#she doesn't have to concern herself with him because he was dead the moment he chose the path of world destruction

[wereh0gz]

It's oc posting time

Rue has vivid revenge fantasies. Extremely violent ones about the many ways they'd kill Nox if they ever got their paws on him. Crushing his exoskeleton under their bare paws, tearing him apart limb for limb, ripping his guts out and eating his heart while he's still alive- you name it, they've probably thought about it

These thoughts *terrify* her. It proves what Nox has always told her right, that she is a hopeless, violent, uncontrollable *monster*. That the reason she became a beast in the first place is because she is truly evil at heart, just like him

(In actuality, it's just a symptom of their PTSD, but going to therapy and actually unpacking all of that isn't an option to them. They'd rather die than actually talk abt their struggles)

So the thoughts fester in her mind for years. She thinks about it daily. It becomes like an obsession. An impulse. A need. And she begins to think that the only way to free herself from that torment is to do it. To kill him. Even if it proves Nox right

Even if it proves *her* right

So they hunt him down, trying to kill him every time they encounter each other. And every time, Nox gets away, and he taunts them. And the thoughts, the want, the *hunger* for vengeance grows stronger

The cycle continues. The thoughts never cease. She never finds peace

(At least, she *thinks* she will never find peace, but she does. Eventually. After Nox dies from his own hubris lol)

[iliveforyouilongforyouvesuvia]

(Full HC)

We've had the M6 bodyswapping with their familiars, we've had the M6 bodyswapping with each other… But what kind of antics would ensue if the M6 had a bodyswapping incident with MC?

The Arcana HCs: When M6 bodyswap with MC

~ anon, you spectacular genius ~

-- to set the scene --

You know you're in a magic-infused dream as soon as you open your eyes. Off to your right, you can see your beloved standing in the open air, staring at the glowing ball of light that hovers in front of them. You're about to remind them of the cardinal magic rule - don't touch the mystery orb - but by the time you call their name, it's too late. Imagine your surprise when you wake up to your own face staring back at you from your pillow!

Julian

He's staring at you in horror because he knew his eyebags were bad but he didn't know they were that bad

You, on the other hand, are experiencing all the physical ailments of a 6'4 human that never remembers to eat and the headache of needing a daily dose of six shots of espresso to function

He's immediately concerned about physical wellbeing and checking both of you over for any signs of injury. Yeah, he doesn't hate magic anymore, but he's still not comfortable with it

Coaches you on how to speak more like him in his voice. His voice is made for DRAMA, MC, you must PROJECT! ENUNCIATE! The people at the back can't hear you!

He's also going to encourage you to wear all of his normal getup. Enjoy wearing multiple layers of leather in a Mediterranean climate, MC, it's all for the *aesthetic*

You, however, have a secret weapon, and that is basic self care

You are going to eat so much nutritious food and drink so much clean water and get so much sleep and sunlight and exercise ...

It's also payback for how much you're sweating right now, because you won't be the one dealing with all the sore muscles later

He gets unbearably flustered when he changes clothes/bathes in your body and won't stop talking about it

Asra

They know exactly what's happened as soon as they wake up and they know it's their fault and they have 0 regrets. none.

Quick to suggest taking a lazy day so you won't have to juggle the shop with this. And then suggests sleeping in immediately after

He's very curious about what it's like to enjoy all kinds of experiences in your body, but he doesn't do anything until he knows you're comfortable with it (including changing)

Gets distracted/sidetracked every time they pass a mirror/window/shiny pot/remotely reflective surface because they like your face and it keeps surprising them to see it reflected back at them

You're about to watch yourself make the weirdest faces into the mirror as they try to document what your face looks like with different expressions

Has the time of his life picking out his outfit (to wear on your body) and watching you pick out yours (to wear on his body)

Pulls out every food item in your kitchen because they want to know if you taste things differently than they do. You're going to wake up with heartburn tomorrow

Might suggest pranking a few friends, but he's generally so averse to conflict that he won't be dead set on the idea

Occasionally taps into your bond, just to ground themself

Nadia

She's going to keep lying still for a moment or two to finish processing what's just happened and decide what she's going to do about it

And then she's going to teasingly tell you that you're welcome to help yourself to her body, and ask if she can help herself to yours

Tells a trusted Palace servant that she is indisposed and that neither of you will be available today (because there's no way she's going to try to swap jobs with you)

You might be tempted to set yourself up in front of a mirror and see if there's any pose or outfit in the world that Nadia can't look elegant in. She'll have a very amusing time watching you

Portia will inevitably hear about her absence and stop by at some point, which will only ramp up the hilarity

Nadia does suggest sneaking out at some point, your body makes for a great disguise and a day on the town sounds fun!

(You still haven't figured out how to tell her that what sets her apart more than her appearance is her bearing. You've never seen your own posture look that good)

Speaking of posture, welcome to life in a body that's excellently cared for! You can stretch in every direction and nothing hurts!

Though this much thick hair is heavy and hot

Muriel

Oh, he knows before he opens his eyes that something's off, because the furs feel unusually heavy over him and he's never shared a bed with anything bigger than he is

Speaking of, he had no idea that his body radiated that much heat. It's like lying next to a furnace (and it's more comforting than he expected. maybe you're onto something with all the snuggling)

He's violently uncomfortable with being in your body, mostly because he's assuming you'd like it back, and he doesn't want to do anything with it that you don't want him to

You, on the other hand, spend a day as the pilot of a body with unusual size and strength. You're going to have to be reeeeally careful not accidentally bump your head/break and tear stuff

What you choose to do with that is entirely up to you (and up to your body's capacity to contain Muriel's embarrassed blush)

Have fun flexing and watching yourself turn beet red

He is going to request that the two of you stay in the woods and out of sight, which certainly makes things easier

He's also going to apologize to you because he knows this was his fault (you'll have to convince him that being in his body is not a miserable experience, which he may have a hard time believing)

Inanna will be wolf-laughing at both of you the whole time

Portia

She woke up first and put two and two together. By the time you open your eyes, your face is staring back at you with this specific expression: >:3

Also, your body is buzzing (and I mean, buzzing) with energy. You feel like you could climb a mountain and still have the capacity to chop down at least 20 trees. Oh, and your hands are tiny

It's going to take a second for her to get used to your body, if only because she keeps stopping at every new movement/sensation to comment on it/experiment with it/tease you about it

As soon as you've had breakfast, she's taking the day off and dragging you into town for some good old-fashioned mischief

Because yeah, she just woke up in one of the most powerful magician's bodies in the world, she fully plans on taking advantage of that. Who wouldn't??

Long story short, your day is going to consist of running after her while she comments on your "low energy levels" (they're not low, they're human) and wreaks havoc with your magical capacity

The fountain in the town square spouts glowing orange water for a week after she passes through. Even she isn't sure how she did it, so you just have to wait it out and hope it won't poison anyone

Mazelinka saw you two at one point and cried laughing

Lucio

It takes him a while to figure out what's happened

Don't misread this as him assuming that things are normal. He knows things are not normal, because he's getting human sensations from his left arm

But his first assumption is that this is because his arm magically grew back in the night, and his second assumption when he sees his own body next to him is that he's been cloned

You wake up because he's frantically calling your name, asking why his voice sounds so weird and if you had to clone him as part of getting his human arm back and where you've disappeared to

Shrieks and falls backwards off the bed when his clone's eyes open and you tell him what's happened from his own body

You, on the other hand, are going to spend all day figuring out how to function with a metal arm. It's nowhere near as easy as he makes it look, plus it makes that whole side of your body cold

Lucio insists on doing your eyeliner (on his face) because yes, he loves you, and yes, he trusts you, but that's his signature look and he needs it to be perfect

And then you're going to accidentally ruin his face anyways when you go to scratch an itch, forgetting about the claws on his hand

It's nothing compared to his attempts to use your magic

[waltwhitmansbeard]

Hello! may I request any prompt of your choosing from the hurt/comfort list if I specifically ask for tlovm vaxleth? thank you!

10. "Don't worry about anything now."

It's cold in Whitestone, especially at night, but Keyleth doesn't feel it. Her body is warm, hot even, pressed back against Vax like this. His arm is draped over her, his chin hooked over her shoulder. Her naked shoulder. Because she's naked. They both are. Because they had sex.

