#seeing him in rl didn’t feel weird but it does now | Explore Tumblr posts and blogs

florrickandassociates · 3 years ago

Text

TGF Thoughts: 5x10-- And the violence spread.

So, that’s it for season five. I’m still trying to sort out how I feel about the season as a whole and Wackner’s arc. I’m hopeful that writing this will help me decide.

This episode has a Previously, and it’s rather conventional. I’m guessing it’s here to bookend the season, with conveying information being only a secondary objective.

Did we see Rivi scream, “You’re done, Wacko, you’re done! Canceled! Canceled!” in the last episode or is that new to this previously? I feel like I absolutely would’ve had things to say about a) Wackner being called “Wacko,” which has been RIGHT THERE this whole time, and b) the use of “Canceled,” which is a thing Rivi would never say but is VERY thematic (you know, cancel culture and also Wackner having a TV show and also this being a TV show that’s wrapping up* Wackner’s arc).

* The way things end this episode, I’d say we’re done with Wackner. The Kings have said they aren’t sure about the plan for season six, so never say never, but I think that if we see Wackner again, it will be as part of a different arc.

I went back to 5x09 and while we do see the same shots of Rivi screaming, whatever he’s saying in 5x09 is in Spanish. So either he was saying this in Spanish or the dialogue here is totally new.

I’m a little sad that I knew in advance Robert King had directed this episode, because I want to know how long it would’ve taken me to guess. I’d like to think this first shot, of Diane flopping down on her bed in a very pretty floral print dress, then Kurt flopping down in the opposite direction, would’ve given it away. We usually don’t get shots that are both striking and kinda balanced unless RK’s directing.

This also has some big season three opener vibes—the scene where Diane turns to Kurt and says, “I’m happy,” thus jinxing the entire season.

Diane and Kurt are about to go on vacation, which means, of course, that Diane and Kurt are definitely not about to go on vacation. I’ve watched 12 seasons of this show; I know all the tricks!

If I didn’t get it from the initial staging of the opening shot, the camera panning to Diane and Kurt’s suitcases and then back would’ve been another clue that RK directed. He ALWAYS has the camera in motion.

I love that Diane’s travel outfit is a dress you could wear to a fancy party and a statement necklace. Of course it is.

And if I needed evidence that RK and MK wrote this episode (which I didn’t; it is a finale so I knew they wrote it), Diane quoting Waiting for Godot is a clue there.

I really should read Waiting for Godot, shouldn’t I?

“Wow. Educated and a good lay,” Kurt responds. I know that the political stuff between Diane and Kurt can get more than a little murky, but banter like this reminds me why they stay together and why politics never drive them apart. Also, it’s really nice to see Diane and Kurt have some fun banter that isn’t about politics.

And Diane making kissing noises and asking Kurt to meet her halfway! This just feels like I’m spying on someone’s private life and I love it. Not in a voyeuristic way, since this is actually a little uncomfortably private, but in a, “ah, yes, these do feel like real people” way. This is the kind of “a little goes a long way” character moment I always want more of, and Kings episodes ALWAYS include stuff like this.

And there it is. The phone rings as Diane and Kurt are about to start out for the airport. Diane thinks the call must be for Kurt, but it’s for her. It’s a very flustered Liz, informing her that STR Laurie’s execs are on their way to the office for a surprise visit.

If the Diane/Kurt scene didn’t tell me that Robert King directed, I almost certainly would’ve gotten it from the sudden cut to Liz, walking through the hallways and doing a million things at once with a ton of background noise. No one loves chaos the way Robert King loves chaos.

This episode STRONGLY reminds me of the Wife season five finale. It is equally chaotic and also spins a ton of plates. But, mostly, the similarity I see between the two episodes is that they are both extremely fun and captivating to watch because of how much momentum they have, but everything just feels slightly hollow and not exactly focused on the thing you want to see.

(Shout out to my friend Ryan, who messaged me the 5x22 comparison before I could message it to him!)

I decided I should rewatch the first few minutes of 5x22. I am now 15 minutes into 5x22 of Wife and 2 minutes into 5x10 of Fight. Oops.

Apparently, STR Laurie planned a surprise visit because they heard RL was dysfunctional. You don’t say!

I felt like 5x09 concluded with STR Laurie being won over by Allegra and the RL team, so this is a bit of a surprising place to start the episode. But, since Diane seems surprised too, I’ll allow it.

Now Liz and Diane have 90 minutes to agree on a financial plan! Kurt’s on the phone with the airline before Diane even hangs up with Liz.

Diane is determined not to lose out on her vacation and asks Kurt to change the flight to 8:00. “Kurt, we are going on this vacation if it kills me!” is a line I would worry was foreshadowing on basically any other show.

The RL/STRL PowerPoint template is pretty ugly. They want to call 2021 their best year yet, thanks to the deal between Rivi and Plum Meadow Farms we saw last week. Even though we saw champagne and signatures, the deal isn’t done yet because Plum Meadow can back out if Rivi goes to jail.

RK also loves close-ups more than any other director on the show; I do not love close-ups.

The Plum Meadow deal is such a big deal that for the quarter, they go from $45 million to $5 million without it. They should just not say numbers. I can believe it’s big enough to take them from a modest profit to being behind projections or whatever, but I can’t believe that they have $5 million in other business and $40 million on this one deal.

It seems that Rivi was arrested. I don’t think it is ever said in this episode why. I assume the arrest relates to his behavior in Wackner’s court, since there were police officers there, and I suppose that Rivi is a big enough deal the police would actually take him to real court, but are we not going to address the weirdness of Rivi being arrested in a fake court where his employees are being tried, then taken to a real court by the same people who just an episode ago were disillusioned with real court? This seems like a plot point.

Carmen on a frantic phone call in the backseat of a car feels very 7x22.

Who is James that Carmen has in her contacts!? And why does everyone always put Liz in their contacts as “Elizabeth Reddick” when everyone calls her Liz?

Carmen calls Marissa to go argue in Vinetta’s court since she’s on Rivi duty. Carmen doesn’t take Marissa’s job in Wackner’s court seriously and then notes that this instruction is coming straight from Liz, so Marissa falls in line.

Wackner’s case of the week is about rural Illinois wanting to form its own state separate from Chicago. There’s a farmer who feels like his tax money is only going to the big city and he wants it to stay in his community.

They’ve just now added stage lighting to the set of Wackner Rules, dunno why they wouldn’t have done that earlier!

I don’t know what standing you’d have to have to bring a case about wanting to divide the state in two to court, or if this is even something a court would or should decide, but, sure, Wackner and Cord, go for it. There are no rules!

This map splitting Illinois into two new states that Cord is holding is a dumb prop because Galena, where this farmer is from, is in the same section as Chicago. Do I pause every reference to Chicago on this show and then google information to see if the writers bothered to look it up or pretend they’ve ever set foot in Chicago? You know I do.

“Secession!” the audience screams. Does the audience of Wackner Rules really want to see this?

A Good Fight Short! And it really is short: “Stop this obsession with secession and breaking up the Union. It’s boring and it’s dumb, end of song.” I feel like that’s the thesis statement for this episode, or one of them (that this episode seems to have about ten thesis statements is kind of my problem with this episode, tbh). This episode is very much about danger of things becoming too fractured—the COTW, the copycat courts, the firm drama—and I feel like the writers come around to just saying no, this is enough, we need structure and consistency.

But more on that later. MUCH more on that later.

Marissa is swearing more because “the world has required it.” She notes this to Wackner as she calls him out on the secession case. Cord barges in.

Take a look at the employee of the month poster on the back of the door at 5:39. Then at 5:40, look at what’s in the box just to the right of the center of the screen: it’s an employee of the month poster with Wackner on it! Cute easter egg. (Would Marissa definitely notice this and have questions? Yes. Is this here as a cute easter egg for eagle-eyed fans? Almost certainly.)

“Insane is just one step away from reality if you get people to believe, and you know what makes people believe? TV.” Cord explains when Marissa asks how they can possibly be litigating this case. That’s thesis statements two and three, folks. The first is that if you get people to believe, then anything is possible, which sounds like a tagline for a Disney movie but is actually super dangerous; the second is that reality TV is a way to persuade people and change opinions.

So we’ve got: (1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. Let’s see if there are more.

(Yes, these theses do kind of add up to a whole—The rules don’t matter, so if you persuade people, through reality tv, you get factions of people believing their own sets of rules and facts—but what I'm interested in tracking throughout this episode is how well the writers actually bring these theses together.)

(And this is setting aside that key themes in previous episodes, that I think many of us were looking for resolution on, included outlining the flaws with the extant “real” justice system and exploring the role of prison in the justice system. From this episode, I don’t think the writers ever intended to really tackle either of those issues. That’s fine—I'm not sure that TGF has something to say about prison abolition and I don’t want a thought experiment where the writers actually try to fix the legal system—but feels a bit disjointed. I’ve said it before and I’ll say it again, but 5x08 and 5x09 needed to do a better, clearer job of setting up this finale. The key themes of Wackner’s arc were always present, but they needed to slowly narrow the scope so the resolution felt inevitable and clear. Instead, we spent time on things like parking spaces (when we could’ve had a real plot about how Wackner’s court gains legitimacy through violence, incarceration, and playing on people’s frustration with the real systems) and Del’s focus groups (when we could’ve instead done a plot about Wackner gaining fans who wanted to use his methods to do ill). Everything I just mentioned in the parentheticals is in the show! It’s not subtext! We see it all! We see Cord use violence and prisons to enforce Wackner’s rulings; we see the cops turn to Wackner out of frustration; we see that the people drawn to Wackner Rules and to Wackner’s court are increasingly sounding more and more like right-wing populists! I can’t be too hard on this arc because, again, all these ideas are there. I’m not coming up with them on my own!)

I’m just saying: this ending would’ve been a lot clearer and a lot more interesting had the writers focused on what I mentioned above instead of the distractions of the last two episodes.

Whew, that was a ramble. Hope you’re ready for more rambles.

On a similar note, I’d like to reiterate my problems with how the writers used Marissa after the private prison reveal. I don’t have much more to say than what I wrote last week, but it’s another example of the same problem. Marissa objecting to Wackner’s court because she notices what it’s becoming and how Cord plans to use it for political gain (two Illinoises (??) changes the Senate and the Electoral College...) always was going to be part of the endgame. Marissa only seriously objecting after the fourth or fifth line Wackner crosses feels bizarre.

Cord does NOT like that there is another court, and wants to protect Wackner’s IP. Wackner, as we saw last episode, does not feel threatened by the other court. In fact, he seems to be excited by it.

I love Liz questioning Diane’s outfit like it’s unprofessional. It’s a little low-cut and showy, but I don’t think unprofessional is the word I’d use for it.

Now they have 45 minutes to decide The Future Of The Firm and Diane wants to be considered a name partner. Oh, that debate is still raging?! Every time I think it’s done it comes back, which should probably be a sign to Diane that her options are to leave and start something new, jettison Madeline and the others, or step down. Staying on as name partner and calling it a black firm is just not an option.

“Diane, there is a split in the firm that...” Liz starts, before asking some associates to leave the room. Ha! The reveal Liz and Diane aren’t alone is a pretty fun touch.

“The Black equity partners don’t want to be in your work group,” Liz informs Diane. “Because they think they’ll be punished by this firm?” Diane asks. “No, that’s paranoia. We don’t punish here,” Liz responds. “Of course you do. My fracking client. My union client. The Black lawyers who work on those cases—they're considered traitors” Diane says. “Because those CEOs are racists,” Liz counters.

Lots going on here, and I’m not sure I understand it all. Why would the equity partners—who are partners—feel like they’re being punished by being in Diane’s work group? (And also what does a “work group” mean and why haven’t they talked about it in the past?) When Diane starts talking about the lawyers who staff her clients, she’s not talking about equity partners; she is talking about associates.

And people are giving associates shit for working on Diane’s clients whom they happen to be staffed on!? That’s sad, though believable.

“So what do we do? Only bring in clients who can pass the racial smell test?” Diane asks. I mean, actually, yes. IF the goal is to be a black firm and to have that designation mean something in moral terms rather than marketing terms, then yes.

“It’s okay if you’re a drug kingpin like Rivi, but it’s not okay if you want me as lead attorney?” Diane says. Also, yes. Diane makes good points here.

“Diane, this is not about you,” Liz counters. Um, sure, but it has to be about something, Liz. Unless you’re trying to build a firm you don’t control that makes 88% of its revenue from a drug dealer (40 million out of 45 million this quarter = 88%; I told you they shouldn’t give me numbers) but happens to have black people in charge, you have to grapple with this question. I don’t think anyone who’s fighting for the firm to be a black-led (not owned, bc STRL) business is the type of person who thinks that having a black-led firm that does all the same shit as any other firm is in itself a good thing, so you NEED to address your client list. Madeline is anti-Rivi, anti-Cord, anti-Wolfe-Coleman (the rapist guy), pro-social justice, and pro having a black led firm.

“I mean, why... why do white people personalize this?” Liz asks. “Oh, now I’m just a white person?” Diane responds. I... don’t know what to do with this! Liz is right that Diane is taking this personally; Diane is right that Liz needs to deal with the rest of the client list. But no one is saying the things that REALLY need to be said: That all their decisions are meaningless in the shadow of STRL, and that deciding to be a black led firm isn’t the end of the discussion if they haven’t decided what types of clients they want to have.

“What happened, Liz? Last year we were intent on an all-female-run law firm,” Diane starts. Oh, THIS AGAIN! Diane never learns, does she? She never seems to realize that no one she’s approached with this idea is NEARLY as in love with it as she is. She probably still wonders to herself why Alicia—who partnered with her at the end of season seven basically just because it was the easiest, most frictionless thing to do—didn't seem more committed to their firm.

“Diane, there is history here that we are trying to...” Liz says, but Diane cuts in to note that women (women like Diane Lockhart!) have history too! In fact, she’s spent “35 years fighting gender discrimination to get to this position.” “And we have spent 400 years fighting racial discrimination to try and, you know...” Liz starts, before cutting herself off to get back to the ticking clock.

Sigh. Just talk about the actual thing instead of talking around the thing, guys. Diane is obviously deserving of A name partnership, in the abstract. This is an undeniable fact. And while Diane is definitely making this about herself rather than the big picture, I don’t think Liz trying to trump Diane’s 35 year career with the history of black people is going to win her any arguments? Like, just say what you mean and say it clearly. What Liz, I think, wants to express is that Diane’s individual accomplishments aren’t the issue here and everyone thinks she’s deserving (though Liz suggested Diane was not deserving a few episodes ago, which I didn’t understand then and don’t understand now). The problem is that Diane is trying to fight a battle that’s about something much larger than herself with, “but I'm a good lawyer!”

And that’s KIND OF what Liz is saying here, if I add all her sentences up and read between the lines, but, again, why not just say it?

“Alright, now we have 43 minutes to fix race relations, gender relations. STR Laurie’s gonna fire our asses, and you know it,” Liz says. I am curious what that would look like. Wouldn’t that just mean that STRL wouldn’t control them anymore? I’m sure being fired would be bad and all, but wouldn’t it free them from the contract they wanted out of last year?

“Let’s split the firm down the middle. I hire half the lawyers, you hire the other half,” Diane suggests. What does this mean? Why are you hiring your employees? Huh?

“You hire the white associates, and I hire the black associates?” Liz confirms. This seems like a very bad idea that would make things a lot worse and open them up to lawsuits! I also still do not know what they’re even talking about. And I don’t know why Allegra isn’t a part of this conversation.

“I’m not saying it’s good. I’m just saying it’s what we’re left with. It's what we can agree on,” Diane says. I really wish I understood what “hire” meant in this context because I don’t understand why they have to split anything or why this has to be done now and I don’t understand why this would possibly be a good solution. Can you imagine the backlash when people realize all the white people report to Diane and all the black people to Liz and that people were taken off of the accounts they’ve worked on for years to accomplish this? And this must be something that the employees would know about eventually; otherwise they could just randomly assign half to Liz and half to Diane.

I’m sad Madeline isn’t in this episode because I feel like we needed to see more of her POV as well as the associate POV. I don’t really understand the divides at play within the firm or what the staff and other partners are asking for, but I suspect it isn’t this.

Hallucination Jesus is back, and at least there’s actually a point to him this time (he shows up when Jay is in Vinetta’s court and reminds Jay that Vinetta will rule based on her religious beliefs). I still dislike the hallucinations.

Jay advises Marissa, who is Jewish, to talk a lot about Jesus in her defense.

Charmaine Bingwa is really great as Carmen, and obviously she is not fluent in Spanish, but it’s so funny to me that the only time you can hear that she’s Australian is when she’s trying to say Oscar like she’s speaking Spanish.

"I know you’re hiding something when you speak English,” Rivi says to Carmen. Heh.

“Community court” is such a nice, unthreatening term for referring to Wackner and his copy cats. Thanks for that, Carmen!

It’s a smart plan to mention Jesus a lot, I guess, but Jay and Marissa both should’ve realized that Vinetta is too smart to tolerate obvious pandering. I’m a little surprised Jay doesn’t get up and argue since Marissa is, obviously, not familiar with the New Testament.

Marissa wins this round with facts and logic.

Why is the judge who was handling Rivi’s previous charge now in bond court? Make it make sense.

I like that Carmen calls out the ASA for swearing hahaha

Why... would this Matteo kid just casually mention he was holding a gun, omg.

In Vinetta’s court, you can be charged with murder and tried because... you had a gun and also there were murders at other times. Coolcoolcool no problems here.

Community courts for civil cases? Sure. That’s basically arbitration. Community courts for criminal cases? Bad, bad, bad idea.

Vinetta’s reasoning: “Those murders happened on our street, and the police haven’t convicted anyone because they don’t care. We care. This is self-defense. And how is it different from your court?” Aside from the whole imprisoning people in her basement thing, Vinetta’s not wrong. I almost brought this up last week but hesitated because I couldn’t remember the details enough to decide if I wanted to recommend it, but there’s a book I read a few years ago that seems relevant here: Ghettoside by Jill Leovy. Again, been a while so don’t take this as a wholehearted endorsement or anything, but from what I remember, the central issue at the heart of the book (it’s non-fiction) is that a poor black community (I think in LA?) doesn’t trust the police (in part) because the police don’t solve murders, and then with no way of getting justice through the court system, there’s more violence as a stand-in for justice. https://www.vox.com/2016/8/26/12631962/ghettoside-jill-leovy-black-crime

I’m not sure if that’s QUITE what Vinetta is saying but it seems similar, and it’s a decent point (though not a justification for her court). Why should she trust the system to improve her community when it’s ignored her community for years?

