#saving the world stories are too high stakes for me

[artyandink]

that’s my man (and my woman)

Summary: Your kids are curious little buggers. Asking questions about everything and anything under the sun. So there comes the complications of when your kids ask you if you’ve fallen in love before. How will you explain everything? Time to put your imagination to use.

A/N - I’ve been putting out a lot of sexy fics recently. Why not some fluff?

Song Inspo: Style - Taylor Swift and Perfect - Ed Sheeran

It took so long just to get two human beings to eat breakfast.

“Charlie, Sam, breakfast!” You called up the stairs, sighing after you did. Your hands were on your hips in true mom fashion, and disbelief and faux-regret was your adrenaline high this time as you wondered why exactly you had kids. That you loved to death despite their poor eating schedule. “Come on, I made pancakes.”

The thundering of little feet on the stairs told you that you had two incoming hurricanes.

Your seven year old boy, Sam, and your five year old girl, Charlie, appeared at the bottom of the stairs with broad smiles, crashing into you for a bear hug that knocked the wind out of your sails. You laughed as you hugged them back, giving a few pats of their head each. “Hey, there. Ready for breakfast?”

“Is there syrup?” Charlie asked eagerly, running and hopping into a high chair, grabbing her plate of pancakes and bringing it to her with a familiar lick of her lips and happy, twitchy grin. Sam had gotten his father’s hair, while Charlie had gotten yours. But the eyes were swapped around, and it was always a point of laughing. Not one child could be more like one or the other.

Arguably, both kids had their father’s dimples and smile. So yes, he could stake his claim.

“And whipped cream?” Sam added with a toothy grin.

“Raspberries?”

“Blueberries?”

You shook your head with a chuckle; such chatterboxes. You opened the fridge and a cabinet, getting out the maple syrup, whipped cream and strawberries. “Not too much, ok?” You passed the toppings to them, and with a chorused ‘yes, mom’, they proceeded to completely disregard your orders. It made you shake your head again, huffing out a breath when all sense of scolding them disappeared once you saw the golden morning light hitting their little heads as they squealed and laughed.

Kids. You loved them to bits.

“Mom,” Charlie asked through a bite of pancake and whipped cream that smeared over her mouth, “have you ever loved someone before?”

The question startled you slightly, but you grabbed a kitchen towel, cleaning her lips with a soft smile as she shied away with a shriek of delight, little bunches waving about wildly. “Course I have, sweetie. But only once.”

“Ooh, tell me, tell me!” She giggled, while Sam cringed a little, muttering a small ‘gross’ that got a sharp glare and pout from Charlie. Out of care for his little sister, he shut himself up.

You took a slow breath in to give yourself time to think, leaning on the counter and putting down the paper towel. “Well, it started a long time ago. When I was twenty six, all young.”

“That’s old.” Sam wrinkled his nose in confusion. You scoffed lightly, because it damn wasn’t, but he was just a kid.

“Behave, Samuel.” You ruffled his hair with a laugh. “We met at my old job. 4th October, 2006. He had his brother with him. Now, I thought he was trouble. He had a leather jacket and one of those really fancy, loud cars and he was very popular with girls.” You reached out to tickle Charlie’s side, which had her squeaking. “But he was likeable, and charming, so I wanted to bump into him more often.”

“Was he cool?” Sam perked up, suddenly very interested. “He sounds cool.”

You pinched his chin affectionately. “The coolest. But our job was very tiring. We went through a lot of big stuff, like I told you in your bedtime stories. There would be vampires and werewolves and fairies of all kinds, but he and I would always save the day. And if we didn’t, we’d save the next day.”

“You saved the world!” Charlie exclaimed, making an aeroplane with a pancake bite on her fork. The action sent a flutter of warmth and love through your chest. For your family. Something you thought you’d never have.

You nodded, guiding the bite to her mouth gently before your hyperactive child sent the fork flying. “That’s right, gumdrop. We saved the world.” It was like telling a story, of you and your prince. “I couldn’t help but love him. He’d call me sweetheart and hold me tight. He’d look at me with a wide smile on his face, just for me. And he told me I was the one he was looking for.”

“That’s corny.” Sam piped up, but he also had a wide, goofy, dimpled grin on his face. He leaned forward. “So, where is he now? Did you two leave each other?”

“Well, he-” The sound of the door opening and closing echoed through the house, followed by soft padding steps and heavier ones not so far behind.

“Sweetheart, I’m home!” A familiar voice called, the deep one which always had your stomach doing flips. That you heard murmuring sweet nothings in your ear every damn day. “C’mon Miracle, stay still- attaboy. Such a good boy.”

“That would be your father.” You sighed, not in a disappointed way, but a lovesick teenager way because hearing the word ‘sweetheart’ from your husband’s mouth never got old.

Your husband. Damn, you didn’t think you’d make it to that point. Not when Chuck was still a threat. Or even that rebar that Jack saved him from.

Your kids shrieked happily and practically flew off their high chairs, sprinting towards their dad, who was busy taking off his jacket in the hallway.

Dean Winchester. All 6’ 1” of flannel and denim, but this time with burden-free smiles and lit up looks.

When he saw his two munchkins, the jacket was off in a flash and he’d bent to one knee in order to absorb the impact of two koala hugs. “Aw, hey, squirt number one and two. Hope you didn’t give your mom much trouble.”

It felt so much better than the impact of a punch. Indescribably better.

��Dad!” The two giggled at the same time, accepting two kisses on the forehead each while being smothered by their dad’s strong arms. Warm and comforting and no longer instruments of destruction.

They’d always be somewhat like that, Dean thought in the back of his mind. The seed of doubt sowing in again.

Then Dean saw you in the hallway, and his brain forgot to work, doubts forgot to sow and crept into the dark corner it came from. You, his wife (he never got tired of the way that word rolled off his tongue), Mrs Winchester, standing there all pretty looking at him with those eyes of yours that always saw through his crap and often jackassery.

Dressed up in his undershirt, your sweats with the last few winks of sleep yet to go from your eyes, but still working yourself to the bone to make sure your kids had a good meal. A far cry of the days where he’d look up, see you covered in blood that wasn’t yours, adrenaline-pumped with that sexy fire in your eyes, machete in hand instead of that ring he bought around your finger.

He preferred this look on you. It meant you were safe.

Dean watched as you gave Miracle an idle scratch before ushering the kids into the kitchen, then walking up to him and wrapping those gorgeous arms around his neck, gorgeous eyes twinkling and your gorgeous lips stretched into a smile.

The whole nine yards, apple pie and picket fence of gorgeous and it was all his. All his personal heaven.

“Mrs Winchester.” He murmured, nudging your nose with his as his arms circled your waist, drawing you in and gripping your hips with both underlying possessiveness and a tender glow in those emerald eyes. Your soul soaring and low, warm vibrations in your body increasing until it was at the frequency of his. Syncing you both.

“Mr Winchester.” You giggled softly as you let your lips meet his once, pulling back. Then you couldn’t help yourself, letting them meet in holy matrimony again. And again. And again, over and over until you were both mentally and physically restraining yourselves due to your children being in the next room.

“We have to stop.” Dean chuckled, his hand tangling in your hair as the other inched down from its place on your hip, taking yet another hit of your honeyed lips.

“We do.” You whispered back, meeting his ministrations with the slow massage of your thumb against his scalp from where your fingers ran through his hair, your other hand on his chest.

Over his heart.

“Hard to when y’looking so pretty, darlin’, and you know it.” He huffed, nuzzling your nose before dipping to press a slow, hot kiss to your jugular. “Wearin’ my shirt too, hardens the bargain. And these sweats, god, you know what they do for your ass.” As if to punctuate his point (and sentence), he gave a quick, firm slap to it. “Ain’t makin’ it easy for me here, baby.”

“Dean!” You squeaked, giggling. “Our kids are in the kitchen.”

“Lil’ buggers. My sex drive’s arch nemesis.” He groaned against your neck, but listened anyway, taking his hand off your ass and cupping your cheeks, pressing a loving kiss to your forehead, then hairline. “C’mon.” You two made your way to the kitchen, where Miracle then padded over, rearing on his hind legs to paw at Dean’s jeans for attention. He obliged, bending down to ruffle Miracle’s golden coat.

“Hey, boy.” He whispered, fingers doing good work to give Miracle the love he was whining for. “I love you a lot, ok? But I’ve got a wife, a very sweet, very sexy…” Dean gave you a once over with a lick of his lip and a quick bite of the bottom one, “wife. And I wanna get her in bed today, so don’t ruin this one for me. All respect given. Alright?”

A small whimper of affirmation.

“Attaboy.” Dean gave Miracle a quick scratch behind the ear before straightening up.