Vax's breathing is slow and even, and Keyleth is working overtime to keep hers the same way. It's not that she's freaking out—she's not. Not really. Except her body is sore, pleasantly so, dully tingling in the memory of his hands on her, in her—oh, and while that was happening, the people of Whitestone were burying their dead. And Thordak was still burning Emon. And Raishan was probably plotting her inevitable betrayal. And Percy was lying in a tomb, surrounded by generations of deceased de Rolos. But oh gods, the things Vax's tongue can do.

She's a bad person. That has to be it. She gets together with Vax in their dead friend's home? While Vex is in mourning? Who does that? Sure, she was waiting for Vax to pull his head out of his ass long before Percy died, but still, she could have waited, should have waited, found a better moment, done everything differently—

"You're thinking so loud." Vax's voice is a sleepy rumble in her ear as his arm tightens around her.

She laughs nervously. "Sorry. Just, um. A lot to think about."

His nose trails lazily up the back of her neck. "Care to share?"

Now she's in a pickle. She can't tell him what she was really thinking about, because then he'll think she regrets sleeping with him, which she doesn't—at least, not like that. And she's always been so bad at lying. And if she says she's thinking about Percy, will he think she wishes he were here instead? Because wow, no. She has to lie. But say what—

"Kiki, seriously. If you think any louder you're going to wake up the whole castle."

"Was this a mistake?" She feels his body stiffen, and his arm starts to retract. Fully panicking now, she grabs his hand, uses it to tug herself around so she's on her back, where she can see his face. It's shell-shocked, hurt. "That is not what I meant. I don't—I don't regret this. I don't regret you. I promise, Vax."

His face softens a bit, but he's still regarding her skeptically. "I'm really struggling to find another interpretation here, Kiki."

"No, I know, I just meant—" She throws her forearm over her eyes so she doesn't have to look at him. "Percy is dead and Vex is heartbroken and Whitestone is in ruins again and we have to fight Thordak and Raishan is such a bitch and gods I am so behind on my Aramenté and really what right do I have to be happy with you when everything is terrible—"

He shuts her up by kissing her. His hand pulls her face closer to his, and her arm falls away from her eyes as she melts against his lips. For a moment, everything is quiet.

"Keyleth," he murmurs against her mouth. "You are beautiful and powerful and wise and so very, very silly."

"I'm not—"

"You are. There is no 'deserving' happiness. There is just...finding it. With our friends. With our families." His thumb traces little circles where his hand cups her jaw. "Here, in this bed, with you. You know, a very wise woman once pointed out to me how foolish it was to forgo current happiness for fear of future pain." He smirks at her. "I'd hate to see her forgo current happiness because she's guilty about the suffering of others."

Keyleth chews her lip. "But there are things we could be doing. People we could be helping."

"We can't help anyone if we're too exhausted to stand. C'mere." He gently spins her around again so that he's spooning her, her hand cupped in his, and yeah, the feeling of him behind her, warm and solid, does make the brain chatter quiet a bit. "Don't worry about anything now. We have so much time to worry, I promise you. All of the things you're concerned about will be there in the morning, and so will I." He kisses the nape of her neck. "I don't know what the future holds, but I can't imagine thinking about that when I have my favorite person in the world in my arms."

He squeezes her close, and Keyleth breathes in the arm, woodsy scent of him. Alright. Maybe he's right. Maybe the horrors will still be waiting come daylight. Maybe they can share this night, and the happiness it has brought them. She closes her eyes, and soon, she is dreaming of hundreds more nights, just like this.

[thefandomenchantress]

I know I predicted radio silence from me...But I had what I think is a cool idea and wanted to share it before anything gets disproven in the next episode (Brief, singular mention of the Eden!Culprit theory).

So, I saw a lot of people talking about the Arei-Eden parallels, and the Ace-Arei parallels (and differences), and the Min-Eden parallels in the hug scene...Because of that, I started thinking about how Eden and Ace relate to all the others. And then I remembered the very obvious Teruko-Ace parallels.

Ace and Teruko both trusted someone who betrayed them in one way or another. Teruko with...Well, everyone, and especially Min, and Ace with Levi. In chapter two, they're both pretty similar, being closed-off and trying to not care about others with varying degrees of success. And, of course, Ace almost dies just like Teruko did, in an attempted murder.

All those things are fairly obvious, especially them being the only participants to be almost-victims. And I'd always noticed that, but it got me thinking...

In chapter one, Teruko was the victim of an attempted murder, surviving on the pure luck of the knife just-so-happening to miss anything vital in her abdomen. Then, instead of sympathy for her life almost being taken, people are upset with/suspicious of her because they think she was the one who killed Xander. And that fact is no fault of Teruko's, she just had the misfortune of being at the scene of the crime (and Min moving the evidence to further incriminate her). Barely anyone asks if she's okay or shows much concern other than Min, who betrays her, and Eden. She is then forced to defend herself in the trial almost completely alone until finally some others start to come to her defense.

In chapter two, Ace has been put in the position of being the victim of a murder attempt but surviving through the pure luck of Eden and Teruko just-so-happening to come to the second floor late at night. If Teruko hadn't happened to forget her clothes on the second floor, chances are that Ace would be dead. No one feels sorry for what Ace went through, because he was a total asshole to Nico and along with no one taking him seriously to begin with, they think he, in a way, had it coming, trauma and injuries be damned. Now, he is forced to defend himself, presumably alone unless Levi decides he wants to help and be the Eden equivalent. And Ace has been blamed for Arei's death not through any fault of his own, but because he had the misfortune of being at the scene of the crime, where someone else tried to murder him.

I guess what I'm trying to say is that it would honestly be pretty cool if Ace finished this chapter going through rather similar events to the ones Teruko experienced last chapter. Some people say that Ace being her parallel will show her during this chapter that distrusting isn't the right way to go, but he doesn't have to die to show her that at this very moment. Hell, it might hit even harder if he manages to go through everything she did, since it would make them even more similar.

Plus, if Eden is the Min parallel, and Ace is the Teruko parallel, that's pretty dang cool! Of course, if Ace does all the Teruko stuff during the trial, it makes sense for Eden to have done all the Min stuff...And I mean, the episode seems to be saying that's depressingly possible, so maybe.

So yeah, I just thought Ace and Teruko's similarities continuing into the trial would be fun. After all, he's been pretty consistent about following in her footsteps so far, so you never know. Like imagine if he says a protag line or something it'd be hilarious. Especially if all his points during his defense are like Teruko's, but with an Ace-y twist that makes them more funny or stupid or whatever. Fun!

Or who knows, maybe Ace will just hire David as his defense attorney, since he's the only one to have successfully defended Ace so far. /j

[iamhereinthebg]

Seeing Akane reacts so strongly seeing Kako being destroyed was already a big shot at my heart but Mirai and Akane protecting each other absolutely annihilated me in the last chapter.

Akane is a character who is really blunt about his opinion and stands his ground, he said right away in his introduction chapter how strongly he hates the clock keepers, and insists on how much he isn't like them.

In this new arc, he is forced to face this part of him he doesn't want to acknowledge since the beginning, he has been forced to do it a lot since the grim reaper arc (and I think it's really starting to get to him but this is for another day)

Aoi Akane, the human forced to be a supernatural who hates his contract and the clock keepers so much he wants nothing to do with them. But what does he do when fighting Tsukasa? He keeps the latter's attention on him so the threat can't get to Mirai.

Akane is mortal and human. The only mortal clock keepers and supernatural, and he still risks his life to protect Mirai. The yorishiro of the clock keepers yes, but mostly Mirai.

He shifts his attention from Tsukasa to her because he knows what she represents for the clock keepers and he waits for the moment to let her free, even if it results in him getting hurt.

Akane is the character of the cast who shows the most how he loves life, he definitely doesn't want to die. We can see it in how he defends himself, his last movement in this fight being one of protection (and fear). Something he has been doing more since coming back a second time from the far shore. Even if he doesn't want to die, he is still at his core a nice person. He is distressed at the idea of death, disappearing for good, no matter who it may concern in the end. Finding a way to protect Mirai (and the yorishiro) goes before his own safety.

