#i love writing & talking about writing choices

[kngrose]

do you not write for ambessa 👉🏻👈🏻? cuz your sevika headcanons are *chef’s kiss*

ambessa general headcanons 𝜗𝜚

WARNINGS: 18+, sexual content, implied voyeurism, body worship, oral, slapping, spanking, dacryphilia, implied age gap, slave/master if you squint, wlw!

prayers have been answered ^^

SFW

Come, come. Let's talk about it.

I don't think Ambessa strikes anyone as a lovely kind of person. Yes, she is incredibly charismatic, and might even be the love-bombing type, but Ambessa seems to clearly reserve "love" for those closest to her. Well, her version of it anyway.

She won't just walk around with her heart on her shoulder, she's a warrior for hell's sake. And we're all familiar with her opinions on becoming weak at the hands of love.

If you've managed to genuinely catch Ambessa's interest-- not just for her personal gain or a quick fuck-- then you've got a headache coming your way. Like, a migraine.

I want to really emphasize the love bombing because regardless of whether Ambessa is aware of it or not, the relationship will feel this way for a long time. There's a pattern. She's affectionate one day; showering you with praises and soft kisses, sunrise to sunset. You'll have to want for nothing. Gifts and trips, all treated to you by hers truly. Wining and dining, a good fuck. And though all of this is displayed in private, you'll be enamored. Which is exactly what she wants you to be.

And then, she'll be cold and standoffish. Uncaring of your presence or too busy to be bothered. When Ambessa handles business, there's no such thing as making time for you. You'll just have to pacify yourself until she's ready to be bothered with you again.

It'll take you a while to realize, but when you do you can't miss it; she's got an avoidant attachment. She wants to love you and to be loved, but the moment she receives it she's pulling away. She's looking for flaws in you, anything that'll convince herself that you're bad for her, to leave you where she found you.

Constantly creating exit strategies, thinking of petty little arguments to start for no reason, or an insecurity of yours to pick at. She was trained to fight, it's her strong suit in any sense. It's always easier for her to disconnect and dismiss her feelings than to just sit and talk it out. And you'll want nothing to do with her, which is also what she wants.

She just be losing the plot, I fear.

Unfortunately, cycles like this take time to break. Fortunately, she's not going to let you leave! So you have all the time in the world! <3

When you bring this to her knowledge, you'll really have to bring it. Sit her down and let her know she's not moving until she's heard every word that leaves your mouth, wagging a painted finger in her face. And she'll humor you because you've managed to make an impression with her.

She will sit, patiently and leisurely, man spread and all, watching you fuss her out throwing your hands every which way and yelling. And she will have the softest, fondest smile on her face. She'll know you love her at this moment.

She will let you say your piece without interruptions. In fact, she's so quiet that you have to question if she's even listening a few times. And when you catch sight of that little smile you just pause, dumbfounded. And she'll just humor your expression, urging you to continue with a curt wave of her hand.

After this occasion, Ambessa will be relentless. In her mind, anyone willing to fuss her out the way that you have must truly love her. So now, she knows no limits. In the past, Ambessa would have you stay put with some guards while she handled her day-to-day tasks. But now? You tag along with her everywhere.

In meetings, Ambessa has you perched on her lap. Touching you mindlessly as she discusses possible strategies and looks over speeches. Rubbing your thighs, your neck, your arms. You'll find it awkward at first--such a public display of affection-- but you'll have no choice but to get used to it.

She's hand-feeding you everything. Holding your cups to your lips, licking frosting off your mouth. It's a starch contrast to the dynamic your relationship used to have. But, you suppose you shouldn't be surprised at her shamelessness, she's always been a bit... eccentric.

And now, you don't even have to ask her to share her feelings, in fact, you have to tell her that some things are a little TMI because she wants to share everything with you. Everything. EVERYTHING.

Secrets don't exist, she's an open book. Whatever's on her mind, you're going to hear about it. Which in most cases, you can appreciate. She'll open up about her past and all of the things that have led her up to this point. She'll speak of her daughter, Mel, expressing a regret that she's never opened up to her about. And she'll talk about the effects you have on her personally.

These moments are heartwarming, cause it solidifies your bond.

Undoubtably, Ambessa is a very possessive woman. She's very adamant about expressing to everyone that you belong to her. Not necessarily in a verbal sense, but people will know. They'll know when they see the lingering touches she leaves, the elongated glances, the kisses. Again she's very shameless, so don't let these things take you by surprise.

She's also very protective. She does like to have you tag along with her everywhere, but every now and then she'll leave you with Rictus while she goes to handle more trying situations. You know, the ones where she may potentially commit a war crime or two.

She'd much rather you be locked away than have to protect you on the battlefield. Though she's positive you know of her capabilities, she wouldn't like to have you see her in that light regardless. She'll go to great, violent, bloody lengths to keep you safe.

Besides her shameless physical touch, Ambessa likes to show her love with flashy gifts and large bouquets of flowers. She likes to collect things from all the places she's been to gift to you; know that every time she's out, she thinks of what you might like to have.

She also likes to share knowledge. She finds that to be one of the biggest displays of love; sharing one's knowledge of the world and life. Things you can can learn from. She will really appreciate and admire the fact that you look up to her as a mentor, and especially loves it when you ask for her opinion or perspective. It shows that you rely on her.

And she likes to be relied on!

She has a tendency to just walk around naked, and not for any particular reason other than the fact that it’s, “Comfortable, sweet thing.” It doesn’t matter what time of the day it is, if she has leisure time to waste, she’ll be naked. And she likes to be watched; “I worked hard for this body, honey..” She’ll say, flexing her arms at you.

She takes great pride in her form and in her strength. She likes to lift you up randomly just to showcase it. She’ll always pick you up when she hugs you, gripping your thighs loosely or not at all. You could honestly just hang onto her, dropping all of your weight. It wouldn’t make a difference.

She never fails to fluster you at any given chance. Every time you’re having a conversation she’s holding the strongest eye contact, chuckling to herself when you avoid her gaze. She'll randomly grip your chin, or caress your face. Sometimes twirling the hair by your ears. She likes to see you get all flustered because of her. It genuinely makes her day. That's why she does it so much.

She's old! Lol, you'll have to keep her updated with the new slang and terms of endearment. If you're someone who incorporates a lot of slang into your vocabulary, you'll often receive sideways glances of confusion before she stares at you and mutters, "...What?"

NSFW

I’m going to say it again; she’s shameless.

She has no qualms. Like, at all.

She loves to put on a show. She loves to be ogled at, it strokes her— already large enough— ego. More often than not, she’ll shove you down onto the bed, and with a calculated slowness, she’ll begin to undress, maintaining eye contact with you throughout. Her eyes always smoldering with a mix of passion and a touch of dominance.

And she’ll study you closely for your reaction, loving the look of pure awe on your face as she stands nude before you. Her voice, a low and husky murmur, would echo through the room, "See something you like, my dear?" and she’ll hum in approval at the soft, “Yes, Ma’am” she receives in return.

Ambessa appreciates a well mannered slut.

Most times, Ambessa will request that you massage her, all over. She loves it; It fulfills her desire to be worshipped. She loves to watch you take your time and rub every part of her, smirking down at you as you get lower and lower.

Ambessa will lean back slightly, her expression transitioning into a devilish smirk. Her free hand slowly tracing a path along the contours of your body. She watches you like a hawk, a smirk ever present on her lips.

When you start to kiss down her body a contented sigh will escape her lips. She’ll run her fingers through your hair, gently but firmly guiding your movements. Her head will tilt back, her eyes half-lidded with satisfaction. Each touch, each kiss, draws out a low and guttural sound from her throat, her desire evident in the way her body responds to your ministrations.

And the hand in your hair will tighten as she shoves your face in between her legs, a knowing glint in her eyes, “You know what to do.” And her body tenses as you start to eat her pussy, the hand in your hair tightening almost painfully as she groans.

She requires eye contact; she wants you to watch her come undone on your mouth. It’s like a reward, no? Watching the effect you have on her. She wouldn’t want you to miss the way she leans her head back, her hips rutting against your tongue at a steady pace, glancing down at you as she murmurs, “Good girl.”

And she won’t miss the hand that you trail down to your pussy, toying with yourself impatiently. A leisurely chuckle will fall from her lips, “Patience, Darling.” She’ll always say, pulling your hair to angle your head just right so she can fuck your face better. “Patience.”

And soon her breathing will turn shallow, Ambessa's grip on your hair impossibly intensifying, her fingers tangling in your locks as she guides your movements. Her control momentarily slips as she succumbs to the pleasure you're giving her.

And when she cums? She’ll pull your head back playing idly with the mess on your face, “Tsk… now you’re all dirty,” She’ll mutter, before leaning down and licking it off your chin. She’ll meet your lips in a sloppy mess of a kiss, groaning softly at the taste. And when she pulls back she’ll admire the look on your face, taking a mental photo of it. “Pretty…”

I think Ambessa would have a thing for teasing you. She likes to put you in uncomfortable positions. Make you put yourself on display in risky places. Loves touching you under tables. It just warms her core to see you so flustered, really riles her up. Especially so if you start crying, she’ll just squeeze your cheeks in her hand and snicker at you, “Ohhhh, you poor thing,” She’ll chuckle, and peck your puckered lips.

I already mentioned that Ambessa loves it when you’re well-mannered, it’ll quite literally get you anything your heart desires. You ask her nicely to make up cum? She’ll do it in a heartbeat. “With my mouth, or with my hands?” She’ll raise a brow, “Or with something else?” You use your manners with Ambessa like a good girl and she’ll be at your beck and call.

Laying you on your stomach softly to pull your ass in the air and eating your pussy until you squirt all over her mouth, and she won’t let a drop go to waste. She’ll trail her thick tongue from your clit all the way to your ass and back, over and over and over, circling the hole playfully before spitting onto it, the spit trailing back down. It’s truly a beautiful sight, she thinks.

Do you want her to fuck you with her fingers? They’re thick. You’ll hardly need two of them to satiate that churning in your core. Perhaps you want a massage of your own? Want her to suck on your pretty feet? Maybe you want her to talk you through your orgasm and praise you softly in your ear while you cum on her fingers? Everything all at once? No request is too far for Ambessa. She likes to worship her pretty thing; and loves to appreciate your body. Especially when it’s well deserved.

But when you’re ill mannered? Ambessa will show you exactly how she became a warlord.