“C’mon, mom, tell us what happened to the cool guy!” Sam insisted, which had Dean raising an eyebrow at you in question. Cool guy? Who, what, when, where, how, why?

“Yeah, the one that stole your heart and put rainbows in your eyes!” Charlie added, making a heart with her tiny hands.

Dean smirked, leaning against the counter by his hip. “Oh? Who stole your heart and put rainbows in your eyes, honey? Do tell.”

“First of all, I did not say that.” You chuckled, raising a finger.

“You don’t have to. It’s all here.” Charlie pointed to her own eyes with an intense stare at her finger and a cute pout. It almost had you melting. “But tell us!”

“Oh, fine.” You rolled your eyes playfully with a laugh, then took Dean’s hand and kissed the battle-scarred knuckle.

The gesture making Dean internally melt and externally making his eyes fill up with hearts and his lips twitch into a warm smile.

“I married him.” You said softly, your eyes mirroring the same look.

“Damn right.” He chuckled, leaning forward and meeting your lips in a sweet, slow kiss. Free from the stress of an Apocalypse or a battle. That tasted like coffee and toothpaste rather than beer or whiskey and had no rush. His hand cradling your cheek while yours gently cupped the back of his head. Breathing in his body wash that wasn’t low grade anymore. You still had the unlimited credit cards, so you had more time for things like these. The little things.

You became absorbed in everything Dean, the kiss not as passionate as when he’d dipped you and took your breath away in front of a crowd of hunters on your wedding day but still had the same meaning. The whispers of the vows you two had choked out through tears. He became absorbed in you, in the sweet taste of a croissant on your tongue and your floral scent dizzying and overwhelming his senses in a good way. It was you he was feeling. It felt like you, so real, so safe. It felt like home.

“Ewwww!” You were interrupted by Sam and Charlie, and you broke apart, foreheads pressing together with a soft laugh coming from the both of you.

His hand on your waist, yours carding through his hair. Comfort, assurance, something you both had been deprived of for fifteen straight years. You wouldn’t let being Mrs Winchester go. Not now, not ever.

Mrs Winchester. Never got old.

I’d appreciate a like, comment and/or reblog! Make sure to do this for all your favourite writers so they get inspiration!

TAGLIST:

@goldngguk @sweetpeachbombshell @slut-for-stiles @staple-your-mouth @daddyscrimsstuff

@dob-4-life @marcis-mixtapez @nonoreas0n @gabrielasilva1510

@lucyholmes13 @pandadork-blog1 @nicolstancu @malusinhaaaa @dybalabandolero

@a-cup-of-nightshade @tomatoessoup @sh0rtcakee @fall-06 @mckaykay-fandoms

@b3th13

@demonxangelomegaverse @deanwinchestersgirl87 @capailluiscedove @i723l-interrupted2323 @niyomiii

@all-the-fan-fic @eviekinevie8 @sunflowerlover57

@1-800-dean-winchester

@darichvep @idk-usernme @supernaturalmarvel3000 @ega2025 @deanbrainrotwritings

@targaryenluvs @bucky-hydra-hoe-barnes @leigh70 @aintnowayboi @ripoffsteveharrington

@gleefulleve @sacrosankta

@riteofpassage77 @eevvvaa @thedevilortheangel @thorsballhair @barbienotdoll

@4e1h3r @wolfieblue03 @kianaleani @vicky199625 @sassyslut2003

@impyrz

@didisull @miwp @lastcallatrockysbar @rizlowwritessortof

@zepskies @angelbabyyy99

@autisticgothic

@yourgoldengirls @deansobsessedgirl @mrsjenniferwinchester

@aylacavebear @lailawinchesterr @brightlilith @arcanaa @hobby27

@lyarr24 @ximm19

@a-girl-who-loves-disney @jeneelsworld @deans-spinster-witch @deanspinsterwitchs-readinglist @kayleighwinchester

[etheraltides]

BITTER SWEET ᥫ᭡࿔ - 𝑠𝑒𝑟𝑖𝑒𝑠

Pairing: Rafe Cameron x kook!thornton!Reader

Summarize: Rafe Cameron, a rising name in the business world, desperately needs a date for the wedding of the year. With a major investment deal on the line and his image at stake, he finds himself reluctantly turning to the last person he ever expected for help: Topper’s little sister, a girl he’s bickered with since he could remember.

Warning(s): none so far. Despite the photo being used as the cover of the story, there are as little body descriptions for the reader as possible.

A/N: English isn’t my first language and I did my best do edit it all - so if something escaped me, please, let me know .ᐟ

˖ ᡣ𐭩 ⊹ ࣪ ౨ৎ˚₊ Chapter one: sealing the deal ˖ ᡣ𐭩 ⊹ ࣪ ౨ৎ˚₊

Rafe Cameron stood on the front steps of Topper’s house, starring at the tall wooden door where the stakes were impossibly high. He ran a hand through his hair, jaw set in frustration. What the hell did it have to be her? He’d asked himself that question a dozen times on the drive over, and still, he hadn’t come up with a good answer. She was the safest option. Not the best. Safest. That was the only reason. Or so he kept telling himself.

As he raised his hand to ring the doorbell, the door swung open and there she was – Topper’s sister, dressed in a loose t-shirt and denim shorts, barefoot on the porch. Your hair slightly tousled framed your face, the same sharp, calculating expression you always wore whenever he was around sent a flicker of irritation through him - it was like you always seemed to know what he was thinking before he did.

Your gaze narrowed, sweating over him, briefly curious and confused.

“Rafe?” she asked, crossing her arms over her chest. “You’re at the wrong house. Topper’s not here.”

He cleared his throat, trying to focus. She always had a way of making him feel like he was already losing some unspoken competition. “I know.”

“Then why have you been standing on my porch like a psycho for the past ten minutes?” You arched a brow, holding the urge to just close the door and go back to your tanning session. You were so relaxed before your phone rang, an alarm from the camera app informing that there was movement in front of the house. You had rolled your eyes when you recognize the figure in the video, hoping he’d leave but he didn’t so there you were.

Wasn’t it too early for your patience and kindness to be tested?

“You are.. infuriating, aren’t you?” Rafe dry laugh escaped his lips, plastering on a fake smile as he held back the urge to call you names. That wouldn’t get him anywhere.

You arched an eyebrow, lips curling slightly at the corner. “So… what do you want?”

Rafe hesitated, eyes flicking to the side for a second as if looking for an escape. He could still leave, save himself the embarrassment. But no, he needed this. He squared his shoulders, locking his gaze onto hers. “I need a favor.”

His words made you arch your brows, head tilting as you watched him with curiosity and suspicious – Hadn’t Topper stopped with the pranks?

Your surprise was brief, barely a flicker in your eyes before you masked it with a smirk. “You need me to do you a favor? Now I have to hear this.”

Maybe Rafe Cameron was finally out of his mind.

Rafe gritted his teeth, your teasing tone instantly getting under his skin, as usual. “It’s not that big of a deal.”

You leaned against the doorframe, your body tilting slightly toward him, but with that same casual arrogance you always carried towards him. “Doesn’t seem like nothing if you came all the way here to ask. So, what is it?”

He shifted his weight from one foot to the other, fighting the urge to look away. “There’s a wedding this weekend. The Haverfords’ daughter. I need a date.”

Your eyes narrowed, lips pressing together as you tried to hide a smile, masking your laugh with a cough. “You’re asking me to be your date to a wedding? Are you out of your mind?”

“Fake date,” he corrected quickly, teeth gritted. He ran a hand on the back of his hand. Rafe sighed, shifting his weight “I need this to seal the deal with the Haverfords. Their daughter’s wedding is this weekend, and it’s a high-profile event. Showing up solo? Not good for business. It’s about optics—looking stable, like I’ve got my life together. You help me, I’ll make it worth your while.”

You gave him a slow, incredulous look, eyes flicking over his face as if waiting for him to reveal the punchline. “And why me, Rafe? You could take any girl on the island—half of them would jump at the chance.”

Rafe felt a familiar irritation rising. Couldn’t you say no or yes already? “I don’t have time to babysit someone all night. I need someone who can, you know… hold their own. You get how these events go, and I won’t have to worry about you saying something dumb.”

Your smile faltered slightly, and you studied him for a long moment, as if weighing his words. “So I’m your safest option?”

“More like my most reliable option,” he countered, but there was a tightness in his chest, and he couldn’t quite shake the feeling that he was treading on dangerous ground. “You won’t embarrass me.”

You crossed your arms more tightly, your lips pressed into a line as you looked at him with a mix of defiance and intrigue. “And if I do?”

“Then I’ll figure it out,” he said, but he could feel the heat creeping into his cheeks. Anger. It irritated him how you had this effect on him, like his heart was suddenly racing, erasing any trace of calmness from his being. “But I need someone solid, not a gold-digger looking for a free meal.”

