#she also did a Catra set I wanted

[titus-androgynous-87]

My She-Ra leggings fit again! If/when I find the matching top, it’s over for you hoes

[MEN, MINORS, BLANK/AGELESS BLOGS DNI!!! I’m a 36 year old, married, dyke. He/they]

[nny11writes]

nunny!! what are you really into writing at the moment

Honestly?

Having fun writing some seriously fucked up and deranged modern AUs at the moment. I don't plan to post them, I don't think most folks would get them or enjoy them, but I need a vent valve somewhere and Catra is the unfortunate blorbo suffering through it lol

[jesncin]

I noticed something you said about MAWS Lois in that chart you made. How she was only like surface level diversity without much thought. I think the She Ra reboot is similar. I remember many of the characters of color didn't have their cultures, kingdoms, and how they were affected by the horde were not truly examined in a meaningful way. I liked how Lunar Boy did that but didn't really focus on the colonizers either! It really focused on this White girl and it kinda gave off White savior ?

Thank you for the little compliment on Lunar Boy! It was important for us that colonization was acknowledged (since so much of Indonesian queer history was affected by it) but we didn't want to center the colonizers in a narrative about Indonesian queer joy either :>

And!! Yes! For sure the She-Ra reboot has essentially the same problem as MAWS but in a fantasy setting (compared to MAWS that takes place in futuristic America). She-Ra is what happens when white queer writers were put in charge of what they considered a fantasy escapist paradise where queer representation doesn't have to be speculated on, it's canon! Buuut when it comes to BIPOC representation, suddenly they're very wishy washy about confirming the character's races. And some of the "confirmed races" were clearly not thought through (lest we forget the latina Catra incident among many instances).

It feels like a show where the writers were clearly fans of ATLA, but instead of taking in any of the politics regarding the optics of war and colonization, they just like the friendship dynamics and tropes. She-Ra is a white savior narrative through and through, even with their attempt to retcon the previous She-Ra as a WOC. She-Ras come from a colonizing group (Eternians) so it's a savior narrative no matter what they do :p my memory is vague on what happened in She-Ra but I did make an insta story review on it (it's my very first one in fact) where I go into deep detail about the problems with the show as I watched it.

it's rough since it's my first big undertaking and I was doing a casual reaction at first but I think it still holds up! Also keep in mind I wrote this before Nate Stevenson transitioned.

[spop-romanticizes-abuse]

since i've talked a lot about how i dislike Catra, here are some of the other fictional characters that i dislike:

(warning: long post ahead, also spoilers for steven universe, the dragon prince, ocean waves, the legend of korra, and kipo and the age of wonderbeasts)

1. Lapis Lazuli (Steven Universe)

i think this one is pretty obvious. there were a bunch of characters in SU who were let off the hook after doing terrible things, but Lapis is the one i disliked the most.

she started off as an interesting character, her trauma after getting caught in a war and stuck in a mirror for ages was sympathetic and pretty well-written but like Catra, i think the writers coddled Lapis too much.

this is evident with her relationship with Peridot, where she starts off blaming Peridot for something that wasn't her fault and destroying her prized possession when she tries to make amends. but Lapis expresses concern for Peridot ONCE and now they're besties.

and after that, Lapis becomes toxic and demanding, causing Peridot to constantly walk on eggshells around Lapis so as not to hurt her feelings. and finally, Lapis just takes the barn, Peridot's HOME, off into space because she couldn't agree with Peridot's decision to stay and fight the Diamonds?? i'm not mad that Lapis didn't want to fight the Diamonds, i fully understand her trauma, but did she have to take the barn with her? what part of that was necessary??

i think all of this would have been fine if Lapis was held accountable for her actions, but she wasn't. she doesn't even do the bare minimum and Peridot immediately forgives her. sigh. at least they didn't make Lapidot canon.

2. King Harrow (The Dragon Prince)

i don't hate this character as much as I hate some of the others on the list but i do think that he was kind of a shitty king. he literally decides to starve his own kingdom in order to help out another kingdom. and this is framed as the right thing to do?

it's a tough choice but Harrow's people were depending on him, and he decides that his own people should sacrifice their winter rations for another kingdom. scummy move, i do not like him. Viren may have been self-serving and manipulative, but he was right to try and stop Harrow from doing this.

3. Rikako Muto (Ocean Waves)

god, i fucking hate this bitch. worst ghibli movie ever honestly. the thing is, like Catra and many of the other characters here, Rikako would have been an interesting character if the writers just made her an antagonist.

but no, she's supposed to be the love interest while being a selfish and manipulative brat. she is rude to everyone unless she wants a favor from them. she uses people to her advantage and screams at them when they try to resist. Rikako is the most interesting character in this movie, which sucks because she is also the most insufferable character.

the singular most hilarious scene in this movie has to be when Taku is fondly reminiscing about the interactions he had with Rikako, and since she was nothing but a little bitch throughout the entire movie, we get a super emotional flashback, accompanied by a soft score, of all the times she was manipulating and verbally abusing him. would have been funnier if it was not unironic. i do not know what the creators were thinking.

there was no chemistry between these two characters, their relationship was unhealthy as fuck, but they still get together by the end because.. amatonormativity. and because Taku had too much chemistry with his male best friend and they didn't want the viewers to think that he might be queer.

4. Bolin (The Legend of Korra)

it's crazy how everyone and their mothers hate Mako for cheating on Korra and Asami, but absolutely adore Bolin who sexually harassed his coworker. Bolin forced a kiss on Ginger while she was tied down on set, after she had already rejected him multiple times and said that she was her doing her job.

i see so many people saying that Bolin was a green flag and a better choice than Mako, and i seriously wonder if we watched the same show. i don't condone cheating either obviously but how do you call out cheating but completely gloss over sexual harrasment? Bolin legit acts like a manchild who doesn't understand consent and because the show frames this as "comedy", the audience thinks it's cute and funny.

at least Mako faced the consequences of his actions. he got dumped by both Korra and Asami, some of the other characters called him out on his actions, and he actually turns into a much better person by the end of the series.

oh, don't forget that Bolin started working for the literal fascist in s4. and he acts all dumb about it and argues that Kuvira was like Korra which,, what the fuck? he literally sees Kuvira torturing people and it still takes him a long time to stop working for her. he was a bit like Entrapta in that case, the writers made him too oblivious and stupid in order to justify him aiding a fascist.

5. Kipo (Kipo and the Age of Wonderbeasts)

okay, so Kipo is a little different from the other characters mentioned here because she's not problematic by any means. quite the opposite actually, her main personality trait seems to be that she's kind to everyone.

and that's fine, it's on par for most kids show protagonists, but Kipo is such a deeply unflawed character that she just becomes so boring. she has no character growth throughout the series, except for developing her fighting skills as her wildcat form. and even that comes easy to her, she masters it in one episode. her "flaws" are very surface level, like being clumsy or kinda awkward.

she is unbothered by almost everything, which is the most baffling in that episode where she discovers that she was the result of a science experiment done by her parents. you would expect some sort of mixed emotions there - confusion, hesitation, resentment even? nope. she's just excited and happy that her parents put her life at risk by experimenting on her.

and the show insists on reminding us every five seconds that "hey! Kipo is a GOOD person, she's the KINDEST human being ever and the ONLY person who doesn't love her is the EVIL VILLAIN". shit like this just turns me off so much. just SHOW me how nice Kipo is, instead of making every character gush about her niceness. SHOW, don't tell, for god's sake. besides, even if a person is kind and wholesome, it's unrealistic for EVERYONE to like them.

and the funny thing is that this show has other interesting characters! Wolf, for example, was a really complex and flawed character who is still fundamentally a good person. Hugo was a sympathetic villain who got a pretty decent redemption arc. so it's not like the writers didn't know how to write interesting characters, they just wanted to make their protagonist a Mary Sue.

[saijspellhart]

Tumblr keeps recommending me posts with some of the worst takes on Catra’s character. Always an//ti//Catradora posts. (Like, did we watch the same show? We couldn’t have possibly watched the same show. Why the fuck would anyone compare her trauma to Hordak? Because they are on two entirely different character journeys, at wildly different age ranges and maturity, and with wildly different amounts of time to grow and change. Never mind the constant outside negative authority influences on Catra all the fucking damn time, that Hordak never has to deal with until season 5. And fortunate for Hordak, Prime doesn’t allow him the free will to choose a path, so Hordak gets a free pass, his character growth and budding humanity remain intact.) Don’t get me started on this, I could write a whole critical analysis on why Catra is a wonderfully written complex character, and why comparing her to Hordak is fucking ludicrous. Honestly the lack of comprehension about writing, character, fantasy, narrative and trauma astounds me when I see some of these Catra hate posts pop up in my recommended feed.

Tumblr, hopefully your algorithm gets this, but I LOVE Catra. I love her. I love this tortured mess, I love the writing that went into her character, I love her waffling precarious hold on sanity and reason. I love how she struggles to cope with her trauma. I love the realism put into her character despite the fantasy setting. But I also love that they didn’t push the realism too far, because it is at the end of the day a fantasy story. I love the delicate balance they wove into her character. I love the complexity and thought put into her entire character arc through the whole series. (And before anyone comes to crucify me, I say I love Catra, as a person who suffered immense parental trauma and manipulation. As a victim of some of the worst of it. I shouldn’t even have to mention my own trauma to justify appreciating a FICTIONAL character. But here we are.)

