#script for timestamps

[serenova]

okay, anyone know of something I can install via tampermonkey that'll give me timestamps?

I found one but it doesn't work (because it hasn't been updated in years)

and if there's one thing on this hell site that drives me absolutely bonkers it's NOT knowing when a post is from

yes it's led to comedy on some posts

but fucking hell it also bothers me on a visceral level

and before y'all come after me about it, in Firefox you can use extension mobile so i want a script I can install in tampermonkey that'll give me fucking timestamps

I will die on the timestamp hill

[hephaestuscrew]

When it becomes clear that Pryce is threatening to walk Minkowski out of an airlock in Ep57 The Devil's Plaything, Eiffel says No for three lines in a row. The first of these lines is a low Oh no of horrified realisation. The third is a defiant shout against the idea that he'd surrender. But nowadays it's the second of these lines that gets me the most: a No that's soft, understated, almost breathed, not addressed to Minkowski or Pryce, just a word which escapes him as the full reality of what might happen sinks in. It's quiet enough that it'd be easy to miss if you were listening in a loud place. It's not an initial sound of realisation. It's not an attempt at defiance. It's not Eiffel trying to plead with Pryce or snap Minkowski out of Pryce's control. He'll do those things later: yelling at both Pryce and Minkowski, banging against the airlock door, crying out in desperation. But before that, he breathes the word No, and he's not trying to communicate anything to anyone. He's just whispering No, expressing beneath his breath - perhaps unconsciously - that this cannot happen. Minkowski cannot die.

[honor-every-part-of-you]

Where can I find Hannibal Scripts

I'm hoping to find a complete collection of the Hannibal Final Shooting Scripts. I'm trying to create a complete list of timestamps for shot changes, and I think it'll go a lot faster if I can copy-paste descriptions from the script instead of writing my own.

I could have sworn someone posted a google-docs link a while back that I reblogged, but I guess I didn't tag it well because I can't find it now.

I think Brian Fuller's website is supposed to have them, and I've found direct links to a couple episodes, but the main site is down atm.

Thanks a bunch all!

[timew0und]

a year or so ago i posted this on my previous blog & have finally found it, so here is part one of the soundtrack to remilia’s life aka before the main questline of skyrim begins .... i hope u enjoy <3

before the title reveal [ . . . ] title reveal. skyrim's main theme by taylor davis (cover).

SCENE . . . begins overlooking a vast flowing field, of soft greens & hazy violets. springtime breezes stir the tall grass & lavender stalks with lover's caress as the beginning of the cover plays. a young woman appears before the camera, back to us as the audience. with dark, dark hair to her hips, braided messily but with care, simplistic dress of white close to body & feet bare of shoes. one hand comes to brush against nature before her, & the camera pans upwards, around, to her face. eyes of green fire meet ours, & the theme picks up, as if saying: ah, here she is! our girl, our hero. camera continues to rise, up up up to the pale blue skies—thus title is revealed [0:41], & then a line from a poem fades in. it reads: CHORUS: o, sad one. some heavy god has put more pain on you than any other human being.

the beginning. talia's theme by two steps from hell.

SCENE . . . begins pitch-black. howling winds, mournful & cruel. night sky is shown, pale stars barely evident under blanket of darkened clouds & blanket of night. howling winds fade & theme begins as we follow a snowbank up to a tiny, ramshackle barn of rotting wood & rusting nails. upon a straw pillow—oh, how scratchy & uncomfortable it looks—& with a lone wool blanket 'round frame, a young woman sits within barn; the same young woman from before, but more frail, more terror-ridden, more frightened prey even with no predator in sight [0:18]. a blackbird with its beady, all-knowing eyes stares from windowsill, cloaked in darkness. her eyes are closed for a moment, then open & lift to the landscape outside. her knees are pulled towards her chest, head leaning on arms, mesmerized by sights & sounds of a rare winter upon the land of high rock [0:25]. lonely, lonely, lonely… she is terribly lonely. is this all there is? is this all there will be? same blackbird is our camera, flying out & back to the sky [0:32], beginning its roam over the village. not a soul is out, & all lanterns are extinguished. then: pitch-black once more.

the dreams (visions?) begin [ . . . ] the divines call! prologue by ramin djawadi.

SCENE . . . where are we? where is that young woman? it is unknown as of yet where we are, what we are seeing; what we are supposed to be seeing. a cave, perhaps? deep within the earth? coal-black walls, yet cracks reveal bright, scarlet fire, or mayhaps molten lava. [0:00 - 0:46] then, a monstrous roar, a shaking of the screen! a voice, a language guttural & powerful & ancient. dovahkiin! somewhere within the depths, there rises a cacophony of a girl's screams & wails & sobs. we, as the audience, know only one concept from what we are given: everything is hurting, everything is burning, & everything is changing. nothing shall be the same again. NOTE . . . this theme plays all the way through, the ferocity of the flames & the shaking of the screen growing stronger & stronger as do the wails.

awakening [ . . . ] where are you, child? fate awaits. eastern path by vangelis.

