#seventh age stuff

[sesamenom]

Maglor over time.

1. baby 2. toddler 3. preschool age 4. elementary school age 5. middle school age 6. high school age 7. 1st age 8. 3rd age 9. 7th age

[inthehouseoffinwe]

“Kanafinwë Makalaurë Maglor Fëanorion.”

Despite the dangerous tone that had once sent Morgoth’s armies fleeing, Maglor smiled innocently.

“Mhmm?”

Maedhros turned fully towards the younger, a thunderous look darkening the fair face. He held the phone to Maglor’s face.

“What. In Eru’s name. Is this.” He ground out.

“Fanfiction, brother dear. The name gives it away.” Maglor said with an offhanded wave, laughter threatening to break out despite the elder’s ever increasing rage.

Maedhros snapped.

“It’s MORGOTH’S WORK, THAT’S WHAT” He jumped up from the sofa, pacing back and forth, and Maglor was suddenly thankful that the walls were... somewhat soundproofed. “WHAT DEVILRY IS THIS THAT PORTRAYS THE EVENTS OF THE FIRST AGE IN SUCH A- A FRIVOLOUS MANNER-”

A string of curses followed as Maedhros ranted on and on about the inaccuracies, and Maglor fell off the sofa, clutching his stomach laughing. Maedhros glared daggers at him.

“You truly are the spawn of Morgoth, you know that?”

“Now now Maitimo, better not let Ammë hear you talk like that,” he replied, still laughing.

“I hate you.”

“You love me really.”

“I’m going to leave you here.”

“No you won’t.”

“I will.”

“You won’t.”

Maedhros frowned, crossing his arms as he stared at his younger brother lying on the floor, one leg on the sofa and his hair splayed wildly across the carpet. Maglor gave another innocent grin. Maedhros sighed.

“I will.”

Maglor’s grinned triumphantly, the spark in his eyes, so dull when Maedhros had arrived, finally growing brighter. Despite the reservations of his brother’s sanity, Maedhros gave a small smile back and dropped on the floor, leaning against the sofa

“But I’m warning you now. Anymore of that... whatever you want to call it, and I’ll toss you into the ocean myself. See how Ulmo treats you.”

“You’re the one who said he was first to appeal on my behalf,” Maglor retorted, “but fine. I suppose the last thing I need is to be done for another kinslaying.“

Maglor laughed again at his brother’s long suffering groan then sat up, a gentle smile taking the place of his grin.

“I’ve missed you Russandol.”

AKA: After several Ages, Maedhros is healed enough to be reembodied and given permission to hunt down his stubborn brother. Maglor isn’t quite ready to leave… but that’s ok. Maedhros can wait.

He could do without the horrors of modern day technology though.

[confused-spood]

Where else am I gonna rant if not to a group of random strangers that barely know me, right? So ofc I'm gonna rant here cuz these people have no idea who tf I am.

....turns out I have no words to explain how I'm feeling right now so I offer this emoji instead: 😔

[iamthescalesofjustice]

you are john. it has been, what, like eight or ten months since you sent out the notices about the new round of lyctor trials? you have a weird dream one night and decide, on a whim, to check in on how the trials are going. 

you phone home (its not home, home is gone). no one picks up. thats weird, and kind of concerning, so you go to check. canaan house is empty, even of the constructs you left to act as bodies for the partitioned bit of your soul-conglomerate you left there. there seem to be a lot of weird zombies on various continents. whoops, looks like some of the partitions of your soul-network need to be tuned up. well, you can do that after you figure out where the contestants went. 

an extensive round of investigation later, you land on the ninth. yep, that sure does seem to be the missing contestants. and the canaan house priests. and cytherea is here, for some reason. probably plotting against you. and... oh, annabel, good morning. 

while you are getting stabbed by your cavalier, you cant help but notice that it looks like some of the contestants did, in fact, achieve lyctorhood. but uh, definitely not the way they were supposed to. 

[luludeluluramblings]

Smalltown!Neglected!Meta!Reader x Yandere!Batfam ☁️ Part One

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

Part Two ☁️ Part Three ☁️ Part Four ☁️ Part Five ☁️ Part Six ☁️ Part Seven ☁️ Part Eight

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: I’ve been hyper fixated on Batfam and DC in general for the past two months, and this is what my brain has been cooking. This is based on an fem!OC I made, but I converted it to GN!Reader. Or attempted to. Might write an official one with the oc. I don’t know. I’m new at this stuff and doing this on mobile to boot.

Warning(s): Yandere themes, Obsessive behavior

Reader grows up happy, healthy, a safe away from Gotham

Momma and Daddy (step-father) adore their darling reader

Daddy is kind and understanding; gives good advice, encourages reader, comforts reader after nasty break ups

Momma is sassy and a bit possessive of her baby reader

Momma never tells reader anything about their biological father (He was a big city playboy that missed the court date for custody is all she said)

Reader has a much younger half-brother from Momma and Daddy, who reader also adores

Little Brother’s are annoying, but you have so many interest in common

Suddenly Momma and Daddy are dead; (tragic accident or murdered)

Reader’s Bio Father, Bruce Wayne is called and flies into town via Private Jet and whisk you off to Gotham

Bruce can’t get custody over half-brother due to Reader’s step-grandparents fighting him.

(They tried to keep Reader too, but blood is thicker than water in the eyes of the court. And, Bruce has enough money to make that water run dry)

Bruce isn’t exactly like Momma described, he’s distant and a bit cold with reader. (Like he doesn’t know what to do.)

Bruce gets upset when Reader talks about missing Momma and Daddy, especially when Reader talks about Daddy.

Bruce doesn’t introduce Reader to the family right away.

Reader doesn’t see anyone, but Bruce and Alfred for the first week at the manor.

Bruce avoids reader, but gets upset when Reader ignores him

Reader starts researching their new family. Everything they can find in the media, even the company.

(Family Buisness funds the Justice League? Gotham gains a new Vigilante almost every time Bruce gains a new kid? Jason Todd’s death and reappearance. Suspicious…)

Reader finally meets the others.

First up Cassandra.

Quite, but watches reader like she knows all of reader’s secrets. (That’s terrifying.)

Reader’s instincts scream that she’s dangerous (Reader trusts those instincts.)

Reader is still nice, they get along. Cass rather be alone, but it’s cool. They’re cool.

Second up is Duke.

Duke is great. Official bro. Passes all the vibe checks. (Most normal one in this house.)

Reader’s meta abilities go haywire around him, so Reader needs to be careful. (Reader’s not sharing that secret yet. Not till they share what Reader suspects is their secret)

Third, Dick and Barbara.

Dick is a whirlwind, coddling and pitying, treating reader like a sweet helpless child then leaving. (He’s a busy popular man)

Barbara is polite, but a stranger.

Reader tries to be friendly, but can’t get past the stranger stage.

Fourth Stephanie.

Stephanie politely ignores reader, but reader genuinely wants to hang out. (Similar interest, close in age. Please, can we be friends? ……….)

Reader says they’ll keep trying (It happens… eventually….)

Fifth, Tim.

Tim just brushes Reader off with a blank look and disappears.

Reader can never find Tim. (Always in the cave, at work, on patrol. He’s a busy busy busy sleepy man that avoids even the mention of Reader)

(Stephanie hangs out with Tim though, but they still ignore reader. It’s fine. Reader is fine. It doesn’t hurt.)

Sixth is Jason.

Jason is mean.

Calls reader spoiled, says reader a an ignorant privileged princess, Daddy’s pet, a brat, etc.

But, then leaves when reader starts to snap back.

(He looks like he’s struggling not to strangle reader almost every time reader sees him.)

Seventh is the youngest and reader’s half brother.

Reader is excited to meet him, reader already has a younger half-brother. Having two sounds even better!

Damian is cruel

It breaks reader’s heart.

Damian either ignores reader, or mocks reader viscously. He’ll push and shove and throw things at reader. (Won’t draw a weaponed though, he’s past that.)

He brushes off all of Reader’s attempts at sibling bonding.

All this goes on for a few months.

Reader tries so hard to get close to everyone, but they’re either avoid them, ignore them, are cruel, or they just don’t have the time.

Reader’s life in Gotham is… different.

Reader’s a commodity, and, surprisingly enough, most people like Reader

School Friendships form, which reader worries are because they’re a Wayne child

(Which is true, but not in the way Reader thinks; hint: it involves other types of night avians)

Teacher’s appreciate a humble Wayne (Damian goes to the same school, Reader is a relief to teach)

Reader is quite talented, not a prodigy, not extraordinary. Just extremely approachable.

But, like all good things there is a downside.

Reader wants to spend time with their new friends.