Would I have loved one extra season to really explore her redemption more thoroughly? Yes of course. An extra season would have been delightful to explore a lot of the character relationships more thoroughly. But we didn’t get that, and what the show creators did give us was still wonderful and satisfying. (Even if I have some critiques on some things.) the writing of the show at the end of the day is still smart, and tight, and so so competent. (Looking at the myriad of other story driven cartoons and shows that fall apart in the later seasons or just have an overwhelming amount of inconsistencies and botched writing. **coughs** Voltron, Miraculous, YGO, Netflix Carmen Sandiego, Bleach, many animes in general, just to name a few. Not that I didn’t love and adore most of these shows too.) the fact that She-ra (2018) stayed consistently tight and snappy and smart with their writing, narrative, and characters from beginning to end is a treasure.

Anyway. Catra is great. I could write a character analysis going into why from a writing and storytelling standpoint. But honestly I don’t think anyone cares that deeply, and I don’t exactly have followers who are particularly interested in She-ra. Tumblr, you god forsaken windfall apple, please stop suggesting an//ti//Catra and an//ti//Catradora posts. I don’t want to see them. I support the canon relationships. And I support the non canon ships too. What I do not support is hating on shippers who like other ships. It breeds contempt in a fandom, and leads to a fandom canabalizing itself until there are no fans left. Also letting hate and disdain take up such a large amount of time and space in your brain, leads you down some dark paths mentally.

[stanlunter]

My 6 favourite Scorptra + some little scenes I love

1. "You do care, don't tou?"

The scene that made Catra fully realize that she's not alone and that there is still someone who love her more than anything. Catra was everything for Scorpia.

And the most important thing is that Catra does the most selfless thing she could done: she refuses of Scorpia's help and doesn't let Scorpia set her free, bc she knows it can cause Scorpia troubles and she doesn't want to put Scorpia in the same situation. She doesn't want to be Like Shadow Weaver and doesn't want Scorpia to suffer bc of her.

2. "We could, you know, be happy"

Catra was so stupid for not leaving with Scorpia and Ill stay by it. Also there is no "one-sided" explanation for this. Anyone who says Catra never loved Scorpia, litterally just skipped the entire episode. They were SO in love!

Especially considering the fact that they were suppose to kiss each other at that scene ans I will never forgive Nate for removimg it

3. "You saved me?"

The moment when Catra's feelings for Scorpia startes to grow up. It's when Catra realize that Scorpia saved her, no matter what. Even tho Catra ordered Scorpia not to break the technology, Scorpia did it, bc it would save Catra. She disobeyed the order to protect her and you can read in Catra's eyes that she was shocked that she was THAT dear for someone. It makes even more sence when you remember Catra's words about Adora "You never protected me. Not in any way that would put you on SW's bad side". (no blame for Adora, she's still the best girl ofc) but the thing is that Adora wouldn't disobey to protect Catra from SW, but Scorpia did it and not once. Scorpia truly loved Catra and she would always do everything to protect her.

4. "I will always be there for you"

Even tho Catra doesn't want to ask anyone for help and wants to do everything alone, Scorpia still makes her tell the situation to resolve it together. Bc that's what friends do, Catra doesn't have to deal with this alone.

5. "You're a princess??"

Whatever the cat is this?? They were so iconic in the prom episode!

At first Catra was sympathetic with someone for the first time in the show lol. She asked Scorpia (to ask actually) to go to the prom together! It's already pretty romantic, but have you seen the rest of the scenes?

Also the screenboard where Catra zips Scorpia up lol (they really didn't have to remove it)

6. "We're making a good team!"

Uhhh, just look at them here! They litterally THE girlfriends! Catra never was so flirty with anyone. She blushes as Amity lol. And just look at these EYES!!!

Now heart-breaking scenes, cuz Im evil. S4 was so sad and for what? Im crying...

But since Im not THAT bad, here are some sweet scenes again! Cuz they're still cuties (it was a crime not to give us them in s5 btw, Ill never forgive Nate for this) <3

Protective gfs ever!

I really love Scorptra even after so many years. I need someone to rewatch she-ra with!!!

[aprillikesthings]

the problem when I watch literally any of She-Ra is the constant, constant urge to screenshot and yell about it. I suspect it's because that's what I did for my "every episode in order" one back in January-March, and then it just became a habit; but also the PROBLEM is that the show rewards rewatches, and I keep NOTICING shit, and I have a LOT OF FEELINGS and also sometimes shit is just FUNNY and then I want tO YELL ABOUT IT

Anyway this post brought to you by the moment in White Out when Adora says "Catra...*chuckles* ...she's mean," while "floppy" because she's smiling while she says it and also doesn't sound, uh, upset about it. She sounds the same way I would if I was drunk and talking how hot Catra is when she's a bitch lolol

But ALSO a bit before that Glimmer says "UGHHH Catra is the WORST" but when Catra starts fighting her she says, "Always great to see you, Sparkles, but we're a little busy here!" and yes she's being sarcastic but I'm just like aaahahaha the problem is that this show set up "fighting/taunting can also be flirting" and then had those two *also* do that.

I really wish I didn't get hungover the way I do now when I drink, or I'd think it would in fact be hilarious to get trashed and then record me talking about Catra. Tho the posts I make after edibles are bad enough!!

Anyway I am also just constantly rewinding and pausing the fucking show! Even without taking screenshots every episode takes twice as long to watch. The only time I don't do that is watching with other people!!

[1vywr1tes]

Hi hello, it's good to see you're back and I hope you're doin well ! I was wondering if you could write a poly relationship between Catradora and the fem!reader who loves ceramics/pottery? Like, the reader often makes cute mugs, teacups and teapots, ceramic ornaments, etc, while Adora and Catra watch as she makes them and also the two of them try to make some pottery themselves from watching the reader do it? Thank you so much. :))

(Hihi! I'm doing well,I'm glad to be back and writing for She ra! And of course,that idea sounds so cutee!! If I wrote anything wrong about it tell me:3

Pottery date

Catradora x reader

Romantic

Female reader

Fluff

As the pottery machine turned,you stood in your studio working,fingers shaping out a cat shaped mug for one of your girlfriends Catra. You hummed softly,not hearing your studio bell ring as someone entered the door. "Hey cutie~" catra leaned on the counter with paint on it,while adora stood somewhere to not knock anything over. You turned your head,cheeks heating up "darlings!" You smile,turning your attention back to the pottery you were making to not mess it up. Catra and Adora walk to edge of the table to not disturb you,they watched your fingers work on the clay,softly and carefully shaping the tail of the cat. "Whatcha making?" Adora asked with curiosity.

"A cat mug!" You glance at catra,and her ears perk up,"why are you looking at me?" She blushed,her tail fuzzing up. Adora laughed "she's saying it's for you,kitty!" She smiled at catra. You giggled at catra,keeping an eye on your work "andd almost doneee! Oh would you two like to do some? Pleasee,it'll be fun I promissee" you beg as you motioned with magic to the two other pottery machines,catra blinked "do I have too?" She groaned out,adora gave a glare at her,a playful one "come in kitty,let's do it," she looked at your begging face, and sighed "fine. Let's give it a try!.." you smiled brightly at them. "Yayy!! I love you two so muchh!" You put the pottery on your shelf to dry. "I'll help you two! Adora can you pull your sleeves up? I don't want to get clay on your jacket," you told them,turning off your pottery machine and going to the table with the other two.

Your girlfriends went over,and you explained what to do,admiring them and watching them while you teach them "oh you two are doing so good!~" you compliment,making the two blushed "haha.. oh thanks.." adora replies,and catra just blushes not giving a reply. The dried clay on your hands chipped off slightly as you taught them,giving them tips as they slowly warmed up to the process. Adora making a small plate and Catra making a cup that went along with it. They were a little janky but it was their first ones. You set them on the shelves to dry,"now we wash our hands!" You went over to the sink,letting Catra and Adora wash their hands first,then you did. Catras tailed wrapped around your waist and you hugged her,adora hugging behind you.

"So... was this technically a date?" You ask,face still pink,with a small chuckle. Catra thinks for a minute,"yeah.. basically." Adora kissed your hair. "Hey,it was my turn to kiss her!" Catra poked adoras forehead "I'm sorry I had too,your just to cuteee,today was amazing,you have to admit kitty." Catra nodded "I actually kind like it. Besides the clay drying on your fingers part. Eugh."

[that-ari-blogger]

Are We the Baddies?

I have stated before that She-Ra thrives on realism and morality, and stand by this view. But in terms of morality, apart from the first two episodes and Catra's entire deal, this hasn't been explored explicitly. The story has heavily implied some moral complexity, but not developed the princess alliance in any depth.

Ties That Bind changes this, and the way it does that is fascinating.

Let me explain.

SPOILERS AHEAD

Before I begin, I feel the need to get on my soap box and explain something: Morally complex does not mean evil. This is a lesson that a fair few TTRPG players need to learn, as well as the people writing The Boys. You can have nuanced morality and still be a good guy, or a bad guy, or something in between.

The overarching plot of this episode is essentially a bottle episode, characters get trapped together and have to work out their differences. Usually in live action media, this is the episode for with the crew realised they had no budget left over, so they use actors that are on hand and the set they last filmed in to make something interesting.

I say this, but these episodes have a habit of being some of my favourites in the series. Heaven Sent and Blink for example are often praised as the best Doctor Who has to offer, and they follow this rule, and Wild Blue Yonder is my favourite of the 60th anniversary specials despite the set being the Tardis, a greenscreen and two treadmills and some corridors.

Characters being trapped in one place is also the foundation of a fair amount of horror and detective fiction, and its the premise of my favourite play ever written: Waiting For Godot, by Samuel Becket.

However, you may have noticed that She-Ra and the Princesses Of Power is not, in fact, live action. If you haven't noticed, I'm not sure what to tell you at this point. So why does it have a bottle episode? What are the benefits of this style?

The answer is complicated, but it mostly pertains to character drama. Characters stuck in a room together with a mutual need to get out of that situation are forced to work together. Even enemies will work together if they have a common goal. Star Wars: The Clone Wars did this in Dooku Captured and The Gungan General.