And then Mirai gets the blow for him. She knows it means Tsukasa will get the yorishiro. Kako has been the mystery the most alarmed about the yorishiros being destroyed by Hanako. But Mirai, n°1, who knows how dangerous it is for another yorishiro to be destroyed for the land, sacrifices their seat number, herself and what is supposely the most important thing to them, for Akane.

Akane is a proactive character who rarely stops in his actions. Even when Aoi was "dead" he was activaly searching for a way to bring her back and when he learned she was gone he was quick to try to find a way to go where she was. When he stops, it's because he is physically unable to move. But here, even if he is still concsious and has Time's power he doesn't do anything, like he is the one being stopped in time, unable to move on from Mirai's body.

Mirai may be made of gears but it's been clear since the beginning that she has a real attachement to Akane. Wearing the name he gave her like a medal, jumping on him whenever she can, having a personality where she clearly has fun when he is present, and actually being the one noticing him on his first day at school.

And what does it mean after all for a yorishiro to be sacrified to protect something else? That maybe Akane is in the end more important than what the yorishiro represents for the clock keepers.

If this follows the pattern of a lot of mysteries it may mean that Mirai and Kako have strong regrets/resentment towards the story/person behind their yorishiro.

It's kind of beautiful in the end to see Mirai sacrifiying their past and future to focus on the one representing the present.

[viisator]

The Corpse's Bride -- PART TWO

Tittle : The Corpse’s Bride

Pairing : Nishimura Riki x F!Redear x Yang Jungwon

Genre : Fantasy, Tragedy, Fiction, (angst, fluff)

Warning : Death, skeleton, Corpses.

Summary: Y/n is the daughter of the famous dressing merchant, and she is to marry the son of the Baron in the west. But one event ruined it all when Y/n found herself wandering in the land of the dead and accidentally marrying a dead boy on the side of the river.

Inspired by the movie ‘Corpse Bride’

Not Proofread

(This fanfic I wrote is inspired and I made it so like the movie 'Corpse Bride’. I just love that movie so much, so I think It’ll be fun making an en- fic abt it … So yeah. I wrote this. And I wrote this 'cuz it’s kinda sad letting go of the things, and people we love so much, and I hate letting go of stuff/someone, so I just wrote this.)

• • • • •

"Can you tell me what is it you were running away from?" Jungwon gently asked, tilting his head a little trying to match her height.

"Marriage." He was shocked when he heard what the girl said.

"May I know who's the man you were to marry?"

"You might be shocked, but they say that the L/n's daughter runs away from marrying Baron Yang's son, so lady Yang sent a letter this morning and requested the marriage my parents and the Baron were talking about those past few years" Jungwon was shocked, and his body was frozen when he heard what the girl said.

'It can't be.'

The girl looks at him, knitting her eyebrows, wondering what was wrong, and why was he looking at her with wide-open eyes that seem like he cannot believe it.

"Are you telling me you were to marry Yang Jungwon?"

"Yes?" The girl looks at him bewildered, still hasn't realized that she was found by what she was running away from.

They stared at each other for almost 7 seconds, until Jungwon pulls the girl out of the woods bringing her to the dimly lighted streets near the Yang Manor, but before they could take a step inside the manor's gate, the girl's feet turn ice cold, when Jungwon turned around and saw how her face was paralyzed with fear and took noticed how she tightly gripped his arms, he looks at her in the eyes with concern.

"Are you afraid of going inside?" His soft voice rang into the girl's ear making her shoulders swiftly go down.

"I'm afraid to meet him, I'm afraid that my parents will look at me, and their eyes will show how disappointed they were because of me, I'm afraid that he'll be displeased, I'm afraid they'll look at me differently, I'm afraid I'll mess up, what if I mess up?" It was like wildfire, her thoughts are sprouting like wildfire lost in a forest, that do not know what to do, she was afraid.

"Don't you wanna marry the Baron's son?"

"The Baron's son?... No. No, I do not."

"Then, do you wanna help me find L/n Y/n, so you'll stay as you were before, and then the Baron's son will continue to marry Y/n, you'll never have to deal with marriage at the moment, does that sounds nice?" The offer sounds like music to the girl's ear, and her eyes once again reflect light, hope was formed in her heart.

"I would love to!"

Y/n and Riki are walking down a field. Y/n could only think of how the field looked so...so dead. It was a field of flowers, it was a field of daffodils, daffodils that has no life, the flowers, and the grasses around are brown, dehydrated, and dry.

"This is the only romantic place that I know... well, maybe not, it doesn't look so colorful, and there is no sun that would set nor rise any sooner." Riki sighed after saying those disappointedly.

"It looks lovely." Her voice, for the first time, sounds so easy, it made Riki's mood cheer up a little after hearing it.

Riki cheekily smiled, looking everywhere but her eyes, but quickly turned around when he heard small giggles come from his side. He can feel it, He can feel the fluttery butterfly across his stomach, and the warmness of his face, he feels it again, it's been a long while since that feeling was there.

"What is it? Why have you been staring at me for so long?" Y/n laughed out while Riki's eyes stayed on her way.

"Are you getting deja vu?" Her question was odd, He was taken aback, the question rang over and over again in his head until her eyes locked with his, they could feel it now, but they know they've felt this before. They've felt this before somewhere else.

______

It has been a while since Jungwon and the girl have been looking around for a grave, they have followed the river, but there still was no grave to be found.

"Kind Sir, we have been walking together for quite some time now, may you tell me what is your name?" After hours of walking side by side with each other, that question was already been expected by Jungwon, it was quite long before it was said and he was close to believing that the question -- his name -- will not be brought up. Until now.

"It's Fred--... Jespersen" His mind went blank for a second, and hastily spat out a random name he can think of.

The girl then nod, looking straight up ahead of her, and another question popped up.

"Which house are you from? As long as I've known, Jespersen's mostly are common people." The girl then looks at him, and he stops in his tracks, thinking of an answer while his mouth is hardly shut.

"Oh..." The girl then realized her mistake. "It wasn't my intention to offend nor judge common people, it was only that the Jespersen surname was mostly used by commoners. I apologize." The girl frustratedly explains while Jungwon is thankful that her explanation brought him more time to think of an answer to her question.

"It was because I am just a lowly merchant's son, whose business is hardly recognized, and only a few know about." The girl looks at him amused, and he sensed that the girl is interested in the topic he had made up. And so he continued;

"Yes, our family sells women's dresses, though I could be honest and say the L/n's dresses are more extravagant and more beautiful than ours, though I know it is affordable by those 'lowly commoner'." He made that up once again, and the girl believed it also.

"Oh don't be silly Mr. Jespersen! Calling your family 'lowly merchant' is an offense, if you merchants don't exist, then where should we buy products? We have to make it ourselves then, and I could barely hold a needle for sewing! And also, merchants are rich." Jungwon laughed after hearing those, he could only smile at the thought of him manipulating her quite well.

They walk deeper into the woods following the flowing river beside them, while they entertain themselves by talking, and asking each other's questions until they saw rocks across the said river, like a trail for them to cross it. And so they did.

Jumping there and then, Jungwon finally crossed the river, but when he looks at his back, the girl was struggling, she could barely jump, for she's not so good with these kinds of activities, and she is now stuck in the middle of the river, standing in one of those rocks across the water.

Jungwon hopped into the rocks once more, holding the girl's hand and guiding her slowly as they cross the flowing river. She could feel the warmness of his palms, he was holding her hands and the other her waist, it felt weird to her, and his face is so close, she never realized his eyes are these beautiful, she never had taken note of his long eyelashes, she also has never seen how his jawlines are wavy until now, and oh, his lips, it's gorgeously parted, she hitched a breath.

They were so close to each other, it made the girl's heart beat quite faster than usual.

Oh, what could might this be? Has she fallen in love with a merchant's son? If so, then they really should find L/n Y/n.

The girl hasn't realized the truth, but it might be dangerous for both of them if ever it was revealed.

_______

"Do you want to go back?" The log Y/n and Riki are sitting at is cold, the air in the land of the dead is no colder than the hands that are holding Y/n tight, as if afraid her hands will slip away.

