#seasonal threats

[townpostin]

Monsoon Brings Relief and Challenges: Addressing Water-Logging and Health Risks

As monsoon rains alleviate drought concerns, they also bring water-logging and health issues, highlighting the need for comprehensive solutions. The monsoon rains bring relief from drought but also cause water-logging and health issues, necessitating effective management strategies. The week began in anticipation of the budget, and the varied news kept us engaged. They have partially removed…

[lineffability]

"apparently if we do a miracle together it all works a bit too well" listen LISTEN i think this is why. i think the magnitude and power of that miracle they did together is what alerted the metatron and why he has come to separate them by all means, because they have not realized yet quite how powerful they are together and what that could mean!! this is why, i think???? they used to do each other's miracles and temptations for each other, but never with, and that could change everythign and could get in the way of certain Ineffable Plans (that i don't think are necessarily God's, looking at you villain metatrash)

[amateurenjoyer]

I know the infertility stuff with Gemma has rubbed some folks the wrong way, and that's fair. These types of stories are not always handled with care and can feel as hollow as using a dead wife in order to give a man depth as a character. That said, I fear that criticism of the infertility story in Severance, or indeed criticism of the breadth of themes of fertility and parenthood in the series, has suffered as a result of gendering these ideas as being primarily explored through the women in the show. There was plenty of eye rolling when we met Gemma for real and her great trauma turned out to be the loss of her unborn child—"oh great, another woman defined by her inability to produce children!"—but this didn't come out of left field in a show that has put expectant parents, midwives, fraudulent lactation specialists, couples struggling to make ends meet for their kids, dads garage jamming with their daughters, and child laborers all on screen, not to mention the cult of Kier the Grandfather/Founder that props up the central mysteries of the show.

Parenthood, birth, and the power dynamics of progenitors and progeny all exist at the heart of Severance (right alongside love, agency, personhood, and capitalist critique), but I don't know that enough people look through this lens when thinking about the men in this show. Even when their stories explicitly touch on these themes, severed men like Petey and Irving and Mark—who, by the way, has every right to claim the same grief over the loss of their child as Gemma, though his experience is radically different as the parent who didn't carry the child—get kind of left out of the conversation.

They should not get left out of the conversation and the mpreg Kier statue in the birthing cabin was there to remind you of that.

Check under the cut for Mark Scout world's worst dad thoughts with lots more spoilers for the finale.

I don't know how many folks on Tumblr have Boomer parents, and I don't know how many of these ideas have filtered through to each generation of parents following, but I know that my Boomer mother and many (many) of my friend's parents had a whole litany of witticisms that they'd use to disempower and belittle the personhood of their kids, and they used these phrases with extreme regularity. "Because I said so," "My house, my rules," "If I were you (and thank God I'm not)," "I brought you into this world, and I can take you out of it," etc. Depending on tone and context, these could vary from pretty benign to legitimately threatening, but they all betrayed the same basic attitude: right now, you are not a person, and I make your decisions for you, until I say otherwise.

Boomers may have excelled at expressing this sentiment through phrasing that is worthy of shitty gas station hats and little else, but it feels as though it has been a dominant mode of parenting thought for a long time. The idea that it is the position of being a parent that confers power to someone, no matter how unearned that power truly is, is also extremely present in the outie-innie dynamic.

Mark S was straight up born from his outie's inability to actually grieve the death of his wife, his unwillingness to move forward through despair, and his complacency with his self-destructive coping mechanisms. Having lost his ability to work due to his alcoholism, Mark Scout created a whole new person who could do the work for him. He "hoped that [Mark S] would be spared the pain," but for much of the show thus far, he hasn't taken a single step to move away from that pain, be it in an effort to spare himself or his innie. This a couple in a dysfunctional marriage having a child to try and save it, only to absolutely fuck that kid up by refusing to acknowledge the reality of the situation or do anything to change it for the better. Only in this scenario the marriage is between Mark and the ghost of his wife.