They’re invited to Galas, lunches, brunches, vacations, shopping, etc.

And Reader WANTS to go

But, Bruce won’t let them

It’s not safe

(Which Reader understands, that’s why they never really explore Gotham, but still brunch couldn’t hurt, right?)

So Reader has no one to lean on or connect with. It’s isolating.

Instead Reader spends hours talking on the phone to their old friends and family back in their small town.

There’s a silver lining though: Things are going to get better before they get worse

So much worse

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[m00nl1ghts1vt]

Sketchbook - Chris Sturniolo

Requested by @pineapplealpaca Pairings - bsf!Chris x bsf!Reader Warnings - Just some fluff 🥰 and strong language! W/c - 2043 Summary - You and Chris meet freshman year of high school. With the talent of drawing, he quickly becomes your muse. After winning an award senior year, he finally finds out what you've been hiding from him this whole time. A/n - Thanks for requesting! 💚 This is my first Chris piece, hope you guys like it!! Should be edited so let me know if you see any typos! All interactions are appreciated ❤️ Dividers and photos are not mine; all credit due to original owners. My requests are always open! Check out my masterlist for my recent pieces! Tags - @lvrsturniolo (sorry I forgot 😭 thank you for already liking!! If anyone else wants to be on my tag list, just let me know ❤️) Current Matt series - City of Love. Part two.

Freshman Year

You sit on the bleachers, letting your pencil scribble across your sketchpad. Spending most of your time here, waiting on your older brother to get done with football practice. You were always an artistic soul, so drawing and painting was something you held close to your heart, along with the boy you had been crushing on since seventh grade - Chris Sturniolo. 

Life was so much easier with him in it. He came around often, being one of your brother's best friends, but you also formed a bond with him since the two of you were the same age. Over time the friendly banter turned into flirty banter, and you found yourself swooning over him at every given chance. Sketching portraits of him in your sketchbook, which might as well be your secret diary. 

You watched as he danced around the football field, doing what he loved most. After practice is finished, he makes his way over to you. Chugging the contents of his water bottle before trying to sneak a peek at your sketchbook, “whatcha’ drawing there, Y/l/n?”

A blush immediately creeps to your face, and your clutch your sketchbook to your chest, “uh- nothing! Just random stuff, why?”

His eyebrows knit together in confusion, “just wondering, that’s all.”

Chris decided to leave it alone, but he knew he was lying when he said it didn’t spark his curiosity.

Sophomore Year

“C’mon let me see it,” your best friend, Chris, calls from the other side of your bedroom door. When you realized he had been snooping through your room, finding your hidden sketchbook in the process, you flipped shit on him. Snatching your sketchbook, your lifeline, and kicking him out. You run over to your closet, hiding it under a pile of junk you desperately needed to clean up. 

After successfully hiding your secret diary of a sketchbook, you rush over to the door that Chris was still knocking on, slinging it open. He stares at you, pushing you aside, and barging in your room. “It’s never that serious. Let me see that damn book,” he’s a bit agitated you’d keep it from him. There was no secret in your friendship with Chis, so hiding something this big was gut wrenching to him. He felt betrayed. He knew you didn’t want him to see it and that’s what made him want to even more. He had it a mission from that point on.

He needed to see what was in that damn book.

Junior Year

You let out an exaggerated sighed, clenching your sketchbook to your chest. Chris had you pinned on the couch in a battle over your precious sketchbook. Every time he saw it, he dove for it, making it nearly impossible to focus on anything other than Chris - the sketchbook bandit. 

“Chris, please,” practically begging as he stared you down. A smug smirk spread across his lips which were inches from yours. You didn't know what possessed him to go after your sketchbook every time he saw it, but he did. He would catch glimpses over your shoulder, making him more curious than ever. He knew you were drawing a portrait of somebody, but he didn’t know exactly who it was. Especially since you’d slam your book shut and hide it any time your senses told you he was near, his cologne being a dead give away.

“What’s the big deal, Y/n/n?” his tone was laced with playfulness. Knowing Chris too well, you knew he was just waiting for the right moment to rip the sketchbook from your grip. Being around him so much meant you were accustomed to his bullshit. Chris was a big goofball and the two of you got along great, aside from his never ending need to look in your book. He was determined to figure it out, and every time he failed, it ended in an argument. He could get anything he wanted from you, but you would never budge when it came to the sketchbook. 

At first, Chris thought you were afraid to show him your drawings, but when he begged to see one, making you rip a random drawing out and shove it towards him, he quickly realized that wasn’t the case. He just knew there was something, someone, in that book you didn’t want him to see.

Senior Year

The day was finally here - the art show. Your art teacher entered one of your paintings, and if you were honest, you weren’t completely okay with it. Only reason being, the portrait she entered was of your best friend, Chris. He had become your muse over the years. You were around him the most, so his face became easy to draw for you. The way his jawline curved when he turned his head to the side. The shape of his eyes and nose being more symmetrical than anyone you had ever drawn before. You couldn’t help it - when you looked at him, your pencil flew across the paper like magic. 

Chris was one of the most important people in your life. Even though you and Chris were just friends, you couldn’t help but get butterflies every time he looked at you, and that had been a feeling he gave you since the first day you met. You never knew if Chris felt the same way, and you weren’t the type to be straightforward, so you never brought it up. Chris was the complete opposite, being a little too blunt at times. It worried you if he didn’t feel the same way, he wouldn’t know how to let you down easily. This became one of your biggest fears over the years of knowing him, and one of the main reasons you kept it a secret. You were just grateful he was in your life on a day to day basis, crush or not. 

Luckily, Chris had a football game and couldn’t come to the event you were being awarded for. They had already announced the winners online last week, three of them - two other entries from different schools, and yourself. The only thing you had to do was get through your award winning speech and collect your certificate. Chris being disappointed he couldn’t call off the football game, you being upset you couldn’t attend his game. It was a coincidence in the worst way, but the two of you made plan to make up for it later in the week. In a way you were glad you didn’t have to confess to Chris the secret you had been hiding since freshman year. Knowing Chris, never thinking things through thoroughly before letting his words slip, you figured he’d think your portraits of him were weird. In a way, they were, you had been creepily letting your hand scribble across paper, drawing your best friend. 

Even worse, hiding it from him. For years. Maybe him not being here tonight wasn’t such a bad thing.

You bite your lip, and your gut churns as the host calls your name, “and for the second winner of tonight, Y/n Y/l/n, from Somerville High School!” 

You walk on stage, approaching the podium, and give the audience a big smile. This was one of the biggest achievements of your life, the feeling was euphoric for you. Letting your eyes scan the crowd, landing on your parents and brother. You notice Chris sitting next to your brother, your eyes widen, meeting his gaze, and you spin around to look at your winning portrait - a portrait of him. 

Chris stares at you with an unreadable expression plastered across his face. You couldn’t help wondering how he felt about discovering the secret you had been keeping from him the last four years. Was he mad? Did he even realize it was him? 

Swallowing the lump in your throat, you take a step forwards and clear your throat, “I’d like to thank everyone who came out tonight, everyone who donated, and everyone who voted for my art piece. It means the world to me, standing in front of all of you today. I want to thank my family for supporting my dreams, and being here tonight,” you ramble on. Your stage fright disappears for a moment when your eyes land on Chris. A smile stretches across his face and he raises his eyebrows, like he’s telling you to continue. “And of course, I’d like to thank my best friend for being my muse,” your tone was laced with nervousness and passion all at the same time. Chris had inspired you without even knowing it. 

After you wrap up your speech, you enter the common room, chatting amongst the other winners. Various strangers of the art community approached you, congratulating you on your big win, and praising your masterpiece. You knew at the end of the night, you’d have to talk to Chris, and the anticipation boiled in your gut because of it. You didn’t know what you were going to say or how you were going to approach the situation, but you knew it had to be done. You just hoped it didn’t ruin your friendship in the process. 

“Pretty big secret, huh?” a voice from behind you snapps you out of your trance. Immediately recognizing that it’s Chris, you squeeze your eyes shut, bracing yourself for the impact of his words. “I can see why you didn’t want me to know,” he continues, this time his voice is closer than before. You don’t say anything because, honestly, what the fuck do you say? 

An awkward smile pulls at your lips as you avoid eye contact with him, “I can’t believe you’ve been drawing me like one of your little french girls this whole time,” he playfully scoffs. His joke breaks the awkward tension being held between you two, making you let out a giggle. 

“Shut up,” you groan while running a hand through your hair. 

“Why?” Chris had always been one to tease you. Especially when it comes to your sketchbook so now that he knows what you had been drawing this whole time, he’s loving the hell out of it. 

“It’s not funny, Chris,” you groan, looking away as your face heats up a dark shade of red. He always had that effect on you, but it was even worse now.