"Go back to where? To your room?" She asks because inside of her, she's already half accepted that she'll be staying in the land where people who are no longer in the world are, but of course, she still misses the warmth of the day up there.

"No," Riki said as silence followed him as he stared deeply into her eyes searching for the answer to the things he was feeling. Is he making the right decision? Because in the depths of his throat, he can't seem to find his voice.

"Y/n..." As silent as a whisper, he calls out.

"Yes?" And you answered, trying to sound as warm as your breath, and hoped that he could feel that you were also trying, trying to fix the things that were messed up.

"Do you want to go back; go back to your parents-- go back to him?" It breaks your heart. You don't know, but if you were honest, the idea relieves and excites you. But the tone of his voice, the crack that his throat made, and the look on his face. His face is hard, his forehead is frowned and his lips are down.

You were silent. You could only pay him back the same look that he has. How could you ever tell him that you wanted to go back-- and how could you, if you're already up there and missed him?

"....I--"

"I know a way Y/n, I know a way to go up there, you could meet your parents again, see their faces again, and --"

"And leave you here? Alone?" It was melancholy, and your tone mirrored the melancholic swirls in your stomach and the ache in your chest. Because how could you? How could you ever crush his dreams? He only wanted to love and be loved again, but the thing is, do you love Riki?

"It's all fine. For these past years, I stayed here." He squeezes your hand.

"But all those years, were you happy?" Then his lips trembled.

"Y/n...do you think if we--" He stopped and swallowed the lump in his throat. "--if you stayed here with me--for all of those eternities, never leaving this place. Do you think you'll be happy?" It's your turn to swallow the lumps.

"Do you think we-- both of us will be happy?" A single tear threatened to fall on your cheeks, but you stared at him never blinking, never looking anywhere else but those expressive eyes of his.

"Let's try." You whispered out. "Let's go up there, I'll tell my goodbyes to my Mother, and I'll give my last hug to my Father, then let's try to live happily in eternity."

He led the way up to the tower of the "old as time"--as he called him. You've decided, you'll do the farewells and go back in here in the land of the dead once you've said your goodbyes to your parents.

You both found yourself standing in front of a long old set of stairs and up there stands an old house.

There, he said that the longest dead is in there, and they all called him Elder Gutknecht.

He guided you up the wooded stairs, it lets out a squeak whenever you take a step. His cold hands never left yours, and once you're finally up the last step, an old door greets your face. In the door, there's a sign hanging up, and it dances whenever the wind hits it.

"Old as time," says the sign. Then Y/n's eyes went down and noticed another one that said:

"FOR HEAVENS RIKI! KNOCK FIRST!" quite amusing, she thought.

Distracted by the sign, a loud bang startled her concentration when Riki harshly opened the door with the absence of mercy of knocking.

"I'm here again!" Greeted Riki at the old skeleton walking down the stairs.

"How many times, Young Man!" Elder Gutknecht started. "How many times will I have to tell you to knock, or just casually open the door without banging it!" Riki let out an apologetic laugh.

"Um, well, I guess that's my bad, forgetting about that--so, I'm here to ask for help." Says Riki.

"I am guessing that involves your living bride?" Says the old man.

"Well, yes."

Elder Gutknecht sighed and proceeded to get a book, dust covered the book like plastic wrap. Then turned to look at Riki, then shifted his gaze to Y/n. His nonexistent eyes stayed on her for a second.

"What is it, young man?" Finally, he looked at his book with disappointment--or perhaps sadness in his voice.

"We want to go up there. My wife wanted to see her parents." Warmth spread through Y/n's chest after hearing him say those. But Elder Gutknecht felt the opposite.

"You do know that it'll be dangerous for you, for all of us when you go up there and disturb the balance between the living and the dead. Don't you?" He looked at Riki with threatening eyes.

"Quite--I guess..." And Riki answered with nervous laughter.

"Alright...just say "Hopscotch" if you've decided to go back here." Says Elder Gutknecht. But in the pit of his non-existent belly, down to his non-existent stomach, he felt very wrong. Something will turn out the wrong way once he sends them up there.

_______

Y/n didn't have to say the joy she felt when they stepped foot in the dark forest as the cool wind blew her hair out of her face.

Riki could see her eyes shine with the moon. Then it hits him suddenly, realizing that she looks happier up in here than when she was down there. It must've been hard on her the most...what is he supposed to do? Can he let her go? Why would he want to let her go? He finally has someone to spend all of his eternity--

Usually, cold air doesn't bother Riki so much, because his own body is cold--literally--but whenever her touch leaves him, the cold of the wind makes him shiver; so when Y/n pulled him out of trans, he could only hope she'd not let go.

Note: not exactly like the movie , huh? Forgive me. This from my Wattpad btw, so it's kinda my draft too...

PART ONE | PART THREE

[silentcrowsilentravens]

Apologies to whoever requested this. I deleted your ask by accident and don't remember your @ :'|

Nica Pierce, Tiffany Valentine, and Charles Lee Ray comforting their s/o after a nightmare/being comforted after a nightmare.

(Gender ambiguous).

Warnings: Implied murder

Masterlist here!

Nica Pierce

You try to keep quiet. You don't want to wake Nica.

You try to calm yourself down. You feel like you're overreacting.

You try to scrub the dream from your brain. You have little success.

Nica begins to stir beside you. "Hey... you alright?" she murmurs, her brows pressing together in concern.

You're quiet for a moment and in the end, simply shake your head no.

"Bad dream?" Nica gives your forearm a comforting squeeze.

"Yeah... Really bad."

Her other arm slowly reaches for you, giving you enough time to pull away if you want space. If you don't, you'll find yourself in her hold, your face nestled in the crook of her neck.

She rubs your back soothingly. "...Do you want to talk about it?"

"No..."

A kiss is pressed against your head. Nica simply continues to hold you.

She often doesn't remember her own dreams after she wakes up. And if she does, it's usually one of the shitty ones.

Her eyes are wet. It takes her a moment to process where she is and what's going on, that you're beside her.

Nica spends a solid minute silently debating whether she wants to wake you up and bother you.

Finally, she calls your name.

She very bluntly tells you what she just dreamt about the moment you're awake. That's all the talking she does before she's grabbing for you.

You wipe the tears from her face.

She rests her chin on your shoulder and takes in your scent.

Please run your fingers through her curls.

Please hold her really, really tightly.

Tiffany Valentine

It's the dead of night when you jolt upright in bed, breathing hard.

In her half-awake state, the first two thoughts that immediately enter Tiffany's head are "What's got you so upset?" and "Who's throat does she need to slit?"

It's only once her nail file is at the ready and the light is on that she realizes what's going on.

Tiffany returns the same energy she gets from others. If you'd comfort her, she's gonna comfort you.

"Oh, sweetface..." She frowns.

God, seeing you upset is making her upset too! This won't do.

Tiffany peppers your face in kisses.

Then, she practically squeezes the life out of you. She will not be letting go anytime soon. You are officially melded together.

When Tiff wakes up in tears, she immediately shakes you awake, frantically calling your name.

"Huh... What's wrong...?" You sit up and try to rub the sleep out of your eyes, giving her your full attention.

Tiffany deeply appreciates an ear to listen and a shoulder to cry on.

Rather incoherently, she describes the dream to you while waving her hands around animatedly.

You try your best to offer soothing words.

You're still mid-sentence when Tiff launches herself at you. She cries onto your top, her tears having slowed down now.

She just wants to be held.

And listen to your voice some more.

Maybe you could make her a nice snack too?

Charles "Chucky" Lee Ray

You'll need to reach over and physically shake this man awake since he sleeps like a rock.

"Chucky?" you question softly. "Chucky, can you wake up?" You shake him by his shoulder a bit.

"Huh...?" he utters groggily. His eyes are still closed.

"...I had a nightmare..."

Perhaps it isn't much of a surprise, but comforting others is not exactly one of his strong suits.

"None of that shit was real," he tells you. "Don't get so worked up."

In Chucky's eyes, you're dating the Lakeshore Strangler, so you've got no reason to be getting scared. Especially because of things that didn't actually happen. Go back to sleep. You're fine.

He rolls back over. A few minutes pass. You continue to sniffle.

With a sigh, Chucky turns to face you. He pulls you closer, cradling your head against his chest. "Stop your cryin'," he mutters gruffly. "I've gotcha."

