#she is still slay

[aerequets]

sorry

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it gets progressively messier the sleepier i get, but i feel like it fits the vibe!

[dappy-dappernette]

I keep on hearing people go all "The voice of the Smitten is such a creep. All he wants in the princess is someone to control and keep as a pretty object. He'd drop the princess if she wasn't the perfect petite maiden like in the damsel route." and I will not stand for the Smitten slander.

Like- He's been in love with her as a burning corpse ghost lady:

A terrifying ghost woman who wants to bring fear and chaos to the world:

And even a murderous blade monster woman who would kill you and enjoy every second of it:

Like, he ALWAYS loves the princess no matter what she looks like or how she acts, he loves her for being herself no matter what or who she is. That's the point of his character and I'm tired of people slandering my boy.

[disarraydoodlez]

I was trying to thing of ideas for The Spectre from slay the princess cus she's my favourite and i think she's So Pretty. But when trying to think of christmassy things for her to do my first thought was "draw her crucified on the cross" Which uh. dont do that. cus thats awful. but maybe you could draw her as the Ghost Of Christmas Future? Give her a scary comfy winter cloak? i think she's earned it

Thank you for the fun doodle request of Spectre in a comfy winter coat/Ghost of christmas future and definitely not crucifying her! Had an absolute blast with this one.

Personally, would love my personification of future christmas death to be a cute girl going "Haha you die soon lol". She just a lil goober!

[watchfrog]

hiiiiiiii

[cordycepspog]

There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.

It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.

And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?

[guiltypandas]

HAPPY HALLOWEEN!!!!!!! Decided to pick the funniest option and draw Ian Jr. and Infinite as The Hero and the Princess from Slay the Princess!

+ Bonus Comic!

This is probably only funny to 3 people. (All 3 of them are me!!!)

[laz-kay]

Wendy Pleakey, they could never make me hate you💅🚀🏳️‍🌈

[mspaint-flower]

AFTER 15 YEARS.....SHE GOT THE JUSTICE.........SHE KEEPS SLAYING.......

[froog-water]

that rabbit lady? yeah she's pretty chill

[nicoyarobin]

NICO ROBIN Fashion Appreciation — 5 / ∞

[knockknockitsnickels]

Something which I think is kind of under-discussed regarding the Princess is how lonely she is, esp in contrast to you (the player). From the start of the game, you're never alone. You've got the Narrator - despite how questionable his company is - and the Voice of the Hero, then slowly all of your other voices. She doesn't have that. We see in Princess and the Dragon, every time a new loop starts she's completely alone with only the thought that this is what she deserves. You're the only thing she has.

Shifty asks "Why wouldn't I be kind to you? You're the only thing I know which isn't me." And we see in the game - with some exceptions, like the Witch - the Princess' goal come chapter 2 is always to have your company. Sometimes it's to subjugate you, like the Tower, and sometimes it's for help escaping, but she's almost always seeking your companionship in some way.

But you've got your voices, and the Narrator. You never really needed her, did you? I'm thinking about PATD again, where you can spend the whole chapter bonding with her only to immediately turn on her the second you get your body back ("Good to be back, boys"). In the final cabin at the end of the game, the Heart Princess can mention the whole conflict boils down to whether Shifty (and by extension, the Princess herself) "should" get to exist. If you kill the Heart Princess, you've still got your voices. There's no ending where she lives on alone. I don't think she'd even WANT an ending like that.

She just makes me very sad. You're the only thing she knows, and in some routes you're just. Relentlessly cruel to her.

[cavalierclavier]

What is a person? Is it their body? Is it all of their body? Pluck the eyes, peel the skin, strip the tendons, mince the meat, grind the bones. When it is all gone, do you still have who you started with?

as someone who spends a frankly unreasonable amount of time thinking about the themes of body horror, the updated fury route really got me in a chokehold

bonus version under the cut vv

[aeymii]

WE STAN OUR BI DEATH METAL QUEEN IN THIS HOUSEHOLD 🎸⚡

[sideblogofawriter]

Concorde: Murder?

Anne: Ye

[laniidae-passerine]

now. if we follow the “Daniel was imagining Claudia as looking like his granddaughter when Louis described her in S1, which is why she looks different in s2 after he saw a picture of her” theory, that means there’s a young woman in her teenage/early adult years related to Daniel who looks eerily similar to Claudia. a young woman who would definitely want to know what the fuck is up with her crazy grandpa and would also probably want to go to the superstar of the year’s rock concert. hey listen to me. because this is how we can get Bailey and Delainey on the same screen AND torture Lestat in obscene ways. no wait listen c’mon

[borgialucrezia]

"Both Oakes and Grainger have always done well when given the right material, and each has some terrifically frightening silent moments: an uncontrollable clenching of fists from Juan as he is exiled to Spain, a subtle grin from Lucrezia as she hears her brother's groans of pleasure shift to agony." — The A.V club