Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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Hey, I was wondering why you think Roxy was destined to end up with Eridan? I get the shared wizard interest and the quirk foreshadowing I guess, but that still seems like a large stretch. It's kinda like saying that Equius and Dirk are going to end up together because they both like robots and horses. It's just seems like the sort of character remixing that Hussie uses a lot in Homestuck. But what do you think?
Roxy
- fucking LOVES WIZARDS
- is a hipster and literally wears a colorswapped version of eridans scarf
- is pink and bubbly
- uses riflekind
- has a perfectly opposite powerset to eridan (can create anything by stealing its void away vs. can destroy anything with pure belief) and are connected to each other through the matriorb
- has a crush on a troubled, eccentric prince so you know that's her type
- quirk cameo with momlonde
Eridan
- Is a wizard
- Is a hipster and literally wears a colorswapped version of roxy's scarf
- Uses riflekind
- Had a huge crush on Feferi, a bubbly pink girl whom he (wrongly) believed to be so nice she might not even be capable of pitch, so we know that's his type
- The equal and opposite powerset & quirk cameo
At the end of the day I can't tell you what to ship, nor am I interested in making anyone ship anything, but I'm kind of just saying, the things that make Roxy predisposed to liking Eridan are, like, the biggest parts of her character, and Eridan is very easy & would pretty much say yes to anybody, but Roxy is also definitely His Type and Eridan is a simp who thrives under any sort of positive attention & would do anything someone asked if they were giving him positive feedback. or attention at all. case in point kanaya fucking hates him but at least she talks to him and he's constantly praising the shit out of her
Jane and Jake also have their introductions IMMEDIATELY followed by talking about how they've got a thing for "cobalt" hunks and "cerulean babes" respectively, so setting up roxy with eridan also fits into a pattern of the b2 kids being set up to date a dead troll. still rereading this part of the comic, but it really jumped out to me how blatant it was for jake and jane
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anyways I am! very concerned for qcharlie! I don't know that it's intentional on codeflippa's end but he is For Sure being infected just by being around her and it is happening fast and he's barely acknowledging it because why would he? who cares if something's wrong with HIM? who cares if HE'S getting sick? if his voice and his vision is glitching and distorting and he straight up blacked out once? he has his daughter back and she's all that matters to him. it's not like he ever cared enough to take care of himself, anyway.
my man is in danger. and the worst part is, he's perfectly content just sitting back and letting it happen, because everything's okay as long as he has her. he NEEDS to be pulled away from codeflippa but I don't think he could handle losing her again, in any capacity. he already started freaking out when he lost track of her. he was on-edge the whole stream and was paying much closer attention to the people around him than I think they realized. and I think even just being separated from her for a long period of time; even if he KNOWS she's safe; would be enough to break him. the straw that broke the camel's back yk.
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so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-
but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again
(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)
i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)
weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon
(which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( )
AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward
but i suppose i was very wrong with that .__.
right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)
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Edelgard’s lack of interest in looking into the history of Fodlan beyond what her (dubiously reliable) father and (fantasy Nazi torture squad) TWSITD tell her is such a clear and glaring character flaw that so many of her “did nothing wrong” fans defend as Good, Actually. Like I can’t wrap my head around it, we know that there’s so much about the history of the continent that El either doesn’t or refuses to learn and while it’s understandable in some ways why she can’t it’s still like. Bad. It’s so clear that if her actual goal was liberation then she would’ve done more research, gone to the church and told them that hey, the Slitherers™️ are at it again and we need to do something. But she doesn’t, because that’s not actually her goal… it’s conquest of the other two nations and an overturning of the current system to favor her (mostly already privileged) friends, plain and simple. But people who either didn’t play any routes but CF or just didn’t pay attention/have poor media analysis skills love to say otherwise. Bluh.
I still can't get over how she was tortured and lost all her siblings to TWSITD and decided that the CHURCH was the biggest threat.
Edelgard 100% believes she is in the right and is the ONLY person who is right and thus is the ONLY person who can bring about change. And with "change" I mean "unify Fodlan and bring it under the control of the Adrestian Empire like it was in the past".
At no point does she consider that Wilhelm's history could've been tampered with, or simply been misunderstood after a whole millenia has passed. And why not? Because it's the only thing that drives her hatred for the church, and if it was disproven then she has no leg to stand on? Probably!
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