#school writings

[inbabylontheywept]

i did wrestling in middle school. on one hand, i was actually quite good at it, which was nice. being good at any sport was a new achievement for me. on the other hand, i was bi, and i was trying very hard not to notice that i was bi, and getting folded into knots by very kind, very muscular dorks made that task somewhat difficult.

adding fire to the problem was that my parents and my grandparents wanted to watch my matches, because they were very proud that their Gangly Nerd Son was actually Sporting, and they wanted to cheer me on. which would've been sweet and all, but if there are four people you do not want there during a key part of your Burgeoning Sexual Awakening, it is your mom and your dad and your grandma and your grandpa.

right? i mean, imagine some guy's got your head in his armpit, and you're going you know, old sweat smells bad, but fresh sweat has a sort of and then you make eye contact with your grandpa in the stands and you remember you're swearing spandex so if you pop a boner people aren't just going to be able to see the outline, they're going to be able to count the veins, and the only way you will be able to restore your family's honor after that would be by moving to siberia and renouncing joy, forever. that, or lift your entire body up by your kneck then twist 180 degrees without paralyzing yourself.

it’s a lot of pressure, is what i’m saying.

still it did motivate me to win my matches really fast. because i was so tall and skinny, i was stupidly good at the double leg takedown, and then once someone was knocked down, i'd just do the half nelson and kind of flip em over for the pin. then the ref would count to three and i’d win. EZPZ.

i had one match where that went great. won in the first ten seconds, sat back down, and prepared myself for a good hour or two of doing fuck all. didn't even feel bad the parents/grandparents were gonna be bored. the matches went up from me in 5 pound increments (i was in the 115 lbs division) and it was going great until we got to the 145 lbs division. the other school's wrestler stepped onto the mat, and she turned out to be a girl so our guy flipped, because for straight guys, wrestling a girl is not a pleasant experience.

i'm not entirely unsympathetic. my experience wrestling dudes was definitely a little traumatic. but also, i dealt. guy could've dealt too. instead, he refused to wrestle, and the coach went - fine. not even worth fighting over.

so he went to the 140 pounder, and that guy said, nosir, my mom said mormons can't wrestle girls. next guy down, 135 pounder, now he knew he could pull the same card and thus did. 130 pounder, 125, both tapped out. he got to the 120 guy, and that guy was catholic, but he said he was considering being mormon, and thus would have to pass. as a precaution.

coach blew up a little at that. he said "is there anyone - anyone - on this entire goddamn team that is willing to wrestle a girl?" and then he pointed at me and said "YOU. MAT. GO."

and i'll be real, if i'd been paying more attention, i'd have pulled the mormon card too, but i'd just been putting all that audio into a buffer file because i was reading, so i was halfway across the mat before i even processed what had been said and by then it was too late to turn back.

still i had a plan. and my plan - my beautiful, perfect plan - was to do what i'd always done. tackle, flip, pin, win. sit down. read. bore my family to death. move on.

i got the first part right. she was bigger than me, but she wasn't taller. just an incredibly stout woman. god built me like a snake with glasses, just as he built her like a combat cube. the problem was the half nelson. soon as she was down, i tried hooking my arm under hers from behind and for both genders, the defense for this move is just clamping your arms really fucking tight against your sides. if you're a guy, that's whatever, but if you're a girl - especially if you're god's chosen combat cube - that pins your opponents hand right against your boob.

so, i got the hook in, she clamped, my whole arm pressed against something soft, my coach was yelling THE HALF NELSON. BABYLON! JUST FINISH IT! FINISH THE HALF NELSON! and i was just trying to press hard enough to finish, when then my brain went

...oh.

and i flipped out. of course i flipped out. i like girls, and touching a boob is an elemental experience, and i was not ready. i was not prepared. i had not committed the sacred rites. i recoiled like i'd just brushed my arm against the surface of the sun, stood up, and backed away. nobody in the room knew why i'd given up. all they saw was me, right about to win, suddenly flailing around and scrambling. so everyone started screaming at me to just get the half nelson again, and i couldn't really yell back there's a fuckin' boob in the way and it was very distressing, and the only way i could think of to make them stop was just doing it over again the right way.

so i did.

i hunkered down and prepared myself for Wrasslin' Attempt #2: The Sequel.

