#she did not know them

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[ilickedanenvelopeandilikedit]

how I feel literally using every resource possible to track down this band of like 70 yr old punks that played 20 yrs ago. chat.

[eydilily]

i'll tell you what, its really cute

[akanemnon]

I don't like this place. It's turning everyone edgy and sad.

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MASTERPOST (for the full series / FAQ / reference sheets)

[harrowedsoup]

I refuse to change my headcanon that most of the other people at Canaan House probably thought Gideon was Harrow’s pretty boy toy until she showed them she could actually fight because she acted exactly nothing like a real Cav in anyway. A teenage ruler shows up with a hot butch that clearly isn’t trained to be a ninth Cav or even a normal-ish one? Come on. They probably thought griddlehark were over compensating trying to hide by staying away from each other. 

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[somnoir]

The family of rogues

The Fentons/Masters siblings move to Gotham for various reasons. Jazz gets herself an internship in Arkham and spends most of her time trying to finish med school. Danny gets himself a scholarship and attends Gotham U for his aerospace engineering. Elle doesn't want to be away from her siblings and gets herself enrolled into Gotham Academy after pestering Vlad. Dan, who had no trust in the world to keep his siblings safe, follows after them as expected.

None of them realized that they were rogue material. The entirety of Gotham knew to stay the fuck away from the Fentons.

The Bats find out very quickly why these newcomers were considered the future rogues.

Their youngest was in Damian's year, a seemingly normal girl if not for her acrobatics and agility that rivaled a Robins. Danielle Masters—Elle—was also part of the fencing club. But that didn't make her rogue material. No. She had her own penchant for violence and was known for her intelligence, actively threatening anyone who tried to hijak the academy while she was present. The last story Damian told them was filled with his admiration and a hint of swooning when he mentioned that she had taken a rapier and almost cut a man for trying to bomb the school.

Not so bad, right? Just... A really shabby teenage girl. Damian was the same! So...

Next came the second son of the family. Danny Fenton was an obvious genius. He was capable of making the most dangerous things from mere scraps. Tim had been there to witness the boy make a fully functioning flame thrower from a lighter and what seemed to be a toaster. Said flamethrower was then used to melt away Mr. Freeze's ice and the man had been very concerned when a college student with eye bags darker than Barman's was pointing a DIY flamethrower at his head. Ever since then, Tim has been hellbent on figuring out how the fuck Fenton did that. Unfortunately for him, Danny Fenton was prone to vanishing just like the rest of his siblings. In addition to that sort of intelligence and skill, the young man was adept at combat like his sister. The group of 4 were clearly trained. Very well trained if the witnesses were honest.

Okay, very concerning. Clearly someone who knew how to make weapons on the fly and was not scared of barbequing people if he was threatened.

Then we get to Dante Masters, the first son and second oldest of the bunch. He'd arrived a little after his siblings and had started of as a mechanic, tinkering with everything and anything. Jason had been to said shop to have his bike fixed and once Dante Masters got his hands on it, the bike was suddenly better and faster. Apparently there were some slight modifications here and there to upgrade the bike. But then he'd quite—Jason was devastated—and proceeded to become a guard in Arkham. No one managed to escape Arkham when it was Dante's shift. Red Hood had gone to Arkham himself to check what was wrong. All the in mates were scared of the man who'd suddenly appear at the end of the hallway as the lights flickered whenever they tried to escape. The best thing the Scarecrow did when he saw that slenderman bullshit was walk back to his cell and wait for Dante to lock it.

Concerning, horrendously concerning. This was a confirmed future rogue that has the mechanical ability of his brother, a body bigger than Jason's, and Batman's melt into the shadows shit.

But the eldest? Jasmine Fenton looked utterly harmless, positive and sweet compared to the menaces that were her younger siblings. She sought to change Arkham from the inside and even the inmates were fond of this mothering redhead. Dick had come to visit Harley once when she was caught doing crime and he'd seen her get assigned to the Joker. Everyone was scared shitless that he'd make another Harley, another good woman turned rogue by a madman. But what came out of that session was the Joker, suddenly all quiet and a face stuck in a quiet smile. It was like Jasmine had given him a lobotomy. He'd go manic and laugh all day, everyday, but once Jazz entered his cell with her clipboard and pen, the laughing immediately died and Joker was left looking utterly haunted after every session.

Not a rogue made by the Joker but a future rogue that seemed to have tamed? Traumatized? They weren't sure but something happened and the Joker was both scared and respectful when it came to Jazz Fenton.

Everyone in Gotham knew to not fuck with the nice ones.

Everyone in Gotham knew to stay the fuck away from the Fentons.

(At the end of every week, Jazz continues to respect confidentiality clauses and doesn't tell her siblings a thing. The truth of the matter? Jazz was as liminal as she was and on the verge of becoming a halfa. Her younger siblings may consist of the ghost king and halfas about to become ancients, but the ghosts listened to her words.

For every session that she has with the Joker, she invites as many ghosts as she can to join in on the session. When the Joker grows mad, she interrupts with information on his past that no one should know.

The Joker's laughter went quiet the moment his new psychologist closed the door behind her and smiled, "Good afternoon, Jack. My name is Jasmine."

No one knew the Joker's real name, not even Batman.

No one alive knew his real name. He'd killed all of them.