I like that the writers chose two very different, very understandable characters for their community courts. It’s easy to see why Wackner and Vinetta feel the need for alternative courts; it’s easy to see why others would trust them. This arc doesn’t really work unless there’s a legitimate frustration with existing systems...

Marissa calls Wackner’s court a “joke,” which she should understand by now isn’t the case. (Marissa’s smart; she knew it wasn’t a joke the second she saw David Cord get involved.)

Vinetta accuses Wackner of copying her court, which alarms Marissa. This isn’t addressed again, and I don’t know if it’s true! I could really go either way on this. On the one hand, I absolutely believe that Wackner saw/heard about it, liked it, and did it himself without thinking much of it—and if this is the case, then the ending where Vinetta gets in trouble for violating Wackner’s IP is a lot more of a gut punch. On the other hand, I don’t really feel like the seeds for this were planted. We see Wackner innovate a lot and try new things and he has an explanation for why he does everything—how much of that is Vinetta? And Vinetta clearly watches the show and likes it or she wouldn’t have recognized Marissa, so it’s a little hard for me to just believe her claim when literally all I know about her is she has a court that looks like Wackner’s and she is aware of and feels positively towards Wackner rules. Also, Wackner knows about Vinetta’s court (from Marissa) and sounded excited about it last episode. Sure, he didn’t necessarily know which one it was, exactly, but I assume if he’d copied the idea and then heard about a case involving people from the exact same community where he found the idea... his reaction would be different. So IDK. My reasons for doubting Vinetta’s claim are probably based a little too much in things I’m not meant to spend that much time paying attention to.

“I fucked up. It’s in the same court, but now it’s a murder case,” Marissa tells Diane. I do like hearing characters admit when they fucked up!

Diane hears that STRL is delayed, so she heads out to help Matteo. When she goes to change into her pantsuit, she finds that she’s grabbed Kurt’s bag by mistake. “Of course. That makes sense,” she reacts.

Diane pushes her flight to the next day, also telling Kurt, “And yes, for some reason, I took your suit instead of mine, so fuck it.” I love it when the characters feel like real people.

I am not sure why Kurt is getting to the office when Diane is leaving or why Kurt is there—to pick Diane up on the way to the airport, maybe?

Carter Schmidt walks into RL at the worst possible time, threating to blow up the Plum Meadow deal. Another 5x10 to Wife 5x22 similarity: he’s in both episodes.

Liz heads out to help Carmen with Rivi, and then STRL arrives. Oops.

Credits!

One thing about Wackner’s court that should definitely be a warning sign even though it seems noble: he ignores just about every warning sign, like this rowdy crowd screaming WE LOVE YOU WACKNER or the potential interests at play in a case about secession, because he thinks his fair judgement can overcome these obstacles. If the world worked that way, there’d be no need for his court in the first place.

Is anyone representing the State of Illinois in this trial? If not, then... how is it happening?

Dr. Goat, some dude who claims to have some hidden historical document about how Illinois is actually two states, is clearly making stuff up and yet Wackner indulges him and Cord. I feel about this the same way as I feel about the Devil’s Advocate: That Wackner would not allow this to go on for more than five seconds before calling bullshit and therefore there is no reason I should have to sit through it.

Why is some guy screaming, “No taxation without representation” like dude you absolutely have representation. But of course, I’m expecting him to be logical, and the point is that he is not.

Dr. Goat’s Latin phrases—shock!-- don’t actually translate into anything like what he said. Even though this information is verifiable by a quick google search, the crowd starts screaming “Liar!!!!” at Marissa. If only I could say this felt unrealistic.

Wackner asks Dr. Goat to bring in the document.

“You look like you’re heading to the beach,” Vinetta says to Diane, who looks like she’s heading somewhere but definitely not to the beach. Vinetta asks where Diane was headed on vacation. Diane says she’s headed to Lake Como, and unnecessarily clarifies that “It’s in Italy.” She assumes Vinetta doesn’t know that... but Vinetta does.

“So you’ve been there before?” Vinetta probes when Diane says it’s beautiful there. “Just once. We don’t get away often. We thought we’d splurge,” Diane says. Vinetta stares at her and smiles, and Diane hits her head on a basket that’s hanging in Vinetta’s kitchen. If I just write out the dialogue here, it sounds like a perfectly average conversation, but everything about this conversation is so charged: Diane is afraid to look like a wealthy white woman; Vinetta’s pleasantness is pretty clearly also a way of sizing up Diane.

Vinetta shows Diane pictures of neighborhood children and young adults killed as a consequence of gang violence. You can see she’s not trying to do anything other than help her community, even if her methods are highly questionable.

Diane argues that Matteo should be given over to the police; Vinetta disagrees: “The police haven’t arrested anyone for those murders, any of these. Since the BLM movement, they’ve pulled back from our streets. No one’s coming to help. That’s why I started this court. It’s not a joke to us.” Wait I’m sorry did Vinetta just blame lack of good detective work in black communities on... the BLM movement?!?!?! Is there any foundation to this!? Why can’t it just be that the police weren’t actually doing a good job of policing/finding justice and were being antagonistic towards the community instead of being helpful and no one trusted them?? That explanation is literally right there.

Jay suggests the Jesus strategy, again.

“It’s women! We could just move on, install men,” STRL guy says. I don’t know if he’s joking, but ugh. Also, what is RL if it has neither Diane nor Liz? A bunch of lawyers who will all promptly quit when they see their bosses get fired and a few opportunists?

Kurt is watching golf in Diane’s office, and the STRL people love it. Of course Kurt accidentally makes friends with them.

Court stuff happens. It’s not good for Rivi, and then Liz and Carmen come up with a theory: Plum Meadow is stalling the deal so they can find Rivi’s more stable second and make a deal with them instead.

Wackner giving Dr. Goat a single point on his stupid little board, for any reason related to his obviously fake totally unverified document, is dangerous. Why would you signal to a crowd that’s clearly not interested in fact that they have a point? That’s basically egging them on.

I know Wackner’s judgment is obviously not 100% sound—need I remind you of the PRIVATE PRISONS?-- but I thought it was more sound than this.

Wackner shows off his knowledge of paper and proves that Dr. Goat’s document is a fake. Why... did he just give Dr. Goat a point???

Or is he moving the point from Dr. Goat to Marissa?

Dr. Goat sounds like a fake name I would call a character in my recaps long past the point of anyone other than myself remembering the joke. (See: Mr. Elk)

“The truth is ugly. The only thing uglier is not pursuing it,” Wackner tells Marissa. How is taking on a case about very obvious falsehoods, funded by someone with a vested interest in the case, that gets people riled up, some noble pursuit of truth?

STRL and Kurt are now drinking and discussing hunting, while Diane’s arguing for Matteo in Vinetta’s living room. Vinetta is—as was always obvious, sorry Jay—far too smart to fall for this patronizing bullshit. She screams at Diane and plays back a recording (on a baby monitor) of Diane coaching Matteo to lie about his faith.

Soooooo yeah no you can’t do that, that is bad, recording conversations between lawyers and their clients is not good even if it leads to you exposing their schemes...

Then Vinetta places Diane under arrest, which obviously isn’t going to end well for Vinetta.

Liz and Carmen suggest a post-nup to Rivi to see if Isabel is planning on turning on him.

“I’m going to have to kill her,” Rivi says sadly. I don’t think Rivi will ever kill Isabel because we already did that with Bishop.

I’m going to assume that Diane chooses to stay in basement prison instead of calling one of the many, MANY, MANY people she could call to get her out/take down Vinetta because she doesn’t want the situation to be publicized or further deteriorate. That said, it’s really not clear why Diane just accepts being sentenced to basement prison with a cell phone.

Love the STRL man looking at that picture of Diane and HRC. They’ve gotten so much mileage out of that photo.

Wackner’s court has no rules, but at least since it has no rules, I can’t complain about how its rules make no sense!

What is this, debate practice?! Ugggghhhhh I can’t deal with this case for much longer.

Marissa takes a breath, then decides to pursue a strategy she knows could blow everything up.

“Then why care what Judge Wackner decides? Why should you defer to him? Why defer to anyone?” Cord says that’s the point—the people have decided to trust Wackner. “So if you don’t like this court’s decision, you’ll just start a new one?” Marissa asks. “I guess,” Cord concedes.

“So then why does this matter? This court?” “It matters only insofar as we continue to agree that it matters,” Cord says. “So if you don’t like Judge Wackner’s rulings, you can just ignore them and create a new court?”

Good point, Marissa. Good point. (Does this count as a thesis?)

“I’m guessing that I will like the way the judge decides,” Cord says. Well, that’s basically a threat.

Wackner takes a break and heads to chambers—without Marissa.

Kurt goes to visit Diane in basement jail. He’s granted a conjugal visit, which means Matteo gets moved up to the bedroom so Diane and Kurt can have some alone time.

Diane is staring at an image of Lake Como in her cell. I thought it was odd she brought a printout of her vacation destination with her, so I LOVED the line where she explains that Vinetta printed it out for her. COLD. (You know who also would’ve done this if they’d for some reason had a basement prison? Bree Van de Kamp. You know what show DID do a basement prison arc I’d rather forget? Desperate Housewives!)

I love how Diane responds to basement prison by making jokes non-stop.

“I thought the craziness would end with 2020,” Diane says. Nope.

Kurt brought alcohol; Diane brought pot gummies.

I love that Kurt has never had pot before. I was going to say that I bet Diane’s had a few experiences with recreational drugs when I remembered we had a whole damn season of Diane microdosing.

Christine and Gary’s acting and their chemistry really bring these basement prison scenes to life. The writing and directing are really sharp, but it’s the actors who make these scenes something special. You can tell Diane and Kurt love each other a lot. You can tell they’re disappointed about their vacation and exhausted by the chaos of the day. You can tell they’re in disbelief over this situation but also find it funny.

Didn’t Rivi and Isabel have an adult daughter who died of COVID a few episodes ago? Weird she isn’t mentioned in this scene. Maybe from a different marriage/relationship?

Isabel called the SA’s office because she thinks Rivi’s a threat? I think this is a power play.

Heh, Carmen saying, “Shut a black woman up!?” in disbelief in court. Love it.

Isabel instead flips her story and supports her husband and fights for his release. With no intervention from Plum Meadow, this gets the judge to free Rivi. I don’t really understand what’s happened here or why. I get the resolution, but I don’t get why Isabel called the SA or why this went away so quickly. I still don’t even get why Rivi’s been arrested.

Diane and Kurt put up Christmas lights for ambiance and talk about how they never go on vacation.

“I wanna see the pyramids on this coast!” drunk & high Kurt insists, hilariously. “I mean hemisphere. I like the Aztecs. They, they care about people.” I’m not going to transcribe the rest of the dialogue because it loses its magic when you’re not watching the scene.

After some fun banter about travel and movies, Diane changes the topic. “I should quit, shouldn’t I? That judge upstairs? She looked at me like I was the most entitled white bitch on the planet. And that’s the way they look at me at work.”

Kurt tries to say that’s not true, but Diane knows it is: “Yes they do. I’m the top Karen. And why do I care? I mean, I... I could find another firm. I could quit. I can’t impose my will on people who don’t want me.”

YES. I see a lot of debate over what the “right” thing to do is here. But I think we are long past “right” and “wrong.” At a certain point, this stops being about absolute moral truths. If Diane doesn’t have the respect of her partners and employees, that is a very real problem for the firm and for Diane. How can she continue to impose her will on a firm that doesn’t want her, all the while claiming to be an ally? (The back half of that sentence is the most important part.) Forget whether or not Diane “should” have to step down. Forget what’s “fair.” If the non-Diane leadership of RL thinks the firm should be a black firm, and the employees of RL think so too, and Diane just doubles down on her white feminism, she’s creating an even bigger problem for herself and ruining her reputation in the process.

Kurt stands up on the prison cot and warns Diane she might make a decision she’ll regret. This scene is so cute. Why can’t other shows do drug trips where the characters just act silly and have great chemistry? Why does it always have to be some profound meditation on death whenever characters get high?

“I think I like starting over. I like the chutes and ladders of life. I mean, I want the corner office, but then I wanna slip back to the beginning and fight for the corner office. I mean, I think maybe it’s better that I don’t get the top spot,” Diane says. LOVE to hear her admit this. I’m not sure I would’ve come to this conclusion on my own, and it sounds like it’s a bit more about how the writers like to write (you know, the “we love our characters to always be underdogs”) than Diane, but... you know what? I believe it. I fully believe it. Diane LOVES to fight, LOVES to feel like she’s in the right, LOVES power plays and to be making progress. She LOVES winning. The fact that she isn’t just choosing to retire right now, even though she’s past retirement age and has a great reputation, is in itself enough for me to believe that she would find it fun to repeatedly start over.

Plus, it’s a fun new direction for the show to take in season six, because they’ll get the same sense of conflict without the actual conflict. This season’s arc was firm drama and resulted in a firm name change... but it didn’t feel like a knock-off of Hitting the Fan. Diane trying to work her way back into power (I assume by becoming a better actual ally, otherwise doesn’t she just end up in the same exact situation?) should also provide conflict without being repetitive.

Hahahahahaha Kurt immediately reacting to this serious statement by being incredibly silly and horny and then Diane singing “I Touch Myself” to him, man, I love these two. I want to know the story behind this song choice.

Wackner emerges from his chambers. The score is tied. Wackner calls Cord corrupt and notes that they can’t just decide to call Downstate Illinois a new state based on his ruling. Now it’s thesis time!

“I was taken by Mr. Cord’s arguments of individualism. So much of our country has been built on people finding their own way, not being held back by bureaucracy. Yet, if we only follow individualism, that way lies chaos. And that was not the point of this court. Or at least not my point. Judgment for the defense. There will be no Downstate Illinois.”

“If we only follow individualism, that way lies chaos.” is probably the clearest of the many theses of this episode. To recap, we have:

(1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. (4) Institutions only exist when we collectively agree they exist (5) Individualism = chaos.

But let’s put a pin in this for now and let the chaos of individualism play out.

The crowd does not like Wackner’s decision, and decides that an appropriate way to express their displeasure is to make anti-Semitic remarks towards Marissa and then start throwing chairs. What nice people.

As the crowd goes totally 1/6 on Wackner’s court (thanks for pointing this out to me, Ryan—I cannot believe I didn’t make the connection myself!), the door slamming into the desk finally pays off since Marissa and Wackner are able to use it to keep the crowd from reaching them.

They immediately turn to the police, or they would, if they could get service. I’m sure it’s not a coincidence that as soon as things get bad, they want to involve the existing system.

Wackner Rules is, somehow, still taping in the midst of all the chaos. I don’t know if I think they’d air this, but someone certainly would. (I wonder if any of the cameras we see in these scenes are actually the cameras filming the other angles of the riot.)

Cord shakes his head and walks out, unharmed.

“You think they’ll kill us?” “I think they might,” Marissa and Wackner fret.

“My dad said the whole world would be a better place if everybody realized they were in the minority. ‘No matter where you are,’ he said, ‘Make sure you keep an eye on the exits, and make sure you’re closer to the exit than the Cossacks are to the entrance.’” Marissa says. Love Eli Gold coming through with thesis number 6 (and maybe thesis number 7).

“Your dad sounds a little paranoid,” Wackner says, correctly. Remember how I mentioned I accidentally wound up watching 5x22? Eli calls Alicia and responds to her hello with, “DISASTER!!!!” I miss him.

“He was, but he wasn’t wrong. He said, ‘Stay away from parades. They’re cute until they’re not. And don’t trust any pope who was Hitler Youth.” “What’s that law called?” “Godwin’s Law. My dad said anybody who argued for Godwin’s Law has never been near an actual crowd. Crowds love you, they hug you. Then they grab a gun and try to kill you.”

“Why? Why do they do that?” “I don’t know. Hate is fun. It’s clear-cut.”

I really like all of this. It is a little preachy, but it isn’t wrong and it’s self-aware. And, more importantly, it’s in character. I absolutely believe that Marissa would tell lots of stories about Eli in a moment of extreme stress. It’s nostalgic, probably comforting, and it also helps her feel like she’s on the right side with the right arguments. So, even backed into a corner, she’s still a winner: she has theory on her side.

Wackner speaks a foreign language (I do not know what language but I wish I did) and says, “A guy could get killed doing this,” which makes him and Marissa laugh as things crash around them.

Idk about you all, but I couldn’t really get myself to actually worry about their safety during this scene. Maybe Wackner’s, just a little, but I got the sense we were supposed to focus more on the chaos and destruction and monologuing than on the actual danger. That’s not to say the stakes didn’t feel high, but rather to say that this didn’t feel like an action sequence where you don’t know what’s going to happen next. The point was to watch the court fall and think about why it fell, not to worry about if Marissa would live.

Diane and Kurt are woken up by sirens and loud noises. The cops arrive and are shocked to find professionally dressed white people in a basement cell. They let Diane and Kurt out with compassion, but scream, “don’t you fucking move” to the people on the floor.

“It’s okay, they didn’t do anything,” Diane says. This is, as I theorized earlier, probably why Diane just sits there until her punishment blows over instead of escalating things.

If the cops weren’t there to free Diane, why were they there? Why, because they like David Cord and David Cord has gotten Chicago PD officers to protect Wackner’s IP.

If I had to say one thing in favor of Vinetta being the originator of the community court idea, it would be that it’s SUCH a gut punch to watch Diane and Kurt walk away from their bizarre little adventure as Vinetta gets arrested in the background, and it hits ten times as hard if Vinetta’s only being charged because some white guy is claiming IP that’s actually hers.

(I think Vinetta is probably, at this point, actually being arrested for imprisoning people illegally, but, still.)

“Pfft. Some judge,” one of the cops who adores Wackner says of Vinetta. Racist much?

Marissa and Wackner emerge from the backroom. “I think I better get back to work,” she says, meaning her RL job. "Me too,” Wackner says, grabbing a Copy Coop apron. He’s an employee of ten years.

I don’t think this lands as well as it’s meant to. I think the point is supposed to be that Wackner’s just some guy—not a billionaire, not an academic, not a judge, not a lawyer—with an idea. But it’s a little too neat. And it doesn’t explain how Wackner financed his court initially, nor does it explain why he has basically unlimited access to Copy Coop space and resources. I’d buy it if he were the OWNER of Copy Coop, but I have so many questions about him being an employee.

Diane tells Liz she’s actually going on vacation this time, and they laugh about how Kurt bonded with STRL.

“I want you and Allegra to be name partners. I’ll be an equity partner,” Diane says. “Why?” Liz asks. “Five years ago, when I hit rock bottom, this firm took me in. So I don’t like the idea of splitting this firm in two. And I can’t lead if no one will follow.” “And your clients?” “We’ll manage them together.” YES! I love this. I don’t love it because I necessarily think it had to go this way, but because it’s so refreshing to see Diane say that she actually is willing to take a step back because she cares about the firm and the people there more than she cares about being a name partner. This isn’t something we usually see. When we hear “this firm took x in” it’s usually being said incredulously against someone who’s decided to leave and steal clients (cough, Hitting the Fan, cough).

