#and currently happening with maws

[jesncin]

I noticed something you said about MAWS Lois in that chart you made. How she was only like surface level diversity without much thought. I think the She Ra reboot is similar. I remember many of the characters of color didn't have their cultures, kingdoms, and how they were affected by the horde were not truly examined in a meaningful way. I liked how Lunar Boy did that but didn't really focus on the colonizers either! It really focused on this White girl and it kinda gave off White savior ?

Thank you for the little compliment on Lunar Boy! It was important for us that colonization was acknowledged (since so much of Indonesian queer history was affected by it) but we didn't want to center the colonizers in a narrative about Indonesian queer joy either :>

And!! Yes! For sure the She-Ra reboot has essentially the same problem as MAWS but in a fantasy setting (compared to MAWS that takes place in futuristic America). She-Ra is what happens when white queer writers were put in charge of what they considered a fantasy escapist paradise where queer representation doesn't have to be speculated on, it's canon! Buuut when it comes to BIPOC representation, suddenly they're very wishy washy about confirming the character's races. And some of the "confirmed races" were clearly not thought through (lest we forget the latina Catra incident among many instances).

It feels like a show where the writers were clearly fans of ATLA, but instead of taking in any of the politics regarding the optics of war and colonization, they just like the friendship dynamics and tropes. She-Ra is a white savior narrative through and through, even with their attempt to retcon the previous She-Ra as a WOC. She-Ras come from a colonizing group (Eternians) so it's a savior narrative no matter what they do :p my memory is vague on what happened in She-Ra but I did make an insta story review on it (it's my very first one in fact) where I go into deep detail about the problems with the show as I watched it.

it's rough since it's my first big undertaking and I was doing a casual reaction at first but I think it still holds up! Also keep in mind I wrote this before Nate Stevenson transitioned.

[aureum-cordis]

Lost & Found

Parental!DogDay & Child!Reader

A/N: Hey there! First post, I know, but I couldn’t help but share this. A friend of mine encouraged me to, so I hope other people like it as well! This is only the first part and I have much more planned for this story, I hope you enjoy! I know this ends on a bit of a cliffhanger, but that may or may not be intentional. Find Part 2 here!

Spoilers for Poppy Playtime Chapter 3: Deep Sleep!

Warnings: Mentions of character death, blood, gore, and the like. Child experimentation will also be mentioned. This story will contain references to the information in the game as well, if uncomfortable with any of those topics then please proceed with caution.

________________________________________________

DogDay and the others knew well that something was amiss in the building, several of the Smiling Critters had sought him out due to the fact that he was the leader. CatNap was the only one that had been distant for a long time now, becoming something that he couldn’t recognize.

And then it happened. The Hour of Joy. The metallic scent of blood was something he could never rid his nose of, his ears still rang from the sound of screaming from both children and adults. The Prototype had clearly been convincing the cat of the Smiling Critters, for nothing but praises fell out for the creature amongst that dreaded red gas that poured out of his perpetually gaping maw.

DogDay had been able to reach the others first, encouraging them to not stand idly by and follow something as monstrous as The Prototype and his newly fashioned pawn.

It ended poorly, their rebellion was met with nightmarish hallucinations and a set of claws that sliced their bodies to ribbons.

Even they were not impervious to the red gas that covered the ground like a dense fog, announcing CatNap’s presence before he could be seen. Few of them remained, far less than what once was. They rotated hideouts regularly, knowing well that they had to keep moving to avoid CatNap’s patrols.

Currently, the place they had sought refuge in was some long abandoned room of the orphanage. Those that remained were silent.

CraftyCorn was frantically drawing something on a dirtied sheet of paper, the colors bleeding against her hooves as she struggled to keep a steady grip.

Bobby BearHug was huddled in a corner, clutching a blanket that was shredded in places and nearly fell apart as she held it to her chest, her body shook from silent sobs or perhaps fear of what would come.

DogDay himself was solemn, resting on the floor with his back pressed against the wall. They had just lost Hoppy days prior, or at least it had seemed like days. Any semblance of a concept of time was lost in this pit of despair, the inability to even catch a glimpse of light that wasn’t artificial was disheartening and disorienting. The others in the room were in no state to actively patrol, their minds in shambles and in various states of decay.

There was no optimism to be found, he knew that. Any attempt to even lighten the mood would be met with dismay and the kind of disgust that caused nausea to wash over oneself and clouded any other senses. They had lost far too many for any form of joy to be found.

CatNap may have been the one to end their lives, following the guiding hand of The Prototype, but their blood was also on his hands. Their screams kept him awake, the fear in their voices as they called out and weeped for help kept him going.

Slowly, he rose from his seated position to his feet, the sun pendant that hung from his zipper clinked against the metal with the motion and swung gently before resting against his chest. It was enough of a sound to draw the eyes of CraftyCorn, to which DogDay gave a dip of his head. “I’m sorry to startle you, that wasn’t my intention,” he started, voice rough and scratchy from disuse as he met the eyes of the other.

“I’ll take the first watch, be safe and try to get some rest, please.” The please sounded pathetic in his own ears, a sign that despite his attempts to remain strong for the other survivors, he was suffering from the grief and loss of their shared companions.

The idea of losing them too was something he refused to linger on, a small sliver of hope remained in his heart despite the horrors that threatened their very lives.

CraftyCorn didn’t seem to mind the interruption, even going as far as lowering her hooves as she looked over at him, the red crayon in her grasp rolled to the floor with a quiet thump. “Be careful, DogDay.” Her voice was soft, it was a comfort in this trying time. As gentle as the very petals of the flower she once smelled like, an extension of her kind yet hardy nature.

He wanted to reassure her, to give her some hope that he might return. But that wasn’t a guarantee, he knew that.

Regardless, he nodded before approaching the door, opening it slightly before listening carefully for any sounds. Relieved to have been met with relative silence, he crept through the door before shutting it behind him. Complete silence was impossible for him to achieve, given his size and the overall state of the orphanage itself.

His movements were slow and deliberate, each placement of his hand or foot was mindful of the debris that lined the halls. Shattered picture frames with glass littering the floor and various toys that had once belonged to the children here were a common item to stumble across. There had been moments when the odd toy activated or some rotting piece of wood snapped under the pressure of a bed that rested upon it, but it was silent other than that.

His ears were active in keeping note of his surroundings, as his nose focused on the horrible scent of lavender and the intensity of it. It stuck to every crack and crevice of this building, yet it was relatively faint at the given moment, a positive in an otherwise grim situation. His eyes swept every open door that he passed by, peering into the room for several moments before moving on. To say he was tense and alert was an understatement, every fiber of his being stood on edge as he patrolled the halls.

He froze in his tracks as a sound caught his attention, a sound that he hadn’t been expecting to come across. It had been a sob, a shuddering and weak sound that left from an open door in front of him. Had he not been focused as intently as he was, he could’ve missed it. DogDay stayed in that position as he listened further, making sure that he hadn’t been imagining such a sound. His doubts were shattered as he heard the sound repeat, the fear in the weeping was unmistakable.

The thought didn’t even cross his mind that it could potentially be a trap, that some sick monster would be willing to mimic such a heartbreaking sound.

[artbyblastweave]

So with superhero origins, what's basically always been the case is that the writers exploit whichever area of cutting-edge science is currently in the zeitgeist, banking heavily that the audience will be unlikely to understand the actual effective limits of the science under discussion. In the pulp era many of the protocapes are getting whatever "power" they have from souped-up training regimens, healthy living, "Eastern Wisdom," whatever. In the thirties and forties it trends chemical- they're taking "miracle pills" or inhaling weird vapors or whatever, its steroids, they're on steroids, or possibly meth. In the sixties, in the atomic age, its particles, its radiation, its rays. Eventually, you know, it's pretty well understood that radiation can't do that either, so they migrate over to genetic engineering, cybernetics, nanobots. Every cape and their brother was some kind of cyborg or lab experiment in the 90s. These days it's quantum this, string-theory that, dimensional wonkery, cats in boxes. In 20 or 30 years we'll have a better sense of what all of that actually means in practice (likely not much) and then it'll be something else.

I've observed that Dr. Strange and other magical characters are actually basically immune to this treadmill, because they're magic- that's already post-modern and fluid and squishy and immune to the expectation of real-world scientific rigor. They're vulnerable to changing cultural perceptions of magic, the Strange of the 60s isn't interchangeable with the Strange from the 2010s, but it's not as drastic a shift. From the other direction Green Lantern is also kind of resistant to the treadmill because the lantern tech is, and always has been, ludicrously advanced and totally divorced from any real-world techno-logic- It's Clarke's third law shit. Flash was forcibly made immune to the treadmill through the introduction of The Speed Force into the mythos- it's not a chemical accident, it's a higher fundamental power, it's just how this universe is metaphysically structured, now stop asking questions.

In due time I suspect that all superheroic origins will converge on one of these. Unfalsifiable magic, unfalsifiable alien toys, unfalsifiable higher unifying forces. Or else they'll fall into the gaping maw of the secret fourth thing that lurks beneath and intersects with all three of these- that you got powers instead of radiation poisoning from that accident because we're in a story, the thing happened instead of not happening because it was more interesting, because "narrative" is a force as real, if not realer, than gravity. Of course it goes without saying that you need to be really, really good at writing to pull off the secret fourth thing. Start fucking around with the secret fourth thing and the result is either going to be genuinely transcendent metafiction or something so self-absorbed and tautological that it disappears up its own ass.

[that-foul-legacy-lover]

Remuria gave me more SAGAU thoughts folks,,, something about the underwater areas gives me brainrot

the sea is the only thing that gives you comfort when the rest of the world shuns you, the gentle caress of the waves soothing your wounded body and heart as you take refuge beneath the water, running from those who wish to hurt, maim, execute you more than you're already bleeding. they accuse you, scream at you, ordering your death for the single crime of "impersonating" someone, someone you didn't even know exist who happens to have similar- identical- features.

go away, you want to sob to everyone who approached you with blades and bows. leave me alone. i'm no godly impersonator, no false deity. i'm just me.

i'm sorry.

but they never seem to listen. only the sea provides an escape in the form of tides and currents, and you sink deeper and deeper, away from the above world and everything that can harm you, breathless but still awake.

the next time your eyes open you're surrounded by light and music, cradled in the arms of a very familiar masked monster. Foul Legacy stares down at you, squeezing your body gently and letting out a softly concerned trill, bubbles drifting from his fanged maw. he heard you- he heard your desperate screams and cries, clawing open the sea in order to reach you, the Creator of anything and everything. Scylla, the Dragonborn Prince, helped guide him through the depths- and now you're here, and Legacy is too! he whines at the sight of your skin all cut and wounded, claws brushing the injuries with feather-light touches. how dare the world turn its back on you, foolish mortals and Archons above. but Remuria welcomes you, so close to the Abyss that worships your every move- the sunken city listens to your broken voice, slowly repairing itself and allowing ichor to flow into musical strings again, for every word you say is a song, and Legacy purrs gently when he sees your eyes widen in awe, the red of your blood turning gold.

Remuria plucks and strums the gleaming strands just for you, the sea filling with harmonious notes, and for the first time in months you smile as you rest in Foul Legacy's arms, listening to the sounds of the harp below as rain plummets down on the world above the waves.

[flemish-giant-jackalope]

In the middle of the lab a werewolf lays on his back. His legs and arms chained to the ground.

You would think he would protest more but the amount of drugs and aphrodisiac coursing through his veins prevent it.

It also helps that you're currently riding his dick in a desperate attempt to milk him dry. He is in utter bliss, drooling with his tongue hanging out of his maw.

You're in a cowgirl position. Wearing nothing more than a tiny chastity cage and your sweat. On the cage there is yellow warming label attached. The following text printed beneath it.

"Extractor is in use. do not remove!"

Officially you are designated as a biological extractor unit, and property of the laboratory. But the lab personal has given you the nickname "fleshlight". To your own drugged and hypnotised satisfaction.

You whimper as you're desperately try to get past his knot. You want it so bad! You want to be praised for a job well done! You want to be a good fleshlight!

A person wearing a lab coat approaches you. You're so out of it you don't ever hear them approach.

"Are you having difficulty fleshlight?"

You flinch when you hear them. Which you instantly regret as your hole clenches around the werewolf’s shaft.

You stop to let your hole relax. Looking up at them you let out whine. Laboratory equipment can't use words.

They look down at you amused. "it's ok you cute little fleshlight. This is our biggest subject yet, so you just need more time to stretch that pretty little hole of yours."

With a gloved hand they take your chin, and softly raise it till they know they have your full attention. With the same tone you might politely ask a machine to do something, they say; "you're only goal in life is to be a good stretchy hole."

You zone out as the words trigger intake training. As you relax completely your eyes glaze over and a lazy smile forms on your face.

The lab assistant, still holding your chin in their hand, slides a gloved thumb in your mouth. You don't even mind or register it. You're completely focused on relaxing your ass as much as possible, while drooling happily on their thumb.

They pull their one hand back softly. Reaching their other hand into their lab coat they take out a vial. With a routine that must have happened a 100 times they collect the saliva from their thumb.

While keeping their eyes on the vial of saliva they say: "activate extractor routine 4"

You place your hands on you calf’s, using all your weight to try and conquer the werewolf’s knot. You ride it up and down slowly.

Pleased with the consistency of the sample the scientist takes a step over the werewolf’s leg.

Their standing behind you as you blissfully ride the werewolf’s cock. Desperately trying to stretch your hole. A mantra going through your head.

"a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight,"

The squat behind you and inspect your progress

"Fleshlight sit"

You stop at the tip of the werewolf’s cock and let your weight glide you down. Your hole slightly stretching over the knot.

The blue medical glove glides easily over the lubed knot. Their index finger gliding upwards towards your hole, and glides in with little resistance. They hum satisfied and glide a second finger in. The smile on your face just widens, happy to inspected like a good piece of lab equipment.

They glide their fingers out and collect the liquid in another vial. "It seems you do need some more help." they stand up and put one a new pair of gloves.

While still behind you they put their hand over your mouth. Index and middle finger pushed inside your mouth. You start sucking on them.

"Your intake training is still doing wonders" they get a small vial from their coat and open it one handed. Holding it under their nostrils the smell already giving you a rush of endorphin. You get the simple command of "breath in"

You fill your lungs with the product as if it was the first breath you ever took.

"gooood fleshlight" the scientists says with a smile.

The chemicals course through your system and you hear your heartbeat in your head. As a pleasant heat flows over your body, your exhale takes any bit tension left in your body with it.

"Fleshlight ride"

You move your body up and down the length of the shaft. Feeling your hole open up more and more. Al the wile repeating the mantra in your head.

"a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight,"

After a couple of minutes later you almost get over the thicket parts. Joy radiates your face as drool slowly leaks out of your mouth. The scientist eagerly collecting it in a vial.

While putting the closed vial in their lab coat, they look at the werewolf’s head. Still drooling and content, but with a quickening breath.

Smiling but determined the scientists quickly gets your happy vile from their coat.

"Fleshlight tip"

You stop at the top of you ascend. The tip of the werewolf’s massive cock keeping you nice and loose.

Quickly they put the vial under your nose.

"Breath in"

Still swimming in the effect of the previous huff you greedily inhale again. Your mantra only getting louder in your brain. There are no other thoughts allowed.

"a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight, a good fleshlight is a stretchy fleshlight,"

A knew intensified wave of heat flows over you. Spreading to your whole body as you feel it loosen.

You can feel every cm of the werewolf’s cock in detail.

"Fleshlight sit"

You fall down and you feel the scientist putting a bit of their weight on your shoulders.

You slam onto the knot and your ass opens up. Feeling your ass stretch over the knot feels like heaven. And then suddenly

"pop"

The werewolf’s breathing is getting erratic.

"Fleshlight ride" the scientists commands, getting a bit breathless themselves.

