

Amy Elliott Dunne, the ever enigmatic dual protagonist- antagonist of Gone Girl is one of the most iconic female villains in modern memory, and one of the paragons of the “good for her” trope in media, is, frankly, one of my favorite characters of all time. As such I have been dying to write a full analysis examining her neuroses and characterization. Beneath the cultural perception of just another “crazy psycho” for girls to claim “she did no wrong” or “she just like me fr!”, lies a fascinating character who is masterfully written and developed by Gillian Flynn, as well as perfectly portrayed by Rosamund Pike. Amy Dunne is a character with a deep, complex psychology that I will do my best to thoroughly explore in this analysis.

From Amy’s childhood we first see the emergence of a literal high ego ideal, Amazing Amy. Of course this is the children’s book series created by her parents with a fictionalized version of Amy being the eponymous protagonist. This was a version of herself that rectified her own personal failures. Amazing Amy became a prodigy at cello, when Amy quit at 10, Amazing Amy made varsity volleyball, Amy got cut freshman year. Even in the (at time) final book in the series, Amazing Amy got married, a task Amy had not yet done. The entire book series revolved around Amy always making the most virtuous, the most selfless, the most perfect decisions.

>”With me, regular, flawed, real Amy, jealous, as always, of the golden child.”

An interesting detail in the book that is omitted from the movie is Marybeth’s numerous miscarriages and stillbirths (which totaled 7). All of these girls were named Hope, until Amy was born. Amy expresses her jealousy towards them, as they were always seen as perfect without ever living; meanwhile Amy herself has to live life everyday knowing that she will never truly live up to the Hopes. That she has to try everyday to be the best she can be. Her very birth was mired in the expectation of a perfect child; given that she was practically a gift from the heavens to her parents.

This sets up Amy’s perfectionism, as the childhood experience of never living up to a projected ideal led her to want to be perfect (and as we’ll later see, the expectation that everyone else is too), to live life always through the gaze of another. Evidently this leads to a loss of one’s inner essence, one’s individuality and sense of self.

>“-I’d never really felt like a person, because I was always a product” (Book Quote)

Amy’s obsession with personas can be seen as emerging from this, as she adapts a personality depending on who she’s interacting with, as to always be the most appealing she can, she is Amazing Amy after all.

>”I’m not sure, exactly, how to be Dead Amy. I’m trying to figure out what that means for me, what I become for the next few months. Anyone, I suppose, except people I’ve already been: Amazing Amy. Preppy ’80s Girl. Ultimate-Frisbee Granola and Blushing Ingenue and Witty Hepburnian Sophisticate. Brainy Ironic Girl and Boho Babe (the latest version of Frisbee Granola). Cool Girl and Loved Wife and Unloved Wife and Vengeful Scorned Wife. Diary Amy.” (Book Quote)

This general attitude leads to people trying to impress her as she places herself as someone special and especially someone to keep around. She entices both the characters and viewers of the film through her manufactured charisma and enchantment. However, we’ll see this dramatically backfire in her relationship with Nick, just you wait!

For now we can focus on the beginning of their relationship as well as what I believe to be Amy’s view on romance.

I believe that Amy has an impossibly high standard of love, one that stems from her perfectionism and general inability to let down her guise of being amazing. Not to mention how her parents were a perfect match, Amy even referring to them as soul-mates.

>”They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish—expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing.” (Book Quote)

In her childhood it’s implied that she was into romance novels, specifically Jane Austen’s Pride and Prejudice, which obviously contributes to the idealization of romance, of a literal scripted love.

>”You were an alienated teen and only Elizabeth Bennet understood you”

I think this little quote is incredibly indicative; it establishes a sense of alienation, of Amy never quite fitting in and blending with others.