It’s been pretty clear for most of this arc that Diane and Liz like working together and they like their firm, but that no one (other than Diane, I guess) is willing to let RL lose its status as a black firm, and that the employees and equity partners weren’t going to be satisfied until Diane stepped down. Diane really had three options: Stay and piss everyone off and claim the whole firm for herself, quit and go somewhere else and totally abandon the good working dynamic she had, or step down and put her money where her mouth is.

Also yeah the clients were never actually going to be an issue! They were only an issue because Diane intentionally went about informing them she was stepping down in a way she knew would make them worry!

“I think I need to prove myself,” Diane says. I’m not sure that’s the key issue or that she can ever prove herself fully, but we’ll worry about that next year.

“I missed you,” Liz says. “I’m here,” Diane replies. “I know. Thank you,” Liz says.

Diane decides she’s going to move downstairs so Allegra can have her office. I think there’s another office on this floor, since she, Adrian and Liz all had offices. This feels a little bit like Diane’s in love with the idea of making things difficult for herself and maybe hasn’t fully grasped the point, but, you know, I’ll take it.

Diane tells Kurt her decision and he asks if it was the right thing to do. She says she doesn’t know—but she says it with a smile. Kurt notes he’s going hunting next month with the STRL folks and will put in a good word for her. Ah, yes, because STRL still controls all of this and all of this is moot! Thanks for the reminder Kurt! Diane says she wants in on the hunting trip. Of course.

And the elevator doors close. Remember how closing elevator doors was a motif earlier this season??? It’s back!

Then we get a little coda with Wackner Rules airing a new episode that’s just violence and destruction. This sequence seems to straddle the line between being there for thematic reasons for the viewers and there to show what happened in the show’s universe, but I think it’s main purpose is theme, so I will not go on a full rant questioning why Del would want to air this.

A white blonde lady in an apron watches the destruction of Wackner Rules. She looks concerned. “That was violet,” she says with dismay. And then we see she’s holding a guy in a jail cell in her kitchen.

And then we see other courts, as America the Beautiful plays. One’s in a garage debating kicking someone out of the neighborhood; another is across the street about the same case. There’s one in Oregon about secession. There’s one among Tiki Torch Nazis deciding only white people can own property. There’s (inexplicably) one about pronouns. There’s one with arm wrestling, one that happens while sky diving, and a bunch of others. It’s pretty ridiculous, and not necessarily in a good way. It feels at once like the natural extension of the Wackner Rules show and like an over the top parody you’d see on another show. Tiki Torch Nazis screaming “only white people can own property!” is the opposite of subtle writing. Tonally, this sequence feels more like the zany humor of Desperate Housewives or the insanity of BrainDead than anything TGF has done before (and TGF’s been plenty surreal), and it doesn’t quite work for me. It feels like it is trying to prove a point in the corniest, most on the nose way possible. It almost feels like it’s parodying its own plotlines.

On my first watch, this ending for Wackner left me stumped. I knew the writers were making an argument against individualism (Wackner’s speech + the repeated references to The Apprentice) and cults of personality. But I couldn’t figure out a real life analogue to Wackner’s court, and since this ending was so obviously trying to be About Something, that bugged me. Sure, that last sequence could be an argument against people making community courts, but WERE people making community courts? I didn’t see the urgency.

And then I talked to @mimeparadox. And as soon as he said that it was about factions and people playing by their own sets of rules beyond the justice system, it clicked. I’d been looking for Wackner’s plot to be a commentary on the legal system. It is much broader than that. It’s a commentary on the weakening of democratic systems (the Big Lie, etc.), more broadly, and Wackner and his common-sense approach are just a way to get liberal viewers to go along for the ride.

Now that I understand the point, or what I think is the point, I like this conclusion. Circumventing the system leads to chaos; that’s why we have institutions and bureaucracy, and I think the show is arguing that these institutions should still be respected despite their flaws. The many theses of this episode all come together to make this point (though the reality TV stuff is a little more tenuous and I'm a little shocked we got through all of this without any commentary on social media?): If we stop having a shared belief in institutions and instead follow individual leaders (whom we may learn about through reality TV), the rules will stop mattering and we’ll end up with a fractured country and widespread violence.

But, and maybe this is just about me being upset I missed both the obvious 1/6 parallels AND the point of the arc the first time through this episode (my defensive side feels the need to also note I first watched this episode at like 5 am when I was barely awake), I don’t know that I actually think this episode does a great job of driving its point home. There are SO many moving pieces to the Wackner plot and SO many references. There are so many threads we never return to from earlier in the season, and there’s so much that strains credulity (like Wackner taking Dr. Goat seriously for more than a split second). It’s pretty clear what the themes are—even though I’m saying I missed the point my first time through, I've hit on all these themes separately in past recaps and posts—but, I dunno, something about this episode just feels scattered. Maybe it’s all the moving pieces, maybe it’s all the moments where it sounds like the characters are voicing related ideas that don’t quite snap together to form one coherent picture, or maybe it’s that Wackner’s plot gets two endings (the actual ending + the coda) and it’s up to the viewer to put together how they relate.

I really don’t know. At the end of the day, I think there was a little too much going on with Wackner and that the writers needed to use the episodes between the private prison reveal and the finale to narrow—not broaden—the scope of what they were trying to do with Wackner. But I also think that what they were doing with Wackner was really, really smart and original. I don’t think I can overstate how impressed I am that the writers took an idea that sounded, frankly, awful when I first heard about it and turned it into something captivating and insightful that I was happy to spend nine weeks watching.

Overall, a few bad episodes aside, I thought season five was the strongest season of TGF yet. I haven’t seen this show be so focused in... well, maybe ever. Having two overarching plots that received consistent development and felt like they were happening in the same universe at the same time REALLY helps make season five feel like a coherent whole, and I can’t wait to rewatch it.

#tgf thoughts #the good fight

13 notes · View notes

londonspirit · 3 years ago

Text

“There’s this queer pirates show. Go and watch it.”

Something like that started crossing my dash at the end of March. Only a few posts, but they continued, getting more enthusiastic every time I saw someone post about it (mainly looking at you @mylastvow and @atlinmerrick).

I didn’t see anything about that show over on my Twitter (which usually is the reason for me to start watching something). But then again, I was still mourning the end of award season for Tick Tick Boom (also grieving a tough RL loss).

I wasn’t in the headspace for anything new just yet - especially not a TV SHOW (my brain’s weird like that the past two years - it’s either just new films or shows I know, very rarely I was in the mood to start sth new.)

But then, on a normal Thursday evening the links for it crossed my dash (again) and I was like, why the hell not. You’ve got nothing else to watch, and since Tumblr seems to love it, there must’ve been something about it.

So I clicked the first link.

And it changed my life.

First thing that struck me were the accents (I admit I expected English accents, not the insanely awesome mix of all sorts of accents.)

Then there was the fact that it wasn’t a full on white show (which lately makes me wanna turn off things).

And then there was Stede, swanning in like he does and I was like ‘okay, there's something strange going on - I like.’

And the second BB appears I was like ‘Oh hello, what’s happening here?!’

This doesn’t feel like a pirate show, not at all. So I kept watching.

(There’s soo many wonderful and deep analysis about the show so I won’t bore you with that - go and find them and you’ll see why exactly that show’s the most wonderful thing in the world right now and hopefully in the future we’ll see more like this!!!)

Sadly I had to stop just after E5 to go to bed (yeah, NOW I do NOT know how I had the strength to do that after THAT episode! But I had to work and sometimes I can be a responsible adult.)

I could NOT wait to get back home tho - and the second I was back I raced through the last five epis.

My mind’s still blown away, and I knew I found something very very special!!!

I did a full on rewatch over the following weekend, slower, appreciating all the amazing things, the acting, the sets, the STORYLINES, fucking everything! I was in love with every single thing.

Naturally Tumblr (and then Twitter’s tags) helped deepen that love even more.

And then it was all ‘downhill’ from there.

Now I’m soo deep into that rabbithole I will NEVER come back out.

I will defend David Jenkins until the end of times for coming up with it.

I have deeply, madly and irrevocably fallen in love with Taika and Rhys (because I don’t do casual!) (and in a less crazy way with the rest of the cast) and am working on my way to consume everything they made and will make!

I haven’t laughed this hard or this much in a long time ( I'm pretty sure a therapist would have a field day with my mind right now, but it all makes me happy and helps to deal with harsh real life shit so I don’t care!). My face still hurts. Did you know that the back of your head can start hurting when you laugh too much? Right behind your ears?! Because it does!

Anyhow.

It’s funny: Taika’s been always around the past years, always at the periphery of my watching movies and shows, always been scattered around my social media for the things he did (mainly Marvel, of course, for me) and I liked him but I wasn’t in the headspace to appreciate his… well, everything. He was too silly, too all over the place for me.

*shakes head at self* How fucking WRONG I was.

Yes, he’s silly sometimes. Yes, even now he’s sometimes too much. But the more I watch and read and find out about him, the more I wonder how that man stayed as unique as he still is.

That one’s too fucking special for the world he’s in.

One just has to look past the exterior he puts on and you find one hell of a human, who’s kind and creative and intelligent and so painfully mindful of his surroundings, and I can only hope that the world will not break him and he can continue to be as incredible as he is. (He’s also fucking gorgeous! The HAIR! GUH! Those eyes and the deep deep crinkles when he laughs. The intensity on his face when he listens to something he cares about. I could go on but yeah…)

A true fucking artist in every fucking way!!!

So yeah, there will be LOADS more of him on my dash in the foreseeable future. I will keep yelling about the show and its incredible cast, and HBO better fucking renew it ASAP (and my country better gets its shit together and make it available over here so I can scream to my RL folks about it as well!!)

What I wanted to say with this way too long, way too personal, post is

THANK YOU TUMBLR!

For once again pulling me into something that keeps me sane and safe and happy in a world that seems to want to break me.

And now I shall go and spend my weekend with yet another deep dive into everything OFMD and TW!!!

Laters!

#personal #newest obsession #so much love #just what I needed #ofmd #tw #musings

5 notes · View notes

spaceorphan18 · 3 years ago

Note

Question, since I was not around during the time the show was airing. So I know Crisscolfer (is that what they’re called?) was huge, probably the biggest of the rl actor ships, but I also know that there were so many people that massively shipped Achele and Heya. So, if the crazy CC shippers caused Chris and Darren to distant themselves in public, why wasn’t it the same for Heya (and Achele)? Did Heather and Naya not have any reaction to the crazy invasive people? Did they just not care? Because even after the crazy shipping started, they were still so affectionate both publicly and over social media.

I’m just wondering why it went so far for Darren and Chris.

So, first of all, I don't know how Diana and Lea or Naya and Heather reacted to their fans shipping each other. I can't tell you how they acted. I know zero things about Diana and Lea. But with Naya and Heather, from what I can tell, seemed to mostly shrug it off. They are bffs, and liked to play that up a bit. I also think that neither of their significant others were as harassed as, perhaps, others (I'll get to that in a second.) I also think, at the end of the day, it didn't bother Heather or Naya to be seen as a couple.

I want to state, first, that these are my observations. I do not know Chris or Darren personally, and so this is only from my third party view point. So, please keep that in mind...

Chris and Darren have a lot of other, more complicated (?) things going on.

First, let's talk about Chris. I think sometimes what is forgotten is that he was a literal child coming into the industry from a very sheltered and conservative place. It can be quite shocking to see how fans react to things on a big scale, and for someone who is deeply private and, as I said in the earlier post, deeply individualistic -- being tied to his costar like that upset him a lot.

(There's also a part of Chris that likes to control things - and not being able to control his image, especially his sexual image, seems to be something that has been hard for him. He's seems to have come to terms with it -- but I think it took him a long, long time, especially with people tell him he'd never be any kind of sex symbol, to deal with the idea that people write sex stories about him and his likeness.)

Now - RPS has been a thing forever, and honestly, it used to be a thing that people didn't necessarily believe, they just enjoyed the fiction. I know there were blogs dedicated to CrissColfer that were just fun fic blogs. No one believed it. They just liked to read about it. And honestly, while it's not my cup of tea -- it's fine. The real people are not supposed to be a part of that.

The problem becomes when people a) believe that it's reality and b) cross the line and start effecting the actors' real lives. (As an aside -- this isn't a unique phenomenon -- this kind of stuff happens all the time, which is unfortunate, because it does ruin the experience for actors.)

I think what people might not know, or have forgotten, is that Chris shot to fame really, really quickly. And with that come the crazies. He had a literal stalker for years that we all knew about because she was pretty vocal on the forums and LJ. I know that one reason he moved from his first house is because a group of fans rented out the house behind him and spied on him. People do some really stupid shit when it comes to famous people. And, for someone who, again, is very deeply private and wanting control of his own voice -- this is a part of fame that Chris has been vocal about HATING.

So, when the whole CrissColfer thing started to get out of control sometime in season 4-ish, Chris shut down and out of social media almost completely. (I think there were other factors, too, such as Cory's death and feeling tired of being on the show.)

I think one thing that didn't help (though he's perfectly right to his privacy) is how closed off Chris became about his life. Take Heather and Naya -- they're (were) on social media all the time. Their lives were public enough that (while they showed you probably what you wanted to see or only what they wanted you to see) you, as a fan, feel like you are a part of their life. You aren't, in reality. (which is its own set of problems.) But it makes you feel connected. And Chris disconnected that connection. Which just made people speculate more.

I also think -- around the time he shut down was around the time he started dating Will. Chris is a savvy guy, and, if I had to guess, wanted to protect that relationship -- which we know is rather special, because they've been together for eight years. Do we know that much about Will? Not really. And I'm totally cool with that. Because that's their prerogative. And I respect that.

As an aside -- I have seen first hand some of the stuff they try to pull with Chris. I was a children's event (CHILDREN'S event) where grown women were in the first row, taking photos of his ass, and continued to do so even after he asked them to stop. (my god, I was embarrassed for them.) I don't blame him for shutting people out, because it's truly disheartening to see people act that way.

Meanwhile... Darren. Darren's pretty public about how he mostly thought the whole thing was funny. But was respectful enough to Chris (I'm pretty sure they had a long conversation(s) about how to be in public) to not get too into. But it didn't stop him from, like, mentioning his name while doing Hedwig. If Chris wasn't Chris but someone more open like Naya or Heather, I'm sure Darren wouldn't have minded playing it up a bit. Because I don't think he cares about what other people think about him the same way Chris does.

However, there is one thing Darren does care very much about -- and where he draws a line -- and that's Mia. Mia is his wife. And he loves her very, very deeply. That is a fact. Not my opinion. A fact. And since Darren is the more open of the two, the tinhatters seem to have latched onto Darren (and his sexuality) and this weird obsession that Mia is either bad for him or a beard or whatever.... And they've done some crazy shit.

Now, one of the cool things about Mia is that she's been able to take it (at least publicly) with stride. At the end of the day, she's well aware that she's going to go home and fuck him and you aren't and neither is Chris Colfer. And who really cares about the rest of it. She's also a rather strong woman who doesn't need Darren's defending. But I've seen videos of stuff thrown at Mia, which has been nasty, and Darren step up to defend her. Because that crosses his line. And they've been doing throwing this stuff at her for nearly ten years now.

It's tiresome. It's tiresome for me and I'm not Chris or Darren. So I don't blame either of them for being over it. And the easiest way to do that is to avoid each other. I don't know if that puts anything in perspective nonny, but at least you now know some of the history.

#that's how s.o. sees it #ooofff

19 notes · View notes

shinyddeonghwa · 4 years ago

Text

쓰라린 이별

Warning : Brief mention of anxious thought if you squint rl hard / none other

Member : Hongjoong

As Ateez was screaming their last goodbyes to the Texan Atiny who came to the concert, you took your chance to leave before everyone and join the little place where the vip where about to get their hitouch. The light in the arena came back and now the crowd was moving toward the exit, except a few fans still on their cloud 9, realizing for some of what has been happening and other crying their heart out after the show they just lived.

You were thrilled you've been able to attempt the concert. It was not the first time you saw them, but still the ambiance was incredible and always got you living your best night.

Wooyoung and their manager were the ones helping you get the tickets for tonight. Since you've been for a part time their translator during their past world tour, you've had grown more or less close with every members, to a point we're you even developed more feeling for a certain someone.

Nonetheless, you were glad no one knew about you as you went to the backstage door, passing by few Atiny, who were looking at you silently curious since you didn't have a staff hoodie on you. One of the security worker escorted you to the green room were you sat waiting for the guys who were now doing the hitouch.

As the time went by, you found yourself daydreaming about him. Again. How these past few months have been full of though for Hongjoong, the times you spent on the phone, talking nonsense early in the aftermath. Every little time you grew closer to each other, and every times, you got attached more and more.

Most of your mutual friends knew. Your eyes were pouring love for him as much as his smile said it all about you. You were even questioning if you both knew of it but inconciously played it off. It was weird after all. Hongjoong has never been the type to settle down with someone, moreover, he's lifestyle made it difficult for him to enjoy a real relationship.

And so were you. You've had your amount of heartbreak, and you were done with remaining exes in your contact list.

The door opened and the room was instantly filled with laughter and loud voices, mostly coming from the boys but also some of their stylist and managers.

- Y/n !! Oh lord it's been so long ! I'm glad to see you again, how you doing girl ?!

San was the first to get you in his embrace, a small hug and a huge grin on his face. You gladly answered, happy to reunite with them after sometime.

You cheered for everyone, getting hugs here and there, even a peck from Wooyoung who you were pretty comfortable with.

Then, your heart skipped a beat. He was not looking at you, holding his phone in his hands, he passed by you to drop his mic pack on the coffee table and finally turned to see you. A little grin formed on his face, the shyness coming from both of you, making it all a bit awkward.

Everything seemed as if it had stopped. You were no more paying attention to the rest of the guys nor anyone. Only him. Only both of you.

- hi...

You let out a bit squeaky. You could already feel the heat coming to your cheeks, cursing at yourself for looking like a teenage girl with her first crush.

He smiled but did not answered, instead he simply opened his arms for you to join in.

- I've missed you 달.

You hummed. His nickname send shivers down your spine. If you could, you would've run to him and spend the rest of your life in his arms. Warm embrace, smell of cologne and little bit of sweat.

The night went by, you were all super thrilled and excited to have spent this time together. The guys were enjoying the fact hey were able to recall with friends after their concert. It was always comforting for them and so was it for you. As you were walking back to the exit accompanied by everyone, you felt the melancholia coming back to you. As if you already knew how this night was going to end, same as the others.

