#she gets trauma (ofc) but we also see the IMPACT of that trauma

[thatoneweirdo14]

so uhh... would anyone like to hear about my marvel villain oc (who i use for my loki x oc hcs) 👉👈

if you make an OC that you are genuinely insane over, like you are obsessed with this freak and can't stop thinking about them, then it will rub off on other people. the virus spreads

[pipsqueakparker]

the third act break up

helluva boss isn't a romance but it also kind of is, and if we're considering romance genre tropes/structure, we're mid-third act break up right now.... which is one of my least favorite tropes BUT in this case, it's being played well and the writers are using it to genuinely deepen/further blitz's character

just in comparison, i'm almost finished reading this book that lowkey highkey sucks - i'm not gonna name it, i don't like shitting directly on a book usually, but it's the 3rd in a series of romance books & in it we ofc have the third act break up done in a bad way. (pls don't take this as me shitting on the romance genre at all, i adore romance books, i even liked this author's first book)

1, the stakes: the stakes for blitz & stolas (relationship-wise) are like kinda mundane really but feel so fucking high because we see how genuinely they feel for each other and we've watched that change over the course of the show - especially here in season 2. when it comes to stakes, they don't have to literally be life or death, they just have to feel that way to the characters and then by extension to us.

"when i see him tonight" gave us the stakes, that song alone solidified how much this relationship means to both of them. "i'll fucking die alone if this goes bad" - yes, thank you stolas, i feel that.

in comparison, in this book, the stakes are shaky. the mc is a woman who's never felt good enough to be loved & doesn't want a traditional relationship that ends in marriage and children & the love interest is an actor with big dreams that gets an offer to do a show across the country. we're being told they're high, but it's not really being SHOWN. i don't feel it, i don't feel like these characters will really fucking die if one of them moves across the country for six months, y'know?

2, the miscommunication/lack of communication: another trope i hate is miscommunication/lack of communication - unless it makes sense.

in the book, love interest never tells mc about the job offer - but for why? it gets blamed on her anxiety disorder, which i also took issue with the portrayal of that, but it never digs deeper into why she really feels like telling mc about the job offer could negatively impact their relationship. (it's still new, it might make the mc feel pre-abandoned, etc. etc there are so many ways this COULD have been something to not mention, but instead.... she just didn't)

blitz & stolas? they literally just can't sit down and have a calm chat, and that makes fucking sense for them as characters. @rusty-lustful-fireflies made this post comparing their trauma responses that i thought was brilliant -def check it out, and in the meantime i'll summarize it like this: blitz lashes out and stolas folds in. their conversation in full moon is one of the best examples of a misunderstanding between two characters i've seen, they are both taking each other's words the wrong way, but it makes sense as to why they're doing that. when stolas asks for the grimoire back, blitz immediately jumps to abandonment, he's lost everyone in his life and he has this one really really good thing going with stolas that he doesn't want to change and bam. it's changing. he's angry. he's going to say it.

stolas... could have worded things better, i understand why that was blitz's first thought, but stolas was trying to make it this grand gesture and it just wasn't hitting your audience, sweetie. blitz wasn't made for grand romantic gestures, he's a ball of trauma. and he acts accordingly. and stolas, in response, realizes "i've buffed it", is probably triggered from getting yelled at considering HIS own trauma.... i could deep dive their conversations at the end of FM and the beginning of AT, but we've all analyzed those to death. we get it. the point is... it made sense. neither of them were technically in the right or the wrong, it was just genuinely not being able to effectively communicate because they were both heightened and thus... we get the third act break up that's not really a break up. which brings me to...

3, the aftermath/development: yes, the third act breakup is meant to be the thing that pushes our characters to actually fix something within themselves... and we're still mid break up, but with ghostfuckers, i think we can see that being done. one thing specifically stood out to me as evidence that this is something more significant to blitz than any usual fight or breakup.

this post from @timkontheunsure was the first one i saw discussing this part, and i've gotta say i agree wholeheartedly with it & i think this is the beginnings of genuine development for blitz. to summarize in my own words (but def go read their post too):

blitz isn't just fucked up on the idea of being/dying alone anymore, when he was fucked up on that he just went to find someone else to fuck and forget it. no, now blitz is fucked up on not having stolas specifically, and it's much deeper, to the point that he's beyond just fucking someone else to forget it. no one else could do it. he's gotta turn to the ghosts. it's the difference in coping that we're shown that makes this moment different, and this moment being different, in addition to blitz finally admitting verbally that he's fucked up over stolas in that last moment with millie, that leads me to believe we're going to get genuine character growth over the next two episodes.

and this was what made me start thinking and typing up this post, because i'm nearing the end of this book, we're mid third act breakup, and this mc is similar to blitz in her desires to have a relationship but not the way everyone expects her to have one, and in her favorite method of coping: fucking someone else until she's not sad anymore. this is how she meets the love interest, and she tries to use it again mid-book when she & love interest are fake dating and she's sad that they're not real dating - and, then, we get the break up, love interest is gone.... and she turns right back to "i gotta find someone else to fuck to get over it".... and normally i probably wouldn't have thought twice, but this time i did. because we got that fucking beautiful example of the difference between coping with being lonely & coping with being without the person you love in ghostfuckers yesterday and it was SO MUCH BETTER THAN THIS FUCKING BOOK.

anyway, this is my dissertation on how this animated demon show that's not technically a romance just took a romance trope & is really doing it so much better than the literal romance book i'm reading right now.

hope you liked it. thank you for your time!

[tomboyyyaoi]

my tristamp take is that none of the group are close enough to really be called friends

roberto and meryl were colleagues who obviously had work banter and cared about eachother but ultimately didnt really Know eachother since we know by the beginning of the story they were only recently partnered

vash is literally the subject of their investigation whos also just hitching a ride east from them, also for vash he treats everybody with equal kindness, theyr as much his friends as rosa is, hes a century.5 old wanderer who deliberately keeps his distance + explicitly says theres "no way" roberto and meryl are his friends and sure its hard to tell when vash is being genuine bc of all of his deliberate emotional repression we can still take this as an insight that he was ready and willing to emotionally disconnect himself from them at the drop of a hat

and wolfwood is a funny case bc the audience catches their clear similarities and immediate Understanding in eachother but fails to see that these are 2 emotionally repressed men who Just Met and are just.. making eyes and assumptions but not really saying much, ofc wolfwood knows more than he lets on from his job but Knowing About A Guy and then making eyes and having an uncomfortable arms length dynamic with him bc u worry that He Knows about u too can hardly be described as being friends or even close.

by this point theyr people who have drifted by eachother, people who have crossed paths and were kind to eachother, theyr acquaintances who if u asked one about the other theyd go "yeah, wow, wonder what theyr up to, that was a weird 3 months" like theyr 4 strangers who trauma bonded at best but i like it that way

but ofc they all made an impact on eachother, we know meryl wont be able to let her old objective go bc she keeps going back to the julai pit, we know shes too invested in vash's mysterious life to let that go, we know wolfwoods only there for the shady organisation hiring him as a spy/guide but vash made an impact on him by piercing past his exterior by sheer experience in life and just Knowing and it freaked him out but he liked being seen for the time being, we know meryl and wolfwood cared about eachother bc of their teasing dynamic and similar (clashing) personalities and the way, out of everything, wolfwood went back into julai to save meryl, we dont know what happened after that but id like to think they stuck by eachother for a bit.

Roberto Fucking Died.

vash is the only one i can say would be content with never seeing them again, i want to think he misses them and thinks about them a lot bc muh ships but i Know for him they were a blip on the radar of "people who were kind to me" like everyone else. maybe theyr a bit more than that, maybe the thought of them lingers when he cant sleep or when hes showering, why did meryls voice break thru to him so much? why didnt she run away? why does he resonate with wolfwood so much? why is someone so kind with an organisation like the eye? what do they think after finding out the truth? are they even still alive? i think he lingers on them but he has no desire to track them, if they meet again it would be a nice example of fate or good luck but hes not going out of his way, he cant do connections, he cant get attatched.

theyr all weird distant acquaintances who have complicated feelings about the other but i think theyd all like to meet again in some way or another and i find that really captivating

[sweetlittletangerine]

Why Queenie Exists or something

Hey there! So I don’t really know how to put together this theory in a cohesive way and I made this for fun, so keep that in mind if I jump around a bit.