Don’t expect any pleasure from this outcome. It’ll be hard. It’ll be brutal. And you’ll wish you’d never mouthed off at her the way you did. “What did we learn?” She’ll growl, above you, slapping your ass with a powerful force, “Quickly.” She’ll order.

And she’ll hum as you blubber loudly about being respectful, but her abuse will not stop. She will continue to keep you over her knee, slapping at your ass and thighs relentlessly. And when she’s done with that? She’ll have you on your knees, facing up at her with your hands folded politely over your lap. And you’d better pay extra attention to your posture or she’ll punish you for that too.

You’re never prepared for the swat to your cheek. “What are we not doing in the future?” She won’t falter at the cry that leaves your mouth, her gaze stone-cold and unwavering. She’ll swat your cheek again, slap, “I said, quickly.” And again, she won’t be moved by your blubbering until she’s satisfied-- until she believes you’ve learned a lesson.

And she’ll always be sure to pacify you until you’ve calmed down, offering you water and comfort, but still being stern enough that you remember your place the next time around. She’ll be sure to build you up just as she’s broken you down, affirming you gently. And you’ll fall back into her, blubbering your apologies.

She’ll conceal a smirk.

She loves to see you cry.

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taglist: @opropheticsoul

[cicadabooks]

aaaaa finally i feel justified for reluctantly finishing the first Monk and Robot book with a :/ face, and then feeling even more :/ :/ :/ about reading the 2nd book. Which I did not read, and it looks like this was the correct choice, for me.

"Underbaked" is a decent summary of the first book - people (....often white people I feel like....) would recommend the book and how they loved it, and when I finally read it, I was just like.... This author is over-reaching and floundering around in areas she doesn't know much about. (And also this book felt very White Person writing world building to me.) Even the final pep talk by Mosscap rubbed me the wrong way. It was obvs just Not the Book For Me. (Also winning a Hugo.... It's not the worst book, but...? I think people are being bamboozled a bit.)

I remember the author's approach to nature was weird. I remember thinking "people live in nature, we're part of nature, and to just have the two drastically split is disturbing. Also I don't think this author has ever actually walked through the woods, or at least not more than three times."

OP's line above ("The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature.") is making me specifically remember what I didn't like. :( wtf. Are indigenous people and their land stewardship a joke to you. Where were you when the Dakota Access Pipeline protests were happening last decade. That was a large amount of news. At this point, this is a you problem, Becky Chambers.

Also shoutout to "also tbh I think Becky chambers has also just never gone fishing in her life and was not curious enough about her own concept to research how you're supposed to kill a fish" in the comments section from OP -

Because, as I mentioned earlier, I had the same reaction even in book one!? About doubting if the author actually spent time in nature, or considered nature a lot, or knew much about nature (for a book that... spends time in nature...). Neither the first book's vibes, or this wretched fish thing, are the vibes of people I know who spend time in the wild (as a hobby or professionally).

(Also, I think those people I know, and me, and many other humans, would be miserable being cut off from wild nature. Some things are just in the blood. I was always yearning for the ocean growing up, and I swear it was handed down to me by blood from my mother who grew up on an island. When I finally lived in a place near the ocean and got to be in ocean waters a lot more, I was like YES I AM HOME and happy in my bones. Every time I get too sad it's because I have spent too much time away from ocean and some proper wilderness.)

(and we're not even getting into how much human culture, esp indigenous cultures, have cultural transmissions tied in with nature.)

(Like I know OP's essay was more examining passivity and the implications at large in these books.... Whereas looking back, I think I got stuck on "Humans aren't allowed to go into nature" in book one and I was horrified by this and I never got past this part. This book was a dystopia for me.)

Anyway OP thank you for summarizing the 2nd book, yikes and also that was fun to read.

Also this is all ironic/sad because I actually liked the author's first book! When I read it years ago. (A Long Way to a Small Angry Planet) It was fun! I love me a motley crew of people in space ships becoming friends and having adventures. I had issues with the handling of sex/gender stuff, but at the time I gave it a pass. The rest of the books in that series didn't stand out to me, but I picked up whatever the author wrote anyway. I was disappointed when I picked up these monk robot books more recently. We're not even having, like... having that much fun here :( There's apparently fish dying in bizarre ways.

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[breathe-2am]

On lou's article

Disclaimer: i am on the whole not crazy about actor interviews. I think most of the time they're awkward promo, but 911 interviews in particular just kinda suck. Most of the more indie/fandom publications have an interviewer who has a preconceived narrative they push and won't ask about anything that doesn't cater to a very insular section of the audience, which means the majority of the article is an actor finding new and inventive ways of saying 'stop asking about this, i want to talk about something else'. But the more mainstream ones aren't much better- remember when oliver stark had to correct that journalist about his character's NAME? Idk what the deal is but man the interviews do not do this show any favors (to say nothing about the plotlines that are teased and then never make it onscreen tim what are you even thinking).

So there's just something very... refreshing? About lou's interview. He really focused in on tommy's character and thought process, and how he made little choices in his acting on how best to portray it. I really love tommy's face journeys, so it's awesome to have him break them down step by step. There's a real deliberate craft to his acting, and i enjoy learning about how he gets into tommy's head. Something cute i noticed is that when he's explaining tommy's thoughts and actions he often will use first person, saying stuff like i'm thinking this or i'm feeling that- to the point where he has to specify when he's talking about himself as lou. To me it's a clear testament to his work embodying a character with a complex internal world- even when the writing is weird or abrupt, he puts in the work to make it make sense.

Idk what i'm even trying to say here. I think i would enjoy actor interviews if they were more like this one. Idc abt a future plotline that probably won't happen. Idc abt a non canon ship that has been nixed over and over for years (too gently if they haven't gotten the message yet imo). Idc abt any of that tell me why u made that expression when u said that line and tell me why u said it that way. Tell me what ur thinking, what ur character is thinking. I'm spending my free time analyzing these scenes and it's really cool to learn that someone is putting in the effort to construct something that is meant to be delved into.

[lily-onher-grave]

okay okay okay thoughts/excited ramblings about the wicked movie under the cut bc i've seen it and now i'm insane about it again

let's be real it's kinda hard to fumble the opening number of a musical especially when that opening number is no one mourns the wicked and yet i was still absolutely blown away it was SO GOOD

the lil munchkins running, the singing in the streets, the posters of the witch (side note all the artwork was insanely good and just added so much to the style of oz i feel like) it was all so awesome

NOMTW becomes so sinister and they nailed it

obligatory emotional babbling about glinda standing alone in the crowd as everyone sings 'the wicked's lives are lonely'

before i left for the theater i was like 'take your bets on if i'll cry' and my roommate and i agreed that yeah obviously i would. but what i didn't expect is for ariana's sad face to knock me out in five minutes flat. i was done for

the effigy. holy shit. and handing the torch to glinda. i want to go see the whole thing again just so i can rewatch that scene. my heart still hurts

(also nanny! sort of not really. but i liked the childhood scenes i liked that elphaba had one (1) good thing in her life before shiz)

SHIZ okay shiz honestly shiz was the thing i was most excited for bc c'mon, we don't write about our gothic magic school all the time in fic for nothing. and honestly it was so good. the shots of the whole castle! the library design! the balcony moments and the stairways and just like the layers of architecture and the way morrible could kind of be anywhere at any time. the way it felt so grand and yet so small at the same time. idk man the vibes were good and the set was beautiful

glinda arriving by boat was magical that's all

the way everything dillamond had was tailored to him was fantastic it was so good

actually i want to shout out the library set design again and how it tied into the clockwork theme that never gets fully called out even in the musical but it's still so good

where's my time dragon clock tho

also back up the scene where elphaba loses her temper in the courtyard--when she breaks the relief of the wizard, there's old artwork of Animals behind it and i gasped out loud when i saw it

and that was the first moment i thought 'this is brilliant but i still want an hbo dark fantasy political drama tv show based on the book'

speaking of the dark fantasy political drama tv shows, the Animal meeting!! i'm so glad they put more stuff like that in there

actually as a whole the movie felt more grounded and less comedic than the musical. i think they did a fantastic job of keeping the magic and silliness and charm and wonder of the show while still adding those extra bits of drama and dire circumstances

anyway gelphie fic prank wars trope is officially canon great work everybody handshakes all around. i was cackling (silently. i promise i'm a respectful moviegoer)

the ozdust ballroom being illegal makes so much sense. it being underwater was fucking cool. boq and nessa were actually really great and i usually don't care about them at all during this scene

also i love love love nessa and i cannot wait to see more of her. but showing her multiple times on the sidelines when elphie was being humiliated was such a good choice. the tension between nessa obviously caring for her sister yet always caring for herself more is so delicious and i always want to see it fleshed out more, and i think they did such a good job with her? her and elphaba have sweet moments which i love, and her wanting to be independent and only elphaba really understanding that is so so good. and having her just watching elphaba for so long before finally saying she can't watch. god i can't wait to see her be desperate and selfish and cold in act 2, it's gonna be so good

side note boq also looking upset by elphie being bullied. i miss my brotp man

but let's talk about what's most important: the gelphie dance. because oh my god i started crying all over again. so did elphaba. and glinda wiping her tears i'm dying i've died oh my god

i always get a little bit surprised when glinda seems more head over heels than elphaba. idk why. but ariana's glinda is absolutely more head over heels than cynthia's elphaba and i loved it

(they just. freaking LEFT the party. just zipped out of there as soon as they hugged. glinda was like hmmm i just realized some things and grabbed elphaba's hand and ran off while the night was young. and fiyero stared after them knowing that he stood no chance whatsoever)

also i'm like 72% sure the guys sitting next to me were a couple? and they both cried during the gelphie dance too and it was a very unexpected but very funny moment of solidarity

i say ariana's glinda is more head over heels and i stand by it but elphaba's fond little smile when glinda was pouting about sharing secrets almost made me start sobbing again they're so GOOD they're so CUTE and she is SO heart eyes for glinda immediately!!!

i need to be sedated i swear

popular was adorable 10/10 no notes absolutely nailed it i loved every second

also glinda sitting next to elphaba in class now. my heart <3

after dillamond gets hauled away (again with this being more violent and dark and those moments of drama coming through more in the movie i loveeee) glinda doesn't sit down until elphaba does

also they had several little moments of elphaba looking to glinda and glinda either shaking her head or nodding. they've been friends for 2 days and they're already having silent conversations i love them <3

the poppy spell? was sick as hell????