“No, I mean why me?” he asks, his eyes searching your face like he’s trying to find the real answer. He already knows you won’t be completely honest with him, not when it comes to your drawings. 

“I don’t know,” you mumble under your breath, eyes fixated on your shoes. 

Chris reaches out to take your hand in his. The sudden contact makes you look at him, “you can tell me, Y/n.” 

Shaking your head, “I just think you have good bone structure,” you come up with the first lie you can think of, pulling your hand away, and walking to your portrait of him. You point to it, “your face is very symmetrical. It’s easy to draw!”

Technically, it wasn’t a lie. His face was easy to draw, but that was probably because you had drawn him so many times. It was familiar to you. It inspired you.

You felt bad about telling him a halfass truth, but your intuition told you his reaction wouldn’t be good, so you hid it the best you could. You watch as Chris’s eyes brows knit together, his lips forming a straight line. He stares at you for a second, keeping the hard expression etched on his face.

As soon as you think you’re out of the water, he does the unthinkable - reaching a hand out to your wrist, pulling you to him, and smashing his lips into yours. The unexpected kiss makes you freeze for a split second while his lips move against yours. Chris brings a hand up to your face, almost like he’s telling you to accept it. You do exactly what he wants, moving your lips against his, letting him take the lead because you were, obviously, a nervous wreck. 

The shock is still taking a toll on your mind, and body, as Chris pulls away. He looks at you with that same unreadable look, “you’re a bad fucking liar, Y/n.” 

[felassan]

DA:TV spoilers/long post under cut.

((this post is just a bunch of random stuff/assorted lil things and thoughts from as I was leafing through my screenshots folder lately, dumped together into one post so as not to spam.))

Maybe Morrigan wrote this Codex entry? in Witch Hunt she said "Many fear change, and will fight it with every fibre of their being. But sometimes change is what they need most. Sometimes, change is what sets them free", and she is associated with grimoires, has been in the Crossroads before, etc. this note seems to explain why in DA:TV [iirc] the Crossroads no longer looks different for elves compared to how it looks for the other lineages. "an eluvian has two faces" - as an aside, this phrase or idea makes me think so much of Falon'Din and Dirthamen and their situation.. twin souls (or rather twin soul-fragments), a shadow and a reflection, parts of the same whole. like the Roman god Janus (and other deities with this trait), depicted as having two faces, in his case one which can see into the past and one which can see into the future.

Spirits/Demons of Rapacity are a new (to us) thing. maybe they are a Hunger demon or a type of Hunger demon, like how Audacity was a Pride demon? eating, consuming. but rapacity can also be the quality of covetous avarice (wealth etc), so maybe Desire? or maybe it's simply its own thing/aspect, or embodies something else (entirely possible, it sounds like the southern Thedosian way of conceptualising demons is academically out of date/old-fashioned in-world).

Envy, of course. for me this note also implies the existence of Frustration demons.

Misery is also new. maybe Despair/a type of Despair demon? or again simply its own thing.

Despair is known. Shame interested me as it reminded me a lot of the Marquis of Serault's great-grandfather, the Shame of Serault (Dragon Age: The Last Court you will always be famous). he became an abomination. he was known as the Shame because his actions brought shame on the marquisate, but what if also the demon that possessed him was.. Shame? new headcanon just dropped. yes. I love it (๑*ᗜ*) Horror also interested me. like as in a Gibbering horror, an Arcane horror, or simply the aspect/quality of Horror, which is totally something you can feel?

Some more new ones - Chaos, Disorder, Disruption spirits/demons.

Saravarin, a (likely) agent of the Dread Wolf's rebellion, who seems to use they/them pronouns. :)

The first time I noticed the broken remains of Bianca on Varric's bedside in the infirmary, I was so sad. a tale ended. and that was when I thought it was just imagery of his retirement and injury, before I knew about The Reveal.

A dwarf named Kevan Brubock invented flushing toilets!!

This scene seems to depict all of the Talons arranged up there on stage behind Illario (First, or rather representing that here at the moment), as along with Illario there's Teia (Seventh) and Viago (Fifth), but there's one model too many, since Illario is representing House Dellamorte here. that aside, neat to see that along with Teia, two of the other current Talons as of this timepoint seem to be elves. (in TN there was Giuli and Bolivar) Could the elf second from the left be Bolivar Nero? ^^ he survived TN. In TN he was described as having a long shock of white hair and wearing a suit trimmed in bear fur. that character model has long pale hair and putting them in that armor gives the impression of a fur or feather trim!

It was cool to see the new statue/asset of Mythal, and its inspirations that it has from this one found in DA:I.

Not just the appearance of the nervous system, they got a whole lil brain under there.

The Viper/Ashur is the youngest son of Corimer Vesperian, Imperial/Black Divine Aequitas II. (Corimer is such a cool name btw). below is an excerpt from the gamefiles in addition to this, game files seeming to confirm the in-world rumor:

This wall art shows Solas leaving through the eluvian at the end of Trespasser, having frozen the Qunari to stone. :')

I just thought this note/lore on Chasind beliefs and cultural practises was really neat. so in Chasind culture there is a god or other venerated figure known as the Owl-mother, She of Spring and Tide. they're known to personify the seasons as female warriors, maybe Owl-mother is the personification of Spring?

This note seems to hint at (the often fan-theorized) idea that there is some connection between the Forgotten Ones and the Forbidden Ones. (see also the Band of Three - a connection between them has been theorized by people in-world as well). on that subject,

This note is found in the chamber where Rook fights the Formless One. at this point the Formless One is in the form of a dragon (possessed dragon corpse). the "this form" therefore is dragon form. maybe the "old rivals" Formless is talking about here are the Evanuris, who the Forgotten Ones warred with, and whom the Forbidden Ones were exiled by? (btw, "For abandoning the People in their time of greatest need, for casting aside form to flee to where the Earth could not reach" makes it sound like the Evanuris exiled the Forbidden Ones during the time of the Evanuris' war against the Titans for the crime of.. not helping in the war with the Titans, and running away from it somewhere where the Titan's wrath and fury could not harm them.)

due to this, this note reminds me a lot of Ancient Elven Writing from DA:I -

"His crime is high treason. He took on a form reserved for the gods and their chosen, and dared to fly in the shape of the divine. The sinner belongs to Dirthamen; he claims he took wings at the urging of Ghilan'nain, and begs protection from Mythal. She does not show him favor, and will let Elgar'nan judge him." For one moment there is an image of a shifting, shadowy mass with blazing eyes, whose form may be one or many. Then it fades.

Here, the Evanuris forbade the divine form of dragon to a "sinner", who is hinted here by the bottom text to have had a shifting form which could have been one or many. (sounds like Formless). so the Formless One was maybe originally a slave or follower of Dirthamen's. if the other Forbidden / Forgotten Ones, or some of them, were also originally slaves or followers of the Evanuris (I wonder which?), no wonder they ended up warring with them. Geldauran for example wrote "I am Geldauran, and I refuse those who would exert will upon me." in reference to the Evanuris.

The floating items in the Regret prison in the endgame each individually representing a member of Rook's team was so [falls to knees crying.png]. oughh. masterful. this was a really neat art/design choice. :> it also made me think about my Rook and what items I would use to represent them in a similar fashion, like as a fun thought exercize.

Maybe.. the titanic claws of the Dread Wolf's wolf form? :)

This codex is found in the Heights of Athim. I was right :D

The spirit-fish in the Lighthouse Meditation room were summoned by someone and apparently require feeding, Shepard's cabin fish-style :). Maybe this argument was between Solas and Felassan?

The Lighthouse was the heart of the rebellion. interesting interpretation of the imagery there with the suggestion of its light being the light of his divinity.

At some point Keeper Hawen from DA:I stumbled through an eluvian into the Crossroads. I wonder if the bright light he saw on an island in the distance was the light of the Lighthouse.

they knew the halls would be kept by the Caretaker. could this codex have been written by Felassan?

This codex is found on the piano thing in the music room in the Lighthouse. the associated art is of Mythal. the expert hand and memories are Solas/Solas', no? and the other person in the duet, the beloved memory is Mythal/of Mythal[?] this codex put me in the mind of Codex: Birds of Fancy from Trespasser. not saying that I think the "Birds" were Solas and Mythal btw, just that it reminded me of it (fluid ancient elven memory etc).

like as in these lance-beam-looking things? from the in-game light puzzles?

For this one I just wanna say I loved this codex entry, this is how folklore and regional variations of stuff like that can work in our world too, really neat :)

assuming Seer Rowan wrote this recently, this codex seems to confirm the year in which DA:TV events are set as 9:52 Dragon, as we thought.