You stepped a little closer, your expression unreadable, eyes locked onto his as if searching for something beneath the surface. “Was that Rafe Cameron complimenting me?”

“Don’t read too much into it. I think you know how to navigate these situations. That’s all.” Rafe said, trying to keep his tone steady. “Look, if I knew something else would work, trust me, I wouldn’t be anywhere near you right now. And it’s just for one weekend, alright?”

“So that’s what I am to you now?” You tilted your head, finding it rather amused to watch him squirm. Desperate trying to be nice for once. “Your best option?”

“Look, I’m not saying that—”

“But that’s exactly what you’re saying,” You cut him off, your voice rising slightly, though it lacked real anger. Your eyes sparked with something he couldn’t quite define, and it sent a shiver down his spine. “You need me because I won’t make a fool of you.”

Rafe narrowed his eyes, refusing to back down to admit that yes, he was a bit desperate for help. Your help.

He really didn’t want to risk making a not good enough impression. The best investor of Charleston would be in that wedding. Hell, he had invited Rafe himself. The Cameron young man needed him to boost his business to another level. To build something great, a name for himself so he wouldn’t leave in his father’s shadows and hear his disapproving comments whenever he hit the pillow. He’d make his dad proud for once. Be the man of the family.

Your arched your brows, lips trapped between your teeth as the rational voice argued with the kind voice in your head. “You really need this, don’t you?”

You held his gaze, a mix of challenge and unspoken understanding lingering between them. The air felt thick, and for a brief moment, he was struck by the way your expression softened, the corners of your mouth barely twitching as if you were holding back a smile.

“I’ll do it,” you finally said, breaking the tension. “But only if you take me shopping for the wedding. I need something that’ll actually fit in with that crowd, and you’re paying. Of course.”

He opened his mouth to protest but found himself momentarily speechless. “You really think you can just— I don’t have time for this.”

“Take it or leave it, Rafe,” you shrugged, stepping back slightly. The challenge in your eyes was unmistakable, yet there was something else there too, something that made his pulse quicken in a way he didn’t want to acknowledge.

“Fine,” he relented, forcing a casual tone as he looked away, trying to mask the sudden tightness in his chest. “But don’t expect me to enjoy this.”

“Wouldn’t dream of it,” you replied, a sly smile creeping onto your lips. “I’m sure it’ll be a blast… Boyfriend.”

As you turned back to the house, Rafe caught a glimpse of her profile, the way her hair fell just right, and for a moment, he felt an unsettling rush – even her nose was slightly upturned in an annoying way.

While he walked down the steps, he could feel her gaze lingering on him, the tension from their earlier conversation still hanging in the air, heavy and confusing.

“Pick me up tomorrow at noon. Don’t be late, Cameron.” You quickly tell him before closing the door, not leaving any room to argue.

As he stepped off the porch, Rafe couldn’t shake the feeling that this fake date might become something far more complicated than he had intended. It wasn’t like you to do anything that favored him, even for money.

Lying under the sun, she closed her eyes, trying to relax. But Rafe Cameron’s words replayed in her mind like a broken record. Out of all the people, he had come to her – someone he couldn’t stand for more than half an hour without starting a fight. The thought made her scoff softly, her fingers trailing across the warm fabric of the lounge chair.

What had he been thinking? Or maybe the better question was, why had she even agreed? The sun felt oppressive now, its heat only intensifying the whirlwind of thoughts in her head. The same strange tension that had pulsed between them earlier crept back into her chest. She hated how her heart had raced during that conversation, how he managed to get under her skin just by breathing.

But she could use the money. Soon her college break would be over and her mom wasn’t being easy with her spending habits lately - even threatening to cut her credit card if she didn’t take better care of her finances.

She hoped this would count when she reached heaven’s gate. Helping Rafe Cameron should be a VIP ticket to the paradise in the after life because God knew she’d need all her patience and self control for that.

With a frustrated sigh, she stood up. Enough. She wasn’t going to waste any more time thinking about Rafe Cameron.

Without a second thought, she walked to the edge of the pool and dove in, the cool water enveloping her like a cleansing balm. As she surfaced, the weight in her chest loosened, but she knew it wouldn’t be gone for long.

⋆˚𝜗𝜚˚⋆ TAGLIST: @megiiite @melsunshine

Please interact with the story. Your reblogs, likes and comments help me stay motivated. Your support means the world! ^ྀི 💖

[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[soupthatistohot]

A rant about why BSD is hard to enjoy right now (in my opinion)

Originally posted this on twitter but I think tumblr folks will sympathize, as well. So, here goes!

The stakes are simultaneously so ridiculously high and also nonexistent. I can't shake the feeling that everything is going to return to normal after this arc is over (everyone we care about will be alive, the world will have been saved), so why should I care about anything that's happening?

To that point -- no one (I care about) stays dead!! So what if Kunikida "died" in the chapter today? I'm sure he'll be back. Dazai also didn't die in Meursault, neither did Fyodor (who actually literally CAN'T die!!). Akutagawa is now alive and well, too! As much as I hate excessive MCD (like in JJK), you need to actually kill off characters sometimes if you're gonna threaten it so often, because then every death lacks emotional impact. I've been, like, numbed to it atp.

There are so many characters I do not know enough about to care about. Who even are the hunting dogs? Bram? Sigma? Asagiri hasn't put as much time and care into characterizing them as the main cast, so when things happen to them I kinda don't give a shit long-term. They were introduced in the middle of a convoluted plot that has taken such precedence over the characters who are supposed to be driving the story.

BSD originated as a character-driven story, and that's what drew myself and so many others to it in the first place. It was bizarre in a charming sort of way. It was about the characters growing and developing as people as much/more as it was about the external conflicts going on. It almost feels like Asagiri has been trying to be too clever about this that he's lost the core of BSD: it's heart.

Similarly, there's a reason this is such a ship-heavy fandom, we live for the character dynamics! But our beloveds have been scattered to the winds for literal years in our time that we've lost most of that interaction we love so much. Give us back our found family dynamics!!

Kind of back to the point about the convoluted plot -- it eels like the characters' intelligence has outgrown us and Asagiri, to the point of seeming impossibly ridiculous. Like what do you mean Chuuya was faking it the whole time and then stopped a bullet from entering dazai's skull and got away from it because of the security camera angle?? what do you mean Fyodor dying by a vampire's hand actually means that he subsumes bram and then he sets off a tripolar singularity to create god and this was his plan all along????

Obviously I don't speak for the whole fandom and these are just my opinions. I'm not saying you have to agree with me or even that BSD is horrible. I just feel like it's kinda lost its way the past few years and I miss the animanga I fell in love with :(

[pocket-watcher]

“It’s interesting, with a power set so vast you must have some weakness just as broad to balance you out.” The scientist said as they poked and prodded you.

You laughed nervously. “What? No. That’s ridiculous. I don’t have any weaknesses.”

And you believed that, of course. Fire resistance, high pain thresholds, and you no longer had your fear of heights! Turns out saving people 20 stories up really helps with exposure therapy!

“Biologically speaking, everything has a weakness. Predators have blind spots, they’re scared of noise, they can’t conceal their blood like prey can. So… what’s your weakness?” The scientist mused once more, not asking you specifically but more as if asking the universe.

You took a deep breath and tried not to panic. This was one of the top scientists in the country, here to help you, not to take you down.

“Are you okay?” They asked, innocently.

Too innocent.

They looked up as you looked down. Nose to nose.

Your head shot upwards to avoid their stare.

“Yeah! I-I’m fine. Just�� you know…” You rocked your head slightly trying to think of another topic to talk about. “So… what do you think my weakness is?”

Their eyes lit up.

In a flash they rounded up a box and began showing your data.

Despite your enhanced intelligence your brain couldn’t keep up with the speed at which they spoke.

“-and if you look at this graph here, you’ll find what’s really interesting is the activity in your prefrontal cortex spikes! At the same time your right medial temporal lobe starts working overtime, like a forceful relaxant. It’s like somehow a specific combination of lights and patterns overrides your brain like a giant helping of melatonin!”

Um.

“What?”

They blinked at you. “Aha… got a little excited there. Maybe a demonstration would help?”

You began to agree as they span you into a seat and wheeled you through the lab.

Dear god these scientists were fearless, you thought.

When you came to a stop you were hooked up to several wires, a heart-rate monitor, some strange-looking device holding your head in place (and possibly scanning it too?) and your arms pinned down… not that those restraints could do much. You’d bench pressed a 747 before lunch.

“Okay. So, I want you to listen to the voice coming out of the speakers and to watch the screen. Okay?”

You nodded, still unsure, but that unsureness seemed to disappear instantly once the screen began flashing.