i knocked her down again, EZPZ. i went for the half nelson again, but she knew what i was about to do so she super clamped, and i knew she was gonna super clamp, so i wound my arm back like a pop-eye cartoon punch before swinging my arm through the gap between her bicep and her side, but the amount of time i spent winding back super signalled what i was about to to do, which gave her time to clamp even harder, which somehow redirected the entire force of the popeye punch to the bottom of her bra.

it spat out a single boob the same way an action hero might spit out one single tooth after getting a solid crack across the jaw. as if to say:

*ptooie.* "that all you got?"

i did not actually see this. my experience was that first there was an arm, then there was a bit of boob, but i was braced, i was ready, forward at all costs, tatakae motherfuckers, and then the boob went away, and i didn't know where it went but my team, and the audience, and everyone who was in front of me, they all gasped like i just kicked them in the stomach. except for my coach. he was behind me, and thus one of the four people in the room who did not see the boob. now my mom, my dad, my grandma, and my grandpa, they all got flashed but nooooooo, coach thunderbutt was behind me, and he didn't see shit so he was still yelling NOOOOOO BABYLON WHAT ARE YOU DOING JUST FINISH THE NELSON! GO FOR THE KILL! BABYLON! BABYLON!

but i did not go for the kill. i stood up and she stuffed her boob back real fast, and we just kind of circled each other awkwardly until time ran out and i won on points. that's not technically allowed, but the ref had some mercy on me.

my coach did not.

i barely had time to sit down before he strode over to the bench to chew me out.

"babylon," he said, in that very calm way people get when they're too pissed to yell. "why didn't you pin?"

and i didn't know how to say well coach, i tried, but there was a boob, and it kept getting in the way, and my mom was watching, and so was my dad, and so was his dad, and his mom, and god (like bible god) and that's a can of worms because i'm pretty sure he was already mad at me, and i'm wearing spandex, and i think i might have to move to siberia, so instead i said

"i uh. i forgot how to do the half nelson."

which is actually impossible. forgetting how to do the half nelson is like forgetting how to swallow your spit.

and he looked at me, like i was the dumbest person in the entire world, and i looked through him like i'd just survived my 250th day in a trench at verdun, and he said: fine.

fine.

but we're all going to practice it for an hour tomorrow because you forgot.

and then he left.

and my buddies had the gall to be salty about it. i got so many comments saying "dude, why didn't you just tell him the truth?" and i said "you can if you care so damn much. you could've wrestled the girl too. maybe someone else should do the hard thing today."

but they didn't. so the next day, we did an hour of half nelson drills, and i spent a decent amount of time getting thrown around the mat, and it was pleasant in exactly the way that i hated and the year after that, to the surprise of everyone but myself, i quit wrestling and joined the trivia team.

and if you want more reasons to love my mom, my grandpa joked after the match that i might have to talk to my bishop about it, and my mom told him he would be allowed to make jokes after he stood in front of a crowd of 110 people in spandex underpants while wrestling a woman that was not his wife.

he paused for almost five seconds after that. then he said: aw. hell. sorry babylon.

and i'd have preferred my apology from god, but getting it from him was pretty good too.

[nariarts]

Spent a ridiculous amount of time last night obsessively editing my hand written zines in Photoshop to take away any tiny blemishes so they were definitely readable.

Whatever. Understand or don't.

[foldingfittedsheets]

I always forget this wasn’t a thing everywhere but my high school had a fun and innovative way to torment us in PE. They got heart rate monitors. It was this awful strap that went under the bra line and paired to a watch. The first day was great cause we got to set our resting heart rate. We did this by laying in a dark room and napping.

But then once a week we’d have to strap on these monitors and go running. The monitors were old tech and didn’t always pick up your heartbeat, so you’d have to use cold water between it and your skin to get a better connection, gods know why. Warm water never worked. After the day our watches would be collected and our efforts recorded.

The idea was that if your heart beat too fast you were supposed to stop, and if it was too slow you’d speed up. In practice this was ridiculous, staying in the green zone all class was ridiculously difficult.

Even people like me who were stubbornly resistant to running the mile couldn’t stand the horrific constant beeping and made attempts to placate the reviled machine. It was always fairly miserable. I had PE first thing in the chilly morning, dashing cold water on my skin before running around half awake was the low point of my week.