[sughuru]

seventh of december

- gojo satoru x reader

Satoru was never one to celebrate his birthday. Matter of fact, he actually hated it. Except on three occassions.

genres/warnings: fluff, birthday fic, kinda rushed tbh, not proofread

notes: happy birthday gojo, i know you're alive pls come back :((( anyways enjoy, i kinda rushed this bc i still have some school stuff to do so i hope you guys understand! as always, english isn't my first language so pls excuse my grammatical and spelling errors

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The seventh of December. A date to remember, a date that will go down in history. This is because it was the day Gojo Satoru was born. Born into the renowned Gojo clan, he is the first in 400 years to possess both the Limitless and Six Eyes. However, that’s all they ever celebrated about. The seventh of December was the day the strongest sorcerer alive was born.

Not merely Satoru's birthday, and he despised that. He loathed how his powers and name were incessantly brought up, dominating every conversation, overshadowing his personality and achievements.

All his life, he hated his birthday except on three occasions. 

The first birthday he ever genuinely enjoyed was celebrated with his high school friends, Suguru and Shoko.

Satoru checked his flip phone and noticed the endless SMS notifications from relatives to clan members he doesn’t even know the face of. He's well aware that these messages are only a formality, driven by respect and perhaps a tinge of fear. Deep down, he understands that some clan members harbor hatred at the fact that his parents were the ones to give birth to the next Limitless and Six Eyes user. He knows they all secretly pray for his downfall. Aside from that, if it wasn’t out of respect or fear, perhaps they wanted or needed something from him.

"Satoru," Suguru called to his friend, who was lost in thought on the sports court. Satoru looked up and acknowledged Suguru with a nod. In response, Suguru mouthed, "Come here," while waving him over.

The white-haired male walked towards Suguru, “hah? What’s this all about?”

Suguru brushed off his friend and kept walking, ignoring Satoru's attempts to get his attention. This annoyed Satoru even more. "Tell me, tell me, tell me, tell me, tell me!" Satoru whined in the most grating voice imaginable, prompting even Suguru to question why he was friends with him.

Suguru shot a glare at Satoru, “maybe if you just shut up and follow me, we’ll get there sooner.” 

"Why can't you tell me now? Where are we going? Wow, are you here to take me somewhere quiet and kill me there?" Satoru quipped with a sarcastic tone.

"If you don't stop asking questions, yeah," Suguru replied dryly. Satoru rolled his eyes but continued to follow his friend.

Before long, they arrived at their classroom. Suguru opened the door to reveal a sight that surprised Satoru— all their friends were inside wearing party hats. Even Nanami and Ijichi were there.

"Gojo!" Shoko waved excitedly at the tall male. Suguru grinned, saying, "Happy birthday, Satoru," as he patted his friend on the back. He then led Satoru into the room to join the celebration with their friends.

It was a simple birthday, really. Celebrated among friends and closed ones. Nevertheless, Satoru regarded it as one of his favorite birthday memories.

The following year, Suguru left, and once again, he hated his birthday. Shoko was there to celebrate with him but it wasn’t the same without Suguru. After all, the trio did everything together.

“Happy birthday.” Shoko hands him a bag of kikufuku picked up from a store down the street. Before he could thank her, she was already off to treat some first year who got injured on a mission.

Oh right, they’re third graders now. The final year and final step to being a true Jujutsu Sorcerer.

After Suguru left, Satoru met with two kids and took them in. Megumi and Tsumiki, aged five and eight, respectively. While Tsumiki was generally well-behaved, Megumi proved to be a bit troublesome due to his sharp wit and sarcastic nature. Satoru couldn't help but wonder if he had been similarly mischievous as a child.

The second time he enjoyed his birthday was when he went home that day.

“I’m home…?” He was about to call out the kids, but heard someone bustling in the kitchen. Kitchens clanging and the water running.

"Don't touch that, Gojo-san said we shouldn't use the stove!" Tsumiki warned.

"Well, how do we make something before he gets home then?" Megumi interjected.

"Should we just serve it like this..." Tsumiki examined the plate before her. Megumi deadpanned at his older sister, "A banana on a plate?"

“Shhh! I hear him coming!”

Satoru giggled to himself, hearing their whole conversation, he peeked in the kitchen, “woah, what did you guys do while I was gone?”

Tsumiki and Megumi froze before slowly turning around, “s-surprise!” the two said.

"Happy birthday, Gojo-san. Thanks for taking us in!" Tsumiki presented him with... a banana on a plate.

Satoru smiled, charmed by their efforts. "Aw, did you two prepare this for me?" He didn't want to hurt their feelings, and truthfully, he was genuinely touched by their gesture.

“We also have our own gifts too aside from the cake-” 

“Banana.” Megumi corrected.

Tsumiki was the first to present her gift to Gojo. "I hope you like these!"

As Satoru received the gift, he couldn't help but recall the evening a few weeks ago when Tsumiki had asked him to accompany her to get origamis, claiming it was for a school project. Little did he anticipate that those origamis were intended for him. Tsumiki had crafted a jar filled with meticulously folded paper stars, each one carefully placed inside.

Megumi was next, shyly handing Gojo a birthday card. "Happy birthday," he muttered, avoiding eye contact with Satoru. Satoru couldn't help but smile, affectionately ruffling the younger boy's hair. "Oh, you're so cute. Let's see what you drew, hm?"

Opening the card, Satoru observed that Megumi's handwriting had improved. The small card read, "Happy bday Gojo." It was evident that the boy hadn't quite figured out how to spell "birthday" yet.

Satoru promptly hung Megumi's card on the fridge door and placed the jar of stars in a cabinet alongside other souvenirs for display. "Thanks for making my birthday great, guys."

The trio gathered for a photo to commemorate the moment. In the picture, Megumi frowned at the camera while Satoru and Tsumiki beamed with smiles. To this day, that photo remains tucked in Satoru's wallet, a cherished reminder of his first celebrated birthday with the kids.

–

After hearing Shoko and Megumi's stories about how they used to celebrate your boyfriend’s birthday, you found yourself pondering how to surpass the efforts of those two. You bought a small cake from a local bakery shop recommended by Nanami.

“That girl was really nice, I should go visit again next time.” you muttered to yourself as you walked back home. 

Satoru shouldn’t be home for another hour so you got to work. You printed pictures of him in high school, his baby pictures, pictures of him and the kids, students, pictures of you two; you transformed them into small cake decorations. Carefully pasting each one onto a wooden stick, you inserted them into the cake.

"Babe, I'm home." Satoru tossed his keys onto the table and wrapped an arm around your shoulder. "Today was such a long day at work," he whined.

You kissed his cheek. "Aw, is my baby tired?" you cooed, to which he nodded and began smothering you with kisses.

"Well, I hope you're not tired of blowing out some candles." You handed him the small birthday cake adorned with pictures of his face. Satoru's eyes immediately lit up. "You did this all for me?" he exclaimed in pleasant surprise.

"Well, I know it doesn't compare to what Shoko and the kids did, but..." you started to say.

Satoru immediately cut you off, his eyes filled with genuine warmth. "But it's perfect. No comparison needed. This is the best surprise, and it's all from you." He pulled you into a tight hug, expressing his gratitude and affection.

"I can't believe you went through all this trouble for me. You really know how to make a birthday special." Satoru continued, planting a sweet kiss on your forehead.

"Come on, let's have some cake before I start crying from how sweet you are," Satoru teased, leading you over to the table.

As you both enjoyed the cake, adorned with those little memories on sticks, Satoru couldn't help but comment on each photo. "Ah, high school me, can't believe you found these. And look at Megumi's grumpy face, classic!" His laughter filled the room, creating an atmosphere of joy and celebration.

As the evening unfolded, you exchanged stories, shared laughs, and basked in the warmth of the moment. It might not have been as elaborate as previous celebrations, but the personal touch made it uniquely special. Satoru couldn't stop expressing his gratitude, making you feel that all the effort was more than worth it.

"There's one more thing," you said, leaving the table briefly and returning with a bag. "It's not the best, but..."

You handed him the bag, and as Satoru peeked inside, he found a red scarf carefully knitted by you. His eyes widened, and a genuine smile spread across his face as he ran his fingers over the soft fabric.

"Did you make this?" he asked, with admiration in his voice. The warmth in his eyes showed just how much he appreciated the thoughtful gesture. "I love it, thank you." He wrapped it around his neck, a cozy addition to the perfect birthday surprise you had prepared for him.