SCENE . . . the young woman is back in our sights. she is in a restless state of sleep-wake, eyes moving rapidly under thin lids, bottom lip quivering & brow furrowing. expression of terror & despair stays frozen 'pon delicate features, sweaty & flushed. awakening with a startle, her chest heaves & she gasps for air, hand coming to bosom as if heart hurts. despite the almost-freezing temperatures she has lain in, she feels as though she is on fire; as though her body, her soul itself, is aflame. tunic-dress is ripped off with violent, frenzied movements, though nothing is shown except her bare back. a call to run, to move: she knows not where she shall go, but she knows she cannot stay here any longer.

journey begins [ . . . ] fate will not wait for thee. wandering jane by dario marianelli.

SCENE . . . o'er hills, o'er ice-lands. the journey is not pleasant, nor kind. weather does not sympathize, nor do the gods wait. she stumbles, she falls, she rises. she cries into her palms, she skins her kneecaps, bruises her body, speaks to no one but the watching wilderness & watching moons & sun. yet she falters not, for fate is a rope 'round ivory neck, & it pulls her ever-forward.

border of change [ . . . ] border of rebirth. winter by paul halley.

SCENE . . . the crone who took her in, brought her away from death's arms, spoke in prophecies with glazed hues of the bluest blue. in a language unknown to all but the pillars of reality itself, she asks: what is your name, girl? & thus the girl speaks: remilia. secret revealed: it has been her fate since her birth, since before her birth, since before her great-grandmother's birth, before her great-great-great-great-great-grandmother's birth: this prophecy. she feels the heaviness of the world upon her frail shoulders, feels the burn of the rope of prophecy upon the tender skin of her neck, threatening to hang. from past to present to future untold: it is her duty to defeat the great evil that shall follow her to the ends of time. only one shall survive, & it must be her. sobs escape her mouth as she dashes out of the tent. falling to her knees, she lifts her head to the sky & gives a soundless scream of why? why me? i am nothing, i offer nothing. please, this cannot be given to me. NOTE . . . as soon as the woman looks up from remilia’s palms & says but one phrase — you are the last dragonborn, it must be you — in her quiet, slow voice, the scene cuts to the tent flap being shoved open, as if the poor girl cannot get out fast enough.

stages o' grief unfolded, denial [ . . . ] must i truly do this? once upon a december by emile pandolfi.

SCENE . . . she has not written much before. though taught by those in the village that saw & pitied her, she has not had need nor want to simply sit & write. her letters are small & a bit lopsided, the ink messy from where she pressed too hard on certain strokes, & while she tries to angle her head away when tears begin to flow, they too stain the paper. it is a note of leaving: a thank you & goodbye to the woman who saved her life & taught her so much; of the gods, of the land, of survival, of what she must endure.

stages o' grief unfolded, acceptance [ . . . ] yes, i must. under an ancient sun by jeremy soule.

SCENE . . . evidently, some time has passed: perhaps a day or two. dawn arrives, with birdsong & breeze. we see nothing but the whiteness of snow, as far as the eye can see, mountain-tops & pine trees. the crackling of snow underneath footsteps. then, a fur-lined boot comes into view. the camera rises to her face: she is nervous, terrified even. but her mouth is set into a tight line, her brows furrowed. she raises a hand to the amulet of kyne now lain ‘round her neck: a gift from the woman before. with a shaky inhale, her journey begins. NOTE . . . the music is already playing by the time the sun breaks over the mountains. it continues on.

[relto]

having to revise your own code jungle is also not very pleasant.

[somerandomcryptid]

Omg this is so helpful

Also my first reaction was legit "NATE'S BLOND??????" It was probably said in fic at some point that he's blond but I always assumed he had like. Dark brown hair for some reason idk

Also hello tall fucker Zach. Was not expecting that one either.

I was picturing Cheyanne's hair correct though so win!

WAIT ACTUALLY have you ever drawn wren's mom? I need her design for the animatic sjskjsksjsk

Also just a description would be helpful because I don't think we like. Ever get a description for her in-fic

I will do u one better and give u a design for Wren's mom, Nate and Zach!

some fun tidbits-- in an earlier rendition of penpal cheyanne and wren actually had brunette hair! but i changed it to strrawberry blonde and updated it so she had it uwu

zach is canonically older than nate and wren! I think i labeled it that he's around late 30s early 40s- while Nate is like 28

im trying to remember atm but Zach is the tallest, he's 6'7 and Nate is i think the same height as dream, if not an inch taller. Wren's mom is a bit shorter, around 5'7 uwu

[pink-vacancy]

Hi ^^

It’s me, the creator of some gifs you like and the creator of many gifs you could’ve probably lived without. A few people have asked me for a giffing tutorial recently so I have made one documenting my normal process! I’m going to gif this Aespa stage in this tutorial because I am still pretty bad at coloring stages. So come struggle along with me 🫶!

Step 1. Getting Sources & Vapoursynth

The worst enemy of the tumblr gifmaker is tumblr itself. You will spend your time making the clearest gif imagineable only for the blue site to reduce it to pixels. But alas, we must gif on. The best way to get good results is have a good source and to precompress your gif with vapoursynth.

As far as downloading from Youtube the best app to use is 4k Video Downloader. 4kVD let's you get download your file as a .mkv which is how youtube stores their 4k quality vids. Only limitation is on the free tier you get only 10 downloads. There are other more technically dubious methods to get 4kvids but I've literally never hit this limit.