But for some unknown reason, the teacher insisted that no play could happen on these days. We were given the freedom to run all over campus but woe betide us if we tried to make a game that actually made this enjoyable.

We’d initiate games of tag only to get yelled at for not just… running. Any kind of play was forbidden. On one memorable occasion someone got a kickball and we started an impromptu soccer game with it.

If someone’s heart rate got too high they’d drop to their knees to wait out the shrieking of their watch so an extra element was added to the game of trying to win without going too hard. I remember being absolutely delighted, the thrill of that game still lives in my heart, hoping I could score a goal before my heartbeat betrayed me to the hated watch.

When the PE teacher found us we were soundly scolded and the ball was confiscated. Our happiness burst like a soap bubble and we turned our back to the enchantment of the green field and resumed slogging along in a grey haze as expected.

[thedeadpoets-blog]

late night studying in october 🍂☕️🎃📚

[shadowseductress]

How foolish of me to be an old school lover in this hookup generation.

[corkinavoid]

DPxDC "Pick Me Up"

The stream goes live on the first day of the school year. It's the usual song and dance - mad laughing, threats, poor jokes, terror, and about thirty kids huddled together in a classroom behind Joker's back. Tim recognizes it as one of the Gotham Academy classrooms. Dick can't imagine the horror those kids' parents must be feeling right now. Jason jokes about middle school traumatic experiences. Damian is feeling very justified for skipping classes today.

Bruce, all suited up in his Batman garb, is making his way to the Academy as fast as he possibly can. Those are kids.

Gotham is once again anxiously kept on the edge of their seats, watching as Joker decides to interview the kids on their learning experience so far. Something about leaving a good first impression on the new generation or some other bullshit. Most kids stutter over their words - it's true that Gothamites are way more composed when facing life-threatening events, but those kids are only fourteen or fifteen for the most part. They are not old enough to keep their cool in the face of a murder clown.

That is, until Joker points his camera at one of the girls. Black hair in a high ponytail, blue eyes without a trace of fear, a slightly displeased, even bored expression on her face. She looks straight into the camera, not even waiting for the laughing madman to finish his question, and deadpans:

"I don't think I like school. Pick me up, please."

Joker sputters.

"Not so scared, I see," he sneers, and, in the next moment, a comically large gun painted in purples and greens is pointed to the girl's forehead, "How about now?"

The girl scrunches her nose and makes a so-so gesture.

"It's kinda meh," she admits, "Like, yeah, points for style, but you know, size doesn't matter. It's all in the technique."

Dick snorts over the comms. It's a bad time for laughing, sure, but the phrase caught him off-guard. This is not what you'd expect to hear from a teen, and definitely not something you'd expect anyone to say to the Joker. Jason's comms are muted, but Barbara knows he also laughed a little.

"Technique, you say?" Joker hisses, pressing the gun closer to the girl's head, and she winces, leaning away from it, almost as if she is disgusted by the touch.

"Yeah, I mean, guns are not that scary anyway. What are you gonna do with them, blast my brains all over the floor? Been there, done that," the girl shrugs, "Kinda nasty, but overall, it's just like slime, only sticky." She pauses and looks to the side, seemingly lost in thought, "Huh, maybe we should have added Borax to it. Or was it baking soda?.."

"Listen here, you little brat," Joker's fingers catch the girl's chin, and his voice becomes sickeningly menacing. Bruce is almost there, just two more minutes. Tim is already grappling onto the wall.

But none of them get to finish.

"Put your dirty fingers away from my sister," a low, cold, and even in a way that speaks of barely contained fury, voice comes from out of the screen.

The camera spins, like whoever is holding it turned really fast, and everyone watching the stream sees a fairly normal guy standing by the window - a turtleneck and ripped jeans, same black hair as the girl, same blue eyes... Wait, they are not blue.

And that's not a guy.

The camera falls down to the floor, and there are a lot of panicked screams coming from the broadcast now, but none of them sound like children's voices. It's the screams of adults, of grown-ass men, and later, someone even claimed they heard Joker's scream among them, too. The picture on camera glitches a few times, and the angle is awkward, but everyone still gets to see how shadows in the room morph into eyes, wide open and green, and how the darkness grows sharp teeth, countless grinning mouths that don't belong to any faces.