You've never felt so full in your life! As you ride you feel the knot gliding over prostate again and again. Precum is being pumped out as you continue going up and down. The knot has now swelled too much and you can't get it out anymore. You don't care! A good fleshlight is a stretchy fleshlight! A good fleshlight is a stretchy fleshlight! And you've taken the knot! You want to be the best fleshlight!

And the best fleshlight are used and filled with cum!

The werewolf’s is panting heavily, even with all the drugs coursing through his veins he tries to hump the fleshlight. A low satisfied growl begins as he cums.

The knot swells a final time as your locked into extasy! With every wave of cum, the knot pushes into your prostate making you leak more and more, as you feel your belly swell more and more. Desperately you move up and down trying to get every last drop off cum out of the beast beneath you.

The scientist has a hand in their pants too, no longer able to contain themselves. They quickly bend down and grab your chin, bending your head backwards, forcing you to focus on their face and voice.

Slightly out of breath they say "You're a very good fleshlight and deserve a reward"

Without any objection from you they open your mouth. You see them open theirs and letting their tongue hang out. A droplet of their spit falls on your face. You're delirious with joy! You're being praised for a job well done and are going to get a reward!

Al the while you still feel the werewolf filling you up.

"You deserve it, fleshlight can cum"

They say before pushing their tongue in your mouth.

Fleshlight has been good! Fleshlight has been good! Fleshlight has been so good!

You ride werewolf’s dick for all that you still can. Your moans into the French kiss as you feel a well-earned orgasm rock you to your core! You're abused prostate finally giving you release as you spray cum out of your cage onto the belly of the werewolf!

Releasing the kiss the scientists the scientists place their face next your ear. Observing the beautiful scene of your cum on the wolfs chest.

"Good extractor, you've been a very good extractor."

They coo softly. "Now rest a bit while the subject knot shrinks. And then will take this good little extractor to collection" they say with while petting your cheek. You push your face into their hand with the little energy you still have.

Still smiling they pet your head a little more. "I'll get our favourite lab equipment some water. We need to maintain you properly so you can do your job so well." with a smirk they add "Sit tight, I'll get our equipment their liquids"

[honest-moth-of-silver-grove]

Could I ask for some yandere alucard post season 3 with a s/o that isn't human or only part human? Like being half fae, nymph or siren. I just think the dynamics of that relationship would be quite different then say if the object of his obsession was human given his lack of faith in humanity in season 3s aftermath

A/N: I LOVE this question! It was so interesting to think about all the different ways the MC could be half-human and have that connection with Alucard. I did end up going with a mermaid/siren sort of creature as the original asker did send in an additional ask clarifying how they could picture this abused mermaid girl feeling kinship with Alucard because of his current distrust of humans, and I liked that element. I also chose a siren / mer create as they have abilities to manipulate/hypnotize their prey, an ability Alucard probably has as well with him being half-vampire. I ended up writing a very long outline in bullet points but felt that it didn't quite flow for HC, so I instead broke it up into smaller scenes below. I hope that’s ok. Sorry, it took so long. I was sick with some weird virus for weeks (lowkey feel like it’s mono or something), and could only handle work and family crap, like I barely had any motivation to live. And then when I started writing this, it sort of took on a life of its own lol. (What can I say? I love me some Alucard.) 

Anon also suggested I check out this manga- it’s called Becoming the Villain's Family and it’s about a siren who goes back in time and makes a marriage pact with a devil to prevent their untimely fates. I’m not a huge manga reader, but my sister is, so I’m going to recommend it to her and maybe we can read it together. 

Yandere! Alucard (Post-S3) w/ A Half-Siren S/O 

The fair creature did not see quite how it happened, for it had all transpired too fast. A deep guttural growl echoed from past the tree line, well beyond the corners of her vision as the very ground beneath the wagon’s feet began to shake violently. As swiftly and silently as a flash of lightning, the wagon she resided in was sliced in half, the metal cage that kept her prisoner acting as her only guard against an elongated talon from some sort of monster. The cage was tossed sideways, skittering along the dirt ground as the poor mer creature inside flipped over violently, her dehydrated human form and lack of clothing sending her soft, nearly translucent skin into the square welds hard enough to form bruises. 

“Retrieve the asset!” 

“Don’t let her escape!” 

“Are you crazy?! Fuck the asset!” 

Around her, a flurry of mixed male voices shouted out contradictory directions. With only the setting sun for light, it was difficult to make out who had yelled what. 

Then came more growls in addition to all the shouting. Then the shouting turned into screaming. And a handful of those screams turned into cut-off cries followed by loud squelching. A flurry of slices and swings from blades and swords interrupted what must have been the creature's onslaught, but it would certainly not last long. There would be more torn flesh, and more final yells- a final symphony of bloodshed to follow. 

Kneeling into an upright position, the fair mer creature pushed and pulled frantically against the metal door of her cage. The hinges had warped in the fall, bending just so, that if enough force was applied…

With a metallic screech, the young water maiden could kick her cage door from its battered hinges. Fortunately enough for her, none of her captors seemed to notice her imminent freedom, the lot of them busy battling hideous creatures beyond any comprehensible amalgam or imagination. 

Unfortunately for her, her sudden movement did not go unnoticed by one such creature. 

A smaller, fiendish-looking thing, with the body of a lizard, but the head of a vulture, and the tail of a scorpion mawed loudly at her, its stinger striking warningly at the ground. 

Not needing to be told twice, the young maiden leaped up and made a mad dash for the treeline on the other side of the clearing, opposite the line of creatures. 

As she made it past the treeline she watched as one of her imprisoners struck successfully at the rear of the small fiendish creature with the sharp end of a spear. It cut roughly into the monster’s backside, turning the horrid thing’s attention away from her back onto her captors. 

Pausing for a mere second, she took one last look at the few men still alive, fighting for their lives against the horrible creatures. Even if they were to win the fight, she swore it would be the last time she saw them. Beasts or no beasts, she was never losing her freedom again. 

✧ ✧ ✧

The bottoms of her feet stung with every step, and her calves burned worse every time she jumped over branches, landing on uneven ground. Her thighs were practically numb from the midseason cold, and her time forced to rest on the cold metal bars of her prison certainly did not help. But she refused to stop running. Even if she was unfamiliar with the practice of traveling upright on two extremities, she perished the thought that her inexperience might slow her down. She could not fail. She could not yet rest. Whoever won the fight between her captors and the creatures was certain to follow after her once the battle was done. She could not waste precious time. So despite pain and exhaustion, she pushed onward. 

After what felt like an eternity, although, if she were to judge by the moon, it must have only been a few hours, she found her legs could no longer support her weight, as her knees buckled beneath her, slipping on the soft embankment ground. 

‘Embankment?’ The maiden, feeling a final surge of hope, strained her neck to get a better look. It did appear that she had made it to a river bank, although it was a rather small one at that. Still, the sight felt like a miracle. It had been too long since her body was submerged, snug, within her element’s embrace. And given the choice between breathing her last breaths on the cold dry forest ground, or under a river’s soft current, she’d choose the river, any day. 

Using her arms to pull herself into the cold water, she breathed one final breath of chilled night air before slinking into the river water. Closing her eyes, the young maiden had but one thought: 

‘If this is to be my final resting place, then so be it.’ 

✧ ✧ ✧

The next morning started the same way all mornings do: the sun rose in the sky, the birds and bugs began their daily chirps, and a very forlorn-looking Adrian Tepes, known currently as Alucard, son of Dracula exited his castle in search for food, his usual basket in hand. Unusual however were the two corpses that greeted him as he passed the castle steps. 

Alucard paid the bodies no mind, he didn’t once glance in either of their directions. He kept his eyes forward, locked onto the foliage and wildlife hidden within the forest line choosing to pretend the bodies were no longer there. Yes, he knew they were there. Of course, he knew. He was the one to string them up after all. But if he were to acknowledge the corpses' presence, then he would also be required to acknowledge the circumstances that led them to be staked there, and that was something not even the great slayer of Dracula could do. So instead Alucard did what he could: he adjusted the basket in his arms and began mentally preparing the meal he would make. 

Coming to the river bank, Alucard felt something was off. He sensed another presence nearby. Kneeling down to the water, he kept his ears open for any movement within the trees but did not hear any. 

‘Odd.’ The dhampir waited for a spell before resuming his usual activities. He methodically removed his boots, before rolling up the ends of his pants, as he prepared to wade into the river. He had found a comfortable position, balanced on the river rocks below his feet when he noticed another oddity. 

“Where have all the fish gone?” 

The river, once teeming with fish, ones even brave enough to stick around as he waded into the water, were nowhere to be seen. Besides the rushing of water over the river bank, Alucard could not hear them swimming around within the water below. 

Turning his head, he found a single glint of scales reflecting the morning’s rays a few meters from where he had been standing. But just one fish? Or perhaps, a damn of some kind was preventing them from moving freely. Alucard made a move to investigate closer. But then, just as he turned to do so, what appeared to be an incredibly large fish leaped out of the river, and flopped onto the bank. It writhed around, flopping this way and that before rolling over to face him. It was at that moment Alucard realized why all the other fish had disappeared. There was no damn, no net. It was because of this… this creature. 

✧ ✧ ✧

The young mermaid awoke with a start, the deep echo of footsteps underwater had vibrated her awake. From where she lay, her vision was obscured, but she could make it out that the being was human in nature, standing on two legs, with only two arms to boot. It did not possess any claws or animal characteristics like any of the night creatures from the night before, nor did it appear to resemble any of the men who had taken her. 

The maiden stayed as still as stone, hoping this new strange human would grow bored of waiting for a meal to catch, turn around, and go home. But luck, as it had proven time and time again as of late, was not on her side. 

The man made a move towards her position, and she found she could not help the fear that bubbled up from inside her chest. The river was too small for her to swim through. More so, moving within the water would only create splashes to further catch this stranger’s attention. If she wanted to get away, she’d need to shift back to her human form and make yet another run for it on foot. 

Using the strength her long waterlogged rest had given her, she propelled her body out of the water, onto the river bank. As soon as her full body was on land, she writhed and wriggled, doing all she could to shake the excess water from her body. 

Her earlier set of legs had once again merged into a fishtail, strong and thick, with grooved fins to match. Her abdomen and chest were plated with scales all up the sides. And as she shook herself dry, several of those scales slid off her body into the dirt. Her ears, previously flesh and pointed more like an elf’s, had pulled back, with loose tentacle-like fins spouting out around their outer shell. In the daylight, she knew there was no mistaking what she was. But if she was to change her form quickly, it was a risk she needed to take. 

Despite the morning's warm sun, her body did not dry as fast as she had hoped. The maiden used her arms, and her now-clawed fingers to pull herself up further, finally gaining purchase on one bark of a tree, as she did her best to twist around and face this stranger head-on. 

Letting out a hiss, she bore her fangs at the strange blonde man standing before her. Only the man did not seem intimidated, nor shocked to see a creature such as herself. If anything, he appeared, at ease. Was this perhaps a trap? She hissed again but found herself on the side of surprise when the seemingly human man bared his own set of fangs and hissed back. 

✧ ✧ ✧

‘A mermaid?’ Alucard watched, amused, as the young creature did her best to appear menacing to him. If only she knew, how instead of fear, Alucard felt a rush of reassurance at the sight of her inhuman features. 

‘Humans,’ he thought bitterly. It was two humans who had hurt him most of all. Not even his own father’s war on humanity had harmed him the way those two did. His father left him for dead paled in comparison to the shame and torment he carried with him from that one night.�� 

Had a human shown their face on his property, he’d… Well, Alucard was not certain what he would do should they refuse his order to leave. But whatever he decided, it would not be a fate any would enjoy, that’s for certain. 

Thankfully, with the very distinct mer-features of this individual, that point was moot. He did not need to threaten disembowelment or an eternity of torture as a spawn, Alucard felt no such need to. 

He took a step closer, taking in her unique features. Her eyes were large and dark, almost pure pools of black. He could feel the pull luring him in closer the longer he looked into them. Her skin was almost opaque, despite its color. At certain angles, rays of the morning sun seemed to shine through her body, as opposed to around it. And her tail, no doubt the most impressive of her peculiarities, glinted impressively, making her an almost otherworldly mirage against the browns and greens of the surrounding greenery. 

Of course, no sooner than Alucard could admire such an ethereal sight, her tail began to lose some of its luminescence, growing duller by the second. The previously shiny scales that overlapped each other began to flake off, one by one. Down the middle of her tail, from where her belly button would have been on her abdomen had she been a human, what scaled skin remained began to crack, viscously, like a deep fissure that would not heal. The fissure continued to grow in depth and width as Alucard came within feet of her. 

She hissed for a second time at his forward movement, but Alucurd was undeterred. Smiling a sort of melancholy smile, he paused before opening up his maw, revealing his impressive fangs with a hiss of his own.

At his revelation, the creature’s demeanor changed abruptly. Gone was the fear and hatred in her eyes, instead replaced by a much more benevolent wonder. 

She opened her mouth, the tentacles around her ears shriveling into themselves, her ears changing to a more elven point as they came to rest flatter against her head. Alucard watched as her fangs dissipated too, the sharp canine points rounding themselves down into very simple humanoid-looking teeth. The back of her throat opened and closed, but very little sound came out. If she was trying to communicate, it seemed a verbal conversation was currently off the table. 

“I am Alucard Tepes, son of Dracula and Lisa Tepes.” Alucard spoke, taking the lead for her. “And I am not human.” 

The mermaid closed her eyes as she leaned back against the tree bark, wincing once or twice as a very slime-covered, human-looking bottom half cracked free from the dried shell of her former tail. She used her hands to pull the husks away from her body, leaving every bit of her person on display. 

Alucard cleared his throat before deciding to remove his shirt and give it to her. He tossed the white shirt to the maiden who caught it in one hand. Bringing it in to smell, she sniffed it before looking back at him curiously. 

“If you wish to spend the walk back to my castle naked, I won’t stop you. But as I’m sure you’ve learned, people up here spend most of their life clothed.” 

She turned her head in the opposite direction as if to say, ‘So?’ before ultimately relenting, pulling the white top over her head. 

Making a move to stand, her legs wobbled, giving out underneath her. But before she could fall, by the grace of his vampiric speed, Alucard managed to catch her, one of his arms looping under hers around her shoulder. Upon noticing the sudden conflict, the mermaiden hissed again but made no move to shove him off. Making another choked-off sound, from the back of her throat, she tried speaking again. 

“Ghhank hou.” Frowning, she cleared her throat before trying again. “Thgank cou,” her voice was quiet, and yet deep and guttural at the same time as if she was holding back. 

“So you can speak,” Alucard commented as he helped her walk a distance, finding her balance. 

The young maiden nodded, before shaking her head. “Youg may naught want mee too.” She blinked her large, dark eyes at him, pointing to them, them down to her throat as she did so. “Sssighh-rhen.” 

Alucard paused his walking, staring his golden orbs back at her. In the light, the mermaid watched as they glittered and shined, an almost metallic color, reminiscent of pirates’ gold, lulling her into a sense of security. She gave off a warning growl, having caught on to the fact that she was not the only one with influential abilities. Alucard blinked twice, breaking off the trance. 

“As I said before,” he reiterated, leading the way back to his castle, “I am not human.” 

The mermaiden watched him, as an almost smirk graced her inhumanely beautiful face. “Gooodd,” she hissed out. 

✧ ✧ ✧

“That is how the castle came to be in my possession.” 

Alucard led the young mermaiden down the many hallways and corridors of the castle, telling her the story of how he, along with Belmont and Sypha, were tasked with defeating Dracula. He stopped to point out various rooms along the way, the ones he was the most familiar with, anyway. There was still much of the castle that felt foreign to him. It was as if he walked the rows of a graveyard, rarely stopping to notice yet another name on a tombstone. How many hands had helped build this place? How much of their blood was shed to gather all the infinite knowledge and wealth that was kept here? Alucard did not know. Nor was he certain he wanted to know. 