Chucky himself hardly ever has nightmares. His dreams are usually rather mundane... Well, mundane for him, anyway. The sort of stuff he might find himself thinking actually happened after he wakes.

"Hey, what the hell happened to that asshole I left to drain out in the bathroom?"

"...You... didn't leave a body in the bathroom?"

"Oh."

That being said, you're a bit confused when you're woken up in the middle of the night by Chucky jolting awake beside you.

He slowly lets out a shuddery breath.

"What's wrong?" you ask.

"Nothin'. I'm fine." It's a lie and you know it.

You cuddle up against Chucky in an attempt to comfort him. His immediate response is to try and get out of your grasp. "I said I'm fine!"

After a moment, though, he gives up, grumbling like he still doesn't want your touch (he does).

The tension slowly leaves his shoulders as you pet his hair.

He wraps his arms around you, gripping the fabric of your top until he dozes off again.

[harocat]

The way Lost You Forever says, 'the trauma never fully goes away, but we find happiness and live anyway.'

For me this is best exemplified in two physical manners:

Xiaoyao's (assumedly quite high) cultivation and power was severely damaged by the thirty years she spent being tortured by the fox. Over and over when I read people talking about the series, people wondered when she'd get her power back.

And I get it. It would have been an amazing moment to see her powers return, to see her bursting with what must have been so much strength as the daughter of two extremely famous warriors.

But instead of that, Xiaoyao makes do with what she has. She learns how to defend herself with archery. She makes poisons. She fights in her own ways. Even in this xianxia world, she can't regain what she lost, but she does her best to make up for it.

One thing I was worried about when hearing about Tushan Jing's death is that I thought he might come back unblemished by scars, totally able bodied again. Often in xianxia when someone comes back to life, they reappear somehow, cultivated from an object or just in a flurry of sparkles and flower petals. There's not usually a dead body, so the body isn't revived; the spirit is. And this isn't a criticism of that trope.

I was just concerned that if applied to Tushan Jing, it would be done in a way that made him 'whole' again. Because a lot of pieces of media can and have done this. Magical healing and rebirth? Time to remove disabilities.

And that would have frustrated me, from a narrative perspective. But the show didn't do that! It's hard to overstate the mark trauma has left on his body; 90% of it is damaged and scarred. He is handicapped in his leg. His cultivation is also damaged. And that's still there. All of it is remains.

But despite that, despite everything, they not only move on, but they find a happy ending. They will never stop carrying that with them, but for both Xiaoyao and Tushan Jing, it doesn't matter. I like this a lot.

[wandixx]

Dani gives people heart attacks and brings down a lot of trafficking rings, making friends along the way. Everything by accident, really

Dani traveled around world, hadn't she? While doing it, she had to meet a lot of interesting people.

Like heroes or villains.

In civies or not or both who knows.

But to actually learn things about someplace you have to spend more than one night there. Like, idk? Month? Probably more but I doubt she would be able to sit in one place for any longer. In many places she is shorter.

Month is long enough to create some connections though.

Enough to get someone to realize when you disappear...

Yeah, Dani on her way of gremlin and self discovery ghosted bunch of people without second thought. They'll probably forget her in few months anyway. And she was everywhere in USA. She didn't left American soil only because she didn't want to be too far from Danny in case of emergency. Before anyone tells me he was in space so he could fly to her wherever on Earth she would be, Earth's atmosphere ends about 100 km above sea level and officially this is border of space. Telecommunication satellites are between 8000 to 12000 km up. It's about how wide Atlantic Ocean is.

Plus y'know, time. If she needs help, she probably can't quite wait until he flies all the way to Hong Kong, Wladywostok, Rio de Janeiro or wherever she is.

So America it is. For now at least. When they're 100% sure she is stable she'll fly elsewhere.

Anyway people who she ghosted are used to batshit crazy stuff but "this tween is alone on her road to self discovery and just left for new city" isn't first thing anyone thought about. Maybe outside of Martians. They know. Everyone else? No idea what happened to this tiny, chaotic, snarky, probably meta child.

First thought though?

She got kidnapped.

So now 3/4 of Justice League, some individual heroes and bunch of less intense rogues are scrambling around their cities tracking every trafficking ring they found glimpses of, trying to find Dani.

Flashes work with Captain Cold on this and seem to slowly descend into madness. At the same time, Dani eats ice cream with nice museum lady from Washington who introduced herself as Diana. Then she helps at animal shelter with kind stuck up boy called Damian. Oh, Danny likes aliens, let's visit Martian Manhunter. Maybe she'll manage to get autograph for her template. Wait Space Cops? Kinda sucks but Danny would probably like their signatures too. Let's go. Oh, Superboys are fun mess with and older one is like her! This Nightwing guy puns like Danny but she always feels like he looks at her weirdly. Billy should eat more, magic or not, fighting is tiring. Good thing she has Sam's money to buy him burgers.

She has time of her life while people she met are slowly dying.

She probably doesn't even hide that she is traveling but for whatever reason they don't think she actually left.

They don't bring it up on any meeting because no matter how concerned they are, it's not really whole league type of business. And Martians just discreetly enjoy chaos.

There is a lot of ways it can get resolved (or not) but I kinda thought about Jon introducing his old buddy Damian to his new buddy Dani because he thinks they would get along and they just stare at each other for long moment before:

"Dani..."

"Dami!"

"WHY DID YOU LEFT WITHOUT A WORD! WE THOUGHT YOU WERE KIDNAPPED OR DEAD!"

Some screaming and revelation that Killer Croc was looking for her too, Dani hits moment of realisation.

"Wait, is this what people think when you just up and go?"

"Honestly? Yeah"

"Oh, Ancients I did this to so many people. So many..."

Idk, just Dani traveling and leaving people behind.

Do with it what you will

[elasticitymudflap]

you think your boy Simon is gonna come back for season 2 or is he all arced out?

LISTEN *GRIPS U* SORRY IM ALL CAPS IM JUST BEING VERY NORMAL RN

SEASON 1 WAS BASICALLY ABOUT GETTING HIM TO THE POINT WHERE HE WAS SIMPLY NO LONGER LOOKING FOR AN EXCUSE TO THROW HIS LIFE AWAY, AND RECOGNIZING/NOT ROMANTICIZING THE CONCEPT OF SACRIFICE IN HIS RELATIONSHIP WITH BETTY BECAUSE OF HOW DISPROPORTIONALLY SHE SACRIFICED HERSELF FOR HIM IN WAYS HE WASN'T COGNIZANT OF.

IMHO:

SEASON 1 BARELY TOUCHED UPON ADDRESSING OR WORKING THROUGH HIS ICE KING TRAUMA. THIS IS MY FIRST MAIN THING I NEED THEM TO TOUCH UPON.

IT CONCERNS ME THAT SIMON DIDN'T EVEN COMPLETELY CONNECT THE DOTS IN THAT ALL THE CRAP WORLDS THEY WENT TO WERE HINGING ON WHO HE IS AND THE IMPACT HIS LOVE AND SACRIFICE (OR THE LACK THEREOF) HAD ON THE WORLD (DID SORT OF FOR A MOMENT IN THE STAR BUT NOT NEARLY ENOUGH IMO)

HE'S OBVIOUSLY STILL PROCESSING HIS YEARS TAKING CARE OF MARCY IN THE APOCALYPSE???? THERE WAS NO FOLLOW-UP WITH HER PHONECALL EVEN IN THE FINAL MONTAGE???? WHAT HAPPENED IN OOO WHEN HE DISAPPEARED??? THESE TWO NEED TO FUCKING TALK FOR REAL

WHAT DOES SIMON'S LIFE LOOK LIKE WHEN HE'S NO LONGER AN EXHIBIT?? HOW THE HELL DID HE BECOME/CONSENT TO BECOMING AN EXHIBIT IN THE FIRST PLACE I MEAN WHAT THE FUCK?? HOW DID HIS LIFE CHANGE SO DRASTICALLY (OR DID IT NOT) FROM OBSIDIAN??