But here's the thing, Ties That Bind subverts this in one simple way, the two parties in this story have opposing goals. If they get to Brightmoon, Catra will be imprisoned. So she works to stall the journey. The story isn't three people who don't want to be in a situation, it's two people who are trapped with a third.

Catra is a gremlin in this episode. She leans fully into the idea of power that Shadow Weaver taught her, manipulation, and it gets her pretty far. Although there are a few cracks, my favourite of which being how easily Bow pushes her buttons in return, and he's doing it accidentally.

"Come on. I bet even the Horde has friends. What about Adora? You two grew up together, right? What was she like as a kid?"

Bow's love of friendship is scoffed at. Catra doesn't have friends, so she thinks she is immune to this line of question. But then Bow brings up Adora, and touches a nerve, so he keeps pushing until Catra responds with a snarl. She's trying to keep up a bulletproof exterior, but that armour still has a weakness, that being Adora.

Catra also gets outmaneuvered by Glimmer, who has learned from previous adventures enough for an escape plan. So, her manipulation skills aren't as good as she thinks they are.

Bow isn't a particularly morally gray character; I don't think that is a hot take. He's the heart of the group, and usually holds everyone else to account. That isn't to say he is morally uncomplicated; the nuance of Bow's character gets shown when he interacts with complicated problems, like the guilt of having left Entrapta behind, and the question of what to do with Catra.

"We took a hostage! We're supposed to be the good guys."

And so, a question is raised, in times of war, do your ethics change? Is this a good thing or not? Just, please don't argue about it in the replies.

Bow's ethics don't change, he is kind and empathetic, and will remain these things, even towards a prisoner, and like Shadow Weaver before her, Catra uses this as a weapon.

Glimmer, on the other hand, is much more complex, and as perfectly moral strategies begin to fail, she is the one who is more likely to actually step into the more dubious territory. This gets displayed multiple times in the episode. For example, when falling, Glimmer plays a game of chicken with Bow's life, and I'm not actually sure what her goal is with it. Maybe she's just trying to scare Catra.

But there's also the scene towards the end when Catra calls Glimmer's bluff again. But this time, Bow isn't directly in the way, so she very nearly does outright kill Catra. Once again, however, it is Bow that keeps her sane.

"We can't take that chance, we're not them."

That's all it takes. All Glimmer needs to hear is that she has becoming her enemy. Bow's line draws attention to what he perceives as the difference between the Horde and the Princesses. The Horde gambles with people's lives, the Princess Alliance doesn't, in his eyes. But throughout this episode, Glimmer has done just that multiple times.

Glimmer's complexity comes from her strength of will. She is the person who will take that extra step when everyone else stops. She has the loosest moral code, and despite still being a good guy, she can react to situations in a completely different manner to others on her side.

The reveal of Entrapta's loyalty also brings up something interesting. People in this story can have goals beyond "good" and "bad", most of them do, in fact. Entrapta's switch from Team Princess to Team Horde shakes Glimmer and Bow's preconceived notions about binary morality. The best way of explaining that is actually this:

"You're on the side of the Horde?"

"I'm on the side of science!"

Don't get me wrong, the Horde is evil as an organisation, and people who are a part of it get up to some pretty heinous acts, this episode just complicates that. It gives a bit of wiggle room within the two sides of this war. But it makes something abundantly clear with Entrapta:

"At least we know for sure that Entrapta's alive, and working for the Horde, making weapons to wipe us out."

Being morally grey does not obfuscate the actions taken. Entrapta isn't villainous, but her actions do further a destructive end, and she is very clearly accountable for that. Being neutral is possible, but Entrapta is very much not neutral, she has chosen a side, and is aware of the consequences of that. It's a stretch to say Entrapta is evil, but she isn't good either, and she is complicit in the Horde's destruction.

Final Thoughts

This episode is ok. I'm not overly impressed by it, but there is some neat storytelling on display, and the animation is cool. Adora's storyline does raise a few more questions about the first ones, most notably: Why did Mara break the watchtower? There's more to this story and Light Hope isn't telling Adora what that is.

Next week, I'll be looking at Signals, so stick around if that interests you.

Previous - Next

[catrasredemption]

Listen I know there's already a lot of analyses on why Catra hate is biased but I just realized there's an absolutely perfect example of this, right down to the tries to kill the protag but the fandom ships it detail.

Goro Fucking Akechi.

And before I start - please know that I hold no actual ill-will toward this sociopathic murderer. And if you've never played Persona 5, no, I am NOT exaggerating. But we'll get into that.

Akechi is set up pretty early on to be a foil to the game's protagonist, Joker. And the uh... gay undertones are NOT subtle.

They never actually become A Thing in game, but it's a VERY popular ship in the fandom. Now what crimes did this little uWu commit?

Literal Murder. Not like, his actions lead to the death of someone, but he actually pointed a gun and pulled the trigger

His actions do also lead to the death of more people by causing a crash in the Tokyo subway system

Attempted murder against Joker - you know, the guy everyone ships him with

Impersonating a genius teenage boy detective (no that's not quite on the level of murder but it's a crime to me and an insult against Naoto from Persona 4)

Now, don't get me wrong, his backstory is pretty messed up. His birth father, a man named Shido, knocked up his mother, who worked in the Red Light District, and eventually killed herself, leaving Akechi an orphan to be passed around by relatives who didn't really care about him.

Akechi took two things from his upbringing - one, he had to be perfect in order to be acceptable to people. Two, a burning hatred of his birth father and a desire to see him suffer.

He eventually ends up working with his father, Shido, who's manipulating the masses using the Metaverse (don't worry if you don't know what that is, it's complicated) to make everyone love him. Akechi works with him while secretly building up his own plan on the side - to disgrace Shido when he's elected and then kill him.

All the while he's also working with Joker and the rest of the main cast and trying to manipulate them (they do manage to see through him, but that's another thing).

Again, I love Akechi. I do. I think he's a wonderfully complicated character and a little trash boy who just needs love. But he did so many bad things. And he did a lot of them solely to get revenge against Shido, and toward the end out of resentment/envy of Joker. And in the very, very end he makes the right choice and sacrifices himself to save Joker.

Now let's go over Catra's life real quick:

Raised in a horrible environment, often neglected, knew she wasn't wanted or really loved

Stepped into a villain role where she did terrible things, some of which led to the death of another person (Angella)

Fought against Adora

Ultimately sacrificed herself to save Adora

Went on to help save the world

It's almost uncanny how Akechi's story lines up with Catra's. And while I'm sure Akechi has haters, the people who love him and still ship him with Joker are far, far louder. And I get that! I too wish Akechi could have had a happy ending, but I don't think it was ever really in the cards for him. But he's a guy, so he's a little uWu.

Catra, meanwhile, is an angry woman and gets none of the leeway that angry men usually get (see also: Zuko). Even sacrificing herself to save Adora couldn't earn her any redemption in some people's eyes.

And I don't like comparing characters, especially ones from different franchises, don't get me wrong. But it's interesting to me how often men are forgiven for far worse crimes than women in media, and Akechi is a grade-A example of doing the absolutely worst things he could while still being loved by the fandom.

[thornsamigurumi]

spop saturday

my post for @tippenfunkaport's spop saturday

i love longfics, so narrowing down to even these 6 was a bit of a struggle.

a mountain to climb, for your love @jezmatronwrites - Catra did a bad thing. A REALLY bad thing. She'd been through the ringer since. She's changed.

Now she wants to make good, to fix the things she's broken. Can she reach the people she hurt? Should they forgive her? And what about the one she tore down the most? Is it better if she lets well alone, or should she try to rebuild that bridge?

High School was a while ago; the world has moved on. Have the people from her past? Will her overtures be met with success, appreciation? Or just seen as too little, too late?

A journey of forgiveness, growth and dealing with trauma.

love, adora by harrowhawk - 'Glimmer would have a field day if she knew. Adora can almost hear the inevitable teasing of 'wow, Adora, you have a crush on someone and you don’t even know them'.

She ignores inner-Glimmer for once. No, she doesn’t know Cyra’s real name, and Cyra doesn’t know Adora’s. All Adora knows for sure about her real identity is that she’s also a senior at Etheria High.

But Adora knows her. She knows her heart, knows her soul, and that’s what matters.'

top of show @bazaarwords - Bright Moon Playhouse puts on a show. It is (as many productions are) a complete nightmare.

blonde is the new black by vagician - When Adora's sister makes a failed dash and grab at a department store and ditches her at the scene, Adora gets pinned with all of her outstanding charges, tainting her pristine record. Will our blonde little innocent lamb be able to make it out of the lions den of Bright Moon Penitentiary unscathed?

vague notions @ari-kari - When Adora’s lifelong battle with anxiety tips from “manageable” to completely out of control, she winds up in the last place she ever expected; a mental health treatment center, smack dab in the middle of nowhere. And she’s far from the only client here in desperate need of assistance.

roses & thorns @n7punk - Adora doesn’t know if it’s possible to find love on reality TV, but she’s willing to try and set an example as the first lesbian Bachelorette. All her plans are thrown into chaos when her ex shows up in the pool of contestants, leaving her to doubt Catra’s intentions and her own readiness to get married.

[baggebythesea]

She-Ra cast as drinking buddies

Adora - She's great. Friendly and eager and up for anything. Hope you like to talk about horses, though. Try to keep her away from arm wrestling or that's what you're doing the rest of the evening.

Glimmer - She's an angry drunk. Or a happy drunk. Or a crying drunk. Or she challenges everyone in the bar on dart. Whatever she does, she'll do it with a hundred percent intensity. If someone picks a fight with you, you'll have to hold her back before she smashes a bottle and cuts a bitch.