Walking past the various debris and carnage still left from their battle with Dracula, Alucard ushered her into his father’s former study, now his study. In the middle of the room sat one large rather ornate chair, placed before a cracked fireplace. In the chair was a crumbled blanket and pillow. On the small table next to it, a cold long-forgotten cup of tea. The items together suggested this chair was used in recent days for sleeping, not for sitting and reading or studying of any sort. 

The mermaiden narrowed her eyes at that. Surely, even with this battle, Alucard claimed had taken place within his home, there were bedrooms and living quarters left unbothered. Why would someone in possession of such a grand and luxurious home sleep sitting up in a chair? Or perhaps, was it a question of biology, not psychology? Did a being like Alucard require sleep at all? 

As the mermaiden contemplated, Alucard kneeled down to start a fire, but not before vaguely gesturing at the crack that ran up the front brick of the fireplace. “As you can see, the fight was not limited to one area or room.” 

“Bprokeghn,” the mermaid nodded before gesturing herself to the chair and blanket set-up. “Behd?” 

Alucard cleared his throat, as he stoked the beginning flames of the fire. “My room was… damaged, yes.” 

Seemingly content with that answer, the mermaiden turned her attention to other parts of the room. 

Off to the right there were various bookshelves and texts. And on the left? A modest oak desk sat under a large painting of a beautiful woman. Her hair was golden, almost appearing to glow under the warm hue of the fire’s dancing light. Her eyes were large and hopeful, and her size petite but strong. In her hand, she held a white flower, although its beauty paled in comparison to hers, it was a lovely touch against the dark maroon dress she was wearing. 

“Prehty,” she said, stopping to admire the woman in the painting. 

Upon hearing her words, Alucard looked up, a soft smile having formed on his face. “Yes,” he said. “She was beautiful.” 

Glancing back at the man, the mer creature noticed his hair was blonde and rather lovely as well. Not as gorgeous as her own siren’s locks of course, but that was understandable. She pointed to the hair of the woman in the painting before pointing to her own, and then finally, to his. “Prehty too.” 

✧ ✧ ✧

From where he stood in the kitchen, Alucard watched amusedly as the young woman tried taking a bite of her grossly undercooked fish using a knife and fork, stifling a laugh every time she would manage to grip one utensil only to drop the other. Her less-than-human approach to everyday things made Alucard feel at ease. She was not a lying, conniving human he had to watch out for, she was not biding her time waiting to stab him in the back. Quite the contrary: she was blunt and rather oblivious to human social conventions. 

She had very little reservations when it came to nudity, Alucard had come to discover. If it wasn’t for his polite, insistence, she would have continued to roam the castle naked. Dwelling deep underwater made her rather immune to things like catching a chill. Alucard was similar, he did not feel the cold the way humans did, although he was not entirely immune to it. He would surely suffer frostbite should he choose to venture outside in the dead of winter without any clothes on his back. However, unlike a human, and more like a vampire, it would take more than freezing exposure to do him in. 

It was almost comforting in a way, to share the castle with someone who’s biology was surprisingly close to his. She was more unhuman than human most days, her residual scales and sharp claw-like nails coming back once her body had returned to full-health. Her teeth had also increased in length, although Alucard suspected she could control their sharpness at will to some degree, her opting to keep her incisors short and squared, more human-like, whenever the two would talk walks around outside the castle. 

The mermaiden also had an interesting diet. She preferred her food cold, if not raw. Even things like fish and other meats, she refused to eat properly cooked. Alucard briefly recalled the first time he had tried to offer her dinner. He steamed her fish the same way he steamed his, and presented it to her, expecting gratitude. It was humourous now, but back then he recalled being rather dissatisfied with her indignant reaction. She hissed, and berated him for serving her something ‘burnt’, or ‘burrrnt’ as she had called it. 

Alucard discovered it was less of a preference and more of a requirement when he found her eagerly licking the blood from a freshly killed and skinned hare he had fetched for dinner. It seemed that she, like him, and like the many other supernatural creatures, had a penchant for blood that was born out of a necessity, and not mere cruelty. With her diet of raw and bloody food, her skin appeared healthier- still as shiny and translucent, but less gray. Her human form’s skin was less cakey and dry, and when she did change back into her tailed form, which was rather often given how much she enjoyed lounging in one of the castle’s large communal baths, her scales shed much less than they had when they first met. Upon her initial arrival at the castle, Alucard found she’d leave scales behind her wherever she walked, the same way a lover might lay out a trail of rose petals. Of course in this case, there was no intimate surprise waiting for him behind closed doors (not that he’d want one given his past circumstances, anyway), but a very brash and temperamental half-siren, usually impatiently awaiting yet another “useless” lesson in human conventions. 

“Naught fun-ie,” she hissed, under her breath, well aware of Alucard’s amusement. “No need for toools underwater.” She dropped both her knife and fork unceremoniously onto her plate before crossing her arms, looking like a wilful toddler. 

“There’s no one to impress here,” Alucard assured her. “Besides, even without a fork and knife I’m sure you eat like a magistrate compared to Belmont. The rodents outside have more manners.” 

“Belmonnt,” the fair maiden repeated, picking up her fish with her bare hands. “Frrend.” 

“Yes. Although, I haven’t seen him or Sypha for quite some time.” Alucard answered, just a hint of loneliness creeping into his voice. 

“Hadd frend wonss.” Biting into her fish, she tore a chunk of flesh off with her teeth, a satisfied groan leaving her body as some of the excess moisture dribbled down her chin. “Huumann too.” She swallowed her bite of fish down, not bothering to chew much at all. “Dyed.” She licked her lips in satisfaction. “Beectraaid.” 

“Wherever humans are concerned, such possibilities are never in short supply.” Alucard agreed, handing her a cloth napkin to wipe her chin. “It is their nature.” 

Choking down the rest of her fish, the mermaiden swallowed harshly again before asking, “Owtsighed?” Of course, the two giant stakes housing decayed corpses had not escaped her notice on their way inside. 

Alucard retrieved her empty plate, moving to place it in the sink. Closing his eyes, he desperately tried not to remember the feel of the silver cords burning his skin, the way he suffocating under Taka and Sumi’s gaze, how if it were not for his sword and the magical component of it, it’d be his body flayed and strung up outside instead of theirs. Despite not having had anything to chew or eat, Alucard swallowed hard as well. 

“Yes,” he finally said.  

✧ ✧ ✧

“Where are wee going?” The mermaiden asked, her vocabulary and annunciation having improved much over the last couple of weeks. 

Dressed in a relatively sheer nightgown and robe, the young woman begrudgingly followed Alucard, already dressed for the day, as he led her over to the remains of the Belmont hold. Upon reaching the cleverly designed pulley system, Alucard lifted the safety bar of the lift and gestured for her to get in. 

The young mer woman bared her teeth but did not hiss, a vast improvement of manners and trust on her part. 

“You may recall in the past, I’ve mentioned a man named Belmont, Trevor Belmont.” Alucard set the bar back down, clicking it into place, before pulling one of the levers to begin their descent. 

She nodded. “Friend. Miss him.” 

Alucard furrowed his brow. “I do not believe I’ve once said I missed his company.” 

The young woman shrugged her shoulders, a form of nonverbal human communication she had recently picked up on. “Still,” she wagged a finger, disapprovingly. “Can tell. No want to be alone.” 

Having reached the bottom of the lift, Alucard secured the platform before exiting, seemingly eager to remove himself from their current conversation. “I speak his name frequently because he has gifted me a rather large piece of his family’s inheritance for safekeeping. Without my permission, I might add.” 

Flicking a large switch on the wall, the mermaiden watched in awe as hundreds of blue flames suddenly sparked alight, illuminating an expansive cavern of towered rows and rows of books and other meticulously organized collections. 

“This,” Alucard extended his arm out, showcasing the vastness of the space before them, “Is the Belmont Hold. It possesses all the knowledge the Belmonts learned on creatures of the night, the collection starting generations ago. Everything any Belmont learned has been recorded onto paper, and stored somewhere within these tomes.” 

Temporarily blindsided by excitement, the mermaiden found herself quickly making her way down several sets of stairs, her balance thankfully having improved tenfold, as she ignored the darker implications of Alucard’s words. 

“So much boooks!” She cried out, settling on entering a random upper row of tomes, pulling one out of the shelf. “So much papper!” 

Alucard nodded, coming to join her. “I take it your people do not have much use for such records underwater?” 

The young mer woman nodded, running her clawed fingers delicately over the inked pages. “Runes. Maghik. No paper.” 

Carefully, Alucard took the book from her hands and placed it back onto the shelf where it belonged. Before the mermaiden could bare her teeth or hiss at him in irritation he had already begun climbing down a nearby ladder, calling for her to follow. “Come. The books are impressive, but they are not what I wish to show you.” 

Reaching the lowest level before her, Alucard smiled softly as his eyes were met with the familiar scene of a magic mirror, and open chest. How strange to think he and his friends stood on this very ground when Sypha successfully managed to summon the castle. How strange to think right there, under his feet, was where Adrian Tepes died and Alucard of Wallachia truly began. 

There was a time when Alucard believed he and he alone would be the one to ever stand upon this, practically hallowed ground. Belmont was not yet sure if he wished to resume the responsibilities of his namesake. And Sypha, well, Sypha had chosen to follow Belmont in whatever trouble he managed to get himself into. Who knows if they would be back, if they ever intended on coming back? At the end of their journey, there was Alucard, left alone to shoulder the burden of both their families’ legacies. 

Trevor had told him not to make the castle his grave, but to use it and the hold to… help people. Such a task seemed near impossible when you were one dhampir, isolated far away from the rest of the world. But then, Alucard reflected, along came Taka and Sumi, and perhaps, he had once thought, he would no longer have to be alone. 

They were so eager to learn, but they were also so eager to leave. They did not come intending to stay, Alucard knew this, and yet, he could not help the way he drew their lessons out, making sure to be as detailed as possible. If they must go, he supposed, he could make it so they did not leave for a while. It was foolish to think his desires would go unnoticed by the two humans. More foolish perhaps, to expect them to understand. Alucard had been wrong. 

They sensed he was less than forthcoming, Alucard could not deny that was true. But he never lied, not once to them. But in their humanity, in their hurt and in their pain and guilt and anger they felt they were deceived. Perhaps deception was so readily on their mind because they had arrived with a plan to play him for a fool all along. 

Either way, it was fatal on their part. Alucard may have wanted them to stay, but he did not need them. They alleviated his loneliness, but they were not necessary companions, not like Trevor or Sypha. They were far too different, far too divested from the line of existence Alucard walked to ever truly understand him. Being human, they ignorantly believed themselves to possess so many options of their own, but as fate had proven: they too were wrong. 

But this young woman, this siren, this mermaid, she was different. She did not come seeking him, rather their meeting was entirely accidental. And this time, the playing field was even: she needed him just as much, if not more, than Alucard wanted her. It was different this time. Here, within the Belmont hold and his castle, she was the outsider. And no matter how long she stayed with him, no matter how hard she tried, she would remain less human than Alucard. Next to her, he was not a monster or a beast, no. 

At her side, he appeared solely as Wallachia’s savior, Alucard, and he was neither human nor monster. 

Coming back to the present moment, Alucard watched silently as the mermaiden approached the glass display case of vampire skulls. He watched as her eyes widened, and her fists clenched, before she spun around, her fangs bared. “Exsplain, now!” 

“The Belmonts hunted creatures of the night for centuries. They came to Wallachia hunting Dracula and his army of vampires.” 

“You said Belmont friend!” 

“He is- was. As I have said to you before, he aided me in my journey to defeat my Father Dracula, to prevent him from securing the extinction of the human race.” 

The mermaiden tilted her head to the side. “Buut why? You vampire.” 

“Not entirely,” Alucard countered. 

The mermaiden’s eyes squinted. “What?”

“The woman in portraits you’ve so admired within the castle, she was my mother, Lisa Tepes, and she was human.” 

Enraged, the mermaiden’s face contorted into an expression of anger, her nostrils flaring with every huff of air she took. “Liar!” She accused him, making her way around the side of the cabinet, trying to move past the dhampir without encountering him directly. “You said humans betrayed! You said not like them! You lie!” 

“I did not lie. I never told you I was wholly vampire, nor did I once say I was not part human.” Alucard mirrored her movement, cutting her off before she could reach the stairs. “I aided humanity only to be betrayed by humans. I do not belong in their world, nor do they belong in mine.” 

“Nor in minesss!” She snarled. “You human. Not friend. Not anymoresss.” Shoving past Alucard she began up the stairs before she felt a hand on her wrist yank her back. Whipping around, she found herself face to face with Alucard, his expression angry, his fangs elongated and on clear display. 

“And where will you go? Your human charade may not disturb me but it is bound to alert others. There is no city, no town where you could travel that they would believe you to be one of their own.” His voice was deep, dark, and full of disdain. 

“Then I go home,” she retorted. “With othersss like mee.” 

“Do you think they will accept you now you’ve lived with a human, lain with a human?” 

“Half,” she spit into his face before sneering: “Half huumannn.” 

Alucard did not even flinch, entirely unphased by her vulgar action. “Human nonetheless,” he said, the ice in his veins offset only by the golden fire in his eyes. “Not even they would welcome you back now. There is nowhere you can go, no one who would welcome you. I,” he spoke, baring his fangs, “am all you have left. I am the only one who understands.” 

The mermaiden opened her mouth to speak, but could not find the words. She closed her mouth before opening it again, still hesitant on how to respond. If it was not as serious of a moment, Alucard would have laughed: she truly looked like a fish out of water. 

Careful as not to spook her, he slowly raised one hand, using it to wipe away a stray tear that had fallen from her eyes. How strange a sight to see a siren crying, awful yet beautiful at the same time. Like him, Alucard thought. 

“You are the only one who could possibly understand me. You need not ever leave.” Alucard used his other hand to take one of her own, and guide it, resting it atop his chest. “I do not wish to be alone anymore.” 

The maiden choked back more tears, shocked she was shedding them in the first place in Alucard’s presence. 

Prior to those horrible humans taking her, tears were not something the mermaiden had ever experienced. Living underwater, she was surrounded by saltwater. Even on the occasions she was consumed by great emotion, her eyes behaved no different, felt no different than they did being in their usual full-contact with water as they were everyday. But after she was taken, she found the ability to cry, something she despised. It burned the skin of her cheeks with hot shame, her throat felt too tight for air: the process of crying was foreign, and undeniably painful. She prayed it would not become a normal occurrence for her. She swore the moment she was free of her captors, she would never shed a tear again. And then she met Alucard. And he was…

Sweet. He was kind. He was not an ignorant, vengeful human. Surely, he would not give her reason to cry. They were of the same kind, she and him. He would harbor no hate for her in his heart. 

How foolish of the girl to think hatred was the only feeling capable of creating pain, of making remorse. Afterall, ‘love’ was just as powerful. ‘Love’ was just as dangerous. 

Deep down, the young siren knew the dhampir’s words were true: there was nowhere else she could go, there was no one else who would understand her, and care for her the way he did. 

In fairness, he was not fully human, he was half vampire, and his father was the great Lord Dracula to boot. He was not simple in the way other humans were. He was not stupid in the way people were. He was educated and well-aware of the fragility of egos, the slow passing of time… He did not look at the world through a mortal lens. The mermaiden knew she could do worse, in choosing someone to trust, in picking someone to rely on. 

Then again, he was half-human. She was wise to fear him, to doubt him. He may have meant what he said, when he told her she need not leave, but that did not mean she needn’t want to. But she was so far from home, so far from more of her own kind. Who else left in this region ravaged by night creatures and monsters would open their home to her the way he had? Perhaps it was wiser to stay. 

Did she even possess a choice in the matter?

Even withIn the arms of that former stranger, she felt more forsaken than she had when those evil traders first captured her. She felt so alone… Gods… 

She, too, wished not to be alone anymore. 

“Ssstay.” 

“What?” Alucard’s head snapped up at the sound of her words. “Truly?” He could not help the hope that seeped into his voice. “You wish to stay with me?” 