The colours were too fast for you to register. The voice was repeating words that both you couldn’t understand but also rewrote your brain.

You felt your mouth hang open and your body go limp. You were vulnerable, incapacitated, all within a single minute of this scientist hooking you up to the machine.

“It’s just as I thought! How do you feel?” They asked, lifting your limp wrist and dropping it down before scribbling more notes.

You couldn’t have answered even if you wanted to.

They checked your pupils for responses and studied the data, whilst you sat there staring at the screen. Listening to the constant flow of unintelligible words.

“Okay! We should probably get you outta there, huh?” They said as they flipped the machine off.

It took you a while to fully come to your senses.

“…What was that?” You asked, incredulously.

“That was your weakness. Theorised, and now proven.”

You didn’t know what to do. You’d never been made to feel so small. So at the mercy of someone else.

“You had no right.”

You stopped. The safety of the world was at stake. If this information fell into the wrong hands…

“Woah there, we’re the only ones here! I won’t tell anyone. I promise…”

You felt an “if” coming.

“If you let me run more tests like that? We can work together, see if we can find a way for you to resist it.” The scientist smiled kindly.

You felt scared for the first time in a long time. Scared of what someone could make you do. How they could make you feel.

“Fine. If that’s the price to keep you from talking, we can run more tests.” You settled.

“Great! I promise you won’t regret it!” The scientist waved you out of the room. Once you were out of earshot they typed out a message:

It worked just as you said it would. I’ll start working on the conditioning pronto. You sure I shouldn’t have tried turning them now?

A phone pinged back a moment later:

No… slow and steady wins the race my friend. Great work.

Somewhere, a villain smiled at her phone, dreaming of a subservient hero.

[syndrossi]

resonant ch26 dvd commentary

That's right, it's a series now!

Favorite line:

“They will return soon enough,” he told the tiny dragons, feeling a kindred dismay that his sons had gone riding with someone other than him. “Until then, you must content yourselves with me.”

It's not my favorite chapter, and doesn't have any real bangers, but this was a fun little exchange. The mental image of Qelebrys and Shadow perched on Daemon's shoulders, all three of them wearing a glum/pouting expression, is very cute.

Favorite detail:

Carrying the theme that Daemon noticed when he took Rhaegar and Jon on Caraxes to and from the Giant's Toe, where Rhaegar is drawn to the beauty of the world when he's up high on a dragon, while Jon is looking at those ships below and pondering their significance. It's just as much reflective of their life experience as personality. Jon without the burdens he carries of having been a leader, responsible for administering multiple wars, might be able to afford to look upward or forward, rather than downward at the world encroaching in.

Favorite dynamic:

We had a few barbs traded with Cole, but it was fairly tame. Rhaenys and Daemon are my favorite dynamic again, in part because I enjoy writing people giving advice that makes sense to them but isn't necessarily the most healthy. No one character is an infinite font of wisdom, existing to dispense it to our heroes. Everyone has their own faults, flaws, self-interest, etc, and their advice is colored by it.

I'm talking, of course, about Rhaenys basically telling Daemon to suck it up, give up on having a good relationship with his brother founded on mutual understanding, and resign himself to the fact that his brother prefers a version of Daemon that isn't real, with all the edges filed off. Daemon does in fact know his brother better than Rhaenys, so it's actually not the best advice in this situation!

But it doesn't mean he didn't need to hear some version of "suck it up and figure out an approach," because he's been reactive/passive so far with Viserys. (Some of that is out of fear, to be fair.) But he can't afford to be afraid/not take risks, Rhaenys believes. Not with so much at stake.

(Rhaenys is not without her own self-interest, either.)

And Rhaenys has a better grasp on Otto than Daemon. She's not wrong about what he fears. So that was also good context for Daemon, if he pays it heed. But the conversation doesn't leave Daemon in a great place at the end, sadly.

"Quick" hitters:

I mentioned this before, but there were three separate scenes written for and removed from this chapter, including one that was up in the draft I saved on AO3 and then removed this morning before I posted it.

I think I figured out my real issue with this chapter, and it comes down to using the wrong lens during the Dragonpit parts. We're focused in tightly on Daemon and Rhaenys's conversation, which is fine/fair, but we pull back too much for the kids and hatchlings interactions. It would have been nice to perhaps get the actual introduction of the dragons as dialogue rather than exposition, and focus in a bit more on Jon during the final naming.

The chapter feels very self-indulgent and filler-y, which may be while I feel guilty about writing it. Not that you can't write those things, but I always feel like they fit better in side-stories.

Jon naming Shadow was added into this chapter after the fact. I'd decided on the name a while ago and kept trying to find the perfect moment for it, only for it to not really materialize. Jon making it a game the baby cousins could join in on ended up feeling right.

I kept going back and forth between the Valyrian and Common versions of "Shadow," but at the end of the day, Jon has a theme.

I really liked Harrenkos for a name ("suitably long" in Valyrian), given that Shadow is a longer boi than most.

With Laenor and Rhaenys about to be gone, and Rhaenyra in Dragonstone, the poor Velaryon boys are about to be on their own (with their nurses) for a while, poor lambs. We'll see if Daemon invites them over for supper a few times. That's a lot of kids to wrangle by himself!

I'd been holding onto this, but I don't think it's something I'll end up doing later on in the story, so I'll go ahead and share one of the deleted, incomplete scenes. Originally, there was going to be an attack on the carriage on the way back, but Daemon being up in the air on Caraxes made it a really poor choice on the part of their attackers (and the attack itself a little too obvious not to have the place swarmed with Goldcloaks), so I scrapped it.

Apologies to Rhaegar, who was going to get a hero moment and possibly his first kill (though I didn't get that far).

x~x~x

The hatchlings were exhausted after their exciting day, each settling on their laps to nap for the carriage ride back to the Red Keep. Jace soon followed their example, nodding off against Princess Rhaenys’s side twice before she rearranged him so that he could rest his head on her lap.

Jon had enjoyed their day out, but he did feel a sting of regret at not being able to accomplish either of the things he had wanted to today: gaining an audience with King Viserys, and speaking to their father about the candle. There was always tonight for the latter—or tomorrow. But he hated the thought of it continuing its efforts to torment Rhaegar, especially since they were now separated in the afternoon.

“Did you hear anything today?” he whispered to Rhaegar.

“Not in the yard,” his brother said, which was not a no.

The bumpiness of the ride down the sloped path leading from the Dragonpit gave way to the cobblestone of the Street of the Sisters. The sun had set, and the sky was halfway to twilight, leaving the interior of the carriage dark. Jon tuned his senses to hearing to distract from the unpleasant odor of Flea Bottom, which the street passed through briefly.

It was quieter than he remembered. Even the slums of King’s Landing had their equivalent of markets, and plenty of peddlers hawking their wares. He sat up straighter in his seat as the carriage slowed, and the strong scent of burning wood wafted through the window. He could hear the low murmur of their two Kingsguard ahead of the horses.

Jon glanced at Rhaegar, who met his gaze with a tense frown as their hatchlings stirred on their laps. Princess Rhaenys meanwhile was gently shaking Jace awake, turning to glance behind at the window. A glow was visible now, lighting up the area, and calls began to ring out from further away. Jon stood on his seat to get a better view; up ahead, he could see buildings aflame on either side of the street, and what looked to have once been a wagon burning in their path.

“Can we go around?” Jon heard Ser Erryk—or Arryk—say in a low tone to the carriage driver.

“Only if you fancy going deeper into Flea Bottom,” the man said.

“Turn back,” the Kingsguard ordered. “We will return to the Dragonpit.”

Smoke was beginning to drift through the window, stinging his eyes, and the shouts were growing louder. Jon reached carefully for his knife, which was strapped against his leg beneath his pants, though he did not yet slide it free. It was possible that whatever fire had broken out along their path was entirely accidental, but if so, it was extraordinarily convenient timing.

The clack of horseshoes on cobblestone was just audible over the din as one of the Kingsguard pulled alongside them. “My princess, remain within. We will turn and head back to the Dragonpit until the fires are put out.”

The tension in the knight’s voice told Jon that he too believed it to be no coincidence. The street was still narrow at this point, which meant two very long minutes of horse and carriage maneuvering to turn back north.

Too long.

The horrible scream of a wounded horse pierced through the din, and through the haze of the smoke still spilling in through the window, Jon could make out the shaft of an arrow embedded in its flank. Two clanking noises followed, the noise familiar to Jon—the clatter arrows deflected by a shield.

“Ser Erryk,” Princess Rhaenys called out tensely, holding Jace tightly to her side. Their young cousin was wide awake now, eyes large with fear.

There came another two loud thuds, this time above them, and Jon could see the point of an arrow splitting through the wood of the roof, and another a foot away from it.