But I’ve had this theory for a long time now, and the fact Kinger is one of the two characters getting major focus in the next ep has just hyped me up even more. (Guess who my favorite is you’ll never guess it.)

So… as a not-so-normal Kinger fan, there’s a certain someone else who’s been rattling around in my brain for a while too.

Yes. She.

My theory is about why she even exists in the first place from a narrative standpoint. I have many other theories but this one feels like one of my most concrete ones (imo ofc), So I thought I’d share it before ep 3 comes out, even if it won’t come out for a while. I mean, it’s very possible this is the ep we learn about her since I don’t think she’s gonna be very relevant for any other character’s stories outside of Kinger.

ANYWHO time to get to the theory itself.

So let’s start off with one question. (Well it’s two, but same deal.) Why does Kinger get a look-a-like? Why not the others? Hell, Gangle exists and she has the whole ‘comedy tragedy mask’ thing going on.

Well it’s simple, he’s been there the longest. I personally don’t believe he’s the first player to join the game, but he’s been there the longest out of our main cast (Of humans). So naturally, that brings up another question… how did he last so long?

This is where Queenie comes into play. She’s important in understanding why Kinger hasn’t abstracted yet, which would tell us, the viewers, how a person can prolong their abstraction.

So for starters, I 100% believe without a doubt the reason these two look so similar is because they entered the circus at the same time. This means they started off with the same level of “girl where tf am I” When they arrived.

Second, when you compare and contrast their appearances, you realize that their differences… don’t actually affect how their bodies function. (Assuming the bottom half of Queenie is like Kinger.) So, they also came into the game with the same body when it comes to how they work. They had to adjust to the same new features in the same environment.

So when you combine these two factors, they were basically given the same tools to work with to survive (for as long as they can).

But the most important part of this… is their personalities. I love the theory that the chess pieces they became are tied to their personalities, with people connecting how Kinger’s personality relates to the role of the king in chess. (For those that don’t know, the king is the weakest piece and the queen is the strongest.) People have used this as a base to figure out who Queenie could’ve been. But if this is true then that wouldn’t be all. When you think about the role and power of each piece, you realize they’re opposites. So the bottom line here is that they’re very different people.

This impacts how they process and adapt to their new environment. And this is why Queenie abstracted and Kinger hasn’t. Some people truly are more adaptable than others in the circus. Queenie couldn’t handle the place as well as Kinger, making her lose her mind and abstract first.

Hell, we can already see something about Kinger’s personality that could’ve helped him out. I think the fandom (including myself) overestimated how much of a scaredy cat he is. The more I think about it, the more I realize that he’s not afraid of the adventures. He’s afraid of the circus itself, which is probably tied to his trauma.

(I’m aware it’s only been two episodes, but the only time we’ve seen him panic during an adventure is when an abstracted Kaufmo entered the Gloink Queen’s nest, suddenly making the adventure way more dangerous.)

You could argue he’s so chill on them because of experience, learning that at the end of the day if someone gets hurt or lost, Caine can snap his fingers and bring them back to normal. There’s pain, but no serious harm.

However, maybe he learned this a lot sooner than we think, back when he was adapting to his digital life. He internalized the fact that he’s not going anywhere sooner/better than Queenie, and was able to ‘go with the flow’ better than her. Who knows, maybe Queenie avoided going on adventures, (wink wink nudge nudge to a character Kinger is oddly fond of in the group), which gave her more time to think about her situation and mental state. The adventures are a surprisingly effective distraction from all of that.

If the story itself is supposed to focus on why the characters are the way they are, then it’s going to focus on the characters as individuals. And considering the fact Kinger and Zooble’s characters are heavily tied to their identities, that’s probably going to be one of the main themes of ep 3. So it makes sense that the reason Kinger lasted longer is tied to who he is and how he copes with the world around him (both now and back then.) This would, by extension, explore the fact that Queenie was her own person too, and now that that person is gone. The abstracted characters were all people, people who lost themselves as they went mad, leading to their inevitable abstractions.

So uh, I guess that’s all for now. Posting things online scares me so idk if I’ll post more things like this, but I might. If you read through this whole thing, then thanks!

Back into the pit I go

[msp9]

WHATS HAPPENING IN CASA DE CHAOS #part 1: YAZ/Yasmina (mostly her ptsd, analyzing screenshots)

⚠️SPOILERS⚠️

This is gonna be my series of me yapping about each character, for example what have they been up to, hopes, speculations, theories... etc. (from the info we have from the clips and ep 1)

So Yaz, or should i call her doctor Yaz? Get it? Bc she's a phycology student.... Career: Never mind so as i said apparently, Yaz is studying psychology in college, for what i assume like around 3 years depending when she started. This is such a big step for her character's growth. After everything she's been through, including her mental health struggles and internal conflicts, she's switched gears and is now pursuing a degree in psychology to help others who may have experienced similar traumas. Also in the clip, she seems excited to show Sammy her new project, which suggests that she's genuinely enjoying her studies and feels passionate about the field. She went from a she's-a-runner-she's-a-track-star to a mature phycology student. Overall, this shows that Yaz is now dedicated to making a positive impact on others through her education and future career. I'm so happy for her. It makes sm sense for her character to pursue this specific career. Overall, looks like shes been fine on the island. (not) .

Ptsd: So Yaz seems to have moved to a non-dinosaur island of some kind. Personally i assume that is for her trauma and struggles when the dinosaurs got to the main land. (and obviously safety) She is obviously the most effected one from jwcc.

Now in trailer 3 we can see 1 moment that could possibly be connected to her Ptsd:

Here we see Yaz on the ground, she obviously looks scared but i wanted to point out the lights hitting her. They dont really look that "connected" to the scene? Im not sure how to axplain this... Just the way it shines on her clothes and hair and the fact that we cant see the backround clearly, looks like it could be some kind of illusion, or one of her dreams. To stand with my point is the exact next scene:

We see, a what I'm 99% sure is a dinosaur, attacking her. The coloring and environment is similar so we can assume this is from the same scene. It ofc cuts off before we can see anything else, to me it looks as if the camera shows Yas's point of view. Which makes me believe this is in fact a nightmares of hers. Another point i want to make is just how much darker this whole dream is. Just look at it!!! Its super darker compared to the season 4 ones. Plus in another clip they showed blood. So i wouldn't question if the nightmare were a lot worse then they used to. And the way the Dino attacks its dark yk? you don't even have time to react.

Basically where i want to get to is that, she is not done with ptsd yall.

3) Yaz and Sammy :Okay even if the clips don't showcase much. They have definitely not lost contact as Yasmina states "this is the project I've been talking to you abt". So obviously she has been talking abt it a lot. When it comes to why Sammy was acting out of character when Yaz was showing her project . My personal theory is that Sammy is just trying to make Yaz come with them and leave the island. and from what i speculate here we will probably get a yasammy argument. Overall they are probably together and from what we've seen we might get some tension between them. I'm all in for that. (As long as they don't breakup)

Thank you for reading my big Yaz rant, am i going to make more of these with the other characters? We'll see. Probably yes.

[princess-of-the-corner]

Wouldn't the Todoroki drama be more strained due to his pr team? Yeah we joked that they suck and we discussed Natsuo's very bad experience with them. But you mentioned how they are very much pushing a certain "traditional family values" look on Enji. Meaning that the only look his kids see when not irl is very much biased and untrue. But the kids can't really get confirmation either way.

Oh yeah it's. It's a combination of things!

Enji himself is. He's kinda lost in his headspace and incredibly busy so a lot of the fatherly things he ends up doing are more.... bare minimum going through the motions. Make sure the kids are fed and bathed and do their chores and that they're doing well in school and discipline them when they break the rules and all that, but rarely having time to properly do things like family movie night or any talking like- like people. This was mitigated more when Rei was around, but then her mental health declined and she wasn't doing as much and now she's not doing jack because she's in the hospital(I don't mean this as a dunk her health is important too).