Before him, the mermaiden nodded, yet another human expression she had come to love over the past few weeks. “Yessss,” she hissed out, her voice still nasally from her earlier tears. “I ssstay.” 

A/N: Holy shit! Almost 8,000 words here. And to think I did it all while fighting the worst virus of my life! (See, THAT just goes to show you how strong my love for Alucard is. 

Don’t forget to Like & REBLOG!!!

And if you enjoyed it, feel free to Tip Me on Kofi! 

[infernally-fond]

Orb of Infernal Envisioning - Unused Lines

I hadn't seen this mentioned prior - but there are some (to my knowledge) unused lines for the Orb of Infernal Envisioning in Helsik's shop for any interested.

Disclaimers, disclaimers -- if something doesn't make it into the final text of the published work, it's perfectly reasonable to ignore it for the sake of implications/theories that result from what is explicitly in the text/game itself.

This is just for fun. As is, you know, *all* of this. So.

If Raph's alive:

Narrator: *Your reflection looks back at you, smiling. As the skin burns and peels from its skull, the smile grows wider and wider and wider...*

Narrator: *The ball shows you a vision of yourself so lewd and blasphemous that your soul feels stained.*

Narrator: *Within the crystal, you see the devil Raphael sipping from a goblet of blood-red wine. He smiles as he catches your eye - can he see you?* [[the line we normally encounter]]

Narrator: *The image within the ball drifts through the corridors of an elegant house. Corpses hang from the walls.*

Narrator: *With the clarity of truth, you see an image of yourself laid out on a table like a suckling pig, ready for the carving.*

If you've been a Bad Client (TM):

Narrator: *You see the corridors of the House of Hope. Bloated flies buzz lazily around the corpses of imps and debtors.*

Narrator: *The ball replays the final moments of Raphael's life over and over and over and over...*

Narrator: *Within the ball you see Raphael, broken and bloody, dangling above the maw of the archdevil Mephistopheles who is preparing to devour him.* [[the line we normally encounter]]

Screenshot of the above:

I'm by no means a lore repository - no amount of hyperfixation can make digesting it en masse particularly easy for me. But! I'll tie my thoughts to this nonetheless.

First, we have our canon line: "...He smiles as he catches your eye - can he see you? *denotes: final phrase as incredulous and a little scared"

So we have the writers prompting us to at least entertain the idea that Raphael is placidly aware that you (or someone) is looking in on him - and he smiles! No big deal, favored client! Cheers to you, etc, etc. You're meant to be ill at ease here. I doubt any of us do - but, you're meant to. The average person would.

We'll block these out temporally because it was my first instinct to do so. :)

Past Events -

We have the play-by-play of Raphael's last moments. (GLaDOS voice: "You know, after you murdered me?")

To any player who would have seen this, this is real. Verifiable. The orb is showing you a true thing that happened, and you know because you were there. Doesn't get better than that.

Even if he doesn't ultimately die and there's some grand plot hitherto unseen, the beatdown replayed on the big screen is correct. You'd know if it wasn't.

Premise 1: The orb can show you accurately represented events.

Current 'Events' -

Example: Your reflection has a lab accident moment.

The use of reflection is critical to establish the point in time. You move to the left, it moves to the left. It's right now. And, right now, your skin seems to be melting off your face.

Unless there was an intended accompanied face-melted ending that would have accompanied this dropped line, this was written to be scary and provably false. Tav, touch your face. Exactly.

So:

Premise 2: The orb can show you grotesque illusions not bounded by fact.

Future Events

Ex 1: "*With the clarity of truth, you see an image of yourself laid out on a table like a suckling pig, ready for the carving."

'With the clarity of truth' is an obvious bid to double check any accusations of falsehood, and we're diligent enough to play along.

The only condition to checked to trigger this text is for Raphael to be alive -- regardless if you take his deal, go to his home, etc.

For all roads to lead to Player-Character-buffet seems unreasonable. Impossible, even. Unlawful. I'm calling a lawyer, hang on-

And so we hit a debate on how to interpret the sense of 'truth' you feel from the orb. I think this line reads best from the equivalence of failing some Wisdom check -- you are very sure it's true, but it's an Orb of Infernal Envisioning. Click again. You just saw your reflection melt.

So I think this is a lie.

So we expand Premise 2 a little.

Premise 2, v2: The orb can show you grotesque illusions not bounded by fact. This includes false visions of the future.

Ex. 2: The Blasphemy.

*The ball shows you a vision of yourself so lewd and blasphemous that your soul feels stained.*

Right.

So this has to be the future, because unless you are electing to do some very wild shit while looking into the orb, this is not the current situation.

There is a lot of vagueness here - but, I think that because it is so vague and any variety of Tav/Durge/Origin character can see it and have this response. This is a run-of-the-mill, customized vision of torment meant to get the desired reaction.

It's not about truth, it's not about warning. It's just the infernal variation of a jump scare.

If the content of the vision can be customizable in this fashion, it reveals something else - it's not a specific lie, a specific truth, or any quality of the content itself that 'matters' to the orb. No, what matters is the reaction. Your soul feels stained, doesn't matter how.

Varying Perspectives

Across these, we see the vision in the orb take the perspective of someone following/viewing Raphael (Wine-Snob-Hour, Looped-Death, Saturn-Moment), following/viewing you (Lab-Accident, Dead-Dove-Do-Not-Ohhh Yikes), some unanchored POV that isn't dead-phael ("You see the corridors of the House of Hope. Bloated flies buzz lazily around the corpses of imps and debtors.")

The visions mostly occur in the House of Hope; Cambion dinner is in Mephistar, your reflection is presumably in the Devil's Fee on the Material Plane.

We're not fixed to see any specific time, in any specific realm, to see any specific person. And we're not even guaranteed to see any specific degree of lie.

So what's the point of this fucking thing?

Provable fact is used one time across this set - the first thing we covered. You killed Raphael.

The only time the orb tells you the verifiable truth, it does so "over and over and over and over..."

Because it hurts you. Or, well, it's intended to.

That's it, that's the whole thing. The only time it evokes the (known) truth is when said truth torments you. Otherwise, it's scary what-ifs, cheap jump scares, and the corpses of imps and debtors you had a hand in creating.

All of this can be context to slightly reframe the vision of the moment before filicide with Mephistopheles. All of these visions are brief and so what one selects to provide details of is very revealing.

In this vision you're granted two adjectives:

You see Raphael, broken and bloody, about to die again.

If we stick to the expanded interpretation that the orb shows only what will get the desired reaction, this isn't narrative to resolve a loose thread. It's not closure. It's shown because the orb manifests what is expected to make you suffer - or at least take pause and sort of steep in the disquiet of the consequences for a moment.

Reaching waaaay across the narrative and very out of my lane for this post, so much of the tone in the HoH arc is campy humor, but I don't think this was meant to be.

The specific call out to watching him die 'over and over and over and over', to his 'broken and bloody' form is not flippant language. It's certainly not campy.

I think the tonal shift for this conclusion (while pretty jarring, I gotta admit) is meant to be pretty somber for Raph.

But many players have just bounced down the sequence of "lol he's a bottom" to "Haarlep said that's twice as long as-" to "omg he sings his own song" to victory and, then -- "wtf someone's eating him?"

It's an odd pivot. People have to be primed for sympathy, and I certainly didn't read the writing for the orb as intending to pull at something uncomfortable in the player post-HoH when put in context with the high-score-streak of chamberpot-humor. I can only back into that interpretation when looking at the full set of narration the orb was set to provide at some point.

Kinda wild.

[echantedtoon]

Quite A Handful Ch2 Urami And Zohakutan

(Warnings for possible mentions of violence, death, cannibalism, usual kny content, etc.

I decided to include the last two clones too since I wrote for the main clones and Hantengu. I'll include Zohakutan but his interactions with Wife Y/n are STRICTLY PLATONIC!!

Hey everyone. I just wanted to thank everyone who read this far and liked my story enough to read it to it's end. I had a lot of fun writing it and it makes me happy knowing some people loved it enough to read it fully. If you liked this consider checking out my other works. Thanks to everyone for reading this, faving it, or leaving a nice comment. And thank you to Koyoharu Gotouge for creating such wonderful characters and giving me the opportunity to make this wonderful story.)

@hawnkoii

@hantengus-fuckass-clones

@hantenguclonesimp-minuszoha

The darkness of night was always dangerous to those whom did not heed the warnings of the monsters whom lurked within the abyss and shadows.

The woman knew that more than anyone else very well. Often finding herself confined within it's hold. Innocence ensnared like a bird within it's cage. Singing it's innocent melodies despite being condemned to be surrounded by cold iron bars. Forever ongoing. Swirling, swirling around

The sun sank beneath the horizon to make way for his sister the moon to take her rightful place upon her throne of darkness surrounded by her army men of stars and comets. 'Cone out!' She cried out to her dark children that hid from the light. 'My brother and his infernal light is gone. Once more come out to greet your mother and wreck discord upon thine earth. Have your fun dancing in my gentle glow and bask in the darkness that I reign upon as I watch over you.' The monsters woul answer their mother's cries. Dancing. Reigning havoc over the darkness. Bringing entropy to every household they manage to invade.

A fire warmed up the skin as your lazy eyes watched the dancing flames in the pit. The flickering lights casted dancing shadows the lonely still walls. They frolicked in tune with their own rythme in their own universe. However the warmth of the fire kept your body warm and toasted from the cold outside. No doubt crawling with monsters and demons of the abyss walking forth towards you with every step they took. In tune with every breath you took. But you didn't mind. Infact within the darkness the maiden embraced their outstretched embrace.

Step. Step. Step.

Closer and closer.

Breaths of sins clawed their way from a maw that swallowed more innocent lives than the mind cared to remember. Smiling at a wicked whom remembered or a sinful coppery taste that it could still taste on the malicious tongue. Running the muscle along fangs sharp and destined to rip flesh from mere bond. However the sins of that life would be forgotten in exchange for the comfort of innocence that the night allowed him to have once every moon. Footsteps soft yet loud enough to echo through the darkness and approaching the house with remaining light. Light that offered warmth and comfort but not protection.

F/c eyes opened slightly and turned. A door normally provided comfort and protection was no match for the class that ensnared it and pushed it open allowing the night and shadows to spill inside. The sinful, wicked face was delighted to see the one of innocent happiness smiling back to her.

"Hi, Honey!," you greeted brightly from where you were currently cutting a raw cow steak into smaller pieces for your dinner while a giant pot of rice was bubbling in the fireplace behind your smiling face. "You're home late. How was work tonight?" You beamed expecting your husband to crawl in by himself and maybe a few of his clones to come in but you were stunned by who instead walked in through the doorway. "Oh no. What happened?"

It wasn't your husband that waltzed in through the doorway. Uh..Well technically it WAS but it just wasn't the part of him that you were expecting to see tonight. A giant lumbering figure ducked down having to bend at the knees just to get in. The exact copy of your husband if your husband was taller than even a large man and if he was angry instead of scared all the time. The large scowling demon had to lean over even when he was inside because he was so tall. A much smaller figure  walked in right behind him looking just as angry. He was young but only in appearance. You knew his looks were deceiving and the other looked so unusual because-

They were both clones. Extensions of your husband. 

But these clones weren't really common. In fact you barely if ever saw them in the entire time you've been married to your husband. Resentment and Hatred weren't really two emotions that really bubbled to the surface too often.

"None of your business, Woman!"

You leaned back taken by surprise by the harsh tone from the larger man before the other looked at him with a harder scowl to his face.

"Shut your mouth, you overgrown mules ass!" He hissed back which made the other hiss back. "You will not utter a fucking sentence like that towards her again less I rip your tongue out through your throat!"

"Boys, don't fight." You gently lowered the cleaver until it laid upon the cutting board. Although you were secretly happy to know that you'd be defended by some part of your husband. "I only ask because usually it's not the two of you I see. Oh no. Did something bad happen?"

"Nothing we couldn't handle."

"Those dammed Haishira! That's what!" Urami threw up his hands almost hard enough to punch holes into your ceiling. "If Zohakutan had just done his dam job in the first place then I wouldn't have to be bothered with this!"

Zohakutan fully turned to him now snapping his scowl up! "I WAS THE ONE THAT KILLED THE DAMMED HAISHIRA !! All you've done was run away like a dog- No! A BITCH WITH YOUR TAIL BETWEEN YOUR LEGS YOU GIANT WALKING JACKASS!!"

"OH YOU FUCKING BRAT!! THAT'S LARGE TALK CONSIDERING YOU COULDN'T KILL HIM THE FIRST TIME!!"

You looked back and forth between the two as they shouted at one another. Now you know why they didn't come out too often. Sigh.

"I DID KILL HIM YOU WALKING SACK OF SHI-!!"

"SEKIDO AND THE OTHERS DIDN'T!!"

"IM NOT THEM!!"

"IT TAKES THE FOUR OF THEM TO MAKE YOU SO YOU STILL FAILED!!"

"THAT DOESN'T COUNT!!"

"YES IT DOES!!"

"NO IT DOESN'T!"

"BOYS!!" You're shout echoed throughout the home.

"WHAT!?""WHAT?!

Both of them snapped to your tired stare. A sigh left your mouth before your hand just grabbed the cleaver again and steadied the next chunk of meat.

"Why don't you both just come sit down for dinner? I have raw steak cutlets for you and rice for me." The cleaver made another loud THUNK sound as it collided with the wooden cutting block and slicing a thick chunk of beef in two.

Both instantly looked interested."Raw steak?"

You nodded. "I've been working all day slaving away to clean your house and make you dinner and all I get in return is the both of you arguing like children!" A scowl was thrown their way before you pointed the cleaver at them point, not in a threatening way but to just show a point of your current work. "Now BOTH of you shut up and go sit down before I rip Hantengu out of Urami's heart and feed him all of this instead!"

The two didn't say or do anything at this until they both shot each other the harshest scowls and walked into the kitchen making you sigh in relief. You thought you heard Urami mumble some kind of cursing under his breath but at least they stopped fighting..for now.

It was quite a handful having so many husbands.

[druidwolf21]

As per the votes, here's some loving smut with everyone's fav space viking!

Leman Russ/F reader

Content warning-

sexual content

A bit of fluff

Homesickness

Saying I love you during sexy time???

@moodymisty @cosmic-cryptid-from-beyond @lemon-russ @beckyninja @jaghatai-khock

Hope you like some sexy lovins

Words and meanings

Skitja- fenrisian curse

Volda Hamarrki- the mountain range of fenris

Skitnah-dirty/foul

Aett- clan hols/ heath fenrisian name for the fang

Stormurstjórn- stormcaller (I used this as a little pet name

Skíthof- another fenrisian curse

Gmorl-fate

The fire roared and blazed, spitting sparking embers across the marbled guard as you stared listlessly into the light. The book you had been reading hung limply from your hand as your eyes followed motes of flames dancing from one cindered log to another as it's warmth gently toasted your skin.

You allowed your eyes to wander from the embers to the room you sat in. Cold steel walls rising high above you, dispersed with woven tapestries of great battles and flickering oil torches. You sighed wistfully as your sight fell on a painting of a forest, trees frosted with diamond snow and silvered icicles, shadowy wolven figures dancing through the wood with amber eyes that seemed to glow.

You fisted the furs on the bed you had perched on as you threw the book aside and fell backwards, staring at the canopy above you, willing it to turn from soft cotton into the grey fenrisian sky. Squeezing your eyes shut and inhaling, you could almost smell the frozen sap, warm mjord and smelting iron that hung perpetually through the halls of the fang.

But home was a long way away and no matter how hard you willed it, upon opening your eyes, the dream of Asaheim faded into the distance. Your memory of warm meals and warmer company left a bitter taste in your mouth as you swept a hand across your face. Your thoughts were dragged back into the present by a wet nose against your thigh and a quiet whine.