another seeing of wicked, another complete sense of bafflement as to why fiyero is there

i say this jokingly but the fiyero and elphaba romance really does feel like a product of the early 2000s especially now that it's on screen rather than on stage. idk maybe that's just the lesbian in me talking though

the train design is also sick but we knew that from the trailers

okay look logically yes i knew idina and kristin would have cameos. but i'd been crying on and off and one short day's magic had already taken hold so they caught me completely off guard. it was great

the wizard stuff was really sweet. and while i was hoping for more time put toward shiz and stuff, i do think those moments did a great job of 1) showing how much elphaba just wants to be loved 2) foreshadowing the wizard being her father and 3) laying the groundwork for her briefly considering working with the wizard in act 2, which is a decision that never quiteee feels right in the show

i love that they put more lore into the grimmerie btw. very cool

the hot air balloon was random but fun. i wonder if it'll come up again in act 2

every time. every damn time glinda starts singing in defying gravity i just want someone to end it right there. glinda grabs the broom, it fades to black, and they both lived happily ever after

fuck

defying gravity taking place at sunset because it's at the end of their one short day of happiness

also UM morrible coming up and hugging glinda when she's crying. exquisite emotional manipulation i'm screaming

elphie! seeing! her! inner! child! i loved the baby elphie scenes even though i prefer creepy 'horrors' elphaba always. but seeing her come back was sooooo fucking good

elphaba only ever relying on herself, in the end

glinda's final 'i hope you're happy' took me out, as it always does, as it always should. and reaching out from the balcony? i'm sobbing again

morrible dragging glinda into the darkness while elphaba flies into the sun! someone fucking help me i'm already wrecked by these two

honestly my biggest complaint is that now i have to wait for part two, i want to see the rest nowwwww

[average-mako-enjoyer]

Well, you have to agree that it wasn't really hyperbolic. Kaidan confessing his love for Shepard is simply not true, and people will inevitably jump on that. I'm just saying, if you're annoyed by people trying to "correct" you (and that's not what I'm trying to do here, btw), maybe try changing the wording a bit?

And it's not about the soft boy here. At least when people who like Kaidan call him soft, they don't follow it with the words "basic man" and "generic noodle". That reads like slander, like derogatory terms. It reads like pitting two bad bitches against each other. That's what I was talking about. You're just unwittingly repeating the rhetoric of the worst people in this fandom and in general.

I'm not saying you're just like them, I'm saying that this kind of language is very familiar to anyone who's ever seen these people talk about anyone other than what they consider to be an alpha male.

And you're right, I should probably write a separate post summarizing my feelings about this whole issue. I'm really sorry if I came across as making a personal attack on you, it's not the case, I never had that intention. And this really isn't about Kaidan at all, it's just about the choice of language.

The way I have to make sure I don’t get on Mass Effect tiktok because they ALWAYS end up hating on Ashley is so annoying. I swear people played the og Mass Effect once, killed Ashley during that play through and just never thought about her again besides miss remembering her comments.

How many times do I have to say it people. ‘I can’t tell the Aliens from the animals’ is triggered by being around Keepers. In universe there is a on going conversation about what the hell the keepers even are so while her comment is in poor taste she isn’t talking about any sentient being.

The ‘Bear Vs Dog’ monologue is a metaphor where humans are the dogs and the person is the Council. Her point is that the council would throw humans under the bus in a heartbeat and Oh, come ME3 she is completely right.

If you bring her along to the conversation with the  terra firma guy she makes it extremely clear that she doesn’t like them in anyway, even before she gets character development. She the hates her grandfather being used by them and strongly opposes them uses his history to promote their racist messages.

ALL the teammates in the og Mass Effect said dumb shit. Garrus in particular makes some shity comments. Because a group of random wildly different characters that start off distrusting each other but grow to love one another like family is a huge part of all the games.

But oh, Ashley is a woman so she gets to die while the boring soft boy gets to live.

[httpsdana]

Heyyy i was wondering if you would write fluff prompt 2 for gavi. Like they’re cuddling in bed in the morning?

xo

Dreamy Wonders~Pablo Gavi

・❥・prompt list

・❥・masterlist -> part 2

・❥・who I write for

2-“You talk in your sleep, you know? last night, you kept saying my name.”

The morning glow peeked through the curtains, bathing the room in a soft golden light. Pablo stirred awake, his face nestled against y/n's shoulder, his arms wrapped tightly around her waist. She was already awake, fingers gently threading through his messy curls as he snuggled closer.

"Good morning, cariño," she whispered, her voice soft and teasing.

He hummed in response, still half-asleep, but a lazy smile spread across his face. He tilted his head up, blinking sleepily at her, and pressed a light kiss to her jaw.

"Morning," he murmured, his voice raspy from sleep.

She grinned mischievously, deciding now was the perfect time to bring up what she'd heard during the night. “You talk in your sleep, you know?”

His brows furrowed, and he pulled back just enough to look at her. “What? No, I don’t.”

“Oh, you do.” She bit her lip to stifle a giggle. “Last night, you kept saying my name.”

Pablo immediately flushed, the tips of his ears turning red. “No, I didn’t,” he mumbled, burying his face in her neck to hide his embarrassment. “You’re lying.”

She laughed, delighted by his reaction. “Oh, you definitely did. You were all like, ‘mi amor, mi vida, te amo.’” she mimicked a dramatic, dreamy tone.

“Stop” he groaned, his voice muffled against her neck. “That’s so embarrassing.”

“Why is it embarrassing?” she teased, wrapping her arms around him to keep him from escaping. “It’s sweet. You’re dreaming about me—how could I not love that?”

He finally lifted his head; his face adorably flushed and gave her a pointed look. “I wasn’t dreaming about you,” he said, trying and failing to sound convincing.

“Oh? Then who were you dreaming about?” she asked with a raised brow, feigning offense. “Was it someone else, Gavi?”

“No!” he blurted out quickly, panicking. “It was you, okay? Happy now?”

y/n giggled and cupped his cheek, her thumb brushing over his heated skin. “Very happy. But you’re even cuter when you’re all shy like this.”

“Stop teasing me,” he whined, his voice taking on a petulant tone. “you're something else”

“and yet here you are” she teased, leaning down to kiss his nose.

“Because I don’t have a choice,” he said with a dramatic sigh, though his arms tightened around her. “Someone has to put up with you.”

“Oh, poor Pablo,” she said, biting back a smile. “Do you want me to let you go? Free you from your suffering?”

“No way,” he muttered, burying his face in her neck again. “I’ll suffer. Just don’t let go.”

y/n's laughter filled the room as she kissed the top of his head. “See? You’d miss me too much.”

He grumbled something unintelligible, but she caught the faintest smile on his lips as he pressed a kiss to her collarbone.

“Admit it—you love dreaming about me,” she said her voice teasing but full of affection, running her fingers along his back.

“Maybe I do,” he said softly, his voice so quiet she almost missed it. He glanced up at her, his cheeks still pink but his expression earnest. “But don’t tell anyone, okay? You’ll ruin my reputation.”

She smiled, leaning down to press a kiss to his forehead. “Your secret’s safe with me, mi dormilón.” (my sleepyhead)

He groaned dramatically, collapsing on top of her like a human blanket. “You’re the worst.”

“And yet, you adore me,” she replied cheekily, wrapping her legs around his waist to keep him close.

He lifted his head just enough to look at her, his eyes soft and full of adoration. “I do,” he admitted quietly, leaning down to kiss her properly this time. “I love you so much.”

Her heart melted at his confession, and she smiled against his lips. “I love you too, Pablito”

[manitole]

Emmrich x Rook = Ideas for Fanfic

 (This is going to be a REALLY long post)

Context: I’m an awkward millennial that doesn’t know Tumblr very well. I apologize in advance if this post is weird and not perfect, I’m still learning. My activities on this platform are mostly resharing awesome post on my page. Since the last few weeks, I must admit that the communities here around my tags are incredible, positive, academic and just kind of healing my heart. For this reason, I feel comfortable trying to be a little more invested. Introduction to the main theme: I’m really happy to see that I’m far from being the only one to be obsessed and hyperfocused on Emmrich Volkarin, especially his romance with Rook. His personality is different from my typical fictional crushes: this fact had opened new possibilities about scenarios in my imagination. The main theme: I love to write, but I have a thesis to finish. Plus, I’ve already started two fanfictions and I’m not close to be done with those two stories. Since I’m lacking time, experience in fanfiction, knowledge in the DA universe and expertise in the English language (I’m a native French speaker), I must conclude that writing a fanfic Emmrich X Rook would not be the best idea right now. I would LOVE to share some of my ideas if it can inspire some people out there:

A – Too much rigidity versus chaotic (Mortal): I would LOVE to see a fanfic which addresses the mountain struggles of Rook and Emmrich living together after the story of the game. This man has been alone for a long time. We don’t know if he already lived with someone else during a long period of time. Emmrich likes to have his books ‘’pristine’’. I’m also guessing he has a strict routine regarding mealtime. I see Rook being kind of chaotic, as letting their underwear lying around where they needed to remove them (around a bed, coffin, or on the dinning table after some sexy time… why not). I could also see Rook inviting old friends for a late dinner, at the last minute, while Emmrich is already in his night gown, ready to sleep. Anyway, I would LOVE to see character’s development around those struggles: Emmrich learning to be a little more flexible while Rook is learning to be a little less disorganized.

B – Feeling bored after saving the world (Mortal): Could be related with point A or not. I know that everyone has different opinions, but so far, I preferred Rook to also be a Mourn Watcher. It seems natural to think that after the end of the game, Emmrich, Rook and Manfred are going back to Neverra. I could see Emmrich going back to teaching. I could see both possibilities where he is satisfied with this (with Rook and Manfred in his life) VERSUS feeling bored after travelling so often for saving the world. I’m not sure what Rook would want to do with their life after the war. Could they even be able to stay at one place? I could see them needed to travel and leave Neverra for sometimes for fighting or geopolitical stuff. I could also see Rook being done with that kind of life and wanting a normal happy and almost boring routine. Let’s talk about marriage. We all know that Emmrich always thought he would get married someday. Would he be ready to marry Rook? If yes, does it mean that he has outcome the age gap problem (?). I don’t know about Rook since the character vary from person to person. They could want to wait for marriage. I see this possibility more in the Mortal route since I have NO idea how Lichdom works and if a Lich can marry someone…

Now. I must explain before going on with my next idea. I’m not a fan of any pronatalist outcome. I don’t think a couple should have children to be happy or have some news goals. I also love stories and fanfic that show childfree happy people. Having children is not and should not be seen as a normal progression of life. It’s a choice and it should be a free and informed joint decision. Childfree couples are NOT less interesting than parents. But I also can see the difference between real life and fiction, especially in a fantastic universe like DA. I think some fanfic that adds children into the story can be a good thing, especially if those are kind of REALISTIC (happy rainbow sunshine without any struggles at all) and talk about more than only the positive of parenthood. Now, we could argue about Manfred. For me, as a couple, Emmrich and Rook are already parental figures to Manfred. While it’s not a typical experience, there is still something there. Manfred doesn’t need to eat (nor to sleep?) but he can still burn some books by accident, requiring some ‘’parenting’’ from Emmrich or Rook.