And then yeah there is. There is the bad shit he's doing. Whether it be things he is actively like 'I know on some level this is fucked but *insert justification here*' or the 'doesn't realize that this was bad because that's how he was raised and clearly he doesn't have childhood truama(YEAH ABOUT THAT-)!'. Either way it has a negative impact on the kids, which in turn effects their perception of him.

There's also a lot of half-truths where the kids know some information but don't have all of the context, like everything going on with Rei.

You also have the different kids and their own perceptions. Toya and Fuyumi are old enough to have genuine good and happy memories while Natsuo and Shoto aren't. And Toya's good memories get tainted by later traumas so he thinks it was all either fake or just 'dad's goals coincidentally was something that made me happy as a kid'. And I'm gonna bring it up later but in Road to Hell I dragged Selkie into this and yeah there's going to be a falling out there so while Toya and Fuyumi remember him being basically their uncle, Shoto definitely doesn't(Natsuo is up in the air rn).

The PR Team stuff is mixed in to that. Even though the kids don't go actively looking online for stuff about their dad(they did that once, discovered the fanfic sites, and tried to induce amnesia). But they do still run across that sort of stuff. And yeah the PR Team is cultivating the image they want/what they /think/ Endeavor wants for himself. Which yeah is something the kids don't feel safe and comfortable with when it comes to things like being gay.

And like. On the Mutation Quirks. I have a plan for a conversation where Shoto says something casual like about it with the class and it's Izuku who kinda goes 'Actually that sounds odd'. (Because ofc while he has his obvious favorite he knows a LOT of obscure facts about a lot of active Heroes especially ones like Endeavor who are a big name.) And he elaborates on this in a 'if we're gonna hate him we hate him for the right reasons' by saying that he's aware on how it's harder to find nowadays but you can find older video clips where he shuts down assholes talking Anti-Mutation sentiments.

Then ofc the big thing with the PR team which very much colors Natsuo's perception and he might've told Fuyumi and Shoto about that which. Fuyumi doubts it but Shoto would believe it.

So yeah it's. There's. There's so much going on and there's definitely a lot that Enji did wrong but there's also stuff that was kinda out of his hands.

[possibilistfanfiction]

This might be an out of left field question and I hope it’s not rude. I have this friend who uses they/them pronouns. And I’ve been thinking lately whether or not it’s okay that I say guy and dude. In the context of if I’m hanging out with my friend and they are with a group of people I’ll be like “hey guys…” in greeting or addressing the whole group. guys in the plural sense of multiple people of multiple genders/identities. And with dude is always as an exclamation like “holy shit, dude, guess what”. But I know obviously both guy and dude are historically masculine terms. I’ve tried to stop saying hey guys but sometimes it slips out, I’ve used it my whole life. Is it bad to say that? Like do you think it’s offensive? Idk I know I should probably ask my friend but I don’t want to upset them in case it is a sensitive topic and it’s easier to ask a stranger online lol

as far as it goes personally w your friend, i would just ask if it’s ok to bring up ur question, & then if u get the go-ahead, you can definitely ask

in general i think all of this language policing by mostly neoliberal ppl is Beyond stupid. if a single person in my life doesn’t like a “gendered” term, then that’s fine, it’s easy to respect that. but overall words are what we make of them w the people we know; language is a social contract & it is always already about intent. sometimes our intent is fucked, sometimes our impact isn’t what we intended, ofc as with all things. but i guarantee ur friends don’t think if you say ‘dude’ or ‘guys’ that you’re screaming like I SEE YOU AS A CIS MAN. i promise they don’t unless ur a supremely shitty person, which i can tell ur not! to me cis men in positions of power saying ‘ladies’ (esp in sports) is weird & gross but like… there’s a difference there bc that IS saying ‘i see you all as a v particular kind of Cis Woman).

in my own world, i say dude sometimes to my wife, has nothing to do w me respecting her gender as a cis woman or not. i know she doesn’t care at all. i say girlies all the time bc to me pop girlie is a very important identity shared w friends, this covers a Span of genders & also my dog.

i also think it’s weird (not you specifically at all, just ppl are so prone to this) to think that ppl who use they/them pronouns hate all gendered terms. i can’t fucking stand pronouns, i think they’re so limited, so for me other terms i like are much more important in how i vibe in the world, how i see myself & what my lived experience has shaped & will continue to shape. i’m an eldest daughter (iykyk the ~trauma~ lol), i’m a sister, i’m a wife & a mom. i’m a dyke & somewhere in the soft butch realm. i genuinely don’t feel limited by those, & i also don’t like the term non-binary for myself, & i don’t align w being trans bc i rly don’t feel trans myself. i feel vaguely not-cis in that i want gender affirming care & im not a Cis Woman, but i’m also not-Not a woman.

so i would say like. imo saying ‘guys’ is rly mostly fine in general conversation. if ur worried abt being respectful to ur friend, u can ask if any of those “gendered” terms bother them, but otherwise i think language policing is just a weird neoliberal way of putting things into boxes to uphold the state 💁 there are far more serious & important things we can be doing to support our gender expansive buddies than deeply worrying about ‘dude’ overall, yknow?

[memoria-99]

Wizardess Heart: Personal thoughts about seasons and routes Part 1

S1 was very basic yet written very well.

Elias: At first I was like, what kind of jerk is this, but he turned out to be rather cute. But story is kinda boring. The first half is all about Elias yelling at MC and MC apologizing for how she messed up. Their relationship kinda lacks something. If it weren't for the mirror they'd never even get along I suppose. Another thing that annoyed me was MC being way too nosy. I mean why the heck would she accept Merculova's request 'for the academy's sake' when she even doesn't know whether she'd be accepted or not? Please MC mind your own business.

Luca: My favorite route in S1. I found him quite attractive, MC and him had fun chemistry, plot was interesting. There're two things that bother me though; first, he used MC, and second, I'm not so sure what was genuine and what was lie... Still, I quite enjoyed him and his story. I wonder why in the world Schuyler would lock the child in the cellar. Ofc the child would be traumatized. Anyway, I know Luca's not the likeable type for all people but still he's one of my favorites.

Yukiya: Overall good route. I was very curious about his 'curse' and this story was really interesting because everything was a mystery. I enjoyed it. Both MC and him were literally the saviors to ach other. I also liked the last part, MC solving the 'contract' issue with another contract. He's like a 'closed' person but his nature is kindest among S1 characters. I dunno about the chemistry though... Still, he makes a great pair with MC. Both gave a positive impact, more like both were saviors to each other. Oh and I won't forget that chubby rabbit either.

S2 was a decent season as well.

Klaus: Nice route, and I found "time travel" very interesting but I still don't like the guy. I just can't stand this Mr. Stickuphisass sadist. Though he's super popular(idk why) I don't see any chemistry between him and MC whatsoever. He has a sharp tongue and kinda looks down on her.

Randy: Think in MC's perspective: wouldn't it be wonderful if your role model truly respects you and loves you just as who you are? This relationship is good for him as well, since she accepts all of him and helps him overcome his trauma. This route had good plot twist, and he was literally an angel. The only one who sincerely respected MC's lousy magic. A real breath of healing air between two jerks in S2. This route was just so heartwarming to read.

Azusa: Should I even talk about this jerk? Fake flirt, deceived, used, and physically+emotionally abused MC. He was even ready to kill her when we chose the wrong answer. But he never properly apologized to her till the very end. He doesn't deserve the happy ending with the MC. ...Yet, I don't think this route itself isn't badly written. Seems like Solmare tried to make some awfully dark story but turned out to be too much.

S3 was, um... so so?

Joel: Kinda close to canon cuz he loved MC for a long time and shares special memories with young MC so... hmmm he and MC was a fine pair, him being honest and caring and all, but I should say that if Eress wasn't there to save the day it would've been rather boring.

