#security analysis

[well-educatedmillennial]

Timeless Investing Wisdom: Lessons Learned from "Security Analysis" by Benjamin Graham and David Dodd

Unlock value investing wisdom from "Security Analysis"! Learn to research, avoid speculation, & master investor psychology. Use these timeless principles to invest better. Read now & share your thoughts! #ValueInvesting #InvestingWisdom #SecurityAnalysis

Few investing books have stood the test of time as well as “Security Analysis” by Benjamin Graham and David Dodd. First published in 1934, this authoritative work has served as the foundation for the value investing philosophy, influencing countless investors and shaping how we approach the financial markets. Benjamin Graham, often referred to as the “father of value investing,” was a renowned…

[philearning]

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[sinaga17]

Cara Install Wazuh - Aplikasi Open Source Security Analysis

Wazuh adalah salah satu aplikasi SIEM (Security Information and Event Management), SIEM merupakan suatu sistem yang digunakan untuk memonitor lalu lintas data pada jaringan dan memberikan analisa secara real-time dari log yang dihasilkan oleh perangkat keamanan ataupun aplikasi. SIEM juga mempunya sistem manajemen log yang mampu mengumpulkan log dari berbagai aplikasi dan perangkat keamanan…

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.

[daisy-mooon]

Behind the jokes and badassness, Captain Marvel is a fascinating character to me, because of how death follows her.

She causes an explosion. That explosion, which gives her powers and her immortality, canonically kills her. The Kree Empire resurrects her and makes her as Kree as they can. She shares Yon-Rogg's blood and his life, she's his creation, she's his victim, she's the one who causes his downfall, she's the one that destroys the system, the society, the planet that allowed her to be abused.

It's the Kree that see her as a killer and Annihilator. She's a monster of their own making, but it influences every species and planet she touches. Her victories cause death and her mistakes cause more death. Carol's triumph, the death of the Supreme Intelligence, results in the death of probably millions of Kree, and by consequence, almost causes the death of Hala's star.

"I'm only human" Carol says, before killing the Empire that is the reason that she can't ever be human again.

"We'll be back for the weapon," Ronan says, but that weapon will kill everything he stands for.

"Your life began the day it nearly ended," The Supreme Intelligence says, coldly, calculatingly. It's an AI. It doesn't have a good concept of death. It doesn't fully grasp that Carol had genuinely been killed that day, because she's still in front of it. Carol kills it.

"Death seems to follow you," Dar-Benn says, before she causes an explosion with the bangles, trying to defeat Carol. The explosion kills Dar-Benn.

Death follows Carol. Death follows Carol! Mar-Vell is dead. Maria is dead. Talos is dead. Soren is dead. Ronan is dead. Minn-Erva is dead. Korath is dead. Dar-Benn is dead. Yon-Rogg is, probably, dead. The Supreme Intelligence is dead. Natasha is dead. Tony is dead.

The only people in Carol's life who aren't dead are Kamala, Monica, Yan, Valkyrie, and Fury.

She watches helplessly as Dar-Benn almost murders Kamala after Kamala tries to save Dar-Benn's life, tries to find a way to solve the violence without death.

She watches helplessly as Monica gets torn into another reality, which for all she knows, she could die in. The tear in reality that was caused by Dar-Benn's death.

She tries to hide Yan's existence from her friends and tries to warn him and his people. The Kree soldiers aren't fighting to maim, they're fighting to kill. He escapes death by his own fighting skills and the fact that the Kree would rather focus on killing Carol than him.

Valkyrie and Carol interact once, and she only calls when she needs help after a fight, not during. Think about it. Valkyrie and the Bifrost could have helped the trio enormously. But Carol doesn't call until the fights are over. It would be very easy for a regular Asgardian warrior to die compared to superhumans.

And Fury... have you seen how often Fury comes close to dying? He's alive from skill and luck. He is lucky that he isn't dead.

Captain Marvel is so, so fascinating. Her story begins with her own death, and the more it goes on, the more death happens around her. Nobody is safe. She causes almost all of them, even the ones of her friends - not directly, but through the consequences of her actions. The consequences of her victories and mistakes. The consequences of her anger and revenge, her power and powerlessness. It is caused by both the Human and Kree sides of her, by both Carol and Vers, Captain Marvel and the Annihilator.

Carol is immortal. She can't die. And death follows her anyway.

[tacxx]

Demon paralysis

(Context: I see demons or paralysis and since I'm mostly influenced by sun and moon lately. I see them like this-

They don't look like this and honestly they look blurry)

[redtoondevils]

Here it is. My evaluation, of Sun that I am defending from FNAF Security Breach, and the other games he appeared in.

I feel like these points are being overlooked. What I think about how there's characters, along with different forms.

Are so easily perceived as, in one thing or another. I also defend Eclipse too, it's just because they hold both of the personalities into them. I think, it would not make sense for Eclipse to turn against Cassie, after being thankful.

Eclipse has a soft side for kids, and is honestly looking forward into meeting them. Even though sadly, they don't know in an unclear way.

However, he isn't the animatronic to harm kids. He'd never EVER hurt Cassie! That is not his goal. I do think, they'd want to find answers, in their story line. For now, that can wait.

-------------------------------------------------------

I have my key points, as to appose to why I don't view him, as a 'Villain.' the same can apply to Eclipse. Despite being a flaw character.