C – Parenting: I could see the couple adopting a kid while the opportunity is there. I also think that Manfred would be an awesome big brother. Now, let’s talk about a Rook that could be pregnant (trigger for some people, so please go to point D if you don’t want to read about this idea or about parenting and or reproduction).

1 – Pregnancy (Mortal): I’ve been thinking A LOT about the last scene between Rook and Emmrich when they have sex in a coffin. I’m an artist geek but also a nerd scientific with a nursing degree. Both don’t always match well together. I don’t know a lot about contraception in fantastic universe, especially DA. I can’t stop myself thinking: did Emmrich and or Rook THOUGHT about this? One part of me think that Emmrich would not be the type of person to forget about any risk regarding that subject. It would seem easy for him to cast a charm for preventing a pregnancy? I don’t know. But on the other hand, the end of the world is happening, and him or Rook could not survive to the last battle. The party banter between Harding and Emmrich show that the necromancer can forget some things important when he is with Rook or just by being in a new relationship. So perhaps Emmrich didn't think about it. I could see Rook having sex without having that in mind at all, kind of like a YOLO attitude. They love Emmrich and they are like '' let’s have awesome lovemaking before perhaps dying or whatever''.

Nooooow. Let’s talk about that accidental pregnancy if we could agree that because of those circumstances, no one thought about contraception, because you know… ‘’ End of the world ‘’. Plus, while an accidental pregnancy could be the end of the world for some person, it could not be as horrible for others, like Emmrich and or Rook. So, the team beat Elgar’nan, Solas linked himself to the fade and all. The world is safe for now. It’s the time of celebration. Even after some rest, Rook doesn’t feel really good. They are kind of tired all the time but again, it’s normal since they have been on high adrenaline during the last few months (?). It could explain things. Them and Emmrich could think it is related to the fade or perhaps a curse. Eventually, I’m pretty sure Emmrich would realize the situation before Rook. He was able to spot that stiff wrist. He could see subtle difference regarding Rook. I could totally see his shocked face while understanding the situation. As for Rook, I could see them not thinking about that possibility because perhaps they weren’t having regular periods in the first place because of the hard activities while trying to save the world. Now, let’s ad point A and perhaps point B to this scenario. The couple is trying to live together in a new routine while also learning they are expecting a baby. I waaaaaant to read about that 52-53 years old necromancer realizing his partner is pregnant with his child. Everything is going too fast, and Harding could make snaky remarks on this. I want to read how Emmrich feel about this: He always wanted a family, and he already has Manfred and Rook, but having a child could be something positive to him for different reasons (legacy and pronatalist blabla). But because of his age, it could also be an experience kind of sad, realizing that he could not see his kid grow as much as he would love to. The reaction of Rook about all of this could be really different since again, Rook vary for each player. I would love to see some struggles (perhaps with a big fight?) with a pregnant Rook who still wants to fight and live their ''normal'' life and an overprotective Emmrich (with only good intentions) kind of overwhelming. I could also see Emmrich taking his retirement from teaching sooner than expected, since he wants to spend as much time as possible with his children. I also think he could be the main parent, as the most ‘’maternal’’, kind of overprotective, again.

I see Emmrich having a girl. I’m not sure why, but it flows better in my imagination. It would make a lot of sense if this girl had the name of a flower or a plant, and her middle name could be Emmrich's mother. With Rook and Emmrich as parents, this little girl would become a badass woman with high self-esteem, taking bullshit from no one. She would LOVE her big brother, and Manfred would also LOVE her. I like to think he will learn faster while being a brother figure. I really see the young girl saying to everyone she has a big brother called Manfred without ever explaining that he is actually a spirit in the body of a skeleton. I could see everyone kind of shocked while meeting Manfred for the first time without that context.

Plus: Vorgoth must be one of the godparents, please. And the family should eventually adopt a pig.

Bonus: a time jump where Emmrich is dying, more than satisfied with his life, and all of his family is around him. I don't mind crying.

2 – Lich route (kind of a silly idea): This idea is kind of a joke. I don’t know how Lichdom works, but I’m pretty sure that once you are a Lich, you are sterile? Now… An accidental pregnancy could happen if Emmrich and Rook had sex BEFORE Emmrich became a Lich. I think it would be really hard on him to outlive not only Rook but also his children and perhaps his grandchildren. I could only see this as possible and not heartbreaking if Rook and Emmrich have a kid who is also a mage and would eventually also become a Lich. I could totally see an awkward family tradition that goes on generation after generation where each child gifted with magic MUST become a Lich before they are 60 years old or something. Imagine: you are like 25-year-old mage and Lichdom don’t appeal to you at all, nor does necromancy. Your sibling doesn't have magic so all the expectations are ON you (and that sibling is, of course, jealous of you).  One of your parents is getting close to becoming a Lich, and the ceremony is approaching. You have a grandparent and a lot of great-grandparents who are also Liches, and the festivity dinners are always awkward. Your family is like famously known in Nevarra but from the inside, you just feel weird. Eventually, you take your courage to break this tradition, coming out to your parents, and they tell you: “You are too young to decide this yet. Your great-grandmother thought the same thing at your age. You will change your mind.” To prove your point, you decide to join the Grey Wardens (or any action making it impossible for you to become a Lich), and half of your family is MAD and saying, “Omg, your great-great-great-great-grandfather is SO disappointed in you.” Done. I just find this possibility really funny.

D – Age gap: I would also like lots of scenes where Rook reacts the opposite of expected regarding the age gap between Emmrich and them (this post as an example). I could see Emmrich being a little annoyed sometimes when people talk to him about this subject, but I would love a Rook who doesn’t seem to understand the problem and just reacts possessively, as if the people talking about it are just jealous. That would also reassure Emmrich (I think).

E – Cute little scenes: I want to read about Emmrich and Rook snuggling on the couch in front of a fire, while Emmrich reads aloud a book about some academic stuff. I also would love a scene where Emmrich gives a powerful massage to Rook (since he knows anatomy so well…).

This is it. Thank you very much for reading. Now that all of this is out of my system, I can go back in peace to my boring thesis. If you already know some fanfics with one of those subjects, please tell me. I’m trying to check on AO3 often, but I don’t always have the time.

[jessicaseroticramblings]

Bouncing up and down on one of my followers big thick cocks. That’s the big fantasy I’ve been having recently. I imagine I’m walking down the street on my way home and I’m stopped by a man I’ve never met before who asks me if I’m Jessica from the JessicasEroticRamblings blog? I feel a little awkward as he starts telling me how hard his cock gets when he reads my stories and how he cums everyday because of my blog. Being told this online is awesome but suddenly having this man telling me this on the street is so weird. He seems a nice guy though even if he does look old enough to be my dad.

Plus it’s definitely exhilarating talking so openly about sex with a complete stranger. He tells me he’s always wondered if I fuck as good as I write, and that if I’m interested he will pay for a room at the five star hotel of my choice so we can play out some of his favourite stories from my blog. I tell him that I will go with him and it’s not long until I’m on my knees with my mouth on his cock, sucking him until he has never felt harder in his life. Then I mount his huge cock and ride him for all I’m worth, bouncing up and down his length as he holds my waist.

I cum so many times down his cock as a gasp and squeal, loving how he has so much control as he holds back his orgasm so he can keep me cumming. He tells me to use his cock to cum as many times as I want to, but that when he does cum it will be inside me. He is going to fill my young tight pussy with so much of his seed and I don’t care as my multiple orgasms have scrambled my brain, and my mind is spinning with thoughts of sex and cock and fucking 💋

[sunkissedliterarylightofchrist]

HA HA HA YES

There are definitely irks I have with the show, some major (shaking my fist at the TV) some minor (eh, I would've done it like __) and I could critique quite a bit of it (mostly the writing sadly) and would be happy to do so, but this post is just a list of everything I like about the show.

First to set the stage, we have what I personally define as the Spirit of Tolkein: selflessness in the face of Evil, how virtue will overcome evil, the will to battle temptation, an emphasis on humility, wisdom and knowledge, the simple life, and strong relationships. All depicted through the beauty and wonder of the writing and the setting. (If you have a different definition.... ah, well, that's a different conversation. This is the conclusion I've come to.) Let me run through them and show how this show nails all of these. (also this is mostly spoiler free. I think. I'll try. Being vague does not come easily to me😅)

Selflessness in the face of Evil

Being selfless in the face of Evil is really important, and can be split two ways I think. A) Being selfless can be a smack back at evil in general, even if it isn't exactly an 'evil thing' you're taking action against B) Having to choose between Good and Evil and by choosing Good, is being Selfless, because often doing the Evil, selfish thing would be a lot easier and more beneficial towards you.

This is praised in the show again and again and again. Many characters have a choice presented to them: do x, the easy and good-looking thing, for their own self-interest, or do y, the harder and scarier and sacrifical thing that might hurt them but help others. And often as a smack in the face of evil. This kid is offered a change at practically unlimited power that is from an evil source, and allured by it, starts to stray down that path, realizes the consequences of his own actions, and pulls back, confesses the wrong that he did to save others. That's just one vague example, there are a dozen.

And characters who are presented with this choice and choose to be selfish, then as a byproduct or purposefully choose evil as a result, are, or will be in future seasons, punished. The one guy that encouraged this kid to choose evil and egged him on until the kid made the right desicion? He dies later.