Vincent: He's way too old to be with MC, and I don't understand how come he loves the MC and vice versa. All that happened were just him rescuing her all the time and he's awfully cringy somehow. And worst of all, MC was worse than useless. She literally did nothing in this route, even when her boyfriend was on the verge of the death. All she did was crying. And last but not least, the happy ending ends with him saying "it's adult time" or whatever and it bugs me a ton. Hey, what're you exactly gonna do to her. Don't tell me you...

Leon: Is it possible to fall in love in less than 2 weeks when he is in a completely blank state? Leon was literally a blank sheet of paper and his route was all about MC throwing all her business behind to stick around this boy she had just met and teach him very basic stuffs as if she's a kindergarten teacher. There's nothing really interesting about Leon himself either. I mean, his real identity was something that we all could notice before the revelation and that's all. The story and the romance were very bland too. He seemed to love MC because she taught him emotions, and... MC loved him because... because... why did she love him? Maybe because he loved her? Or because he's handsome? Who knows.

S4. When the plot actually started to go downfall.

Cerim: I don't remember anything besides MC shone better than him(she saved him) at this route. Not bad, but that's because nothing was very memorable. No chemistry at all.

Guy: This kind of route seems to be everywhere. Good boy with a huge friend-like vibe. Their chemistry was good, as friends. They are best friends.

S5. Slightly better than S4 but well...

Leslie: Kinda bland route. Leslie nicely supported MC, and she wasn't very pathetic but she was always busy self deprivating which annoyed me a lot. Chica did a good job putting her into senses.

Sigurd: The route with best "newbie" MC. She really shone a lot in this route. I can't think she's the same MC from Vincent or Leon's MC. And this Sigurd... though MC stole the scene most of the time, he wasn't so bad. Though he did deceive MC it wasn't because he wanted to use her or something. He never looked down on her and considering he was her pen pal their bond is quite strong too. Storyline was interesting too, considering nothing really happened in Leslie's route.

[highqueenofelfhame]

Ok we’re agree about Aelin being completely selfless. but Rowan IS selfish. Not only the things before happened to him because of his selfish with for glory. But even in the recent events everything he does - he does it to keep Aelin safe because loosing her would mean going through the trauma he had already experienced again. So, basically, he does everything for himself.

Aelin would sacrifice herself to save the world, Rowan would sacrifice the world for Aelin. (Or something like that they say)

no, i agree that he has selfish moments, but i don’t think he’s entirely selfish. because even in KOA, he isn’t going to sacrifice the world for her. he’s going to sacrifice himself. he straight up says if she doesn’t come back then i will follow her into the afterworld.

and at the big battle while she’s battling erawan and maeve with her fire and sword, he sees the helpless people trying to flee and he stays to help them, no matter how much he wants to be with her, because he knows it’s what she wants. he says “she would never forgive him” but i don’t think that’s a wholly selfish act to do it to avoid her being mad at him.

like everyone else, he has his moments. aelin has hers too, but she is primarily a selfless person which i will be posting receipts for after i finish a reread annotating all of it.

but also with rowan’s character, as much as i love him and his story, he isn’t a standalone character. he IS a supporting character FOR AELIN. and she deserves to have someone put her before anything else after the absolute bullshit she has been through. rowan’s selfish actions don’t make him a villain or a bad person. it IS different for his character compared to others because of the role he plays in the books. he is there for aelin. so of course his actions revolve around her. and even when he has these selfish moments of wanting to keep her and wanting to burn the world down, the reason i don’t think it makes him a bad person is because he always gives her the room to be her own person and make her own decisions. he makes his opinions clear but still supports her in the decisions that she makes.

being selfish on its own isn’t a bad character trait because sometimes we have to be. and he’s been through so much shit, ofc he’s going to want to protect her and keep her safe. dude is just getting his feet back on a normal ground of reality for the first time in almost 300 years. and again, sometimes we do have to be selfish. but people also have to be willing to look at the reasons WHY they’re selfish.

the difference in like rowan’s selfishness and chaols is that rowan knows what he wants is selfish. he’s aware. chaol is not. you know? but rowan is a supporting character for aelin and chaol is a standalone character with a more fleshed out journey through the series and his actions and reactions more directly impact others.

[tavina-writes]

Hey, I just wanted to drop by and say that I am really excited for your OFC/LXC fic!! Ningning feels so fleshed out even in these snippets, and Xichen is just...such an exhausted depressed mess of a man trying to move forward. The pervasive grief is really palpable even again in just out of context snippets. I can't wait to read the whole thing!!(Btw, have you read Heartwood Coffin by Zeebie? It's got some of the same vibes)

Aww thank you so much, Nonny! This fic definitely is a thesis on intergenerational trauma and grief (kind of like most of my fics 😅) and I'm glad that the Ningning and Xichen feel like they have dimension in the fic snippets!

For Xichen, I've written meta about how I see his post canon and where his arc might go after Guanyin Temple before, so I won't get too into it, but for Ningning, she really grew out of this idea of like "well, if the Lan Elders picked Xichen's arranged marriage wife, they'd obviously go for someone they think is Perfect." And that brought up the questions of like "what is a perfect woman in this sort of society?" and "why is she perfect? Why has she made herself this way?" and then "if she, being human, was imperfect, how would that impact things?" which lead to the creation of Ningning! This small unwell woman can fit so much trauma into her!

I especially love parallels, so Xichen's whole thing is ALSO that he is. Perfect, essentially. Mr. Jianghu's Hottest Bachelor, widely respected and admired as Zewu-jun, but like! he's human! he has fault lines!

Which is how we ended up with this liar4liar relationship where these two, despite being good people, set off each other's traumas repeatedly in really hurtful ways until they can figure themselves out. This is a topic that really interests me, so I'm glad that it's interesting to other people too!

:D Thanks for the ask!

[carefulfears]

my tags since tumblr is being wacky lol:

#interesting to watch byers' reaction in that scene tbh. considering he's the one who said he 'always wondered' why mulder and diana split up#he very much has a look of 'don't go there' when scully keeps pushing it#as pointed out in randomfoggytiger's analysis of the scene which is linked on their page#this obv isn't shade to anyone who's talked about the scene lol#asks#scully LOATHESSS diana lol and has literally every reason and more#i just think the convos around that scene are missing the biggest emotional aspect (scully's violation in relation to diana's participation#to like.....focus on a totally different angle and blow it up#when i say that the scene IS very serious but never in the way discussed#i mean that it's very much about scully begging to be heard and kind of quietly betraying how much her own exploitation impacts her#how much it IS personal#and it's also kind of a last ditch effort to try to get the person she loves out of this abusive/manipulative situation using evidence#and he IS listening to her (he goes from there to check diana's apartment and tells diana he has doubts about her. which he didnt before)#but she doesn't know that bc she just hears 'scully you're reaching' 'scully you're making this personal'#my interpretation of the line is that he's talking about her criticism of diana. which we know she's been vocal about from her#'you KNOW what i think THAT woman is' in the previous episode#i think he's taking it as input on HIS personal life and what he does with HIS relationships and HIS ex (wife) (lol)#but what makes the scene serious and kind of haunting is that that actually is not what she's talking about at all#she's talking about the chip in her neck. she's talking about her dead daughter. her dead sister. HIS dead sister. the dead MUFON women.#all things that she KNOWS diana is involved with. but she can't MAKE him see that or believe her#(even though he does take in her input moving forward)#they're just not on the same page for once and they're not talking about the same thing#like it's a very deep and very very difficult conversation because it's so convoluted in abuse and power structures and trauma#but my main thought on it is that like...i never see anyone think about the implications or even the aspect of scully's personal history#all anyone ever says all the time is like omg of course it's personal to her i hate him for this men are so stupid#NO ONE EVER EVEN REMEMBERS WHAT THE SCENE WAS ABOUT#and ofc people are allowed their jokes and not every post on every scene is gonna go into how people think about it or how they interpret i#it's just always a very shallow conversation surrounding a very important scene which bothers me! that's all

Explain what you said on Twitter

assuming that you're talking about when i said that imo the conversations around "scully, you're making this personal" aren't aligned with the intent/impact of the scene (actually i think what i said was that the scene is very serious but y'all never talk about what's serious about it so you loop back around to being unserious) and tbh i can do a post on my own feelings about the scene sometime when i'm feeling more with it if y'all want but i just meant that people bitch about that line every single day talking about how it's hypocritical and how infuriating it is and how much you hate mulder in s6 etc etc but i literally never see anyone even think about like...the actual meaning of the scene and implications of the line and the context and where they're each coming from. it's all just a very shallow and reactionary discussion in my experience

(i ended up talking more in the tags lol i never shut up in the tags)

[yabai-korra]

The reasons why we're getting Manorian book

There has been a lot of speculation whether SJM is going to favor us with book/novella about Manon Blackbeak and Dorian Havilliard, recently I saw some fans doubting it, so here's a list of logical reasons why it's happening.

