#she just...has a lot of feelings

[writeitinsharpie]

i have a thought about pjo that i can't quite articulate but it goes along the lines of:

athena gave annabeth as a gift to frederick because she liked his search for knowledge. in athena's eyes, any action of annabeth's reflects herself, which is why annabeth 'embarrassing' her had such strong consequences

poseidon fell in love with impertinent, stubborn sally jackson. percy wasn't a gift to her - he is a cumulation of all of her stubborn, steadfast love.

why wouldn't poseidon still love and aid percy when all of percy's insolence is why he loved sally in the first place?

[technically-human]

Beings and entities, @i-am-as-normal-as-you-are has once again approached me with an amazing concept, so we present to you... a fusion, Steven Universe style! we're calling him Charwin because we can't be creative all the time.

AND there's lore. It's us, of course there's lore.

I tried to include it in the comics themselves, but basically, there was a case of dissappearing ghosts. Just like Esther, the people behind this were trying to use the pure energy to their advantage. These rocks are supposed to amplify the energy, but it kept resulting on the ghosts dissipating. The boys were captured and experimented on (yes that's horrifying. Not pictured here because... the reverse verse is angsty enough, so I wanted this one to be a bit more fluffy), but since they both went through Hell, they're stronger than your average ghost, and the rocks stayed on! The fusion was an unexpected side effect.

Plus he can make a weapon appear! it is just an oil lamp though.

[thepunchingbag]

right in the motherfucking feels

[poorly-drawn-mdzs]

Breaking Bread, and Spilling Soup.

[Bonus art]

[First] Prev <–-> Next

[hajihiko]

'Strong opinions about femininity and masculinity' moment

[puppppppppy]

Wyrm on a string

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[bigfatbreak]

Hi! Does Alya really assume the worst of Mari in this particular chapter (like, quite often yes, she does, but in this case)? Or is it Marinette's interpreting it like that? P. S. Love your work!

A bit of both! Alya doesn't naturally think the worst of her, but Lila is good at manipulating her and the class into assuming Marinette is "messing up" pretty frequently, and Marinette's pessimistic attitude due to trauma means every time no one stands up for her against Lila, it just proves her own insecurities right and she considers it fact. When Alya jumped into lecture mode, it came from a genuine place of worry - but lecturing someone who already thinks you hate them won't lead to any good conclusion, just further hostilities, or putting her on the defensive.

While Marinette's feelings are valid, they're not 100% rational, but no one's proven her WRONG yet, since Lila plays the part of cuckoo so well. If Alya thought the worst of Marinette, she wouldn't have come to her for help during her argument with Lila - but as you'll see in the next update, Alya and Marinette had a blowup argument in the past that was pretty messy on both sides, leading to this cold attitude from Marinette.

[cerubean]

johnny zest but he goes by john landgraab and hasn't dropped out of college and been disowned yet and is also arranged to be married to dina caliente

[trauma-bot]

sin eater

[deeplyshalllow]

Glinda gets what she deserves at the end of Wicked

I don’t necessarily mean this in an all negative light either, Glinda’s ending is bittersweet – sad, but hopeful. But she does not deserve an all out happy ending at the end of the musical.

I don’t know if I’m gonna be crucified for this, but here goes.

Glinda in Act 2 is a key part of a fascist regime. She doesn’t just live in it, she isn’t forced to take part in it and she’s not working as a double agent (like Fiyero). She knows what they are doing to the Animals (which includes separating infants from their mothers and putting them in cages, and making Animals so afraid they literally forget how to speak), she knows and loves people it is hurting and yet she continues to actively promote it.

(I won’t point out the connections to real world situations, but I’m sure you guys can all think of examples and think of how you feel about people who are active participants in helping such regimes.)

We see she knows all this too. We see she excuses it for her ego and the power:

Glinda: Do you think I like to hear them say those awful things about her? I hate it!

Fiyero: Then what are we doing here? Let's go, let's get out of here!

Glinda: We can't leave now, not when people are looking to us to raise their spirits.

Fiyero: You can't leave, because you can't resist this. And that is the truth.

Glinda: Maybe I can't. Is that so wrong? Who could?

Elphaba: No, of course you never! You're too busy telling everyone how wonderful everything is!