Bow - He's everyones bestest buddie. He will pay for the drinks, listen to your rants, hold up your head over the toilet and help rain in Glimmer.

Catra - She's really guarded at first, but when the inhibitions drops either the claws or the tears come out. Step very carefully around her. Also, if she wants to have your jacket, it's her jacket now.

Scorpia - She's a delight. Friendly and considerate and a good listener. Although there is this feeling that she has some stuff of her own she's just dying to talk to someone about… if you open the floodgates, be prepared for a lot of tears and to listen for the next few hours.

Entrapta - Let's be honest - she won't listen to a word you say and she'll most likely have dismantled the beer pump and invented a new kind of drink before the evening is over, but you won't be bored.

Mermista - Surprisingly good company, once you get past the attitude. Keeps the drinks coming and have some good stories between all the 'Uuuuuughs'.

Sea Hawk - Life of the party. Shanties and drinks and arm wrestling. It's fun to have fun with frieeeeeends. Will probably have set something on fire and got you kicked out (unrelated incidents) before the evening is over, and never shuts up about Mermiiiiiiiista.

Swift Wind (did someone say Swift Wind?) - Pair him with Adora or Sea Hawk and no net amount of brain cells will have been added to the party. Up for anything and a good sport, though. Expect singing.

Perfuma - Friendly and considerate and works really hard to be a good listener, but if you just want a drink and some chit-chats rather than a group therapy session she's a bit too much. Try to appeal to her inner theatre kid to channel her energies into something more entertaining.

Netossa - PUT THE JÄGERMEISTER AWAY! EVERYTHING DOESN'T NEED TO BE A COMPETITION!

Spinnerella - The team mom makes sure everyone has a good time and stays hydrated.

Frosta - Thinks it's super unfair that she isn't allowed to drink. Still, if you get her to settle down in the juice bar she can be tons of fun.

Castaspella - Fruit drinks and party hats for everyone! Better step up your game, because everyone's friendly wine aunt won't let anyone be bored.

Shadow Weaver - The drinks are bad and the atmosphere is worse and you are beneath her notice. If you can get through her barrage of insults and appeal to her pride, she has the best stories though. Don't expect to come out of it unscarred.

Hordak - He will sit stiff, uncomfortable and completely silent for three drinks, and then he will speak in monotone voice with increasing amount of rage about the injustices he has suffered. Someone might die before the night is over, but it will sure be memorable

Horde Prime - Wonderful company - if your idea of a good time is hearing a narcisist yap on about himself and demand your constant attention. Otherwise, prepare to have a lousy time. Don't leave your drinks alone with him at any time.

Wrong Hordak - LOOK BROTHER, I'M PARTAKING! chugs beer LOOK, BROTHER! DO YOU SEE ME PARTAKE?

Imp - WHO LET THAT LITTLE SHIT INTO THE BAR? Good luck catching him when he zooms around the ceiling.

Emily - I'll be honest, I didn't know robots could drink. Neither did I know they can DISCO, but Emily proves me wrong on both counts.

Angella - Good luck getting her to settle down and relax. No, Angella, the fact that you heard a siren doesn't mean Glimmer has set something on fire (we hope, at least). Has no idea how the social codes are supposed to work, but likes to feel included.

Micah - At home in any company and a great listener. If you're lucky you'll get some stories out of him that will start with "Oh, it's nothing special. We all have that evil teacher that tricked you into helping her kill the entire senior faculty, right?" and spirals from there.

Juliet - The royal guard is never off duty. She might haul you off to cool down if you get too rowdy, but that's it.

Rogelio - Great listener, but not that good a conversationalist.

Kyle - Goddamit, Kyle!

Lonnie - Yes, Lonnie, you can drink more than me. Yes, Lonnie, you can arm wrestle me. No, Lonnie, I wasn't trying to start any shit with Kyle. Sorry, Lonnie, I'll stay out of your way.

Double Trouble - "Hey, you know what would be REALLY funny. If you distract the bartender, I'll… do a thing. No, don't worry about it. Just a thing. It will be funny."

Huntara - Two rules in the Crimson Waste, where one is not to disturb her as she drinks. If you're on her in-list, prepare to have a good time. If you're not, step carefully around her.

Tung Lashor - Sometimes all you want is someone to chug beer and shout the refrains to some stupid songs with. Just keep him away from cats.

Octavia - You know what, better keep her away from cats as well.

[n7punk]

"Our Love Is God" Fic Notes

OLIG finished off yesterday! For once I almost nailed the length, I was expecting 12 chapters but didn’t want to commit early on. HI I TRIED TO POST THIS SO MANY TIMES but apparently it was TOO MUCH TEXT in a single block and it wouldn't give me that error, I just had to GUESS because I knew that's been a problem before. Anyway. Here it is finally.

Playlist:

Obviously the West End and Off-Broadway cast recordings, but also I did still primarily use a separate curated playlist:

Good For You — Dear Evan Hansen (original Broadway cast)

The Worst Person Alive — G Flip

Ego Talking — Fletcher

Take Your Time — Chloe Moriondo

You Don’t Want Me Like That — Rachel Bochner & XANA

leave me for dead — GAYLE

pity — Charlotte Sands

Bodybag — Chloe Moriondo

spite — Charlotte Sands

butterflies — GAYLE

Tantrum — Charlotte Sands

Killbot! — Chloe Moriondo

LOVE IS A… — PVRIS

I Don’t Like The Quiet — The Haunt

Celebrity (Blood Bunny Version) — Chloe Moriondo

Doing Better — FLETCHER

Bad Girl — Daya

Not To Be Dramatic — Zoe Clark

My Perfect — Gen and the Degenerates

Often — Lauren Sanderson

Pretending — FLETCHER

Epilogue Life:

The original cast of Heathers played on stage for just over a year before most of them move on to other projects with the major cast change. Heathers (gay version) runs for about two years, going through two more cast changes, before closing. The original cast does go to see the new cast and cheer them on, but it is kind of weird to see someone else acting out a role that became like breathing to them. Overall the remake is taken very well but has just run its course by the time it ends. There will be another revival in a few years and it actually uses both the straight and gay versions of the musical between cast changes.

Catra carries Shot in the Dark for its entire two year run before it dwindles into a temporary retirement and gets revived with a new cast a few years later (same sets and such). She’s the defining lead for the show and obviously on the cast album. She’s really, really proud to have originated a magicat-led show and makes her new origination goal a sapphic role.

After Shot in the Dark, she takes a supporting role in another musical for eight months before leaving early to join Adora and Netossa on a new project. They don’t actually interact a lot in the show and aren’t love interests or anything, and they’ve long since learned to balance their careers while in different shows, but it does allow Adora to propose to her during final bow (with approval from Netossa). Adora tipped their parents off and they’re both in the audience to watch her say yes.

(Adora knew she was going to accept, hence the public proposal, and Catra’s relationship with her mom has gotten better now she’s a successful, independent adult. Also Felina would have been So Sad to miss it so Adora told them both). Oh also they moved in together as soon as their leases came up lmao.

Adora led one show in the mean time between Chicago and their show together, but it was smaller, not as demanding as Veronica, and she was really excited to hop on a project with Netossa and Catra again. She decides to make originating a gay role and collecting cast albums her career goal, in addition to getting in a few specific shows she and her mom looked up to when she was growing up. She already feels pretty fulfilled with her early career though and considers everything else the cherry on top.

Rest of the cast quick hits: Mermista plays Velma center stage in Chicago along with Adora. Fitting her braid in that wig cap is definitely a challenge lol. Sea Hawk starred in a Hello, Again short revival run which Catra and Adora were dying sitting through, but they support all their fellow cast members when they move on to new shows. Perfuma finally got up the nerve to ask Scorpia out on their very last night performing in Heathers together, getting her flowers and then revealing after the show — when everybody was already crying about it ending — they were from her. It was a very confusing confession until Perfuma was finally able to spell it out for her that she wanted to go on a date with her. Scorpia enthusiastically agreed (still crying before the whole “last show” thing), and then gushed to Catra later about how she couldn’t believe Perfuma liked her while Catra nearly tore her hair out listening to the obliviousness. Glimmer and Bow got to play a couple that were already-together side characters in a musical and that’s what finally gets them together because Bow realizes oh, I can’t risk losing this, and Glimmer is done trying to play the jealousy game because it clearly didn’t work and she doesn’t really have a flirty relationship with any of her new cast so they can finally just be honest with each other.

Chapter 1: Auditions

⦁ Things like homophobia and Christianity are usually world aspects I avoid in my fics, but they’re both present in the musical so they had to at least be mentioned in this.

⦁ Oh I should say this will have mentions of all the triggers warned for in the fic.

⦁ Adora and Catra both gave good but not necessarily the best auditions of the day separately. Catra’s was really good when she got permission to do it in her natural register and threw in a growl (she wasn’t actually audibly straining yet, but Netossa scouted her specifically for her voice and knew she was pushing it up near the top of her range), but her Candy Store was a little more uneven thanks to the lack of practice and register change. Adora did just fine in her regular song and really good in her Beautiful reprise, but there were people that did sing a little better technically. That doesn’t mean they would have been better over the course of the show itself, though, and what Catra and Adora had going for them was it looked like they were considering involving fists (the sexy or the fighting kind, take your pick) the moment they were on stage together. They eyefucked their way through both songs with such insane chemistry Netossa was like oh we can sell Fight For Me with these two EASY.

⦁ (Fight For Me is the second song in the musical where Veronica basically see JD in a fistfight and thinks it’s so fucking hot she immediately falls for him, and then they actually spend time together and it seems like they have similar views of the high school around them. And they do! But they definitely have very different solutions. Anyway, it’s a quick romance plot setup that doesn’t pretend not to be based solely on sexual attraction at first but that works and is realistic! The actors just need to have chemistry to make it read right, and damn do Catra and Adora have that).