Good thing for Jazz that she had so many ghosts floating behind her, whispering his name and secrets into her ear.)

Masterpost

[tobyfoxmademeascaly]

I adore y’shtola now because every single plan she comes up with is nigh-guaranteed to be the most unhinged idea ever thought up by cat or man. Being pursued by cops? COLLAPSE THE TUNNEL AND TELEPORT DIRECTLY INTO HEAVEN. Need to distract the Children of Everlasting Dark? THROW BEEHIVES INTO THEIR HOUSES. Need to perform a diving save into a bottomless pit? TELEPORT DIRECTLY INTO HEAVEN. AGAIN. Need to get on Mt. Gulg but air travel isn’t feasible? GIANT ROBOT. Need a portal to hell? MAKE A DEMON. That doesn’t work? SHOOT A LASER. AT THE MOON. Banger after banger.

[dirtytransmasc]

I'm just imagining Sevika charging into battle not knowing where her girls are. she hears whispers from the battlefield that Isha is dead and that Jinx is gone. taken. captured. surrendered. she doesn't want to accept either. she almost refuses. and it's in the back of her mind that she has to live so she can find her girls, and at the very least, remember them.

and she almost dies. she thinks that there might not be anyone to remember them. to find them.

and then she doesn't. she doesn't die. and one thing leads to another, and she's on the council. and....

she still doesn't know what happened to them.

and then Vi, the girl who, justifiably, hates her guts, comes back. and the look on her face all She needs to know Jinx is gone. but she can't accept it. she can't.

she demands to know what happened, in a clipped, gruff manner, not displaying much care, but her eyes are teary and her gut is churning.... and Vi just says they're gone.

and all Sevika can do is whisper "... both?"

and she doesn't wait for an answer. the face is enough. "how?".

the answer kills her.

she walks away. murmurs an apology over her shoulder.

she doesn't know what to do with the feeling in her chest. her fingers trace over the carving in her arm.

[tiniest-hands-in-all-the-land]

Carry me home

[bubblingsteam]

dilf twink and his drop dead gorgeous wife (+their daughters). Also they're t4t its canon kui told me herself

[poorly-drawn-mdzs]

I know those eyes.

[First] Prev <–-> Next

[akanemnon]

How to be an annoying little jerk 101

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference

[flwrkid14]

Tim Drake Accidentally Takes Over the World (and Didn’t Think to Mention It)

So, Janet somehow spent decades climbing her way into every government worth a damn, ruling the entire world from behind the scenes. And then, because the universe is apparently wild, she left it all to Tim.

Cut to Tim Drake, the brand-new, completely reluctant secret ruler of the entire planet. And he just… never really thought it was worth mentioning?

The Batfam finds out when Bruce stumbles across an encrypted memo traced to a mysterious Gotham office with Tim’s name on it.

Bruce, holding up the memo: “Tim. Want to explain why this document about, oh, international finance reforms is signed with your encryption key?”

Tim, not even looking up from his laptop: “Oh, yeah. That. Janet left me her ‘global influence portfolio’ or whatever. Mostly paperwork.”

The Batfam stares in total shock.

Dick sputters nearly dropping his coffee: "Wait—you’ve been managing world policies?!”

Tim, shrugging, barely paying attention as he emails the president of Germany: “Well, yeah. I figured someone had to keep things running. It's not that big a deal. I mostly just redirect some policies. You know, keep things running smoothly.”

Jason, absolutely cackling: “Are you telling me that little Replacement here is the reason for half the ‘global cooperation’ headlines?”

Tim, scrolling through emails: “They send me reports; I send suggestions. And honestly, they make it way more dramatic than it is. It's not that hard."

Barbara stares at him, half horrified, half impressed. “How did we not notice this?”

Tim blinks. “I mean, it’s not like I was actively hiding it. I assumed you guys knew I was… kind of managing these things?”

Cue utter disbelief.

Stephanie, laughing too hard to breathe: “Tim, do you have world leaders on speed dial?”

Tim, completely unfazed: “Only the important ones. They text, mostly. Oh—by the way, I might’ve influenced a minor arms control thing last week. Don’t worry; it’s all sorted.”

Bruce, looking like he’s two seconds from fainting: “Sorted? Tim, we're talking about you having global authority here. People notice these things."

Tim shrugs again as his phone buzzes with notifications. “Sure, but it’s not like they’re going to do anything too crazy. I just suggest stuff, and they listen. Honestly, it’s like herding really powerful, really overdramatic cats.”

Damian, scandalized: “You mean to tell me, Drake, that you’re manipulating world politics like it’s a game of checkers?”

Tim, still casual: “Manipulating’s a strong word. Like I said, it’s more just nudging things along.” His phone buzzes again. “Oh, hang on. France is panicking about their energy policy again.”

The Batfam tries to process the fact that Tim—Tim, who routinely forgets what day it is—is now, somehow, running the world.

And then his phone buzzes with a message from the UN Security Council.

Tim sighs, glancing down. “Oh, great. Looks like they’re debating nuclear arms again. Be right back.”

Meanwhile, the Batfam is left absolutely speechless, processing the fact that their Tim—scrawny, coffee-fueled Tim—is apparently one of the most powerful people on the planet. And to him its just another tuesday.