The seventh of December. A date to remember, a date that will go down in history. This is because it was the day Gojo Satoru was born. Born into the renowned Gojo clan, he is the first in 400 years to possess both the Limitless and Six Eyes. However, that’s all they ever celebrated about. The seventh of December was the day the strongest sorcerer alive was born. Not merely Satoru's birthday, and he despised that. He loathed how his powers and name were incessantly brought up, dominating every conversation, overshadowing his personality and achievements. All his life, he hated his birthday except on three occasions.

The first occasion was when Suguru surprised him with his friends. The second was when the kids, Megumi and Tsumiki, brought a touch of innocence and joy to the day, making it about connection and family.

And now, as the day came to a close, the third occasion unfolded. You, with your thoughtful surprises and genuine affection, turned a day usually marked by the weight of power into a celebration of love and connection. Satoru found something he hadn't expected — a day to cherish, not for his abilities, but for the people who chose to celebrate him simply for being him. Satoru no longer hates his birthday, and he looks forward to his upcoming birthdays.

[sesamenom]

some ideas from an au where maglor just keeps living in britain (/himring?)

especially in the earlier eras he had to put a lot more effort into styling/dyeing his hair to cover his ears & the blueness/Elf Sparkle. he also wore glasses for a while to dim the Treelight Eyes (because even as badly faded as he is, it's still really obvious with how old he is).

[animeyanderelover]

Anon: Cordelia, Karlheinz and Richter with a favorite child?

Tw: Yandere themes, unhealthy mindset, obsession, possessive behavior, protective behavior, strictness, stalking, isolation, gaslighting

The favorite child

Cordelia Sakamaki

🟣​You are her child. It doesn't matter if she even is your biological mother or not, you are her child. And as your mother she expects you to see her as one too. You have to call her 'mother' and if anything troubles you, you will seek out her. Don't even dare to go to your biological mother if she shouldn't be the one who birthed you. She wouldn't hurt you of course, at least not as much as she has physically hurt and punished any of her other boys, but if she loses her temper she might slap you very hard or pull your ears until it feels like she's about to tear it off. But she will bully, insult and mentally, and occasionally also physically, torture your real mother to the point of insanity. If she has to turn your real mother against you so that you just come running into her arms, she'll gladly do it. You'll eventually realize that she's doing what's best for you because only under her will you truly flourish and reach your full potential.

🟣​Cordelia will train you very strictly to make you as attached to her as possible. You are not allowed to love anyone besides her. You will always be only her baby and child. She's always taking you with her wherever she goes and completely neglects her triplets in favor of you. They aren't allowed to play with you because she deems you as something better, actively gloats about how much superior you are in front of them and spoils you with toys and clothes. You can get away with a lot more than any of her other sons could get but if you dare to go against her and show signs of rebellion, she'll do her best to snuff that spark out as quickly as possible. She'll throw you in a dark and cold room and leave you there until you cry and beg for her to forgive you. She always tells you what might happen if you would ever leave your mother's side and that you might get hurt or in real troubles. She keeps you safe and isolated, away from all things she deems you do not need in your life. You only need her to watch over you after all.

Karlheinz

🍷​He has fathered six children so far and hasn't cared for any of his sons. So he doesn't expect much when you are born, his seventh child, but something about you seems to be different. Karlheinz can't quite put his finger around what it is that makes you different but he wants to satiate his peaking interest in you. He spends a lot more time with you than with his sons, makes time for you and actually cares about how you're raised. If your mother should be abusive or treat you bad in any way, he will punish her or even kill her if she's gone too far. She's disposable but he has to praise her for giving him such a fine child as you. That's about it for her usefullness though. He's starting to educate you from an early age on, one of his favorite activities is probably reading books to you and explaining the world to you. If he can't see you for a longer time, he writes you letters and makes time to read about any letter you send him.

🍷As soon as you're old enough, he permanently takes you with him. From that day on you travel with him everywhere and are only given the finest stuff in the world. He actively makes you forget about your mother, might even erase your memories if you should be too attached. You've grown up with seeing him as a caring and loving father so you never question him or some of the routines in your life. You're terribly isolated despite your thorough education​ and have never had proper social interactions with anyone besides him. You're terribly honest with him and tell him about anything because you've grown up to learn to tell your father everything because he will understand and help you. If you would ever hit a 'difficult' phrase, he wouldn't lash out on you. Instead he would pretend to support you only to manipulate the situation behind your back and break your spirits and morals so that you come back to him. You are his biggest and well hidden treasure, everything he ever wanted in his heir.

Richter

🟩​Richter hasn't been a great uncle for any of his nephews either as he has also neglected them. Only you seem to be an exception for his feelings though as you're from the beginning very clingy and follow him around. It's possibly because your father has never been present in your life nor is your mother very loving and understanding so you cling to the only adult you have left now. Initially he is slightly irritated with the way you follow him like a little duckling around but with time he grows fond of your company. He starts warming up to you and grows less grumpy when with you. On your birthdays you always get a lot of presents from him and he spends a lot of time with you in general to make up for the neglect of your parents. Honestly, he is unable to understand how anyone could just ignore you or even dare to hurt you. You can do absolutely nothing wrong in his eyes and since he knows how the wives of his brother treat their children, he threatens your mother and siblings to not ever hurt you. He'll kill them otherwise.

🟩​You two often spend your time walking around the garden of the mansion with him either holding your tiny hands or carrying you in his arms. His already jealous feelings against his brother only grow worse as he grows obsessed over you and your well-being. How he wished that he could be your real father and not Karlheinz. He's already being much more of a father for you than his brother has ever been to any of his children anyways. If you actually call him 'father' by accident because he really is like a dad for you, Richter might shed a tear or two because it is very emotional for him to hear you call him that. It gets increasingly harder to leave you as he's constantly worried that in his absence the rest of your family might do something to you. He wants you with him all the time. So it isn't surprising when he one day tells you that you'll come with him, lying to you and telling you that both of your parents agreed to it too. With him you'll be so much safer and happier and he'll always protect you against all evil.

[neptunianmuse]

Spouse in D1 Chart✨

Look at your d1 Vedic chart. Check where your 7th house ruler is. Here is a list of the signs and their rulers if you’re not sure !! Aries/Scorpio: Mars Taurus/Libra: Venus Gemini/Virgo: Mercury Cancer: Moon Leo: Sun Sagittarius/Pisces: Jupiter Capricorn/Aquarius: Saturn  I'm gonna try to describe each placement to the best of my ability. This is just from what I've learned over time and some placements I just pieced together to figure out its meaning.

In The Houses

Seventh House ruler in the First House: Your spouse may be very attractive and confident, with prominent facial features, like a defined jawline or nose. They have a very assertive and demanding vibe. Athletic. You might meet them at a fashion show, the gym, or on a walk. They might be popular among their group.

Seventh House ruler in the Second House: Your spouse might have a very classic style, wear earthy tones, or have expensive taste. They can also be financially stable. Realistic. Committed. You might meet them at work if you work in a business-related field, at family gatherings like your cousin or family member might pyo with them (this is an observation I'm not 100% sure), or a bank.

Seventh House ruler in the Third House: Your spouse might have a youthful appearance/ look younger than their age. Or they can be actually younger than you or they act immature. Jovial. Smart. Communicative. You might meet them at school, on a road trip, or when you go on a short trip somewhere (not overseas), online. The third house rules over siblings so you might get to know them through siblings or they can be your sibling's friend.

Seventh House ruler Fourth House: Your spouse will have a very nurturing and comforting appearance. Your spouse will be a softy and approachable. They could be the person people go to for everything. They have a very warm personality. You could meet them anywhere home-related, Or a place you go to that brings you comfort. It can be an arranged marriage if that's something popular in your culture.

Seventh House ruler in the Fifth House: Your spouse could be very fashionable or enjoy fashion/art-related stuff. Very creative. Very playful vibe about them. Might enjoy same hobbies. Attractive. They could be egotistical too but not always. You could meet them at a concert, theatre, art exhibit, party, at a club. It could also be Clubs you join, literally anywhere where you pursue your hobbies.

Seventh House ruler in the Sixth House: Your spouse can be somewhere who cares about their health and physique a lot. Very organized person. Someone who has an established daily routine. Very Good hygiene. You might meet them where you work, at fitness centers, or anywhere health-related. Like a hospital perhaps. Could meet them while you're doing your daily routine, like if you go to the store every day you might meet them there.

Seventh House ruler in the Seventh House: Your spouse can have a proportionate body or a symmetrical face. Attractive spouse. Hates unfairness. Well dressed. Sophisticated vibe. Graceful. Timeless Style. Very charming. Nice Smile. Straight teeth. You can meet them in a place that's aesthetically pleasing. Weddings. Social gatherings. Elegant place. Art Gallery. Through a mutual friend.