1. It's SJM

This woman writes two 500+ pages books per year, for her it would be a piece of cake.

2. There have already been books focused on side characters

a) Chaol and Yrene - Chaol was one of the most unpopular characters before Tower of Dawn (which made me love him hehe) and she still wrote a 600+ pages long book about him, just imagine what she'd do with the most popular character (Manon) and one of the most popular ones (Dorian).

b) Nesta and Cassian - this is ship is the closest to Manorian equivalent in ACOTAR series, aka starting from a physical relationship that develops into a sentimental one. Also 6th ACOTAR book will be focused on a new characters (most probably Elain)

3. Favoritism

SJM has talked multiple times about her love for these two. When asked about her favorite TOG character, she said Aelin, but Manon was a close second place and she said that she absolutely loves writing her.

In another interview, when asked who she would go on a book tour with and a few similar questions, she answered Dorian.

Now, I haven't seen all of her interviews ever and I'm not sure how much she loves Nessian and Cahorene (seems to love Nessian a hella lot tho), but it's definite that Manorian are some of her favorite characters and it's just logical that she would write about them.

4. Unfinished story/Unresolved feelings

Ships at the end of TOG:

Rowaelin - married

Elorcan - engaged

Lysaedion - engaged

Chaorene - married with a baby on the way

Nestaq - engaged

Manorian - hug and "we'll see"

All the ships basically got engaged in the last chapter (it's not like I didn't like it hehe) and their stories, romantic-wise, were pretty much finished and they have no unresolved tension between them. Manorian on the other hand, have enough of it for all the ships lol.

KOA spoilers ahead!

Keep in mind, Manorian relationship was mostly a sexual one, and they don't quite yet have a way of communicating their feelings properly. So there is a lot of unaddressed between them, even though they obviously care a lot about each other.

The unresolved things between Manon and Dorian:

"“And if I asked you to stay?” / “I’d need a very convincing reason, I suppose.” / “Because I don’t want you to go.” - they just fucked and Dorian left for Morath later, which impacted Manon a lot but they haven't discussed it

"I even care about you." - Manon got up and left

"There is only one witch who will be my queen." - Manon doesn't know about this

Manon saved Dorian from Valg demon even when Aelin couldn't. It was the worst thing to happen to Dorian and he still bears scars from it, yet he didn't have an appropriate situation to thank Manon for it

Dorian knows that Erawan lusted after Manon, which got him pissed of course, and he didn't have a chance nor time to ask Manon about it. It might be nothing, but if I were Dorain and my girlfriend who doesn't show feelings was locked up with a crazy guy who has a thing for her, and have seen the way he treats women, I'd be concerned. Erawan was a Valg king, a tough opponent even for Manon. If he had done something to her, and he had plenty of means and opportunities and wish to do so, Manon would never openly tell anyone (maybe Asterin) about it, because it would imply opening up and being weak, which is Manon's worst fear. Again, SJM, as the Queen of Foreshadowing, wouldn't just randomly throw in the main villain having a thing for an important character, everything in her books always has a meaning and purpose.

"Would you miss me if I didn't [come back]?" - Manon didn't reply

This is how SJM described Manorian marriage: "She would be his wife, his queen. She was already his equal, his match, mirror in so many ways. And with their union, the world would know it." - and you're telling me it's not deserving of its own book? Not just that, Manon asked Dorian for marriage and they, again, just had sex, with Dorian loving the idea but deep down knowing that Manon would feel caged in a marriage. And that attitude won't just change out of the blue. It takes time and development which is something SJM writes amazingly.

With the Thirteen gone, beside Abraxos Dorian is the only creature Manon cares about.

Dorian's mortality (although as you'll see in point #6 I'm sure he's not human)

The dreaded "You could just marry each other." / "We'll see." (Thanks Yrene :)

5. Foreshadowing

Listen here, SJM IS THE QUEEN OF FORESHADOWING. She thought of a detail (Dorian's dad's name) in the first book that would matter in the last book. Of course, there are many many many more examples of that, but if we got "We'll see." then we'll fucking see it happen.

6. Unresolved things about Manon and Dorian as individual characters.

Manon and Dorian and both pretty broken at the end of KOA.

Manon lost the Thirteen, the only people she cared about. That is a huge trauma that needs to be addressed, especially with someone so reluctant to show feelings and heal like Manon.

Dorian can't be human?? He has fae abilities due to his relation to Gavin and Elena even though he's not even called a demi-fae. He possesses powers no one else does, phantom hands for example, which he didn't steal like shape-shifting. And Maeve pointed out that due to his father being possessed by Valg when Dorian was sired, it's possible he got some of the Valg abilities. (Also she said that he's stronger than Aelin) The main villain, especially written by Queen of Foreshadowing, wouldn't just let drop it there and that's it. Also not to mention Dorian's own struggle with depression and self-worth.

They have both just become rulers of their kingdoms, completely new to it. Dorian has spent a big part of KOA imagining what kind of a king he wants to be (one that will have a witch queen hehe) and it was a major point of his character. And addition to that affecting them as characters, the future of Adarlan and Witch Kingdom could make a good plotline.

7. Other TOG characters

Although pretty much all the readers would die to see Chaorene baby, Lorcan in Perranth, Aelin and Rowan ruling Terrasen, Lysandra and Adeion officially adopting Evangeline, Nesryn and Sartaq becoming Khagan and Empress of Antica, all of these don't make enough of a plot on its own. They are great side-plots.

We know all of these characters love each other and are happy together, there isn't that much to be added to their personal stories other than kids. (same way Feyre and Rhys got a baby in Nessian book) Manorian however, they haven't even kissed without it leading to sex, they hugged at the end of KOA and it was the pique of their relationship. Their relationship is merely at the beginning, whereas others have pretty much reached their ultimatum (ofc SJM can decide to add some drama with betrayal, kidnapping, pregnancy etc. but for now everyone is good and settled beside Manorian)

Not to mention the way other relationships would affect them. Chaol, Dorian's brother, and Yrene, Manon's wannabe bestie and Manorian shipper, would bring their baby to meet his/her uncle Dorian and aunt Manon, and imagine Manon with a baby lol.

SJM loves Aelin and other characters way too much not to give us an insight on them as married couples, but since her books are huge and it's her, it needs a plot with drama, addressing traumas, repressed feelings, worldbuilding, and sex, and Manorian's got all of that.

8. Abraxos

We need more Abraxos, that's just a fact.

Wow that was a long one. Anyways, in conclusion, we're getting that Manorian book. Pretty sure it's gonna a book rather than a novella (TOD was also planned as a novella but then guess what) because there is just SO MUCH possible content.