Resigning yourself to your current situation, you drag yourself upright, smiling gently as you come face to face with golden eyes and a maw of teeth as long as Eldari daggers. Thick lines of spit coated each fang as the beast breathed heavily in your face before letting out another low whine.

You snorted and place a hand on the wolf's snout, playfully pushing it away.

""Skítja, fenki!" You curse "what have you been eating, your breath is worse than...well I don't know, but it's bad!"

You recoiled as your question got you a long, hot lick from your bare ankle to the top of your thigh. You hopped off the bed and rushed to an oaken dressing table, ripping a towel from a drawer and dragging it along your leg.

"you are so gross" you laugh lightly, dropping the towel and walking back over, pressing your face into warm fur and inhaling deeply.

"I guess you miss home too, huh?"

You nuzzled in deeper, wrapping your arms around the giant canine as far as you could, twisting your fingers through coarse fur and feeling the slow, steady rise and fall of it's chest.

"I promise, as soon as we can, we'll take you back home, back to Volda Hamarrki. Me, you, Russ and Geri, does that sound good?" You whispered, trying to stem tears before they fell

"we'll go back, away from this Skitnah ship, feel the snow under our feet again"

The tears flowed freely as you buried your face, gritting your teeth, willing them to stop as you fought to push the home sickness from your thoughts.

"Making plans for me, my little Stormurstjórn?"

You spun round, hair whipping around as you turned to face the owner of the deep voice that thrummed through you.

Lemans grin faltered as he saw your face, wet with tears, he threw down his thick cloak as he rushed over, dropping to a knee and cupping your face gently.

"my heart, what happened? why do you cry?" His face darkens and a snarl starts forming on his face, his hands and eyes gliding over you "did someone hurt you? If someone touched you I'll.."

You shake your head gently, looking into lemans icy blue eyes and smiling shyly.

"no my lord, I'm fine, just wishing for the comforts of home"

You see the tension leave your primarks body as he leans back slightly and your heart fluttered as his easy smile found his face again. He pressed a gentle kiss to your lips before pressing his forehead against yours.

"The Aett may be far, but you are here and that is home enough for me" he murmured, his voice as thick and sweet as honey mjord as he brushed the tears from your face.

You pulled away and pressed your hands to his cheeks, admiring the way the dying embers cast a warm glow across his face and down his neck. His eyes shone, almost reflective as the light flittered and sputtered.

A thick golden braid had fallen over his shoulder and You leant back in, running the hair through your fingers before pressed a kiss against his lips. His arms wrapped around you and you felt like you were melting into him as he returned your touch, running his tongue along your lips, deepening the kiss.

You gasped as a callused hand found your ass, snaking beneath the metal blue dress you were wearing. Leman took advantage of your shock, pushing is tongue into your mouth and tasting you, his other hand locked in your hair. Wrapping your arms around his neck, you sucked his tongue, tasting mjord and smoke, earning a growl in return.

You separated and leman admired the mess you had become already, lips pink and cheeks flushed.

"I can give you a taste of home, if you miss it so much" he smirked, running his tongue along his fangs.

You rolled your eyes and grinned, before leaning back in for another kiss.

Russ took this as an open invite and swept you in his arms, dropping you on the bed and slowly slid your dress off your shoulders, peppering kisses and bites marks down your neck and shoulders as he swept the garment from under you and tossed it to the floor. His hand gripped your waist and ran down your thighs as he took a perk nipple in his mouth and ran his tongue around it, he grinned again, lifting himself from your breast to look at you.

Your eyes were slightly glazed as your chest rose and fell, looking at your lover with doe eyes.

He returned his gaze to your body, trailing his tongue down your stomach before reaching where you wanted.

He lifted your thighs higher as he dove in, licking and sucking on your pussy like a starving man. You gasped and instinctively locked your fingers in his hair.

His tongue felt rough but throne did he know what he what he was doing

Your moaned his name, hips jerking fruitlessly as he held you down, his eyes locked on your face as you came, your hands tightening in his hair as your orgasm rocked through you.

Leman rose, licking away your taste from his lips as he looked down at his work, you lay, flushed and gasping on the warm fur across the bed.

Just the way he liked it

He quickly made light work of his own clothes, throwing them into their own heap next to yours

Your eyes grazed over his body as he stalked towards you, trailing down his broad, scarred chest, following the line of his abs and the trail of hair, lower and lower...

Leman, climbed over you, his braids tickling your skin as he gently gripped one of your hands, locking it next to your head and gazing down at you. You felt your cheeks flush at the intensity of his eyes. The concern, care and feral arousal in his stare raised a heat in your core.

"my little queen" he whispered in your ear, as he slowly slid inside you, inch by inch filing you. You moaned as you felt yourself stretch to your limit, his dick reaching deep inside you as your back arched, pressing your breasts into his chest. He pressed a kiss to your cheek and slowly withdrew, before sliding back inside you, over and over.

"I'll fuck all the sadness right out of you"

You moan his name as he ground into you, one hand still gripping yours as the other held your thigh up, fucking you deeper than you could imagine. His dick touched every part of you as he filled you, over and over. The knot in you stomach getting tighter and tighter...

"L..leman right there!" You mutter into his ear, biting at his lobe "p please"

"Skíthof" he cursed as he felt you tighten around him, "so tight for me" your muscles fluttering around his cock as he drove deeper into you as you came.

Yes, scream my name, you belong to me, my sweet, my heart

You panted as you finished, wrestling your hand free, you gripped around his neck and looked deeply into his eyes.

"I love you, leman" you sighed, biting you lip as the feel of his driving into you, the sound of his breath and skin on skin and the heat from his body drove you towards another peak. "I love you, my wolf"

A brief look of shock passed across Russ's face, his movements became erratic and he growled and dropped his head to your shoulder as you felt him finish, feeling his cum fill you up as he jerked into you, pushing it deep inside your pussy and biting your shoulder, marking you as you cried out, finishing with him.

You stayed like that, wrapped under the body of your lord, his face pressed into the crook of your neck and your arms around him, his dick still wreathed inside you as his cum slowly leaked out.

The reality of your words set in

I love you leman...

The sweet comfort of your afterglow vanished and you blushed furiously.

"did I seriously say that for the first time DURING SEX?!" You screamed internally

Finally, you felt your partner moved, slowly raising off you, his locks tickling across your breasts sending goosebumps across your bare skin as he looked down at you wordlessly, the blue galciers of his eyes looking down at you, almost searching.

"mmm my lord I.." you stutter, trying to find the right words.

He silenced you with a firm kiss, grinning that stupid sexy grin. But despite the smug smile creeping across his features, his face was soft and he met your confused look.

"And I you, my Gmorl"

You lay in shock for a moment, your brain twisting at what was happening as leman pulled away from you and stretched, looking over his shoulder at you. You sat, bolting upright.

"I.. you..."

He smirked at you over his shoulder before rising to his feet and throwing your dress at you.

"come then, sweet one, do you still wish to see fenris again?"

He loved the way your eyes sparkled and you jumped off the bed towards him, clutching your wrinkled dress to your chest.

"really?? We're going home?" You laughed and spun and leman felt his heart skipped a beat in his chest.

He shook his head and bared his fangs in a wide love sick smile

"anything for you, my little love"

[iconicanemone]

Just a Joe thing

“Joe, what is this?”

“Hmm?” Joe tilted his head in question, his new pingball eyes seeming to stare straight into Cleo’s soul if she had one.

“Really, we’re doing this?” Cleo asked, crossing her arms.

“Oh, you mean this?” Joe asked, his maw opening and closing as he spoke. He moved his arm back and forth, the fabric of it bending without any support.

“Yes Joe.” Cleo dragged a hand down her face. “I mean that.”

“Well, you know how I was trying to design a muppet me last week during our crafting session?”

“Yes Joe.”

“Well, this is the current version!” Joe flung his arms open as his mouth gaped open, as if in a smile. 

But as Joe was a muppet, and wasn’t as practiced in muppet emotions, it was more unsettling than emotive.

Cleo let out a sigh. “Yes Joe. But why are you possessing a muppet you?”

“Oh, that’s easy!” Joe exclaimed. “You know how me and some of the other hermits are playing on a vault hunter server? Well, I accidentally died in a vault on one of my runs, which separated me from my body! And you know how I turn back into a ghost if I’m separated from my body!”

“Yes Joe.”

“Well, turns out one of the mods made my body turn into a ghost, and you can’t possess a ghost when you yourself are a ghost. But I just so happened to have my current muppet me version on hand, so—“ Joe threw his hands into the air, “— here I am!”

“That’s great Joe.” 

“I’m working on getting it where I can get my body back.” Joe continues, pulling out some cloth and his notebook from his inventory. “So I can keep working on muppet me from the outside.”

“And what are you doing this week?” Cleo asked, pulling out her box of crafting tape and her bullet journal. 

“I’m working on muppet me from the inside!” Joe exclaimed with an unsettling muppet smile, before grabbing a pen and scribbling in his journal.

Clean sighed again. “That’s great, Joe.” 

[yeyinde]

WILLOW TREE MARCH

John Price x Reader | Fae!AU

"They'll give you gifts," your gran says, shaking her head. "Things from their realm. Little trinkets and gems—" geodes, sapphires and diamonds, raw gold and coral; "—and you must never accept them," a whittled deer made of sequoia under your pillow; crow bones buried in the garden."Because if you do, if you do, they'll never let you go."  "Why?" You asked, blinking at her.  "Because it's a courting ritual, and to accept means… well," her mouth twists in wry disdain. "Just don't." 

—WARNINGS: 18+ | SMUT fae shenanigans, mythological nonsense; unsafe sex, smut in random places, slight exhibition kink if you squint; Dom-ish Price, soft Price, pining Price; fae trickery (dubious consent on account of the trickery but not really); unreliable narrator; ahhhhhh, body horror (??????????) —TAGS: Fluff, AU, mythology —WORD COUNT: 8,5k —Based on this ask

There's a thick forest at the edge of your town. It curves along the coastline, breaching the yawning maw of the inlet—the last safe haven before the open ocean—and can be found almost nowhere else in the entire world. A unique ecosystem comprising vaguely familiar flora and fauna. Brown and Black bears. Wolves. Sitka-black-tailed deer. Ravens. The waters that crest through the forest are full of salmon, steelhead, and river otters. On the coast of the inlet, you can find whales, sea lions, seals, orcas, and porpoises swimming offshore. 

It's protected, in large part, by its sheer vastitude. Spanning a massive chunk of your home, it stretches far north with curling fingers cutting through the granite of the crumbling coast, and as deep south as its knobby knees can reach. 

From above, it looks like a child curled on its side, knees tucked to its chest. It's this pose alone that makes others revere it as some sacred being, slumbering mindlessly until the day it cracks open its eyes, and awakens to the new world. A child god made of conifers, red cedar, spruce, fir, pine, birch, and hemlock. Mossy caves of granite and limestone. Thick colonies of moss, liverworts, plume moss, and common haircap. 

The forest is linked to your town only by a small strip of land that juts out from a raging ravine with currents too dangerous, too deadly, to try and traverse. An archipelago all on its own, untouched by greedy, human, hands because of its placement. 

It's insulated by the vast ocean on its front, and a series of insidious looking mountains ready to swallow wandering mountaineers whole if they get too close to the sleeping child. Protected and safe by anyone who might try to harm it. 

You used to dream about the forest. A nightmare dredged up about whispers and calls. Lured close to the edge of the river where a man would hand you his heart—sap-stained, and charred; a brittle piece of Bristlecone pine that felt fragile and worn—and told you to come back for him. To wait for him. 

You'd wake in a cold sweat each time, heart pounding so fast that it almost felt like you were dying.

(Maybe you were. Maybe you did.)

You don't know if you believe the stories told about people wandering into the gaping chasm of the forest and never coming out. It's not uncommon for people to get lost, after all. But it feels distinct and archaic. Old. Something about the way the wind howls sounds different from the other woodlands scattered around your home. 

It sounds like a beckoning call. A mother calling their child home for dinner. Come to me, the Chinook bellows. Come home now, dear. 

You never venture too close. You know all too well what happens to children who do.

His name is—was now, you suppose—Kyle, but no one called him that. To everyone in town, he was simply known as Gaz. 

Newcomers to the isolated archipelago are a rarity—so much so that news of the new family's arrival sent waves through the community, making Gaz an instant star overnight, all without him even setting foot on the shores. 

None of that mattered, though. He fit in with an ease that seems almost preternatural when you think about it, as if he was meant to be there. And maybe he was. Maybe the soft rolling valleys were destined to be his home where flowers bloomed in the spring, and Arctic tern trilled from the branches. 

Gaz was unique, different. 

He picked dandelions with the same intensity that picked fights with the bullies in the neighbouring town, the ones who tried to pick on the smaller kids in the community. 

With his fists always covered in dandelion oil and bruises, face caught between a grimace and a grin, like he was never sure if he wanted to spit at their feet or tell a joke, he stood against the onslaught with an anger that seemed to crackle in the air like fireworks. Ready for battle. Thirsty for blood. 

His anger never waned even when he turned back to the group, eyes cresting in satisfaction, and body trembling with adrenaline, and you could scent the rage in his smile, hear it in the soft words he muttered to the kids, telling them everything would be alright. 

Gaz was everyone's friend. The person you told your deepest secrets to, the one you planned adventures with. He was a rock—always armed with snappy jokes to make you smile, and advice when you needed it. 

He was everyone's friend—yours especially—but you can't remember if anyone was his best friend. He was polite. Distant. 

It started in the summer. His hands were always cold, and he kept them shoved deep in his pockets, clenched tight around the latchkey his parents gave him. 

He started to seem almost liquid then. Temporal. You'd reach for him, brushing your hands against his arms or shoulders just to assure yourself that he was really there.

You noticed that his eyes would list sideways, head tilted, slanting toward the forest. It looked to you as if he was listening to something. To some unheard noise or call that only he could hear. 

When you asked about it, he'd always blink, surprised, as if you'd woken him up from a dream quite suddenly. Then, he'd smile, and shake his head. 

"Don't worry about it," he'd say, shrugging. "Just the wind."

He'd bend down and pick a dandelion for you, holding it out between pudgy fingers with a grin that seemed to mimic the cresting moon. 

"For you."

He picked them for three springs before he, too, became another victim of the endless forest. Another empty tomb in the overcrowded graveyard.

Missing, they said, but not forgotten. 

You think about him often. 

(Even more so when you, too, begin to hear your name echoing through the forest.)

Beware the woods, your grandma says. Especially when it calls your name. 

(You never understood why something that sounds so comforting, so sweet, could ever be dangerous. It sounds like an old friend calling you over to play. 

"Never go," she snaps, her hands lashing out to grip your arms tight. You feel her knobby fingers digging into your bones. "Never listen, and stay away—"

"You're hurting me, gran—"

Her rheumy eyes burn into yours. "Stay away—!"

(You wisely never speak about the whispers in your head, keeping them to yourself. A secret just for you.)

You leave town when you're old enough, when the hisses in your head grow too loud to ignore, and it feels as though they're scratching at your skull. 

(Clawing at the walls.)

"Crazy weather, eh?" The first mate mutters nervously, eyes tilted upward as the sky darkens into an angry grey. "Came outta nowhere." 

You leave, and you don't look back. 

(But oh, how the forest screams.)

She calls you back several years later with a phone call. Your gran has passed. 

You think you should mourn, but it's been so long since you thought of home, that you don't remember what she looks like anymore. The sound of her voice is a whisper in your head—the cadence gone, the tone flat. 

But you don't cry, and you don't grieve—she's been dead for a long time now, after all. Ever since your mum went missing all those years ago, she's always seemed more of a ghost than a person. Living as if her body hadn't realised her heart was long dead. 

You go back only because you think your mum would have wanted you to. 

(And pretend it isn't because the silence in your head is suffocating. Without the whispers, it feels as if you're missing something. A part of yourself forever lost in the forest.

You wonder if anyone has found it by now.)

Nothing has changed since you turned your back on the town that raised you, the forest that stole from you. 