Screams turn into gargling and then to quiet whispers, filling the ears of all those listening with countless words in languages they don't know.

Red Robin turns off the recording and looks to that same guy from the levestream, sitting across him on the couch. The guy - Daniel, or Danny, as he introduced himself - looks him in the eyes and raises an eyebrow.

"Okay, and?"

"How did you do it?" Tim asks for the third time this evening. Danny blinks.

"Did what?" He asks, completely incomprehending. Tim groans. He's been trying to get his answers, any answers at this point, from the guy for thirty fucking minutes already. So far, he's got nothing. Danny, whoever the fuck he is, proves to be the most annoying human being on Earth.

"Seven people in a coma, including Joker himself, with no physical injuries and none of the children remember a thing! How?!" He demands, and a girl's face peeks from around the corner:

"I remember!"

Tim snaps his head at her, "What do you remember?"

The girl pauses, blinks, and looks to Danny. Then shrugs, "My brother picked me up from school."

Tim drops his head down and breathes out in frustration. He can't force the information out of civilians, he is a vigilante, not a mafia.

"Would it make you feel better if I promise not to do it again?" Danny asks, and his voice is way too innocent for Tim to believe him. He raises his head to look the guy in his shameless, amused eyes.

"I hate you."

"Thanks," Danny grins.

[funtergeist]

are there still any shadowpeach fans

[dapper-lil-arts]

Ah the dichotomy of the Celestia family... The preps and the goths

[ikiprian]

Mr. Fenton is a competent teacher. Almost too competent.

If Mr. Daniel Fenton had any more than a BS (with a minor in education), Tim would’ve flagged his profile as a potential Rogue. That’s the way of most charismatic academics, at least in Gotham. (Got a PhD? Instant watchlist.) Instead, he’s Gotham Academy’s newest celebrity, as a young, passionate, out-of-towner substitute while the chemistry teacher’s on maternity leave.

Tim gets the hype. Fenton seems to genuinely love teaching, and is invested in the welfare of the student body. He hands out bananas during exam week, hosts a “study habits seminar” each month to coach effective learning strategies, and the third time Tim falls asleep in his class, he even pulls Tim aside to ask if he’s doing okay. With all the late work he accepts and the protein bars he sneaks Tim, he’s every teen vigilante’s dream teacher. He could’ve been Tim’s favorite.

In fact, Mr. Fenton was Tim’s favorite. Up until Tim walks into Mr. Fenton’s chemistry classroom for a forgotten textbook, an hour after the final bell.

On the board where tallied scores for today’s review game had been kept, “THE CHEMISTRY BEHIND DR. CRANE’S FEAR GAS: ANXIOGENICS, NERI’S, & YOU,” is now scrawled. A detailed diagram of the human endocrine system projects in front of a small crowd of adoring and attentive students.

Fenton is wrist-deep in the skull cavity of an anatomical model. A short tug, and out pops the brain.

It’s plastic. It’s fake.

Tim identifies the nearest emergency exit.

Fenton turns to the door, and in the dark classroom with the projector illuminating half his face, his eyes almost seem to flash red. “What’s up, Tim?” he asks. His friendly grin is too big for his face. “I didn’t know you wanted to join the Just Science League!”

[OR: Danny’s a science teacher at Tim’s school. Gotham’s a pretty wild place, even for someone who grew up a superhero in a ghost-infested town, so he takes it upon himself to start a club teaching kids how to manage themselves in the event of a crisis. These Gothamites are pretty hardy, but a little extra training never hurt anybody! And he suspects one of his students might be a teen vigilante, like he’d been, back in the day. As a senior super, it's Danny’s duty look out for him! Surely, this is the subtlest and most appropriate way to give the kid pointers.]

[Tim immediately assumes supervillain.]

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[lazylittledragon]

'i'll just do a couple of doodles of mombin™/platonic stobin parents' nevermind, borderline graphic novel

[hairmetal666]

No one knows who writes the Hawkins High Tattler. It comes out every week, without fail, has for almost two decades. Everyone reads it, even teachers, even parents. It's caused more the one suspension, grounding, and even--famously--a shipping off to boarding school.

Steve's never let the Tattler get to him much. He's in it, of course, practically a new story every week. But it's just silly gossip.

