#senseless posting
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weewooooweew · 2 months ago
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"a double dose won't kill me" DUMBASSSS
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stheresya · 2 months ago
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i love the way sansa is so proud to be catelyn's daughter. in a world where women are expected to assimilate to their husbands' world once they get married, there's sansa adopting her mother's gods into her creed, taking pride in having her mother's looks, often choosing to wear the colors of her mother's house and, most importantly, drawing strength from her mother's memory. what's so great about this is that it's not an act of spite against her father. she's just proud of being both stark and tully. it's like arya said: the woman is important too.
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turtleblogatlast · 7 months ago
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rise raph#rottmnt leo#rise leo#honorable mention to the time Leo desperately tried throwing himself into harm’s way to get to Karai#and Raph is the one who has to pull him back#I also think that it’s interesting how both of them go about self sacrifice#because wow they both have problems with it#Raph’s tends to be immediate reactions not even thinking as he throws himself over his bros#Leo’s are often shown to be ‘for the greater good’ (said greater good often being his family)#once again I am saying that post movie these two would likely have codependency issues#considering Raph’s already present acute seperation anxiety and Leo’s immediate memory of Raph standing over him bleeding#another thing to mention is how Future Leo’s actual death still falls into the whole ‘morbidly lighthearted words’ category#I also wanna point out that in Many Unhappy Returns the trust that Leo wants so much does NOT come from Splinter but from RAPH#side note but in regard to the fighting that Raph and Leo were up to during the time between the shredder and the krang#I think it’s interesting that it’s NOT depicted as screaming matches - very blatantly not this actually#also also! I totally love how the movie parallels Oroku Saki and Karai with Raph and Leo respectively#there are so many parallels in general in this show+movie it makes me froth at the mouth#and because it breaks my heart - the beginning of the movie had Raph getting angry at Leo and lashing out at him#the end of the movie has the Krang very very angry at Leo and lashing out at him#both of these times has Leo ‘ruining’ a mission so…bad parallels#in the movie as well there’s a Krangified Raph who beats Leo senseless#so I have to wonder if Raph and Leo just…can’t roughhouse anymore#else Leo would flinch or Raph would be so scared to accidentally hurt Leo like he was already used to do before#then suddenly their usual dynamic of Raph never having to be softer with Leo is thrown on its head#worse is if they’re so terrified of this dynamic leaving that they power through their own sufferings to maintain it
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nateezfics · 9 months ago
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the wine red hair, the smile, the little dimple at the corner of his lips, his teeth. he is so attractive down to his very last detail oh my god i am in awe.
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0kulr4 · 6 months ago
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wanted to make this a doodle dump but i actually have no other art right now😭
anyways i Did buy oliver plush
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teddypoi-qd · 2 months ago
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The only exception to the rule of "stop making remakes PLEASE" is if you're going to make a musical of something. everything should have a musical version.
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rhera · 2 years ago
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“I’m all right.”
Natalie Wood in Splendor in the Grass (1961, dir. Elia Kazan)
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wonder-worker · 5 months ago
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Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.
#lol I don't remember writing this - I found it when I was searching for something else in my drafts. But it's 100% true so I had to post it.#elizabeth woodville#my post#Imo this is mainly because Elizabeth's negative historiography has always involved both vilification and diminishment in equal measure.#and because her brand of vilification (femme fatale; intriguer) suggests more indirect/“feminine” than legitimate/forceful types of power#It's still bizarre though-you'd think these would be some of the most famous & defining aspects of Elizabeth's life. But apparently not#I guess she only matters when it comes to marrying Edward and Promoting Her Family and scheming against Richard#There is very lacking interest in her beyond those things even in her traditionally negative depictions#And most of her “reassessments” tend to do diminish her so badly she's rendered utterly irrelevant and almost pathetic by the end of it#Even when some of these things *are* mentioned they're never truly emphasized as they should be.#See: her formal appointment in royal councils. It was highly unconventional + entirely unprecedented for queens in the 14th & 15th century#You'd think this would be incredibly important and highlighted when analyzing late medieval queenship in England but apparently not#Historians are more willing to straight-up INVENT positions & roles for so many other late medieval queens/king's mothers that didn't exist#(not getting into this right now it's too long...)#But somehow acknowledging and discussing Elizabeth's ACTUAL formally appointed role is too much for them I guess#She's either subsumed into the general vilification of her family (never mind that they were known as 'the queen's kin' to actual#contemporaries; they were defined by HER not the other way around) or she's rendered utterly insignificant by historians. Often both.#But at the end of the day her individual role and identity often overlooked or downplayed in both scenarios#and ofc I've said this before but - there has literally never been a proper reassessment of Elizabeth's role in 1483-85 TILL DATE#despite the fact that it's such a sensational and well-known time period in medieval England#This isn't even a Wars of the Roses thing. Both Margaret of Anjou and Margaret Beaufort have had multiple different reassessments#of their roles and positions during their respective crises/upheavals by now;#There is simply a distinct lack of interest in reassessing Elizabeth in a similar way and I think this needs to be acknowledged.#Speaking of which - there's also a persistent habit of analyzing her through the context of Margaret of Anjou or Elizabeth of York#(either as a parallel or a foil) rather than as a historical figure in HER OWN RIGHT#that's also too long to get into I just wanted to point it out because I hate it and I think it's utterly senseless#I've so much to say about how all of this affects her portrayal in historical fiction as well but that's going into a whole other tangent#ofc there are other things but these in particular *really* frustrate me#just felt like ranting a bit in the tags because these are all things that I want to individually discuss someday with proper posts...