Seventh House ruler in the Eighth House: Your spouse will have a very Intense and magnetic appearance. They might attract obsessed people, but they also might be obsessive themselves. Alluring. Captivating eyes. Mysterious. They can be attracted to the occult. You can meet them in places related to money or investments. Anywhere spiritual related. A funeral maybe? that's like the worst place to meet someone. Or at a cemetery.

Seventh House ruler in the Ninth House: Your spouse will be very philosophical. They can have big facial features, like a big nose or forehead. They might have more than one cultural background. Also can mean they're foreign. Adventurous. Can speak more than one language. You might meet them at college/university or while traveling. They are open-minded and love to learn about other cultures. They can have the same spiritual/religious beliefs as you.

Seventh House ruler in the Tenth House: Your spouse will be very career-oriented. They look very professional. Very Ambitious. Responsible. You might meet them at career-related things, maybe like a career fair, In public, or networking events. They can work as a manager or in a leadership position. They care about their public image. Could be Famous.

Seventh House ruler in the Eleventh House: Your spouse can be a very friendly person. They might have a lot of friends. A social butterfly. They are approachable people. Always smiling, they also have a warm smile. You can meet them at places where you're doing group activities, online, or community service, you can also meet them through friends. They might also be part of your friend group. Friends to lovers trope.

Seventh House ruler in the Twelfth House: Your spouse will look very dreamy. Their eyes might look like a Disney character. Very ethereal appearance. They can be spiritual or interested in spirituality. They can look like sirens/have siren qualities, they're very alluring and attract people because of it. You can meet them near bodies of water. You can also meet them when you're doing meditation/yoga. While you're going through your spiritual awakening. They can be foreign and/or different religion than you.

[thevirginwitch]

DON'T CALL ME MABON

WHY MABON IS AN INAPPROPRIATE NAME FOR THE AUTUMN EQUINOX

by Anna Franklin

The name ‘Mabon’ as a term for the neopagan festival of the autumn equinox (along with the Saxon term ‘Litha’ for the summer solstice) was introduced in 1973 by the American witch and writer Aiden Kelly (b. 1940). His blog for 21st September 2012 explains:

“Back in 1973, I was putting together a “Pagan-Craft” calendar—the first of its kind, as far as I know—listing the holidays, astrological aspects, and other stuff of interest to Pagans. It offended my aesthetic sensibilities that there seemed to be no Pagan names for the summer solstice or the fall equinox equivalent to Ostara or Beltane—so I decided to supply them… I began wondering if there had been a myth similar to that of Kore in a Celtic culture. There was nothing very similar in the Gaelic literature, but there was in the Welsh, in the Mabinogion collection, the story of Mabon ap Modron (which translates as “Son of the Mother,” just as Kore simply meant “girl”), whom Gwydion rescues from the underworld, much as Theseus rescued Helen. That’s why I picked “Mabon” as a name for the holiday…” bd

Curiously, his own tradition, the New Reformed Orthodox Order of the Golden Dawn, did not follow him in this and instead called the autumn equinox ‘Rites of Eleusis’.  However, the term took off and was used in many American books, and by extension, the readers of those books in the UK and elsewhere.

The association of the god Mabon with the festival is certainly not an ancient or traditional despite the claims in various books and websites where you might read ‘the Celts celebrated the god Mabon on this date’.

In order to see why the name of Mabon for the autumn equinox is an inappropriate one we need to examine the tales of Mabon.

The Celtic God Maponius

There is certainly a Celtic god whose title was Latinized as Maponus, which is not an actual name but means something like ‘divine son’. He is known from a number of inscriptions in northern Britain and Gaul in which he is addressed as ‘Apollo Maponus’ identifying him with the Graeco-Roman sun-god Apollo. Like Apollo, all the evidence suggests that he was a god of the sun, music and hunting – significantly, he was not a god of the harvest or of the corn.

It is not known whether he was widely worshipped before the coming of the Romans, but with them his cult spread along Hadrian’s Wall amongst the Roman soldiers stationed there. Several stone heads found at the Wall are identified as representing Maponus.

He was also known in Gaul where he was invoked with a Latin inscription at Bourbonne-les-Bains, and on a lead cursing tablet  discovered at Chamalières, Puy-de-Dôme where he is invoked along with Lugus (Lugh) to quicken underworld spirits to right a wrong. 

It is possible that there are some place names associated with him, such as Ruabon in Denbighshire, which may or may not be a corruption of Rhiw Fabon, meaning ‘Hillside of Mabon’. be During the seventh century an unknown monk at the Monastery at Ravenna in Italy compiled what came to be called The Ravenna Cosmography, which was a list of all the towns and road-stations throughout the Roman Empire. It lists a Locus Maponi (‘place of Maponus’) which has been tentatively identified with the Lochmaben stone site.

It is possible that Mabon’s Irish equivalent is the god Aengus, also known as the Mac Óg (‘young son’).

 Literary Sources

A character called Mabon is found as a minor character in the Mabinogion, a collection of eleven – sometimes twelve – Welsh prose tales from the Middle Ages. He is called Mabon ap Modron, meaning ‘son of the mother’, which has led to speculation that his mother Modron (‘mother’) may be cognate with the Gaulish mother goddess Matrona. There are no inscriptions dedicated to her from ancient times, so this cannot be verified. Whether or not the Mabinogion tale of the hero Mabon stems from a thousand year old story of the god Maponus is uncertain, but since the stories contain the names of other known Celtic gods (transliterated into heroes) it is certainly possible.

The Mabinogion is a collection of medieval Welsh stories which would have been recorded by Christian monks. They don’t seem to have been very widely known until they were translated into English in 1849 by Lady Charlotte Guest, who invented the title Mabinogion since each of the four branches ends with the words “so ends this Branch of the Mabinogi”. In Welsh, mab means ‘son’ or ‘boy’ or ‘youth’, so she concluded that mabinogi meant ‘a story for children’ and (erroneously) that mabinogion was its plural.  Another possibility is that it comes from the proposed Welsh mabinog meaning something like ‘bardic student’.   

The stories now included in the Mabinogion are found in two manuscripts, the older White Book of Rhydderch (c.1300–1325) and the later Red Book of Hergest (c.1375–1425) and Lady Charlotte Guest used only the latter as her source, though later translations have drawn on both books.

The first four tales, called The Four Branches of the Mabinogi, are divided into Pwyll, Branwen, Manawydan and Math and each of these includes the character Pryderi. The Mabinogion scholar W.G.Gruffydd suggested that the four branches of the collection represent the birth, exploits, imprisonment and death of Pryderi.

Mabon is mentioned in the Mabinogion story of The Dream of Rhonabwy in which he is described as one of the King’s chief advisors and fights alongside him at the Battle of Badon. His biggest role comes in the story of Culhwch and Olwen (originally from White Book of Rhydderch). In it is the only known reference to Olwen, and Mabon is still a very minor character in the story. One task of the heroes is to search for Mabon ap Modron, who was imprisoned in a watery Gloucester dungeon. Arthur’s cousin Mabon had been taken from his mother Modron when he was only three nights old, and no one knew whether he was alive or dead. After asking the oldest animals,  they were finally directed to the oldest creature of all: the great Salmon of Llyn Llyw. The salmon recalled hearing of Mabon, and told them that as he swam daily by the wall of Caer Loyw, he heard a constant lamentation. The salmon took Cei and Gwrhyr upon his back to the castle, and they heard Mabon’s cries bewailing his fate. Mabon could not be ransomed, so seeing that force was the only answer, the knights fetched Arthur and his war band to attack the castle. Riding on the salmon’s back, Cai broke through the wall and collected Mabon, both fleeing on the back of the salmon.

Let us suppose for a moment that the god Maponus and the literary hero Mabon are one and the same. We must remember that all the evidence points to Maponus being the young sun god, his youth meaning that he would represent the morning sun or the sun newly reborn after the winter solstice. His theft from his mother after three days would make sense in this light – the three days being the three days the sun stands still at the winter solstice. The imprisonment of the young god underground equates to the sun in the underworld before he is ‘released’ to begin his reign as the new sun. In Culhwch and Olwen, Mabon is said to be imprisoned inside a tower in Gloucester, from which he is freed by Cei and Bedwyr. The ‘missing sun’ or ‘imprisoned sun’ is a premise found in the solar myths of many cultures to explain the night or the shorter days of winter, especially those around the three days of the winter solstice. Such tales often include themes of captivity or the theft of the sun (i.e. the god or object that represents it) and its rescue by a band of heroes, such as Jason and the Argonauts rescuing the Golden Fleece (the sun) from the dragon or the Lithuanian sun goddess Saule, was held in a tower by powerful king, rescued by the zodiac using a giant sledgehammer, or the Japanese sun goddess Amaterasu hiding in a cave.