It's the same buildings. The same market. The same roads. The same houses. 

The people, too, seem largely unchanged by the years that have passed. 

The friends from your childhood who stayed meet you at the graveyard, eyes filled with sympathy as they ask how you're doing. 

She'll be missed, they lie sweetly to you. Everyone loved her. 

She was a hermit, you want to scream. A woman driven mad by ghosts and fairytales and terror. 

You nod, instead, and let them lead you around the town on a grand tour as if anything about this beautiful, haunting place had changed since you ran away. 

It gets easier to force a smile when they ask if you're okay. 

"Fine," you murmur and wonder if your voice even carries over the whispers. "Just—yeah. Fine."

North of the town is where the river separating the lonely forest carves a path, not at all dissimilar to an idyllic trough, through bedrock and sand, and flows into the sea. 

The estuary is dangerous in high tide when the rapid ascent of water on the sandy shores hides the rip current that is known to form when the two bodies of water meet. 

It's a dangerous place to get caught in. 

This beach was impressed upon you as deadly from a young age, almost in equal—if not greater—measure than the rapacious forest across the river. You know the dangers of standing on the slippery bedrock. 

But as the sun glows a burnt orange in the distance, and the endless ocean before you darkens into an almost unfathomable black, you can't help but find the view from the cliff's edge to be the most mesmerising thing you've ever seen. 

It looks like a painting. A brush stroke of tigers eye in the centre of the cresting sun that gradually fades out into xanthous, and rings of hazy peach; the light of diminishing star smears coruscating rings of persimmons into the indigo water. The gradual fade into gradients as the waves lap closer to the shore is reminiscent of liquid sapphire and smelting amethyst. 

The picturesque view is more befitting of a pastel postcard, an ethereal pastiche of the Ninth Wave—a moment of life imitating art, or—perhaps—the same view Ivan Aivazovsky stumbled upon when he set out to render the haunting beauty of the ocean in oil. 

The cresting waves arch into curled petals of white before setting upon the sloping beach with frenzy. It's the roar of those hungry waves that seem to, if only for a moment, drown out everything in your head. 

There are no whispers. No songs. No screams. Vengeful hissing can't climb to a higher decibel than the frothing waters slamming against jagged bedrock. 

All is quiet—except the sea. 

You lean into it. The closer you get to that precipice, the quieter everything in your head goes. Sounded sucked into the vacuum of the ocean. The endless song of the sea. 

Another step. Another. 

For a moment, you're free. 

The forest doesn't scream for you. Your grandmother doesn't dig her teeth into your gyri, hands clawing at the space behind your eyes. You don't think of her, or your mother, or Gaz, or anyone else unfortunate enough to get consumed by this damnable place where fairy tales split the seams apart, and merge with reality. 

It's peaceful. 

You take another step—

A hand curls over your shoulder, tugging you back. 

Anger pools, thick and acidic, on your tongue, but the flash of your ire, your vexation, is dashed by the sound the waves make when it slams into the spot you were just standing. 

It slashes across the concrete as the stranger pulls you into his broad chest, heat nearly liquifying your spine. 

He sucks in a breath. You feel his chest expand with it. When he breathes out, you taste gunpowder on your tongue. 

"Gotta be more careful n'that, love." 

You've had near-misses before. Flirted with the reaper. Ripped yourself from the jowls of death himself. 

This isn't anything new.

And yet—

Your eyes drag up, meeting flat black boring down at you. His hood is pulled over his forehead, casting shadows down to his jaw. 

"You—"

Your teeth sink into your tongue. Emotions lash through you like the flick of a bullwhip, shredding your skin until it's raw and oozing. The tail pulls away whenever you try to wrap your fingers around one of them—relief: you're not dead; embarrassment: how could you be so stupid; shame: saved by a stranger; and—

Visceral terror. Panic. 

It bludgeons its fist down your throat, barbed knuckles clawing at the soft tissue of your esophagus until you taste blood on your tongue. 

Panic tastes of ozone and leaks, thick and warm like molasse, down your throat. 

"Hey," he murmurs, and the sound of his voice, his low timbre, is porous, calcined. The rough scratch scours through the haze of fear threading through your sternum. "C'mon on, now. Gotta breathe, yeah?" 

It's his hands on your shoulder—hotter than grenade fire—and the thick scent of musk, of stale smoke and kerosene sweat, that break through the gossamer of your acrid panic. He spins you around to face him, eyes fixed on your face. 

"That's it," he says, soft, soothing. "Keep breathin'. You ain't dead yet." 

You come to yourself in pieces. The world bleeds with startling clarity around the blurred edges. Home, you think. Maybe.

Once upon a time. 

You blink. Blink again. 

The hand still on you—heavier, you find, than an anvil—lifts, his thumb brushing over the curve of your jaw, swiping over the sweat-stained skin.

You can't see his eyes through the shadows cast over his face. A stranger. You've never seen him before. 

They didn't say anyone new moved to town. 

"Who are you—?"

"You don't know?" 

And then his hand is gone, taking all the heat in your body with him. 

It lifts to his vest, thick fingers, gloved in yellow, curling over the butt of his cigar. 

You must make a face. A grimace. A whisper of bemusement. Whatever it is, it makes his lips twitch under the shorn burnt umber of his beard. 

"I'd share," he mutters, teething sinking into the hilt as he pats himself down for a lighter. "But I ain't got the time."

"Shouldn't be smoking in a provincial park, anyway." 

The words are dragged out of you. Numbed, gritty. 

It makes him snort. "Maybe—;" he cups his hand around the end, thumb striking the ignition of the lighter. He inhales, and the red circle at the tip illuminates the cerulean blue tucked away into the folds of his hood. The plume of smoke curls over him like a shroud. "But I doubt a cigar is gonna bring the whole forest down, mm? 'sides, we all have our vices, don't we?"

With that, he leaves you standing in the tendrils of smoke that billow out from his caustic mouth. No goodbye. No name. Nothing except the hum of his touch buzzing through your veins. 

Your head is numb. Thoughts congealing into hardened clay. 

Yeah, you think sluggishly, eyes dropping to the drenched pavement where the ocean narrowly missed you. Swallowed you whole. We do. 

(Yours is bad decisions that reek of napalm. 

Men who scour your hands raw when you touch their coarse surface.)

You find him again in some desolate pub on the fringes of town a few days later. It looks like it's one strong gust of wind away from blowing down. Dilapidated. Rusted from the harsh salt of the ocean to the north. 

He lifts his head when you slide into the empty chair on the left, but says nothing about your unexpected company. 

Instead, his lips curl over the cigar sawed between his teeth. A grin, you think. 

You wonder if he was expecting you. 

(Wonder, then, with a touch of something warm gnarling in your belly, if you surprised him.)

The barkeep wanders past, brows lifting at you in question. 

"Um, a vodka soda—"

The man, Price you learned from the locals with a great of digging, snorts. 

"Ain't got none of that here, love. Two scotches. Neat." He leans over, thick fingers grasping the middle of the cigar, an inch away from the bristles on his upper lip, and pulls it away, ashing it in the tray in front of him. "And a bottle of spring water." 

"Scotch?" You echo, leaning your elbow on the sticky counter. He reeks of smoke. Sweat. Blood. Gunpowder. You veer closer, soaking in the astringent tang of him. Everyone on this island smells of daffodils and cotton; clean and neat and innocent. He reeks of danger. Everything inside of you screams to stay away. "I don't drink scotch."

The cigar burns in the tray. He pulls back, shifting in the chair. His elbow rests on the counter, the other arm is slung over the back of his seat. The picture of appeasement, of a satiated tiger eying a little mouse sniffing past it. There's no immediate danger, and his posture is relaxed. Open. But his eyes—

Price turns to you, then. His legs are spread, knees notched apart, taking up more space than you offer him. A looming presence. Dominating. Confident. He's not doing it on purpose, you don't think, he's just—

Big. 

His legs are too long. Thighs are too thick. 

Something gnarls behind your ribs when you take in his bare face. It's different, smaller, without the bulky black hood thrown low on his brow. His hands bare, leaving him in only casual clothes that stretch taut around his broad body. 

The beanie on his head, pulled low on his forehead, makes him look roguish, rough. The picturesque presentation of a bad boy down to the pelt-brown leather Levi jacket stretched taut around his broad shoulders. 

He looks older, somehow, without the tenebrous of night shading him in dark indigo. Aged like a fine whisky. All burnt umber and ivory. 

The charcoal colouring brightens the heavy blue of his eyes—crushed bluebonnets and powdered graphite; a black hole centre—and the frame of his brown lashes dusting over his clean cheeks makes something pool in your lower belly. 

(You wonder if he'd taste of whisky sour.)

"Well," he murmurs, brow lifting. It makes the skin on his forehead crinkle. He has laugh lines cresting around the corners of his eyes. They stand out to you, now. Void of the shadows you're used to. "You do when I'm paying."

The scotch, the cigar, the dingy pub that reeks of stale cigarettes and is perfumed in a dusting of nicotine that films every surface coalesces into incipient vice. 

His hand moves from where it's loosely curled around his glass, and rests, heavy and warm, on your thigh. 

When he leans in, you taste calcine on his breath. 

The acrid tang is a balm to the blisters in your raw esophagus. You meet him in the middle, smaller hands curling over the wool lapels of his jacket, tugging him into you. 

"Never thanked you for saving me," you murmur, his beard grazing your lips. A tickle. A brush. 

Price sucks in a deep breath, eyes liquifying into an intense azure. "No need to thank me, love. As much as I love the ocean, you don't belong there, do you? No," he adds, decisively. Sure. "You belong on land. The earth. You're wild, like the forest, aren't you?"

It's an out. An escape. An option to flee from the cosm that folds around you like a nebulous cloud. 

You could take it. Back up, away. Walk out of this dingy pub on the wrong side of town, and forget the man who reeks of nicotine, smoke; who leaves ashes behind on your skin when he touches you. 

The only one who stares at you from the unfathomable black of his eyes, lashes shrouded in tenebrous, and makes you falter. Makes your heart lurch, jumping to sit at the bottom of your throat.

You should pull away. Stay away from the man who leaks ethanol and nitroglycerine. From the man who smells of acrid smoke. Gunfire. 

You should. 

But your fingers tighten in the lapels of his jacket, pulling him closer. Closer. 

The bridge of his nose is warm when it presses against your own. 

His eyes spark, wildfires. A blazing forest. 

"You said something about vices." His chest rumbles in response to your hushed words. 

"So I did." 

Smoke singes your nose when you brush your lips over his. Warm. Chapped. Dry. You taste ash. Humus. The bitter tang of dandelion oil. 

"Got some time tonight?" 

"Thought you said I shouldn't be smoking."

"We're not in a park, near flammable trees," your hand falls to his chest. His heart thuds beneath your palm. Thick, full. Your eyes lift to his, lidded and heavy. You gaze at him from under your lashes, coy. Demure. You wonder if he can see how eager you are beneath the sly cut of your lids. "Are we, Price?"

The use of his name makes his lips quirk. A small, secretive thing that you can't read. 

"No, we're not." His hand slides down, curling over your knee. "Don't know what you're gettin' into, love." 

"Oh, no?" You taunt, breathless. Even through all your layers, you still feel his searing heat on your skin. His eyes drop when your tongue lashes out, wetting your lower lip. "And what's that?" 

A frisson shudders over his face. Lashes fluttering. He leans forward, resting the rim of his beanie on your forehead. 

When his eyes slide open, all you see is arsenic white pooled around Prussian blue. "More than you could ever dream of." 

Your trembling fingers curl into the lapels of his jacket. For leverage, maybe; or to hide the quiver in your joints from his widening eyes. 

And so, you kiss him. 

A messy punch to the mouth with your sun-blistered lips. 

His mouth parts, wry curls flutter when he inhales sharply. And then—

He devours you. 

It's messy. More sealed lips glueing together than it ever could be considered a proper kiss, but it feels more like a homecoming than stepping off the boat, and you tuck that inside your pounding chest. 

(The whispers in your head seem to sing when his lips touch yours.)

You taste bark on your tongue when it slips over his. Loam. Moss. Something earthy and rich. His beard scratches your chin, your lips, but you pull him closer, hungry for more—for the taste of wilderness on his tongue, for the respite from the whispers, the screams. Like the ocean, he, too, is a vacuum, swallowing everything whole until just you remain, stripped down to nothing but sensation and want. Bare, raw. 

Your teeth ache when you pull away, fingers curling into the coarse hair along his chin. The whips of his wry curls scratch your palm. 

You never want to let go. 

Price's eyes are noctilucent clouds; a storm over a rainforest. He'll ruin you. Devour. Destroy. Take, and take, and take until there is nothing left. 

Your lips tremble when you speak, words tremulous with your desire, your eagerness, when they slip past your bruised mouth. 

"I can think of a few that are better than smoking." 

Price shudders. 

"Where did you go?" Your friend asks, eyes swinging from the cards spread out in front of him—the Idiot, Solitaire—to you. They burn into the side of your face, the same place Price touched with bare knuckles, and said you belong to the forest, don't you? "Missed dinner."

You ate Doro Wat in a small shop after Price fucked you stupid in the dingy bathroom of the pub, face scraping against the waterlogged wallpaper that chipped with each brutal thrust of his hips. 

Like that, hmm? Can barely take me, love, but you're so fuckin' greedy for it, ain't you? 

You're sure the barkeep heard your moans as they bounced off the jaundiced walls. 

(You still hear him hissing in your ear. Still feel him splitting you apart.)

You try not to shiver. 

"Ate already," you shrug, bundling your sleep clothes tight in your trembling hands. When you stand, his eyes follow you. "So. Um—"

"You okay?" 

"Yeah," you say, shifting on the balls of your feet. "I've—" You think of his eyes, gyre white, and wonder if this is what it feels like to get swallowed by the sea. "I've never been better."

"Good," he says, smiling. "I worry about you, you know?"

You nod. "Yeah," you say. "Me, too."

You break apart in the shower, falling into pieces as you make yourself finish, thinking about nothing but the phantom stretch of his cock seated deep inside of you, the taste of his come pooling on your tongue.

It balms the residual burn in your esophagus, and you know, then, when you throb, still wanting his touch on your skin, that you've always been terrible at telling yourself no. 

It can't happen. It can't.  

There's a strange magnetism about him—an uncanny sense of mystery and familiarity sutured together. 

It feels a little bit like staring at the looming maw, the event horizon, of a black hole. Unfathomable black. No way out. 

There's something that feels a bit like forewarning inside your chest when he brushes against you, and presses his lips on the skin behind your ear—a secret place only he knows, where only his fingerprints have ever been. You feel his touch even when he's gone. Haunted by the memory of his rough hands and rasping tenor. 

Running would make sense, you think, watching the ferries come and go. You have enough money for a ticket, and you've yet to even unpack your bag. 

You don't know who he is, but you've given him everything. All of it. There's nothing left inside of you to hand over, but he keeps looking at you as if he's waiting for more. 

"Waiting for a ride?" 

You glance back at the operator with a divot between your brow and cotton inside your ears. 

You want to say yes, but you shake your head instead. 

"No." I can't leave. "Just enjoying the view."

You find birch branches stripped of leaves, juniper berries, maple leaves, spindles of dogwood, bushels of fir, and bouquets of bog rosemary, northern bluebell, fireweed, and wintergreen on your doorstep each morning, laid gently against the old welcome mat. 

You should toss them out, and throw them away. How does he know where you live, anyway? It would make the most sense; be the wisest decision. 

Instead, you tuck them inside your notebook, pressing them against the pages where they'll be safe. 

(You try not to think too much about why they never die.)

It happens again. And again. Again—

It becomes a ritual for the few months you're back in town. The leaves, twigs, petals, pines, and seeds all show up at your door each morning and come nightfall, you're drawn to him like a moth to a flame. 

He finds the nastiest looking pub in the city, and you find him there after dark. 