10 out of 10 gifmakers agree if you want those good good crystal clear gifs you gotta stick with 4k or 1080p sources. Although if you are a complete sicko like me you can gif 720p and still get pretty good (not great) results.

So now you got your source video but you won't actually be able to open that bad boy up in PS yet. This is where the Vapoursynth step comes in. Vapoursynth will blast that footage into a nice denoised, sharpened and resized little baddie of a video clip for us.

To download VS and get a more in depth explanation of the exact steps on how to use it please reference this post. The basic steps of Vapooursynth are:

Drop your source video on the "vapourscript (drop a video file on me).bat" icon and type in the timestamps

Crop your gif to your liking (I do a lot of 540 x405 or 540x335 for horizontal gifs. 268x480 for vertical.)

Apply the sharpness and denoise (these are the options I use):

copy the code from the white box and paste it into the script like below

I set my denoiser to 1.5 and my sharpening to .5. (I stole this from @hyeongseo lol)

Go to Script > Encode Video. Make sure on this screen to name your file and set the header option to 'Y4M'. (Sometimes this is the step where it crashes and all your dreams are ruined because it can't convert it unfortunately. But 99% of videos are good lol)

You will find your Photoshop ready clip in gifs/output

Step 2. Photoshop

You are now good to open up your clip in Photoshop.

if we export our gif at this moment it will look like this:

Which isn't too bad. They just are pretty washed out and a lot of times at this step you'll see a lot of grain.

Sharpening (again lol) and Noise:

This might sound weird cause we just denoised lmao but stick with me.

We are going to convert our clip to a smart object. If you want to slow down or speed up your clip make sure to do so before converting.

(Often times if i have 60fps clip I put it at half speed, but if the action of the gif is really jerky or flashy at 30fps a lot of times I'll set it to 85% speed)

Convert your video to a smart object by right clicking it in the layers panel and selecting the "Convert to Smart Object" option

Create a copy of layer 1 and arrange it so it is aligned perfectly on top of the first video in the timeline. You have to drag it outside of the video group to do this. It should look like this once you are done:

On the bottom clip (layer 1), select filters -> sharpen -> smart sharpen. Apply the filter with these settings:

Then on the same clip (layer 1) apply the same smart sharpen filter with these settings

Setting up the Sharpness like this makes sure the finer details with stand out with crisp lines in the final product. (Look at how the mesh on her arms is in finer detail now)

Your video might look a little crispy at this point and that is ok cause we are going to soften that.

Now on our top video layer (layer 1 copy) select filters -> Blur -> Gaussian Blur. Use this setting:

Finally apply filters-> Noise -> Add Noise to layer 1 copy with these settings

"Vacancy what the hell? It looks like shit now."

Yeah... But now we'll put layer 1 copy at 25% opacity and it will look less like the shit that it does look like right now I prommy. Here is the current output:

The idea behind all this blurring and adding noise is that it will help create smoother transitions between the colors of the gif and reduce large blotchy bands of pixels that can sometimes show up

PLEASE!!! Save your current step as a PSD file. You can skip having to apply all those filters and just drag the filter groups on to the layers after the smart object conversion step.

Step 3. Coloring

Now to the fun part! There is a lot of trial and error in this step since we only have 256 colors to play with.

Typically my goals for this step are:

Raise the black point (Make Giselle's outfit in this gif black so more color can be used on her hair, skin and the background.)

Reduce the overall contrast of the gif. (Darken the lightest lights if possible)

Saturate the colors enough so they stand out but not so much that everything looks gross.

Depending on how we do these steps we may need to subtract frames from the gif. (Which I hope not cause there is exactly 69 frames in the current version lol)

Here is an example of what my coloring difference can look like:

In this case the colored gif is actually smaller because I elminated a lot of the dark greys in the background.

Vacancy's Dumbass Original Recipe thing

This is probably the only thing different that I do from most creators

My first adjustment layer is usually a gradient map. The green and red one to be more specific.

I then change the blend mode to luminosity and set the opacity somewhere between 12 and 20% (Usually 15%).

This step brings all our shades closer together so we have more freedom with coloring later. Also when idols are very white wash this seems to bring out the shadows and skin tone better in later steps as well. If you overdo it though the person in the gif can wind up looking very orange or yellow so less is sometimes more here.

There's also probably a better way to achieve this but you know... oh well

My Other adjusment layers usually consist of:

Levels: With the gradient map applied you can darken the blackpoint of your gif pretty significantly.

Selective Color: This is the most useful adjustment layer. Make sure to expirement with adding to the black slider on the blacks and neutrals color options. Often times kpop vids are over exposed and darkening this can bring out a lot of unseen color.

Hue/Saturation: I use this layer to darken the blues of the background with the lightness slider as well. You can adjust individual colors with this layer and with selective color and that is a very powerful tool for coloring.

Start:

Finish:

Because I darkened the gif so much I was able to add around 6 frames!

Though I’m not 100% satisfied with this gif, this would be my process from the start. You can put those adjustment layers all in a group and save it to the psd as well to skip all the steps to apply them. I used all the same adjustment layers for the header gif of this post as well which saved me a lot of time ^^!