⦁ Okay, every Veronica has been pretty, but there was some metric that made them not perfect conventional. For the first two Veronicas this was pretty much being brunette with messy hair lmao. For the West End, Veronica was played by Carrie Hope Fletcher, who I think is gorgeous and has blonde curly hair, but she faced a lot of backlash for being “too fat” to play Veronica. Adora is close to the Hollywood ideal, which is the point Netossa is trying to make: someone who could play Heather Chandler in one version of this show ends up the Veronica because she commits the sin of not meeting society’s hetereonormative expectations. Bigots will throw you out for any association with queerness. However, still meeting all those other metrics is what allows her to slip in with the Heathers as long as she helps them out and dresses femme — that’s part of her transformation, going from jeans in the opening number to skirts for the rest of the musical until the final sequence. When show starts, she’s wearing jeans and a ratty flannel with her hair in a ponytail. It’s a quick change outfit, so she runs behind the set to pull it off to reveal her main outfit beneath, brushes her skirt into place, and lets Netossa fix a scrunchy with a big bow on it on top of her existing ponytail to complete her transformation into a feminine popular girl.

⦁ “Janis Dean” is a reference to Mean Girls, and yes, that’s in-universe.

⦁ Catra got the casting call specifically because Netossa needed someone to match JD’s register — plus the growls in the right places added a lot of emotions to his songs. Including the sex ones.

⦁ Changes in Netossa’s version: - The aforementioned “Pretty Veronica” thing. When the Heathers give her the makeover she puts on the iconic skirt and has to wear skirts for the rest of the show, performing femininity in every extra way she can, to make up for her “deviance” of being bi (also, she’s bi. It’s another thing where any degree of deviation is grounds for rejection). - The line delivery (and some content) has been tweaked for the fatphobic stuff to match the changed metanarrative that comes from Scorpia, someone who isn’t actually overweight, playing Martha. The commentary then becomes that nothing is good enough and society’s fatphobia is thrown into light as completely unreasonable. The whole point of that aspect of the show is that it illustrates how awful the characters are, but genuine fatphobia and using it as a plot device to show a character is morally corrupt looks awful similar, so by having someone who is basically just tall and strong play Martha it makes it extremely obvious that the demands are unreasonable. This ties in well with Heather M’s story, where she does have that model body type and is pretty and popular but develops an eating disorder because she’s afraid of losing that. - Obviously a lot is different with JD. She “chooses” to be a lone wolf/outcast because of her personality and views on society, but there’s obvious undertones in their dialogue in the 7/11 that even if she did want to choose differently, she couldn’t because she would be rejected for being a dyke, so is she really making a choice at all then? She goes by JD specifically because it’s more gender neutral than Janis. She couldn’t ever be a Heather and she couldn’t even be a Veronica either, because Veronica could at least be comfortable putting on a matching skirt with her friends while this JD is butch, so she hangs out in her trench coat at the fringes of society. There’s also undertones to her being the only magicat in school due to her father moving around and not caring if he brought her into a hostile — conservative, racist, homophobic, etc — area. - Heather M. is only in with the popular girls for safety and there’s some dialogue around this in the bathroom scene with Veronica. It’s kind of public information (not officially stated but implied in her social media) that her actress, Perfuma, is trans. This wasn’t planned at the time of the casting call, but Netossa worked on it during workshops and the backstory became that Heather M started transitioning how she could before high school and is continuing to “in secret” now. Some people have clocked her though and she sticks so close to the other Heathers to keep herself from being the target of terrible bullying. As long as the Heathers tolerate her (Heather C is on a bit of an ego trip about having blackmail material on her and essentially owning someone in the palm of her hand), she’s given a pass and “has the best (cishood) assumed” about her. - Veronica and JD’s relationship is a little more secretive in this version, but the Heathers do know and Duke later tell her to just be careful not to “dyke it up” at school or they would out her (currently she’s just kind of clocked by some, not confirmed to the whole school). After Heather C’s death, Duke basically threatens Veronica to stay at her heel like Heather M or she’ll out them both.

Chapter 2: Workshop

⦁ You would have to be fucking blind to not realize Adora and Catra have history even in the glances of them Netossa and Spinnerella saw, and Netossa spent the first part of workshop trying to unpack whatever was going on with them. She had to put together the clues to figure out what it was. Once she decided exes was a likely story, she confronted Catra about it because she figured talking about it was the only way to handle the resentment. She was partially using reverse psychology and partially being honest about not resolving all of it being good for the show.

⦁ I made Freeze Your Brain more homoerotic. In the musical, JD does his entire song facing Veronica or walking around the stage and then offers the drink to her at the very end. He does not get in close and offer her the drink and then sip from it after her in an indirect kiss with her lipstick prints on the straw, but mine’s better.

⦁ In the actual show, Heather Chandler doesn’t put on any death makeup. The Off-Broadway would shine a blue light on her after she died to give her an other-worldly appearance and the West End didn’t seem to do anything at all, which was a mistake imho. In this one, when she “rises from the dead”, she does it a bit more dramatically and zombie-like under a blue light, and then she on-stage reaches over for her vanity and starts powdering her face, looks back at Veronica and says “What? I want to look good for eternity” and finishes as Veronica and JD write the rest of the suicide note before collapsing so the cops can find her.

Chapter 3: Previews

⦁ Once again changing the staging for my version (jokes on you, this isn’t just a Catradora fic, it’s me writing my ideal version of Heathers). Usually Heathers has some kind of bi-level stage. This one has catwalks hidden along the backs of the lockers, but they also have more sets. They have house facades they slide in front of the high school set/lockers for the croquet scene (Freeze Your Brain is the closest song) through to Heather’s murder, sliding them away again for The Me Inside of Me. They come back for Our Love Is God, although the second level with JD’s window isn’t brought back until the very end of the show. Kurt tries to climb the same trellis Adora used to get into JD’s window to escape JD as he chases him down. The full facade doesn’t come back until it’s time for Meant To Be Yours so JD can climb through Veronica’s window (that was once his). It is wheeled out as the entire stage narrows in on the center stage for the pep rally and finale.

⦁ Veronica doesn’t rebutton her shirt until after the nightmare scene in the West End version (I honestly can’t remember for off-Broadway), but for this show Adora just isn’t super comfortable hanging out shirtless in front of crowds every night, especially knowing some people are perverted about the lesbian version of Dead Girl Walking, so Netossa said buttoning her shirt and putting her clothes back on before they fall asleep was fine back when they were deciding what Catra was going to do since JD rips his shirt off undoes his buckle during this scene. Adora could have done it (she wears the bodysuit for Mona, after all), but Netossa didn’t mind making that small tweak for her. Catra cared less, but also because she’s not in the kind of underwear that straight guys like. They decided she would have a high-coverage sports bra, the kind that can pass for a binder, on (for this scene and for the entirety of the show since Janis Dean is supposed to be firmly butch). Catra does most of JD’s usual choreo here, minus the belt thing, because they do the version of the choreo where they never stand up and Catra isn’t wearing a belt at all.

Chapter 4: Candy Store

⦁ No wonder she was what way indeed, huh, Catra? Well, multiple. No wonder she was so frustrated, because Catra is infuriating when she wants to be. No wonder she was so hung up on her, because Glimmer also wants to fuck her inexplicably. No wonder she lived and breathed the word homoerotic, because Catra made sure they lived on the razer edge of it at all times. No wonder she was down bad, because again — see the last two point. This line is less of an insult and more of Catra being too magnetic for anybody’s good, honestly, but that annoys Glimmer because she doesn’t want to like her (like that, or at all) so it definitely comes out like an insult and Glimmer is good with that.

⦁ I need you to picture Catra’s “What?” after the brat comment in the same tone of voice as Elle Woods saying “What, like it’s hard?” because Catra definitely wants it hard.

Chapter 5: We Can Start and Finish Wars

⦁ I was nervous about doing this scene just from a trigger perspective, but I figured it would be okay if I kept it all contained to this one chapter, and it was something I really wanted to cover. It was my first thought when I heard You’re Welcome (since it was a new song). I also wanted to explore the support a cast really gives. You don’t have to improvise every night or anything, but there’s always something that pops up over a show and you have to adapt for when you’re doing shows night after night. This is why casts really have to have each others’ backs and are often close. Every person on that stage would have done what they could to help Adora get through the show, but Catra, Bow, and Sea Hawk were the only ones who could have helped in that specific scenario due to their roles, and Adora was good enough at covering it up that only her best friends noticed.

⦁ This chapter was a turning point for them between the lines with the show and reality blurring and Catra realizing (though trying to repress it) how important Adora is to her.

⦁ They do workshop a version of the scenes where Kurt and Ram just don’t come as close in contact to Adora and end up being even more slapstick with each other in place of the more aggressive choreography moments, and during Never Shut Up Again they don’t even come close to Veronica, instead running around the stage to tell the audience/school. They only use it once on Adora’s signal, and Bow voluntarily opts for it once based on vibes and Sea Hawk immediately adapts, but Netossa is right: it’s a good thing to have, and she’s really glad Adora agreed to collaborate on something.

⦁ This last scene wraps up the rest of the show to verify it goes well, but it’s mostly here just to showcase Good Director™️ Netossa. She really cares about her people a lot even when she’s a hard ass.

⦁ Adora doesn’t keep up too much with comments due to what she mentions about knowing there will be homophobia in them, but she’s not totally tuned out on them and a long flood of notifications still draws attention. After this time she becomes more committed to not reading them much, though.

⦁ Yes they’re going to the same dinner place featured later.