So, it is already known, that for all 3 forms. The first 2 of the ones sharing this, are very complex characters.

Their history is complicated, along with that with their attributes. With what they decide to do. That impacts, them and can often at times be very challenging for them. When they try to survive.

Even more for what they are seen, they do have some sympathic moments seen, that are part of their development.

It is confirmed, that their personalities more connected other than sharing one body.

One personality can seemingly communicate with the other. They can share their thoughts, feelings, and pain.

That is a very deep character concept, and it has been at times been emotional.

------------------------------------------------------

Sun, in my opinion, is the one who is protecting the other personalities. From harm, and exposure from anything.

This is shown a few times. With that in return, he finds stressful.

Because of that, there is a lot, an awful lot with what he has to endure at times. It came to that point, where he had to 'sacrifice' himself.

When, he wanted to become Eclipse he did that in order to fix Moon, and save him from destruction.

There are other times, where his actions were selfless, and having kindness to protect the main character from harms way.

He doesn't do that, a lot. Whenever he does, that makes me hopeful, in future games that he can be trusted. And he can be your friend.

------------------------------------------------------

In the main game, he kind of appears as a 'Mild antagonist' towards Gregory.

He could not keep the kid in the spot he placed him in, when he didn't listen to him, he felt disrespected. And kicked him out.

His priorities, are very strict. Another reason, for what is speculated, is that the hour was nearly up.

He has the tendency of not allowing the main player to return, or go through to the next location. That is no answer as of yet, why he does this.

I think my theory, is that he keeps you from going there, because there is a ride over at the kids cove, that is broken. And he felt like he had to take those matters, by his own hands.

------------------------------------

There is a section, in the news papers, that has history behind the animatronics. And say's that the daycare attendant has been scaring kids.

The news reports, do not fully reveal the full truth to the stories.

It say's what happened, yet it is still unclear with what really happened. I'm going to say my version of this.

And start off by saying, because there is a lot of people that uses this to materialize the animatronics.

When Monty was reported to have used a bowling bowl to smash Bonnie in his skull, and shutting him down. Assuming that he did that because, he was jealous? It sounds way too extreme.

Monty, in game, appeared as a rogue crocodile that has an explosive temper. Yet, then on the walls, his cartoon self looks much more calmer. And a friendly guy.

Then the attendants report, it say's that a young child was crying, because he was traumatized by both of the forms.

And was given overwhelming anxiety that gave him night terrors.

In my personal take, is that Sun has a harsh interior, I don't want to believe that he deliberately tormented the kid.

I think, that when Sun first appeared towards Gregory, that he would step into his space, and circle around him, to get his attention.

For a young kid, some of them may even find his behaviors intimidating, and intense.

It could be at some point, that he gotten a bit too rough with him.

That seems like from the kids perspective, that he found Sun too energetic. I think he isn't a cruel animatronic. He is harsh, I don't think he's cruel.

However, when he turned into Moon. It is apparent that, he found him too scary.

Then after that incident, and when the attendant heard the reports, is when he felt guilty for doing that.

--------------------------------------

In Ruin, and with a small sequence in HW2. Ruin Sun, meets Cassie once again, and greets her with "New Friend!"

That line makes me believe that he knows Cassie. Because, he said that in a chirpy welcoming, yet relieved greeting. Towards kids.

When that part in the Jumpscare, where Moon attacks her there is a brief moment, where Sun actually did try to refrain himself from attacking her, but sadly couldn't.

The animation where he was afraid, and hiding under the desk having a panic attack being exposed to trauma. DID is associated with experience to trauma, since they were in such physical pain.

He purposely pulls himself away from inflicting harm, or other abuse onto an employee.

That is very considerate, and kindly of him to do that. That is why, I don't think he should be considered as a villain.

Because of how complex he is, his characteristics goes around in many grey coatings that doesn't go too dark.

[confusedraven1]

i absolutely love that jim is the one to keep the heart of stede’s crew alive while ed did everything he could to destroy it.

one of the first comments ed makes to stede’s crew in season 1 is “everyone’s covered in rope!” so what does jim do? literally covers themself in rope, to remind ed that, as long as they’re alive, that hope and love isn’t going anywhere.

not only that, but, in the bible, rope is a symbolism for trust and security. jim became a secure place for the crew to tie themselves to while just trying to stay alive.

of course, i then had to look into why they have a fishing net around their shoulders as well, and found The Fishing Net Parable from the Book of Matthew (13:47-52):

"Once again, the kingdom of heaven is like a net that was let down into the lake and caught all kinds of fish. When it was full, the fishermen pulled it up on the shore. Then they sat down and collected the good fish in baskets, but threw the bad away.”