How Virtue will overcome Evil

Virtue! One of Tolkien's biggest talking points ever! And how by being virtuous, it directly overcomes Evil, even if it seems like a small thing. Choosing peace (or righteous war, depending on the circumstance, that can be virtuous too), truth, compassion, mercy, loyalty, kindness, love, etc etc, and often when the other person doesn't deserve it, is so highly stressed. And all of these virtues and more are wielded against characters/circumstances that represent evil, and the virtue of those choices and moments overcomes the evil.

There are twenty million examples of this in the show. Big and small. You'll see it, the utter goodness is very apparent.

The Will to Battle Temptation

Frodo and the Ring is one of the most iconic depictions of battling temptation of all time, point-blank period. The show carries this on too. The temptation for this one character to succumb to wrath and rage and having to beat it back with a stick (and mostly having other characters help pull her out of it) is a very big theme in the first season especially, and it continues in other ways as well. Season Two absolutely nails this with a character getting carried away by their hubris and want to create something great, but then at the end overcomes this temptation and wins the fight, even though they technically lose. It's so well done.

Humility

*screeches* I cannot emphasize enough how much they nail humility. Every good character has it in one way or another, and every evil character is prideful. Very clear morals and message. And one character starts out pretty prideful but then as the show continues is becoming more and more humble, and I predict by Season 3 they'll have had their full character arc and settle into their 'true self' if that makes sense.

Wisdom and Knowledge

Ah yes. The seeking and having of wisdom and knowledge is highly praised and sought after. Do not even have to explain this, it's Tolkien we're talking about here lol. One of my favorite moments is when Elrond risks his and Gil-Galad's life to prevent the Library of Celebrimbor from being destroyed. The preservation of knowledge is so cruical. Because knowledge and wisdom point back to the source of knowledge and wisdom.

The Simple Life

One of the really good things about The Hobbit and Trilogy is how the Hobbit's lifestyle (while some parts of Hobbit society are teased, or their complacency is sometimes frowned upon), is that the idea of a simple, hardworking life, is greatly loved. Doing hard physical labor by growing your own food, having close relationships with your kin, and celebrating every part of life and enjoying the gifts you have are all commented on and esteemed by other characters in other societies.

This theme isn't as central to the show's plot, but it'd definitely there. Especially with the dwarves. Even though it's a grand, Second Age show and story, with a lot of BIG stuff, they do weave some of these moments in and its very sweet.

Strong Relationships

THIS. THIS RIGHT HERE. PERFECTLY DONE IN THE SHOW. BEST WRITTEN-PARTS. ONE OF THE MOST IMPORTANT THINGS TOLKIEN DOES EVER.

We've got sibling-like best friend relationships, a found father-son relationship, strong parent-child relationships, healthy romantic (married!!!) relationships, 'normal' best friendships, relationships full of loyalty, honor, respect, hard choices, trust, love, tenderness, I could go on and on and on. This is the strongest writing of the show. The characters all have incredible chemistry with each other, and the actors play off of each other so well, I have just died with happiness so many times getting to watch all of these character interactions and relationships come to life. I need to make more posts gushing about my favorite ones.

I am so thankful that the show is doing this, because it seems to me in mainstream media today that broken relationships are the normal and its really disheartening to see such brokeness to be celebrated. But getting to see all of these strong, amazing relationships so well written and so well played out is just... the best.

And best part? All of these strong relationships point back to Christ. Which I'm sure some, or maybe all of that, is unintentional. I'm 95% sure that the actor for Elendil, Lloyd Owens is Christian/Catholic (I can explain why later), but besides that, I don't know if anyone working on the show is Christian. But that's the thing about incredible storytelling, isn't it? Good things naturally point back to the source of good, Jesus, whether its intentional or not. And every good relationship in the show points back to Him. And in a masterful way.

All depicted through the Beauty and Wonder of the Writing and the Setting

This is the absolute best part of the show, hands down. The sets, music, costumes, setting, and just overall beauty of the show are unparalled. They are even better than the OG trilogy. I mean, look at these! (ignore the bad quality on some of these please lol)

Settings (GORGEOUS)

Costumes:

And I cannot even begin to describe to you the beauty of the music. Bear McCreary has 10000% lived up to Howard Shore's legacy and every single track in the show is fire. He's used so many cool and rare instruments and is an excellent composer! Every soundtrack theme for each place and character brings them to life so much and its amazing. And the songs that do have vocals, whether choir 'ahs' or actual words, have gorgeous singing! (Fun Fact: he also composed they Percy Jackson show soundtrack!!! The theme for the Underworld, specifically the desert scene, uses the same instrument, a duduk I believe, and it sounds so similar and so cool! [I actually realized that he was the one who did it by watching the PJ show, recognizing his composing style from RoP, then frantically Googling it to then be thrilled I was right lol])

Beauty in Tolkien is so important. This guy's descriptions of places and people are some of my favorite writing ever and the style I eagerly took inspiration from as a baby writer when I first started out. And the Peter Jackson trilogy did a really good job at capturing the physical beauty of Middle Earth! Each time I watch those movies I am filled with nostalgia and a longing for it. (*cough* human heart longing for Eden *cough*)

Rings of Power has absolutely bumped it up. Having a lot more money helps lol. They've hired incredibly gifted people to work super hard on all of this. The sets, music, costumes, items, the intricate detail of every single thing is utterly beautiful and incredible to see. Almost everything in this show is practical, they've used CGI a shockingly small amount and it shows. It is utterly gorgeous. I have just been blown away with every watch and rewatch.

Beauty points back to God. And this show points back to True Beauty in every way.

Finally, here are a few extra bits that I really like about the show that don't quite fit neatly into the categories above.

Acting and Characters

The acting! Superb! Every one of these actors deserves an award. They are I N C R E D I B L E. I need to make an entire post talking about how each of these characters is acted to perfection. The face acting some of these people have??? It's amazing! The way they carry their characters differently after different events! So so so good. I am just blown away, they all need awards.

Now. I am going to say something very controversal that many people who I've told this opinon to Do Not Like. I think it is absolutely stupid that people are discrediting the show because of its 'forced ethnic representation'. Sorry.

Yeah, in Tolkien's work, there isn't much of anything said about black elves or dwarves or Mediterranean and Middle Eastern Numenoreans and Southlanders. But that doesn't mean they aren't there. And having a diverse cast doesn't automatically make the show bad. It does the total opposite I think. Every one of these actors deserves to be here and is incredibly capable. And it is true that we do need good representation in media- and we've got to do it well.

Amazon has done this incredibly tastefully. Some movie companies (*hem hem hem* DISNEY I'M GLARING AT YOU) have just black-washed characters, called it representation, and have moved on with their day having checked all the boxes. Sometimes I think changing a character's ethnicity when doing a remake can be good, if it is done well. There has been a couple cases Disney switched things up and I thought it was good. But for the most part, its forced representation and poorly done. And nobody likes that.

But that is NOT what Rings of Power is doing. The thing about how Amazon is doing it that I utterly respect is all of their diverse and incredible characters are their own original guys. And it adds a LOT of depth to the show, and it is GOOD REPRESENTATION. If they had made Galadriel, Elrond, Celebrimbor, or another canonical white character that is white because it adds to their character and is central to the plot had been made black, I've probably would've been pretty upset. Because part of what defines Galadriel is her physical appearance. If that had changed that it would've changed her character.

But they haven't. And that's my point. They are doing the diverse representation in the way that I think all adaptation people should do it! With their original characters in a way that adds to the story and with incredible actors. Not to mention that the acting from those characters is some of the best in the show. Rings of Power is quite literally what I think should be the gold standard of representation in media, specifically adaptations.

Anyway. That's what I think. I'll die on this hill. Moving on.

Practical Stuff and Cinematography

Like I've already said, almost all of their sets were actually built and actually acted in. There are very few scenes that a green screen was used on. And it shows! Everything looks so real and so fluid beacsue it IS so real and so fluid. I love it. Sets? Real. Stunts? Real. Lighting? Real. Everything is real! To my knowledge, the only things they've used much CGI on is the monsters! And even then, they have practical frames as the bulk, and the CGI is to just smooth things over.

The practical effects in this show are some of the most amazing things ever. LOOK AT THE ORCS.

THEY USED REAL PROSTHETICS AND IT LOOKS AMAZING!!!

LOOK AT THE STUNTS THAT THEY'VE DONE!!

(Sadly I can't find many good stunt RoP gifs but just trust me on this. I have gasped so many times over what hard work these guys have done for fight scenes.)

And the way that they've used cinematography and lighting and camera angles is just... masterful. I'll have to give so many specific examples later. It's some of the best filmaking I've ever seen, they've used the budget ~wonderfully~ You get sucked into the moment and it's amazing.

Appreciating the Story

Now I'm gonna be slightly blunt. I think a lot of people hate the show because they're, for lack of a better term 'purists'. Which isn't a bad thing! Having these people in every fandom is super important! Keeps its foundation solid. I'm one of these people in many cases.

But when looking at a work where the literal purpose is to deviate from some of what Tolkein wrote, and then get angry when it isn't a word-for-word recreation is silly. In Amazon's contract with the Tolkien Estate, it was a key condition that they could NOT reproduce anything from the Silmarillion except on a case-by-case basis that had to be approved by the Estate first. They bought the rights to the Fellowship, Two Towers, Return of the King, Hobbit, and Appendices. And they agreed with the Estate to make a Second Age show. This means that they have limited material to work with. They are REQUIRED to deviate from Tolkien's original story about those early tales in many cases. So a lot of people are angry that they didn't do x, but they literally are not allowed to. They have to take creative licence with many of these storylines. And the way that so many people are ripping every single little detail about the show to threads just makes me so upset. You are getting hung-up over the tiniest things! JUST ENJOY THE STORY. If you nit-pick the death out of everything of course its gonna die. You are holding RoP to an impossible standard.

This is another reason why many people didn't like the first season so much, but love the second a lot more. Because in Season 1, they had to set the chessboard and make a lot of stuff up and change quite a bit so they could actually have room to move. Then in Season 2, we have a lot more canon stuff that we see in stuff like the appendices, which they did SO WELL. With the writing of the show, you do have to hold a lot of the canon stuff loosely because you have to. But once you let go and sit back and enjoy this new story, it is utterly fantastic, and lines up with the Spirit of Tolkien at almost every turn, which I've already shared.

Huzzah. This is why I love Rings of Power. I've probably missed a thing or two but that's pretty much all of it. Please watch it. *bows*

It annoys me to no end with so many people saying that Rings of Power isn’t ‘in the spirit of Tolkien’ when they haven’t even watched it.