Homgjoong was beside you, silently walking, head low. In his though, he didn't realised it was time for goodbyes. He lifted his head as you taped on his shoulder a small smile on your face.

- So... I, Hm, well I was wondering, when we'll next meet ?

You asked quite anxious, trituring your fingers. Sometimes you were wondering if he really felt the same as you. His actions somehow showed that yes he cared for you, but maybe not as much as you did. Maybe his heart was not telling him as yours does, to call you every night. Maybe he wasn't thinking of you right when he wakes up. Maybe you were just friends still after all.

Maybe hugging you, calling you names and stuff was just his way of loving his friends.

You could see he was chewing up his lips while hanging his head low and putting his hand in his pockets. You though that it was right when your heart would die. You were about to confess, or at list, drop a little more hint than usual, tired of playing games only your mind knew about.

As you opened your mouth to talk, he interrupted.

- you know I mean it right ? I do love you y/n, but I just can't. I mean...we can't, just... This.

He was gesturing with his hands motioning the gap between you two. You felt the lamp in your throat forming and your eyes starting to burn from the tears building up. You felt stupid, even tho you knew it all, you've had your high hopes, and he continued.

- This.. All, this is going to consume us, and you know it babe. You know it too well. It might be fun and fluff for the first weeks, months of you will, but then ? You know we're going to end this by hating on each other.

Deep down you knew he was right. As much as you hoped for things to go well, as much as you would try your best, this wasn't the right time for both. But what could you do. He was being an angel trying to protect you at all cost and not getting another unwanted heartbreak.

You lowered your head, unable to look at him. You were afraid things would fall apart after that.

Hongjoong kissed you on the forehead and held you tight for a split second, before leaving.

[ @closer-stars ]

#ateez mingi #ateez atiny #ateez hongjoong #ateez jongho #ateez san #ateez wooyoung #ateez yeosang #ateez #ateez seonghwa #ateez scenarios #ateez icons #ateez au #ateez fluff #ateez reactions #ateez timestamps #ateez x reader

41 notes · View notes

feiquacker · 4 years ago

Text

I genuinely don't get why people say that Sokka and Zuko are gay and Katara is a token straight. Toph is a lesbeen and Aang is pan; I have seen people be like: "Zuko is gay; Sokka is gay; Toph is gay" and I have nothing against it, but could you please consider the fact that Sukka is a better ship than Zukka (in my oppinion!!!) and that it is canon, stripping Suki out of Sokka's life leaves us with a sexist bitch and Maiko did happen, they were in love and probability still are; (it does not mean I don't respect your fave ship though; be gay do crime)

I headcanon Sokka as bi because he is very feminine and he is amazing and gentle and he just gives me that vibe, but I think he preferes girl more since he did in fact communicate with girls only and had like 3gf (Yue, Suki and the girl from Toph's metalbenders who isn't really a girlfriend but a kid lmao)

Let me stay with the water siblings: Katara. I generally think that saying she is a token straight is like saying she is firenation. (cs it's the opposite) Katara falls in love with Aang because of how cute and childish and nice he is. She loves him cs he is wise and cs he helps her as many times as she helps him. Think about this for a moment: what if Katara wasn't darksinned and wasn't asian/inuit, we have a white girl, ok and now tell me her sexuality... My friends in rl say she would be a 100% pansexual (or bicon) Why? Cs it just fits. They literally say she is straight bc she is inuit. Wtf?!?! (we aren't friends anymore :D) If you still don't see the point let me tell you that Katara is pan. Just. Pansexuall, and no this is not a pun, don't tell me that she likes pans because she cooks, grow up - that's stupid and rasist and sexist

...Toph, people often make her ether a buch le$been (this is a joke and you spell it ledollarbeen, I thought it was funny...) or weird straight but that is rare, and I have mixed feelings about that, Toph is blind, she is disabled, please don't forget that; she doesn't know what the people look like, she will have to fall for their caracter if she even was interested in romantic love. In my oppinion I think Toph is ether asexuell and bi romantic, or she is just bi. Please don't forget that she did in fact have a crush on Sokka and also had two daughters with two different men. That doesn't mean you can't hc her as lesbian. You can hc her as ace/pan/straight/gay/a melon/omni if you want to.

And the same goes for Zuko. He is interested in girls, he had Mai and he loved her with all his heart. Please don't say she was the reason he found out he was gay. Zuko may give you gay vibes (idk how but k) but he is bisexual or demisexual, it just. feels right; See... he is not pan... He just isn't.

Azula: She is, in my oppinion, a le$been but I often forget about... Chan... So a) she is in fact hella gay cs no heterosexuell could be so scary and hot at he same time, here Chan was her gay awakening or b) she is bisexual but with a preference for girls (you know 1% boy and 99% girls) I like a more :D

Since we're here let me continue with the rest of the angels (they are not Ozai's angels they are just the angels I don't know who had the idea calling them after Ozai it is discusting; if they needed a name Azula's angels is more fitting or the best one is just fire angels)

Mai is the bisexual/demisexual. She was in love with Zuko and they were and are in love (I refuse to be ive the shit the comics tell us)

Ty Lee is bisexual but with a preference for boys since she did like Sokka, and she liked the boys in the beach episode simping for her (untill it got to stressful)

Ok our king and queen. Let's start with Aang cs Suki is my favourite and I will save her for last. Aang is a cool dude. He is amazing and soft but also badass and sassy. I think that hcing him as pan or straight is ok. Because it both fits. I personally hc him as omni. With a preference for girls (if that's how you call it) because he did only have a crush on Katara the whole time

Before the grande finaly of my baby and the cutest person alive let's talk about the goddess: Yue for a bit. Princess Yue. The moonspirit. The imoral spirit. The one that sacrificed herself. Yes. Bi with a preference for girls. She would just be a cottagecore le$been if Sokka wasn't there. Like. He was the only one she actually loved. And being the moonspirit is pretty gay you know... Or pan. Bi would fit her more. But pan is also good. Since she likes Sokka cs of his caracter.

Ok the queen herself. Badass warrior, preasonbraker, feminist, girlboss and all the other good stuff... SUKIIII. First of all: Suki would be so gay of not for Sokka. She litherally dressed him up like a woman and kissed him (even Sokka sais it when he explaines the invasion!!!) But since she does actually like Sokka I was thinking about pan Suki. She would never have fallen in love with him if he stayed a sexist bitch. She would have just killed him if Katara didn't interfere. I just. The facs tell me that she is pan. But my brain tells me that she is bi and I constantly don't know what she is. Plus she is the she/they highness. (But I will continue using she/her :c cs not everyone agrees with that and I totally see it and respect it.) in ny conclusion: Suki is queer, she doesn't care about her gender nore her sexuality so she just tells people she's queer and let's them guess never telling them what she actually is cs she herself still hasn't figured it out and isn't planning to uwu

Oh wait my bad Suki's gender is warrior and her sexuality is adorable badass.

!This is my oppinion! And I don't mean to harm or hurt anyone. I used examples as arguments for why I hc them like that. If you hc them as something else it's totally fine. I support it! (just not straight Katara, lmao)

(PS: Please tell me if I was/am disrespectful to any culture or rasist in any way!!!!)

41 notes · View notes

bloodsuckingprince-anthony · 3 years ago

Text

I have to say, I really enjoying Laws of Attraction. I really do. This book makes it up for PB to give up on heavy potential books like Distant Shores and Foreign Affairs. (The tragedy they did to those books even tho I still like them. Side Note: Slow Burn is a great book too) It feels like whoever the team is behind this book actually took their time to stay on course with the plot, characters have well placed personalities...it's just outstanding so far. This is a prime example of how Open Heart should had been. (Not to talk about that messy book.)

I even love all the characters.

The MC: There have been some incompetent MC's that makes me want to choke them, but this one I like.

Gabe Ricci: Sorry but not actually sorry Ethan and Sam stans but Gabe to me is a perfect written boss. He is much more chill. He recognizes MC's work ethnics unlike Ethan who belittles the MC, keep their relationship a secret, and doesn't appreciate the MC until the third book when the MC had to save his ass from a huge lawsuit. And Sam who would risk everything and destroy his/her home for the nanny. Like, I love the slow burn with him and MC. Like he knows he want MC but he want to focus on the case and I can respect that. Especially, if he's your route, It looks like MC is the one who perusing Gabe and when Gabe is fighting to not cross that taboo line, MC goes to have these random hookups. The angst and drama is keeping me interested. And I know it is working because I see people in the fandom PISSED that Gabe isn't dicking them down yet. Lol. I love it.

Ashlinn: What a sweet angel. She is perfect wifey material. I love how she started as a quiet nervous person and by each chapter, she grows into a much more confident woman. That chapter with the actors and she placed Beau in his lane, I lived. If she was my type, I would romanced her with my MC. Maybe in my next run of the book.

Beau: Ok I knew Beau would be that fuckboy character just because he has family ties to the firm. Typical frat boy. I knew we would hate him, especially after he took credit from MC's hard work, but again the character development of him to be more serious just make me like him. He earned extra points for taking the heat for MC and the rest of the team in today's chapter. I would loved if he was an LI option.

Martin: I know he supposed to be the villain and be this "I'm better than you" jackass but I can't be mad at him. Again the character development. He's trying to stay snarky but he's slowly warming up to the team. It's cute that he thinks he's MC's rival, but we all know. But real tip, the man needs to be laid. MC would help.

Gigi: Sis! Queen! Ride or die! I. LOVE. THIS. WOMAN! Just her everything is just god tier. I know she mentioned a girlfriend in the beginning of the book, but what would it been if our wlw sisters get to romance her? The dynamic between them would be powerful. (I wish my MC could romance her. I'll put a ring on that finger fast.)

Sadie: Boss ass bitch. I like her. I seen people upset that she yelled at the team in the chapter, even tho it is the team's fault to give Marcus information before them. Honestly, they could had waited to tell Marcus after they notify Gabe and Sadie. I've even seen folks on here saying "She does nothing for the case but judge" that's the point. She literally put trust in the case in Gabe and the team's hands and Gabe keep her up to date about it. So she has all the right. Plus, she the type to like it when people go for what they want. I saw comments about when Mac requested a room by the lake at her home. Sadie expressed the expression "Closed mouths don't get feed" and I kinda respect her for that.

Marcus: Yeah I dig this character because I can relate to him. As a black man myself, I get why he don't be too comfortable with lawyers. In RL, it is so hard for black people to trust the justice system. There would be so much evidence that proves that you're innocent but the police would do the bare minimum or none at all policing because they made up their minds that you did it. Then there would be slimy lawyers that tells you to plea guilty because you can't win. So I can understand why Marcus acting this way. Yes, he should believe in this team more, but I understand where he is coming from. (Sorry that I put real issues in this lol) Now to the juicy topic. I knew Marcus wanted MC since that walk they did in a couple of chapters before. And yes it is so unprofessional and unethical for a lawyer to sleep with their clients. But, did I spend the night with him regardless? Yes. Yes I did. To be fair, Marcus asked MC for comfort and relief. MC never showed any interest in Marcus or perused him. He ASKED out of trust. So to me this part got me actually thinking. Should my MC give in to him so he can keep the trust in MC or MC turn him down and he would change his perspective of MC later down the road. Either or I feel like consequences is going to happen and as I am an angst trash, I went and gave Marcus the night of his life. If it's not your cup of tea (Again shout out to the wonderful wlw ladies out there) totally understandable. But I like Marcus. If he becomes a potential LI which it looks like then Gabe has some serious competition because I might switch up.

The Hookups: I enjoy them. I like Lisa (The Robin sprite I think is her name in this book. I can't remember. How awkward it is to be playing The Nanny Affair while playing this book because of Robin/Lisa) And Tyler. Yes my MC did do that mlm threesome with Tyler and the PI (who name I also forgot). Yes MC gave the PI that good dick while Tyler watched. I feel robbed slightly that my MC didn't dick down Teddy after we made out with him in the club but the threesome made up for it. These hookups wouldn't happen if Gabe and Ashlinn isn't giving us this wonderful slow burn romance. But I enjoyed it.

Overall, I really like this book. I say this book is A tier. It has it moments like the group trust trip..that was weird but still. A tier. Close but not S tier like Blades. (That book is *chef kiss* Closer we are to the what will be insanity that is Blades 2 and I can not wait!) I hope this is the same team that is doing Crimes of Passion. (The acronym of Crimes of Passion is CoP...I see what they did there.) That book screams LoA's spin off. But still I'm really enjoying LOA. I just hope this not going to be a standalone book. It said it is a series at the beginning of the book, but PB been shady about that lately. Let it stay as a series. Hopefully it is a series.

#playchoices #laws of attraction #play choices #choices laws of attraction #spoilerish

17 notes · View notes

balkanballad · 4 years ago

Text

Eurovision 2021 ranking

hello, hello and welcome to my eurovision 2021 ranking. the songs are ranked with numbers but I also put them into categories (from 💐 to 🥀) and added a short comment. so, if you are interested in my personal opinion about the songs, have fun:

💐:

Switzerland: I was rooting for him last year and it’s the one returner in my top that didn’t disappoint me that much. what a start, huh? I love the song, I love the feeling it gives me when I listen to it, the clip is very pretty too. did I like his last entry better? yes, but I will say it already here at the very top of this list: I liked last year’s choices in general a lot more. nevertheless, this is a beautiful entry! and it is my personal winner this year

Australia: I loved her last song. It was there for me when I needed it. Technicolour does not touch me in that way but it is fun!! it’s catchy to me and I really like Montaigne. I adore her style and how she sings. I am excitingly looking forward to this performance :)

France: beautiful song, amazing singer, the national final performance was wonderful. however, I listened to it so much that back in March I already needed a break form it. now as I am finishing this it’s April and I can slowly listen to it again. it’s me though, it’s not her. that’s really a me problem. she’s wonderful and I love the French touch to this

Albania: a ballad from the Balkans <3 hello, of course I like it and I love that they kept it in Albanian this year. I heard similar songs before, but I like the sound of it still.and overall it’s a song that gives me familiar vibes in a cozy way with a bit of drama

Russia: interesting!! I was relived to see that Little Big didn’t return because, as I explained in my ranking for last year, I was not feeling them. absolutely nothing about them, but I love her! I think it’s catchy, it’s something different and I like the message she supports. it took me a few times to fully decide how I feel about the song, but now it’s in my top for sure

Denmark: fun! a fun song in Danish. I really like the good mood it puts me in. I even see this in the context of the Umbrella Academy or Stranger Things or something like that when they go to Europe to party a bit. I also really enjoy the old school vibe this has to it. I miss that vibe. I’m also a bit old school

Cyprus: I absolutely do not relate to anything said in this song but it’s catchy! it is a bit fuego and a bit replay but I liked those entries as well, so yeah fire. I have not heard a single live performance by her but I am not exactly sure that vocals will be the aspect that she will try to win votes with anyway. I am amused by the fact that apparently people were offended by this song when it clearly makes no sense whatsoever. it’s simply a bop, move on and dance a bit

🌺:

(8.) Greece: fun as well! a ‘dream team’ entry for sure. I say this a bit sarcastically, but they do well a lot of the times and I am lured in by a lot of their entries myself. Kontopoulos is a big name in the esc industry, it’s a fact. the song is a bit more mature than Superg!rl, which I also listened to more often that I thought I would. It still reminds me of a theme song for a superhero show for kids and I am a bit worried that the ‘dReAM TeAm’ is a bit too outdated for Stefania because I think she could have done something cooler than both of those songs

(9.) Sweden: it took me a few times listening to this song, but I like the song now. I don’t think it’s too special and “a million voices” reminds me of Polina immediately because those are her words for me, but this is a good song too. I like how it makes me feel empowered and like everything will be okay. thank you for that, Tusse, I need that

(10.) Israel: Eden deserved a better song. I like this song less than last year’s entry because I think it’s less interesting and I loved some instrumental parts from last year’s entry, but this is not bad either. I am rooting more for her than for the song, but I guess that’s this year’s motto for me. I also can’t say that I love the revamp because it made it sound even more generic for me

(11.) Belgium: I saw the promo pics for them and was very confused how different the singer looks this year, but it turns out that it’s not the same woman. I like this entry a lot better. I like her voice and I really like the vibe. It sounds a bit like it could play in the background of a classic American tv show when a character is going a bit through it and pouring a drink while it’s dark outside. I have the same problem that I mentioned already while talking about the French entry, but that’s still a me problem. I just need a break

(12.) Ireland: this entry is a lot less annoying to me than the song that she had last year. I like the lyrics and whole aesthetic of this one a lot more. it’s another one that I can’t listen to too often, but I still think it’s a very good choice imo

(13.) The Netherlands: Jeangu!! I think he for example will give a wonderful vocal performance. Growth felt way more personal to me, but that’s a repeating motive this year and also a me problem because obviously this is his song and he does it well

🌻:

(14.) San Marino: I’m still confused by this feature and I can’t really say that I’m ‘living’ for it, but I already made a post about how I don’t think she needed Flo Rida. minus the feature it’s a catchy party song, but it reminds me of one song that I simply can’t remember anymore. something that I heard from the Greek music industry, maybe even Eleni, if you know which one I mean, pls let me know

(15.) Estonia: just like last year: this song doesn’t make much sense and I don’t want to, but I still catch myself listening to it frequently... I am sorry, I can’t help it, but it puts me in a eurovision mood and yes, I am blaming Kontopoulos again. I am a weak person when it comes to his melodies

(16.) Ukraine: first I had it lower in my ranking, but I like SHUM better now and I like it a lot more now than last years entry. I really like the part when it gets faster, that’s really fun and makes me want to jump! jump! jump!

(17.) Spain: it’s a lot less repetitive than the last entry, but I would be lying if I said that I listen to this very often. it’s alright, not bad at all actually, but I just wasn’t in the mood for this (yet?)