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batbrainrot · 4 months ago
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in three jokers when jason is about to shoot joker and babs tries to stop him and they're fighting and she throws a batarang at him but misses and he kills the mf and babs is like jason wtf and they're arguing and she says "i didn't want this" and he's like "oh fr? when was the last time you missed?" is still one of my favorite moment in comics ever btw. like if you even care.
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weewooooweew · 2 months ago
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SOBBING
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oceanwithouthermoon · 8 months ago
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im thinking about kubosai where kuboyasu is considering whether or not he should confess to saiki, and saiki gets tired of listening to his thoughts being like "ugh but i dont think he likes me back!" so he starts trying hard to make his feelings known, but his pathetic loser ass literally doesnt realize that what hes doing is called flirting
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bawnjourno · 7 months ago
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from the Gratsax vinyl reissue
(photography by Dieter Eikelpoth, scanned by me)
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daynascullys · 4 months ago
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I literally had a 10 year old come into therapy and talk to me about how much she worries about school shootings. About how her mom is literally saving up to buy bulletproof backpacks for her and her siblings. And I can’t say anything reassuring because we both know that it would be a lie. We both know the truth. And the truth is it’s completely reasonable for her to worry and makes perfect sense for her family to be buying bulletproof backpacks. It makes me want to fall to my knees.
Because how is this the world we live in. How does this place exist. A place where you can hear a child talk about fearing for their lives when they go to school but NOT be willing to (as they say) give up your precious second amendment rights in exchange for their comfort and safety. And to then have the audacity to say it’s unethical to terminate a pregnancy, that bringing a new life into this world that refuses to protect it is a privilege. A gift.
I truly cannot comprehend how there are people who believe this wholeheartedly.
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sweet-evie · 7 months ago
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Thinking about writing a Dad!Gojo drabble where some ill-intentioned stranger grabs Satoru's kid by the neck...
And Gojo straight up knocks them out, because, "Hell no, you're not walking away after you just physically tried to assault MY child."
He does it in front of people too...
The crowd had to call an ambulance for the assailant because imagine getting punched in the face by Satoru Gojo...
He hit the jaw.
And going off of information on the manga, it's well-known that his punches aren't normal. It's his base strength PLUS Amplification Blue.
I like to think that in this situation, Gojo holds back just enough so he only injures the person and not, you know, launch them to the other side of the street or straight through a solid wall.
It would still hurt like a bitch and cost medical bills though.
The assailant probably suffered a shattered jaw, lost teeth, and a severe concussion.
Gojo gets away scot-free because there were bystanders who filmed the whole thing, and it was clear in most witnesses' videos that the assailant started with verbal threats first before Gojo said something, and the assailant immediately went for the kid.
Gojo still pays for the assailant's medical bills just to be extra petty, so the idiot can survive and suffer through the consequences of his actions.
If asked why he didn't just let the assailant die from their injuries, I think Gojo would say, "That's no fun. The idiot deserves to live a long miserable life."
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teddypoi-qd · 10 months ago
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dungeon meshi + random posts (1/?)
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pineapplefulfillseveryneed · 4 months ago
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Sparks - (When I Kiss You) I Hear Charlie Parker Playing
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