Since every video is different you usually have to play around with the sliders a lot between clips.

Step 4. It Flops…

Jk jk but it does happen a lot tho on this site so don’t get discouraged ☺️

Parting Notes

If you want a really nicely colored fancam to practice on I would see if MIRAI on YouTube has a fancam of your fave idol. Their videos are really nicely color balanced from the start where stages like this tend to be very bright.

I’ll probably make a follow up post with more coloring tips and my thought processes while making gifs but this is the very basics to making hq gifs hope you learned a lot.

You can always hit my dms or inbox with questions if you have them ^^!

[changes]

Tuesday, November 28th, 2023

🌟 New

We’ve created a guide to writing a PHP script to access Tumblr, with an example of creating a way to list your mutuals and sort your followed blogs by last posting time. Check it out here.

The flow for Blazing a post on Android has been redesigned to be easier to use.

On web, using an old keyboard shortcut (ALT+C, ALT+R, or ALT+Q) no longer triggers a notification about what the new shortcut is. As a final reminder, the shortcut to create a new post is now just C, while the shortcuts to instantly reblog or queue the post in view are SHIFT+R and SHIFT+Q, respectively.

🛠 Fixed

Dashboard feeds and blogs weren’t showing posts for a little while earlier today, but we’ve fixed the issue. Reach out to Support if you’re still experiencing any trouble.

On web, we fixed an issue where the Explore page would not reload properly after logging in.

On web, we’ve fixed the timestamps on instant messages so that “Today” actually means “Today”, and not “under 24 hours ago”. Alternate description: The timestamps on instant messages no longer perform time travel.

🚧 Ongoing

The iOS app is crashing for some folks (specifically those using older devices). We’ve fixed the issue in an app update, which is currently under review. It’ll be released as soon as we get the green light from Apple.

🌱 Upcoming

Nothing to share here today.

Experiencing an issue? File a Support Request and we’ll get back to you as soon as we can!

Want to share your feedback about something? Check out our Work in Progress blog and start a discussion with the community.

Wanna support Tumblr directly with some money? Check out the new Supporter badge in TumblrMart!

[ohnoitstbskyen]

All of your essays are really well structured and keep me engaged. You come up with such amazing ideas and connections, and convey them exceedingly well, and I think it's really cool. What's your process for when you write?

That's very kind of you to say, thank you!

Honestly, my structuring is nothing special, and it's not very complex or advanced.

I will usually start from having something on my mind that I wish to express, and then I try to figure out: in order to express my thoughts convincingly (and make a good, watchable video), which arguments do I need to make and what examples do I need to give?

So like, this is the structure of the script for my video about Captain Kuro's character design in One Piece:

The thing I want to express is that his glasses are a very well-used piece of character design, and I like how they convey some thematic things about his character and some central ideas in the storyline for which he is the villain.

I believe his glasses visually represent his perspective, his way of seeing the world, and so, when Luffy defeats him and shatters his glasses, he is not only defeating Kuro but repudiating his entire worldview. That's the conclusion.

In order to make that argument, and make a good video, what do I need to have in the video? Well, a recap of the arc that Kuro appears in is probably necessary, so everyone watching the video is on the same page as to what happens.

In order to demonstrate what Kuro's worldview IS, I probably need to discuss his behaviour towards other people in more detail, so let's focus in on 1) his primary victim (Kaya) and 2) his primary opponent in the narrative (Usopp) to illuminate some of his thematic positions in the story.

Then, finally, I need to do a close examination of how his glasses are used visually, preferably with some comparisons to other character in One Piece whose design seems to function in a similar way ,to prove that this isn't just me overinterpreting a coincidence but a deliberate decision and technique used by the author for a purpose. That's the "Captain Kuro's Glasses" section.

With all of that leg-work out of the way, I can say the thing I actually want to say, and hopefully by that point I have convinced people to listen and be interested in hearing it.

So, again, it's really nothing special - it's the kind of essay structuring you probably learned in high school. It's very basic, but it's effective for me and helps me keep my ADHD in line by defining boundaries for what each part of the video needs to be about. I find that without the boundaries of a chapter with a central theme, I tend to go off in every direction, creating a million tangents that just don't serve the conclusion.

Chapters have the extra benefit of also being useful for YouTube videos - it creates natural breakpoints for the audience, stopping points where they can leave a video and come back to it, and natural places to put timestamps, or insert ad-reads or Patreon plugs, or even YouTube ads, without disrupting the flow of the video too severely.

But yeah it's really just "I WANT TO SAY [X]!!!" and then I work backwards to figure out what and how much I need to add onto that to make [X] worth listening to.

[classicsmosh]

[thejournaluser]

i ended up talking out of my own ass here but i didn't want to delete all of this so please note that all facts here are all stock knowledge and personal experience. do your own research, folks. do not use this for self-diagnosing purposes.

If ya ask me, episode 4 of The Amazing Digital Circus makes quite an accurate (but not perfect) demonstration of what Bipolar Disorder looks like. It's not the matter of "can't choose" or "too moody all the time". It's more than that. Just watch the episode and see for yourself.