(18.) Romania: this is for me still the same type of style as Bulgaria. European Billie Eilish type. last year I ranked her higher than Bulgaria as well, but they are pretty much the same to me. I can’t comment on whether I like her song less or more this year. it’s not bad either but I simply don’t think about it much

(19.) Bulgaria: I think I like this entry better than her last one. the message is cute, the melody too and yeah, but I don’t care about it too much

🌼:

(20.) Croatia: it’s a faster pop song without a real meaning. ground-breaking. the title makes me think of Ukraine 2014. which I like better, but we’ll see, maybe the performance will have something cool too. I will say though, I would have prefered the whole song to be in Croatian, it doesn’t make it much deeper, but I like that part the most

(21.) Malta: another faster pop song. I think she will give an amazing vocal performance and it will be cool and powerful, but the message and lyrics are a bit confusing to me. I am not the lyrics police, but I am confused by them a bit

(22.) Iceland: I think I like it better than last year’s song, but it’s still not LOVE that I feel for the song. I can listen to it though

(23.) Lithuania: it’s there. I am not a fan of them and it’s not a song I love too much, but I can listen to it

(24.) North Macedonia: sigh. I liked last year’s entry a lot and Vasil seems like someone who cares a lot about the contest, but I don’t feel this ballad. I think I know what they were going for and what it’s trying to be, dramatic and meaningful, but I don’t feel it that much. it’s okay? but it doesn’t do much for me

(25.) Czech Republic: this was a surprise because I think the overall quality of his entry got a lot better, this time though I have the problem that I do not like the lyrics. they don’t make me as uncomfortable as Germany last year but they are in that area of uhm, I don’t love the feeling this gives me

(26.) UK: hm :/ I can’t say that I’m a fan. this sounds like the type of song that the boring straight men in my area put in their tinder bio as their song, but it’s every third guy that says this is his song. those Calvin Harris remix type-ish songs and I am sooo bored. I swipe left because it’s no match, I delete tinder. breath was a lot more my thing and a lot more exciting and interesting

(27.) Poland: as soon as this stops, the exact same second, I forget everything about it. I don’t remember a single word, barely the title and singer and not the melody. what is this about? I can’t tell you. it’s not exactly bad, but it is so forgettable

(28.) Moldova: oh faster pop song? wow.. so.. original. I am starting to sound like those weird people that hate ballads. I don’t feel it and I don’t relate to it, but I also don’t hate it. the video though.. no thanks.

(29.) Italy: as so often: I see a lot of Italy fans on here and I can’t relate. it’s not for me, but it’s there and I can listen to it when I can’t reach the skip button for some reason

(30.) Austria: hm. Austria and Slovenia are going there. this is the better Amen song for me, but I don’t love it. it’s better than what Ana is trying to sell even though it’s super repetitive

🥀:

(31.) Serbia: I can’t tell you if it’s worse than last year but it’s less catchy. the lyrics are still bad. actually, maybe I am the lyrics police

(32.) Finland: this not my genre and I don’t really listen to it

(33.) Slovenia: nop. not for me in any way. I already said last year that I don’t like her voice and it didn’t change but now I also don’t love the message or weird vibe of this entry. I had it even lower, but I can’t push it up more. this is as high as I can rank it

(34.) Norway: I don’t like it. I don’t like the lyrics or melody or performance that was in the nf actually. I have a hard time understanding the concept even with the explanation it makes no sense to me

(35.) Portugal: I don’t like it. a lot of the parts of the melody are really not for me and borderline annoying, but definitely boring

(36.) Georgia: it’s boring. the last entry was at least something interesting, but this one is boring, which makes me a bit sad because his voice sounds and he seems like the guy that could make something cooler. I know I am not the person that can judge rock because I don’t listen to it too much, but I feel like he could have done something cooler and ‘rock’ it more

(37.) Latvia: again: I can’t even say if it’s worse or better than last year. maybe a bit better actually but, just as last time, I can’t listen to this. it annoys me and gives me a bit of a headache. I don’t think her style and voice is for me

(38.) Germany: I wouldn’t necessarily call it hate that I feel when I have to listen to this, even though that’s a funny play with the words of this title, but I definitely feel very annoyed by this song, so I simply don’t listen to it

(39.) Azerbaijan: the song sounds just like the last one, which I had placed on the 14. place in my own 2020 ranking, however, I can’t bring myself to support someone who posts war propaganda on their socials. it’s eurovision and about the songs, I know, but this is my blog and my ranking. so it’s a no for me this time and my last place in this ranking

#j. talks #eurovision #tell me anything if you want <3

21 notes · View notes

icecreamkink · 4 years ago

Text

so i watched cobra kai all in two days and i have so many -

this show has so many cool and smart angles to it, but the same time.... its so stupid oh my god everyone is so dumb literally mr miyagi held all of the braincells in this whole universe

like i am but at the same time i am not surprised it was made like this, bc in hindsight of course there were hordes of ppl simping over johnny lawrence .... but it still amuses me that this is like... an Actual Official Thing

ok this will get long so cut it is

how much fun this cast has is super visible and i love it

i rly enjoy how the world was expanded ! i did grow up watching the karate kid movies, so watching how they progressed the world of the movies so organically was pretty cool. it rly feels like its the same universe

i fucking LOVE stories that are largely about a Thing. dancing ,skating, sports its just so thrilling to experience this all consuming relationship people can have with this type of activity? and martial arts are just that much more intense, so yeah, grown ass men kicking each other around at the lightest provocation and a war veteran caring so much abt teen karate is Ridiculous.... but i love it all because thats the intensity i find so thrilling

was kinda surprised with how much im missing mr. miyagi. first because, like everyone is so unhinged jesus christo, it just really throws into relief how much his character grounded the narrative of the movies. but also hes just a really great character

and on that note it rly Gets Me that the show itself aknowledges that and plays that into daniels angst and all the little ways they sorta weave myiagisms into the whole show........ im not getting emotional over this dumb karate dads show OK

related - i really miss hearing ‘daniel-san’ 🥺🥺

ACE DEGENERATE oh god oh no

they really went down the down and out johnny lawrence route huh. like i was always kinda bummed we see kreese choking him and then we never see him again in the movies, and while i love dumpster fire problematic trash himbo ck johnny, its like......................... actually really sad that his life turned out like this fjngn

everytime i hear ‘babes’ and ‘pussy’ i die a little inside. i know thats the point but i am a v cringe easy person, have mercy (ehe)

loved the way they are constantly drawing parallels between johnny and mr. myiagi of all people. hes the handy man of his building that has a bullied kid asking for help and eventually steps up to teach them karate, beats up a bunch of bullies for him, creates a friendship with said kid, estranged from family, drinks his sorrows away, surprisingly one of the least quick to anger characters (which says more about everyone else really but.... Well.), no schemes or ulterior motives hes just tryna vibe here.... oh and ofc magically heals miguel of is asthma apparently. the true disciple.. meanwhile daniel is his usual messy petty self even tho he wants to be mr myiagi so bad

also interesting about that is how miguels character is a parallel of both johnny and daniel at the same time

overall the parallels in ck are done really well, drawing comparisons and also subverting them constantly. theyre well thought out

THE PARALELOGRAMS

fr tho, the angle being explicitly the cycle of trauma and its effects and how trumatized adults in turn traumatize kids, maliciously or not, is so interesting

but! on the flip side of that, it feels like the writers are getting in their own way @ letting the characters grow. especially this last season. theres only so many times you can do "johnny and daniel are getting along but 5mins later they are (literally) fighting over some dumbass random issue" or "johnny puts in 20% of effort with robby and then gives up" before it gets on your nerves yknow?

i see daniel no longer talks like macchio ingested 15 shots of espresso before every take and idk how to feel about that tbh

interesting tension in daniel, as in, in tkk mr miyagi was there and daniel was frankly, kind of a lil shit, this messy petty spitfire hot tempered sassy kid,(johnny lawrence voice: just... stop being so annoying) but now hes the adult, and he wants to be mr. miyagi... but hes just not, and never will be to his very core and it shakes him and in a way hes trying to find who he is now that he sees himself in a position to be a not! cobra kai figure. i kinda really like that

plus how that relates to his cobra kai trauma. idk if the writers thought abt it Like That, i think so, but in any case, its interesting bc it seems like daniel has told everyone whod listen about johnny lawrence his Pretty Boy Karate Rival and high school and 84 cobra kai... But. no one seems to know what went on in 85 (or 86? idk) which was just so much worse

like ye og cobras were shitheads, but tkk iii is just two hours of daniel being emotionally and physically tortured.

like, the third movie is.............chaotic, to put it nicely, and many people ignore it, but the writers clearly didnt. daniels actions are, in a way, responding so much more to the events of tkk iii than to the first movie ie. johnny himself, AND. daniel doesnt rly seem to have dealt with that trauma? he never told sam? doesnt feel like hes ever told amanda? he doesnt even say terrys name out loud? freaks Out over kreese ? the way he reacts to robbys deceit? his FACE when he walks past the new "fear does not exist in this dojo" paint or kreeses photo? hmMm i sense Pain

his fashion tho........... disappointing. where are the flower shirts daniel huh we had one (1) shirt what a tragedy STOP WEARING SUITS ALL THE TIME . also the band ts/grunge bi are a look for johnny but part of me longs for the preppy lovable 80s bully chic johnny lawrence getups

weird that they never used that last moment of karate kid where johnny kinda... snaps out of his anger and hands daniel the trophy almost in tears. like “youre alright larusso, good match” “thanks a lot” that being their last direct interection seems like itd be perfect fruit for cobra kai but... they just dont. weird.

especially when, the FIRST SCENE they see each other, suposedly in 30+ years, the first thing to come out of daniels mouth is QUOTE "u still got those golden locks huh?" WHO SAYS SHIT LIKE THAT DANIEL FUCKING SAN

also amandas immediate reaction "your pretty boy rival?" like. can we talk about the fact that daniel had to have imparted to his wife the very important information that his high school bully/karate rival was like Really Cute and Fucking Hot Actually

the writers Knew exactly what they were doing and honestly.............. power to them

tkk director voice: and billy was just so cute

also I was thinking that daniel sounded strangely fond in that first scene, and i wonder if he developed a weird affection for johnny on the grounds that of all of his Karate Rivals johnny was actually the only one who didn’t actively tried to literally kill him

i was actually delightedly surprised with how great the chemistry between them is, like from the get go i am Invested. their rl friendship totally bleeds through and its fantastic

. granted, idiots enemies to lovers friends is my Thing so i am biased

johnny lawrence: i am down in the dumps, i fucked up my whole life and my sons probably, largely in light of the trauma that the father figure sensei and the philosophy of my karate inflicted on me and all my friends. u know what i should do, as a traumatized, unreliable mess of an adult? teach that same philosophy to some other kids! what could go wrong!

but really i enjoy the setup of it. i kinda like that i watched it late because, season 1 was johnny setting himself up for failure in a way and it was exciting to watch it all go to shit sjfn

Like. his heart might be in the right place, but theres just.... not a way to teach something like ‘strike hard, no mercy’ and not have it fuck up a kid

case and point: aisha, miguel and hawk become annoying as all hell over that bullshit in the end of s1, even before shit gets truly fucked up

billys subtle panicked eyes when he sees hawk and miguel fighting dirty in the all valley was SO GOOD especially in parallel with the panic that is so visible in his face in the movie when kreese tells bobby to injure daniel and in the sweep the leg scene

seen people question wether kreese should have returned and i absolutely think he needed to. johnny needed to realize that cobra kais fundamentals are flawed, at the root, beyond kreese himself being a toxic piece of shit

also who are we kidding? we are here to see the tkk characters play on new playgrounds!

i get what they're doing abt kreeses backstory, ( also. cobra kai. pq eles caem nas cobras djjs sorry) but did it need to take up that much time? feels like they couldve done it in half the run time and developed some other stories better

martin kove has such an evil eye. i love it

love that we get a good follow up to kreese breaks johnnys trophy and tries to CHOKE HIM in the parking lot, which happened in the movie and then....................... was never mentioned again

“the gang is all back together again” aaaa u piece of SHIT

also. terry silver is definetely appearing ha ha ha PAIN i cant wait

seen ppl say kreese was too much of a cartoon villain like..........................oh......... sweetie........... u dont even Know

interested how johnny will fit into that bc kreese was simping rly hard for johnny here. like i did not expect him to be so adamant to have him with cobra kai ... under his control, sure, but he really wants johnny by his side despite already having control of the dojo and how will terry silver self appointed jon kreeses forever simp going to feel abt that?

like bitchs dropping by every episode like ‘joooooohnny ..... come bacc to me joooonny......... this ur last warning! for real this time johnny! i wont say it again! watch me ! im leaving johnny! im rly leaving ! im dragging a chair” and johnny is just like. dont let the door hit ya bitch it was so funny pls

and on that subject oof, johnny! doesnt! Know! he doesnt get that side of daniels cobra kai trauma. and i kind of.............. cannot wait for ck 2021 johnny lawrence to meet terry silver like. what a shit show i need a front row seat and popcorn (imagine terry tries some greasy charm and johnny just roundhouse kicks him in the teeth bc he just doest Not Have the Patience for This. glorious)

feels like we, as a society, should acknowledge that cobra kai will never die................ bc their sense of design is just chefs kiss. their name is COBRA KAI. they have sexie sleeveless black gis. theyve sneks. colorful leather jackets with embroided naja insignia, the get ppl thru the aesthetics. evil geniuses

the flashback cuts : masterpiece behavior

the other takes!!!!!!!!!!!!!!!!!!! of the movie!!!!!!!!!!!!!!!! the differente angles!!!!!!!!!!!!!!!!!!!!!! of the FIGHT!!!!!!!!!!!!!!!!! THE CLOSE UP ON JOHNNYS FACE AT THE KICK

that scene of daniel and johnny vibing to 80s music in the car. just. oh my god. the fan wish fullfilment. no thoughts head empty.

the new characters! theyre .... good. but. idk. i really like miguel (save for the annoying phase mid s1 - end s2) and amanda, who is a damn riot and has some functioning braincells, but everyone else is

like dont get me wrong, i dont hate anyone,its not a jane and rafael from jtv situation, and i am interested and invested in their arcs, but i wouldnt say i like Like them, as in, personality wise

like, sams grappling with ptsd was rly gutting and i enjoyed that plus her slight rage issues,

which nicely parallel torys rage issues. torys background is all over the place tho so im pretty on the fence abt her so far

robby deserves better in every way, and i like how smart and cunning and surprisingly sweet he is

hawk............... is there i guess,

demetri is annoying in the best way possible,

carmen is sweet but. i just feel like her character is blunted to make the johnny relationship easier. like when shes furious with him after miguels injury but then forgives him like an episode later? and then convinces him to fight for the tournament bc she had a karate epiphany off screen even tho she was always against it? meh. feels like with the plot thiccening she was swallowed and now shes like a crutch for johnny mora than anything, which is disappointing.

aisha was cool and im kinda mad she wasnt in s3, especially bc a storyline with her tory and sam was like RIGHT THERE , but also... cant say i was super super fond of her... doesnt feel like we ever spent enough time on her

moon the bi icon,

overall its a good cast but the main draw for me remains the og cast

the tory/sam miguel/robby Thing. enjoy how theyre Narrative Foils and i like how their stories were so dramatically entangled but oh god give me a break with the teenage love square for the love of god. if u gonna put us through that at least have the decency to not make it so straight

and honestly some sam/tory miguel/robby romantic tension would even make more sense. just saying!

also im not sure how i feel abt the cobra kai: red miyagi do: blue theyre going with since some of daniels most iconic looks in tkk are also red. like it was a color they (johnny and him) sorta shared. i get it, opposite but complementary but idk... a little too fire nation and water tribe for me .

and like the cobra kai kids are so funny abt it bc their outifts grow progressively more ridiculously coordinated. its like do they group chat every morning before leaving their houses?

robby still sticks out like that tho. he went thru an athleisure/daniel san tsleeves phase and now hes back in the bandts grunge, but his color scheme doesnt fully blend with the other cobra kais. hmmmm.

LOVED LOVED LOVED both the okinawa episode and the cobra kais easy rider episode just such good good heart aching fun

bobby is an icon. he was in tkk and he is now ck hope appears more and more

tommy is like the most iconic background character. all his lines, freaking gold then and now. sigh :(

the framing in the okinawa trip was so good everything was so good

i stand by the fact that kumiko was the love interest daniel had the most chemistry with and shes is overall such a joy to watch, loved to see her again, idola, fashion icon

also tkk ii is good u guys are just mean

also really enjoyed chozens role in the episode, his evolution; i love that they introduced the pressure points (ty lee the blueprint) and! the honk + karate! cousins! absolutely iconic

when kumiko reads mr miyagis letters........ oh my god, my eyes FILLED with tears, it was so heart wrenching :(( tamlyns delivery was so emotional and lovely and its so obvious everyone involved in ck has so much love and respect for pat morita and mr miyagi as character, and i adore that it exists like this electric current through the show

when we were watching i told my sister i thought that ali would be miguels big shot surgeon and ngl i am so disappointed that didnt happen. hire me cobra kai writers

also the johnny ali daniel amanda chemistry? off the charts

AND the sassy retconning of daniel and alis breakup! LMAO ‘I HOPE U DIDNT TELL MR MIYAGI IT WAS MY FAULT’ HFDJJGNKFKSD

i am preeeeeeeeeeeeeeeeeeetty sure back injuries dont work like that but oke

daniel and johnny are so good together whenever, like they never actually help the kids or get shit done and end up fighting anyway but its just so much fun when theyre hanging

JOHNNY LAWRENCE AND DANIEL LARUSSO FIGHTING TOGETHER

daniels “plan” on how to get robby to juvie was so stupid. literally were u TRYING to make him hate you. dumbass

parents at those hearing rly brave for ppl that did not do ANYTHING as their kids got involved in a karate gang war until now

“bullshit i heard u were the real bully!” i mightve screeched

this s3 ending was SO DRAMATIC omg

everyone is such a MESS go to THERAPY u unhinged motherfckers

also im sorry but uh. a richass neighborhood in california doesnt have some type of neighborhood watch? the larussos rly dont have any security at all? neighbors wont hear the sound of a damn karate brawl happening next door??? also wasnt tory all like ooo i cant go to juvie, my mom yada yada yet shes always running around town getting into fights even at the rich girls house she was kicked out of school for fighting?? ? ?? ?? ? ? ? ?? ? ? girl??

stop destroying the larussos house, its so pretty :((((

sam finding her center looking at mr miyagis picture... uwu maybe

robby yelling ‘U ARE WEAAK’@ johnny \as he is easily blocking him is like.... so funny and so sad to me. sweetheart.

also i know it was meant as ‘oh johnny pushes him and HURTS HIM’ but it just looks like robby runs himself into the lockers and IM SO SORRY I FEEL SO BAD BUT IT WAS SO FUNNY

i like that he and tory are the cobra kai kids now. we need ppl we care abt there to not revert to a good vs evil schtick, and this is the most engaging it could be... tho it hurts that these kids cant catch a break

ah yes "lets bet some real shit on the result of this teen karate tournament bc that is always a great idea" is BACK

so daniel saves johnny from kreese..... maybe johnny will save him from terry 🧐

and dojos unite ohohoho. lets SEE how that’ll work out

miguels face of Despair when the ck defectors and the md kids are bickering like 'this is never gonna work' : gold

also. Johnny Lawrence is gonna learn some myiagi-do karate AHAAHSJAKDFH

ive been waiting for this moment all my lifeeee oh lawrd

final thoughts! there are def things i hope the writers will improve on the next season, but i am very excited for it either way AND i feel like it has made me enjoy the movies even more and that is a win for a reboot/sequel to me!!