[servicetopkaradanvers]

I'm not sure if this is exactly the right place to say this, but I don't know if there is. And you're a smart person and critical thinker who has talked about this before. If this is totally weird, you can just delete it ofc. I've never properly watched Supergirl but I started reading fanfic around the time my mental health got real bad so it was a comfort thing I didn't bring too much thought to. I really identify with Lena and in the past, part of me has understood her actions-

and I know that they're wrong. The anti-alien rhetoric is obviously an allegory for racism or homophobia. She's violated people's basic human rights. And I'm scared that I'm a bad person because sometimes, I kind of get it. Which is insane because i'm a lesbian enby of color, i mean i get targeted by most of the -ist/ism actions. And I'm also too tired to think about things critically all the time. Supercorp was my comfort fic, content thing-

I knew it was problematic (the whole James thing makes me sick to my stomach, scared and sad) but I didn't know that Lena as a character was written that way. The metaphors never really clicked in my head because I never thought about it, but now I feel absolutely horrible about myself because I like and identify with Lena. I'm not really sure how to move on from here- I'm just tired. I wish there could be just one thing, one piece of media that wasn't prejudiced (granted sg is not the place to go if you want decent rep and the like) and all of those things I said earlier. Its just me somehow trying to justify how I felt and empathized with something I shouldn't have. So yeah, sorry that was really long. I hope you have a lovely day- sorry for the spam

FIRST of all, you’re fine, babe! Both in sending me this and in enjoying The Bad Media. That’s my thesis here: You’re fine. With this in mind, let’s unpack this big ol suitcase:

We’re living in a fandom moment where more than ever before, we’re thinking about the ideas we consume in fiction and how they may or may not affect us. This is a net positive! Fiction is not reality, but it undeniably impacts it, so for this and many other reasons, we should always think critically about what resonates with us and why. Does this mean dissecting every facet of something to find all the ways it might fall in line with oppressive power structures? Absolutely not.

You, as an individual, do not owe anyone an explanation for why you enjoy anything. Period. How you relate to a given character or why you like them is nobody's business but your own.

Supergirl, as a piece of media, is singularly awful in its lackluster lipservice to progressivism while simultaneously refusing to deliver any progressive themes. Socially and politically, it is a useless liberal wet dream. Kara is an immigrant from a dead culture working as the muscle for a secret FBI offshoot with zero accountability for all of the other aliens in diaspora she has rounded up and dumped into a cell without trial. Alex is allegedly a lesbian, but the key points of her endgame relationship are constantly deemed not important enough to get screen time, which is made even more absurd when examined from the angle that this series is marketed directly toward LGBT people. An embarrassing percentage of villains on this show are women of color, which is particularly loud when there are only 2 women in the main cast who aren't white. And "main" is extremely generous, given that Kelly is just there to Give Advice Good and everything M'gann says and does is as dry as toast.

My point here is that the whole show is rotted to its roots, and whatever quietly libertarian or even fascism-enabling bullshit they push onto Lena in a given week is par for the crusty, shitty course. Kara deciding that she's ok with the alien detection device because "there are bad aliens" is a lovely (read: awful) microcosm of why this show sucks so fucking hard. "People are entitled to their opinions" is for debates on whether pineapple goes on pizza, not for whether we should casually out, endanger, and disenfranchise our [insert minority metaphor here] because some of them are mean.

But what I would love for this fandom to wrap its head around, and what I hope you understand, anon, is that just because it happens on the show, doesn't mean we have to give a rat's ass about it. What the hell is The Canon, anyway? Especially in the case for Supergirl, which can't even get its own continuity right. Especially for an IP that has been rebooted dozens of times before and will be rebooted again in the future. We can just decide that Lena realized the horrible injustices she enabled through her position of power. We can even decide that they just didn't happen at all! This is all fake. It's not set in stone. Who came up with it, anyway? A network with a list of buzzwords they want included and a couple of D-tier showrunners cranking down caffeine to meet an absurdly tight deadline. It's not special. I can guarantee that you care about it infinitely more than they do, and you haven't even watched the damn show.

On a more personal level, people who are hurt, depressed, or traumatized have always and will always look for themselves in fiction. Myself included! And despite what lofty platitudes there may be on the matter, suffering does not make us kind. It does not make us better. Sometimes it's just suffering. Often it pulls us further from who we are meant to be. Often it just makes us "worse."

Trauma has made Lena emotionally brittle. A lifetime of manipulation and abuse has taught her to compartmentalize herself and lock her feelings behind a maze of doors. When she does let love in, she accepts it so wild and vulnerable that she can't see the red flags behind the rosy lenses. She latches so hard onto people she deems virtuous that she holds them to a standard none could fulfill. Her pain has to go somewhere, so it oozes out of her, into Non Nocere, into the post-reveal rift. She's a powder keg, and Kara spent 4 years shoveling more gunpowder onto the pile while holding the match between her teeth.

And despite these fatal flaws that make perfect sense through the eyes of Lena's trauma, she is so full of love. Like Kara, her suffering did not make her kind. She is kind in spite of her suffering. These are the characters we are drawn to when we're hurting. Lena’s trauma is an inextricable part of her, but it is not all of her, and neither are her mistakes.

There truly is not and never will be a piece of media that is absolutely innocent of the harmful structures thrust upon us by society, because we ourselves also participate in that society whether we are critical of it or not, whether we strive to change it or not. I'm flawed. You're flawed. Bettering ourselves is not a journey toward an ultimate destination of perfection. It is a garden we nurture in an endless labor of love because the joy that comes from seeing it flourish and change vastly outweighs the work we put into it and the weeds popping up around its unkempt edges. This is a lesson Lena herself could probably stand to internalize. Probably with lots and lots of therapy. Lots. And lots.

So, to circle back to the start of this? You're fine. You recognized the logic in a traumatized character's mistakes because our own gravest errors more often than not stem from the ways we have been harmed in the past. It's what makes Lena (or, at the very least, the many adaptations of Lena that exist in this fandom) a good character. She is, to her core, characterized proof that a crumbling foundation and poisonous soil do not define us. Which is why watching her heal and grow and learn a healthier kind of love is so, so wonderful.

In closing, I think it's worth mentioning that being critical of media does not mean that we stop enjoying the parts of it we like. There is a lot of gold to be pulled from the steaming pile of shit that is CW Supergirl, and that's why we're all here in the first place. So I really hope you can continue to enjoy it in whatever way makes you smile <3

[thecarnivorousmuffinmeta]

HI i just wanted to say that i really enjoy your twilight metas (as those are the only ones ive read so far) and you're a genius. it's awesome to me how realistically you think about characters and the plot, which i have never been able to do because i always get confused. thank you especially for your post about jacob and how the fandom treats him bc ive always had mixed feelings! i love him (the fanon/new moon him ofc) but i also felt rly weird about the whole SA thing, especially as a brown boy thats been villainized (i didnt SA anyone i just realized how that sounds) i understood that it had racist roots but it still...happened, yk? anyways u put it beautifully and its alot easier to understand how i feel about him now. also like everything else u post about!! i despise the cullens w my every being but its so entertaining to see their dynamic and actions laid out. mostly bc it solidifies my hatred but anyways. they also kind of change my views on other characters, like i always kinda liked bella (i dont like alot of things she does but alot of the fan content i see on her made her feel rly relatable) and its rly interesting to see that she would be a kind of absent parent, bc id never considered it like that and it makes so much sense and woah. u have so much evidence to back up ur theories and opinions too--i tend to get lost in fanon but i dont rly do that w ur posts! even ones where ur spitballing its just muah chefs kiss i love. i write alot of self fulfilling fanfiction and tbh it does not feel the same when the characters r too ooc and ur posts have helped a fuck ton! ur super cool and i love ur stuff keep going :)

i do have some questions tho u dont have to acknowledge it at all and ik you tend to focus more on the cullens, but what do you think the wolf pack is like now that jacob, leah, and seth have left, and now that they have so many new members? do you think any other girls would have shifted and how would they be treated? ik leah was kind of alienated in canon not only bc shes a girl but also bc of her feelings, and i cant tell if the pack would be wary of her/treat her the same as leah, or if they would have learned their lesson.

have a good day!

Well first, thank you, I'm very flattered. I'm going to go ahead and acknowledge @therealvinelle here as well as she's I believe the one who originally posted the post about the very complicated topic of Jacob Black and his terrible choices throughout the series.

As for your questions there are a few pack questions in my inbox but it's mostly a matter that people keep asking questions about Bella and she keeps getting eaten.

Also, I'm not sure you want me answering these questions. Like all of Twilight, it's a bleak pit of despair.

But here we go

What About the Pack/Tribe After Breaking Dawn

There's a lot of shit going on in the tribe right now. Jacob leaving is just part of it.