Seriously? There are things I do not like about the show and wish they had done differently, but almost all of it is utterly amazing. Every person who’s worked on that project has poured so much time and effort into it, and for an incredible result.

And by the way, when you say ‘spirit of Tolkien’ what do you even mean? How are you defining that? Because that show absolutely screams Tolkien by my measurement, not to mention his literal family is working on the project personally, and it 100% measures up to Peter Jackson’s work.

And you haven’t even watched it. Just watch it and try it. You watch enough bad media already just to criticize it, why not this? You’re gonna like it more than you think.

[evilghostwizard]

Rating TMA Fears

Rating Criteria:

how many shivers i get (shivers)

amount of icks i get (icks)

if i audibly react to it (reactions)

is it cool as fuck (intrigue)

notes deconstructing the fear cus I like to talk about it

These are based off of personal opinion and not factual. Fears definitely effect different people differently.

1.) Buried

Shivers: 5/5

Icks: 3/5

Reactions: 5/5

Intrigue: 5/5

TOTAL SCORE: 5

Notes: Before witnessing TMA I did not know I had a fear of being buried alive. TMA taught me the earth can be devious and hungry. When before I viewed it as lovely and protecting. The buried doesn't mean to be deceptive which I think is the most terrifying part. It's alluring petrichor and earth scents are meant to be warnings. Warnings I saw through rose tinted glasses. I used to visit local caves a lot around my local area. I no longer wish to do that anymore. It freaked me out so bad it has irreparably changed my life. Very good writing. It is simultaneously my favorite and least favorite. Well done rusty quill.

2.) Corruption

Shivers: 3/5

Icks: 5/5

Reactions: 4/5

Intrigue: 2/5

TOTAL SCORE: 3.5

Notes: Ew ew ew ew ew ew... Bugs are cool but not in me or my house thanks. Horrible, disgusting, terrible little creatures. Do not touch my skin, thank you. Wonderfully done to put it in the focus of the first season to draw in all the horror fans and cortisol addicts. The corruption puts much emphasis on emotional responses that should not be had in the context they are had in. Love replaces repulsion. Comfort stands while disgust falls. All while it digs in your skin and tears through your life. The desolation destroys your life out of anger while the corruption festers in your bones because of its affection for its victims.

3.) Dark

Shivers: 2/5

Icks: 1/5

Reactions: 2/5

Intrigue: 1/5

TOTAL SCORE: 1.5

Notes: The dark in TMA has only ever spooked me when there was fleshy or stranger bits involved. I do however enjoy the idea that there is something in the dark that's desires are beyond my knowledge. Beyond even the knowledge of the Eye. Not a favorite that I am rather indifferent too. However, there is the interesting theme TMA uses when utilizing the dark. It touches on the concept of what hides in the dark. As well as how it claims those writhing with despairing as it's own and desperately asks them to worship. It begs them to work in it's name. It grasps for control that only the web can have by manipulating hopeless people.

4.) Desolation

Shivers: 2/5

Icks: 2/5

Reactions: 3/5

Intrigue: 3/5

TOTAL SCORE: 2.5

Notes: The desolation comes off as almost helpful in some cases. It causes truths to be revealed but comes with a hint of destructive mystery as well. The fact that it assists the Eye is a fascinating choice of writing that left me wanting more. We have all lost important things to the lightless flame so it is a very relatable entity. The combination of terror and power is a lovely touch drawn by the writers. I do enjoy the gasps I get when skin melts or when the beloved are ignited. Interesting. Almost liberating to be destroyed beyond recognition. Not the spookiest of the lot but still good.

5.) End

Shivers: 4/5

Icks: 1/5

Reactions: 3/5

Intrigue: 5/5

TOTAL SCORE: 3.5

Notes: One of my favorites despite its score. I love the motifs of chance and gambling. I love the tendrils. I enjoy that it is a passive entity. It does not need to chase you because you will always run to it regardless of where you go. I enjoy the dream themes as well but I have always enjoyed to concept of dreams. To think when we dream we are grazing the finger tips of the end is delicious to think of. Very mysterious yet so finite and sure. The duality is written perfectly and I honestly wish there were more episodes of this entity. But maybe the mystery of it is what makes it so tantalizing and alluring.

6.) Extinction

Shivers: 4/5

Icks: 1/5

Reactions: 3/5

Intrigue: 4/5

TOTAL SCORE: 3.5

Notes: Very close to home for this one. My parents were dooms-day preppers so I'm very familiar with the feeling of mass extinction. I enjoy this one because it comments on how humans have terribly effected our world/civilization. It is a fear we have placed upon ourselves, much like the slaughter. It is not natural for a great change like in TMA to happen without human intervention. Interesting and compelling writing overall but unfortunately does not spook me that much because of my background. I am desensitized to it. Although it is still on the horizon always. Peaking it's head to make us pay for what we have done.

7.) Eye

Shivers: 2/5

Icks: 1/5

Reactions: 4/5

Intrigue: 4/5

TOTAL SCORE: 3

Notes: The eye is stimulating. The eye takes a role no other fear takes in TMA. This entity is prideful and almost appears to have a hero complex. It knows all, it sees all. But it doesn't understand all. That is clear whenever the eye interacts with other fears. Particularly the dark or the corruption. It isn't scary because it is watching me. It is terrifying because it thinks it knows what is best for me. Even when it clearly doesn't. The eye and the web sometimes work together for this commonality. It doesn't ick me out to be watched like it once did. The eye may see me. It may know me, but it does not know how I experience things. And despite its seeming all-knowingness. It'll never know everyone's experiences. It just sees them.

8.) Flesh

Shivers: 5/5

Icks: 5/5

Reactions: 4/5

Intrigue: 3/5

TOTAL SCORE: 4.5

Notes: I think this one got me bad for two reasons. The first reason being, body horror. It is intriguing and horrible. The flesh is a reminder that despite our intellect that we are piles of biomass. We can face disfigurement at any turn that can forever change our experiences. The second reason taps into our primal roots of fear. Most animals don't want to be someones lunch and the flesh reminds us of that fear. You are made of the same material as the meat you have on your dinner plate. Our biology is fragile and easily torn. It genuinely makes my stomach sick every time a flesh episode comes up. The only reason this one isn't a 5/5 is because the more I think about it, the less I desire to think about it. Fantastic writing. I will stop thinking about it now.

9.) Hunt

Shivers: 3/5

Icks: 1/5

Reactions: 4/5

Intrigue: 2/5

TOTAL SCORE: 2.5

Notes: The hunt is interesting. It makes me feel similarly to how the desolation makes me feel. It is terror but it is also power. Like the flesh, it sinks into our primate brains and reminds us what it is like to experience being prey. It doesn't often feel great to be somethings food. However, the hunt doesn't just rule the prey. There is horrible panic and dread in being the hunted but there is pleasure and satisfaction from being the hunter. It embodies what it feels like to be the predator. The thill of hunting is truly exciting when you aren't the prey. The power dynamic of being the predator makes you feel sadistic gratification.

10.) Lonely

Shivers: 3/5

Icks: 5/5

Reactions: 2/5

Intrigue: 5/5

TOTAL SCORE: 4

Notes: Another fear that calls to my life experiences. To be lonely is to be numb. Apathy is a roadblock for drive. To block drive is to exist adrift to no where with nothing to do. What is the purpose? There isn't one. It is bitter and dissatisfactory entity. The lonely does not scare you until you are in it. Forced to face the fact that without others you are nothing. You are surrounded by people but they care not for your existence. So much to the point where you feel alone despite the people around you. This fear lightly draws from our fundamental human need for companionship. It seems harmless but you won't know it's true horror until you've experienced it yourself.

11.) Slaughter

Shivers: 5/5

Icks: 4/5

Reactions: 5/5

Intrigue: 5/5

TOTAL SCORE: 5

Notes: The slaughter has to be my favorite of the entities. It is another fear conjured by humanity. Its existence is evoked by meaningless carnage just for the sake of violence. The imagery of war instruments like drums and pipes give an incredibly cool and eerie vibe. There are NOT enough slaughter themed episodes in TMA. In spite of the minimal amount of time put into this entity the few episodes focused on it are so gorily and beautifully written. The Piper episode is my favorite episode. The imagery that captures "The War" is perfect. The wrath, terror and determined stoicism descriptions will stick with me for years. The slaughter is meaningless and yet it must happen. It must continue. It must bleed.

12.) Spiral

Shivers: 5/5

Icks: 2/5

Reactions: 3/5

Intrigue: 5/5

TOTAL SCORE: 4

Notes: I enjoy the spiral for its concepts of unreality. What is, isn't. Insanity has always been a captivating idea. Fractal patterns and impossible realms are fantastical enough to draw me in to engage. Mystery with no answer is alluring to puzzle solvers. The parts of the spiral that infect me with horror are the deceptive friendships. It is a terrible thought to think those who are closest to you are lying to you. It hits very close to home. Gaslighting is terrifying. What are you meant to do besides trust the people you have invited into your circle. Betrayal is a parasite. It feeds off of love and trust. Who can you trust now?

13.) Stranger

Shivers: 5/5

Icks: 3/5

Reactions: 3/5

Intrigue: 4/5

TOTAL SCORE: 4.5

Notes: The unknown is the most universally feared entity I think. The stranger is something we have all experienced fear for at least a little bit. Many of us were warned about the stranger as children. The unknown makes us wary and confused. It doesn't gaslight us as much as the spiral but it does lie. It does tell us to ignore the uncanny valley reaction you get when you see it. It is human but isn't. The unfamiliar familiarity in them is the most terrifying. Especially because I don't experience uncanny valley often. Even when I should.

14.) Vast

Shivers: 5/5

Icks: 1/5

Reactions: 3/5

Intrigue: 5/5

TOTAL SCORE: 4

Notes: I am already written a paper about the vast. I adore the concept of the void. It does not ick me as much as the other fears because of my massive interest in the concept. It is scary to feel small, it can cause hopelessness. I have found in some people, like myself, it causes euphoria. It relieves the pressures of human life by letting us know those worries that seem so important are actually not really that big of a deal. I think the episodes exploring the concept are beautiful and anxiety ridden. I still think there should be more of the vast in TMA.