#m.#did i procrastinate watching this since it came out and only watched it now bc my sister nagged me to when i said we should #watch karate kid over the holidays?#and then binged the whole thing in two days??#mayhaps and what abt it #cobra kai #the karate kid #its funn #y bc like karate kid is a Childhood movie but i wouldnt say #it was like particularly special for me?#like i wasnt in a fandom or anything #but now.#i might be invested #maybe #talvez

32 notes · View notes

kingaegonblackfyre · 4 years ago

Text

I have a lot of feelings, and I went into it wanting to like it

I love Ahsoka Tano. Removing the whole rl situation with RD from consideration, I went into this desperately hoping for the best and wanting to like it because I would love to see a live-action Ahsoka. Problem is, after over a decade of a purely animated character, any live-action version was gonna be a tall order, particularly due to the appearance and combat style. I get it.

The intro scene was alright - a good start. Duel wielding, reverse grip saber, force pushing and pulling. All characteristic of her fighting style, sans a classic Ahsoka kick to the face.

Then as the episode went on it got... weird? It was like it hit wrong notes for me across multiple points, and not necessarily RD’s fault.

Costume/Makeup Dept

As almost everyone is saying, the montrals and lekku are too short. The montrals look like she’s stuck her head out the window of a car.

The paintjob looks like it was painted last minute and then maybe sent through the washing machine and faded (sorry, not sorry).

And the creasing my god I could not look away, it was right next to her face. If it was meant to demonstrate battle scars, it was not done in an obvious enough way to show that.

Instead, as someone else pointed out, it looked like they ran out of CG money and time and just used the stand-in headpiece.

Do not come at me about “well she wouldn’t be able to move or fight in it”. This is DISNEY, and they are damn well gonna use this to springboard a new series and/or movie around Ahsoka, so don’t tell me they don’t have money to CG it in their FORTY MINUTE ADVERTISEMENT.

The face markings were off. The cheek ones didn’t extend back, and the forehead ones were a little too low and off.

There was no pigment to the lips or nails.

The outfit itself was fine, she always favored sleeveless (good!), but I thought the bottom was a little too low and would infringe upon her usual movement fighting style (as compared to her entire history of tactical skirts over leggings).

Choreography

The start was good - Ahsoka, like Maul, has never subscribed to the usual Jedi “lightsaber and ONLY lightsaber” combat style. She uses the force to push, pull, throw things. She kicks, she punches, she tackles. She turns sabers on and off on a whim to suit her needs. And most famously, the reverse grip. The first scene checked most of these boxes, while not perfect it was a pretty fair job.

The jumping over the tree branch and slicing her way out was well done too.

But by the time it got to the fight against the Magistrate, the choreography just... wasn’t there? From a cinematography pov, with the background, it was a pretty shot, but the combat just was not Ahsoka and kinda... weak for knowing over a year out she was gonna be in this.

She faced Grievous (at least twice) and survived, defeated Maul, jacked up Vader to the point that he limped away with 2/3rds of a helmet, and survived Sidious, and somehow she was disarmed by the Magistrate.

And then never recalled her saber from the water. The girl, who was disarmed by Maul and summoned it lit back to her hand through him, didn’t recall it.

I don’t know if there was a Covid concern, time issue, or a costume issue where they wanted or needed RD to do a lot of her own stunts, but clearly CW7 had a duel-wielding stuntwoman ready. to. go. to stunt Ahsoka. (and let’s face it, nobody had a problem with the Maul duel mo-cap so...)

To be perfectly honest, as she has done with Maul and the Inquisitors, she would have just grabbed the beskar spear and yanked it out of the Magistrate’s hands.

Or just knocked her into a wall with the Force

And to be fair, if the problem with the lekku and montrals was “well she couldn’t move or film fights in it” they didn’t really do enough movements for my taste to even justify that argument.

Writing

As other reviewers have noted previously, the Mandalorian loves to tease characters or plot lines and basically pool skim them (i.e. Cobb Vanth). It’s hard to cover an entire character/plot in 30-50 mins. I get it. But from the outside, if you were new to this character and hadn’t watched TCW or SWR, these were some of the takeaways you got, almost in order:

“She’s badass, but is she actually good or bad?”

“Can she be trusted with the Child? Maybe Din is right to be pacing.”

“Who is she, and what was she in the scheme of the story?” (this at least piques people’s interest to maybe do some research)

“Oh cool, so she won’t train him after we spent episodes getting here. Cool. Cool.”

“And now she’s gone, so should I give a shit about looking up who she is?”

And my personal favorite I’ve seen a few times: “Any other Jedi could have been substituted here and it wouldn’t have made a difference”

^^^^^^^^^This last one.

That’s a writing problem. That means you fucked up. That means you didn’t do enough in 40 minutes (when you set the timespan) to tell people why she matters or why we the audience should care.

And finally RD. It was mostly ok. I think some of the looks and head tilts nailed it. Ahsoka. But Ashley, even as adult Ahsoka, always spoke a little... musically in tone? Even portraying the older “I’ve been through some shit and I have PTSD” Ahsoka with an older tone, it still had moments of ups and downs in tone. And that can come off a little too cartoony real easily irl, I will admit, but it was just a little too monotone for me a lot. Plus Ahsoka does a lot of arm crossing and hands on hips, and the scene with her watching Din and Grogu really caught my attention that it was missing.

So I feel like there was a lot of good shit that happened (we got a name and backstory, we saw Morai and lothcats, THRAWWWWN, Tython, dual white lightsabers, live-action Ahsoka in the flesh, a Kurosawa feel, good cinematography), but I just... didn’t quite like it, and I can’t even just pin it to one thing.

#the mandalorian #mandalorian #mandalorian spoilers #star wars #ahsoka tano #ahsoka #tv

39 notes · View notes

yeojaa · 4 years ago

Text

❪ VOGUE : ❫ april 2020 - click to view high-res!

When Jeon Jungkook first popped up on my radar - as the face of Dior, no less - I didn’t pay much attention to him. Here, it seemed, was another guy with an unprecedented social media following and a very photogenic face. You know the type.

It comes as a surprise, then - a relief, really - to meet Jeon on a bustling Friday night in the heart of New York’s Koreatown. It’s his idea to have dinner together and I’m not one to turn down barbecue in any of its forms so here we are, tucked into the back corner of a popular all-you-can-eat establishment known for its soju-soaked watermelons. Jeon, unsurprisingly, looks nearly identical to the photos he posts on Instagram, each one amassing upwards of millions of likes in less than twenty-four hours. He’s got a leather jacket on - a staple for his profession, which I’d soon learn wasn’t just pretty boy but actual rockstar - and a bucket hat pulled over his hair. It’s probably meant to be inconspicuous but I note at least six tables that turn around too many times to be coincidence.

“Is there anything you don’t eat?” Is one of the first things out of his mouth once we’ve got the pleasantries out of the way. When I tell him, no, I eat everything and anything, he looks like I’ve just told him his latest single went triple platinum.

We spend the evening getting grease all over our hands and drinking probably too much beer. Jeon insists it’s a requirement when enjoying barbecue - “You can’t eat meat without having a drink!” - and I’m not about to say no, though I don’t think I really could. He’s got a charm that’s both elusive and incredibly apparent but unlike most people in his age bracket, it seems completely effortless. It’s not hard to see why he’s so successful.

Jeon tells me about his life and growing up in Portland, a place he says “drinks its own Kool-Aid.” I’m not really sure what that means and ask him to explain, which he does with a laugh that draws the stare of our waitress. “Portland’s a weird city. As in, that’s what it’s known for. Its ‘weirdness’, as if that’s a good thing. I guess I get the appeal.” He doesn’t mince words when he speaks, throwing caution to the wind as easily as he drains his third glass of Asahi Black. “It’s this weird mix of fucked-up addicts who think they’re living in a La Dispute song and “precious” Portland transplants who have no idea how to handle it.”

I ask him whether or not he’d ever go back and he nearly chokes on the piece of lettuce he’s dipped in ssamjang. He laughs long and hard - I’m reminded of the hyenas in Broadway’s The Lion King - and shakes his head. “I’m not saying LA’s any better but it knows what it is and what it isn’t. There’s also a way better food scene there.” The smile he offers is shameless. “Better looking girls, too.”

Although we haven’t known each other very long, I have a feeling he’s leaning heavily into whatever preconceived notion he thinks I have of him. When I voice my belief, he laughs again, pulling his bucket hat off and tossing his dark hair away from his eyes like an old Hollywood ingenue. It turns out I’m right.

When I ask him about what has surprised him most about living in LA, he lists things off like he thinks about them regularly, throwing his tattooed fingers up with each count. “How people will believe anything they read in the media, how many people actively seek out paps, how I really don’t understand how people don’t get trashed at after parties, and how hard it is for anyone to get my name right.” It’s not surprising how unrepentant he is but it’s still hilarious.

I ask whether he’s ever considered changing his name or taking a stage name (“What, like Drake?”) and he shoots the idea down immediately. “My parents gave me this name, just like they gave me everything else. I’m not about to strip it away so some people can feel better about themselves.” As someone with a Korean mother and an Italian-American father, I get what he means. We’ll ignore the fact that I go by my English name.

The longer we spend in the restaurant - far longer than the requisite two hours most other diners seem afforded - the clearer the picture of Jeon gets.

He loves his family and talks endlessly about his mother, insisting that her kimchi puts this restaurant to shame. He offers up a few of his biggest influences, citing Canadian duo Majid Jordan, singer-songwriter John Mayer, and trap and bass DJ RL Grime. He eats with abandon, devouring slabs of pork belly faster than I can blink, though he never hesitates to refill my glass, either. He tells me how he’s wanted this since he was a kid but that it’s definitely not just sheer, dumb luck that’s gotten him where he is. He doesn’t explicitly name the apparent sacrifices he’s made but there’s something in his eyes that reads like an obituary. I don’t press him on it.

Later on, while I’m editing this piece, Kim Namjoon - his agent and close friend - tells me that Jeon is “the kind of guy who’s effortless. He’ll try anything and be good at almost everything. He was made for this.”

A lot of young celebrities want to be creators but Jeon actually embodies being one. He gives respect where it’s due, detailing all the long hours he spends writing and in the studio. “It’s not easy - it takes a ton of work - but that’s what you sign up for. ‘If you want the career-changing big fish, you gotta be willing to put on the big boy panties and sail out to the deep water.’” I don’t recognize the quote right away. Turns out it’s from one of the Fast and Furious movies.

By the time we part ways - he insists on footing the bill, pulling out bills from a Prada bi-fold which he acknowledges with a simple “don’t tell” - I realize nearly five hours have passed. I get it now.

It seems that Jeon’s a paradox, equal parts refusal to play by the established Hollywood rules but also someone who wants everything that comes with meeting the expectations. Someone who wants to have his cake and eat it too. If anyone can do it, it’s likely him.

cr. i dare u @ twitter

#edit.zip #ghost.doc

123 notes · View notes

livlepretre · 4 years ago

Note

I started watching TVD while season 5 was airing, and I loved it. I was so excited when I caught up, but quickly started losing interest. As a person who despises pregnancy plot lines that should be impossible and make no logical sense in canon, The Originals was always a lost cause for me. I also hated the oocness of the characters. I begrudgingly made my way through season 6 of TVD and honestly couldn’t make it through the first few episodes of season 7. At that point in time, I didn’t like the conflicts, how the show kept breaking its on mythology rules, and how most characters were acting out of character. I think it’s a total shame because I absolutely adore this universe and the characters attached to it. Canon divergent fics like yours allow me to enjoy what could have been. So, did you watch TVD all the way through? Did you watch The Originals? If not, what was the straw that broke the camel’s back and what plot lines and character arcs would you have liked to see on the show/shows? How would you have preferred the show to end? Finally, what kind of thoughts do you have when you hear crazy stuff that happened (ex. Caroline having Ric’s kids and him being in unrequited love with her or Legacies having their characters fight gargoyles, dragons, etc.. throughout Mystic Falls while Damon and Elena’s kids are still in town raising their own kids) Cuz sometimes I read things and I’m like WTF? Who thought this made sense?

Okay, wow, I love that you asked me these questions, because as it turns out I have been bugging my RL friends with my tormented TVD takes for years now. I’m going to put everything under a cut though because this answer promises to be very long.

Edit: This got sort of stupid long. Read at your own risk haha.

So, I think to answer this, I have to address the things I love so much about TVD and why I’m still thinking about it/writing fic for it years and years after it lost me. I’m going to take this chronologically because there’s a lot to unpack.

What I loved

My introduction to TVD was over the summer before season 2 aired; I remember seeing the promotional materials on the CW before I left for college the fall before, and writing it off (which: fair of me, those season 1 promotions were abysmal). But luckily my sister, God bless her, understood me better than I understood myself and made me sit down and marathon the first season with her. I made fun of it pretty hard until the episode where Vicki got turned, and then an episode later got staked, which shut me up and got me paying attention. At some point over the course of the season that show went from haha laugh at it to holding my throat and there are sooo many good reasons for this. I remained hyperfixated throughout seasons 2-4, which I would religiously watch just as soon as I could pirate them.

The thing about TVD was that it was, for several years, a master class in narrative structure. What I mean by this is that it did two things very very very well:

1) one thing always led organically to the next -- the thing that actual kicks off the plot in TVD is Damon coming to town to open the tomb. From that point on, he opens the tomb, which leads to the tomb vamps escaping, which leads to Katherine taking notice, so she comes to Mystic Falls, which leads to others discovering Elena, which leads to Elijah, which leads to Klaus, and the other Originals. Very neatly done, and a wonderful, fast way of constantly shifting the action in believable and organic ways

2) they had this thing where they would announce something cataclysmic, like opening the tomb or sacrificing the main character, or even dropping the veil in season 4/again (?) in season 5, and in most shows, the whole point would be to avert those things-- but TVD has this way of announcing the doom and then forcing us through it.

There were other things-- stakes were high (ha! pun!) -- Vicki could get staked midway through season 1, Jenna could get killed in the sacrifice, and they could sweep the rug out from under you by having the whole premise of what you THOUGHT you understood about the show turn out to be untrue-- the first big instant of this was the certainty that Katherine was actually in the tomb and if the tomb was opened that Damon would save her-- finding out she was never in there at all was mind-boggling. Another really excellent moment I recall was 2x09-- so, the thing is, one of the biggest mysteries in the show up until that point was “Why does Elena look exactly like Katherine?” We knew/suspected she was a descendent, and the term doppelganger was bandied about, but it felt really shocking to have it LITERALLY be used in the mythology (to see your doppelganger is a sign of certain death, which it IS how CREEPY!) and then in 2x09, everything gets turned on its head AGAIN when we discover “it’s not that Elena looks like Katherine, it’s that Elena and Katherine look like someone else”-- the idea that KATHERINE is a doppelganger was earth shattering. This show.

Also the way that the show played with audience expectations? Like, in 1x04, the audience expectation would be for Elena to be angry at Stefan and not trust him after Damon (or was it Caroline? It’s been years since I’ve watched) says some stuff intended to set her against Stefan. But instead she figures it out fast and comes back to slap Damon and apologize to Stefan. It was an early sign that the show would jump over the expected hurdles. One of the brilliant things it does too is play with the horror genre. The characters (in the early seasons) were some of the smartest on tv because they were genre savvy, and they thought like a real person would and not like a character so often-- I remember being amazed by how often they jumped over the obvious pitfalls and came to sound conclusions. 2x12 The Descent sticks out to me-- Elena versus the mad dying vampire. Also the entire daggering sequence in 2x16 is God tier, as well as Elena’s bargain with Elijah in 2x11. Hmm and also the way the show would even play with expectations based on the fact that it’s a show? The fact that Katherine and Mason were working together is still one of the greatest plot twists of all time in my opinion, not because of how left field it is or wild or anything, but because it should have been totally obvious but our expectations of season premiers made it totally camouflaged! Like, yes, Mason and Katherine DO show up at the exact same time... in 2x01, which is a season premier, so we as an audience know and expect that new characters will be introduced in that episode. The fact that the show knew that and played us for fools will always go down as a favorite moment for me.

Well. Needless to say there are countless other amazing things. The darkness of the show and its commitment to exploring vampirism as a curse, and oddly a very human one, was mesmerizing. Damon breaking Jeremy’s neck. “I miss being human. I miss it more than anything in the world.” Elena slow moral decay. The shock and horror when Caroline is turned. The relationships between the brothers. The way that the gang can’t ever sit easy with each other-- that Bonnie sees how Damon and Stefan are a poison, how everyone lies to Tyler and it hurts him so he hurts them-- Katherine’s doomed history? Tragic. Beautiful. Amazing.

I remember the fandom was a very different space in those early seasons too. The show was just so dreamy and frightening and dark. It was like a very bad dream you couldn’t wake up from and maybe also didn’t want to. The fics were kind of gloomy and frightening and people were much more willing to explore the monstrous side of the show.

So. The issues that I had.

The very first thing I remember feeling a twinge of unease about was when they put Katherine in the tomb in 2x07 only to take her out again in 2x09. I remember her getting sealed up in that tomb in 2x07 was HORRIFYING but also??? Brilliant? Justice? Amazing? It was taking out a villain when and how they said they were going to do it and I loved it. I didn’t quite like how she kept being an active role in the story, no matter how much I adore Katherine as a character, because it destroyed the impact of her in that tomb at all. If it were me, I would have put her in that tomb and saved her as a character, only to take her out like seasons down the road when the audience may have mostly forgotten about her and she could have been a secret ace.

There were other ultimately minor things in season 2-- the sun and moon curse being a fake, for example-- which at the time ruffled me a bit but I was willing to just brush it off because, well, season 2 of The Vampire Diaries is unspeakably good.

I went into season 3 with the same level of hyperfixation as I had in season 2 (read: immense). And those first 6 episodes were pretty damn near perfect, with 3x05 being like the horrible culmination of everything I, already a klaulena shipper, could ever want.

My first sign that things were going in a weird direction was 3x07, Ghost World. I remember that episode feeling... weaker. Like, what was the point of Lexi having Elena torture Stefan? That didn’t seem to do anything at all. The Other Side stuff is something I pretty much disliked at the time but at this point I’m so used to it that I accept it as a kind of limbo space mostly for vampires (and also witches? but hopefully more pleasant and less of a wasteland of eternal wandering for witches than it is for vampires).