“They are trying to set the carriage aflame, princess,” the knight said. By the sounds of it, he had drawn up along the side of the carriage opposite from where the first two arrows had come. “You and the children may need to leave it, if the fire catches.”

Jon could hear the agony of indecision in his voice. The carriage afforded protection from arrows, but the longer they remained within, the longer whoever was attacking it could get into position for—whatever it was they were after.

Us? Jon wondered. So far, none of the arrows had been aimed at the body of the carriage, but even so, he dragged Rhaegar several inches further from the wall. The other Cargyll brother joined his twin on the safe side of the carriage.

“There are at least four with bows,” he said. “They do not yet approach.”

The horse’s screams were quieting, which Jon knew meant another obstruction on the road. The smoke was growing thicker, enough to make Jace cough, and a glance upward revealed a darkening of the wood of the roof.

“Jon.” Rhaegar’s voice was low but urgent, his face set with tension. He extended a hand toward Jon. “Give me the knife.”

His first instinct was to deny the request, the notion of being unarmed in the chaos nearly unthinkable, but his arm was still injured. Rhaegar might lack Jon’s experience in a real melee, but he stood a better chance of defending them.

[end scene]

[stompandhollar]

I have some….. harsh(?) words for rtd.

I miss when Doctor Who was scrappy. Where the working class was at the forefront of our story. Where the hero had a broken time machine and one shitty little gadget that only sometimes could do anything useful. When the TARDIS was cobbled together with glue sticks and a dream.

Rose as a story worked because it was paired down. ALL of good DW works when it’s paired down. The stakes aren’t the whole world or the whole universe ending. The charm and the stakes both come from the same place— focusing on the characters, and making their problems the central focus. Blink was stunning because the world wasn’t in danger, just Sally Sparrow, and for 40 minutes of runtime, she was the focus of the viewer’s world.

The “base under siege” episodes work because it matters just as much to us that the Doctor gets the crew to safety as it would if the whole universe were in danger.

Even Utopia works because while being a high-stakes-for-humanity episode, it’s focused heavily on each character, and on concepts, not flashy visuals and dramatic build ups with no payoff. Utopia has exactly the right level of stakes for the story it’s telling, and the twist at the end delivers because it’s on that same level.

Ncuti is phenomenal. He and Millie are the only reason I’m sticking around (with s14, not with DW. I metaphorically sold my soul to this show a long time ago and that’ll never change) and watching each new episode with the hope that it’ll get better. But good gracious we do not have a lot of substantial evidence to back that hope up right now, lol.

The dialogue is hollow because we don’t sit with any characters long enough for their emotional moments to hit home. These brilliant actors can’t even save the scripts they’re being given.

I liked Rouge so much because it felt so bottled within its own episode. The stakes seemed so low, and it was fun and campy and the energy was electric. But I’m disappointed all over again with the Marvel-ization of the show in the newest episode. We saw it in the 60th specials, and it’s back swinging again in TLORS.

We don’t want Stark Tower SHIELD UNIT and their big flashy technology to save the day. The Doctor running straight to UNIT for help at all was crazy to me.

Part of me got so excited when Death was revealed as the big bad. The deluded part of my brain immediately thought we’d get a paired down concept of Death, like in the Big Finish Master audio drama. And I still really hope that happens, or is at least a little bit alluded to. (or maybe not. maybe i want to write that story myself some day when i’m in the damn writers room for this silly perfect show) But as soon as they got my hopes up, they got dashed again five seconds later when it became evident how overpowered and goofy and trope-y our big bad is shaping up to be.

RTD shines when he’s writing characters full of hope and wonder and a need to see the stars. Moffat shines when he’s writing twisted little think pieces that show the indomitable human spirit. Both of them have had my heart and changed my life with their writing. And right now I need them both to take a back seat and pass the baton. Russel keeps trying to outdo himself, and it’s all become too grandiose.

We need a writer in that room that doesn’t care how The Doctor is going to save the world next, but instead, cares about how he’s going to save that one person right in front of him, who needs his help, now.

[astra-galaxie]

I decided I wanted to make one of these! Explanations of my choices can be found below!

Favourite character: Shocker! My favourite character is Diego! Who could have foreseen this coming? I've always loved Diego, and his character development is so well-written! Plus, Pretty Simple was VERY generous when designing him!😏

Liked by everyone but me: This might be a bit of a controversial take, so please don't grab the pitchforks and torches until you hear me out! I don't, nor have I ever hated Elliot; I've just never understood the hype surrounding him. He's just never appealed to me like he does for others, but he's still an interesting character.

Didn't like at first: Asal still isn't high on my list of liked characters, but I like her more than I used to. I had forgotten about the more specific aspects of her character, and when I wrote my Save The World story, I realized she was more complex than I remembered. Mainly how she was hostile towards the Bureau because she thought they were aware of Ripley's involvement with SOMBRA, and after finding out they were unaware, she seemed remorseful for her actions.

Would like to know more about: I feel like there is so much more we could have learned about Arthur. Why did he start the rebellion? Why did he become a writer? How did he manage to escape from the Demon Queen's faithful? How was he captured? So many questions that I want to know the answers to!

Least favourite character: Do I need to say anything about this one? No, seriously, do I? Because I feel like it's pretty obvious why I would hate him, given his LONG list of dirty deeds!

Like the design, dislike the character: While I might not like Morgana, I LOVE her design! Her dress is so pretty, and her hair and make suit her aesthetic! Plus, her accessories are wicked! (See what I did there?😉)

Like the character, dislike the design: Abigail is such a cool and unique character, but I wish her design was better. It just seems so simple and plain... PS could have at least given her some accessories or something instead of just a basic tank top! Someone give this ghost a makeover!

Similar personality: I connect with Evie on a spiritual level. I, too, enjoy hiding away from the real world and doing something I love. Also, I am very shy and quiet, so much so that I am constantly accidentally sneaking up on people!

Fav ship: Maddie and Charlie's love story is so good! It's the perfect friends-to-lovers story, and watching them get together made me so happy!

Least fave ship: Again, do I need to say anything? These two have ZERO chemistry beyond friendship, and their sudden "rekindled" romance made no sense. Gwen and Hope deserved to get together, and I stand by that fact!

Would befriend IRL: Luke reminds me of some of my current and old IRL friends. I think he and I would get along! I've already said that I would like to be his friend, which hasn't changed.

Would never befriend IRL: And because I had to state my dislike of Fabian somehow, this is where I'm doing it! I HATE this guy (but not as much as Horatio) and would NEVER be his friend! I'd rather drive a stake through my heart than be his friend! Whenever he came on the screen while playing S7, I would glare at him...

And that's everything! Can you tell which seasons are my favourite?😉

Again, these are just my personal opinions, so please do not gather the mob! People are allowed to like or dislike whichever characters they choose, so please be respectful of mine.✨

[revalition]

OCT 11 - AUTHORITY Intimidate the public. Assert yourself. authority!! my guy! I love *and* hate him very much! he's such a guy.

this is late because I spent too much time yesterday writing about him and not enough time drawing him. oops. that's also why it's so ugly but it's okay. someday I'll draw something good and you'll all be very impressed. we'll see if I can get EdC in today too or not!

and ty red for giving me your authority's wings haha, theyre soo cool. ough I love wings. if someone sent me an ask saying "draw [skill] with wings" I would be all over that so fasttt

anyway! lots of content under the cut as usual!

authority quotes!

anti sorry cop authority!! harry desperately needs someone to tell him to stop apologizing for existing... but in the second case, volition is right (as usual)

a wonderful classic here

gotta include these ofc

authority NO.

this line is just. how I image he is constantly. the millisecond your authority is questioned in the slightest he gets like this.

re. arresting klaasje

authority stopping you from being very embarrassing!

NO. no authority. there's SO many lines like this. sigh

authority seems to be a nearly perfect 50/50 split of good advice and bad advice. it's great. it's fascinating

authority and volition. authority and volitionnn. you are going to hear about the motor carriage story and there's no getting off.

rare sweet authority moment! (this heals morale too!)

realllly love this one too <3

authority, cmon man...

this guy. this guy... he's so... I don't know. he's sure something

authority CONFIRMED COMPROMISED. also authority being mean to soft little suggestion is always very funny to me

he is compromised though

hghhk this line from the authority fail. you get after failing *four* times. my first playthrough I had high authority - I had 6 PSY to start, and authority boosting clothes. and I just kept failing and failing. and every time I failed this check I had to dump another point into authority to try it again... so it was *really* high by the end! but I just kept failing it!! it was so painful... by the fourth fail you can finally beg kim to take over...

on the topic of awful authority fails! we need to acknowledge: - the authority check to get kim to dance - the authority check to save kim from getting shot - the authority check to make acele wear the hat

including it so we can enjoy authority making things worse and worse

alternatively, succeeding the check. eugh. (you dont have to kick the snow. but the fact that it's an option at all...)