⦁ While out at dinner, Glimmer and Bow try to ask her how she’s doing and she gives them an even more abridged version of what she told Netossa and Catra because she just doesn’t want to think about it anymore, but of course Glimmer and Bow are super supportive, and Bow is really enthusiastic about them choreographing an alternate version of the scene because he just wants Adora to be okay and is proud of her for taking that step.

Chapter 6: No Time to Knock (I’m a Dead Girl Walking)

⦁ Chapter title from DGW

⦁ Dead Girl Walking honestly didn’t look that different that night, and Netossa did miss them making out after the lights went down because she was scrambling looking for a scrunchy, but she could tell Catra was going further with the choreo than she was supposed to, especially with the kiss during the kitchen scene when Netossa had given up looking for it until the show was over, and in a situation like that Adora couldn’t say no or stop her without changing the intent of the scene, hence Netossa threatening Catra about the consent issue despite how Adora didn’t seem upset. It’s just something she has to do as director. I ended up reducing it to a one-sentence mention later in the fic, but I thought about having a scene where, after a few nights of them kissing on stage, Netossa goes to Catra’s dressing room and asks her if Adora ever gave her permission for that, to which Catra says yes she’s fine with that, and Netossa corrects her and says did Adora ever give you verbal, explicit permission for that at which point Catra goes quiet and Netossa then demands she go to Adora’s dressing room and secure it before she’s allowed to leave for the night. Cure Catra awkwardly standing in Adora’s doorway asking Adora if it’s okay for them to kiss during the show as Netossa stands down the hall and waits for her. Adora was very bewildered but could tell Catra was being put up to it from the way she kept glancing to the side so she just agreed because she didn’t want them to get in trouble and Catra quickly fled. It just didn’t even up fitting in the flow of the story because it meant verbally acknowleding what they were doing earlier than they were supposed to so that’s why I changed it to Netossa privately asking Adora instead of forcing a confrontation, which is the better thing for Netossa to do anyway rather than force Adora to deal with it if she really were uncomfortable (the reason she did it in this version of the scene was because she was 100% certain it didn’t bother Adora but was doing her duty as director).

Chapter 7: Happiness Comes / When Everything Numbs

⦁ Chapter title from Freeze Your Brain.

⦁ Forever thinking about ND’s “and it was” comic.

⦁ Real shoutout to the person who informed me about the official stage recording of the later version of the West End Heathers because I definitely did not remember any of the dialogue outside of songs and it let me take notes to write scenes like the croquet scene, which is like 50% similar to the one that actually takes place in the musical. A lot of the dialogue not overtly related to Veronica’s queerness is the same, but a little bit of the action was changed around to extend the scene for the extra dialogue and include using an actual ball, because Glimmer being frighteningly accurate at hitting things with a giant mallet felt right.

Chapter 8: Fight For Me

⦁ Heather tries to get Veronica to admit she’s into girls so much so that she can have blackmail over her to keep her in line, although she doesn’t actually need her to admit it, she just knows Veronica would be more afraid of the threat whenever she makes it if Veronica is aware it’s something Heather has 100% confirmed to be true.

⦁ I didn’t include it because I didn’t want to have to cover every scene with differences in here, but in the 7/11 Heather bothers Veronica more about clearly being into girls and is mildly homophobic to JD. Then, in the scene after Dead Girl Walking and Veronica’s nightmare, as Veronica is freaking out about getting to Heather and making amends before Monday, she tells JD in clear terms “She’s going to out me and tell the school I’m bi” which is what Adora was referring to in chapter three when she mentions this version of the musical having the word bisexual in the opening act.

⦁ I know what y’all are going to think this was inspired by, but it’s actually inspired by a fucking Try Guys Korean bbq video where they went karaokeing afterwards. I’ve never been to a karaoke place like that and it got me thinking.

Chapter 9: Big Fun!

⦁ When the show started, Bow and Sea Hawk were both given like packs of the exact same underwear (one in blue variants, one in red variants, and one in black variants) so they could match throughout the show. It’d be easier to coordinate if it was all the same pair, but they wanted the variety for people who came to multiple shows. They actually have a lot of fun coordinating and then, on their own, decided to get a pair of those classical heart-print boxers that they throw in occasionally. Sometimes that’s just based on a day when they don’t want to wear something as revealing as the tighty-whities they usually wear, but usually it’s as a gag.

⦁ It was too awkward to shoe-in here, but part of reworking the choreography around You’re Welcome included the decision to have robes backstage for Bow and Sea Hawk, which they don’t often use, but if it’s a night where Adora is getting overwhelmed intermission is a lot more comfortable if Bow and Sea Hawk aren’t wandering around naked. Sea Hawk’s has feathers along the collar and cuffs.

⦁ Glimmer’s best friends all have abs and she has no idea how sharp her elbows can be.

⦁ Glimmer did realize she was flying a little too close to the sun with Adora if she responded to Catra’s flirting.

⦁ Yeah Catra brought her strap.

⦁ Catra was just a little tired during that show, so she asked Entrapta for some of the drain cleaner as a pickup since it has a lot of sugar, and she was taking a few seconds to rest before she had to go be feral on stage again.

⦁ When I first told my friend Meta I was doing a Heathers fic, Catra downing the fake drain cleaner like shots was one of the first jokes they made and I had to include it.

⦁ Adora thinks there is — a chance — that Catra wants to be dating after this exchange where she says it’s not “a problem”, but she’s definitely worried about saying anything too soon or too presumptive and scaring her off, so she’s just going to lowkey keep acting like they’re seeing each other and hope Catra will open up enough for them to have a conversation about it eventually.

⦁ The people at stage door the night they got “dinner”, and the night they actually got dinner, and the night they went home together, all definitely thought they were dating but only the ones from the first night even thought that might be news. The girl who was a big fan of Catra kept it to herself and her friends, but one half of the couple publicly tweeted the picture they got with Catra and Adora that night mentioning they got to take photos before they went off on a date, but that picture didn’t make its way back to Catra because she wasn’t tagged in it and not that many people “noticed” per se. Final bow was when everyone was like ah so there is something fruity going on there, but even then a lot of people weren’t sure, and it’s something that just got solidified over the coming months as they were seen together more, kissed in public, got a little sappy on Instagram, etc and everyone retroactively realized they were right.

Chapter 10: Beautiful

⦁ Usually the chapter titles are either lyrics that match the chapter or a song that features in a chapter, but in the case of “Beautiful”, it was a thematic match. Beautiful features Veronica picturing her future and the next phase in her life. For this chapter Catra is also exploring her future and her next steps. And also she’s gay for Adora.

⦁ The First Contact scene started as a Mass Effect joke (iykyk) and then I ended up including it. I honestly thought I was going to cut it because it’s kind of random but the point was to show how long they’ve known each other and they have their own world of games and jokes that they lost when they lost each other, so I ended up keeping it.

⦁ Cheekbone > Clavicle > Cupid’s bow (aka Achimenes longiflora) > Gums (aka Alveolar process).

⦁ Catra freezes up after Adora asks what she gets for a good show because she can’t bring herself to say “Me.”

⦁ Shot in the Dark is one of the episodes of the show I’ve rewatched the most, when they find Melog and Catra learns about the power of friendship. The musical was either going to be called that or White Out tbh (real ones know my relationship with that episode) but Catra is playing a magicat specifically in this role so going with the Melog episode felt right.

Chapter 11:

⦁ The blanket came from Lance, actually.

⦁ What’s my ideal choreography for Meant To Be Yours? So glad you definitely asked. This scene is usually presented so abstractly I don’t think someone unfamiliar with the musical/movie would even know Veronica is hiding in her closet. My ideal version (with the staging already set up in this play) is the house facade with the window being rolled in on one side of set (only one just cuz there isn’t time) and JD appearing on the other side of the window (with the light off so it’s more like he’s creepy in the dark) and doing his knock knock thing. Veronica in the middle of the stage panics and runs to the back of center stage, where it’s carefully choreographed for the ghosts (Kurt and Ram) to be rolling in an open doorframe that she runs through and Heather slams behind her. Then Kurt and Ram would lean against each side of the doorframe making fed up and “can you believe this dude?” faces at each other as JD has his whole villain speech in center stage before going to pound on the door and finally wrenching it open to reveal Veronica hanging on the other side with Heather kind of “in the corner” making a comedic fake shock face looking between JD and Veronica as JD breaks down. When he leaves and Veronica struggles to get down for a second, Heather would roll her eyes and help as Kurt and Ram wheel off the door and then quickly move the house facade off stage as it transitions to Dead Girl Walking (Reprise).

Chapter 12:

⦁ My idea for this AU was that Catra would have a “stage mom” and then their acting coach would have been Shadow Weaver to get that Trauma Backstory™️, which means Catra needed actual parents. I already had the pair from Trade Today For Tomorrow, so I wasn’t going come up with a new set of names, but it does feel kind of wrong to have changed Leona to be a “bad” mom. In general, if/when I do use them again, I’ll be using their TTFT personalities. Also, in this AU Leona isn’t awful or anything, but she really wanted to be an actress and it didn’t work out so she has been pushing her child in that direction even when it was painful, which gave them a tense relationship. Most of my other Catras would be thrilled to have parents like this, but Catra doesn’t have that context for None or Very Bad parents, so she’s just another person with an awkward relationship with her parents and doesn’t think about it too much.

⦁ Catra used to spend Christmas ever at Adora’s house and then Christmas at her own/moms’ when they were kids.