THE MORAL OF "MAYBE WE SHOULD HAVE GONE ON THAT TRIP TO AUSTRALIA INSTEAD / WHO KNOWS WHAT LIFE WOULD HAVE BEEN LIKE" IS SO BAD FOR HIM TO END CONCLUSIVELY ON AFTER EVERYTHING WE'VE SEEN BECAUSE THE WORLD STILL FUCKING ENDED??? MAYBE HE FOUND THE CROWN, MAYBE HE DIDN'T, BUT EITHER WAY FROM WHAT WE SAW IN THE ALT WORLDS IT WAS ALL GOING TO END IN TRAGEDY AND MAYBE THIS IS THE ONLY WORLD WHERE WE GET A BITTERSWEET END INSTEAD OF A HELL WORLD THANKS TO THEIR DESICIONS??? IDK!!!!!! I'D LIKE TO EXPLORE THAT CONCEPT I THINK

THE UNIVERSE IS OUT OF HIS NOODLE, BUT DOES SIMON'S HEAD-PORTAL STILL WORK?? CAN HE CONNECT TO FIONNA WORLD IF HE'S IN HIGHLY CHARGED MAGICAL ENVIRONMENTS??? ACTUALLY, WHAT THE HELL ARE THE LONG TERM EFFECTS OF A HUMAN HAVING A UNIVERSE IN HIS DANG HEAD

HE'S CONNECTING WITH ASTRID NOW AND SEEMS TO BE ON MUCH BETTER TERMS, IS SHE GOING TO INSPIRE HIM TO START WRITING FIONNA AND CAKE STORIES AGAIN TO COPE IN A HEALTHY WAY WITH HIS PAST THIS TIME??

SIMON'S RELATIONSHIP WITH ICE THING???

SIMON'S HUMAN PAST IN GENERAL: WHY IS THIS DUDE THE WAY HE IS??? WHY DID HE BELIEVE THE THINGS HE DID, STUDY THEM, MAKE THEM THE THINGS HE HINGED HIS LIFE AND CAREER ON???

ON THAT NOTE: FLASHBACKS. MOTHER FUCKING FLASHBACKS. MORE OF HIS ADVENTURES WITH BETTY. WE ACTUALLY SEE SO LITTLE OF WHAT THEY WERE LIKE TOGETHER WHEN ACTUALLY HAPPY, HUMAN, AND IN A RELATIONSHIP TOGETHER, IN THEIR ELEMENT, AND NOT STRICKEN WITH LIFE-OR-DEATH DESICION MAKING EXCEPT FOR HIS DUMB ASS GETTING BRAINED BY A CHERRY JAR

HIS YEARNING TO FIND BETTY AND APOLOGIZE TO HER WAS "TECHNICALLY" HANDLED IN THE SHOW, BUT YOU CAN NOT TELL ME THIS DUDE DOESN'T HAVE LASTING ISSUES AND TRAUMA AROUND THAT. ABOUT THE FIRST TIME HE PUT ON THE CROWN AND BETTY DISAPPEARING FOREVER. ABOUT THE GUILT AND FEAR ABOUT HER BEING DEAD DURING THE WAR. ABOUT LIVING NINE FUCKING HUMAN LIFETIMES IN A HAZE WHERE ALL HE KNEW WAS HE HURT THE PERSON HE LOVED MOST AND HE JUST NEEDED TO FIND HER. IT BECAME AN INTEGRAL PART OF ICE KING'S CHARACTER, HIS MOST DEFINING TRAIT STRIPPED TO THE STUDS. HE HELD ONTO THAT LAST PIECE OF SIMON PETRIKOV SOME HOW UNTIL SO MUCH TIME HAD PASSED HIS ONLY HOPE TO EVER FIND HER AGAIN WAS TO USE TIME TRAVEL. I'D LIKE SOME MORE OF THAT, IF YOU PLEASE.

HOW IS HE ACTUALLY COPING POST-SEASON 1? WHAT ARE HIS THOUGHTS ON ALL THE WORLDS THEY VISITED, THE THINGS THAT HAPPENED TO HIM, THE IMPLICATIONS, HIS INTERPRETATIONS? HE MAY BE IN THERAPY BUT HE'S STILL DRINKING.

ANYWAY

[wilcze-kudly]

On my latest rewatch of sozin's comet part 3 at the begining when zuko talks with katara about aang i noticed that once he mentions him katara's eyes from serious face are narrowing down to make a more sad face. Furthermore after reading your post about "katara's trauma why she waited" i noticed even more scrumbs that support your post. Other then changing her grimace, zuko asks katara 2 quastions. "What if he doesn't have guts to take out my father" And "What if he loses". The second question triggeres katara to respond in panic that "aang won't lose". Here's the most interesting thing i saw on rewatch. Katara while completly ignoring zuko's first question adds that "he is going to comeback, he has to" while looking infront herself with focused face. And im sorry but zuko didn't even mention that he is concerned about aang returning to fight ozai, so katara just adds another sentence to her belief that aang is going to comeback ALIVE. This further adds to desparete "he has to" like its an obligation on aang's or universes part to not lose life because of unfinished business or just praying that aang is gonna be fine. My point is that it shows how concerned katara really is about only if aang's gonna be fine. Which explains kinda her hesitancy on her part in ember island players. She really is afraid of losing him again and it makes sense too when we look at how many deaths of people close to her she saw. Also It would be stupid to not asume that her holding for a moment dead body of her friend/possibly a new love wouldn't influence her behaviour to make closer bonds.

[Post anon is referencing]

Yeah, references to Katara's fear of losing Aang are sprinkled in throughout the show, though the aren't addressed full on, which is why I assume most people don't catch onto it. Which is a shame, and I wish it was explored more explicitly in the show because if you watch without noticing this crucial element, you could draw some very misguided conclusions.

I think it's very interesting to watch Katara's perspective of Aang and her approach to him as the Avatar shift through the series. I don't think Katara ever idealised Aang as the Avatar perse. But I think a lot of her relationship with Aang was her realising the strain it put on Aang. In the Storm, she learns how it impacted Aang's life and basically alienated him from his peers.

Throughout B1, we see Aang's role as the Avatar become second to his role as Katara's friend. To the point where in the first episode of B2; The Avatar State, Katara is actively encouraging Aang to shirk his duties in order to protect his mental state.

But I think it's at the end of B2, when Katara cradles the body of her friend who was killed, struck from behind that she realises that Aang being the Avatar may cause her to lose him.

Sure, they've been pursued by Zuko, Zhao and Azula, but bear in mind, Katara is still a kid and while she may be aware on a surface level of the danger, nothing's technically happened yet, so she may not fully register it. But now she has had a free trial run of grieving Aang and she doesn't want to feel it again. So she builds up some walls.

And we have more hints for this throughout B3. Her breaking down when Aang leaves, drawing those parallels to Hakoda, for example. Her immediately shooting down any possibilty of Aang losing to Ozai or getting hurt. She's not blindly idolising him, she is terrified of the idea of losing him and deflecting it because she's a kid who can't think about things that scare her on an existential level.

Another good example of this being her reaction to Aang kissing her furing the Day of the Black Sun.

Analysing Katara's expression after Aang kissed her, she isn't upset with the kiss perse. If she were, she'd most likely be animated with more furrowed eyebrows. Ryebrows raised like the way they are in the show usually denominate surprise (which she is in the first few frames) or sadness. Which matches the context very well. The way she looks at Aang and then averts her gaze with a grim expression, as if she wants to say something, but is still angled to be seemingly glancing at him? That could very easily be ready as Katara wanting to respond to Aang, but holding herself back because making your relationship tangible before a big battle is a very good way to lose your boyfriend before you eben get your first date.

And since.... certain people insist that Katara being drawn in this scene with more childike proportions was a concious choice by the creators and not just an outcome of animation studios switching around and certain mixups, let's look at it this way: Katara being drawn more childlike in this scene could highlight the inherent tragism of the image of two child soldiers kissing before a battle in which one or both of them may die

She doesn't smile, not because she's not happy with the kiss, but because the boy who kissed her is off to war. Like I would not be smiling either.

Katara's trauma around loss is so pften boiled down only to her mother, which while valid, is only half the truth, and I wish this aspect of Kataang was more noticed because it does hide in the details of the show.