15.) Web

Shivers: 4/5

Icks: 3/5

Reactions: 4/5

Intrigue: 4/5

TOTAL SCORE: 4

Notes: The web is an entity that easily draws you in with a false sense of security. It allows you to be free of the need to make decisions. It is peaceful to be controlled. Although we are often blinded when we are controlled to the motives of the controller. We are deceived into believing the puppet master means us no harm. You lose who you are as you perform the spiders assignments. You drift away into peaceful sleep. Just to be eaten when you are at your most vulnerable.

[thefallenangel2008]

I came up with new stuff about my take on the Relativity Falls AU! Ok, so, I talked about it here (and here are some design choices in case y'all are interested). Although these are with Bill like he is in cannon because I hadn't come up with that idea yet but these were mostly concept plans for this AU, SO IT'S OK.

ANYWAY, so, at first I thought about leaving Bill kinda the same, but at school I was blessed with enlightenment by the gods of hyperfixation and I realized. I COULD SWAP HIM WITH CANDY. AND HERE'S WHY.

Okay, so, I think you remember that in the show there was an episode in season 2 where Stan took the twins plus Candy and Grenda on a road trip and Candy had a crush on Dipper which was one-sided on her part. And it reminded me of how in Billford the feelings are one-sided on Bill's side after the betrayal (whether those feelings are romantic or pet-owner thing is unclear, but yeah). So I thought to myself "What if Candy saw Dipper, was fascinated by him and his nerdiness and also figured he could help her with her plans for Weirdmageddon (of whichever the motives I'm still trying to think)?" And then Candy would actually fall in love with Dipper while Dipper stayed the same. He would of course be fascinated by her but he wouldn't have developed any romantic feelings towards her. Just admiration.

I feel like she would also like pain like Bill but because humans feel pain differently than her kind does, it would be mostly because of interest and for experiments. She would be mad at Dipper after the portal incident and him giving up but would try not to show it (much), so when Dipper would fall asleep she would possess his body and work on repairing the portal (and maybe slap his face and stab a few objects on his arms for leaving her after he found out her plans) until Dipper got that metal plate inserted.

Also Candy would be a circle. I came up with that thing mostly so that Mabel can joke about knowing that her brother liked curves, lol. Btw Dipcifica is happening because I swapped Pacifica and Fiddleford together (and in this after the Northwest family kicked Pacifica out they left Gravity Falls out of shame that one of them lost her mind, and the mansion was empty until the Mcgucket family, a rich, country family moved in. I might change that bit, idk).

Also, since I swapped Candy and Bill, I thought about Bill and Stan being friends, but their canon rivalry is just too funny to pass up so maybe whoever swaps with Grenda (maybe Pyronica? I low-key like that. If I keep that idea her name will change to Veronica or Pyronica is gonna be a nickname cause she would like arson) will be trying to make them boys get along, and the only reason Bill wouldn't leave would be because that person is his only friend. One reason why Stan would hate Bill (other than him being a spoiled little brat) is because he likes his brother and Stan KNOWS he's gonna be a bad boyfriend for Ford. Also Bill and Fidds would have some beef (Robbie and Dipper kinda vibes) because they would be both crushing on Ford while Ford would remain completely oblivious and be head over heels for Manly Dan (who is swapped with Wendy).

But Ford would be fascinated by Bill because he would know how to do magic tricks. Bill in this is VERY Helga Pataki codded because his parents would be mostly focused on his successful, normal, with-no-eye-deformities older brother Steve (yes, I came up with it rn while writing it, and yes, I'm putting Pyramid Steve there CAUSE I CAN) and because he would hide his true feelings for Ford (everyone knows but Ford). Bill wouldn't outright bully Ford, but sometimes Ford would wonder if Bill likes him or pretends to because he's "friends" with Stan due to the jokes he makes.

Bill would come from a kinda wealthy family and his parents would give him everything he wanted (except their attention) which is why Stan calls him spoiled. Bill here also has a false schizophrenia diagnosis because when he was little he would say he saw some weird stuff (they're real cause, yk, it's Gravity Falls) and he takes a bunch of medicine, both for schizophrenia and anophthalmia (which is a rare condition where you're born with only one eye. Bill hides his missing eye behind his hair). The medicines make him feel drowsy, and like he's not really there, but he's good at masking it behind a wide smile and a cocky personality.

At some point Bill will come to the conclusion that he doesn't deserve Ford because he can be so kind, and sweet, and understanding (everything that he's not) so he would (begrudgingly) let Fidds have Ford and step out of the unofficial "contest".

One last thing, I'm swapping Soos with Durland and Melody with Blubs.

[whentherewerebicycles]

ok and now some thoughts about my early experience of parenting.

it kinda rocks... i really like it. i will definitely have a second kid if finances and biology work out. my life is so much better with this little guy in it. the sacrifices so far are mostly minor and are much more logistical than personal. i have to work more hours than i'd ideally want to because there's only one paycheck. i have to try to cobble together more sleep than i used to because i am pretty tired at the end of the day. i can't go to the gym or run an errand or go write at a coffeeshop for a few hours without hiring a sitter or asking my friends to help out. but the tradeoff is i get to be this little kid's mom. he thinks i'm pretty funny and he's interested in everything i do and he calls to me to get me to come over to his mat and talk to him and he likes to grab my face and hold it still so he can study it real intently and when he's upset he wants me to snuggle him until he feels better. i would pick that over getting to run into a store without the stroller a million times over.

i remember reading this book years ago where someone (paulo freire? someone influenced by freire's pedagogy?) recommended that all teachers, no matter how long they'd been teaching, carve out time every six months to reflect on their teaching practices and consider whether those practices were aligned with their core/guiding values as educators. i obviously love this idea because i was born to engage in sustained reflective journaling about my values lol. but also: i do think there's value in setting aside time at regular intervals to check in with yourself about the way you are living, or about whatever you are practicing, whether it's teaching or your work with others or, in this case, parenting. so idk i might try using his birthday and half birthday as time to journal both about my kid and about my own practice of parenting.

do i have a practice of parenting?? that sounds too fancy for someone who is only six months in lol. but i do enjoy thinking about what i'm doing and i like trying to connect the day-to-day choices i'm making to larger principles. i have written about this before but idk i think i am somebody who derives a strong sense of security and groundedness from having a loose framework of guiding values i can refer to when making decisions. and i guess in this first round of reflective journaling i will try to articulate what some of those emerging values/principles are. here we go:

I am making a conscious effort to not sweat the small stuff. there are one million things you can be worried or stressed about in parenting. and there are one million ways you can fall into the trap of thinking that if you just control every single variable nothing bad will happen to your kid. i am trying, inasmuch as i can, to avoid at least a few ways of falling into that trap. i have worked really hard to choose flexibility instead of rigidity when it comes to, for instance, letting other people care for my kid. it's okay if people do things differently than i would - as long as he's safe, he can only benefit from being exposed to different caretaking styles and adapting to different people's ways of engaging with him. i also made a decision early on to not engage with any parenting content on social media (this means ignoring the dozens of insta reels my mom sends me every week lol) and that has been really healthy/good for me. there is TOO MUCH information out there. it is way too overwhelming. you could spend your whole life worrying and i want to spend my life doing other things, like funny accents and comedy bits for the baby.

i am working hard to not interpret other people's parenting choices as a judgment of my own. i really believe that there are lots of different ways to raise healthy, well-adjusted kids. we can make different choices (small and big choices!) and still arrive at the same outcomes. i just really don't want to be the kind of person who takes it personally when people do something differently than i would've! i want to be secure enough in my choices to be able to accept and appreciate a whole range of other parenting styles. i also want to be humble enough to realize that i don't have it all figured out and might learn something from reflecting on someone else's parenting choices. anyway this has been a challenging one as i sometimes DO feel quite judged or shamed by other people's choices. but i also think it's ok to feel that reaction as long as i can keep making space for myself to take a deep breath and think through why i feel like that. idk! work in progress but i've only had six months of practice lol.

i am also trying not to interpret other people's anxieties as anything other than them working through their own stuff. to give one example: i love my mom so much but she is just, like, vibrating out of her skin with anxiety at all times about literally everything. and she has really found an outlet for that anxiety in grandparenting. i get dozens of texts a week about what exercises i should be doing with him and what experiences i should be making sure he has and where i should be taking him and what i should be saying to him and what i should be asking the doctor about and so on and so forth. this obviously could be pretty stressful, and i know that my brother and SIL find it so stressful that it is kind of negatively impacting their relationship with her. but idk i feel like with my mom i spent a lot of my life taking her anxieties personally, thinking that she thought i was incompetent/incapable/irresponsible/whatever. and then at some point in the last few years i was just like oh... this isn't about me at all, is it? this has absolutely nothing to do with me. this is just her fear and her terror of doing things wrong and her overwhelming need to avoid shame, and all of that emotional stuff just happens to be playing out in this relationship because we are close enough that she can lets her emotional walls down and let me see the churning river of anxiety that runs through the heart of her life. i wish that she didn't feel like that. but it's also not something i can fix or change. the only thing that is within my control is the choice not to take it personally, which in turn helps me put some guardrails around it so that it doesn't impact our relationship. idk i think this will probably be an ongoing thing i have to sort through for myself. but also she is who she is and i love her and it is important to me that she be a big part of owen's life. so we will figure it out.

I refuse to optimize my parenting because i refuse to see my child as a thing that needs to be optimized. this is in some ways hard for me because in many respects i am all-in on the very american philosophy that everything can be improved endlessly, including yourself and your family, if you just work harder and care more and give endlessly of yourself to the work. but nope! nope. not for parenting. not for my kid. i want him to have experiences and be exposed to new things, but not so he can "get ahead" or excel in things. i want him to be curious, engaged, interested, flexible, alive to the world, open to new things. i do not care if he is bilingual by age four or has a STEM curriculum at his daycare or goes to a top college or whatever. and i want the choices i make about what we do together and how we spend our time to reflect that. idk he's still so little that this is not super relevant yet but i can feel some of it creeping in.

lastly: i am trying to approach all aspects of parenting with the fundamental belief that i am and will be a good parent. i feel like our culture wants women in particular to spend all their time feeling guilty and inadequate as mothers. we also don't get a lot of external feedback on whether or not we're doing a good job as parents, which i think can make us frantic for validation and riddled with self-doubt over whether we are doing Enough. but i want to just like, try to cut some of that out and just answer it for myself. i'm doing a great job. i'm a great mom. i love my kid and my kid loves me. as i learn more about my child and myself as a parent i will undoubtedly adjust my approach to parenting many times, but making adjustments doesn't mean i was doing something "wrong" or "bad" before. it just means i want to try something new or shift gears a little bit. idk maybe this sounds dumb but i actually think it is proving kind of powerful so far as a strategy for managing parenting anxiety. i just assume that my parenting instincts are reasonably good and will guide me to make reasonably good choices, and if something turns out not to work, i assume i am a good enough parent to figure it out and adapt accordingly.

ok!! good journaling session and now it's time for bed!!