Chapter 13:

⦁ My original idea for a childhood dream musical was to stick Adora in Wicked because you know Mara is a sucker for that show, but for mezzo-soprano it’s mainly Elphaba, and the whole point was giving her a role that wasn’t lead. I settled on Chicago because something LGBT is happening in that prison and I think Mara and Hope would both like the show. Adora is going to play Mona in Chicago, a fairly minor character who gets a solo verse in Cell Block Tango when describing why she killed her lover for cheating on her. She appears (namelessly) in more songs but also gets off-stage time, and that song is absolutely ICONIC, so Adora is really excited to get to take part in it, even if it’s pushing the absolute limits of her dancing ability. She does a lot of practicing leading up to the show, so Catra is worried for a bit about her getting too busy and their relationship faltering about, but it balances out after the initial push. Adora’s moms are super psyched when they hear she’s going to be in the show and the marketing team ends up releasing the Broadway cast’s version of Cell Block Tango online at the open of the show to drum up hype for it, so Adora really hits one of her big career dreams — though still with room to grow, if she can get it with a larger role and a full album. This role shows her that headlining isn’t all there is to musical theater, though, and having smaller parts can really by worth it for the off-time.

⦁ Uh so. Mona’s outfit. The outfits for the inmates in Cell Block Tango are usually pretty close to lingerie. Adora has a bodysuit, because it works for the song and she’s more comfortable being covered in something skintight than just wearing two pieces, but it’s still quite a Lot for her parents to see it. They know what they’re in for though and everybody just neglects to address it after the show when they praise her voice. Catra loves Adora in the outfit though.

⦁ Based on my previous formatting Shot in the Dark, Chicago, and Hello, Again should actually just be written out without italics, but because the nature of the titles (length and formatting) make it confusing without italics and clunky with quotes, so I ended up just being inconsistent between them and Heathers.

Original Outline:

I outlined this one pretty heavily going into it, in the way I used to for my fics where I’d write like a one-sentence summary of every scene planned in a chapter going in. Of course, I knew I would add and change scenes as I went, but I was pretty faithful to the outline outside of additions. I was outlined out to chapter 8 but thought it would expand to about 12 chapters between the ending I hadn’t outlined (I needed to be closer to it to know what the right conclusion was) and scenes adding themselves in along the way to up the count, and I finally put that count on the fic when I was writing chapter 10 or so, but then I realized I fucking forgot about the cast album and I got the idea for the bar scene so all of Chapter 12 ended up getting added and expanding it to 12 chapters.

The only “big” thing that didn’t happen was the catnip thing, which was mostly a joke I outlined anyway, but it was just too much from several angles so I cut it before I finished it. The idea was someone pulling a prank on Catra by putting catnip on her vanity and getting her lowkey high. Non-destructively pulling something on a castmate’s dressing room is pretty common antics, but this felt… very targeted and tense even though the castmate was doing it fairly innocently and just ignorant of that angle to it, so I didn’t want to go through with it. Catra was going to corner Adora though and demand if she fucked with her dressing room, and when Adora was obviously confused by the confrontation, fall into her arms and aggressively scentmark her even as she growled explaining the vandalism, which Adora offered to clean up for her and let her use her dressing room to change so she didn’t get more exposure to it. Again, the “getting a castmate a little high” thing, even accidentally (they didn’t realize it had much of an effect) was just not a line I — or the cast — wanted to cross, though.

Upcoming:

The 4th anniversary SPOP Big Bang is going to run May 12th-18th and I’ll be posting daily for the first few days with my magical realism AU Lightbeam along with my amazing artist partner who made an illustration for every chapter! Keep an eye out for it :)

[spop-romanticizes-abuse]

Catra is a Mary Sue.

i can already hear the aggressive clicking of keyboards as fans write an essay on how catra is flawed and therefore not a mary sue. but just stay with me here. here's what TV tropes has to say about this archetype:

“The prototypical Mary Sue is a female character in a fanfic who obviously serves as an idealized version of the author mainly for the purpose of Wish-Fulfillment. She's exotically beautiful, often having an unusual hair or eye color, and has a similarly cool and exotic name. She's exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting. She also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing.”

so.. let's run through the list, shall we? the exotically beautiful thing isn't really mentioned much in canon, but it's clear that catra was designed to be seductive and romantically appealing.

she certainly has her fair share of “unique” features with the heterochromia, the freckles, the fangs, the claws, and her other feline features. this isn't inherently a bad thing. it's okay to want your characters to look cool. besides, some of the other characters also have really defining features (except for adora who, despite being the protagonist, has the blandest character design ever. she doesn't even get a wardrobe change, outside of her new she-ra form. and don't even get me started on bow.)

“she's exceptionally talented in an implausibly wide variety of areas” — this definitely matches up with catra. she is supposedly the "lazy" cadet, the one who only shows up at the end of each training session and doesn't put enough effort into training. now i understand that she may still have had the potential to be a strong fighter, but you really mean to say that a teenager — who is rarely ever shown training or polishing her skills — easily beats up the evil dictator who conquered several regions and likely killed thousands of people?

i get that catra was just exploiting hordak's disability but if it was this easy to defeat hordak, wouldn't someone have done this sooner? even if he is disabled, he had to be intelligent and calculating enough to do what he did so far. but no, that's not the point here. catra didn't defeat hordak because she was somehow stronger or because hordak was weak. she defeated him because the writers wanted her to. she's a girlboss and she doesn't lose to anybody, not even a centuries old tyrant who has presumably conquered half of etheria.

“she also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing.”

yeah, you get the point. she's not flawless but most of her flaws are either swept under the rug or shown to be this cute and endearing thing. oh catra is possessive over adora and attacked her for making new friends? she's just so in love with adora. catra tried to commit mass genocide because of spite? she's just heartbroken because adora dumped her. catra constantly touches people without their consent and borderline harrasses them? she's just a cute disaster lesbian.

so there it is. catra is certainly a heavily flawed character but she's a mary sue (or a "jerk sue" as some people call these type of characters) because no matter what she does or who she hurts, she is forgiven and coddled. no one mentions angella's death in s5, not even glimmer who lashed out at adora earlier for the same reason.

all of catra's actions are just vaguely put as "she made some mistakes" or "she hurt people". making mistakes and hurting people can range anywhere from accidentally calling a person stupid to murdering someone's entire family, and spop doesn't mention where catra lies on that scale. because at the end of the day, all that matters is that catra gets a happy ending at the cost of the other characters' development and happiness. basically, a mary sue is like a blackhole. they are the “best” character, according to the author, and all the characters around them have to act horribly out of character so that this character gets all the spotlight.

[stanlunter]

It's ironic that Azula doesn't get a happy ending, while Catra does, considering Catra is a more messed-up person then Azula... Azula isn't perfect, but she's very loyal to her kingdom, she treats Mai + Ty Lee with more respect then Catra does to her own allies... The worst thing Azula does to her allies is when she commands Ty Lee's circus net to be set on fire and releasing the circus animals (because Ty Lee disobeyed Azula's orders, which is a no-no since Azula is the princess), but other than that Azula treats Ty Lee decently (Azula even apologizes for making Ty Lee cry)... Azula also treats Zuko with somewhat more respect, then Catra does to Adora (Azula even gives Zuko a chance to restore his honor and return home + she keeps her word and they have fun at the beach)... If Zuko had gotten blue fire, Azula would be surprised, but also impressed (unlike Catra, who's angry at Adora for becoming She-Ra)... 🔥

So real. I will always say that they should have been swapped their endings, lol.

Idk if you've seen my post about why Azula is much better than Catra (she was a groomed child, while Catra was an adult; she did the things for her nation, not bc she hated someone; no one gave her a chance for redemption so we can't know how would she react, while Catra had multipe chances to be better, but she rejected them)

And I also love your argument!

Yeah, Azula treated her people better. Yeah, she treated them when it was necessary or when they disobeyed, which is bad for a person, but is normal for a commander. The worst thing she ever did to her people was bunishing them and threat them. While Catra just send Entrapta to a Beast island, while she was sure she's gonna die there. Also the whole way she treated Scorpia in s4. Azula treated her ENEMIES better. When Mai and Ty lee betrayed her, she didn't kill them, she just put them in prison. When she defeated Suki, her enemy and a leader of a warrior group, she put her in prison. And she did it with everyone else. She never killed anyone besides the Avatar, if it even counts. And "killing" him was a necessary goal, something that the Fire nation tried to do for decades that was the only way to finally win.

Azula never intentionally tried to hurt her enemies like Catra did with Adora. When Azula fought her enemies, including Zuko, her goal was to defeat them, bc it just was her mission since they didn't let her do her job. But she never hurt Zuko for fun or out of anger like Catra did. While Catra's goal was always to make Adora feel as much pain as she could. Just bc she hates Adora and wants her to suffer. She always was violent for no reason. She was destroying the villages and kingdomes, putting under attack regular people who didn't even fight her and almost destroyed the whole world. Azula was never like this. When she took Ba sing se, she didn't hurt anyone. None of the innocent people were unnecessary hurt bc of her. Bc of the fire nation, sure, but she only hurt her enemies, not regular people.

About mental abuse, It's arguble. Azula knows really well what to say to deeply hurt people. Like when she hurt Sokka when she reminded him about Suki, or Toph about being blind. However, the thing is that she did that, it was a strategy to distract them and make them run for her instead of capturing Ozai. With Zuko It's more complecated, however when she says something mean to Zuko, she doesn't try to make him him feel like a shit or to hate himself like Catra does. She rather tries to show that she's better, not that he's worse. Ofc I don't deny the fact that she's usually mean to him, but in their case It's basically something siblings always do. Basically all of their verbal interactions they act just like regular siblings, not enemies and Azula doesn't hate Zuko or doesn't want him to hate himself. She shows him that she's better, bc their whole dynamic is based on their competion for being the favourite child and everything Azula says to Zuko is being said to prove that she's the favourite child, not that he's a useless piece of shit that shouldn't exist. Their relationship is 100% toxic, but they are far not as abusive as relationship between Catra and Adora.