[elkonigin]

Inuyasha Meta - Sango's Relationships

Let's take a moment and talk a bit about the main relationships that Sango has within the story.

Inuyasha

Okay, these two are siblings that aren't actually related. Inuyasha gives her that brotherly relationship that she's been looking for after the loss of Kohaku. Especially at the beginning when she thinks that he's actually dead.

And when she discovers that Kohaku isn't dead, Inuyasha is the one to make her see reason and stops her from killing her brother to save him from doing anything else evil.

Inuyasha should be anti-brother, but he's not. Because he understands family and what it should be. Inuyasha protects Sango from doing something that he knows that she's going to regret.

But these two seem to banter and argue back and forth like siblings and I think that's what gives Sango some sense of normalcy, because Inuyasha makes her realize that family doesn't have to be blood, and that she has people who care about her here.

Kagome

Ah yes, Kagome. The ultimate best friend duo. Kagome allows her that opportunity to have a female friend. I have no doubt that Sango had a ton of male friends because of her profession, but Kagome lets her be soft and feminine, and brings her those things that define her as feminine.

Kagome offers her the duality of Sango's nature. Sango wants to be feminine; if she didn't, then she wouldn't be wearing her traditional wrap skirt all the time (which I also think Sango uses as a disguise part of the time to let people misjudge her and then BAM! she enters ass kicking mode).

Kagome also serves as a confidant, allowing Sango to therapeutically release all that negative emotion and her confusion in her attraction to Miroku. Kagome is the normal girl that Sango wants it to be, however, she is allowed to be both soft and ass-kicking all in the same sphere. Kagome lets her see that it is possible to be both AND be accepted for it.

Miroku

Now, so many people argue that Sango deserves so much better than Miroku, and I say that you're wrong.

Was Miroku a terrible person at the beginning? Yes. But a lot of this stemmed from the fact that the man thought he was going to die within a few years, and had to literally pop a baby out of some woman in the hopes that maybe he would finally get rid of Naraku.

Both Sango and Miroku were living to die. Sango was willing to die to destroy Naraku and save her brother, and Miroku was just counting down the days until he was sucked into the void.

We see Miroku's habits change towards women once he was engaged to Sango. Miroku might have been a player, but he's devoted to Sango. There's also a distinct change in how he acts. Miroku wants to live once he realizes that he has something to live for.

Sango is Miroku's reason for living, and Sango finds a reason for herself. Revenge is no longer her primary focus, and we her be a little selfish for just that one bit in her desire to be with Miroku and be a married woman. Miroku's willingness to die for Sango and her despair over the thought that he might die before her, renews her passion for fighting Naraku, not for revenge but for the life she desires to have.

Kirara

So we have the dynamic duo here. Kirara is Sango's constant companion. She is loyal and faithful, and helps Sango whenever she's in danger or needs assistance. We know that Kirara loves Sango. This much is clear.

And it's obvious that Sango loves Kirara, judging from the first scene we see them reconnect after the deception of Naraku is revealed. Sango thought that Kirara had died defending the village, and Kirara had spent the entire time attempting to defend the village, even after it fell, because Sango had asked her to.

Kirara is happy to follow Sango and group along as they travel with hardly a care or concern, even when she's treated more like pack mule and transport.

However, both are greatly respected, and this is the relationship that gives our hearts joy and makes us all wish we had a little fire cat as a personal companion.

Kohaku

These two have to be the kindest siblings you've ever seen. Our first introduction to them is where Sango is reassuring Kohaku over his place in the village and as a demon slayer. She's reassuring and motherly, and even when her brother murders everyone that she loves, she still tries to comfort him as he dies.

Even as Kohaku attempts to attack Kagome and kill her, she tackles him to the ground and is willing to him herself, because she knows that even though it would destroy her to kill her brother, she's willing to suffer as long as he's not. Sango knows what her brother would want, and she'd do her damnedest to carry out his wishes.

Because when Sango loves, it's full force 100% inescapable care and affection whether you want it or not.

And after everything is done and over, there's no hard feelings between them. Sango doesn't hold what happened to the village and her family against him. Think about it. This is a lot to just let go, and Sango immediately forgives him, because she knows that it wasn't him.

I feel like I could go on more, but I think this is more than enough. 😂

[maul-of-shame]

I think a lot of people are forgetting that Elrond and Galadriel didn't read LOTR and aren't aware they're going to be in laws. They don't have the 4th wall powers that we, the audience do. As far as either of them are concerned, Cborn is dead and given that Galadriel placed a higher priority on hunting Sauron than returning to him (assuming she believes that he's in Valinor), Elrond is takes the role Cborn would have had. I hope we see more Elrond and Galadriel moments in season 3 😊

They've both been through the same shit, they GET each other, and there's no 'expectation' attached to their relationship, and that is liberating when it comes to healing each other's trauma.

Absolutely, this point is spot-on!

Elrond and Galadriel's connection exists on an entirely unique plane where no one, especially not us as the audience, can dictate how their bond should look or evolve.

These two are free from the expectations or constraints of what’s “supposed” to happen based on outside knowledge. They certainly don’t see their future relationship as in-laws as a given, so their relationship is genuinely theirs to explore.

Their chemistry feels so deep and genuine precisely because it isn’t bound by any traditional family role or societal expectation.

Both Elrond and Galadriel have lived through millennia of war, loss, and hard choices, and they’ve developed a bond built on shared experiences, genuine understanding, and respect. Elrond gets Galadriel’s drive, her sacrifices, and the toll they take, while Galadriel recognizes his wisdom, patience, and loyalty. It’s rare to see characters who don’t need to explain their trauma because the other person just knows—they’ve been through the same fires.

And what makes this relationship even more intriguing is the lack of obligation or label tied to it.

There’s a liberating effect here: both of them are healing and supporting each other in ways that go beyond friendship or family ties. When they come together, it’s like two souls unburdened by destiny but bound by choice. Each moment between them is open to interpretation and possibility, and that freedom feels refreshing and real.

For Elrond, his connection with Galadriel feels like the home he never really had in the ways that matter most. Through his life, he's often been in roles of service and loyalty—to his family, to Gil-galad, to his people—but with Galadriel, he doesn’t need to be the wise, steady counselor or the responsible guardian. He can let his own vulnerabilities show, unafraid of being judged or misunderstood. In Galadriel, he sees a person who recognizes his struggles and his sacrifices without him having to speak a word, and who knows the gravity of loss in the way only someone who’s carried that burden for centuries can.

And for Galadriel, Elrond is a refuge she never expected but always needed. As much as she’s a warrior, a leader, and a force of nature, she’s also a person with deep wounds. With Elrond, she’s able to lay down her armor, put down her sword and shield, trusting him with the side of herself that’s tired, uncertain, and still healing. There’s a comfort in being with someone who doesn't require her to be constantly unbreakable. Instead of being another soldier in her battle, Elrond stands beside her as a partner, a friend, and a kindred soul.

They share this understanding, a bond that’s impossible to reduce to labels or roles. Each look, every moment between them, is layered with the kind of depth that goes beyond words—They're two people who simply get each other. Their relationship isn’t defined by duty or shaped by societal roles; it’s something they’ve chosen to build together. And perhaps that’s what makes it so liberating: their connection is entirely theirs, shaped only by the mutual respect, trust, love, and affection they’ve cultivated over time.

In a world where they both carry the heavy weight of their respective roles, this bond is like a breath of fresh air, a reminder that they don’t have to be alone in their struggles.

They’re not defined by destiny or forced together by obligation; they’re here because they choose each other.

Over and over again.

It’s a love and connection that doesn’t need words to define it or titles to legitimize it. It’s simply there, in every glance, every shared silence, and every act of unwavering support. And in a life full of responsibilities and ancient sorrows, that freedom is the truest form of peace.

[bibibbon]

MHA chapter 420 rant

New chapter new rant it's become somewhat of a thing at this point 😭

So hori's out here deflating any stakes or tension as always. I personally hated what happend last chapter with Izuku losing both his arms but I did wish for hori to continue on the path he chose instead of completely reversing it with some bs in this chapter. Heck I don't understand how Eri even had enough energy to heal his arms considering it was stated chapters before that she couldn't and shouldn't help Izuku it wasn't her fight and neither should she be forced to watch what's going on but here we are.