>”So many lessons and opportunities and advantages, and they never taught me how to be happy. I remember always being baffled by other children. I would be at a birthday party and watch the other kids giggling and making faces, and I would try to do that too, but I wouldn’t understand why. I would sit there with the tight elastic thread of the birthday hat parting the pudge of my underchin, with the grainy frosting of the cake bluing my teeth, and I would try to figure out why it was fun.” (Book Quote)

Back to the topic of romance, through these stories it allowed her to imagine her perfect romance: if Amy could find that one person that truly understood her, beyond the illusion, that then would constitute a perfect union of love. She does deep down (whether consciously or not) want to be loved for who she is; not the idealized, palatable, literal marketed version of herself. Thus she holds trust as a premium, expecting that if she does the Herculean task of unspooling and revealing herself to another, that the other person would love her no matter what.

>”Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?” (Book Quote)

However all of this culminates in an impossibly high standard of a lover, of a practically divine mythical love; where one loves totally and absolutely. Of course where this neurosis is most demonstrated is in Nick and Amy’s relationship.

Amy comments that after meeting Nick she finally felt like a person as he brought out a side of herself that hadn’t been seen, in her own words “a lightness and an ease”, something that Amy enjoyed. In her eyes they had the perfect relationship in the beginning, Nick was her compliment with the witty banter, with their inside jokes, and charm.

However this doesn’t just vanquish her childhood neuroses, through her desire to be seen as perfect, she modifies herself to be a “cool girl” for Nick, complying endlessly to standards to maintain this perception.

>” When I met Nick Dunne, I knew he wanted a cool girl and for him, I’ll admit, I was willing to try.”

Amy essentially became Nick’s image of a perfect girl, witty, fun, and most of all easy-going and forgiving.

Yet one cannot live forever in images and ideas; and as such, the real, true Amy emerged. The Amy that cares too much, that’s hard to get along with, that is a controlling perfectionist. She also tests Nick through the treasure hunts, weaving in little details about their relationship as to challenge Nick and hope that he remembers the things they do together as deeply as she does. Combined with the 2008 recession and declining health of Nick’s mother (the consequences of which will be explored later). As well as Nick’s growing dissatisfaction in the relationship (evidenced by his worsening performances in the treasure hunts, the cheating, using her for sex and ignoring her otherwise, etc). The illusion both Nick and Amy were living in crumbled; they couldn’t possibly sustain their relationship as they were both striving to fulfill reciprocating images for the other.

One of the biggest parts of her character is Amy’s elitism and entitlement, in which she thinks of herself as someone superior, someone that deserves to be loved absolutely for who she is, although only to people she considers worthy.

>”She’s easy to like. I’ve never understood why that’s considered a compliment—that just anyone could like you.” (Book Quote)

Once again this stems from her childhood, in a seemingly contradictory way, she also sees herself as special for being the one that survived from her mother’s attempts, as well as the fact that her birth was so tumultuous that she would be an only child. From this also stems her entitlement for love.

Amy actively looks down upon women she considers “average”, whom she sees as coming from mediocrity and continuously perpetuating that in their lives. She scoffs at them with her wealthy parents and NYC background until her marriage with Nick crumbles. Only then does she realize that she’s become the very woman she would previously disdain. A woman with a failing marriage, the loss of her previous wealth following the recession, and moving to a failed development in Missouri (What the hell’s in Missouri?) for Nick’s mother.

I truly believe this, combined with Nick’s infidelity, and most importantly the loss of her idyllic love culminated in the iconic Gone Girl plan.

>”Nick took and took from me until I no longer existed, that’s murder. Let the punishment fit the crime”.

Nick took Amy’s identity, her sense of self that she so generously revealed to him and rejected her. Implying that she would only be loved if played the role of the “cool girl”; stripping her of who she really was, losing herself in yet another persona. Although Amy admits she doesn’t really have a personality and lives through personas, she still has a semblance of self that she holds dear.