The character's name who suffered this unfortunate disorder is Gangle, who is portrayed as a female humanoid ribbon who wears a fragile comedy mask in the beginning of the show that breaks before or during their usual adventures, and the gag is that she always ends up being sad because her mask keeps breaking.

But episode 4 was different. Her comedy mask broke too early, and Zooble instead gave her a substitute happy mask that won't break and might help giving her some form of happiness. Once she puts it on though, she says she feels "normal." Which usually signals the start of a manic episode.

Cue the adventure where they work a minimum wage, and a dead end job. Gangle is the shift manager and she is having a big manic episode. She moves left and right- a bright smile on her face that she can't seem to remove. I mean, why would she remove it right? She's happy. And everyone should be happy.

But then... pressure. Jax told her that he liked her better when sad. Ragatha, in an inebriated state, even told her that she liked Gangle better without the happy mask. It hurts her to know that people don't like her when she is feeling great. So she shuts down immediately, feeling discouraged with her manager work and hiding her face from everyone when she gets the chance.

That was, until, she faces Pomni, the main character of the show. Pomni tries to talk it out with someone, or maybe her herself. But Gangle takes none of it. She believes that no one in the circus likes her and even if they do try to act nice... their smile don't always feel genuine.

And thus, ending her manic episode completely. Try re-reading my previous paragraphs and identify which part of the story she starts having a depressive episode. Because at this point, Gangle locks herself in her office. A frown glued to her happy mask despite the name it has. And right when she walks down that kitchen, her world starts to blur as if one single conclusion starts to form inside her mind- and then Pomni intervenes.

She offers to take the closing shift and advises Gangle to go home early. Hesitant, Gangle still takes it. And with the extra time she has... Gangle takes off her mask... and throws it away.

I advise you to watch the episode and go to timestamp 19:35 - 20:30. It's a wonderful sequence.

So... post-adventure. Gangle isolates herself and blames everything that went wrong all on herself. Zooble tries to comfort her, of which she succeeds- But let's take a sec to hear what Gangle tells her first: "I messed everything up. The mask didn't work. And now, I don't think anybody wants to talk to me anymore."

Bipolar Disorder is a mood disorder where an individual enters a "manic state" and they undergo erratic behavior partaking in impulsive thought or risky activities. And when an individual leaves this state... well, kind of imagine it as feeling an entire ocean dropped on you. Or feeling like you're in front of a live audience with no script.

You cringe at yourself, further delving more into a sea of self-loathing and regret. Realizing all of your wrongs and mistakes and how much it hurts the people around you. Take a moment to think about it. You hurt people that you're close with. How dare you.

Those are what you would think of if you have Bipolar Disorder. But, please take note that it is indeed a disorder which means it can be interpreted as something else and you also could be misdiagnosing yourself if you're using this essay as means to self-diagnose so please talk to a professional for that. This essay only uses one example of a manic episode and to see it holistically, make your own research.

And... uh... yeah. This is the end of the essay. I'm not really great in conclusions but... just remember that Bipolar Disorder is a mood disorder than causes manic episodes. What happens after that is a series of guilt that causes self-loathing and anguish that results in a person needing to self-isolate and become the scapegoat of their own making.

[fandomtrumpshate]

Bidding is now closed!

The closing scripts are running, but remember that it will take some time to close all 1000+ auctions! Even if a bidding form is still open, bids with a timestamp after 8:00:05pm EST will not be considered valid.

More fun behind-the-scenes stuff is underway. We'll be sending high bid emails out within the next 24 hours, so please sit tight.

In the meantime, many of the stalls in the Fan Crafts Bazaar are still open! Be sure to check the details on each individual stall, though, because some of them did end when the main auction did.

[calliemity]

Orin Scrivello's Lost Head Prop: A Masterpost

Written and researched by Calliope Avery

Content Warning: Very very mild and low quality special effects gore, implied violence, uncanny valley stuff(?), Orin Scrivello's face.

Little Shop of Horrors (1986) has an unfortunate reputation of leaving a lot of really cool things on the cutting room floor. The most infamous would be the movie's original ending, a beautiful and impressive sequence of puppetry that ended up completely scrapped. However, today we're talking about a prop that never made it into the final movie in any form:

Orin Scrivello's Decapitated Head!!!

Pictured above are the only 2 photos of the prop in its original state that I can find at the moment. The left photo was taken for promotion and advertising purposes, and the right image is actually a Topps trading card! (Which I have a physical copy of, hehe!)

To put it bluntly, I am slightly (very) obsessed with this prop head. There's so much mystery around it, and everything I've managed to dig up both fascinates me and makes me very upset. So much thought and hard creative work was put into the creation of this thing, and it was left completely left out and forgotten! I desperately want more people to be aware of this, so here is my big and (hopefully) well organized masterpost on everything for your learning pleasure. Alright, let's talk about some heads!!!!!!!!!

Forming a Timeline

The earliest mention of the head can be found in an early draft of the movie script, dated February 14th, 1985. There's plenty of concepts in this script that never seemed to get past this draft, but the severed head concept was not one of them. Here, take a look!

source

This section, found on page 66 of the script, not only established the existence of the head, but also establishes the facial expression it will later take on! Clearly, this concept was good enough to be held onto once actual production started, which is good for us! If it wasn't, then this post would be a lot shorter.