They have an unprecedented number of shifters in the community and that's going to spell... a lot of issues in the years to come.

Namely, per Sam and Emily, domestic violence will be through the roof and kept very hushed up for the understandable reason of these people look like they were mauled by bears. This will also likely increase the number of deaths in the tribe, especially among those who are young. Accidents happen, it's not good, this is going to have a devastating impact on the people.

You also have a lot of angry, disaffected, young men who can no longer really be a part of society. They can't really attend school, can't even really leave the reservation for fear of turning into a wolf, they can't hold a job, at the age of nineteen or younger they each had their futures ripped away from them.

Some, Seth, handle this very well (possibly because he hasn't clued into what this means yet), others like Jake... do not. These people have had their lives turned upside down and in some cases utterly ruined: that's not good in any society.

Then you have the imprinting, lord, the imprinting.

To date, there's the Sam, Emily, and Leah disaster. The three of them handled it very well, but it still utterly destroyed Leah's life and emotional stability. Not helping, of course, is that Leah has had her very identity taken from her, has no privacy, and her only option of escape is to follow Jacob around which... we'll get to in a few paragraphs.

Added to that, you have the Claire/Quil disaster, in which the tribe is desperately trying to handle it by a) keeping it very quiet b) trying to make Quil just be the babysitter. That's unlikely to work out for them and is just angstfest all around and no one's fault.

And then, of course, Jacob/Renesmee. Jacob, having now imprinted, will follow Renesmee to the ends of the earth. He has no other purpose now. Which means that Leah and Seth, who are in his pack, get to follow along and uproot their lives. For the tribe this means they'll never be rid of the Cullens, not truly, and Billy has lost his son entirely. Not to mention it's guaranteed to go awful places.

Then you have the paternity questions this whole thing drudges up, the trauma of these children having to be sacred warriors and having slaughtered demons with human faces, many of whom were also once children and more.

The tribe and the pack are a goddamn mess.

Jacob imprinting on the Cullen hybrid daughter and leaving the tribe? Yeah, it's weird and no one likes it, but that isn't even the peak of the nonsense these people have to deal with.

Would the Other Girls Shift?

No.

Leah seems to have won the genetic shitty lottery. In 600 years of shifting, there has never been another woman, and Leah has all shifting bloodlines in her veins.

It seems Leah was just very unlucky.

Were other girls to shift I imagine they'd face much the same situation. Suddenly teenage boys are witnessing them naked, all the time, they have no choice to become sacred warriors (a role not typically meant for women and which will very much feel like 'the boy's club') and I don't get the idea that anyone learned anything from Leah.

Jake certainly didn't, he just thought she was Uber Bitch until she begged him to let her in his new pack and reminded him she was a human being with feelings.

The concept genuinely had not occurred to him.

TL;DR Remember kids, Twilight is despair

[haru-choices]

The different ways Nene has gone back to the Past (Mild Spoilers to JSHK Chapter 76)

After the short, adorable, scary yet interesting chapter of JSHK 76...there’s a question regarding Nene’s ability to interact with the past.

We first see Misaki Stairs Arc: we learn about Yako’s past through Nene after removing Yako’s Yorishiro.

Then again with 4pm Bookstacks Arc: Nene removed Tsuchigomori’s Yorishiro and we learn about Tsuchigomori and Yugi Amane.

Afterwards, we have Tea Party Arc which is initiated first by Sakura and Tsukasa, but then Nene was the one to open the door to Hanako’s past within many many doors to get back to the real world. Although Nene was able to be in the door area with Natsuhiko, only Nene sees Hanako’s past as she got separated with Natsuhiko (but thankfully he’s still alive).

Then we go into the past is during Summer Festival Arc, but no yorishiro was required and she was hit by a cow instead (but this was within a Supernatural domain with Hanako and Kou but only Nene went back to the past on her own again).

Then we have Picture Perfect Arc where Nene goes to Shijima’s past again without the removal of a yorishiro, but again Tsukasa was the one that initiated this event. However, she was with Shijima this time rather than being by herself.

Then we have the Summer Camp Arc, Nene and Hanako falling down the pit to meet Sumire (and Hanako states we’re still in No.6’s boundary without water). Although, it is not exactly the past, Sumire is related to No.6’s past and this time Hanako managed to go along with Nene (to try and save her ofc).

And finally, the most recent chapter. The Red House Arc features Kou and Nene entering the Red House and finding a younger Tsukasa.

Interestingly, there is no water around so it’s not technically a boundary as said by Kou.

However, there is a possibility this is still a boundary. As Hanako stated above during the JSHK chapter 66 Sumire, they were still in a boundary despite there being no water. Kou doesn’t know this if we assume Nene hasn’t told him about Sumire.

Interestingly enough, Tsukasa has been involved in 3 of these “past” situations with him initiating two of them. Although Hanako has been involved in his ones too, he did not initiate the actual time travel himself, he did so indirectly by asking Nene to remove Yorishiros, but his past was shown eventually for some of them. So maybe Tsukasa has some sort of ties to these events. Furthermore, with the Red House, Young Tsukasa has watched people past and never escape this house... could this be because of Young Tsukasa himself and there seems to be much more to the Red House than just Young Tsukasa. Could the Red House have ties with all Seven mysteries?

Also, it could be possible Nene’s abilities to go back to the past might have gotten stronger, she went from only seeing small snippets by removing Yorishiros, to actually interacting with the past for a small moment.... then for even longer with Young Amane, to then have others with her in the past (although in Shijima’s case Tsukasa initiated it) without the removal of any Yorishiro.

Maybe one day Kannagi Nene could save the twins? Maybe both Tsukasa and Hanako although through different methods...both want Nene to save them by her learning more about them rather than them telling her everything fully.

Although I’ve been referring to them as “the past”... maybe I was thinking I could call these “memories” instead... and Nene is interacting with “memories” of the supernaturals. I feel like “memories” has more of an impact as memories states certain of importance events whereas “past” could be more broad. I’m not entirely sure how to explain it but its like how experiencing the summer festival evoke the memory of Young Amane as the festival. Seeing the Lunar Rock evoked the memory of Tsuchigomori with Amane etc etc. Also, there’s a term called “Fragmentation of memory” where memories of the past are irregular and disrupted and this is could be caused by some kind of trauma. The fact we see glass fragments during these scenes, it reminds me of this term.

I haven’t proofread this so sorry for the grammar mistakes but I hope you enjoyed reading. Thank you to Rof-scans for the translations of the manga used in this post for the more recent chapters.

[aks3raao1]