And to be honest, Azula litterally gave Zuko a chance to get his honor back and to show Ozai that he's a good child to him.

While with Catra...well, after Catra left Adora to hang on the cliff to die, the only time Catra wanted Adora back was when she made Adora go berserk and wanted to use her as a weapon, see the difference?

So yes, I absolutely agree with you, Azula is way better than Catra and she was the one who should have been get a redemption arc, not Catra

[aprillikesthings]

can I finish this before I gotta get ready and leave for the Maundy Thursday service let's find out lol

(Edit: Nope.)

THREE MORE EPISODES LEFT

*cries*

s5 ep11 Failsafe

someone hold me

I have to actively suppress the urge to read the synopses of the episodes at this point

oh also lol this is just funny to me, I saw a post Elsewhere Online where someone watched all of spop the first time and they HATED the dumb names everyone has, and I think they mentioned Castaspella specifically.

And like FIFTY PEOPLE responded with "dude they had to use the original names from the 1980's series" and I was the only one there old enough to have watched the original series and I had to point out: the original series was made to sell toys. The vast majority of cartoons in 1985 were only made to sell toys. They gave everyone those dumbass names because it was easy for kids to remember and beg for the toys."

That's also why all the female characters in the original series have the exact same body type. Yeah the body shape itself was due to 1980's-era sexism, but also? It was so much cheaper to animate the show AND make the toys that way!

But also, it's hella ironic to me that the 2018 show has so little official merch!

And now, back to crying over cartoon lesbians:

good question

ugh I hate her

Shadow Weaver: "While you were traipsing around in space,"

OH MY GOD they were saving a few people's LIVES and it was kind of IMPORTANT but WHATEVER

"--some of us have been working to stop the Heart of Etheria from falling into Prime's hands. And we discovered the same thing you did. Rumors of a Failsafe that will break the restraints the First Ones built and set the stolen magic free." Glimmer: "Are you kidding? After everything that happened last time, you're still going after the Heart of Etheria? And you're helping her?" Castaspella: "We're trying to free the magic for all of Etheria so we can be strong enough to fight Prime. I'm doing this for your father and for you. Shadow Weaver is the lesser of two evils."

I love that she says this right in front of Shadow Weaver. Like "girl I hate her too"

nice

okay ngl I have mixed feelings about this one because unfortunately she's not entirely wrong here but also, shut the fuck up

(something something people are responsible for their own actions but also she wouldn't have done all that godawful shit if Shadow Weaver hadn't been such a shitty parent)

but yeah Catra gets up like she's about to fucking throw some hands and Adora's like It's okay bb

;_;

but also they do need the information Shadow Weaver and Castaspella have

so it turns out Mystacor was built on top of a First Ones' citadel? huh

Castaspella: "Beneath Mystacor, there are many secret tunnels and rooms, forgotten and sealed off. No one has been able to access them in centuries, but there are whispers of what they contain." Shadow Weaver: "An artifact known as the Crystal of Arxia, hidden there by a group of traitorous First Ones." Castaspella: "You said I could do it!"

lol they bicker like old marrieds

Adora: "If you figured it out on your own, why come back here? Why do you need us at all?" Shadow Weaver: "Because Mystacor is controlled by Micah, who, you may recall, is controlled by Horde Prime."

they've been TRYING

"If he seizes the Heart, it will all be over."

Stop toUCHING HER

oh god Adora turns around to ask Catra to help out--and she's gone

YOU'RE THE REASON SHE'S FUCKING "SULKING" and you fucking know it, why are abusers always so god damned surprised to find out their kids don't want to be anywhere near them

(I mean I know why, they think they should be able to control you forever)

aaahahaha Adora's just like Nah I'mma go look for her tho

anyway roll intro!

omg look at Netossa and Spinny on the bottom left awwwww

she looks so sad

well okay sad and angry

their conversation here is so good, because Catra's fully aware of why Adora's doing this, but is really struggling to push past how much she (justifiably!) hates Shadow Weaver and hates being around her

I actually do kinda wish I'd kept a list of all the times Adora does the self-sacrificial thing, separated into "someone asked her to do it" vs "nobody asked her to do it" lol

BUT ADORA EXPRESSES A NEED oh nice that's progress

Adora: "Hey, she can't do anything to us anymore. Please, come. We--I-could really use your help."

two things I really love about this: One, she doesn't say that she doesn't like Adora, just that it's not the reason she's going. Two, I feel like Adora knows damn well Catra's not being 100% honest here.

Like, to some extent Catra's saying this as a way of attempting to protect herself a little. She's taking baby steps towards vulnerability, and it's terrifying! And I think Adora can see that and is fine with it--not JUST because she's like "any crumbs are better than nothing" but ALSO because she doesn't want to push Catra.

Because yeah, if there was any actual doubt that Catra does like Adora--

WELL.

Entrapta was able to get Spinerella's chip out but says it had started fusing with her nervous system and they're running out of time to safely un-chip everyone.

But she's been digging around the network that connects all the chips to Prime, hoping to figure out how to disconnect everyone at once, and Bow gives her a little encouragement, it's really sweet.

OKAY so everyone who can, teleports to Mystacor with Melog making them invisible. (Apparently Catra doesn't get motion sick from it anymore which is nice lol)

I love the way they animated them being invisible

oh GOD okay

Catra turns around and says "looks like there's no sorcerers here" while, unfortunately, a sorcerer walks into the room. Shadow Weaver grabs Catra and puts her hand over her mouth to keep her quiet, and Catra (understandably!! but unfortunately!!) jerks away in fury and yells

And her fury causes Melog to drop the invisibility

And now the chipped sorcerer knows they're all there

they manage to duck the attack but Adora goes to transform into She-Ra--and can't do it

she had this issue last episode aaaugh it's not from being near Shadow Weaver she wasn't there

okay but also Adora runs behind a pillar to hide from an attack with Catra and it's cute

girl help why is this giving me so many emotions

y'know it's funny how often I've bumped into posts of people who are confused as to why Adora starts trusting Catra again so quickly, and I frequently wonder if they forget all the childhood flashback scenes of these two. To varying extents they both spent their entire childhoods seeing the other as their only consistent source of comfort and (something resembling) safety, and with some notable exceptions Adora's spent the last four seasons (which was like three or four years) visibly holding out hope that one day she could trust Catra again. This despite the fact that she now has other sources of safety and comfort and love!!! Being with Glimmer and Bow and everyone else was healing, sure; but it never erased her grief over losing Catra. She always, always held out the tiniest flame of hope that Catra would change sides.

And Catra basically tried lighting her own grief on fire (metaphorically and kinda literally) over and over and it just didn't go away, and I feel like when she saved Glimmer and apologized to Adora she had sort of come to terms with the fact that her grief over losing Adora couldn't be burned away, but of course by then she figured she'd fucked up so bad Adora would never forgive her or trust her again. And rather than take it out on other people or suffer any longer she was willing to just die, instead. She really did think that sending Glimmer to Adora was going to be her last act, and she wanted Adora to know she was sorry before she fucking DIED. And I don't think her saving Glimmer was consciously meant to be proof that she meant her apology, but it was. And that's part of why Adora trusts her again.

The fact is, even after everything that happened, both of them had a hole in their hearts shaped like the other. ;_;

And that's why Adora runs and hides behind the same pillar as Catra. (I mean yes, it was also closer, but that's not tHE POINT)

Anyway, this is all why, as I previously noted, Adora's not being pushy. That failed on her, spectacularly; the couple of times she tried it. Asking Catra to come along on this mission is the closest she's come. And even then, it wasn't "you're a good person deep down and you should change sides because I think I know you better than you know yourself," It was "please do this for me, because I need your help." And Catra is fully aware of how hard that is for Adora.

And these two still have a lot to work out post-canon (like, Catra has still got to deal with her need to not just be seen as Adora's sidekick/shadow, and lbh right now some of the rebellion is like "we're only putting up with you for Adora's sake" as if Catra was Yoko Ono) but that's part of why I'm writing a fic lolol

I have so many feelingssss on a related note I spent like fifteen solid minutes last night in bed having taken an edible and listening to my playlist and staring at this gifset lolol

ANYWAY Castaspella knocks out the chipped dude and they run for it

AAAND lol I gotta get ready to go to church. There's still 17:30 left on this episode. Pfft.

BACK FROM CHURCH I washed someone's feet, they washed mine, they stripped the altar, I go back at one or two in the morning for the overnight vigil

In the meantime: gonna finish this episode

(what is my life sometimes)

Entrapta plans to find a bunch of clones so she can figure out how their signals to Horde Prime work. Swift Wind is like Ugh, fine, I'll go with you, someone's gotta save your ass

Entrapta: "Thanks, bird horse!"

lol how many times have they had that convo

A family can be a sorcerer and her evil ex, a girl and a boy, two traumatized lesbians, and a cat

But also it looks like something out of an episode of Scooby Doo

Shadow Weaver opens a magic door

ngl that's PRETTY. like it's obviously about the Heart of Etheria but wow!

(and there's a dinosaur???)

Adora notices how stressed out Catra is and says "It'll be okay...Trust me." ;_;

Shadow Weaver: "There's no time to waste!"

"...disturbance."

The disturbance was your fault, dumbass. I am reminded of all the times my dad got angry at us for being afraid of him. And would hit us. For being. Afraid of him. Because y'know. That's how you stop a kid from being afraid of you. By hitting them.

In any case Shadow Weaver is still trying to get between them and separate them and I just really need this bitch to stop.

(Yes yes I remember she dies later)

Castaspella: "We're on the right path. The Crystal of Arxia was rumored to be the key to reaching deep magic within Etheria."

"But those who hungered for more power have long sought other ways to obtain the deep magic...with disastrous results."

HIT THE IMAGE LIMIT lemme reblog