“This is how it will be at the end of the age. The angels will come and separate the wicked from the righteous and throw them into the fiery furnace, where there will be weeping and gnashing of teeth.”

jim amputates izzy’s leg, despite having never done it before. they quite literally separate him from the rotten bits to save his life.

jim says, “he was your friend.” they separate ed from who he was before from who he’s allowed himself to become, not to punish him, but to remind him of the consequences of his actions.

jim tells izzy point blank, “you’re in an unhealthy relationship with blackbeard.” they aren’t trying to break them up; they’re just bringing to light whats true so things can (hopefully) get better.

jim shows archie that, just because pirating is normally done a certain way, doesn’t mean it has to—they separate archie from the toxic belief that “that’s just how things are, it’s just life,” and “why save him if he’s a dick?”

jim tries to separate the idea from the crew that ed is fine, because they immediately recognize that things are about to get much worse: “so, do we think he’s better?” “FUCK no!”

jim immediately says, “wasn’t the wedding thing a bit over the line?” they know they’re all pirates and have questionable morals anyway, but knows it was fucked up of them to massacre a wedding, an event that’s supposed to be joyful and full of life and beginnings, not death and destruction. they’re, again, dividing up the way things are vs. how they could (and should) be.

ed tries to pin them all dying on jim cause they wouldn’t kill archie, but they bite back with, “you would’ve done it anyway!” they know exactly where the lies are, and separates them from the truth, and ed can’t deny it.

jim separates themself (and olu) from the bounds of monogamy through their honesty. olu is still their best friend and lover and family even though they found and did things with someone else.

jim holds out their hand for olu to take when they’re escaping the red flag. olu’s interest in zheng yi sao isn’t bad and jim’s not trying to separate them, but is trying to keep together the things that are good: their family.

(later addition, edit) jim is also the one that “kills” ed. they’re the one to make that final choice, to say, “it’s you or us.” jim’s actions and choices entire first two episodes led them to that moment, like it was the “final judgment” of blackbeard.

jim is the rope and net of the crew. they’re trust and security and honesty, everything that stede was trying to get the crew to understand from day 1, everything stede is always trying to embody (and i dare say is starting to succeed at).

[venbetta]

Okay so everytime I play security breach, I always have to trigger some bits of Freddy's dialogue cuz I just love how he says things.

Example of this is in the beginning, it's very mundane, but when he's carrying Gregory in his hatch and you try to enter any of the other doors backstage and he says

I would love to do a tour, but this door is locked.

It's just cute because he's just.. "Aww, this kid is really curious about exploring. It's too bad we're on scrapped for time. Also, those areas are inaccessible." That's how I interpreted it.

Most of these are based on how I personally interpret, just letting you know before I go too deep with rambling. If you have any different interpretations, drop them, I'd love to see it.

Anyways, one of the dialogue bits that make me giggle every time I hear it is during the Prize Counter mission. Gregory accidentally sets off the alarm and is panicked by it. Of course, we enter the mini game, trying to keep Monty and Roxy out for 3 minutes.

Honestly, despite playing the game so many times, it's one of the few missions I kinda dread. It's just nerve-wracking less than scary. Especially if it's later in the run with one or both of the bots shattered and you can't save right away.

But what tops it is after you survive the 3 minutes, probably having few near death close calls and stressing (Gregory definitely was), Freddy simply says:

All done! See, that was not so bad!

And it's like... Freddy? What do you mean?? I almost fucking died. You weren't even there! He sounds so cheery about it.

You spent nearly 4 minutes fighting for your life, and you're met with Freddy's lackadaisical attitude. It kills me. Freddy, when I catch you-

Don't get me wrong, what Freddy did was helpful, even if he just turned off the alarm. And he's been helpful for most of the game... (for the most part, maybe conceptually)

And I feel that he only says that as a way to soften the blow of the situation, like he usually does when something goes wrong. Always trying to find the bright side.. like a true optimist. It's like when a kid is about to do something scary and the adult can't do much, letting the kid be independent, and simply watch (and step in if they have to).

Once the scary situation ends in either the kid succeeding or maybe injuring themselves, the adult then steps in either praising or comforting them. "See, it wasn't that bad. You did it!" Or "Oh, I'm sorry, you did your best. There's always next time/maybe I can help you."

While it's annoying that Freddy responds in a causal way (again, it makes me chuckle), it adds something to him that gives him that paternal role Gregory (or the player) needs. He deals with kids all the time, and I'm sure he probably tries his best to be hands-on. Praising them when they do something, whether its minimal, like retrieving an item, or huge like winning a game and whatnot.

There's countless times Freddy graces Gregory with praise, no matter how treacherous or simple the task is. And that's adorable.

Of course, I'm still beating his ass though (affeftionate), cuz what do you mean you can't come save me 85% of the time? What else are you doing when you're not around me?

I love this dumb bear, but so help me-

[greenqueenhightower]

hi again! and i’m sorry if i sounded rude i didn’t mean to!

yes i was talking about ep 9!

but if you say that it isn’t manipulation why then rhaenyra and criston’s relationship is considered that? especially when they have sex? is a bit hypocritical no? because if it is then alicent has MUCH more power play in their situation:

1. he is her employee

2. she is THE QUEEN

so it still counts as manipulation simply because she knows what to do with her power in this scenario and she KNOWS he would do anything because he is dutiful but at the same time he will be the first to not listen to her as many times is shown (when he kills the guy in the council out of the blue or when she ASKS for him to take lucerys eye which she never asked for violence but when she does he doesn’t do it).

but is just my opinion saying this from a female standpoint and seeing alicent more of a player in this situation because you say he is her only ally, but is the ally she can play and say what he needs to do. In a way otto and larys are a mean to an end, because what they show is rooted in violence and greed and we can’t forget that still is a misogynist world (her father is still a high born and well her father, larys is a high born and a type of “gossip girl” (didn’t find a better word for this sorry English is not my first language)).