Of course, Steve is also, currently, the titular Tattler, so. It's not like he's surprised when his name shows up.

It's his third year, his last year, and he knows everything that ever goes on at Hawkins High. It's pretty easy, honestly. Everyone thinks he's ditzy and vapid; nothing more than hairspray and polos. People will say anything around him, assuming he's not listening or not interested, and then bam. It's in next week's Tattler. No one even suspects him.

The confessions locker probably helps. Down by the theater, busted and unusable, the perfect place for people to leave tips, to tattle on their friends (or enemies, as the case may be).

That's what he's doing right now, checking the confessions locker. After 9:30 on a Friday night, the place silent as the tomb, perfect time for it. Pretty standard fare this week. The only thing of interest is that Eddie Munson was the person who broke all Ms. Click's pencils and left the stubs on her desk. This one, he laughs at, can't wait to publish it; can't wait to talk to Munson about it.

He gets a lot of stuff about Eddie. Most of it he doesn't publish because it's bullshit about satanic rituals--the nerdy kids he babysits play dnd, and there's no way Karen Wheeler is letting anything satanic happen in her basement--or about his sexuality, and one thing Steve doesn't do is out people.

Gathering up this week's submissions, he closes the locker with a soft clink, and he swears, swears he hears the squeak of a tennis shoe on the polished tile of the floor. He freezes, heart in his throat. Nobody has been here this late before.

Seconds pass but there's only silence. Confident he's only hearing things, he heads out, the parking lot just as empty as when he arrived.

---

He sees Eddie a few days later, when he's picking up the kids from the arcade. They typically exchange casual greetings, but as Steve waits, Eddie stands with him, offers him a cigarette.

"Read that was you who messed with Click's pencils. Good one."

Eddie shrugs, gives a little bow and a smile. "Happy to be of service."

"It was my class, when she found them. Never seen her so mad."

"No way," Eddie laughs. "Not even when Hagan drew dicks on all the textbooks?"

"Not even then, man. She was throwing pencil stubs everywhere."

"Fuck, sad I missed it." Eddie takes a drag, Steve's eyes following the movement, lingering on his mouth. Something warm and tingling builds at the base of his spine and he forces his gaze away.

"How long you in detention for?"

"I'm not. Swore it wasn't me, and Click doesn't want to admit she reads the Tattler, so. Not much they could do. "

"I've seen it sitting on her desk!"

"I know! She reads it when she has detention duty!"

They lean against Steve's car, laughing, and Steve feels good. This is good. He likes Eddie. He's funny and dramatic and smart and kind. He's not deserving of any of the mean things that get submitted to the Tattler.

The kids come streaming into the parking lot then, and Eddie stubs out his cigarette, says "see you around, Harrington," and Steve finds himself flushing for reasons he can't quite explain.

---

He starts seeing Eddie around way more. He's in school most days, smoking in the parking lot after the last bell, chatting with Steve in the hallways.

It shows up in the Tattler; big news that the King and the Freak are hanging out. Most of the submissions are about it, increasingly elaborate rumors about their supposedly deep, close friendship.

He wishes he could tell Eddie.

Eventually, Eddie invites him to smoke at the quarry. He doesn't hesitate to say yes, doesn't even bother to try ignoring the swoop in his stomach, the speed of his heart.

They sprawl out in the back of the van, Eddie's loud, raucous music pounding around them, sharing a joint back and forth.

Steve gets hazy, boneless, can't stop watching Eddie, the way his lips purse around the joint, his long hair glinting gold in the weak light of the camping lanterns, the pleased shine of his eyes every time he makes Steve laughs.

He likes Eddie so much. Everything about him, honestly. Butterflies ping in his stomach, happy and slow, and he thinks how nice Eddie's lips are, wonders how soft they must be. And he thinks--he's read the submissions, right--he knows the things they say about Eddie, and he wishes it was true, he wants--he wants--

He wants

---

Steve's running late to check the locker. Lost track of time at the diner with Eddie, and it's making him panic.

He stuffs the submissions haphazardly into the pocket of his hoodie, dancing with nerves, willing himself to grab them all and get out.

Locker emptied, he sprints towards the exit. He has a second to process someone barreling towards him in the dark, but he's going too fast to stop, can only brace himself as they collide.