He sits, smokes a cigar. Orders two scotches, and a bottle of spring water. Teaches you how to drink it properly—none of that sugary cocktail shite; just pure whisky, love, as it should be—and lets you puff on the damp end of his cigar, eyes gleaming in the soft yellow light above as he takes in the way your lips curl over the wet tip.

He stares at you like he's indulging you. 

Like he knows. 

And maybe, he does. 

Maybe he sees the way your jaw works, tongue lashing over the tip just to chase his taste. The heat in your cheeks, your eyes, as you gaze at him, open and raw and wanting. The way you list toward him. Eager for it. For him. His touch, his smell. 

He must, you think, but he's a right bastard. 

He doesn't give it until the end of the evening, when everyone has gone home. When it's just you and him and the barkeep that glowers at you something ugly when you stand on shaky legs, and whisper you're going to the washroom. 

Your fingers curl over the chipped porcelain, back arched as you stare at the face in the mirror. 

You can't remember if it's you. 

Whisky has polluted your synapses. The thick scent of smoke, the tobacco from the cigar, has congealed into resin over that little bundle of axons and nerves that control your impulse, logic. 

Stupid. 

You stare at the thing in the mirror, and wonder if the basal want on your face was so apparent to him as it is to you. If he saw the dark gleam of hunger, greed, impatience, swimming in your ink-smudged depths. 

The door rattles. Clicks. 

The squeak of the hinges is the only warning you get before Price is there, liquified in the doorway and clouded in smoke. 

His hand curls over the worn, peeling frame. Eyes dance with the same hunger, same want, as the ones that flicker across the surface of the mirror. 

"Couldn't wait for me, eh, love?" He breathes, his chest expands with his exhale. Scenting you, you think. You wonder if he can smell the slick pooling in your panties. The desperation brimming in your veins. "Wanted it that bad, huh?"

He moves. A mountain of a man now filling up the entirety of your gaze until all you see is him. 

You used to want to climb mountains. In training, they always warned of summit fever. Of that little part of your head that just wanted it to be over, to reach the very top of the precipice. Impatient, it couldn't wait. It made you spring up, and climb higher and higher before you were ready, prepared. 

You think of it now when your hands lift, curling over his broad shoulders. 

("Summit fever will get you killed," they say.)

"Just shut up and fuck me, Price." 

His eyes flash. "Greedy little thing, aren't you?"

You are. Painfully so. 

It etches in your ribs like a sickness, festering in your mouldering bones. Rotting you from the inside out. 

A crutch in the searing heat of skin, sweat, and sin. The feeling of him taking you apart, breaking you down into atoms and molecules that bubble in the lining of your head becomes so commonplace, so often forget who you are when you're pushed up against a wall, being filled to the brim by him.

He leaves madness behind when he goes, and the world that divides fantasy from reality begins to crack, to splinter. 

You hear his voice in your head late at night when the wind blows through the window, carrying the scent of the forest.

"Come home," he rasps in your ear. 

The scratch of his beard seems to scrape against the little thread keeping you tied down to reality. It's frayed and worn by his hands. You wonder when he'll sink his teeth in the silk, and snap the line. Untethering you from your binds.

Come home to me. Come back to where you belong—

Price takes you out to dinner three months after this—whatever it is—starts. After your house becomes more of a garden, writ with the wild remnants of the forest, after each passing day. Full of bushes, and branches. Twigs and precious gems. He gives you raw gold, and open geodes full of amethyst, and sapphire. Canopy leaves, and bark from the trees. 

He leaves a whittled deer made from the red wood of a giant sequoia, and the likeness of the little fawn makes you believe that one day, it'll come to life in your living room.

(You leave a dish of water near the doorway—just in case—and wonder if you're becoming just as mad as your gran.)

He shows up at your doorstep, the bleached antlers of a great pronghorn in his hands. It's decorated with vines and moss weaved over the ivory in intricate braids and knots that you can't even begin to unravel. You marvel at the gift as he tells you he's taking you out for dinner. 

There is no discussion. He doesn't ask, he just—

Does. 

"Found a spot," he says, arms crossed over his broad chest. The cable-knit sweater pulls, stretched taut over his bulk. "Think you'd like it."

You don't know what to say. The antlers feel heavier in your hands, and warm to the touch. You try not to shiver when you set it down beside the little fawn.

"Oh," you say, but know you've never turned him down yet. It's all—

So much. 

Your home is slowly becoming one with nature, with vines growing on the walls in great blooms of wisteria and lilac; the old floor boards under your feet shudder and creak as little saplings sprout through the cracks. You wake up at night and taste earth in your throat, feel the grass beneath your fingers. The breeze in your hair. The call of an arctic tern. 

You dream of running through the forest. Of being chased. You breathe and feel the little seeds inside of your lungs start to take root. Soon you'll bloom with dandelions.

"Okay," you say, and wonder if the madness rummaging around your head will turn into a beautiful sequoia in the end. "Let's go."

The tavern is busy on a weeknight, crowded with a swell of mainlanders who'd ventured out for a camping trip over the long weekend. 

You sit with your back straight, and listen to him talk about a hike he wants to take with you in the morning. Through the woods, he says, and you don't ask which one. You know. You know. 

(It's time. It's time.)

There are alarm bells ringing in your head, but they're drowned out by the crooning whispers. 

But the line is only frayed and worn, and despite the lure in his voice, the itch in your head to say yes, you hesitate. Falter. 

The woods are dangerous. 

You don't want to go. 

He seems to sense it. His brows knot together. 

"You want to, don't you?" 

You fiddle with your napkin and try not to meet his arsenic stare. "It's… dangerous."

"I'll keep you safe."

"It's probably time for me to leave, anyway." 

The air in the room turns frigid all at once. You think you can see white plumes of condensation when you shakily breathe out, teeth chattering. 

"Price—"

"Didn't wanna do this, love," he says, voice hushed. Barely a whisper. His eyes are lavascapes. "But you ain't givin' me much of a choice, are you?"

"What—?"

The words die on your tongue when movement flashes in the corner of your eye. A man weaves, liquid, through the mindless crowd, cutting a path like the parting red sea. 

His eyes are honeycombs. In his hand, he holds a limp dandelion. 

It takes you a moment to make out the strange man who looms in the background. A splash of colour among sfumato. 

It's Gaz.

The childish swell of his cheeks has sunken into angled, sharp bone. Slender fingers twirl the flower around, around, around—

It's hypnotic. You stare, horrified and awed—a strange amalgam of emotions that slip down your spine: worry, elation, panic, comfort—as his pink lips part into an easy, familiar grin. The cresting sun breaching the horizon. Eyes slanting in playful derision. 

He looks like he's torn between telling a joke and spitting vitriol. Making you laugh, and then making you cry. 

It buzzes in the air, electrified fingers dancing down your spine, and then just as quickly as the boy who disappeared reemerges into the land of the living, into this bastardised reality, he gives one last sharp, fanged grin, a mordant wink, and then he's gone.

He slips through the door, and without hesitating, you give chase. 

Price says nothing when you go. Or maybe he does, but you can't hear anything except the rustling of leaves in your head. 

Gaz, it whispers. Gaz, Gaz, Gaz.

(It's time for the lost little boy to come home.)

The rocks sit in a zigzag pattern through the frothing waters, a deceptive bridge that connects the valley to the coast. You feel the tremulous rattle of the water slicing against the hollow cavern beneath your feet. A ledge chiselled from the blunt erosion of the rapid currents below. One day, they say, the granite shelf will give and a massive hole filled with howling water will fill it. 

Try not to be the idiot standing on the ledge. 

You feel the power of the currents even on the peat-covered edge. 

The water in front of you is deceptive. A calm, rolling surface at the shoreline almost seems to beckon you inside. Come take a dip in the cool waters. Grow fins and gills and chase the river otters through the currents. Feast on the wily salmon, and see if your feet can touch the sandy streambed. 

But the river's fatality is nearly assured. No one has survived a dip in these waters that act as a serrated knife, carving chasms and channels through the granite below. The currents will rip into you, pulling you until your body is crushed against the wall, or into an unsearchable cave. 

One slip, you think. Just one. 

But—

The man in the bar flickers through your mind. His honeycomb eyes, fanged grin. Ethereal in his beauty like a painting of a god in oil and raw canvas. Carved likeness of a Stygian prince. 

It was Kyle. It was Gaz. You know it. Know it deep within your bones, your marrow.

Taking the first step to the jutting slate that peaks just a few precious inches from the raging waters is easier, then, when you think of the boy who plucked a dandelion from the earth, and tucked it behind your ear. It makes the risk less daunting when it's for him. 

For his parents who sunk into themselves, into the crater his absence left behind. A deep depression into the earth that swallowed them whole.

They moved last year after laying down a bouquet of flowers at the mouth of the forest. 

You toe your shoes off, leaving them at the embankment, and then you leap. The perch is slick with waterlogged moss, slimy. It wobbles under you, but you catch yourself, stabilising. Steady. You huff. One down, four more to go. 

Up close, they look so far apart. A chasm between each rock. An endless abyss that will rip you into pieces. 

Still. Still. You have to find him. Have to. 

You step, toes sliding in the algae. The rock beneath is stained green. It wobbles again when you bring your other foot down on top of it. The loud clack of rock scraping against rock is heard, unmuffled by the roaring water that tugs on the stone. You feel the push against your feet. 

Two more. Two more. 

You take another step, and then—

You fall—

The world drips into focus, a steady trickle of cognisance that paints the world in shades of greens and browns. An eagle soars above the canopy, their shadow swooping through the thick tangle of conifers reaching to the heavens.

The bed of moss beneath you is damp—lush with dew and softer than your mattress at home. You sink into the ground when you breathe, caught in an embrace. The vines curl over your wrists, your ankles, as if refusing to let go. 

It should scare you—and maybe it does—but there's something against your head, fingers digging into your temples, and you feel nothing except a warm serenity leaking in. Thought spool into liquid gold, threads that weave together in a knotted clump. Indistinguishable from each other, and unreachable when they slip deeper into the honeyed-thick fog that curls around your mind. A temper from logic, from fear. Anything that isn't pure, artificial comfort is filtered through and cast aside. 

You don't know why you're here. 

One moment, you felt the coils of the raging currents sinking its claws into your flesh, pulling you under the deep waters, and then—

Heat on your face. The sun's desperate attempt to filter through the corded canopy and touch the forest floor. The shrill call of an eagle on the prowl. The tender caress of the moss below cushions your body. 

You should be underwater. Pressed tight against the side of the rocks until you were swept downstream and spat out in the inlet, waterlogged and dead. 

You draw humid air into your lungs until it swells against your ribcage. The steady thud of your heart tells you that somehow, somehow, you're alive. An empty brag—thud, thud; thud, thud—that seems to call out to the birds in the emergent layer, the ones nestled in their branches as they watch your feeble attempt to reconcile how you survived. 

It's strange, you think, but the soporific warmth coursing through your veins does not let you panic. 

You are—

"Foolish." 

The warmth turns molten. You try to sit up, but the vines tighten around your limbs. If you weren't so vulnerable, you think it would almost feel like a hug. 

The soft crunch of the moss tells you the voice—the man—is moving forward, toward you. You want to scream, but your tongue is thick, and your mouth is numb. 

"What you did there was stupid," he says, and the forest around you seems to come alive in his anger. Pulsing. The branches sway and the leaves rattle without any wind. The trees bend down, coming inward. You hear the scream of a fox in the distance. The chuff of an agitated brown bear. 

Primordial signs tell you to run.

But you're trapped. 

Price steps closer, falling to his knees beside you. You can see him now, and suddenly you wish you'd been swallowed by the waves. 

His face is writ with anger, brows tightening together in displeasure. 

He seems imbued with the forest. One with the lush green that swells around you. Burnt umber and icy blue. Ethereal, unnatural. Something in your hindbrain tells you to run from that man that looks as if he could swallow you whole.

"Tryin' t'die on me, hmm?" 

His hand lifts, and you feel his warm knuckles graze your temple. Soft, gentle, despite the ire in his eyes, and the irritation clenched in his jaw. 

"Gonna hav'ta try harder than that, love." 

You weren't trying very hard at all, you think, dazed, dizzy. You weren't trying at all. 

"You're mine," his eyes flash, and you feel the press of gravity against your skin, pulling you down to the soft earth. Your fingers twitch. The fog inside your head clears. 

Blinking up at him, you catch the scattering supernovae echoing in the corners of his eyes; galaxies of pine and cedar, humus and tussock. They bloom from the black hole in the centre, surrounded by sapphire blue. He's not human, you think, but it doesn't surprise you because you already knew. Have known, really—ever since you asked around for his name and watched the same strange fog seep into their eyes as they struggled to remember a man they claimed to know. 

Ever since you found bushels of figs on your doorstep. 

A crown of pine needles and crow feathers. 

Price leans over you, brows knotted together like the gnarled, weaving trunk of a Great Basin Bristlecone Pine. 

There's a forest fire in his eyes. "You're mine, aren't you?" 

You think about the trinkets left on your doorstep. The whispers, the screams. 

"Did you ever give me a choice?" 

The tension in his brow snaps taut. Agony frissons through the spaced canyons; whet from ire and slick from sorrow. He bends down, and shakes his head. 

"I've always given you a choice," his words are smouldering logs, crackling with his pain. "I've always told you to go, but you couldn't stay away, could you?"

Price takes you on the mossy forest floor, fingers digging into the peat as you sink, down, down, down—

His hand under your head, cradling the back of your skull, keeps you from getting swallowed by the grass knoll that breathes and trill against your spine. 

Fire licks in the crevasses of his eyes, molten desperation you can't ignore. He rages above you, quivering in the fading glow of the sunset struggling to slip through the canopy. No longer a man but a myth. He hangs over you with his canines bared, and flashes of anger and sorrow scorch the path his teeth leave behind on your skin. 

You're becoming unmoored. Each touch, and brush; each sweep of his tongue soothing the indents of his razor-sharp teeth all seem to loosen the ties that thread through your soul, anchoring you to the world that stands in full bloom before you. 

The forest shudders with his frantic pace; each piston of his hips leaks his fervent anguish and makes the trees croon, and creak as they bow their foliage in sorrow. His pain lashes through their roots, and rent the air in two. A fox mourns his loss in the distance. A wolf yowls in agony. His brethren lifting their muzzle to the sleepy moon, and howling out the melody of their despair. 

It's too much, too much, and you fall into pieces in his hands, shivering beneath him as the woods around you tremble and quake. It's a mesmerising dance. 

He finishes with a grunt that makes the world shudder anew, spending himself as deep inside of you as he can, as if he could overwrite your empty spaces with himself. Fill you to the brim until you are bursting with him, with life. Tulips for your eyes. Furze for veins. Moss for hair. Peat soil for blood. 

When he speaks, the world falls silent. 

"You don't know it yet, but you will. You've always been mine. Always belonged to the forest, to the earth. To me."

Despite his words, he lets you go. 

And you run, run, run—

Your toes dig into the wet soil near the stream. The desperate catapult across the ravine halted at the very last moment, leaving you winded and shaking. Hands clenched into tight balls by your side. Quivering with fear, with the adrenaline rush still roaring in your veins. 

You don't know what you're doing. 

The whispers in your head go silent. 

The absence of sound makes you mourn, and you think about his agony. The pain when he took you, the resignation when he let you go. 

You think of him, and you know. 

I've always told you to go, but you couldn't stay away, could you?

You scent napalm in the air, cloying despite the acrid burn that scalds your lungs when you breathe in deep, holding it there. 

You think of the chest inside your closet. The pieces of yourself you left behind. The way he fits you like a puzzle, like he was made for you. Designed with your rough edges in mind. Softening your hard lines; scouring your gritty surface it was smooth and shiny like fire Opal and precious gems. 

Ever since you felt his hand on your shoulder, you haven't been able to let go. 

(You don't even think you ever really tried.)

Come to me, the forest says, honey in your ears. It sounds like the rapid beat of a million birds' wings, ready to take flight. Pulsing and alive and full of wonder, childish glee. 