Criston is a low born and a guard: manipulation is still a thing that happened here.

Hey again anon 💚

Dw, I didn’t find it rude, I was just confused a bit. Thanks for elaborating.

I think that the difference between Alicent and Criston’s relationship and Rhaenyra and Criston’s relationship is that they are based on totally different values. Rhaenyra x Criston are bound together by desire and momentary passion but lack devotion, duty, and sacrifice. Alicent x Criston don’t exercise upon desire and passion but have honor, duty, loyalty, devotion, etc. This means that both parties (Alicent & Criston) feel more self-realized and valued within the auspices of their relationship because it gives them exactly what they ask for.

To Criston, it gives him a purpose, namely his role as a sworn protector. Remember what he said to Rhaenyra? His relationship with her deprived him of his own feelings of self-worth: “I took an oath”/“I stained my white cloak”/“It’s all I have to my name.” To Alicent, that relationship gives stability and security unlike any other relationship she has with a male in power. She knows that Criston will not ask anything of her beyond what they have agreed upon. He won't betray her, neither will he use or manipulate her. And Criston feels the exact same trust towards Alicent because he feels that he will not be used again as he has been used by Rhaenyra. Therefore, their relationship dignifies both of them.

Going back to your comment about manipulation, the fact that Criston is free to affirm or deny what Alicent commands once again shows that his role as her sworn protector dignifies rather than restrains him. He knows who he is and where his duties lie, and he knows that he can refuse Alicent’s command to take Luke’s eye, exactly because his worth is not measured by how much and how well his actions will please her, which would be the case if he was constantly manipulated into doing something either out of fear, either out of personal gain, either out of loss of self-respect. As you very well point out, Criston can refuse Alicent because he knows very well that he can. That his life doesn't depend on whether he complies to her wishes or not. Because he knows that if he doesn't want to do something, she will not enforce it nor will she degrade him because of his choice. That's why Criston can have that much self-confidence in his position as Alicent’s sworn protector and member of the King’s Guard. At the same time, he further displays how he can act of his own free will, no matter how horrible it is (and don't get me wrong-Lord Beesbury’s killing was horrible!). But in the context of whether he is being manipulated or not, it once again shows that nope, Criston “is a man in his own right” to use the words of Emma D’Arcy, and he can make his own decisions. (Further commentary on his unlawful killings fuelled by bloodlust that explain his character you can find here.)

In my opinion, Criston can be himself in his service to Alicent just as much as Alicent can be herself and can trust him with everything (one of many examples is when she talks to him about Viserys’ prejudice towards Rhaenyra’s sons even though it is forbidden to do so because she trusts that he will keep her confidence). In short, Alicent and Criston’s relationship is built upon mutual trust and respect, and it doesn't quiver when Criston fails to meet Alicent’s demands. If Alicent really did manipulate Criston and the incident at Driftmark was the only time he failed to comply, then wouldn't she have been extremely angry? Wouldn't she have felt betrayed? But she didn't feel that, because she too KNEW that what she had asked him was way out of line, way beyond his agreed-upon duties and therefore violated their agreement.

And you can compare their relationship with a very clear cut example of manipulation as we see it in the show: think about how Criston behaves with Alicent versus how Alicent behaves with Larys. Is Criston petrified of her? Does he feel that his life might depend upon keeping her happy and satisfied? Does he think that she might twist his words and actions to harm him if she doesn't get what she wants? No.

[inafieldofdaisies]

Hi daisies 🧹🫶🏻😂 can you lore drop me some Sébastien facts that you can share so far? 👀

Sébastien has, in Calahan's words, a name so long that it doesn't fit on a standard name tag: Sébastien Theodore Phoenix Sawyer Thatcher Landon Nicholas Gallagher-Kerring

He has quite the tumultuous relationship with his father where he's constantly torn between pleasing him and completely defying him any chance he gets

His mother is a well-known French artist who married Frank-Gerald out of love but soon discovered the man only wanted a heir and had utmost trouble staying faithful and keeping up the promises of a 'dream life' he wooed her with

His father would do anything to keep up apperances hence why any transgressions and attempts at rebellion Séb makes are quickly buried in the press. Same goes for his inevitable divorce to Gisèle that resulted in an airtight NDA, hefty settlement to 'keep her happy' (his words) and strict conditions for seeing their only son. Thanks to his team of lawyers, to the outside world their failed marriage remained picture perfect.

Séb is set to inherit his father's empire when he turns 25, over which he harbors an array of conflicting emotions: if he should leave it all behind and essentially tell 'old Gerry' to fuck off or would it mean his father would win and everything he (and his mère) went through would have been for nothing.

His most recent act of rebellion is the reason Sébastien ends up stuck in Hope County in his own version of 'Princess Heir Protection Program' with a cult twist. You can guess who becomes the Carter Mason to his Princess Rosalinda

Frank-Gerald is a big-game hunter and considered their yearly (and nonnegotiable) father-son hunting trips as perfect bonding time. Séb blames turning vegetarian on him.

Sébastien is a collector at heart, especially when it comes to first editions of items. His fashion sense is even stronger, so you can imagine how hard he takes being stranded with just the clothes on his back (outfit includes a ruined yellow Skydiving suit he cannot live down and is the source of many jokes and nicknames Calahan has for him) and the closest closet full of brands being John's.

