#she is driving me insane

[viscerati]

can i consider this bullying?

[changethecircumstances]

Anyone want to write a Brokeback Mountain AU for Jason and Nick lol? My friend won't stop hammering me to write one but I just...I can't do Nick and Jason. I just don't ship them. I will literally ship Nick with almost anyone else, hell I don't even ship Nick and Salim but I'd be willing to try and write it but I just cant do Nick and Jason. Tried like a paragraph and it just felt wrong and couldn't bring myself to continue it but literally every conversation with her she's asking about the Brokeback Mountain AU but I physically cannot bring myself to write it lol

[psalm40speakstome]

I’m just going say once that Li Susu consistently makes things unnecessarily difficult

[possamble]

hiii everybody are you normal about Falin showing Laios the same little spell that Marcille showed her? are you normal about Falin remembering it fondly enough that it was one of the first things she showed her brother while trying to teach him magic?

[frankenkyle666]

Call me baby boy

Call me baby boy

Call me baby boy

Call me baby boy

Call me baby boy

Call me baby boy

Call me baby boy

Call me baby boy

[barblaz-arts]

Picked out my favorite looks from my sketches and now they're going on a date

[identitty-dickruption]

if you think all men are basically the same. if you always get bored of men. if you’re only dating men because you like to feel wanted. if the idea of spending a lifetime with a man fills you with dread. if every time you have sex with a man you find yourself fantasising about the one night stand you had with a woman when you were 19. if all your friends are lesbians and you’re always saying that you “get along better with queer women for some reason”. can I humbly suggest that you may not be attracted to men?

I’m not saying you’re attracted to women (although you might be!). all I’m saying is that. in my experience. people who are attracted to men tend to at least be a little excited about the idea of. yknow. being with men. you are allowed to stop dating men if it doesn’t fill you with joy anymore

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[lonelyoleander]

an uneasy reunion

[corethetrueidiot]

habbpy birthday emu enjoy ur 50 taiyakis from ur gf

[wangjiplayingwangji]

I would’ve killed to be in the pitch room when they were coming up with starting TOS season 2 off with Amok Time.

“Hey guys what if we bring the series back with Spock going into a horny rage due to a reoccurring 7 year Vulcan heat that gets solved by rolling around in the sand with his captain and ends with the only smile we see from him not under the influence of something when he thinks he killed Kirk but finds out he didn’t actually.”

A room full of maniacs: “go on.”

[sekaithemystic]

sheryl chee is one insane writer she wrote leliana and isabela and i need to people to understand what they are getting into when they romance harding

"you are the first thing i see in the morning, the last i see at night. i don't want that to change" SHERYL CHEE WHEN I GET TO YOU

[finncakes]

I came here to say, if you are there, maybe you can talk to my friend Orym and try to say that we're okay and we're alive and hopefully we'll see you soon.

A Prayer Answered

[starleska]

for the folks who wanted all of Susan Twist's casting appearances to date, here you go:

Mrs Merridew in Wild Blue Yonder

Mystery Woman in The Church on Ruby Road (uncredited)

Comms Officer Gina Scalzi in Space Babies (uncredited)

Tea Lady in The Devil's Chord

Ambulance in Boom

i don't believe Russell for a second, that they just 'ran out of actors' 😂 i am convinced that this mystery woman played by Susan Twist is some sort of embodiment of Story, the way Maestro is the embodiment of Music. the way she keeps playing supporting parts, the reference to Margaret Lockwood in The Wicked Lady... there's a few theories percolating right now, but i think she's a large part of the reason why the fourth wall keeps being broken. it's strange, how intrusive her presence is...it seems that with each episode, her importance to the plot grows stronger. she's gone from small speaking roles which don't impact the story, to directly interacting with the Doctor and Ruby, to being capable of killing characters in the central plot... is it possible that Susan Twist's character is attempting to take over the narrative and become the main character of Doctor Who herself? 👀

[darlingpeasant]

*it’s the way she’s clinging onto his hair for dear life*

[nintendont2502]

john as a heir who inherits the narrative freely, doesnt even know that he has the narrative, and barely changes it unless hes being directed to by some outside force (breath as directionless, independent, detatched, free). john as a character whos never existed at the same time as an alternate version of him, a character who never has to face himself and remains largely unchanged by the end of the narrative even as it changes around him

ult dirk as a prince who destroys the narrative and destroys through the narrative, who is determined to reshape it in his own image and 'fix' it, who will make himself the villain if thats what it takes and do whatever he has to in order to help everyone, even if it means hurting them (heart as putting on and taking off masks when needed, inflexible, cold, building a coherent narrative of their own story). dirk as a character who constantly has to face himself via one of his many alternate selves, who can only gain control by uniting those alternate selves into one coherent whole

john is homestuck and ult dirk is homestuck post canon and one of the first things he does when he gains power is kill john (kill homestuck) through the narrative. destroying the (previously free, directionless, detatched) narrative and destroying that narrative through your own (inflexible, cold) narrative. theyre so yaoi