3x08 Ordinary People was an abomination and I still hate it and everything built on it. So, at the end of season 2, Elijah says his family comes from Eastern Europe. A nice, normal answer that makes sense. It also dovetailed really well with Slavic vampire folklore, so there was a great tie in that felt right with the meta-awareness of the show (it was for a while very much so a vampire show about vampire shows, and the diaries were part of that meta level writing). The idea that they were VIKINGS in VIRGINIA in this random WEREWOLF SETTLEMENT gives me such a migraine that I don’t think I can go into it here. I hate it with an unflinching fury. I think I used the “Mikaelson” name once or twice in FE and I hate myself for that more than anything else I’ve ever done in my writing. It makes no sense and betrays the writers as not even having a very vague idea of history and it is like fingers on a chalkboard for me. My fingers, feeling all of that horrible chalky friction. ELIJAH THERE WERE NO WILD HORSES IN AMERICA A THOUSAND YEARS AGO. WHY ARE YOUR NAMES HALF VIKING AND HALF HEBREW EXCEPT FOR THE RANDOM GERMAN NAMES. WHY WHY WHY.

Deep breath.

The other thing I really hated in that episode was Rebekah’s “it’s a protection spell of course.”

Honestly I think that was the actual sword plunging into TVD’s heart and the show just slowly bled out from there and I was so shocked and betrayed by that that it just took me years of trying to stop the hemorrhaging before I finally accepted that it was a mortal wound.

You have to understand that I continued to watch seasons 3 and 4 the way an abandoned dog will wait for its owner to return. I just couldn’t help myself. It had been my favorite favorite show (and sort of still is?)

Well. Why did I hate this protection spell thing so much. TVD had made it very clear in the early seasons of the show that becoming a vampire was BAD. It was a fate worse than death. The whole angst of season 1 relies on us feeling the TRAGEDY when Giuseppe murders his sons and they become vampires. Because vampires in TVD aren’t inhuman, per se; they’re still the same person, they still have their souls, their consciences, their moralities... they’re just also saddled with this insatiable burning thirst for human blood that drives them to commit the very worst deeds, that drives them down these dark paths of horror and soul-scouring guilt as they repeatedly succumb, over and over and over and over again, to their worst impulses, until they finally stop caring and become monsters in truth. Until they forget about the simple warmth of a human connection, of good things like love and friendship and family. TVD made it clear that to be a vampire was to be in hell. It’s why Damon promises Stefan an eternity of misery. It’s why the group responds with HORROR when Caroline is turned in 2x02. It’s why Damon’s confession in 2x12 rips at our hearts, and why the stakes are so high when we wonder whether Elena will be a vampire at the end of season 2. The show is very clear that it’s not actually becoming a vampire that makes us monsters, but the actions we take once we become vampires that make us monsters... but that those actions are also nearly inevitable and precipitous once the transition occurs. It’s really tragic.

I remember the summer before season 3 aired the fan spaces were all abuzz with speculation about “what could Klaus have done that was so bad that not only was the vampire curse inflicted on him, but also on his entire family?” (that was the prevailing theory for how he could be the “first” Original vampire-- he was the one who had actually done whatever the thing was that had precipitated what was OBVIOUSLY a vengeance curse.)

Ordinary People was like LOL! NOPE! Joke’s on you for thinking we were going to actually discuss self-destructive behavior and the human psyche through the metaphorical lens of vampirism ;)

There were definitely other things in season 3 that bugged-- the serial killer thing was hard to follow (and I tend to criticize anything that’s hard to follow for any viewer watching week to week, while also paying close attention... because that means it’s probably not well enough explained), the white oak stake bridge was LOL fine, it did lead to some epic stakings by our boy Matt tag-teaming with Elena and Stefan, and I did enjoy the idea that the whole bloodline dies... anyway, I digress.

The flashbacks started being a problem in season 3. In season 1 & season 2, the flashbacks basically all told a continuous B storyline. In season 1, of course, we have 1864, in that gorgeous blue cast. We get a little additional information of that in season 2, and it’s amazing. But then in season 2, the B story is 1492, in that golden cast, also amazing.

After that the flashbacks that start in season 3 are pretty random. We don’t have stories being told in the past throughout the season, but instead, random one-offs in random colors telling random stories. Not bad, per se, but definitely less affecting and much less cohesive and meaningful.

Here’s the big big big issue with season 3: Klaus.

The whole point of the season was to kill Klaus. It was explicitly stated.

Every other season, once the motivation was stated, the show went through with it: open the tomb, stake the tomb vamps, take down Katherine, find a way to save Elena during the sacrifice, etc.

Now, as everyone knows, I love and adore Klaus. But I also sort of hate him because I think the writers loved him too much and they wrecked the show a bit with him. They wanted to create drama with a “kill Klaus!” arc but there was never that much tension in it because I was certain from 3x12 onward that they never would. (well, I was stunned when he got staked at the end of season 3 and I just sort of whispered, “good” to my empty dorm room at the time-- but that was short-lived). It really really really took the wind out of the show’s sails when they didn’t stake him by season’s end, so the MOST major thing I would have done would have been to kill him off somehow at the end of season 3.

If they didn’t kill him off, they should have devised a way to make peace/have Team Mystic Falls need him and him need them much earlier and much more concretely than they ever did. With the way things played out in actuality, our protagonists failed to do the one thing protagonists MUST do: take defining action. All of their actions in season 3 are completely for nothing, and that makes the whole thing fall apart.

This also brings me around to something that will surprise absolutely no one: I have a lot of problems with the way that klaus x caroline was handled. I think it COULD have been done convincingly, but the writers were lazy/were very clearly just trying to get Klaus a ship because the actor is hot, and so they gave us the horse drawing, and the prom dress, and the ball gown, and frankly, a list of villain decay moments that I just... don’t know what to do with. And the ship pretty much ruined Caroline’s character because the whole point of her was that she was so much deeper and kinder than anyone gave her credit for, even than she gave herself credit for, but the ship was like LOL! NOPE! (I have a lot more on this written elsewhere in my blog) Also my boy Tyler got cut out of a HUGE amount of this show to make room for this ship, which was lousy.

My last thought about season 3 is that this is when the characters-- especially Damon-- started to really decay. Rewatching early seasons of the show is WILD because Damon is WEIRD. He is so other and off-putting-- beautiful, but very very strange-- it’s in the way smolderholder held himself, the way he spoke, all the little things that sent little alarm bells ringing. He was delightfully inhuman.

I vividly remember the stupid chipmunk argument in... 3x16? somewhere around there-- with Stefan in some back alley in Mystic Falls and I was just??? That was the moment I realized that all of those things about Damon’s acting that had appealed to me had vanished. I think the writers were trying to make him more likable/humanize him so he could be the main love interest, but it was very frustrating to me.

Moving on to season 4. I was actually into the sire bond because it was difficult and problematic and felt to me like a chance to explore more complex issues through the “vampire” metaphor the way the show had done in earlier seasons. (I know this storyline is pretty much hated, but my stance is: if you don’t want dark, problematic, uncomfortable, and toxic storylines, don’t watch vampire genre tv shows. That simple!)

I don’t mind the idea of the “cure” and I don’t even mind the Hunter thing/that Jeremy could be a Hunter (although I found the coincidence dumb).

ACTUALLY what I would have liked VERY MUCH would be for Elena to go through most of her season 4 storyline-- becoming a vampire, having Jeremy die and her turning off her emotions, then going on her evil vampire rampage and actually killing and hurting innocents, only THEN for her to have the cure forced on her after like a year of being a vampire. The defining arc of Elena’s character in the early seasons is her moral decay-- Katherine is the warning of what Elena will inevitably become if she continues down the path she’s on-- so it would be fascinating to see her go DOWN that path, very far, and then to have her become human again-- and have her actually have to deal with the horrors she committed. (I have a bit of a theory that vampires have one foot over the veil into the realm of death, and maybe this, if anything, makes it easier for them to forget their humanity/become truly monstrous, but that becoming human again would slam all of that into the front and center again)-- it would be a way for Elena to actually have to confront her story arc-- what path is she going to go down? Is she going to continue her slide into callousness and monstrosity? Or can she turn it around? Must she give up the Salvatores to do that?

I don’t really mind the season 4 Silas content. Will say that once again the inclusion of any of the Originals in season 4 is pretty useless which is frustrating to me, and their place in the TVD narrative in general is an annoying dead-end.

However, I do think that Silas introduces a big shift in TVD: their need for a yearly big bad. As I mentioned above, TVD was always “one thing leading to another” -- starting with Silas, they started introducing yearly Big Bads (Silas, the Travelers, Kai) that were arbitrary and frustrating and were the thing that most broke me out of my suspension of in-universe belief. The idea that the show would need a big bad was a fundamental misunderstanding of the narrative structure of the first 3 seasons by the writers in those later seasons.

You asked what the straw that broke the camel’s back was and I can tell you, it was this:

I laughed myself sick and that was the last time that TVD was appointment television for me. I call this the Party City Greek costume.

I did eventually marathon season 5 well after it was over, and even though a lot all of the ways the show retconned itself drove me insane, it was overall fun just to watch for the drama and the pace.

My biggest problems with season 5...

This was around the time that Bonnie was dead then alive then dead then alive... I can’t actually keep track any more at this point what’s up with our girl

Stelena pretty much disappeared.

I actually think one of the bigger problems in the show was that the show was stronger when it was mostly about Damon, Stefan, and Elena, and at some point they gave more equal screen time to other characters which ended up meaning that I spent a lot of screen time with characters I just didn’t care about (ENZO)

UGH THE DOPPELGANGER STUFF

So, if you’ve read my fics, you know I spend a huge amount of time parsing the mechanics of the doppelganger, how the magic around it might work, what the implications are, etc.

I CAN’T STAND what happened to the doppelganger stuff in season 5! UGH. HOW DOES TOM WHAT’S HIS FACE EXIST? DID STEFAN HAVE A BABY WHEN HE WAS 15?!? Seriously!!! HOW!!!! Because it’s real clear in canon that only DIRECT line descendants create doppelgangers!

ALSO. The Amara thing. Just stop it.

This actually leads to a pretty major issue: TVD had a bad habit of establishing really exquisite doomed histories and then wrecking them with too much information later.

The story of Tatia Petrova is a masterpiece in doomed, tragic, romantic mythology. Teenage girl falls in love with two brothers and so their parents decide to use her as the blood sacrifice for their creepy curse “protection spell” and so they murder her-- you get the image of how terrified she must have been, dragged out of her home in the middle of the night, trapped, maybe dying slowly, how she dies for loving too much, for being just a little too wild, a little too trusting-- and how that curse echoes down the ages. The idea that that act of savagery somehow created the doppelganger line. The Amara thing (as well as the Originals revelation that Elijah killed Tatia) gut the impact of that TVD myth-- which was a strong one in the imaginations of the viewers.

And the idea that vampire doppelganger blood is useful for anything??? I can’t. The WHOLE POINT of season 2 is that Katherine turns herself into a vampire to avoid the sacrifice! We are explicitly told-- you can’t be two things at once, if you become a vampire, you negate your identity as a witch or a doppelganger or whatever-- literally the WHOLE PLOT of season 2 centers on how useless Elena’s blood would be if she were turned! And now Stefan is in on this? NOPE. I’m out.

Anyway, another myth that got wrecked in season 5 was the Katerina Petrova myth. Part of her tragedy is that she never even gets to hold her baby. Is the idea that her baby grows up and has a normal life and Katerina never even gets to find out anything about her. That she completely loses this one thing that might have humanized her. And then of course the great tragedy in England that ultimately destroys her. I really hated meeting Katherine’s daughter, because it reversed the pathos of Katherine’s past and rendered it emotionally inert. And also Nadia sucked.

The Travelers were fun enough but also they made no sense (DOPPELGANGER VAMPIRE BLOOD) but most especially I hated the idea that Katherine was a Traveler just WHY

I got... partway through season 6, although, I couldn’t tell you where exactly I stopped watching for no particular reason.

I remember really enjoying Tyler x Liv and the way that they made Tyler human again, and brought Alaric back, etc at the end of season 5-- it felt like such a fresh reboot to everything and it’s one of the things that TVD does really well.

That Thanksgiving episode sticks out to me as a train wreck though because I realized that the central conflict had absolutely nothing to do with any of the characters I actually cared about, and was instead about the twins... whom I liked, but not really any more than I liked the Martins in season 2, you know?

Also vampire blood being unable to cure cancer sounds arbitrary to me.

As for how I would have preferred the show to end?

Hmm. Well. I think it should have ended sooner-- this “the show is really about these two brothers” is just incorrect. The show was about the two brothers and Elena. It was about that triangulated relationship. I think that even if Elena ended up with one or the other at any given point in the show, the other third point in that triangle should have stuck around-- I’ve always disliked Stefan slinking off in season 5 because it tears apart the foundation of the show.

I have no idea how it should have ended. I guess? the ending? was okay? I’ve never actually seen it.

On to the Originals... so, the magical pregnancy didn’t really bug me because there are plenty of fandoms where vampires can procreate/I guess if Klaus is part werewolf, he has a foot closer back to the mortal coil, and vampire bodies in TVD have heartbeats, are warm, digest food, etc, so it was like, fine, sure.

I would say I watched... some of season 1? and I watched most of season 2? I watched whatever I needed to watch for fic research basically, and have a very confused sense of what happened on that show. I’m always skeptical of anything set in New Orleans though because no one ever seems to leave the French Quarter which is so preposterous because the Quarter is probably smaller than Mystic Falls. But anyway. The tribrid thing has never made sense, but I just sort of rolled with what I’ve heard about the Originals? I really love Marcel and think he was actually the protagonist of the show, whereas Klaus was definitely the antagonist. (I just can’t bring myself to side with Klaus on pretty much anything...)

Okay I think this ties up all of your questions/most of my thoughts except for maybe... what I find absurd.

To answer that: every time I learn something new I am stunned and my jaw drops in a literal guffaw. For example, today reading your ask was the first time that I found out that Ric was unrequited in love with Caroline (although, former student carrying her former teacher’s children also makes me uncomfortable). As far as I know from seasons 7-8, Damon sleeps with someone named Crystal, Caroline somehow magically carries Alaric’s children with their dead witch mom (and apparently Alaric is in love with Caroline while that happens?), Matt might be a cop, Damon and Stefan fight the literal devil and Katherine is their queen, Bonnie and Enzo??, Caroline and Stefan get married, what’s a Jeremy Gilbert, maybe Damon sets Elena’s fake coffin on fire?, Damon kills Tyler (WHICH IS UNACCEPTABLE), there are witches who are vampires called Heretics, and also there are Sirens and maybe Mama Salvatore is one. The end. Every time I learn something new it’s the most amazing thing I have ever heard and I can’t imagine how it could be so, but I accept it.

Am I missing anything?

Legacies is so beyond my comprehension that I just have to roll with everything I hear. God Bless Matt Davis for leading that cast.

#anonymous #tvd meta #this got really long

16 notes · View notes

sunshine304 · 3 years ago

Text

I am so so sorry that it took me this long to continue my LoF watching posts! RL, y’know. Ep 26 felt like a good place to take a breather, as well, so that’s what I did.

Anyway, let’s move on to eps 27 and 28!

It’s exposition time! Zhou Fei and ChuChu are at a tea house and hear about an army deserter who was trained on the Mountain of the Immortals (has this been mentioned before... IDK), was poisoned and became a monk. A-Fei thinks this story sounds familiar (indeed it does, indeed it does...) and ChuChu remembers having read sth like this in a book (the book of ... Peng Lai? I think?).

Oh look, Huo Fort becomes relevant again! I forgot about them. Anyway, Huo Lintao, who is now the boss and seems to not be well liked basically everywhere, wants to fight Disha and invites people from Jianghu to his Destroy Disha Assembly (God, I just love that name XD). Li Sheng & 48 Strongholds get an invite and he wants to investigate. Huo Fort is also... attacked by random cultivators I guess?

Meanwhile, let’s check in on Yin Pei! He still can’t deal with his internal injury (loss of internal power? still not sure; I’m assuming it’s sth like severe damage to a golden core in xanxia or even complete loss of one) and scours Old Daoist Master Chongxiao’s rooms for the Phoenix Pill, which... I think gives you lots of power but is also really super dangerous?

This show sure has lots of useful but also dangerous power restoring/improving pills and needles, huh?

Anyway, Yin Pei takes the pill. He does not feel so good. Uh oh.

Li Yan and Yang Jin go in search for A-Fei again – uhm, didn’t A-Fei simply go into town with ChuChu? Why are they searching for her again, other that Yang Jin wants to fight her because one obvious defeat isn’t enough? I'm guessing there has been a time skip again...

Meanwhile, at Disha Manor! Shen Tianshu is nursing his wounded ego I guess, while Chu Tianyu, an older member, is now supposed to take care of all this drama, but he doesn’t really want to because he’s retired. How many weird members of Disha are there?

Oh okay, so Yin Pei goes kinda crazy because of the scabbard since it seems to be gone, takes more of the Phoenix Pills, which is a fucking stupid idea, we get some exposition that this might turn him into a demon of some sort, and then he kills Chongxiao for the scabbard because he thinks that the old master wants it for himself.

Which, you know, isn’t true, but that’s what you get for being so secretive, I guess. Chongxiao actually wanted the scabbard so a forger could make lots of copies of it, so that Yin Pei can keep the original one. *sigh* Well, too late now. Yin Pei also meets that evil guy from way back in ep 7 or 8 who’d fought Chongxiao and Li Sheng, who calls himself the Black Judge (I’m too lazy to look up his name and hope he doesn’t really become that relevant).

I’m kinda sad that Yin Pei simply seems to go the “Oops I’m super crazy now“ route instead of having a more interesting redemption arc. I also... don’t really know what he wants to do now? He’s got the scabbard of his father... Are there still people alive he could take revenge on? Disha I guess?

But! The song that plays while Yin Pei confronts Chongxiao is awesome! I'm in love.♥

Back to the main characters, thank you! Xie Yun is really ill and freezing, the poison taking its toll. He’s at the same inn as two new characters (noooo, no more characters, have mercy!) Zhu Chen and Zhu Ying of the small Zhu sect, who are there for that assembly. They eye XY and feel sorry for him. We instantly know that these are Good People.

Aaaaaand introducing another new character, Ying Hecong, Poison Doctor! I know he’s relevant because he’s got a poster!

Of course Zhou Fei just misses Xie Yun in that inn. *sigh* But then she meets Li Yan and Yang Jin there, which is nice.

Yet another new character! He’s Black Tortoise Ding Kui and has henchman that are dressed in a rather peculiar way. Is this now the same as with that Azure Dragon guy, and I don’t really have to remember him? He’s from the 4 Guardians Mountain (speaking of which, where tf is Mu XiaoQiao!?).