I don't talk too much about Séb but he's on my mind all the same so consider this a Wip Whenever tag, it's been a while <3

@socially-awkward-skeleton @strafethesesinners @strangefable @hollywood-is-bleeding @cassietrn

@lilywatt @shellibisshe @aceghosts @wrathfulrook @josephslittledeputy

@josephseedismyfather @trench-rot @dumbassdep @killyourrdarlingss @katsigian

@voidika @g0dspeeed @purplehairsecretlair @imogenkol @simonxriley

@derelictheretic @cloudofbutterflies92 @carlosoliveiraa @neonshrike @elligatorrex

@mkdecimation @theelderhazelnut @finding-comfort-in-rain

@direwombat @la-grosse-patate and anyone with something to share this week <3

[s0fter-sin]

watching the valeria interrogation again and when alejandro says, “you disgrace the army”, rudy steps forward but when alejandro looks over his shoulder at him and says, “and your brothers, no?” he steps back again, almost like he’s trying to pull himself out of the conversation

alejandro leans in close to her and rudy reacts like he wants to pull him away, to protect him from her and from her words, but when he brings up that valeria hurt him too, betrayed him too, rudy retreats like he doesn't want to be reminded of it

it's alejandro who keeps valeria talking about the past, who prompts her to say more when simply saying she's ex-military would've been enough. they bait each other, valeria far more successfully than alejandro; she’s essentially running the interrogation

this speaks volumes of rudy’s interjection of, “he (the son of la areña) was supposed to go to prison”. he’s getting short; cutting off valeria and her excuses, not to redirect them back to the point of the interrogation but bc he’s done with her. rudy’s terser with her, more obviously angry, than he is with an actual terrorist

alejandro can't get past their history; let's himself get pulled off track and compromised but not be he's more upset than rudy. rudy has just repressed the hell out of it; if he doesn't think about it then it didn't happen

but now, he's suddenly being confronted with it head on

"you disgrace the army," is generalised; valeria didn't just hurt rudy, she hurt all of them. it's easier to take

"and your brothers," calls rudy out directly for his pain; pain alejandro wants retribution for and he doesn't want to face it, doesn't want to admit to it bc he doesn’t want to have to feel it

[roxtron]

Anyone ever think about the idea that the mimic is mimicking what it did to gregory before being trapped?

probably, I'm sure I'm not the only person to think about this. but am I going to talk about it anyway? absolutely. Okay so basically.. a couple of the mimic's voicelines are copy-pasted from Security Breach, right? While this is the first time we've seen the mimic copy anyone before, I believe most of his voicelines do come from somewhere. Sorry, that sounds vague. What I mean by that is I don't believe everything the mimic says is 100% a lie it created. For example a lot of people joke about the mimic being more whiny when pretending to be Gregory. Joking about how it's the biggest red flag because Gregory was never really that scared in Security Breach. But did it really just come up with that on its own? What if it's mimicking Gregory in the state he was in when he left? What if Gregory was that scared when dealing with the mimic? And it's not just that, I think some voicelines actually give a bit of hint to this too.

"Help! Something grabbed me! It won't let me go!" I feel like this line and others like it may actually describe what the mimic did. The way Gregory refers to the mimic as "that thing," and the only other 'thing' it could be pretending to be afraid of is the blob, which already tunneled out by the time Cassie gets here. And while the mimic isn't the best at keeping its story straight.. (Claiming to be running/hiding from Roxy while it's trapped under the sinkhole, though I believe that could be him trying to cover up the real Gregory attempting to speak to her, regaining control of the situation. After all if that voice line was the mimic why would Roxy run in the opposite direction of the walkie talkie to go chase him?) I feel like if the mimic was pretending it was the blob that grabbed him, he wouldn't also admit that it tunneled out later on. (I'll get to that don't worry.) Sure, this is a fabricated lie to lure Cassie, but my point is, what story is the mimic trying to create here? What is the mimic trying to claim happened to it/Gregory? I was going to bring these screenshots up later, but..

(Original screenshot + edited version to see the handprint better.) The handprint on the vent outside where the mimic is trapped, with Gregory's backpack underneath it, if you haven't seen theories about it already it seems to clearly imply Gregory lured the mimic in through the vent, that's his handprint. Why I'm bringing this up here though, that handprint looks bloody, doesn't it? Maybe it's just me, maybe it's just the lighting, but I feel like that looks more like a bloody/liquid stain smear than a smear of dust or something. So what if what happened was what the mimic described? It grabbed Gregory, and didn't let him go, causing his arms to get stabbed through and bleed after he escaped through the vent. (If you can't picture what I'm saying or just want a cool visual of this happening, go see this post it's cool and basically shows what I'm talking about, I only thought of this detail because of their post, also the art is cool.)

Anyway, moving on..

"That thing is here again. I gotta hide. Save me."

What if getting the mimic to that specific room wasn't all of the luring Gregory had to do? What if he periodically had to deal with being chased/hunted by the mimic while trying to get it to follow him to that area of the pizzaplex? (This is probably the most speculation, there's not a lot you can get from this line, but it's still a cool idea I think.) OR, an alternate take.. The mimic is being interrupted by the real Gregory's attempts to reach Cassie, and the mimic is using this opportunity as an excuse while it attempts to block his signal. (I've theorized about the differences between each speaking a bit before, but basically, I find it notable that the only times the real Gregory seems to get through to Cassie is when the mimic is busy/distracted/unavailable. So the mimic likely has to make an active effort to block his attempts, hence why he ends up using other signals to try to reach her, like the hacked staff bot. Again this is heavy speculation, but I find it interesting if he's basically telling the story in real-time and sort of swapping him and Gregory.)