An earlier source that mentions Mabon is the tenth century poem Pa Gur, in which Arthur recounts the great deeds of his knights in order to gain entrance to a fortress guarded by Glewlwyd Gafaelfawr. In this, Arthur describes Mabon fab Madron as one of his men and says that Mabon is a servant of Uther Pendragon. A second Mabon is mentioned, Mabon fab Mellt (‘Mabon Son of Lightning’) and this is interesting, since the sky/storm god is often the father of the sun god in myth, as Zeus is the father of Apollo.

Mabon defeats the monstrous boar, and in myth the boar is often a symbol of winter and the underworld, just as the sun after the winter solstice defeats winter. Mabon then is the divine sun-child born at the winter solstice and this is his festival – he is not the aged god of the harvest or the seed in the ground as Kore is in Greek myth. As Sorita d’Este says:

“Honour Mabon as a Wizard, a Merlin type figure, as the oldest of men and beasts, honour him as the Son of the Mother, and a hero – don’t take that away from him by ignorantly using his name as if it is a different word for Autumn Equinox.  If you really believe that the Old Gods of these lands still live, that they should be honoured and respected, then do that.  Don’t join the generations who tried to belittle the Gods in an effort to diminish their power.”[1]

© Anna Franklin, The Autumn Equinox, History, Lore and Celebration, Lear Books, 2012

[smehur]

Some Harry/Draco Fic Recs

There is so much great fic in this fandom, I'm struggling to keep track of everything I read and like. I already mentioned some of my early favorites here, but I have since found several more.

In no particular order:

Hermione Granger's Hogwarts Crammer for Delinquents on the Run by waspabi

In which Harry did not go to Hogwarts, but is instead found by a group of seventh year students led by Hermione, and recruited for the war at the ripe age of 17.

I'm not usually a fan of AUs, but this charmed me within the first few paragraphs with irresistible characterization. Harry is a little different than how I imagine him, but the premise allows for it. And the Harry/Draco romance is possibly the sweetest, softest I've seen so far. 10/10 would read again.

In Pieces by dysonrules

Harry returns to Hogwarts as the new DADA instructor, only to find his teaching efforts thwarted by a very familiar ghost.

When I got this rec myself, I wasn't sure I would like it, because, well, the summary spells it out, doesn't it? But I ended up loving it. It's incredibly sweet and tender and sad and hot. I couldn't put it down.

An Emerald In The Sky by corvuscrowned

The hardest part about shagging an Unspeakable is that they’re not allowed to speak of anything. All Draco knows is that Harry works in Time. Harry works in Time, and while he’s out there in all of that time, it is as unforgiving to him as it is to anyone. Somewhere along the way, Draco realizes he's been thinking in lines, when he should have been thinking in circles.

This story moved me like few others. It's a masterpiece of 'show, don't tell' in that elusive way I have never been able to tap in my own writing. It speaks in images, and the images capture incredibly specific, perfectly chosen details that paint years and decades of slowly fading hope. Just the thing for one who considers their own aging and mortality increasingly often.

Take You Home by lq_traintracks (lumosed_quill)

Everybody’s a little fucked up after the war, Draco especially. What starts as hate sex after a night out, eventually turns into something else, something more like comfort. And even though his friends all tell Harry he’s just being used, all Harry’s doing is making sure Draco gets home in one piece. He’s not falling helplessly in love.

From the author of one of my early favorites (Right Hand Red), a hugely enjoyable read that makes love to a post-war Draco (and his long hair in a man-bun that he fastens with his wand). I gulped this down in one sitting.

Hey, Potter by SunseticMonster

Harry returns to Hogwarts for his 8th year, determined not to let Malfoy get to him. But when the snarky teasing starts up again, Harry finds that returning the jibes with compliments has a far more interesting outcome.

I am in love with this premise. It works so well? While I wished for a bit more shipping and a bit less collateral, I still enjoyed this story immensely and went on to read almost everything the author wrote for the pairing.

An Issue of Consequence by Faith Wood

Draco has woken up in an alternate universe. Or he has woken up utterly insane. Nothing else can possibly explain why Harry Potter suddenly seems to think he's Draco's boyfriend.

The light-hearted summary belies the gravity of the plot of yet another favorite tale from the pen of my favorite author. The POV immersion is so deep that I absolutely did not see the resolution of the mystery until it was revealed, and then I was just as shocked as Draco. Fabulous stuff.

A Doll's Tale by Faith Wood

Harry/Draco, as observed by Draco's childhood doll. Please note, this doll is very self-absorbed.

This... broke me a little, lol. Don't get me wrong, there's nothing (too) heavy, angsty or dark about this story. It's as innocent as they get? But it just clicked so well with the idea I've been brewing in my own (yet to be published) writings, of Draco as this... sensitive boy hiding under the guise of confidence and cruelty. And the plot-twist, Merlin. Was it obvious? Maybe, but not to me! It struck me like a (fluffy toy) train and days later, I'm still recovering. I want to take this fic and hug it when I go to sleep.

Actually, I'm in a bit of a pickle, as my instinct is to list pretty much every single thing written by Faith Wood that I've read so far. But that would be silly, so I'll list only one more, as a treat.

Beholden by Faith Wood

Draco Malfoy might not be a killer, but it turns out he's an effective painkiller. If stopping pain was all Draco's touch did, things might not be so complicated, but either way Harry can't afford to be choosy.

I already mentioned this one in that inaugural post I linked at the very top, but: 1) it's now completed and can be safely binged on; and 2) the only thing I said about it back then is that it deals with chronic pain, which was particularly relevant at the time because I was at the peak of sciatica and could relate to poor Harry all too well. But that's just one of the many merits of this incredible story. Now that I'm feeling better, I'd praise it first and foremost for the patient exploration of the characters' inner worlds and the gradual, methodical and inexorable buildup of their feelings and convictions that eventually leads to falling in love. A masterpiece of slow burn. I plan not only to read this again, but to study it in the hopes of improving my own craft.

Tagging the authors I found on here: @dysonrules @faith2wood @corvuscrowned @lqtraintracks and also my friend @kuraiummei who helped me find some of these gems.

Thank you for enriching my life. ❤️

[mean-queens]

Vedic/Sidereal Astrology Musings

Topic: How the darakaraka and the seventh house lord have shown up in our relationships

To start off this long post my darakaraka is mars and my seventh house lord is Saturn/Rahu (Sidereal Leo Rising) so this post will be centered on these placements. If you have these placements or know somebody with these placements please feel free to reblog and add your/their experience. If not, still feel free to enjoy as I muse on astrology and over share about my personal life to strangers on the internet.

A mars darakaraka indicates that your spouse or life partner may have mars ruled signs Aries or Scorpio in their big three, the mars ruled nakshatras mrigashira, chitra, or dhanistha) in their big three, a prominent mars in their chart (i.e mars conjunct sun, moon or rising), etc. The romantic partners of people with a mars darakaraka may have impulsive tendencies, be inclined to athleticism, may take on the role of protector in relationships, and may struggle with regulating their anger.

Having a mars darakaraka can show having partners with certain physical traits such as:

An athletic figure, skin that is reddish for instance when they run and get out of breath their skin may get flushed, height may be average, or a stocky build.

My first kiss was with a girl who was an aries sun. She was pale with dark eyes but had dark brown hair that looked a bit red in the sunlight. She was American but was the first American in her family because the rest of her family was Ecuadorian (This is where Rahu comes into play by the way). I remember she would do random stuff all the time like climb trees just to do it. One distinct memory I have of her is the time she decided to climb through the second floor window of her house instead of just walking to the front and using the front door like a normal person. She ended up cutting her knee on the window sill pretty badly. Aries placements and their battle scars *sigh*. We didn't end up dating because she ended up pregnant like a month later and after the baby was born she named my older sister the godmother. By the way we were like 12/13 when this all happened. We don't need to discuss this... Lets move on.

With my seventh house being in Aquarius, the ruler of my seventh house would be both Rahu and Saturn. In Vedic Astrology a Saturn ruled seventh house is said to indicate that your partner may have physical traits associated with Saturn.

These traits include but are not limited to:

Prominent teeth (i.e an overbite, buck teeth, a gap between the teeth, or even a missing tooth), darker features, either dark and greyish skin or really pale skin, thick curly/coarse hair or baldness, thin/bony body composition, either looks older then they are or does not seem to age.

Considering how my longest standing celebrity crush in high school was Timothee Chalamet... this adds up.

