BREAKING NEWS!!! Local idiot ghost absolutely blown away when boyfriend gives him a nickname for the first time, more info after this broadcast.
Bonus pet-name edition:
(Yeah I know it's ooc for grovyle to EVER use the term "babe" but lets go ahead and assume he's done it accidentally a few times rather than intentionally. He's deeply in love with the dumb ghostman, ok. Sometimes it just slips out.)
Dusknoir is still recovering from hearing it. And when he finally calls grovyle "love" himself on accident a few days later, he falls deathly ill for two weeks cause his body couldn't handle the aftermath and started rapidly shutting down on a molecular level.
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no thoughts head empty the oppressive stagnancy of legacy in ever after high dragging me round the block yet again
it's such a shame that we get so little explanation about the actual mechanics of destiny, which is the entire premise of the show, bc it's so juicy. like what power does destiny hold when you rip away milton's lies and centuries of assumptions and traditions. esp bc despite raven signing herself as the evil queen in the real storybook of legends, when the snow white fairytale actually happens in dragon games she's playing one of the seven dwarves and her mother has reprised her role. like how much of that was because of the characters' actions and how much was destiny pulling on old, familiar threads. keeps me up at night.
a lot of this is probably just like, plot holes and writer hot potato but i like making it that deep, that's half of the fun. my personal interpretation is that fate is a wild thing that desires repetition and they developed the system of fairytale legacy bloodlines to keep those repetitions predictable and contained, instead of wreaking havoc whenever and wherever they please.
which lends itself to some really juicy exploration of how legacy is a duty as much as it is a privilege, and how to be a princess or a witch or a hero or a dragon is to be the same thing in the end: the lamb destiny slaughters on the altar to sate the ever-ravenous narrative. to keep the flock safe. keep the unknown that prowls beyond the beaten path at bay. because if a there is always a mother who will be cruel, or a maiden who will fall into a sleep like death, or a child who will become a bird, isn’t it better to know who, and how, and when? isn’t better if it’s you, who has known your whole life that you must be eaten, be poisoned, be stripped of your humanity, rather than anybody else, who wasn’t raised to see it as an honour instead of a great and terrible injustice?
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Fun fact: Foxfire has a rotating class schedule! I know this because it’s said in book 1 that Sophie has Alchemy on Wendsday but later in the book we see three back to back detentions starting the day after her alchemy session.
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If you dont mind me asking, on which season of 2012 tmnt are you at?
It’s been a while since I’ve been able to sit down and watch but I’m pretty sure I’m at some point in season 2? So still a long way to go but admittedly I’ve already been spoiled on more than one thing haha. I like the characters a lot though, they’re very prickly and react to things a lot more realistically than I thought they would.
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Tamaas (eventually Tamara)
Addressed as: Madam* (she/her)
Age: 23
Height: 5’0”
Occupation:
Main Skills: Shadowy, Watchful
Prominent Quirks: Melancholy
Closest to: The Urchins
*it's a form of address that feels strange compared to its Varchaasi equivalent, but she no longer has any claim to that title.
Backstory below the cut:
She never questioned her life, much like she never questioned her love for Mihir and her native Varchas. One rarely has to when all is well and life is easy.
She doesn’t understand why her brother did not share this contentedness. Fraternal twins, they were ever-close, sharing everything, but his interest in the Jewel-Turbaned Youth and his fanciful club was something that she simply could not get her mind around. The rest of the family paid it no mind—they’re harmless anyway. Let him have his fun.
She doesn’t know what it was that stopped her from retiring to bed that one fateful evening, a nagging in the back of her head that something was off. When she stepped back out into the yellow evening lamplight, a familiar shape slipping down the streets confirmed her intuition. Her brother made it as far as the Mirrored Gate before she clamped her hand around his wrist. Was he mirror-mad? What could he possibly be thinking? Who would want to leave the light, and to set sail on a steamer with a Tamaas captain he’d only met that morning? She’d argued with him, begging him to see sense, until they were both shouting. Deep in their quarrel, she’d barely noticed the shape in the mirror pressed up against his back until it was too late. It struck and he screamed, jerking to the side. Hand still latched around his arm, she slipped in turn, down the slope beyond the gate and both of their lives ended in an instant.
She’d later piece together what had happened from The Sympathetic Captain, most of her memories a blur, and Mihir knows, she’d had enough time on that ship to play her retelling back in her head in endless combinations. Before her brother had even met the ground, before his head had hit stone and his heart had stopped beating, he was Tamaas. As was she, not a fraction of a second later. The Captain had heard the commotion and was not far from the bottom of the cliff. She had insisted that the Captain take them both, that no one in the city would help them anymore. She had to get him to the next port where he could recover.
How his body had disappeared a day later, on a ship miles from the coast, was not one the Captain could answer, no matter how much she raged, how many objects in the cabin she smashed in her fugue. The Captain could only offer a sympathetic ear and a cup of tea.
When the ship finally docked in London she disappeared into the darkness, too ashamed of her grief to say goodbye. Her life was over, but somehow she would have to keep living, Tamaas or otherwise.
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Odypen definitely and equivalently adore each other BUT I weirdly can't see them as the type to actually say "I Love you".
They still definitely vocalize their love for each other but it's more so in "My Joy", and "Extraordinary Woman", "Strange Woman/Man", etc. And very cheesy lines (both say some cheesy shit in the Odyssey, and he definitely does in the Iliad as well. "Joy like a drowning sailor seeing land" bit???)
I could see "I adore you" but even then, that's probably during very specific moments but the actual "I love you"??? I just typed it just now for fic shit and... It weirdly just didn't feel right and I don't know why. 😅
Idk maybe it's kind of because I see them as over the top in ways, they love wordplay and riddles and I think they'd almost think "...That's not good enough >:( " about it??? I don't know???😂
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I think I would need to reread the first book to really commit to this opinion but imo some of the horror of book!claudia is that she really is a terribly inhuman monster. she was a vampire child, so she never learned to be human. she was a vampire child so she'll never grow up and fulfill that potential. companionship is a necessity for her because she can't look after herself and that makes her bitter and disdainful of people who want love for its own sake, especially in the context of Louis and Lestat, who damned her to her current state to fulfill their own emotional needs. it's a stark contrast to show Claudia, who yes, is a vicious mass murdering vampire and has fun with it, but is otherwise a lonely woman who craves companionship and understanding because she's a person. Her beef with Louis is still about his failure to prioritize her and his assorted bad idea relationship choices but the undertones are so different and I really feel like the tragedy is that he didn't put her first and not that he could never have made her happy no matter what he chose.
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