Overall there's not a lot you can gather out of this line that I haven't already mentioned in the previous one, so let's move on.

"Something tunneled out.. broke everything. Now I'm stuck here!"

Before I go over this, take it with a grain of salt. Yes I think this is him referring to the blob tunneling out, causing the 'earthquake' that broke the pizzaplex to the state it's in when Cassie arrives. Considering the tunnel in the sinkhole and seeing the blob in a tunnel early in the game, this adds up. However.. I think there might be a double meaning here. It's a bit of a reach, but what if it's also referring to Gregory a bit here? "Something tunneled out," it's implied Gregory used the vent (sort of a tunnel) to escape the room the mimic is trapped in. "Broke everything," ruined the mimic's plans. "Now I'm stuck here," well, that's self explanitory. Gregory used the vent to escape, ruined the mimic's plans, and trapped it there. I also find it interesting this seems to be the final time the mimic mentions something else down there with it. (Even during its final pleas in Roxy Raceway, it only says "Save me, it's so dark down here." Nothing about that "thing" putting him in danger.) Do I think this line is specifically the mimic talking about Gregory? No, I think its main purpose is to explain where the blob went. But I do think it's possible there's a double meaning to it, intentional or not..

Like I said that's the last line of dialogue where the mimic mentions something else down there with it, so there's not a lot more to talk about. My biggest points and evidence were in the beginning tbh, it probably would've been best to cover it at the end of this post but I wanted to go over the voice lines in chronological order to when they appear in-game. I know some of the stuff I said is reaching a bit, I'm not 100% confident that'd be the correct interpretation.. but it's something to think about, that's my point. Whether I'm right or wrong I think the theory is worth considering. If you read this far, that's cool, I hope this was entertaining or had some kind of value to you. I like writing analysis stuff like this so it's always nice when other people enjoy it too. :)

[bluerasbunny]

-cracks knuckles- ALRIGHT. TIME TO HYPER-ANALYZE THE RUIN DCA IN THE NEW POSTER AND GARNER INFORMATION THAT IS COMPLETELY FALSE PROBABLY

so. many things of note here.

THE DESIGN CHANGED. CRACK DOWN BELOW THE EYE THAT WAS NOT THERE BEFORE, MOON'S COLORATION ON FACE RATHER THAN SUNS (ALTHOUGH THIS MAY JUST BE LIGHTING?)

YOU CANNOT SEE MOON'S SIDE OF THE FACE. ONLY MOON'S EYE IS LIT. THIS IMPLIES MOON HAS A HIGHER DEGREE OF CONTROL THAN SUN DOES- IN FACT, A LOT OF THIS IMPLIES MOON HAS MORE CONTROL THAN SUN??

the hands i could go on for years about the hands the way they're posed his fingers are tucked he's in such a non-aggressive stance please let him be friend shaped please steel wool come o

THEIR LEGS ARE BENT A LIL, LIKE HE'S TRYING TO BALANCE DESPITE THE LACK OF A FOOT ON ONE LEG (how is he MOVING how is he doing that i wanna see that animated so bad)

WE WERE RIGHT, HALF OF THEIR TORSO DOES APPEAR TO BE MISSING!! THEIR LOWER TORSO IS NOT USUALLY THAT THIN, ITS USUALLY SOMEWHAT EQUAL TO THEIR CHEST

CRINOLINE IN THE PANTS!!! YOU CAN SEE IT NEAR THE BOTTOM

OTHER LEG APPEARS FINE??? SO THERE'S THAT AT THE LEAST

WE STILL HAVE NOT SEEN THE REST OF MOON'S HAT THOUGH THE DCA IS NOW LACKING IN BELLS FROM THE LOOKS OF IT

LEG ENDOSKELETON IS CONSIDERABLY THICK IN WIDTH? NOT SURE WHY BUT THAT IS AN INTERESTING TIDBIT CONSIDERING ITS WIDER THAN THEIR FOREARM

I AM LOSING MY MIND. /pos

SO. SO HYPE FOR JULY 25TH IT CANNOT COME FAST ENOUGH. THE BOYS HAVE RETURNED

[the-solar-system52]

I was listening to Sun's Help Wanted 2 voicelines again and noticed something interesting I wanna discuss (spoilers: Fazbear Entertainment is doing something shady again)

First, we need to clarify something. It pretty clear that our POV character in HW2 is an adult, and someone who works at Fazbear Entertainment. Once more, I think this minigame is supposed to be like a test simulation of how Sun would act around a child, which explains why we are a grown adult playing arts and crafts. And explains why there are no other children present. The player and Sun have to act out the situation of Arts and Crafts, as a test of some sorts, like employee training.

I think this is why Sun's personality is so inconsistent throughout the minigame. He will go from calling us his 'friend' to insulting us in a second. Sun isn't perfect, but I doubt this is how he would actually act around a child.

His personality is changing because some voicelines are him playing along with the role play, and pretending our POV character is a child. And the others are him going off-script and making jabs at Fazbear Entertainment by insulting us and our work.