It sends him sliding across the floor, Tattler submissions spilling out of his pocket like snow. He hits the ground, scrabbling for the papers, praying that whoever is here with him can't see them in the low light.

Hands grips his biceps. "Stevie, Steve, we have to get out of here" and there's a second where he's comforted by the familiar rasp of Eddie's voice before terror spikes again.

He pulls himself from Eddie's grasp, searching for any dropped submissions in easy reach. "Wha--why--what's--"

"I ran into Jason Carver and his band of idiots at the gas station. They're on their way to here to try to catch the Tattler in action."

Steve freezes. "I don't--that's not--I--"

In the deep silence of the empty school, they both hear the slamming of a door, a bitten off giggle. Eddie grabs his wrist and they run. Into the theater room, through a door Steve didn't know existed, to the backstage area of the auditorium.

"You should be safe here," Eddie says.

Panic spirals through him. "I can explain. I was just--I forgot a--I needed--"

"Harrington! I know, okay? I already know."

Steve can only blink at him, swallows rough in his throat. "What--Eddie, I--"

"I saw you. Weeks ago. Forgot my notebook in the theater room after Hellfire and had to run back for it. You were there, at the locker."

"You can't tell anyone."

"I'm not going to."

"No, Munson, you really can't. Nobody can know. Nobody--"

"Swe--Stevie, I promise. The secret's safe with me." He rocks back on his heels, chewing on his lip for a second before he continues. " I--I couldn't figure you out, you know? I saw you around with those kids and it didn't make any sense. King Steve, babysitting tiny nerds? But I saw you at the locker and..."

"You're giving me too much credit, man."

"I don't think so. You're never--fuck, Harrington--you're never mean. At least, not in the last couple years. You spread gossip, but you don't punch down, and you're funny as hell. Mean as shit too, but only to the people who deserve it."

His ears burn and he looks down. "Just because I have fucking--fucking editorial standards doesn't mean that I'm anything special."

Eddie scoffs. "Remember, Stevie, I was reading it a year before you were here. Cruel, vapid garbage. Always the most vile, pointless stories about people who couldn't defend themselves. And how many submissions have you gotten about me, for instance, that you've never used?"

Steve clenches his fists. "I would never--"

"I know. Sweetheart, I know. That's why I li--You're so fucking good, Stevie."

He laughs, ears burning. "I'm really not, Eddie. I try to write about fun gossip that can't hurt anyone too much, and nobody's found me out because they think I'm too dumb--"

Eddie reaches out then, fingers connecting softly with the edge of Steve's jaw. He can't help but lean into the touch, eyes flickering closed.

"You don't want to hurt people because you're fucking kind. You know how I know for sure? You must get submissions every week about me, and you've never once printed that I'm--" Eddie stops then, swallowing hard.

Steve's throat goes tight. He rests his hand over Eddie's, still holding his face. "Me too," he whispers. "Kind of. I like--it's both. For me."

"Oh," Eddie breathes, mouth lifting in a bright, beautiful smile that Steve can't help but return.

He's watching, sees when Eddie's gaze drifts his lips, making his breath hitch. He doesn't really think about closing the distance between them, slotting their mouths together in a tentative, gentle kiss.

"You're just full of surprises aren't you, Steve Harrington? Eddie asks when they part.

Steve blushes. "That's sort of the last of them."

"Sure. Next you'll be telling me you've played dnd."

"I have a character."

"What???"

"Human paladin. Dustin worked on it with me. Ready to get out of here?"

"Human paladin," Eddie gapes. "You know--you said--what's happening?"

Steve twines their fingers together, leading Eddie towards the auditorium exit. "Well, first we're going to walk out to my car and then we're going to my house, and we're going to look through Tattler submissions. Maybe makeout a little bit."

Eddie giggles. "What the fuck? Like. What the fuck, sweetheart?"

He turns to face Eddie, smile big and pure and bright with happiness. "If you're really nice to me, I'll let you help write this week's issue."

"Oh, oh. You're going to wreck me." Eddie mumbles, almost to himself.

"If you're lucky." Steve beams.

[foldingfittedsheets]

I feel the need to share since my lube post is going around that my life is just like that since I worked at the sex shop. Sex Ed is a very standard topic. People just immediately pick up a vibe from me and even in situations where someone doesn’t know I used to sling dildos for a living they’ll just start confiding sex stuff to me.