Glinda: I'm a public figure, now. People expect me to...

Elphaba: Lie?

Glinda: Be encouraging!

And if one could possibly argue (weakly) that, given she’s not actually doing any of the regime’s actual violence, just keeping people’s hopes up she’s not as bad as those who are, she gets worse:

Morrible: Well, we'll just flush her out and force her to show herself.

Wizard: But how?

Glinda: Her sister

Morrible: What? What did she say?

Glinda: Use her sister. Spread a rumour. Make her think her sister is in trouble and she will fly to her side... and you'll have her.

Even if one argues that Glinda is somehow not clever enough to realise that they’ll end up killing Nessa, she sure as hell knows it will get Elphaba captured. And there’s no way that Elphaba being captured won’t lead to the execution of her best friend. Yes, she’s heartbroken, yes, she might not have said this when emotions weren’t running high, but it doesn’t make her terrible words less deadly (and bear in mind Elphaba hadn’t even done anything to hurt Glinda! It was Fiyero who chose to go with her).

Glinda only really starts realising what she has done in March of the Witch hunters, when Nessa is dead, Fiyero is tortured and presumed dead and Elphaba has descended into madness – all because of her own action. And, kudos to her, this is when she decides to change, she immediately goes to Elphaba and tries to warn her about the Witch Hunters, apologises and ultimately Elphaba trusts her with the Grimmorie and to continue her legacy (which she immediately does by overthrowing the Wizard). She has started down the track to good but she still has a long way to go.

I am not the first, nor will I be the last to point this out but “Goodness knows the wicked’s lives are lonely, goodness knows the wicked die alone”, sung by Glinda,is clearly not about Elphaba. Elphaba was not wicked, nor did she die alone (literally Dorothy was in the room and metaphorically Glinda supported and loved her). Glinda is singing about herself, Glinda knows she has been wicked, Glinda knows that it is her own actions that have lead to the “death” of her friends.

So what Glinda is left with is a chance to do good. A chance to live up to her name and make up for what she’s done. A chance to use what she’s most talented at, making people like her, to continue the legacy of her best friend. Despite everything, Elphaba does trust her, if she didn’t she wouldn’t have left her with this responsibility.

Glinda: Fellow Ozians, friends, we have been through a frightening time. There will be other times and other things that frighten us. But if you let me, I'd like to try to help. I'd like to try to be... Glinda the Good.

This is why she is going to “try” to be Glinda the Good, because she hasn’t been good yet. She has learnt a lot of very hard lessons through the narrative, been dragged kicking and screaming out of her selfishness, ego and giving into her worst impulses and is grateful for a chance to repent. And honestly, I’m sure she will suceed.

And one last thing:

Elphaba: I only wish...

Fiyero: What?

Elphaba: Glinda could know that we're alive.

Fiyero: She can't know, not if we want to be safe. No one can ever know.

I know a lot of people take ire with this line. But Fiyero, always the best strategist of the group, is right. The last time Glinda was trusted with important information it led to a death and two more people nearly dying. She has not earned that trust yet.

But, remember, Glinda isn’t stupid, Glinda is in a position where she’s going to have to think more and more. Glinda has presumably seen her roommate get wet before, she saw Fiyero’s reaction to the rumour, no matter how much searching happens Fiyero’s body never turns up, how long is it really going to take for her to connect the dots? Sure “Glinda can never know” for sure, but she sure as hell can be comforted by the fact she’s almost certain her best friend did not melt from a bucket of water.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[offkilterkeys]

The world isn’t ready for my alpha kid readings.

[azulsejos]

s2 + golbetty centric episode prayer circle 🍎💝

[tangents-within-tangents]

Hi, my name’s Omega! And this is my dad-brother Hunter, and my mom-brother Echo, and my wine aunt-brother Crosshair, and my big brother Wrecker, and my little brother Tech, and my uncle Rex, and my pirate vodka aunt Phee, and my surprise sister Emerie, and my lizard-dog Batcher, and my long lost DNA brother Boba Fett, and

[fumifooms]

That. That screentone on Chilchuck’s chest in the low open collar. Is Chilchuck having chest hair canon Kui. Kui? Gripping my knee