#she didn’t really even DO anything

[cve-th3mvsic]

HFFJFJDHGBGBGFHKSKZ

i wanna be social, i can be social. if i tried, i could totally be social. but DUDE

WHY IS IT SO DIFFICULTTT SJSHFJFJDN /nm

why is it so difficult for my brain to handle social interactions. HOW DO I- WHAT. WHAT DO I DO ABOUT THIS BDJDJDJD HOW AM I SUPPOOSED TO FIX IT

do i even need to fix anything.. nah actually i don’t

___

[flicklikesstuff]

“Maybe the flash was to blame. Or maybe it’s his shrunken state that gave the looming witch the illusion of being exactly 10 feet tall.

Whatever it was, it had flicked something within. Suddenly, he was no longer a lizard. Nor a great, powerful wizard. Not even “Rick Shades.”

He was a little Gourami.

Only 12 years old. Eyes wide and unobscured. Skin smooth from the lack of scars. But most of all, untainted by the horrors.

And unlike that little Gourami, he was entirely aware of what’s coming for them. He could warn the 12 year old. Maybe save them even. Tell her that continuing this approach is a bad, BAD, VERY TERRIBLY BAD IDEA!!

…

But he couldn’t.”

My inspiration pieces: :)

[i-like-forcefem]

One of my favourite memories of training is when something came up and I needed to leave a doll alone for a little while

Of course my little Tsundere first rejoiced in her break from her duties of looking cute for me, the cameras I’ve got set up confirmed that much

But it was first quite surprising that she didn’t make any escape attempts, though the amount of blackmail I’ve gathered does make that the logical choice

But then what took me really of guard was what she did when fully alone

She always wore the most masculine clothes we have for the first while, some booty-shorts and a T-shirt that says princess, she decided to wear inside out

But still each morning she spent just a little bit more time inside the closet, I see how she keeps glancing at our adorable dresses, she keeps feeling out all the wonderfully soft skirts, how she glances at the drawer where I keep the little bows I always put up in her hair,

always just a little longer each day

And then a couple days pass, and she no longer wears her adorable shirts inside out, instead showing off the beautiful prints to the mirror she keeps staring in

And a couple more days pass and she’s ran out of clean shorts again, and she’s tired and lazy, and it’s not like anyone’s watching so she might as well grab a skirt instead of washing them all again

And the next day she realises just how much better her outfit looks if she’d just put in a single hairclip

And the next she realises that while she’s at it why not do a little make-up?

And by the time I’m back she looks cuter then I’ve ever made her, and the look on her face when I say that… I wouldn’t trade it on the world, she got pinker then her dress, one I can firmly remember her saying “she’d rather die then wear”

[mollysunder]

The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.

In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.

Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.

It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.

Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.

One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?

It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.

[dykedvonte]

Honestly a sorry from Curly would mean nothing to Anya.

I’m not saying she wouldn’t want to hear it, it’s a hollow vindication. She told him and he couldn’t hear her. He saw it and he couldn’t understand it. They both experienced it and he should apologize that it took that for him to get it. She already knows he’s sorry but what’s the point if neither of them can do anything about it? It’s earnest but at the same time what she wants an apology for is what Curlu can’t apologize for.

He can’t be sorry for what happened to her even if he is. Even if he carries that guilt with him until the day he dies it’s not all his to bare. The most heinous parts aren’t his weight even if he tries to balance it. A part of her bitterness is the fact he can’t be sorry for it all. She can’t just direct it all towards him even if she wants to. She was failed in so many ways by all of them. It hurts with him the most cause he had the power but they all did nothing in the grand scheme of things.

The one person who should apologize would never and could never, it’s not something you can be sorry for. She wants an apology, she needs one but what would it fix?

[idkwhatimdoingbutslay]

Caitlyn literally went to war for the cooch. Caitlyn LOST AN EYE FOR THE COOCH. She set the bar imo.

[stargirlrchive]

i hate longing !! i hate regretting !! i hate missing someone who made me feel insane

[m4ndysk4nkovich]

it’s not a coincidence that season four, the season where debbie hits puberty, is the season where the fandom starts to gang up on her.

[cream-and-tea]

oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[markedbyindecision]

Cameron, Chase, and Foreman in House, M.D. S2E6 “Spin”

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[atopvisenyashill]

i do love when people are like “well there’s no proof gaemon is actually a dragonseed he’s probably not aegon’s bastard” like first of all it is basically book AND show canon that a lot of targs were fucking and sucking their way through dragonstone and flea bottom i’d wager it’s pretty fucking likely a lot of the claimed dragonseeds are exactly what they claim to be, second of all it is hammered home that while people from lys or volantis can ~have the look~ the actual targaryen look is rare, and third of all. listen we know i love that wet little rat man aegon ii but be serious lmao

[quins-makeshift-menagerie]

Mimzy’s on toyhouse, eh?

Oh!

Yeah haha

[valkyurii]

it’s funny how things have gone full circle with malenia. she was so hated when the game first came out, but then people grew to like her. then the dlc came out and now people hate her again lmao