Heroes are hypocrites when it comes to Eri and she deserves better. Oh Eri the ever so lasting plot device. As someone that likes Eri's character and wished for her trauma and what she went through to be explored this is just bs and shows that the heroes are incompetent hypocrites at their jobs for allowing Eri to mutilate herself (the same thing overhaul did to himself) so she can be useful to these people who she views as her saviours?!?!?! Let's not even tall about the fact that ECTOPLASM stated that he helped her with that and allowed her to do that like?!?!? You're an adult who is supposed to be supervising the child and you almost failed to stop her from running away into the battlefield but allowed her to do that to herself. Let's also talk about how aizawa horribly failed as a guardian like its clearly stated in the chapter that she did want she did because she was inspired by aizawa and how he cut his leg off so she mimicked him so she can be helpful?!?! Aizawa isn't angry, worried or disappointed but shocked and that's it nothing else he doesn't even reprimand her like seriously 😑.

Present mic and kurogiri deserves better. We still don't know where present mic is but he deserves better than this I still hate how his feelings aren't acknowledged in this bs and he is just there pushed to the side as support. Kurogiri is a mix at this point they seem to realise that oh oboro is dead he ain't coming back but kurogiri is acting on memories that haven't died and to be honest Iam sick of hori drawing the same memory panel over and over we should just get new content show us them play fighting or doing something that friends do idk 🤷‍♀️

Wasted potential aizawa at this point. I lasted made a post about aizawas wasted potential but dam does it really show and basically at this point hori reduced all the characters involved in the kurogiri situation to just that and it's sad like we could of had more and we should of. Aizawa was doomed from the start as he was hori's mouthpiece which sucks

Iam not a fan of everyone coming in to fight AFO. I already hate the fact that AFO is back but having everyone who hasn't had a big moment or can still fight yet come into the fight is horrible. Iam ok with having a few characters come in but having some endgame avengers type of thing is horrible especially because class 1A and izuku aren't shown to have a strong bond a lot of the time it's one of the reasons why the vigilante arc fails and why a lot of other moments concerning class 1A and izuku fail.

Iam a fan of the civilians trying to help however they can but no inko?!?!!?!!. I loved that we got the page of civilians genuinely wanting to help Izuku and offering their shirts to stop the bleeding also even though we don't get much from the all might guy I genuinely loved the development he has gone through. Sadly, I was expecting to see inko in this chapter and considering we had a whole page dedicated to the civilians it's sad that we didn't get any update on inko as she was probably there watching what happend to her son

Eri's dream. I loved that Eri's dream is something way outside of heroics and it's something that doesn't involve her quirk at all. It makes me remember of izuku holding her hand and telling her that he supports her dream. I wonder if Eri and jirou hang out often or anything considering that jirou is Eri's inspiration or if present mic also inspired Eri. it's sad that Eri's character is never truly explored considering what happend to her this chapter and the double standards that are with both heroes and villains.

ALSO MONOMA YOU DESERVE BETTER YALL TELLING ME THAT DENKI ALREADY QUIRK EXHAUSTED IS OUT HERE FIGHTING BUT MONOMA CANT FOR SOME REASON IS VILE

[whetstonefires]

So re: Qin Su's death, one thing I'm absolutely certain of is that she did not just conveniently kill herself due to her high level of distress, at the exact moment most convenient to a person she was super mad at.

Because, frankly, mxtx is not that shitty a writer. She doesn't sweat the details or logistics of things, characters are allowed to coincidentally turn up in the right place to make the plot work and so forth, but these novels are intensely concerned with character motive and internal life. Everyone does things for their own reasons.

People do what the plot requires, but a defining feature of her writing is that everyone is fashioned into the shape of the kind of person who would do that thing in this situation. Sometimes whole scenes or subplots exist mainly to put on display the underlying cognitive patterns that justify as individual choices the kinds of things stock characters routinely do in genre novels, for no reason than that they are The Type Of Character who Does That.

If Qin Su was going to commit suicide about the bad news, there would have been hints that this was the direction her thoughts were trending during the preceding scene, where we're introduced to her reactions. And there aren't.

Her primary reaction is anger. She's scared to death when her husband paralyzes her and puts her on his dismemberment table to interrogate later for the name of her informant. She is contemptuous of his caring almost exclusively about what all these horrors could do to their reputation.

There is nothing in the scene to suggest she would, given the opportunity to denounce him to the cultivation world, choose instead to escape by knife.

The interpretation of this sequence that says she Just Did That really annoys me, because it requires ignoring basically every single piece of information about the character other than the fact that Wei Wuxian always thought since they were kids that she wasn't very bright.

Furthermore, it would be out of character for Jin Guangyao to have knowingly arranged a situation likely to go so badly for him, and wildly unusual for him to get so lucky if he had. This man has shit luck normally.

The sensible thing for him to do, in a universe where Qin Su just conveniently opted for suicide instead of ratting on him, would have been to take the ten to twenty minutes of prep time he had to work with to disappear her the same way he did nmj's head.

This might have required killing her first, since we don't know where he put it, but while I'm sure he didn't want to do that I'm equally sure he was entirely capable. He had a convenient scapegoat handy to blame for her disappearance.

He had no reason to allow her to be visible and capable of independent action when his cavalcade of guests arrived. But there she was, dazed but unrestrained. And then...cursed knife time.

Super convenient! She's dead and can't blab, and lots of important people saw her do it and saw how horrified he was and are disposed to be sympathetic. Works out much better for him than the risk of being blamed if she disappears.

So Wei Wuxian's assumption that jgy set the suicide up and compelled her somehow is the most logical inference. Neither of their characters is really compatible with the other scenario.

If Jin Guangyao had actual mind control powers he definitely would have used them a lot, so the most straightforward version of what happened is he used some technique or drug that would confuse her and suppress her cognition, then deliberately put 'cursed dagger that preys on your negative feelings and makes you kill yourself' within reach just before everyone entered.

I'm sure if it hadn't worked, and she'd just kind of stared into the distance while he talked his way out of the unproveable allegations and weaponized Mo Xuanyu's bad reputation and so forth, he'd have been happy with that outcome too, since it would still have meant a lot of important people saw her alive and not freaking out, and then he'd still have been able to torture her for information later. (Again, something I'm sure he didn't want to do, but absolutely would have.)

But this worked out well and got rid of two exposure threats at once while buying him sympathy points.

Although considering his shit luck, I wouldn't rule out that his plan only went as far as sedating her so she couldn't make trouble and he could show everyone how not paralyzed on his murder table she was, and he'd forgotten he had an evil dagger that compelled you to kill yourself lying around in reach of a woman whose ability to exert force of will he'd just reduced to nothing.

And he wasn't expecting that result at all.

[dykedvonte]

you have a really good grip on the themes of Mouthwashing, so maybe you can help me with something I haven't been able to make sense of.

it's pretty clear that Jimmy doesn't care about Anya, he doesn't have a grief hallucination after she dies, and when she locks herself in medical his only verbalized concern is that she might hurt Curly.

so I'm a bit confused as to why initially when they break into medical, her dead body is included in the big blurred out area Jimmy can'tbear to acknowledge. is it just because she died so close to Curly?

I like it think it represents his sense of losing complete control over the siatuion.

Jimmy used Anya and Curly as sort of a buffer for his actions and in that moment neither of them could be used to fix this. Anya couldn't be blamed since she was dead and this is an action all his own, can't use Curly as an out, this can't be directly or indirectly linked to him. Them being blurred is sort of him not being able to see their current use.

Another interpretation I have is Jimmy not being able to confront actual guilt about Anya. It's sort of the oppisite of the cockpit scene with her and Curly. Curly was likely only invisoning Anya's pain which is why she was the only thing on the screen. He is concerned she will hurt herself, not anyone else (this goes both ways). Jimmy only thinks she would be as selfish and bitter as himself and hurt Curly, whether to spite him or vegence for crashing the ship is up in the air in his mind. Realizing and subconsciously admitting his actions have consequences that affect people when she sees she killed herself.

It's mostly brought on by concern for himself, admitting he did this to Curly and what's happening with Daisuke. He's trying to block out his worse actions in that moment and can't focus on his two biggest ones.