Early production of the prop began after the actors were cast, as face molds of Steve Martin were created as bases for the head.

source for the left image - source for the right image

Oooo, check these guys out!!! The left one is made of plaster, and the right one is made of rubber. The website sourcing these images included a quote from Steve Martin about the casting process. Here's the full provided quote:

"These molds were taken of my head for Little Shop of Horrors. It was cast on the lot at Pinewood Studios outside of London, and I got exceedingly claustrophobic during the casting. My entire head was covered with plaster and two straws were placed in my nose for breathing. Argh." - Steve Martin

I unfortunately don't have much information about the crafting process of the prop. I'm currently trying to track down anyone who could've worked on it, but the few people I've managed to contact haven't responded to me yet. So I can't say anything concrete about who worked on it and what went into creating it. The only thing I can assume somewhat confidently is that the creation of the prop happened around the same time as filming for Orin's scenes. It would allow them to make the face molds and also match up Martin's post-mortem Orin face with the facial expression of the prop.

Here's where it starts going downhill. From what I've found, the prop was never filmed with its face toward the camera. In the workprint that I accessed from the Internet Archive, the prop appears for 2 shots, and both of them only show the back of the head. Take a look:

source - timestamp: 1:02:59

[Video description: a low quality, slightly green tinted video depicting a deleted scene from Little Shop of Horrors (1986) where Seymour is feeding the decapitated head of the dentist, Orin Scrivello, to the plant. The video starts with a man in glasses reaching into a garbage can and pulling out a dark-haired decapitated head, holding it upside-down by the fabric on its neck. The head is faced away from the camera, so only the back of its hair is visible. There are vines flailing in the foreground of the shot. The video cuts to a shot of the plant puppet laughing silently. The video cuts again to a shot of the man slowly shuffling forward while dangling the head in front and away from himself. The plant is seen on the left side, still laughing and flailing its vines. Throughout the video, there are brief flashes of light that resemble lightning. The video's audio only consists of thunder noises and an unidentifiable sound that resembles chewing noises. End ID.]

My best guess for this choice is maybe it isn't as convincing when filmed? In the photos it looks really well made and realistic, but perhaps it didn't come across that way during shots. Regardless, the head was still in the film at this point, so that counts for something!

But as you and I both know, those 2 shots were left on the cutting room floor, completely removed from the final product. The prop was left completely unused and unspoken of... except for one instance.

Remember the trading card I mentioned at the beginning? It's a part of a full set of trading cards that were made and distributed by the brand Topps. Back when the movie first came out, you could buy a pack of 5 mystery Little Shop of Horrors themed trading cards, along with a stick of bubblegum. This 44-card set is notable for featuring a lot, and I mean a LOT of images from cut movie scenes. There's photos of the original ending, there's photos from the cut sequence The Meek Shall Inhereit, and of course there's also the card featuring the prop head! However, those 2 sequences would later be rediscovered, cleaned up, and then added into the Director's Cut rerelease of the movie. The prop head wouldn't get this treatment, staying obscured, unknown, and unmentioned.

Fast forward about 30 years. A certain unused movie prop would be offered in an auction, allowing us to not only see high-quality photos of said prop in its current state, but also to allow us to know the exact materials it was made of! Without further ado, I present Orin Scrivello's decapitated head, circa 2018:

source

This absolute freak of a guy was up for auction at the "Profiles in History: Icons and Legends of Hollywood" auction on June 5th, 2018. No one ended up buying it (I would. I need to buy it actually. Please sell it to me.), but the auction gives us some absolutely divine information about the prop, such as what it's made of and its dimensions! Here's a quote from the auction website describing its materials:

"Vintage original hollow cast resin character head painted in realistic flesh tones with brown eyebrows and eyes. The 13 x 8 x 9 in. head has been polyfoam filled for stability. Exhibiting cracks to the crown, which is brittle and with other wear and age. A striking likeness of Steve Martin. In vintage good condition."

How neat! The high-resolution images allow us to see the detailed sculpting of the prop, which is still evident and impressive with its age and missing parts! The creases on the forehead, and around the mouth and eyes, the realistically colored teeth, this was clearly sculpted with a lot of attention to detail. I would've loved to have an image like this back in the prop's prime, back when it still had hair and a fresh coat of paint.

Why was it Scrapped?

This is entirely just me theorizing, but I have a feeling it's for the same reason the original ending got snubbed.

If you take the time to watch the archived workprint, you'll find a lot of cuts and changes were made that changed the tone of the whole finished project. Orin's death and dismemberment scenes got edited down a lot. Shots of him struggling and knocking things down as he falls to the ground got cut, the voiceline where he begs Seymour for help is gone. The shot where Orin's legs jolt when Seymour brings down the axe is gone too.

It's not just Orin-related scenes either! Mushnik no longer cries out for Seymour when being killed and eaten, and that's ignoring how different the scene happens in the stage musical. And obviously, the entire ending got changed so that Audrey and Seymour survive, leading to the cut of the magnificent ending sequence where all the Audrey II's destroy New York. In a way, the film got murdered and gutted of any of its real horror, with attempts to cover up any of the blood they couldn't scrub out.