I passed the check my first playthrough and failed it my second. there's really no good outcome to clicking it... except harry can get a good cry out of the fail, I guess

this seems like a good place to include the mandatory sad dream dialogue. that way we feel less bad for him since we got to just see him being stupid

now we know! tobacco wards off narco spirits, and alcohol discourages use of... narcohol. wonderful!

you know it's bad when it's too much even for authority haha

authority giving better advice than volition one time??? this is if you have cuno at the end, when you meet up with your posse. persisting with insisting on the phasmid isn't productive at all

live authority reaction to harry being told no to anything ever

low stakes authority fail haha

here's another one! not all authority fails are world-endingly bad

another one. sigh. authority. NO.

and there is soo much honour points dialogue I couldn't fit in here! the first time I got the honour cop thought bubble I was like, wow! I'm never listening to anything this skill says ever again!

the thought gives you -4 !!!! to drama! because lying is dishonourable. and then if you lie to kim about what you were doing he tells you it was an honourable lie. hypocrite. (and there is a dialogue where he says "Are you going to let him get away with being a hypocrite?" so that really makes auth a double hypocrite)

I love and hate authority in perfectly equal amounts. they don't cancel eachother out either, I just feel very strongly about him instead. I also feel very strongly about Volition, and their interactions are always fascinating. so I end up smushing them together, going fight! (and kiss!) and fight! like the extremely normal person I am. yep. you're welcome.

I could probably write half an essay my thoughts on their dynamic so I'm going to stop myself now before I have regrets :)

authority is in my favourite skills list for sure, but due to his serious personality issues I can't figure out where he places <3

[hashtagcaneven]

Kuro's Advice for Awesome Fight Scenes

So I heard you want to write a cool fight scene. Rock on.

Running into some trouble though? No sweat, I got you covered.

I compiled this list of 8 Rules I personally use for Kickass Action Scenes for a Discord group of writers and thought it might be useful for others as well.

Rule #1 Fight scenes MUST tell an emotional story.

A fight is just an argument but with physical violence instead of words. Just like how in a musical people talk until the energy and emotion goes so high they burst into song and then when that keeps building, they all start dancing. Same concept. People argue and disagree until the emotion is so high they start throwing hands.

Fights act like any other scene where it starts with one emotion and ends with another. Emotion should flow through each move. They should ebb and flow from start to finish, raising and lowering tension to keep a reader engaged and guessing over who is going to win.

This is the bedrock of fight scenes. No amount of “rule of cool” is going to save the scene if there is no emotional heart beating through it.

Rule #2 You need personal stakes

Goes kit and parcel with Rule #1. Your POV characters have to have something on the line to tell an emotional story.

What happens if they lose? What happens if they WIN?

Go beyond JUST “oh if they lose, they die”. What happens to the character’s world if they lose. What will happen to the ones they love when they’re gone? What are the TRUE long term consequences for failure?

Even if it's a friendly (ie non lethal) competition scene, what are those stakes? Bragging rights for a proud character? Or perhaps taking their opponent down a peg?

Avoid vague generalized stakes and find what makes it personal. A knight may fight for his king and country but he also does it because he has his pride as a knight on the line if he walks away or loses.

Rule #3 Pacing is key

Action is fast paced in real life. It should be so in writing.

I personally think of my fight scenes as if they were a movie/show/play fight scene. Partly because that’s my own personal experience and partly because it helps me with pacing, especially with multiple POV characters.

Don’t spend too long on one action. Keep it flowing but have moments of pause. Real fights have moments where someone needs to pick themselves back up or two opponents need to steady themselves for the next round of assault. Use those moments to dig into the introspection of the POV. Your reader is also gonna need a breather from time to time.

With multiple POVs, I flip through them like I’m switching shots on film. We cut away from one thing to see what another character is up to in the flow of things. I flip the camera at moments of triumph or tension to keep building that emotion.

Rule #4 Let your heroes take some hits

Show off those stakes by letting your big bad character get his ass kicked a little bit.

Let ‘em get knocked around a bit to build that tension within a reader. Make them wonder how they’ll pull this off.

Superman fights are so easy to be boring because he’s basically invincible. We all yawn because we know he’s gonna win. Then along comes someone with kryptonite and suddenly it's Superman getting the beat down. Now we’re emotionally engaged because how is he going to get out of this one?

Show their competency in a fight by how well they can take big, painful hurts and keep going anyway. Show it in how they fight back or stay standing, despite the effort.

And don’t be afraid to let your heroes lose a few times. It makes their eventual victory sweeter.

Rule #5 Be clear and concise with your descriptions

Now ain’t the time to pull out your best Tolkien describing a meal impressions.

Action is fast. There are a ton of moving parts which can be severely complex and hard to follow. You want to avoid this confusion at all costs.

Use clear, specific language so the reader can visualize what is happening in their head and not get lost. Once they get lost, they will get frustrated and disengage.

Ditch the heavy metaphors. Let the movement speak for itself as the allegory. If you want to sprinkle in some flowery language, do so separate from the actual action happening in a fight.

Rule #6 Learn the basics of movement

You don’t need to know how to swing a sword with proper technique to write a sword fight (though, let’s be real, it helps). As long as you understand the fundamentals of how the weapon moves, you can write a good sword fight.

Because what makes a fight good is the EMOTION in the fight. Not just the fancy flourishes.

However, if you go too crazy and it becomes unrealistic, your readers can easily disengage.

So you don’t need to know the difference between a riposte and an ochs stance. You just need to know that arms don’t swing that way. You need to know if someone gets pushed, it can throw them off balance.

Learn the basics of human movement, and if there are weapons involved, learn at least the basics because if I see one more person say they’re wielding a longsword like it’s a small sword, you people will kill me inside even more.

Rule #7 Every action has a consequence

When someone attacks, someone has to defend (or get hit). But when someone moves their body one way, it can open them up to a counterattack.

If I lunge too far forward and overextend, I’ve left myself open for attack. If an opponent turns around, their back is now my next best target.

Pay attention to how your characters are moving. Are they opening themselves up for easy counterattacks when you don’t want them to? 

Thinking about what opening a move gives their opponent can help you write your fight scenes, as it will lead to a natural flow and chain of events.

Rule #8 Don’t be afraid to add sound

Fights are vocal. People grunt and groan and shout when they’re hit. They also make noise when they attack. The more wrapped in emotion, the louder and noisier people tend to get as they get lost in it.

During those moments of pause you add from Rule #3 is a great moment for characters to continue the verbal part of their argument

 If one character temporarily overpowers the other, let them brag. If one character gets punched in the mouth, describe the sound of the blood they spit on the ground. 

Just, for the love of the gods, don’t go all Marvel and be quip central. Don’t undercut your own tension and emotion for a quick laugh or to sound cool.

Some examples of great fights:

[fandomsoda]

Random thing I just thought about and have seen no one talk about:

I know everyone calls Digimon a Pokemon rip-off, and I understand why, but I think a lot of people completely misunderstand or just don’t know about how drastically different both the mechanics and tone of these two medias are.

I grew up watching both the Pokémon and Digimon animes, and let me tell you that these are two completely different shows.

I bring up the animes because, while Digimon DOES have games, they don’t seem to be the main focus, the tv shows were the real money makers and thus I think it’s more fair to compare them on that level.

But listen- you could not just place Pokemon characters into a Digimon anime plot and have it feel right, Digimon’s stories, plots, and worldbuilding are far more serious and dramatic than Pokémon’s is. Instead of collecting 8 badges to win the Pokémon league, main characters in Digimon are getting involved with having to save the world from total destruction, liberate the digital world from a dictator, or any other number of far more high-stakes scenarios than any Pokémon show or movie.

This is not me trying to say that one show is better than the other or that Digimon is better than Pokémon. Not the idea here. What I’m saying is that trying to swap the cast of these two series would feel less fitting than trying to put the Pokémon anime cast into something like Yo-Kai Watch (no shade to Yo-Kai Watch, I like that show too, its tone is just closer to the Pokémon anime than Digimon’s is).

Am I saying that Digimon didn’t piggyback off of Pokémon’s popularity? No, of course it did, I’m just saying that calling it a true rip-off feels wrong when the two series are so drastically different when it comes to tone and mechanics.

I know this was off-topic for my blog, just been thinking.

[tjxtron]

My Love Letter to Dunk and Egg

From the very first moment I encountered the tales of Dunk and Egg, I felt an immediate connection, as if the narrative was a reflection of my own life’s journey. In a series where brotherhood is seen everywhere and used in many ways, i find it poetic that the best representation of brotherhood is between and a low born knight and outcasted prince.