Me, to Luja: So tell me about yourself

Luja: No

Me: ...ma'am I need to write the story—

Luja: Good luck <3

[now that I do think of it, ALTERNATIVE's main duo that's established right at the beginning is literally a chiller but edgier Katsuki and way worse sUrViVe Nagito genderbends]

~~~~~~

Luja Sen, she/her

Anyways, Luja and Romila are friends from middle school (the story starts with the beginning of their high school at AoS (Academy of the Specialised) which was essentially founded by Nyx). Luja gains her Specialisation (Ferrokinesis: The Ability to bend metal) at the age of twelve, so she has it for a lesser time period than Romila.

Luja primarily wants to become a scientist. Her family is happy with that, because it's praised and everything, especially in our society.

She has a gifted child superiority complex. Being a gifted child + Specialised means that she hardly had many friends in school. Her family had tried to get her to socialize....which didn't go down too well.

She believes that most people are annoying because they waste too much time on useless things like gossiping and what not, which she never showed much interest in and doesn't like to be dragged into those nonsense.

She is friends with Romila since they do share the same taste in stuff and were the only Specialised ones in their class. And they kinda stuck together for most of middle school and went into high school.

She has a problem when it comes to seeing Romila since she tends to see her bad parts and is like, "It's a phase" considering that it's not necessarily affecting her. Romila doesn't get too cranky with her since she fascinates her, with her passion™ for science. Also because she isn't all self sacrifice UwU.

Luja cares for her own self above others (but tends to put Romila pretty close to that hierarchy, which is why she's one of the only two Romila trusts during the Mansion of Death (the other person is Kratanos)) however she also does want to keep what friends she has and is generally caring towards them.

She has a genuine love for science and loves to discover how things work and why, and her favourite facet is Physics. She does want to invent things and honestly just make stuff easier for the Specialised who face a LOT of issues, especially when it comes to amenities since the government is an ass about accomodations and they gained the Fundamental Rights like ten years or so ago in the ALTERNATIVE timeline. And they gain an additional right ("The body won't be harmed for science") when they graduate from school, after signing a contract that they dedicate themselves to helping the government when called upon. (The whole contract is stupid and basically oppresses them more especially the punishment for not abiding by it).

With her goal of becoming a scientist, she wants to use her talents to make accomodations specifically for them so that she could have done something.

The things she fears the most is failure. Failing as in being unable to accomplish her goals. She is afraid of it because it's an unknown variable that's constantly haunted her and she's working hard for it to never reach her.

I suppose there's a way for her to confront that fear during the Mid terms at AoS where she essentially "loses" in the practicals due to her......teamwork issues.

Everyone thinks of her as stuck up and isn't interested to listen to her much and since she views the others as annoying people with annoying habits, she tends to fail to regulate them, causing Romila to win instead (yes, it's THAT unfortunate of a situation) in their match, which causes her to review a LOT of things and she tries to see what caused her to lose after having a severe breakdown.

She develops an inferiority complex in respect to Romila and then spends a long time wondering where she went wrong.

Rena (who somehow clung to her) tries to cheer her up but gets turned back halfway, but she still stays on and Luja is like, "Wtf" until she sees Romila going entirely off the deep end (she presents an interesting contrast to how Koldin sees Romila as well, she sees Romila's behavior and considers it as a justification for her own self....she uses Romila to justify herself a lot (since if you asked Romila, Luja was more or less fine according to her since she wasn't being a doormat and stood up for herself) while Koldin sees Romila as the reason he should cling onto his own stuff) and realises that she could be on the path to destruction herself and accepts Rena's help and tries to be more open to others which leads to the Mid terms parallels in the Archenemy of Society arc where she "succeeds" instead and manages to get the class together enough to escape the situation.

However it doesn't mean that her fear of failure has entirely vanished into the blue, she just reviews the ways she can fail better now and works around it to avoid it and has more confidence in her own self. But she is still scared of failing and would love to avoid that more than anything. However she's chiller after that.

Her intelligence is more or less on par with both Romila and Kratanos, making them the three main strategists in the final battle against the bigots (which is basically a rerun of the Mansion of Death situation but way way worse and fucked up and has different leads to it).

....

The thing is that, no matter what I do, she winds up feeling like one dimensional/repetitive, which is something I am trying to amend about all the characters (I mean, I had to revamp a lot of characters so it will probably take me a long long time to actually get to writing.........sigh besides she stands up like a cardboard amongst people (I mean, you have Romila and Kratanos with extremely complicated storylines and then you have her. Just there))

So the main question is how to make her more interesting as a character and on par with the rest while still keeping her character flaws and personality?

I think the easiest way to go abt this is to view her as a sassy Bakugo. They have the main points in common. They're salty, don't like to socialise, feel inferior to a certain someone while still having some semblance of confidence and a terrible fear of failure

Now as much as I hate to compare your character to another one, it makes it a lot easier to have them become - as my English teacher would say - more. So I am sorry if this comes off as offensive-

For Bakugo, he became interesting by playing a big part in the mc's main story and we do get a few scenes where his vulnerability is shown. I assume it's the same with your character but...what rlly ties the knot for me when it comes to Katsuki is the fact that his problems...are more than just an inferiority/superiority complex. His whole thing stems from background especially (*cough* abusive mom *cough*) and the fact that he's not the main character (or rather that the story isn't being told in his perspective).

These facts make us over think and want more of him. The mystery draws us in which is why I think Luja's character is so perfect for someone in the background. She doesn't like to reveal things abt herself and is pretty dismissive to most things on top of that (plainly just salty). Her character rlly draws you in and the best way to portray those kinds of characters is through another character. Ofc, you'd have to get to their POV eventually but it's important to note that most of the details should come from someone else's POV (an observer, if you will) instead of info dumping and starting straight with hers. A character that's mysterious with a very simple yet relatable story attracts a LOT more attention and interest when seen from someone else's perspective than when you kickstart it from theirs.

Ofc, if u are planning (or already have) started the story from her POV, that would be a bit problematic in terms of interest. But not a train wreck. This is where my other point comes in. The point of making a character have more than one problem

Different ppl as well as characters have a main problem but also different ones, no matter what way you look at it. It seems that even you are confused with all ur character's ins and outs (dw, we've all been there... I am still there tbh) and a solution to that is backtracking a bit and looking at their life from the very beginning in HEAVY detail (like more than u already did). Think abt what other trauma could have been caused, what doubts and fears could have slowly crept it's way to her heart and head (I am a sucker for long-lasting doubts that develop over time) and anything you can even so much as GRASP on. If you look at it and see it as a possibility, try to fit that into her character and add it subtly in different places (as subtext or a creative pattern, wordplay, doesn't rlly matter as long as it's not openly stated bc, remember, the key thing to these types of characters is mystery).

For example, a fear of failure can stem into anxiety before the character has even lost smth later in their life. They probably get rlly anxious when evaluating smth but don't show it much or at all so no one notices. This adds even MORE to the character bc you can build it up after other events. Like once they have failed, they could probably get even more anxious and then develop a bad relationship with the person who beat them (double the points if it was a friend). You could build all that up and turn it super toxic instead of jumping right to the healing. It makes it more interesting, doesn't it? Plus, reevaluating almost everything including world views after 1 loss is...kind of hard to believe even with anxiety (no offense)

Adding a lot of little problems and thinking abt how Luja's behaviour can impact other characters helps a terrible lot if ur doing most of the story from her POV. Especially since she's probably the most relatable character (from what I've heard anyway). I have a certain saying... it goes like, "It's better to have a relatable and connecting character than one with a problem that is too big for normal people to fathom."

I like characters with heart-wrenching problems that I would never be able to relate to (take maybe Shigaraki as an example ig?) But my favourite are the ones that make me feel as tho I made a real connection

Also, I would like to say...if ur looking to progress her character even further, I would debate on whether it's the complete end to the novel or if there'll be a second part. If it's a second part, keep some of Luja's issues. Make her get better but not completely "YAY, I AM DONE BEING TORMENTED". If it's the end of the novel/series/etc., make it so that she's resolved most of most of her issues. They don't have to be completely gone but they have to be a lot better compared to how they started. And how i would work that out is a mind map but knowing ur a scatterbrain...lets talk it out where everything is all over the place

Luja's main thing is to gain confidence in herself and be finally ok with losing, right? If you ask me, that's a tough one but not impossible. I think to get her from point A to point B is to put up a bunch of events like:

Get her super anxious when doing smth

Lose to *insert person*

Have a breakdown and over think on what she could have done better (on the project or whatever she lost at)

Get even more anxious and totally mess up the next thing

Lose once again (double points if it's the same person as last time)

Overthinking abt how she's not good enough

F i g h t i n g f r i e n d s c o z d r a m a

"YoU'rE nEvEr GoNnA gEt BeTtEr If YoU kEeP tHiNkInG aBoUt YoUrSeLf"

Over think abt no. 8 bc out of options and ideas and ✨a n x i e t y✨

Try listening to others more and become b e t t e r

Win smth (bc creator forbid 3 losses in a row to start depression)

Lose again (there is gonna be a bit of back and forth but is necessary for development)

"I tHoUgHt I wAs FiNaLlY dOiNg SoMeThInG rIgHt AnD nOw LoOk"

"Losing is not th3 3nd of th3 fucking world, you lunatic"

"WELL, IT IS TO ME, BITCH"

*insert psychology somehow idk*

Another loss

"I'm angry...but I'm ok"

Note that idk where bullying would come in and these are only how I would think it to go-

A character like this isn't rlly my strong suit when it comes to them resolving their problems but they are fun to write and think abt-

................................did I just give you advice on how to traumatize? I-