In the movie's later quest to rebrand as a softer version of itself, it only makes sense that 2 shots of a decapitated head wouldn't make it. The appearance of the dismembered leg made it through, probably because it's less gruesome, but a head is... different. I obviously think it should've been kept it in, along with almost everything they trimmed from the workprint, but alas.

Tldr, they cut the head off of the movie because it wasn't funny enough.

Conclusion

This is where the information I have ends, unfortunately. I do have more research routes I would like to take, but one of them involves desperately contacting random people who I suspect could've been involved (I've tried this, I've gotten no responses from those who I've managed to find an email for), and the other route involves taking a road trip to the actual goddamn Library of Congress, which is not something I can do right now or even in the near future. So this is probably as far as I'm getting!

However! If I find anything new, this post will be updated and/or remade again, depending on how big or little the info is. For now, I think this is good enough to share, and maybe letting people know will encourage others to research this prop as well! It'll probably be easier if it's not just me, y'know.

I'll finish by saying that I think research and preservation of art like this is very important. While it's common for cool artistic things to end up cut from movies, I think preserving that those cool things existed in the first place is something worth doing. Even though this prop head was a very small part of the movie, it's clear a lot went into creating it! I feel bad that I'm not able to credit any person or people for their work, but I hope getting the word out about it will do some justice.

If you've read this whole thing, thank you so much! I appreciate your interest and I thank you for taking the time to read all this. I hope you found it as interesting and fascinating as I do!

Oh, by the way, if this post looks familiar at all, you've probably seen the original version of this post I made awhile ago. I wasn't happy with the formatting of that post, and I ended up making too many discoveries to just continue updating it. I'll keep the original up to preserve it, but reblogs will be off for it, as I want this version to be the one to go around. Thanks!

[msabs]

(artist: @nautls11)

Hello, everyone! As promised, it is the 1st of September, meaning it's time to deliver the first update post for the upcoming JRWI video game, MSABS! Today, we'd like to share with you some art and little tidbits of writing, along with a summary of how our progress is going overall. Let's begin!

The art team has been working very hard on backgrounds and gui. So far for the backgrounds, 22/38 storyboards have been drawn, and 6 pixel drafts have been made! On the gui side, all textboxes have been complete, along with sliders and slider cursors. You've already glimpsed one of the unique textboxes as the header of this update post! Here's a couple backgrounds to pair with it.

(artist: @astro2astro)

Let's move on to the writing team! We've been discussing branches of the game, and even rewrote the game's introduction. The timestamp of Riptide #114: Still Not Ferin Well that we've reached is around 7:40. Now, this might not seem like a lot, but the introduction of the game is set during the end of the previous episode, which we also cover the tail end of. The script is currently around 6.5k words long. Here's a few choice lines!

(writer: @ralexsol)

That's about it for now! We won't be saying or sharing anything that might spoil parts of the game, so until we have more art and writing developed, update posts will be smaller.

It is now September, and with the autumn weather comes a return to school. Many of the MSABS team members are balancing life, school, and this project, so our progress as slowed compared to when we first started. Nevertheless, we are still working on it when we have the time.

If you wish to help speed up our progress, please join the Discord! We're always looking for more artists, writers, and coders. It's a volunteer project with a contribute-what-you-want environment, so there's no pressure to stay for longer than you care to.

Have a good September, everyone! We'll see you on October 1st.

[the-magnussy-archives]

Crime committed by Anusia, Billie and Lyn from ArchiveCon.

Date: June 23rd

From the Archive Con Q & A panel, as part of Anusia’s response to the question "Do you ever get scared by any of the horror scripts you have to read?"

Transcript Under the cut.

(For anyone who was at Archive con, the timestamp for this in the panel is 27:34 - 29:19!)

Transcript of the Crimes:

Anusia: "I have very specific phobias when it comes to horror. Um, eye horror is one of them, um, in terms of eye body horror. And there was..."

Billie: "Well, you're in the right place for that then, aren't ya."

Anusia: "Yeah. No, no, no, I, I love like the whole, the whole Magnussy kinda, Yeah. I said the word, didn't I? Thank God for, emphasis. Umm, but..."

Billie: "Magnussy in chat"

Lyn (ArchiveCon host): "Magnussy in the chat!"

[infinitelystrangemachinex]

How to tell Arcane leaks apart from trailers and teasers

There are NO LEAKS in this post, so please read.

In summary: to identify leaks, look out for 1): watermarks, 2): unfinished animation rendering, and 3): poor image and video quality.

Tumblr isn't too bad right now, but Twitter is rife with clips and screenshots of the leaks, and YouTube has full uploaded leaked clips. These leaks show up on YouTube if you even search just "Arcane" or "Arcane season 2."

Here is a list of legitimate trailers and teasers posted by Netflix and Riot. These are not leaks and the clips and gifsets about them on Tumblr are from legitimate sources:

Season 2 first look

Season 2 teaser (short)

Ekko and Heimerdinger sneak peek

Season 2 teaser trailer

Jinx and Sevika sneak peek

There's some confusion in the tag about what constitutes a leak and what is simply a trailer or a teaser shared legitimately by Netflix and/or Riot. This is understandable because the first 5 episodes of season 2 leaked at the same time that Netflix and Riot were accelerating season 2's marketing.