Dunk’s story starts with him standing over the grave of his mentor, Ser Arlan of Pennytree, the only father figure he ever had. In a way, I’ve been in Dunk’s shoes, finding myself alone and trying to make something of myself without much guidance. Dunk decides to carry on Ser Arlan’s legacy, living by the values of a true knight despite his humble beginnings.

As Dunk travels and faces countless challenges, he meets Egg, a young boy who becomes his squire. Dunk doesn’t know that Egg is actually Aegon Targaryen, a prince. This twist is profound because Dunk finds in Egg not just a helper, but a brother. Their relationship, built on mutual respect and loyalty, is the heart of their adventures and the heart of the narrative.

In my own life, I found my “Egg” too—a friend who turned into family. This person, like Egg, showed up unexpectedly and became a rock for me. Together, we’ve faced life’s storms, tackling challenges that seemed impossible. I miss him everyday and this post is as much about him as it is about a series I hold dear to my heart.

I can attest to this claim I will put forth: With such a deep bond comes an equally deep fear—the fear of losing each other. For Dunk, the thought of losing Egg was unbearable. Egg wasn’t just his squire; he was the little brother he never had, the family he always longed for. Every time they faced danger, Dunk’s heart ached with the fear that something might happen to Egg. The world they lived in was treacherous, filled with wars, treachery, and unforeseen threats. The stakes were always high, and the risks were real.

I tell you right now that pain, it's unbearable. That lost of a brother, of that companion you see as family. There were moments when Dunk’s fear for Egg’s safety overshadowed everything else. The idea of failing to protect him, of seeing harm come to the one person who meant the world to him, was a constant, gnawing worry. I must envy this, cause Dunk would no matter what, always found a way to save his brother. Dunk knew that losing Egg would shatter him. It would be like losing a part of himself, a part he could never replace.

Egg, on the other hand, had his own fears. Despite his royal blood and the destiny that awaited him, Egg feared losing Dunk, the one person who saw him for who he truly was—not just a prince, but a boy seeking his place in the world. Dunk’s straightforward honesty and genuine care were a sanctuary for Egg. The thought of Dunk not being there, of facing the world without his brother by his side, was a fear that lurked in the back of his mind.

Their brotherhood was their greatest strength and their greatest vulnerability. It made them brave, but it also made them vulnerable to the deepest kind of pain—the pain of loss. Yet, it was this very fear that made their bond all the more precious. It reminded them of the value of what they had, of how rare and beautiful true brotherhood is.

This art above by Hazem Ameen is truly an expression of what the story is about, to lift others up, especially your brothers. When Dunk kneels before Egg, now King Aegon V Targaryen, and is appointed the Lord Commander of the Kingsguard, it’s an emotional moment. It’s the culmination of their journey, the fulfillment of their shared dreams. In my own life, I’ve had moments of triumph that felt just as significant, where the support and love of my closest friend made all the difference.

Dunk’s life before meeting Egg was one of solitude and struggle. He had no family, no true friends, only the dream of becoming a knight like his mentor, Ser Arlan. When Egg came into his life, everything changed. Egg wasn’t just a squire; he was a companion, a confidant, and soon, a brother. In the end, the story of Dunk and Egg is a testament to the power of friendship and the courage it takes to care deeply for someone. Their brotherhood taught me that true companionship is worth every risk and that the fear of loss is a part of loving someone deeply. Dunk and Egg’s journey is a poignant reminder that while the fear of losing a brother can be overwhelming, the strength gained from such a bond is what makes life truly meaningful.

[comicaurora]

If you were to actually write a tournament arc (be it in Aurora or a future story) fashioned in your own preferences and ideas, what would it be like?

Oh boy. That's an interesting challenge, because there are so many factors to the Tournament Arc that I just don't like on principle-

Foregone conclusion. If the tournament is centered on a final battle with the Super Scary Big Bad, as they so often are, the heroes are just killing time before they get there, and at least one of the heroes is guaranteed to get to the final round. If the stakes of the tournament are too high, the conclusion is set in stone from the outset. If the heroes are being forced to participate for hostage or supervillain reasons, their victory becomes narratively assured. If the heroes aren't being forced to participate by narrative necessity, then the whole thing becomes an even bigger waste of time.

Formulaic. There's only so much you can mix up a tournament format - environmental hazards, minigames, ring-out rules - and without that, it's just a linear series of fights. Can give the heroes a chance to show off their unique movesets, but narratively they're just ticking up a progress bar before they can get to the end.

Fuckton of characters. Tournament needs meat for the grinder, let's make several dozen characters to throw at the heroes of which maybe five will be memorable enough to recur later. Better make sure they all have interesting gimmicks too - otherwise the formulaic fights will become even more formulaic!

None of these are particularly enticing for me, so in order to construct a tournament arc I actually liked, we'd need to find some way around them:

To avoid a foregone conclusion, the tournament stakes can't be a simple boolean value with "heroes win" and "heroes lose" tied inextricably to things like "heroes save hostage" or "villain destroys entire world." The easiest way to do that is to remove "the heroes" as a single unified participant. It's not a question of whether good will triumph over evil, it's a question of which characters will win and under what circumstances? Part of the reason I liked the tournament arc in MHA more than most is the actual overarching victory was basically irrelevant and our protagonist got eliminated in the quarterfinals, because it was actually all about character development inspired by that fight. So splitting the heroes up, letting them work independently and making their opponents something other than a monolithic antagonistic force would probably help to reduce that issue.

Some tournament arcs also make things more interesting by having a single loss not categorically eliminate a character from the running - the Dark Tournament arc of YYH was pretty good about this, despite being way too long, since it meant protagonists could actually lose fights without being kicked out of the arc entirely, which was a very smart way to keep the tension going, since only a few fights became foregone "either the heroes win this one or they die" situations.

The problem of fights being formulaic can also be addressed here, although I think the more relevant way to fix that is to simply make sure the tournament doesn't drag on for too long. Like, three to five fights is probably the max number we can really focus on. But we can also dodge the formulaic-ness accusations by making sure the fights have more going on than just "which action figure gets mashed harder." This is where most tournament arcs solve things by making a lot of unique gimmick characters with weird powers (so the heroes can't just smack em around the same way every time) and by giving the heroes either handicaps or new abilities/powerups they're still figuring out. This makes the choreography more interesting, and honestly even a really boring plot can be significantly brightened up by extremely cool fight choreography. "They fight and [character] wins" is a single line in the screenplay that can translate into something very spectacular in the execution. But this is, again, something they did in the YYH Dark Tournament arc, and that was still way too much tournament arc, so I think plotline fatigue is a problem that can't entirely be solved by finding new spices to pepper onto the same bracket structure.

You can, of course, also add emotional stakes like "this character's self-worth is tied in with their victory" or "this character is being manipulated by someone else" or "this character is having a personal crisis and handling it poorly" or even something really basic like "the other people in this tournament think we suck, let's prove them wrong."

The "fuckton of characters" problem isn't intrinsically an issue, because it can also be an opportunity to create and introduce a lot of very interesting secondary characters, but it does unfortunately lock them into an extremely artificially constraining plotline. The problem with a tournament arc is it is literally the same subplot template over and over again until the finale inevitably breaks the format. It's an extremely rigid scenario to lock a character-driven story into, and no matter how individually rad parts of the fights are, the overarching structure is repetitive and it limits the characters' ability to shine. Ultimately, no matter how neat or complicated a new character is, they only exist in the arc to be defeated and then get out of the way of the plot. They can have cool stories when they show up later, but in the bounds of the tournament arc they're just more obstacles.

On paper a tournament arc should be a fantastic way to elaborate on a character. The number one recipe for cool character moments is putting that bitch in a Situation and seeing how they handle it, and "a bunch of different fights with different enemies with different powers and different rules" sounds like an ideal Situation Gauntlet. But practically speaking they're all the same! Outside a tournament arc, the stakes of a fight can be anything and the victory condition can be anything. The heroes can bypass the fight, talk down the antagonist, plan a heist, turn the bad guys against each other, organize a prison break, hide and be sneaky - they can find allies, negotiate with political leaders, get captured or rescued, protect someone from pursuit, navigate a hostile and unfamiliar environment, outwit a super-persistent predator, join an underground resistance movement, run off for an angsty solo arc - but within the confines of a tournament, no matter how wacky that tournament might be, everything boils down to a fight with a clear-cut victory and defeat condition. The space of characterization carved out by this format is very, very narrow, so I think legitimately the only tournament arc I would uncritically enjoy is a short one.

[its-your-mind]

Taliesin: Percy's right there, what did you expect me to do? He knew. He had no illusions.