>”-made me realize that there was a Real Amy in there, and she was so much better, more interesting and complicated and challenging, than Cool Amy”. (Book Quote)

Worse yet, Nick had cheated on her with a “newer, younger, bouncer Cool Girl”, leaving Amy in the dust, surely damaging her pride.

But Amy truly fell in love with her idealized version of Nick, believing that she was responsible for shaping that version of Nick. That she deserved that man in his entirety, of course what gets Amy to come back to Nick is the Sharon Scheiber interview, in which he promises to make up with Amy in just the way that makes her think that Nick is the one person who gets her. He makes the little references to their inside jokes (2 fingers on the chin when they’re not bullshitting the other) and a reference to the end of the treasure hunt (always a contentious issue in their relationship). She’s reminded of who he was, that he was once perfect for her, who else could know how to appeal to her heart in just the right way? With the same passion and conviction she reverses the judgment on Nick, clawing her way back to him. She does so in an especially brutal manner, slashing Desi’s throat with a boxcutter right after he climaxes. Putting aside my enormous personal bias against Desi, he was technically an innocent man, taking a great risk in sheltering Amy. However it’s clear that Amy sees him as merely an asset and something to be disposed of once he serves his value, as another prop in her ever evolving masterplan; she did string him along for years through their letter correspondences. He was just another casualty in Amy’s search for idyllic love. She comes back dramatically, literally falling into Nick’s arms while still covered in Desi’s blood like a dress; fabricating an elaborate story about a love obsessed former boyfriend kidnapping and violating her. Despite the glaring holes in her whole story (If Amy’s marriage was as bad as she made it out to be, why did she go back to Nick so easily? How did she get access to a knife and kill him so seamlessly? Why didn’t Amy do anything when she discovered the stuff in Margo’s shed? etc), law enforcement, media, and the public all fully believe it, infatuated with the persona and narrative that Amy’s created for herself. In the end she traps Nick into the marriage and eventually, the family. The last shot of the film is a haunting recall to the beginning shot of the film, as Amy has both revealed and secured herself to be the master of the narrative, finally obtaining her perfect love, no matter what the cost may have been.

Conclusion

Through a constant demand in Amy’s childhood emerges a need for perfection, simultaneously bringing about a sense of superiority and entitlement. The use of personas and façades facilitate this, painting Amy as the most amazing cool girl for whomever she’s performing for, to feed her need to be seen as perfect and desirable. Yet there emerges a psychological detachment from others; as the need to perform inevitably leads to an internal hollowness. However underneath all these layers there also lies the true Amy who has the deep unconscious desire of wanting to be loved absolutely, to have a perfect union of love where she can reveal herself fully and be loved for who she is truly.

>disclaimer for tumblr lol, this is not me trying to claim Amy was innocent I am fully aware that she’s a terribly entitled and narcissistic person but she can still be complex and have relatable desires & be a person even if she’s massively fucked up!!

[arolegos]

im over it but if she messaged me now i would respond in a heartbeat

[grimalkinmessor]

ACTUALLY back to my Lilo & Stitch MP100 comparisons, since I usually make Arataka's sister so much older than him, I see them as having a kind of Nani and Lilo dynamic—

Arataka: Why don't you sell me and buy a rabbit instead!?

Anehito: At least a rabbit would behave better than you!

Arataka: Go ahead! Then you'll be happy because it'll be smarter than me TOO!

Anehito: And quieter!!

Arataka: You'll like it 'cause it's STINKY like YOU!

Anehito: GO TO YOUR ROOM!

Arataka: I'M ALREADY IN MY ROOM!

•

Anehito: Arataka, you open this door this instant!

Arataka: Go away...

Anehito: Arataka we don't have time for this!

Arataka, laying face down on the floor: Leave me alone to die.

Anehito: You are SO finished when I get in there! I'm gonna stuff you into the blender, push puree, bake you into a pie and then FEED IT TO THE SOCIAL WORKER!

—and then of course the soft moments too 👉👈🥺🥰