Like the kid brought into such a marriage, Mark S doesn't need to know the details of his outie's life to carry his burdens. Their shared body is the exposure that ensures every hangover, every sleepless night, every pre-work weeping session, every fight with a rebound (sorry Alexa you deserve more than this title) or a family member worms its way into the innie's life. A life that is already deeply infantilized by Lumon's workplace culture more broadly, and doubly so because MDR is being babysat by step-dad Milchick while the literal Mother of the Severance Procedure goes rogue.

When he does learn the reason for his outie's severance, Mark S is compassionate, curious, and instantly willing to search for Miss Casey—not out of some deeply rooted love of Gemma that has somehow transcended the severance barrier, but out of recognition of his progenitor's personhood and pain and his desire to help a fellow innie with an unexpected connection to his own outie. How often do children make an effort to help and humanize their parents, even when they've been given very little reason to? Be it out of a sense of obligation or a misunderstanding that a parent naturally looks out for their child's best interests and so a child should do the same, many of us will go out of our way to try and understand our parents as people, at least once. Mark S does that readily, even when Helena-as-Helly pushes against the idea.

When we finally get a conversation between Mark Scout and Mark S, it begins on a disarmingly hopeful note. Mark Scout apologizes, willing to admit the world he brought Mark S into is not a sane or safe one. Things go off the rails quick when Mark Scout fails to recognize his innie has a separate person with his own motivations, and from there the conversation is steeped in patriarchal condescension and a fundamental sense of ownership. Mark Scout dismisses his innie's relationship with Helly R as an inferior, juvenile "experience," that naturally pales in comparison to the more.real, more adult life he had with Gemma, simply because the outies came first. He cannot fathom any resistance to the idea of saving Gemma, because he does not think Mark S is deserving of his own identity, desires, or agency. What claim can an innie have to such things when he doesn't even have his own body? "My house, my rules."

Mark Scout then drops the bomb that he's already started the process of reintegrating. Though he himself is not fully aware of how reintegration will actually impact their separate consciousnesses (or has seemingly forgotten what little he learned about it from Petey), Mark Scout positions it as a solution that benefits them both. Mark S challenges that assumption, and the outie is aghast that the innie fails to extend any trust his way. The trust was assumed to be there, because Mark Scout assumes authority over Mark S. "Because I said so." In the absence of more information about what reintegration really means, it sounds like Mark S will sit as a passenger in Mark Scout's life. Reintegration for the innie is not a solution, but a threat. "I brought you into this world, and I can take you out of it."

This whole conversation happens inside a cabin at a birthing retreat, where a statue of a pregnant man (presumably an Eagan and presumably Kier himself) watches with it's mate, wearing a sort of cartoon grimace. The camera lingers on this icon as a moment of scene setting, signalling that the audience should be seeing this as a conversation between parent and child, the elder lording their power over the younger, and the progeny rebelling against the progenitor by asserting their own humanity.

[platoapproved]

— And he hadn't told me. — I did, once. He didn't hear it.

[calcified-fluorited]

Hot take, season 2 feels like piltover apologist propaganda

Piltover has been oppressing and exploiting zaun for who know how long, but the timeline where everything is good, all that had to be different was for hextech to not exist

at several points in the story, including Cait's poison gas mission, enforcers go down there to brutalise people in pursuit of jinx, but all of that unnecessary violence is brushed aside because there is a new Big Bad that we all must unite against. How convenient!

the Big Bad (Viktor) was from Zaun, and we need Piltover's police force to save us from this zaunite. Actually, the previous season's big bad was also from the undercity

zaunites come to help the people who treated them like animals their entire lives AND THEY PUT ON THE UNIFORMS OF PEOPLE WHO OPPRESSED THEM? I'M SORRY WHAT

Sevika who conveniently hasn't spoken a line since what, episode 4? her opinion isn't important, just be happy that she's on the council now.

entirety of act 3 actually

the "dirt under your nails" line. ????? Who wrote this? I want to talk.