The earth blooms in your chest. You feel the soft, tender caress of the leaves against your skin, the moss sinking between your toes. Clinging to your flesh, desperate to get inside, and take refuge in your heart. Come home to us.

Your grandmother warned you to stay out of the forest, that it was dangerous. Deadly. Wrong. But how can it ever harm you when it touches you so sweetly? 

The branches curl around your ankles as you walk, leading you, guiding you, to the place where you belong. The forest opens around you, spreads apart and makes room for you to pass, touching you as you go, taking little pieces of you. Strands of your hair, the salt from your tears. Pieces of clothes. Parts of your soul. 

You pluck your heart out of your chest, and leave it beneath a gnarled sequoia. She will protect it forever. 

Moss grows inside of the empty space. A tern makes a nest inside of it, filling it with a bed of pine needles, and twigs from the junipers. You feel a mouse make a home in your rib cage, burrowing between your bones. You place your hand over your side, and feel her nuzzle against your palm. 

"You're safe now," you say. "We're almost home."

It's Gaz who greets you with a crown made of sugi. When he cups your face, you feel raging rivers and streams in his palms, and now that you are home. 

"Missed you, dandelion," he breathes, and his voice turns into a Chinook that crests over the mountains. "But there's someone who wants to see you."

His hands slide down to your wrists, and you feel the sun grazing your skin when he spins you around, around, around—

"Now," he leans down, pressing his lips to the shell of your ear. You hear the Falcons nesting in his chest, and smell pine in his breath. "He's been an impatient bastard, you know? Just moping about ever since you left—"

A scoff. You lift your head and feel the swell of the earth beneath your feet. Dizzying. Wanting. 

He waits for you in the thicket, eyes made of sapphire and stone. When he breathes, the forest swells with his breath, and you taste loam when you swallow. 

"A sorry sap, thinkin' you were runnin' away, and all. But you won't, will you?" Gaz pushes you forward, and his laughter rings in your ears. "Not anymore."

Price meets you in the middle, his eyes sparkling embers. A baptism in fire. You feel the heat on your skin, and shiver. 

You used to be afraid of forest fires, but you know, now, that sometimes trees need to burn before they can truly grow. 

Lodgepole roots bud under his skin, rippling veins across a ravine. He rests his hand against your cheek, thumb brushing the dawn redwood needles that bloom under your skin. 

"Welcome home."

"They'll give you gifts," your gran says, shaking her head. "Things from their realm. Little trinkets and gems—" geodes, sapphires and diamonds, raw gold and coral; "—and you must never accept them," a whittled deer made of sequoia under your pillow; crow bones buried in the garden."Because if you do, if you do, they'll never let you go." 

"Why?" You asked, blinking at her. 

"Because it's a courting ritual, and to accept means… well," her mouth twists in wry disdain. "Just don't." 

You don't tell her that you already have. You don't mention the sticks and precious stones that always ended up on your windowsill. The whispers of the forest calling your name. 

You nod sagely instead, fingers tightening around the sap stained heart chiselled from Bristlecone Pine. The charred ends are warm in your palm. You feel it pulse. 

Will you accept this? My heart? Will you keep it safe for me? 

"I will."

This was meant to be light and fluffy and smutty but now it's. This. And um. Oops. I hope you enjoyed it!

JOHN PRICE MASTERLIST | NAVIGATION PART THREE OF COD X MYTHOLOGY ⁞ SOAP ● DRAGON PRICE

[conceiteddemon]

There were some little inconsistencies in the first Tide and Bone chapter that I’ve been gnawing on but I think I’ve pieced together the Maw’s plan that makes everything make sense with the new context given to us in the asylum directors letters.

Parts of the break in mission seemed too…smooth? It was bothering me that there was a screaming beast transformation followed by a murder/resurrection in the backyard and that none of the guards, who were explicitly stated to be on high alert and had timed periods of feigned casualness drilled into them, didn’t go check on All of that. And maybe guards who work for greyslate have seen/heard their inmates do some weird shit and have learned to look the other way as long as it happens within the bounds of the sanatorium, fine, but in the middle of the night? In the backyard?? It seemed pretty sus to me before I realized

The Maw and the Serious Man had set up a Candela investigator honeypot

Here are the facts:

1. Sarkas’ escape from the sanitarium went oddly smooth, RIGHT after he witnessed some magic bullshit go on. It went so suspiciously that Rajan theorized that he might have been let out.

2. Sarkas had no proof of what he saw other than his word. According to Matt, a lot of Candela cases turn out to be ‘a drunk guy’ or ‘neophyte woman making big deal out of nothing’ or ‘mob hysteria’, so when Sarkas, who was previously in an insane asylum and had a background as a distrusted OUP, came to Candela with nothing but his word, it seems set up to appear as Baby’s First Investigation. Nekari and Cosmo, who are both old hat, heard about this assignment and thought it seemed ‘routine’. A little parting gift walkabout for an incredibly old man.

3. The Maw seems to mainly prey on the vulnerable. It took Rajan’s sister as a child thrall, and attempted to take him as well. This is speculation but if the Serious Man knew Raj’s mother well enough to stroll around with her, then it’s likely that she was involved with the Occult. Combine that with greyslate being a place where they put OUPs out to pasture, and her line about the circle having her ‘favorite flavors’, it seems like her preferred thralls are those who have had bleed exposure before. Investigators are both strong and vulnerable, and would make great thralls because they haven’t been ‘used up’ like the inmates were.

4. The director’s letters stated that the Maw needed stronger thralls as the current ones burned out too quickly.

So we’ve got the perfect setup to nab a few grade-A thralls, people who are in a line of work where disappearances happen regularly, are susceptible to the Bleed, come with a host of issues to feed upon but aren’t ‘greyed out’ yet like the inmates are. It seems like the perfect plan! Nab a circle, get strong thralls to get digging, set up some misdirection on where the group disappeared to once they are brainwashed and you know more about them.

Unfortunately for them, Cosmo rolled up with a guy who knew EXACTLY what he was fighting and had a chestful of locusts, a monster woman to engage the enemy monster woman in a kaiju battle, a backup triage lady since the first triage lady was preoccupied monster battling, and another dude with a personal vendetta who literally physically cannot die.

[someoneoffthestreet]

if I may, about Lois Lane in MAWS:

the trouble with a fanbase that has faced extreme misogyny directed at a specific female character is that it becomes difficult to discuss that character's actual mistakes in any meaningful form. like I get it: it's frustrating when you love a character and there's this whole subset of fandom or internet at large just waiting to tear them apart for even breathing wrong, I really do get it! but what happens when this character, who has been wrongfully subjected to criticism before, actually messes up?

my feelings on where Clark and Lois are as a couple at the start of s2 is that effectively the honeymoon period of their relationship is over, and the hard work has to begin. Clark has been making (tentative) steps to make this happen, but Lois has been allowing the relationship to coast, trusting that everything between them is fine and will stay fine for the foreseeable future. she's been caught up in a lot of stuff: her new dream job, the prospect of moving out of Metropolis, the tricky situation with her dad. with all of this, it feels (at least at this point in time) that she's effectively started taking Clark and his presence in her life for granted. maybe she feels everything else in her life is too complicated and she doesn't want to complicate her romantic life further. maybe it hasn't even occurred to her that Clark currently needs more support than she is actually giving. hopefully future episodes will shed further light on that.

[prismaticpichu]

Alongside the millions of other thoughts currently partying in my brain, I’ve been thinking about the kind of guilt an AU Sephiroth would develop should he escape ShinRa’s clutches and have the time to reflect on how much influence he had over people. Reflect on how he—his image, his title, his sheer existence—roped so many innocent lives into ShinRa’s silver-coated facade, lured them into its greedy maws, inadvertently summon them to join the company that was slowly destroying the planet. Reflect on how he indoctrinated innocent children with posters and propaganda, how countless of those troopers and SOLDIERs would be twisted into mindless Genesis Clones, losing their identities forever. And I think about how the weight of these horrible musings would crush him. How they would plague him. Shatter him. Send him spiraling into a gut-wrenching vortex of regret and sorrow, wanting nothing more than to undo the past, to erase himself from those posters, those toys, those newspapers… Just erase him from existence entirely. Turn back the clock, wipe him from the timeline. Eradicate him. Destroy his memory. His power. His fame. Prevent it from ever happening. Stop it. Eliminate it. Eliminate him. Prevent him from ever being born—

Then, ofc, he hears those words… Those healing, magical words from the person who helped him escape in the first place:

“It wasn’t your fault, Seph. It wasn’t your fault…”

[bunji-enthusiast]

Idea idea idea because honestly this is like my fav scenario for scourge currently??

Basically the Reader is Sonic's friend, we know Scourge got something against and prob everyone and everything associated with said Blue blur if I remember correctly, but imagine the reader and Scourge in a predicament and they have to work together at least until they get out of said predicament, prob a lot of backhanded comments or something but like after this, Scourge grew to be interested in the Reader, it's like enemies to frenemies to friends to lovers idk I just love him and want to share this 🥹

Murphy’s Law — Scourge The Hedgehog

Note || your so rightttt, I love this idea. So now if I may add onto it extensively with a couple of my own.👁️👁️

WC || 610

This was not how he wanted his day to go, this was worser than worse. 

It was horrible.

“COME ON YOU IDIOT!” You shouted, running ahead as you held onto his wrist tightly. As if you were afraid of what would happen if you ever let go of him. “WE’RE GONNA DIE THANKS TO YOU.” Scourge was still rather confused how he ended up in this predicament with you out of every other person conceivable in the universe. 

Finally he found his voice as he shouted back, re-adjusting himself as he kept up and stayed alongside you. “YOU DON’T THINK I KNOW THAT?” 

A giant dragon was chasing the two of you throughout a cave system, it was supposedly very angry about what the two of you had done. You’d say that it was Scourge who pushed it over the edge for the dragon, who in turn was now very, very angry. Now you two were running for your lives. 

Soon enough Scourge ended up overtaking you in speed, now you were the one left behind him. You were near and damn near close to panicking, you certainly didn’t want to die, and especially not Scourge's back being the last thing you see. You pant hard, trying your best to force your leg muscles to trudge on forward and away from the maw of the dragon. Your hand reaches out for Scourge unconsciously, eyes closing to loss of consciousness. 

You couldn’t run as fast as you could prior to the first few minutes of this chase, you couldn’t keep up with Scourge anymore. 

“Hey! Look over ther-'' Scourge looked back to check on you, eyes filled with a hint of concern. He realized you had passed out, for a moment he had considered leaving you behind, but he couldn’t do that to you. He growled at himself, diving back to grab you and immediately held you close as he ran away from the dragon, incidentally narrowly avoiding death all at once.

Scourge let out a sigh, then continued forward with you in his arms. You certainly were gonna give him an earful later should you wake up anytime soon. That was fine by him, he really didn’t want to associate himself with you anyway.

That would’ve meant association with the stupid blue hedgehog himself.

His legs continue pushing himself forward, keeping you in mind as he continues to run. The light signaling the exit ahead, he zooms straight for it and hopes for the absolute best. Suddenly he can feel himself falling.

“HOLY–”

Scourge grimaces as he braces himself for impact, keeping himself on the bottom as a cushion so he’d rather absorb the impact.  

He felt like he almost passed out, with a groan he uprighted himself and held you close, checking for any substantial injuries on your being. Scourge frowns almost, figuring out what he should do. He realizes that Sonic and your friends will be retrieving you soon, so he puts the item right near you. 

The exit out of the cave suddenly explodes, he scoffs as he remarks with a grin, “Ka-freakin boom baby.” Scourge begins to walk away, only stopping when he hears a noise escape you. His eyes directed right toward you, his ears pin back and now he was feeling helpless. What was he supposed to do? He couldn’t take you with him. That would get your Sonic and the rest of your friends on his ass.

You shiver in your unconscious state, deciding he shouldn’t just leave you like that – he lends his jacket, laying it over you and covering you in order to allow you some warmth.

“Sweet dreams, I guess.”

[queen0fm0nsterz]

Also guys, about the locations of the podcasts: they are real places. 100%. They are real places somewhere in the Nowhere - most importantely, somewhen.

Prophetic dreams are very real in Little Nightmares and they are things that often happen: however, I do not believe this is yet the case for Noone. She describes feeling sensations and smells multiple times, something that can only happen if the plane of reality one is in is... well. Real. She also describes feeling Jester's presence as she does with Otto's, who is a real person in the real world alongside her. The fact that Noone isn't currently fully there yet doesn't necessarely mean the places aren't real.

Now, whether she's visiting the past versions of some already existing locations is up to debate (COUGH THE BATHHOUSE COUGH), and that locations and habitants of said locations can be parallels to some already existing ones, but the only certainty we have at this point is that these other places that are being described and witnessed by Noone are real places somewhere. After all, the Nowhere is an incredibly vast place of which we have explored incredibly little.

Would it be so surprising if the places Noone visits are separate from the, like, 3 ones we have visited?

(map is from LN II, the school, and is supposedly rappresenting a region of which we only see a single city.)

And another thing, actually: I have seen many compare the Lady to the Woman in Chains, but honestly, after reading through the transcript of the first episode of TSON made by @softichill... the two sound like the complete opposite of each other, appearence and behaviour wise.

The Woman in Chains is described as having a "stretched back face", therefore causing her to have wrinkles due to how her face is structured, which explains Noone talking about her as being "both old and young". There is no concealing, no mask, nothing to hide her face. She doesn't live in secrecy like the Lady does -- quite the contrary, infact.

And about features: in both her forms, the Lady's face looks the opposite of hers. Either completely relaxed, or... nearly like it's melting.

I have also seen some people try to claim that the "familiar outfit" as a reference to the Lady's kimono, but you must remember who the narrator is. The outfit is familiar to Noone. Not us. It is likely that the Woman is wearing either a nun's dress (Noone mentions seeing three laying on a bed in the Prisoner's bedroom) or something Noone might have seen from the institution she's kept in.

While the Lady does thrive in her occupation, she doesn't necessarely take joy in it like the Woman in Chains (Prison Ward, atp) does. For the Lady, it's much more a matter of survival. She is on the Maw because it's convenient, see as she's in a powerful position. The Woman in Chains is instead happily preparing torture devices to haunt the Prisoners with.

Some parallels are certainly there. Referring to them as being, even metaphorically, the same person... it would mean that the team wrote a very bad analogy. They are nothing alike in any other aspect BUT their occupation. Funnily enough, you could say the Thin Man and the Signal Tower operate in a near identical manner to both these places. He's also the living center/battery of his own mechanism.

Noone also mentions that the Workers seem to be made of shadows, similarly to the Shadow Children. However, it is also evident that these beings are different, as they work and can hold objects much like the nomes. Later, when she meets a living child, she notes that they have black goo in their hair that moves like shadows. If that's the same material the Workers are made of, then this would make them some sort of liquid entities.

Lastly, about the inhabitants themselves: no one else in this Prison is here because they want to be. The Prisoners are not like the Guests, who come on the Maw willingly. The Workers are mindless beings, unlike the Nomes who draw and the Shadow Kids who play just like children. The child and Noone want to leave... and that's understandable.

My friend @chorusofkhonshu smartly pointed this out, so I'm just gonna copy and paste what he said word for word.

"So I thought, if these creatures are made of liquid, it has to come from somewhere. So my mind wandered to the prisoners, their purpose. Perhaps like the Maw and Signal Tower need to absorb people. The Signal Towers thru TVs and the Maw thru the Lady. What if those prisoners are only alive to be bled dry so long as they live. Noone smells the prisoner rotting. All those prisoners have to share some purpose, they might be tortured. Some device that the lady there has. She uses straps and cranks. Masks with spikes in the mouth. It runs on tortured souls."

And just as Noone mentions later on:

Swelling.

If anything... rather than paralleling Six's journey, Noone seems to be living it backwards. Completely backwards.

... Mh.