This is also why he compliments our artwork and then proceeds to shred it. Because its not real, its just a role play, so there's no need to keep the artwork. I dont think he'd shred a real child's artwork. The player character probably isn't even offended by it.

No matter what DCA lore you believe, it always circles back to Sun being treated awfully by Fazbear Entertainment. Mainly, they refuse to properly fix the Moon problem and I think this explains some of Sun's weirdly out of character voicelines in this. His attitude probably stems from the fact our characters works for Fazbear Entertainment, and he has a huge grudge against the company and all who work there.

"Ha, I should turn off the lights myself."

"Do it again, and you're taking a nap."

Sun is absolutely terrified of the Moon and the dark. From all his other behaviours in other games, it doesn't make sense for him to joke about the lights going out and a child getting hurt. But if our POV character isn't a child, then it makes more sense. Since it's Fazbear Entertainment fault that Moon is so violent, he doesn't mind using some dark humour because he feels like the employee deserves it. Reaping what you sow, in a way. Sure our character is just an employee and doesn't make big decisions like that, but Sun doesn't know that and I don't really blame him for being distrusting to any adult human he meets.

A lot of people, mainly Moon fans, try to use that first line about the lights to reason that Sun isn't actually that scared of Moon. Because he can joke about it, which obviously means he would be willing to turn the lights off out of spite! And he isn't as afriad as we originally thought!

But if you listen past this line into other voicelines, you can see this obviously isn't true. At some point, Sun mentions that it will be naptime soon, and is obviously very scared. He pushes the player character to finish the art quicker and generally becomes more and more anxious and frustrated from that point onward. So it's clear he is still very afraid of Moon, and probably wouldn't be okay with our character getting murdered.

(Also, literally everything that happens in the hard mode of this level confirms this.)

Anyway, this is where it gets really interesting in context. Because when he mentions it's nearing naptime he says,

"Don't work in the dark, never work in the dark."

And then, after a second, adds

"You'll...hurt your eyes if you work in the dark."

This is obviously a cover-up as to the real reason you can't work in the dark, Moon. But it's not like this employee wouldn't already know about Moon.

(Probably my favourite peice of worldbuilding in SB is that Sun literally has a warning for Moon at the back of his head, so this cover-up isn't so the employee doesn't learn about Moon, because they obviously already have.)

But with the context that this is supposed to the employee acting out the role of a child, this made me realise something.

Fazbear Entertainment doesn't allow Sun to talk about Moon.

Listen to the line again, and tell me you don't hear it! It sounds like he just remembered the employee was in the room and had to add the excuse on quickly so he didn't get in trouble.

He never calls Moon by name, and always uses some sort of riddle or metaphor to explain what is happening to him. At first I thought that was just how he talked, but maybe it's because he's just not allowed to tell people whats going on!

He omniously warns Gregory to keep the lights on, but doesn't tell him why. Even when Gregory gets closer to the security desk he only says "that area is off limits" and doesn't try to explain how dire the situation really is.

Hell, even when the lights are out and he has nothing left to lose, he doesn't say anything direct about Moon that would help Gregory.

Maybe part of the reason he banned Gregory from the daycare is because he felt he had no other option, it would be pretty hard for Gregory to stay if Sun couldn't explain what just happened.

And you could make the argument that he's just trying not to freak out Gregory, but what about a situation where he has no hope of not freaking someone out? Why doesn't he say anything about Moon then, if he once again, doesn't have anything left to lose.

When he meets Cassie he says

"I am trapped in a nap!"

And in Help Wanted 2 he says

"He'll wake up if the lights go out."

Both use sleep as a metaphor for not being in control of the body, even though I highly doubt Moon is actually unconscious during these moments, since Moon always seems to know where is his target is, so I'm guessing he has Sun's memories.

Again in Ruin, he instructed Cassie to turn on the generators, warned her when it wasn't safe, and even sang a creepy metaphor-ridden version of Daisy Bell! And yet he never mentions Moon by name??

He also never mentions Eclipse by name, and instead just asks Cassie to make them "whole".

And in Help Wanted 2, there was no reason he couldn't properly explain the situation to the employee in the hard mode, since they weren't in the role play anymore.

For whatever reason, Fazbear Entertainment has pretty much brainwashed him to never directly mention Moon. I think this was probably to keep up the false narrative they have made with the Moondrop Candy posters that Moon is a good guy. And Sun telling the kids, or other people, the truth about Moon would be bad for publicity.

I feel really bad for Sun though, that he couldn't properly warn anyone if the lights were about to go out, or talk about his problems at all.

What I'm really interested in is if he has just been told not to say anything OR is there something in his coding literally stopping him from saying Moon's name. Like, if he tried, he would just go mute and not be able to talk.

Although the latter is an interesting concept, I don't think it's true.

First of all, Moon mentions Sun by name in his Ruin voicelines and I wouldn't really make sense for this coding to only apply to Sun.

Second of all, even if his code prevents him from talking about Moon, if he was really determined to say something, he could just use substitute words, write, draw, or in any other way communicate what he wants to say and bypass the coding.

No, I think it's a little more psychological. It could be possible Fazbear Entertainment has simply just told him to keep his mouth shut, and since they have control over everything in the Pizzaplex, he's too afraid to go against them. I wouldn't put it past them to threaten to turn the lights off if he speaks up either. Or to scrap him.