Not in a creeper way. But like this weight had been lifted and they can finally talk freely about sexual topics. The energy I put off is just so blasé and accepting that people tell me about their sex lives, usually very quickly after meeting me. They usually then have a moment of panic or regret and apologize but I always reassure them that I used to work in a shop and that I see nothing odd about talking about it.

My go-to line is, “I’m a creature devoid of judgement.” They always laugh. Then the questions get more specific or people start asking for brand recommendations. It’s always been funny to me.

My beloved has always been a little confused by it. “People don’t just start talking to me about sex! I know you don’t bring it up. It just always seems to go there when people talk to you.”

“It’s just my energy.”

The first time I was meeting their mom she was coming to stay with us. We picked her up from the airport and brought her home. My beloved went upstairs to use the bathroom. When they came back down their mom was asking me questions about vibrators and their jaw hit the floor.

In our room later they said, “She doesn’t even talk to me about that stuff! She’s so embarrassed about sex topics, I cannot believe she was asking you about that!”

“What can I say,” I shrugged, “I’m a creature devoid of judgement.”

[somehowmags]

i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.

ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.

ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.

which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.

[dumblr]

“Give me fresh flowers and an old love.”

— Kavya Dixit

[chillyfeetsteak]

I first became fascinated with it a few years ago when I noticed it out an airplane window on a flight from Texas to Southern California. In an expanse of endless desert, suddenly, a vast body of water. When I got home, I immediately looked it up on a map. The Salton Sea.

It’s the largest landlocked body of water in California. It sits right on top of the San Andreas Fault at over 200 feet below sea level. It is more than twice as salty as the Pacific Ocean. It is completely toxic. And I had never heard of it before then.

(photo essay under the cut)

In the early 1900s the Colorado River was diverted through a series of irrigation canals in order to provide water for the farmlands of Imperial Valley. One of the head-gates broke during a flood, and the desert basin filled with water for 2 years before it was fixed. The unexpected lake soon became a popular vacation destination; it was stocked with fish, and resorts and hotels popped up along its shores. It became known as a great place for sport fishing, waterskiing, and yacht parties. Big name celebrities visited. At one point, it had more annual visitors than Yosemite.

Salton Sea has no outlet, and is only filled via agricultural runoff. As the water evaporated in the hot desert sun, the lake became more and more saline. Chemicals began to build up from the run off causing toxic algae blooms, and mass die-offs of fish and birds started in the 80s. By the 90s, the beaches were littered with fish gills and bird bones and the resorts were abandoned. The lake began to dry up as irrigation run-off was diverted away. The exposed lake bed is also toxic, and the high desert winds kick up the dust, making the air poisonous. 

Despite the unpleasant odor, the noxious air and the summer temperatures regularly reaching 120°, a renaissance of sorts began in the early 2010s. Artist and nomad colonies began to spring up around Salton Sea. Bombay Beach, once a popular resort destination, is now mostly a ghost town, but the folks who remain have turned the ruins on the shores into an outdoor art installation gallery where the found-art sculptures are cyclically destroyed by the elements and then replaced with new ones. Many of the houses and RVs in town are themselves art pieces.

In nearby Slab City, a settlement of off-the-grid lifestylers, you can find even more folk art. Salvation Mountain is a manmade hill painted with bright colors and bible verses and maintained by a community of volunteers. East Jesus is a sculpture garden and art installation. 

This past weekend my partner and I finally made the pilgrimage to the Sea. California has the benefit of being home to a huge array of biomes. In just a couple of hours you can travel from snowy mountain peaks to lush oases to endless sand dunes. Driving the hour or so south from Palm Springs towards Salton Sea is like driving towards the end of the world.

Bombay Beach especially enamored me. The beach is crusted with salt and millions of tiny shells and bones. It smells awful, like sewage and chemicals and low-tide and rotting fish. You drive out onto the beach and park anywhere amongst the sculptures and deteriorating resort ruins. The art feels raw in a way I haven’t experienced before. It reminds me of seeing paleolithic cave art. Humans made this, with no motivation other than to create something intriguing or beautiful or sad. Not much can live out here, but what you find fills me with a great adoration for humanity. Despite the asphyxiation of the natural world, the human spirit persists.