Also the first guy I "dated" (quotes because we went on one date then I blocked him because he was too passive and demure... also he was not a good lover but mostly the first part) was also very Saturnian in appearance. He was 6'2, rail thin, and dark skinned (as in a dark skinned black person); with my mars darakaraka coming into play he was also an athlete, specifically a college basketball player. My type on paper but his virgo stellium just didn't do it for me. (Sorry to my fellow tropical/sidereal virgos out there. I love you guys but just for friendships.)

My last real crush was a girl I went to high school with. She was short, pale, had freckles, dark hair and dark eyes that she would say looked like demon eyes because they were so black. She was on the schools softball team so she had a more athletic build. She had a very, VERY loud voice and seemed to attract conflict everywhere she went partially due to her own anger issues. We were friends and I never told her I liked her because she had a crush on a girl named Rachel but mostly because my entire friend group hated her. Like, they could not be in the same room without screaming at each other.

I love you guys but oh my lord Martian people really do attract problems everywhere they go.

Rahu is also the ruler of Aquarius. A rahu ruled seventh house can indicate unconventional partnerships. Unconvential partnerships in vedic astrology include but are not limited to:

Relationships with a large age gap, polyamorous relationships, open relationships, lgbtqia+ relationships, interracial relationships, cross-class relationships, intercultural relationships, interreligious relationships.

Considering how in this post I have talked about my experiences with women and men of different races we can see how having a rahu ruled 7th house has impacted my romantic life.

Alright, i'm done musing about my failed attempts at relationships. The intent behind the post was to emphasis how both the darakaraka and the seventh house lord really do come into play when it comes to the romantic relationships we have had and will continue to have throughout our lives.

Feel free to respond to this post however you want to with questions, comments, corrections the whole nine yards.

[kitty-tea]

Why do you hate me?

Link to masterlist

Part two

Severus Snape x f!reader

WC: 1.5k

Summary: After starting your job as a professor at Hogwarts, you don’t understand why Professor Snape is the one person who doesn’t seem to like you.

Warnings: age gap, angst, SFW, crying, slightly OOC Snape

I still have some stuff I need to catch up on but maybe I can make a part two soon?💁🏻‍♀️

You were more than thrilled when you were accepted to fill in the position for the new Defense Against the Dark Arts teacher. As Dumbledore introduced you to the school at the Welcoming Feast, your eyes went over to the Slytherin table where you recognized some of the students you went to school with who were younger than you. Your memory went back to your last year sitting at that table with them, and it was as if you’d blinked and they were already old enough to be taking their N.E.W.Ts the upcoming year. You gave a wave to them as they saw you which they returned with a thumbs up.

It seemed as if someone else didn’t give off the same welcoming energy that the rest of the staff and students were giving you. That person was none other than your former head of house, Severus Snape, who was sitting right next to you, rolling his eyes.

He had started teaching when you were in your first year, and it didn’t take long for you as an impressionable student to accept his strict ways of teaching. It wasn’t until your fourth year when you noticed you’d feel different around him than you did with any other teacher which made you realize you were developing a little crush on him that you waited for to go away throughout the rest of your time in school. It never did.

And now, there you were, sitting right next to him, with the same flame within you that caused you to blush.

After Dumbledore was finished making the rest of his announcements, you turned to Snape with a smile on your face.

“Hello Severus, you’ve been a teacher for a while now. Doesn’t it get exciting seeing all these new faces ready to have their minds filled with knowledge? I saw a good number of new additions to our wonderful house during the Sorting Ceremony!”

“It’s Professor Snape to you. And what makes you think I would enjoy having new students to teach?” Even though he turned to you with that same scowl on his face from all those years ago, there was something different about the way he looked at you that you couldn’t put your finger on.

“I’m sorry.” You apologized quickly, a meek smile on your face. “I just thought that… well, you’re a teacher, so… or maybe you see it as having new victims to torture?” You didn’t know why you had rambled on like a fool as the butterflies in your stomach continued to flutter. Having a crush on someone you’re not supposed to can make you do strange things, sometimes without your control it seems.

“The students better hope their new teacher takes her job seriously enough and doesn't treat it as a joking matter.” Snape pointed his sharp features at you which were emphasized by his pale face making you shrink back into your seat.

The more time went on throughout the school year, the more apparent it became that your former teacher hated you no less if not more than he used to. Every wave you gave to him in the corridors was only returned with a scowl, every “hello” with a “go away.” You didn’t understand why he could be so rude to you when you’ve been nothing but kind to him. Hearing rumors that he favored the Slytherins over the other three houses, you thought that he would have treated you with less disdain, but even as a student and teacher, it seemed like he treated you as if he forgot that you shared the same house.

The more you thought about it, you noticed that he used to single you out from the other Slytherins in your school days. You remembered storming out of class in your seventh year one time after he yelled at you for being an “embarrassment” to your house. All you had done was defend a Gryffindor student from the taunts of your fellow housemates. He then had the audacity to complain that you were the one disrupting his class!

Since becoming a teacher, you had in a way used Snape’s mistreatment of you as a motivation to be kind to every student and work with them in a way that was suitable to their needs. You never wanted another student to feel the same way about you that you had towards Snape.

Within a month of school, you had gained a reputation as one of the nicest teachers at Hogwarts, a stark contrast to how everyone else viewed Snape. There were some nosey older students who had taken the liberty of spreading gossip around which included information of how you were once his pupil making the younger students wonder in disbelief of how you turned out nothing like him.

Then there was Snape himself, whom you’d sometimes catch looking in your direction, looking as if he was dazed out, a sight that amused you as someone who had only seen him wear one other expression on his face. It was only when the soft sound of your laughter would hit his ears that he’d snap out of whatever trance he was in, narrowing his black eyes at you silently accusing you of mocking him.

You didn’t understand what was so different about him, what changed since the last time he saw you before you started teaching.

This lead to you becoming more intrigued with him, striking up a conversation with him whenever you were together only to be shut down by his familiar dismissiveness.

It was a Hogsmeade weekend which meant that you were alone in the library with the exception of some studious first and second year students. You had taken advantage of the near emptiness of the library to gather however many books you could fit onto two hands before leaving for your quarters. Thinking about how excited you were to bundle up in your blankets with the books you considered reading to your students, you sprinted through the castle. Maybe you got a little too excited because the next thing you knew you were plumeling face first into a wall of black fabric before the books were knocked out of your hands.

“I should’ve known it was you. Running around like the invasive pest that you are.” You looked up to meet Snape’s eyes for daggers, his taller frame looming over you.

“I’m so sorry, sir.” Your eyes widened as you frantically fidgeted with the skirt of your dress.

“Even after I thought I’d seen the last of you, you return like a persistent weed that has evolved into a thorn in my side.” He used his snarky attitude to ignore your apology.

Something inside of you deflated at the sound of his words, puncturing the previous excitement that was bubbling inside you making you momentarily forget about the books you had to pick up.

“I just thought we could be friends now that we’re coworkers.” You said in a near whisper.

“It might have escaped you when you were that pathetic student, but you can’t force everyone to be your friend.” He was clenching his fists at his sides.

“Why don’t you at least try being nice for once then?!” Hot tears were starting to simmer inside your eyelids, threatening to pour out. You hated how no matter how hard you tried standing up for yourself, you’d cry every time.

“Still weak as ever.” Snape said, eyeing your tears that were now running down your red cheeks.

“I am sick of you always treating me and looking at me like… I’m pathetic and calling me that!” You started to choke on your sobs. “Everyone has been kind to me! I don’t understand why you can’t be too when I’ve always tried being friendly with you, but you’ve been nothing but mean to me!”

“Being a pathetic excuse for a Slytherin doesn’t help.” Snape said loud and clear.

“Being a pathetic excuse for a teacher doesn’t help!” You shouted as loud as the tears would spill out fast. “You act like you know everything and that everyone else is beneath you! Maybe that’s why all the students hate you!”

“Thank you. For bringing my attention to something that is absolutely not new and wasting my time.” Snape said sarcastically, huffing under the layers of black.

“Why do you hate me?” You finally asked the question, a wall of tears clouding your vision.

The next thing you felt was calloused fingers brushing along the soft skin of your wet cheek before a pair of lips landed onto yours.

You were in too much of a shock to dwell on the fact that the man you’ve had a crush on for years was kissing you. You planted your hands against his hard chest as you returned the kiss. You let out a breathy whimper as his tongue traced your bottom lip. Both of you closed your eyes, savoring the moment until it was time to break away unless you wanted to take your last breath in his arms, which you would’ve been happy to.

“Because it infuriates me that I’ve wanted to do that to you every time I’ve looked at you since that day you returned to Hogwarts. You have no idea what you have done to me with those innocent eyes I can’t stop thinking about.” Snape’s voice broke you out of your daydreams before he stormed off without giving you a chance to speak.

You wanted to call out after him as you stood alone, trembling in your dried up tears.