Most people in the fandom do not want to be spoiled at all, and so are not excited about the leaks. Most people don't want clips, screengrabs, or even vague allusions to the leaks in the Arcane tag. They most certainly do not want spoilers sent to their inboxes, either. (DO NOT DO THIS. Don't be that person either on anon or off. Goodness gracious.)

Still, there is always going to be someone who posts the leaks in the fandom tags. However, there are many more people who make gifs and posts about the legitimate season 2 teasers and trailers. There are still almost 3 months until the first episodes drop, so we will be dealing with dodging these leaks for a long while.

Here's how to tell what's a leak and what isn't:

1): Watermarks

From what I've put together, someone at one of the dubbing studios leaked the first 5 episodes of Arcane season 2. In their entirety. However, these leaks were not production ready. The leaks are also completely watermarked and have a big running timestamp ticking throughout the run of all of the episodes.

This is difficult to visualize beyond what little Riot shared about the production of season 1 in Bridging the Rift. So I will post a NON-SPOILER screengrab of the title card of one of the leaks I took (just a few seconds before I realized I was looking at a leaked episode).

Below is a screenshot I took of nothing more than the Arcane title card from the season 2 title sequence. This is not a spoiler! Please use this example to help you tell a legitimate teaser from a leak:

Can you imagine watching 5 EPISODES of Arcane with these watermarks all over every single frame??? I'm begging you, do not subject yourself to watching Arcane in this manner, no matter how bad you want to know what happens in season 2.

These watermarks are practically impossible to remove, especially from every single frame. So any visuals you see that look clean, production-ready, and gorgeous from season 2 are definitely from trailers or teasers, not from leaks.

Here's a screengrab from the recent sneak peek posted by Netflix/Riot for comparison:

No watermarks, the animation is finished, the video quality is high. This is a legitimate teaser and not a leak.

2): Unfinished animation render

You don't need the full finished painterly animation from Fortiche to complete a dub. You just need basic character models and their movements, along with the finished script.

Much of the leaks are just this: the full complete scenes from every episode, character models are moving as they will in the final edit, the episodes' composition is complete, but the animation is unfinished and doesn't have the final painterly polish yet.

Below is a NON-SPOILER screengrab from Riot/Fortiche showing the animation process. This screenshot is from season 1 episode 5 during Vi and Sevika's first fight and shows the stage of completeness of the animation that most of the leaks show:

Notice that the scene is comprehensible, but the lighting effects and painting-like style of Fortiche is missing. It looks... okay, but unfinished-looking compared to what we know Arcane looks like. A big chunk of the 5 leaked season 2 episodes look like this.

Here's the final render of this scene for comparison:

However, I will say that I accidentally watched the first few seconds of the leaked season 2 episode 1 before it registered in my brain that I was watching a leak. There were watermarks like in my first point above, but for this particular scene, the animation was finished, and it seems like the sound mixing was finished too.

So it is possible that there are leaks floating around with gorgeous finished-looking animation. So look out for watermarks no matter what, and also -

3.): Poor image and video quality

When people say that the leaks are "potato quality," they mean it. On top of the watermarks and big timestamp across the runtime of all the 5 leaked episodes, the video quality is also pretty bad, certainly less than 360p.

The legitimate teasers and trailers and screenshots released by Netflix and Riot are all of very high video quality.

A note on early leaks

There are some leaks from earlier this year pertaining to Vi and Caitlyn's story that came from the Annecy Animation Festival Arcane panel. These leaks weren't treated as seriously because no full clips leaked, and they were mainly high-level summaries of season 2 plot points.

Those leaks are now difficult to tell apart from text posts about these new complete episode leaks. There are a lot of text posts out there about Vi and Caitlyn's story in particular as well as extremely spoilery text posts about certain characters who were in the Council tower at the end of season 1 episode 9.

There isn't much we can do about text posts

In the end, Tumblr has been pretty okay with keeping visuals from leaks out of the tag. I still see a potato-quality screenshot from the leaks every now and then. But most pervasive is people talking about spoilers from the leaks in text posts. These posts are tagged with the fandom tags and spoilers are only tagged sometimes.

Often, if the person is only vaguely alluding to the spoilers, they won't tag spoilers at all because they think being vague is enough. It usually isn't, because the post is still alluding to events outside of season 1 and the teasers/trailers.

The only thing we can do to completely avoid these posts is to not only block "spoiler" or "leak" related tags, but to avoid and block the Arcane fandom tags altogether, which is a shame.

Please, if you're someone who saw the leaks and wants to post about them, all I can ask is to at least tag your spoilers: "arcane spoilers", "arcane season 2 spoilers", "arcane s2 spoilers", "arcane leaks", or even just "spoiler", "spoilers", or "leaks" is better than nothing.

Even better would be to simply avoid using the word Arcane in the post and not tag the post with any fandom tags at all, keeping the post relegated to your blog with as little context as possible. This includes avoiding using the correctly-spelled character names in the post as well. Until the episodes drop in November, this is the most polite way I can think of to talk about the leaks and spoilers on your blog.