[jacketpotatoo]

The thematic implications of Caitlyn transitioning from solely a sharpshooter, to learning the ropes of hand-to-hand combat, and how it follows her growing distrust in Ambessa. If the weapon is a reflection of mentality, it prefigures Cait's mental expansion - away from narrow-minded thinking and acting from a distance. Instead of tackling from afar, she melds her skills in accuracy and deduction *with* close-up action. This is her power play. "Vision" is cait's strength (as opposed to "Might" and "Guile" and "Sacrifice") and Ambessa qualifies this with the phrase "tunnels in your eyes". Ironically, she trains Caitlyn and literally gives her the tools to pull away from her rifle-mindset. In teaching her how Noxus views strength, she offers her the keys to dismantle it

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[gemma-nye]

What I love so much about the idea of a mystery plotline in Good Omens series two is that the writers so clearly looked at the archetype of a crime solving duo and said “no but what if Aziraphale, the poster child for the helpful yet easily impressed sidekick was actually the master detective while his gritty, cynical, crime noir companion couldn’t care less about the actual mystery and only stood to point out obvious clues to him like Dora the Explorer.”

[mbohjeezart]

[ WIP ]

Bring a goat to a courthouse...

[nervouspearl]

[ariadne-mouse]

This feels like both a statement of potential obviousness, but also a prediction because hey, we're only 2.5 hrs into Episode 1: I don't think Downfall will reveal either the gods or the Aeorians to somehow be uniquely evil, or that the desire on either part to destroy the other is somehow uniquely more justified or deserved.

Like in Episode 1 here we're getting a very strong dose of the shitty things Aeorians are doing to other mortals in their pursuit of control and power - we already knew they were a warmongering surveillance state, and as things get worse on Exandria it's grimly unsurprising that the people on the ground are increasingly treated as disposable. But Aeor is still a city full of people seeking safety in a land torn open by the gods' battles, desperate to survive by any (increasingly ugly and sinister) means. And the gods in turn are afraid for their survival, and are acting accordingly in seeking Aeor's Downfall (immense collateral damage) - all while and the versions of them in the party here have lived mortal lives & hardships, have families, communities. They have lived in the desolation their own godly battles have created. We don't see them portrayed as lofty divine abstracts, not even necessarily in the intro, where they are confused, afraid, and seeking safety from danger.

For Ludinus to think this "footage" is in his favor against the gods, and the complexity of the lore being what it is and the cast being the storytellers that they are, I think it must be the kind of series of events you can look at and see the humanity (using that word deliberately) for good and ill in all parties involved - and leave again with your biases if they're strong enough. Very curious what we will learn. I expect to weep. I can't wait.

[bizarrelittlemew]

calling it right now that season 3 starts like this

[wartornrequiem]

posting the miw content i want to see (37/∞)

chris in the warriors (ovtlier) mv [x]

[orangechickenpillow]

A continuation

[narutos-sloppy-pussy]

It is I, made boo boo the fool in a mere 15 minutes lmao

[seishiroses]

5 Reasons to love S2E12 Additional Time

(aside from of course, Maid Barou & those pop idol shots of everyone making hearts)

1) Team White Reunion ❤️🤍💙

I missed them so much 😭

2) Baro Baro Kyun bootcamp

Tough love has never been so adorable

3) Hiori and Tokimitsu

Good to see that more people are being recruited into the Baro Baro Kyun cult and added to Maid Barou Cinematic Universe (great telepathic marketing from Nagisagi 👏🏻)

Tokimitsu being happy and carefree thanks to Maid Barou therapy is so sweet. Reo should try this too.

4) Little baby angels

Does this mean Maid Barou is the god of this world?

5) Road to World Cup Peace

Yayyy~~~

Poor babies really doing their best in jail without sunshine and nature and access to counselling