[lostintransist]

This song inspired a whole fic I don't have the time to write. But here is the blurb I threw at @backseatsoldier and @scaredyspooks

Background Johnny has low self esteem and accepts whatever affection he can from a friend bitch who takes advantage of that, shoving him in boyfriend situations emotionally for far to long. His best friend, you, has been pinning for him so long you have started to give up hope.

When the bitch moves to a city far away and you see her give Johnny a goodbye kiss that you don't realize is such. You turn on a heel and walk away, ignorning Johnny's calls and texts for the next few days.

Johnny thinks it unusual but it is about time for your period to start and you tend to be a bit wonky until the blood starts flowing. He brushes it off until a random man on base asks about his girlfriend.

"My what?"

"You're girlfriend sir, the woman on your home screen? She is your girlfriend right? I've seen her at some of the parties hanging out with you. Always has hearts in her eyes when she's around."

"Do you love me?" "Johnny I can't talk about this right now," she pushes on the door. It catches on his boot. "Please, I-I need," Johnny swallows down the fears crawling up his throat, "Do you love me?"

The dam breaks.

"I have loved you for a long time," your jaw quivers as you stare into his eyes, more familiar than your own.

"Oh thank god," he rushes forward, pulling you into a hug. One arm wraps around your ribs while the other grips into your hair, pushing your head into his shoulder. He kicks the front door shut. "I thought I would be to late," his voice breaks on the last word.

"What do you mean? You want Shannon?" Your fingers burrow into the back his shirt.

"I did. She represented everything I thought I deserved."

You try to pull back. Johnny isn't to much taller than you but the mucsle he maintains for his job robs you of the ability to flee from his words.

"What happened then? Why are you here?" You bite the words out in the space you could create between his chest and your face.

"Someone asked me today if I had broken up with my girlfriend. I was confused until they said the woman on my home screen, the one I am always gushing about. That is when I realized that he meant you."

That makes you pause in your efforts to escape. You were his home screen? Looking up at him Johnny shifts his hand from your hair to caress your face, thumb sweeping the leftover tears from your cheek.

"How long have I been your lock screen?" You whisper.

"Years," he whispers back.

The tears start up again.

"Why?" You can't force your words any louder than a whipser.

"There was a challenge a few Christmases back, to change your home screen to a photo of something that brings a smile to your face every time you see it. The last photo I had taken had been you. I've updated the photo a few times but it's been you since."

"Why did you never say anything?" The words hurt your throat as they leave.

"How could I tell one of the most important people in my life that I love her but I am a bad man who has done unspeakable things and don't deserve time or love from her? Why would I set myself up to be rightfully refused? For you to scoff at my affections?"

It's your turn to caress his face. He loosens his arms enough to allow you to touch him, but not enough to step back.

"You don't get to make that choice for me Johnny. And I don't like the version of me that lives in your head if you thought I would ever scoff at you."

He recoils, eyes slamming shut and chest caving in as if he took a bullet to the chest. Feckin' hell, she was right. It had to be him that didn't think he deserved anything resembling love though you had been peppering him with it for years.

You give him five breaths to deal with the emotional revelation before you are squishing his cheeks into his teeth, causing his lips to pop out.

"I would like to sit down and talk about this instead of being held hostage in my entryway. Would you like something to drink while we talk Johnny?"

You give him the softest smile he had ever seen, the gentlest crinkles forming around your eyes.

"Aye love, I think I need a drink." He presses a kiss to your forehead. "Can I hold your hand while we talk?"

"I would love that."

[theweepingangelofcas]

Pip pip from your friendly neighbourhood lurker, I saw your requests are open and so I shall request my fluffy little idea to you dear writer and I hope you find just as funny and sweet as I did.

So for my request for the mtp bois basically on TikTok I saw a vid where a gf found her bf sleeping on the soft and decided to prank him by setting up a fake game of uno (but you can choose a different board game/card game if you want) once set up she starts shaking him awake and telling him its his turn obviously confused and half asleep but still takes his turn.

I don’t have any pacifically for this request so I’m leaving up to you to choose who would be best for this scenario.

From yours truly,

Your friendly neighbourhood lurker 

Hello, Friendly Neighborhood Lurker! For your ask, I decided on a few things on my own. Sadly, I don't believe uno existed during the Victorian era, so I opted for chess instead (a game I am absolute trash at, but shall write about it nonetheless). I also decided that William and Sherlock would be the most likely to fall asleep on the sofa during a busy day, so they will be our victims lol

***********************

My Turn? - Moriarty Boys x Reader

William Moriarty

Your poor William had been working himself to death lately.

Between the long days of teaching, long evenings of grading papers, and long nights of committing acts of violence, it was a miracle he ever got any sleep.

So when he finally fell into a deep slumber on the sofa one lazy morning, you knew now was the perfect time to spring your trap.

William awoke to the realization of a few things. 1. There was fresh tea brewing beside him. Earl grey, as far as he could tell. 2. You were sitting beside him. The floral notes of your favorite perfume was unmistakeable. 3. You were calling to him. Gently, lovingly. It brought him out of his slumber in the most lovely way he could imagine. His eyes opened sluggishly, turning his head to look over at you. "Yes, y/n? What is it?" He yawned, trying to focus on your words. You giggled, "It's your turn, William." He realized what you were talking about. There was a chessboard in front of you, set up next to said previously mentioned tea. The table between you two held snacks as well, set up like one of your usual game nights. He observed the board, before chuckling himself, "I can assure you, my dear, I am not the one who placed these pieces. But, to humor you..." He picked up a pawn, using it to behead one of your knights. Another laugh, "Why do you say that, Will? We were playing, and you must've been so tired you dozed off-" "This board is set up to a Stafford's gambit. Though I am no great chess player, even I know that this is a poor choice of plays." You finally released your laughter, trying to scoff it down to no avail, "And here I was, dear, hoping I had finally tricked you." Finally, he sat up. leaning across the table to give you a peck on the cheek. "Mm. Maybe one day, my sweet girl. Maybe one day."

Sherlock Holmes

This man is the most manic creature ever created by fiction, do you think he sleeps on a regular basis?

He's too smart to fall for your tricks after just one nap, which is why you waited for a much different occurance to happen...

You waited til he was coming back from a case.

"Dove?!" He was elated. His latest case had truly been genius. A devious crime scene, a truly mad perpetrator, everything he could have wanted! Even a headless nun! He simply had to tell you, his beloved partner of 2 years, all about it! "I'm over here where you left me, Lock!" He ran to you, bounding over heaps of books that he had looked through earlier, before joining you on the ragged sofa. In front of you was a chessboard, still in the early few plays. "Did John play a few games with you? Goodness knows that man is rubbish at chess. He should stick to being a doctor." You laughed, placing your hand on his knee, "No, dear, remember? We were just starting our game when Lestrade barged in and asked for your help." His face fell, trying to recall the events earlier that day. Truly, he couldn't recall too much besides following Lestrade out the door. A guilty look marred his face, "Dove, I am so sorry. I don't even remember. The case, it took up so much of my mind..." He looked over to you. Normally, he would have expected you to look sad. Disappointed, maybe. Instead, you had a smile. He took an extra second to observe the layout in front of him. Those were not any type of moves he would have played. He pinched your arm, and you squealed, "Liar. Good one, though. You almost got me." A kiss on your cheek, and he picked up one of your bishops off of the board. "Now, let me tell you about the headless nun."

[m333myselfandiii]

Genuinely tweaking tf out because last chapter dropped and I'm so soul-wrenched pulled apart at the seams and unraveling that I don't even have the energy to cry lmaoo. Tbh i never expected to get this attached to a character/s (all of them, really- Shingen, Somi, Shintaro) and it sounds kind of stupid when I write it down here but still.

My heart breaks for all of them; Shingen, who had to live his life burdened by his clan duties. Shintaro, who had to live his life never being the first choice, of always being tethered to the rules. Somi, who, I think (I hope) loved her child, but just a little too late, and for Gun, poor, sweet Gun, who had to see them all die before his eyes.

They weren't good- they were a terrible family by all means (talking about the adults here obv), but somehow I can't bring myself to hate them for it. It's hard to express what I'm really feeling lol but I just hope. I just hope they're all finally at peace, now. Somehow, somewhere.

I hope Shingen and Shintaro get to be the kids that their childhood never allowed them to be, I hope Somi gets to smile more freely, and I hope that Gun can be happy and unburdened by his past. I hope.

[zyafics]

does reader like the fact that rafe is being so public about their relationship especially after the pregnancy and sofia (and the stuff we dont know about yet)? like ofc he's popular and all but we saw on spotify that it's hard for reader to talk to him and now theyre flirting on air and people are asking about their relationship on LS??? theres so much to unpack and as much as i love his grand gestures, are we unpacking that shit live on air???? idk if it's a personal choice or not so ???

- 🥐

i absolutely love this question because i was contemplating it myself.

how i’m writing it is, i want reader to be self-secured in herself. she has processed most of what happened in the past and what he has done, but it’s difficult to talk to rafe because she hasn’t talked to him since. that’s why she struggled so hard to speak to him when he first called in. to hear his voice again after all this time, it hurts her. however, it’s kinda like… exposure therapy. the more she hears him, the more she’s grows comfortable like it was the time before.

this is done intentionally! rn, she’s wrapped up in this ignorant bliss right now. she says she doesn’t want to hear rafe but she’s finding time to talk to him on spotify? she says she can’t stand him, but she never blatantly tells him to get off and leave her alone. she’s not upset at him trying, internally, she’s actually very giggly about it. it’s just the fact that she currently has an internal moral conflict about letting him back in or not.

but overall, to answer your questions. rafe is intentionally avoiding conversations about their pregnancy and sofia. he doesn’t want to say anything that can trigger her and cause her to regress into a shell. so, he’s keeping it light and breezy. which she reciprocates (lowkey).

it’s just pure in-the-moment type of thing. she’s not thinking about the past or the future. just now.

aaah! sorry for the ramble, hope that answers the question!