Okay okay I see now. Everyone is in LingLing for that meet up with the Huo family! Madame Nichang is there too! Ah my beloved! ♥ She tells Xie Yun to follow his heart, and not be stupid and only think of his end.

Xie Yun is all evasive of course, and then he meets up with Cheng Zichen who of course is also there! Because of this he finds out that Zhou Fei is there, too, which puts him into a conflict. Because his running away was going so well, dammit!

On to Ep 28!

Xie Yun hides out in the carriage with Ling Yu of the Feather Robe Troupe, who slyly comments on him running away from Zhou Fei. He’s sad and says that it’s not A-Fei’s fault and that he’s just an unlucky person who is not good for her. T_T Kill me, why don’t you.

A-Fei has learned a lot and notices XY’s ruse, yay go my heroine!♥

She catches him and they fight, and she asks him about the poison. Zhou Fei obviously suspects ahhhh! (╯°□°）╯︵ ┻━┻ But of course when XY seems happy that she was looking for him, she goes all haughty again and is like, “It’s only because of the HYTS!“ (although no it was mainly because of him and she looks light she might burst into tears any moment now, too...)

They get distracted by the procession of Black Tortoise Master walking by and A-Fei knocks XY out. They’re even now! XD

Nice to see the whole gang together as A-Fei drags the unconscious Xie Yun to an inn! ChuChu my beloved! ♥

OMG Li Sheng and Yang Jin getting into this peacock fight! XD Li Sheng scolds his sister and Yang Jin is super pissed about it. Li Yan is looking sooo smug, like “Yep that's my very own protective himbo!“ XD

Then Li Sheng is sent off to find Madame Nichang because she at least might know what to do about Xie Yun.

Ding Kui arrives at the Hui Fort. If I understood correctly... Hui Lintao wants to... kill all the cultivators when they arrive for his assembly? Or just those other cultivators that are randomly attacking him? There's traps in the forest they have go through. He specifically mentions that the traps are set after Daoist Master Chongxiao’s design, so hm might Li Sheng be of great help here later? Anyway, that old guy from Disha is there and seems to find all of this very funny. I’m confused.

Mu Xiaoqiao my love!!!!!!! He’s back!!!! For about 5 seconds but there he is, looking fabulous! ☆*: .｡. o(≧▽≦)o .｡.:*☆

Ding Kui (who... has left the Huo Fort I guess) wants to work with him and reminds him of his debt to the Huo Fort. I had forgotten about that.

Oh let’s check in for about a minute on Yin Pei, who is still crazy and slaughters some people... uhm somewhere. He also now calls himself the true Master of Clear Light. [at least I think it’s supposed to be his new name?] Nicely written on the door in blood. Okay then.

But the instrumental of his song plays in the background, making all of this much more epic, so it’s fine.

Madame Nichang arrives, is shocked, and states that Xie Yun is poisoned, as A-Fei feared, and he has a year if he doesn’t use his internal force anymore. A-Fei is devastated and we get their love song while she rubs his (supposedly) ice-cold hand. Oh my heart. T_T

Ying Hecong arrives because he wants to see the poisoned guy! XD He has never heard of tact.

Since A-Fei is desperate she lets him in, and we get some exposition in bits and pieces. Ying Hecong first assumes that XY must’ve been poisoned about a month ago (which fits the fight against Disha, where he used the needle), but wonders how that could be because Lian Sheng (the poisoner known for bone piercing blue) has been missing for a while longer. He lets slip that he isn’t actually a doctor, uhm yeah....

Oh not A-Fei is so sad and crying, nooooo T_T She’s angry at XY, asking why he had to meddle in her affairs and then leave to just die somewhere alone. Oh nooooo. ಥ_ಥ ಥ_ಥ ಥ_ಥ

(side note: easy scene for Wang Yibo, just lying there the whole time, no lines for once XD)

A-Fei gets the Tianmen Lock from Madam Nichang (a special lock that has a double lock mechanism that is very difficult to open. Md. Nichang actually alludes to this lock being very useful for lovers and I’m like... okay XD). YunFei are kinky as ever, nothing new here – A-Fei is so pissed at XY that she doesn’t want him to have the chance to run away again. XD

Loved how XY complained about the lock destroying his posture. XD And how Zhou Fei’s like, “It’s not my fault you’re bound like that, Li Sheng is to blame!“ while the flashback tells us, that uhm no, he’s not. XD

Ending with A-Fei telling Yang Jin about the Hai Tian Yi Se. Ah they’re important relics it seems. Well whatever. XY listens in.

I really need to keep on watching, it seems stuff is happening.

#legend of fei #you fei #sabrina watches legend of fei #my posts #my gifs

4 notes · View notes

makeste · 5 years ago

Text

BnHA Chapter 262: A Fierce Bad Rabbit

Previously on BnHA: The hospital raid squad, which had two jobs consisting of (1) not letting Ujiko get away, and (2) not letting any of the Noumu break free to go ravage the countryside, impressively failed at both of these tasks (or so I assume) in a remarkably short amount of time. The EndeavorZawaMicLock squad were all occupied with having a very destructive fight in the hospital lobby, leaving my girl Miruko, Goddess of Courage and First of Her Name, to do pretty much all the heavy lifting, which, fine!! Except that Ujiko remembered that he had a bunch of High End Noumus just floating there waiting to be activated, and he was all “!!” and fucking activated them, and like five of them went after Miruko all at once and smashed her into a bunch of machinery and glass tubes, which frankly should have killed her but it didn’t because she’s a fucking boss. But now it’s just her (and Crust, who might do something too, but for now JURY’S STILL OUT) against all these guys while Ujiko speeds off to grab Tomura and abscond. So basically everything that could go wrong has already gone wrong so UH. OKAY.

Today on BnHA: Miruko kicks ass. Then she checks her watch and sees that there’s still time for her to kick more ass, so she does. Then there is still time, because this chapter is all about her kicking ass! So she kicks even more ass!! It’s great!! I have no complaints!! She decapitates a man with her thighs!! That’s a thing that really happens!! Also she loses an arm but WHO HASN’T LOST AND/OR BROKEN THEIR ARMS IN THIS SERIES, REALLY. Everyone is doing it. Somehow she manages to make it look cool because Miruko. Miruko can strangle a man with a cordless phone. She can kill two stones with one bird. Miruko makes onions cry. Death once had a near-Miruko experience. Mirukoooooooo. Anyway the chapter ends with Skeptic warning everyone at The Ol’ Villain Hotel that the heroes are coming, so basically WELCOME BACK, EVERYONE, this manga is back with a vengeance.

guys I’m gonna try to do this recap fast because I’m seeing Heroes Rising tonight at 7:30! and I’m so excited! and for those that asked, yes I do plan on doing some kind of write-up about it, though it’ll all be from memory after the fact so we’ll see how that goes. but !! I’ve waited 84 years for this ahhhhh but anyway so in the meantime let’s see what new and creative ways our heroes are finding to screw this up even more

(ETA: I did it but this thing isn’t edited for shit lol. after I get back I’ll give it a more thorough readthrough so sorry if I missed any really obvious errors! also there are probably way more exclamation points than usual which may or may not be a plus or minus.)

look at this helpful announcement

High End Noumu approaching, everyone. you have been warned. just in case you somehow failed to notice?? IT’S RIGHT THERE Y’ALL LOOK OUT

lmao FINALLY

MORE HEROES. YOU ALL CERTAINLY TOOK YOUR FUCKING TIME, but hey welcome to the party. and none of that “I don’t see how that’s a party” sassy shit either. you all know what I’m talking about so get out there and have fun

so they’re standing there all “it’s a talking Noumu!” and YEAH. that’s what I’ve been fucking trying to tell you. thank god someone finally fucking said it out loud so that hopefully the EZML squad can finally take notice of this as well. like guys. bigger fish?! get to frying!!

so now Crust is all “there are more of them ahead, Miruko’s in danger!” which, again, thanks for finally letting everyone else in on this formerly exclusive scoop there pal. ‘preciate it

I... really do not understand Crust’s quirk at all. I’m just gonna own up to it

what is this. what does “zuga” mean fx-wise. why did those scale things on his arms get so big. what are they made of. what’s happening

oh it turns out that if you scroll and read more instead of pausing for ages to ask dumb questions, the thing you were asking about might actually be explained in great detail in the very next panel

but what are they made out of though. and why “Crust”?? ah well I suppose that’s a question for someone who actually cares more than I do

by the way the quality of this scan is actually really good so far, I gotta say. we’re only two pages in, true, but they either cleaned this up really nicely, or this was a much higher-quality scan than usual. either way I am appreciative!

lol this poor Noumu is shook

what did I name you two weeks ago, again? Rusty?? anyways he’s doing his best you guys. gambare my dude, though actually you do need to die, so that’s too bad though

Crust is all “you pitiful living corpse!” with tears in his eyes because he’s dramatic! but jokes aside I do appreciate that he has compassion for these monsters who are all still basically innocent victims at the end of the day

does anyone else actually hear that funny-sounding anime narrator guy in your head nowadays when you read panels like this lol

I can hear the voice so clearly and it’s great

only ten times the strength of a normal human, guys. that’s actually not that bad. I’m only half joking lol. because obviously your average hero is going to be much stronger than a so-called “normal” person too, yes? and I’m pretty sure Miruko has the strength of like 30 humans but I may be overestimating her just slightly but am I though

oh lol I apparently did not learn my lesson about doing commentary before I’m done reading hahaha

so High Ends are on a different tier of their own above even the “high” tier. well that’s just. yeah that sounds more like the “we’re still fucked” update that I was expecting

oh wait, seriously??

are you telling me that all of the High Ends were actually cultivated from villains? so maybe not completely innocent, then? is this Horikoshi’s way of trying to make us feel marginally better about the fact that the heroes are shortly henceforth going to have to exterminate these guys with great prejudice? I mean they’re still basically slaves to Ujiko’s programming now though so that sucks

also I missed this earlier but the narration here basically just confirmed that Noumu are all made from corpses. which I kind of suspected, but the still-very-much-alive Tomura would then be a glaring contradiction to that, no? or is that why he’s so special. anyway I do appreciate that we’re getting a lot of much-awaited answers in this Noumu arc, but some of this is also just raising more questions. gotta be patient I guess

speaking of Tomura, Ujiko’s back in the Tomura room, so. I assume some absconding is soon to occur

oh shit!! so there’s another panel explaining that “artificial transplant of quirks” requires surgery and then three months of stabilization time following that. sooooo I’m pretty sure this mofo just confirmed that he gave Tomura some shiny additional new quirks, so that’s nice! that’s real fucking great! I know we were all eyeing Tomura skeptically and thinking to ourselves “this is almost just right, but needs more death”

wait, what?

“I was already dead anyway” meaning that he knows there’s no way out for him? and so he doesn’t have a secret way out of the lab?? ??? can that really be true?? our intrepid heroes actually did their job right and the villains had no contingency plan?? oh my god I am so terrified of letting my guard down lmao I still refuse to believe this at all

and is that Tomura who’s at 70% stabilization? that would seem to fit with the timeline we were given. holy shit is he unboxing him early fsdfkjalsdk are we about to go from “fucked” to “exorbitantly fucked”

and why am I strangely excited about it sob!!

HAHAHAHA OH GOD

so this is how liberty dies. with a beep

also fuck you all, now it’s at 71%?! couldn’t leave it at a nice even number for us, could you? you just had to throw that extra percent in there at the last moment to fuck with us all

anyway did you all catch how fucking ripped he was there though? like boiiii whaaaaat. clearly his abs are already at 100%

OH MY GOD

DOES NOTHING FUCKING FAZE THIS BEAUTIFUL, RULE-BREAKING MOTH

HAHAHA

RIGHT??

HOLY FUCKING MOLY

friendly reminder that Dabi was all good and ready to throw down with both Endeavor and Hawks (who were admittedly weakened by that point) that one time a while back, but then Miruko showed up and he was all “lol nope I think the fuck not” and warped out of there. Dabi, whose quirk is so powerful that its only apparent downside is the fact that it roasts him alive as well. that Dabi took one look at Miruko and decided he likes having his spine intact and fucking vamoosed, because that is the smart fucking thing to do when this girl shows up smiling at you the way that she is smiling at these Noumu now

anyway. fucking Ujiko knew he needed at least five High Ends to even stand a chance of slowing her down, is all I’m saying. y’all better respect the FUCK out of Miruko, everyone. it’s the law

anyway. so. quirk: bunny. can smash rl gud

someone needs to ask Horikoshi the fuck kind of rabbits he has been hanging out with. applied that “and more!” part pretty fucking liberally huh. WHO DID YOU SAY TRIX WERE FOR AGAIN, CHILDREN??

NOBODY THROWS MIRUKO IN THE BRIAR PATCH AND GETS AWAY WITH IT

fffwhatttttttttt

that would be our good buddy Max Rebo. so that’s definitely not an elephant trunk-like thing then. we may need a new name for you

on a side note, I never thought we’d meet another character who looks more like Katsuki than Mitsuki does, and yet every damn week Miruko is proving me wrong. goddamn she is great

lmao wait maybe that wasn’t Max at all, but Jester. because this is clearly Max over here

so Girl!Noumu is a water bender, Jester can do... something weird with his hair, and Max can do anything an elephant can do if that elephant was also powered by steam. nice

HAHAHA BUT MIRUKO IS ALL “KICK!!!”

HOLY FUCK HOLY FUCK!!!

HOLY SHIT HOLY SHIT. I WOULD READ AN ENTIRE MANGA OF JUST THIS LMAO THIS IS TOO MUCH ADRENALINE I CAN’T

JESTER’S WEIRD SPIKY ROCK HAIR IS SLICING HER ARM AND SHE’S ALL “THAT HURTS YOU JERK!!!!” AND GETTING READY TO FREAKING PILEDRIVE HIM I CAN’T, THOUGH!?

SDKFJLDKSJFLKJ

HER FATHER PEPPY TAUGHT HER THAT. BARREL ROLL ALL OVER THESE BITCHES!!

WHAT THE FUCK

FUCKING QUIRKS!!!! THOUGH!!!! WILLLLLLLLLD

SDKFJLAS;DHK OH MY GOD OH SHIT

real talk this is the scariest fucking quirk I’ve ever seen I was like what the fuck looking at her arm and then I saw him doing the twisty hand gesture and just. fuck. YOU’RE NOT CRIMSON RIOT AT ALL YOU’RE SOME PSYCHO TELEKINETIC BITCH AND I FUCKING HATE YOU!!

NO!!!!!

fuck fuck fuck. I’M SURE HER ARM’S GOING TO BE JUST FINE AND DANDY AFTER THIS GUYS, DON’T WORRY. THIS MANGA HAS SUCH A SERENE AND TRANQUIL HISTORY WITH ARMS. ISN’T THAT RIGHT DEKU

though on the plus side, if she does lose that arm we can count on her to somehow instantly become like 50x more attractive, which I’m pretty sure might cause the very fabric of the universe to unravel but it would be worth it

(ETA: SHE DID AND IT WAS!!)

MADAME PRESIDENT!! MY QUEEN

OH HELL YERRRRRR

fucking hell guys I’m running out of exclamation points and excited things to say here. AND SHE JUST KEEPS GOING! LIKE HER MOM THE ENERGIZER BUNNY BEFORE HER

I’M SORRY UJIKO DID YOU THINK FIVE HIGH ENDS WAS ENOUGH?! MAYBE NEXT TIME WE MAKE IT TEN, HOW ABOUT THAT. FUCK OFF

lmao holy shit I can’t stop laughingggg

well Crimson, at least you get to die happy. is she literally going to crush his face between her thighs. is this entire chapter just one big prank on me. if Miruko was the protagonist would this series have ended in the first chapter. trick question, the answer is it never would have started to begin with because she would have killed All for One years ago!! how much would it cost to hire Miruko to come kick away all of my problems for me

hello good afternoon everyone this is a real panel that really happened in this manga

I don’t even know what to say about anything anymore

sob she’s all “YEAH RIGHT” and SNAPPING HIS FUCKING NECK WITH A FUCKING TRIANGLE CHOKE, THIS IS REALLY HAPPENING, FUCKING LOOK!! AT!! THIS!!!

we’re not even gonna make it to 300 chapters. Horikoshi held off for as long as he could, but eventually Miruko couldn’t be contained any longer and he had to unleash her and she instantly went and reckt every last fucking bad guy out there until there was nothing left. who are the kids even going to fight. nobody that’s who. go back to school kids

SON OF A BITCH WHAT IS HAPPENING

THIS IS THE MOST VIOLENT THING I HAVE EVER FUCKING SEEN AND YET SOMEHOW I SWEAR I CAN HEAR ANGELS SINGING. RESPLENDENT

SOBBING!!!!

“S’POSE I SHOULD GET THIS ANNOYING THING CHECKED OUT BEFORE I BLEED TO DEATH OR SOME BULLSHIT.” WHAT AN INCONVENIENCE. JUST A FUCKING FLESH WOUND. NOBODY USES ARMS THESE DAYS ANYWAY

“IF THE ONLY WAY TO STOP YOU IS BY CRUSHING YOUR HEADS THIS WILL BE WAY EASIER THAN HOLDING BACK ON A NORMAL VILLAIN.” SOB THIS IS MIRUKO’S WORLD AND WE’RE ALL JUST BEGRUDGINGLY ALLOWED TO EXIST IN IT. MY BARONESS

DID YOU JUST TOURNIQUET YOUR DISMEMBERED FUCKING LIMB WITH YOUR OWN FUCKING HAIR ONE-HANDED FFCKCK KCKCLK JUST MIRUKO THINGS

Miruko also saw Horikoshi getting ready to end the chapter after 17 pages and was like “EXCUSE YOU THERE” and he backed off because he actually likes having a fucking head thank you very much

LMAO AND NOW OF ALL TIMES WE’RE CUTTING BACK TO THE OL’ VILLAIN RESORT. SIGH

Skeptic seems to have finally cottoned on to them being in some kind of trouble. huh

how does he know it was Jin who screwed up?? did he realize that Hawks betrayed them oh shit!?!

OOP HE’S SOUNDING THE ALARM

AND THE CHAPTER IS ENDING. BUT I’M NOT DONE SCREAMING. AHHHHHH well anyways I’m off to watch my children kick lots of ass on the big screen. assuming I can get this posted in time with zero editing whatsoever lol I’ve got like... an hour. WE SHALL SEE!

(ETA: we did it lol just barely! this whole thing is probably a giant mess but oh well! Mirukoooooo)

#bnha 262 #miruko #mirko #ujiko daruma #I already forgot his new official name ah well #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste spoiler recap #makeste reads bnha #no time for tags!!#movie!!!!

220 notes · View notes