Sun has always had an irrational attachment to rules, which would also be explained by Fazbear Entertainments threats. He is determined to keep things clean in the Daycare, but his room is an absolute mess. He doesn't bat an eye at Gregory trespassing in the Pizzaplex at night, but does care when he goes into an "off limits" area. His hypocritical and confusing take on rules can be explained by these not actually being his real opinions, but just paranoid habits brought on Fazbear Entertainment's treatment of him.

"You're gonna get us in trouble..."

As far as we know, he doesn't have any friendships with the other animatronics. And besides Moon's patrols, Sun never seems to leave the daycare. Dudes just a paranoid loser with no friends. (real) This isolation could've been encouraged by Fazbear Entertainment's threats.

In conclusion, fuck Fazbear Entertainment and I hope the next game involves a robot uprising of sorts.

Edit: I have no clue how forgot this, but thank you to @technowingsgs for reminding me of Sun's line,

"Not me! The OTHER me!"

This is probably the most egregious and direct example of Sun refusing to say Moon's name. Since he's trying to tell Cassie that she needs to reboot Moon, but can't get away with just using a pronoun, he actually resorts to using an alias. Which may point more to the theory that its his coding that stops him from mentioning Moon, since hes ok with using an alternative name, but I'm not sure. But it could be a combination of factors.

I mean, I doubt its just that Sun doesn't know Moon's name. If MY name was SUN and I saw merch littered around the pizzaplex of a dude that looked like THIS:

Wouldn't exactly take a genius to come up with a name.

Also! A lot of people were confused at this line and didn't know why Cassie couldn't just reboot Sun in his AR body. So I want to attempt to explain what I think!

It seems that, since Moon is controlling their real body, Sun's consciousness has been pushed into the AR World. And the thing about the AR World is that it isn't exactly real. MXES can't hurt you when you take the mask off, because he doesn't have a physical body, he's more of an ghost or hologram. You can walk through walls, use portals, and enter arcade machines. Overall, it's seems to be some sort of non-physical unreality.

So the reason Sun tells you to reboot Moon and not him, is because he's really talking about his physical body and his AR body. If you tried to reboot him with the Vanny mask on, it simply wouldn't work!

This because you have to stick the fazwrench into his head, flip a switch, and that somehow merges Sun and Moon's code together into Eclipse. Their code is no doubt stored in a circuit board of some sorts, maybe even the one that's visible at the back of their head. All of these things are physical changes, that rely on the materials and mechanics inside his physical body. So if you tried to reboot him in a non-physical plane, it wouldn't do anything! Since AR Sun is more of a projection of his consciousness, like a ghost, and isn't fully connected to his corporeal body. Thus, the fazwrench couldn't reach the necessary code inside his circuit boards. That's why he asked you to turn the lights on, so Moon would freeze up and you could safely reach him.

That, and the game would be too easy if you didn't have to turn on the generators to freeze Moon! Sorry if that segment was too technical, I waffled on a bit.

[paimonial-rage]

Character Ask Meme

Lyney 14, 15 and 23

[Character Analysis Ask Meme]

Would Lyney be honest with you?

With his outgoing and fun personality, it oftentimes is easy to get caught within his flow. Lyney is the charming sort, after all, that one may very well forget that he is subject to the same struggles as the rest. Get to know him well enough, though, and you will quickly realize that this is not a fact he wishes others to know. More than a desire, he needs to be seen as someone in control, as someone without weakness. That’s his role as the big brother. And if that means lying, avoiding, and omitting the truth to accomplish it, then as an accomplished performer he will do as he must.

Does Lyney prefer to pursue or be pursued?

With a penchant for flair and dramatics, it’s clear to see Lyney prefers to pursue the people he’s interested in. Really, it’s one of the things he goes all out. With a trick up his sleeve, he won’t hesitate to dazzle you with flowers pulled from nowhere and fireworks from his tophat. He wants you to be enchanted. He wants you to be impressed! You are, aren’t you? You like it, don’t you? So focused on charming you that he often loses sight of much else. Fun fact, should you attempt to turn the tables, however, you can expect his mask of self-confidence to fall to reveal a rather flustered expression beneath.

Headcanons under the cut!

Headcanons

Self-focused - If there’s one thing that’s true about Lyney, it is that he is a very busy person. As a person with multiple masks and roles, his thoughts are often preoccupied with House missions, performances, new tricks, and things of the like. So, much to the dismay of others, it’s easy for things to become buried under the multitude of other tasks he needs to take care of. How often the simple things become forgotten—where he last left his wallet, tea time with his siblings, the sale on picture books at the bookstore. During those times, he really can’t help but appreciate his siblings and their ability to keep him on track. Really, he doesn’t know what he’d do without them!

Relationship-focused - It doesn’t hit you at first, but it doesn’t take you very long to notice how hard Lyney tries for your relationship. Normally this would be a good thing, but it is different with Lyney. Every day he tries to charm you. Every day he attempts to enchant you. You tell him he doesn’t need to try so hard, but that only seems to light a fire beneath him to do even more. You see it in his eyes. He needs to know you are still in awe of him, that you like him as much as he does you. And then it sinks in, doesn’t it? He doesn’t trust you. He doesn’t trust your feelings for him. You’re not sure if he ever will.