Thinkin about Percy laying in bed at night (alone watching over Whitestone while his wife is presumably off doing world-saving shit) thinking about that annoying as SHIT earth genasi punk who keeps popping up, insults and mocks him, shows outright contempt for his authority, and so very clearly has no idea what the hell they’re doing.

Percy’s probably top three smartest CR characters, and not only that, he’s an engineer. He knows a formula, a pattern, when he sees one - haphazard group of cast-offs and overpowered nobodies trying to save the world? Walking into rooms full of powerful and important people they don’t quite know how to act around? Succeeding and surviving through dumb luck, sheer force of will, and the strong family connections they’ve forged with each other? He knows this story. Hell, he made a cuckoo clock of this story.

And while he and Ashton might be complete opposites on the surface, he knows how it feels to have the kind of family who you’re constantly running with side-by-side into danger. He knows loss. He knows exactly how heavy a weight the responsibility of “saving the world” is.

So when the Hells walk in holding a shard of a titan, bearing news that Ashton is holding one inside already? When Allura tells them that the power that’s already inside Ashton just needs something to awaken it? When Ashton sits down with her to have a serious conversation for the first time Percy’s witnessed? They talk about drawing power into yourself, unknown effects, a power too dangerous to be allowed in the world for too long, that could be used for morally reprehensible things…

And a person who has so very clearly been ravaged by life just as much as Percy had by the time he was their age. At least all the visible consequences Percy had had to deal with was the white hair - he could pass that off as premature aging. Ashton wears their damage on their body, up their arm, across their face. Their skull is translucent, for gods’ sakes.

And now, Bells Hells has to save the world. And here in front of them is an ancient shard of a titan, and the means to absorb its power. Ashton already has two of the foundational powers of Exandria in their body - a shard of the Empress of Earth, and a piece of the Luxon. Based on what Allura has said, it’s a miracle their body still holds together at all.

Percy is good at noticing patterns.

Someone who has been shown some of the worst parts of the world without any opportunity to heal properly from their past. Visibly damaged, but with their chin held high and an eyebrow raised to the world, as if daring someone to comment on it. Someone who, by all rights, should have been dead already. Someone who doesn’t have a choice but to keep living.

Offered power. The chance to make a difference, to achieve your goals, using and building on the talents and traits you already have. No clear understanding of what accepting this power may mean for you. Not caring all that much either. Being willing to sacrifice yourself in pursuit of a singular goal.

Who else does that sound like?

I wonder if some part of him almost stepped in and removed temptation. Locked the funnel away, told Allura to take the shard and go, sent the Hells off in a rush, without giving them time to remember the burning shard sitting on his worktable. Spared someone else the curse ability to make this choice at all. But of course, it’s not his job to stand between a reckless stranger and their own stupidity, especially not when the world is at stake.

So when Ashton walks up those ziggurat stairs? When they are the one to send everyone but Fearne away, to request “privacy,” multiple times? Of course Percy knows what they’re about to do.

Going off alone to take a risk onto yourself so it won’t hurt your family? Not telling them because you don’t trust that they’ll let you do what needs to be done? Accepting power into yourself without understanding exactly what it is you’re getting into?

Allowing only one person to see you broken and vulnerable?

How ironic that Cassandra volunteered the ziggurat as a staging ground. The same tunnels where Orthax was destroyed will now bear witness to the birth (or failed emergence) of a new kind of explosive elemental power. Something new to be fashioned of fire and earth. Something never before seen in Exandria. A new creation that will have the power to change the fate of the entire world.

[yourdeepestfathoms]

I was staking your ur yaelokre tag and I swa you were a published author and???????????? Would you mind me asking what exactly you published? (Infodumping encouraged!)

i’ve only got one published book out right now, which was done through self-publishing on Amazon, but i’ve sent two of my three manuscripts off to two different publishing companies to hopefully get them picked up and published! fingers crossed!!

my current book out is called Servant of Evil! it’s a historical fiction tragedy about the Salem Witch Trials, told from the perspective of one of the afflicted girls, Mary Warren. it details her involvement in the trials and how it rapidly tore the town of Salem apart, as well as detailing her slow descent into despair as the overwhelming guilt of her actions rips at her mental state.

the story is very grim and had me crying on several occasions, and i’m the author!

i wrote the book because i was hyperfixated on the Salem Witch Trials, which started when i was a junior in high school when we read The Crucible. however, it wasn’t until a year later that i actually started to do something with said fixation, as my mom took me to Salem for a graduation and 18th birthday gift, which reignited my passion for the event and got me writing! SoE was finished within two months, but it wasn’t actually published until January 2023.

here she is!

if you wanna buy the book, you can get it here!

do be warned, though, as the book is very heavy and covers a lot of serious subjects such as: self harm, suicide, sexual assault, abuse, and torture.

my other three finished manuscripts are:

Medusa’s Child, a three-part historical fiction series about Medusa raising a human child named Theodora (Teddi for short), who goes on to avenge her when she’s killed by Perseus. i have another account sharing details about the books: @mommy-medusa! (this is the one i sent to a publisher!)

Fog Makes People, a psychological horror-thriller duology about a fictional town called Lochmere that is haunted by a strange fog that causes people to go missing. sixteen-year-old Beatrice “Bee” Lamb is returning to Lochmere after spending some time away with cousins due to constant harassment from the community. she was the sole survivor of a fire at school that killed nine other kids, eight of which didn’t die from the fire itself but rather from being taken by whatever is in the fog. however, the night of her return, she begins to get texts from one of the fire victims, and she starts to realize that maybe the people who go missing in the fog aren’t actually dead. this send her down a rabbit hole where she desperately tries to save her friends, which is difficult in and of itself, but things get even more complicated when she officially discovers and subsequently meets the mastermind behind it all: an enigmatic, horrific creature known as the Rorschach. (this is the other one that’s been sent to a publishing company!) (this one is my favorite, i’ve spent so long developing it.)

and Hell or High Water, a survival horror-splatter punk set on a cruise ship called The Grey Palace, following a teenage girl named Violet Nicotero. this cruise ship gets hijacked by some maniacs and stranded out in the middle of the ocean, where the passengers are slowly picked off by these mask-wearing freaks. (i hate this one so much. it was my first ever book written, and it was supposed to be my debut novel, but i started to resent the whole thing after editing it so many times. i got too frustrated with it, so i put it aside to work on SoE instead, and it’s been in timeout for about two years now ever since.)

they’re all my babies, and i hope to get them all out in the world one day, including all my works currently in development hell!

[in-dire-read]

A Deadly Education (Book Review)

Rating: ⭐⭐⭐⭐ (4.5 Stars)

Information

Author: Naomi Novik

Genre: Horror

Number of Pages: 313

Format: Hardcover

Series: The Scholomance #1

Summary

After Orion Lake saved her life for the second time, El decided he had to die. While everyone else adored him and his flashy combat magic, she wanted nothing to do with his heroics. She didn’t need help surviving the dangers of the Scholomance—if anything, she was the most dangerous thing in the school. Most students expected her to become the dark queen they feared, and the school itself seemed to push her toward that fate. But El was determined to make it out alive on her own terms—though she might make an exception for just one kill.

Thoughts

I loved watching Orion and El gradually find common ground throughout the story. Their relationship is built on an unexpected connection, which only deepens as they rely on each other to survive the dangers of the Scholomance. What made this dynamic even more compelling was Orion’s obliviousness to the feelings of everyone around him, except for El. His single-minded focus on protecting others made him miss the fact that the entire student body assumed they were romantically involved, which added a layer of humour and charm to their interactions. It was a refreshing contrast to typical relationships in fantasy settings and gave their bond a unique and relatable depth.

The monster battles and intricate world-building were equally captivating. The constant threat of supernatural creatures, especially the mals, kept the stakes high, and I loved the tension this brought to the story. The climax, when Orion and El joined forces to save the school from the graduation horde of mals, was especially exciting. Their teamwork highlighted their growing connection and the strength of their partnership. It was a thrilling moment that demonstrated both characters' growth and how far they had come together.

However, I found myself frustrated with El's internal scheming about how to leverage Orion’s friendship for her survival. While I understood that it was an important part of her character arc and the story’s themes, it felt like she was holding herself back emotionally for too long. I wish she had realized sooner that it’s okay to want a friend without calculating the benefits. This hesitation detracted slightly from her growth and made her seem unnecessarily closed off, especially given how much Orion had done for her.

The ending, too, left me a bit disappointed. Despite the clear mutual feelings between El and Orion, she still chose to push him away, claiming she couldn’t afford distractions. At this point in the story, it felt like an unnecessary step backward. Their bond had already evolved into something meaningful, and her refusal to acknowledge it fully felt frustrating. It was a moment where, instead of deepening their connection, El seemed to revert to her old fears, which felt out of place given everything they had been through together.