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gaemms-chamois · 1 year ago

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random unorganized darknights trio + paprika musings bc sometimes i'm hit with like a pang of Brief Worry that i'm completely misinterpreted blabla that usually doesn't last too long bc i then go back to my state of I'm Just Vibing but ig at some point i just gotta let it out publicly once and be done with it lol

this is messily written Please Understand this isn't meant to be a grand thought piece

fuuuck ok well this is like very specifically abt the w, ines & paprika part now

like don't get me wrong on this. i joke abt wines moms and stuff but i dont genuinely mean it in the way of wahh wow littol family for reals kinda deal?

less on wines 'adopting' paprika, moreso paprika imprinting on them like a duckling after she was saved by them. paprika adopted them lmao. i cannot possibly interpret either w or ines as Maternal in such a way.

it's moreso that i think it's nice that this little sarkaz merc became part of the story, a girl who all her life since she was infected at a young age, was presented with becoming a mercenary being basically the only option for her.

and then, as annoying as w can be, being shown that she does have different options.

i just think it's sweet that paprika, judging by her voicelines, clearly looks up to w and ines. which is just amplified by the fact that w and ines are notoriously not the most popular people on rhodes lol. and she calls w annoying but still keeps knitting stuff and wanting to gift food to her. like if she often seeks out w and ines to tell them how well she did on something, when they are on the ship, etc. that'd at least indicate that those two humor her.

ALSO IT'S UNOFFICIAL BUT SHOUTOUT TO THAT LITTLE CHUZENJI ART WITH PAPRIKA AND W, INES & TOTTER WEARING KNITTED HATS SO CUTE

OKAY WOO DARKNIGHTS MERCENARY TRIO AND STUFF

cool yeah obviously i fucking love them. i'm not very good at words though and i tend to keep my more elaborate thoughts to just discussions between friends who know how i tick djsfhdfs

just the other day i was smiling to myself during a walk bc holy shit all three are actually playable now and that's not just wishful thinking anymore. anyway chapter 13 also happened and more stuff with the trio happened and Cool Lots of things Happening and my brain is full

they're so found family to me, like in an utterly unconventional way. i mean c'mon with how they act sometimes like- ykno. but like have y'all seen the new furniture set and descriptions that came with hoederer's release it made me go insanse.

but i think especially in ines' case it just kinda highlights that best. considering ines' arts can figure people out (putting that in rather vague terms), it truly means something when someone with her capabilities and temperament has people she chooses to stick by and actually trust. even if she pretends she doesn't by verbally denying it.

like waugh Okay they have a lot to unpack and shit but with them being reunited (take that, W file that said W needs companionship but her friends aren't around anymore) and having a COMPARATIVELY more ""relaxed"" life than before (that one Hoederer file where he just has rather regular days on rhodes), it's just nice to imagine they can finally have something better and figure stuff out. as complicated as the three of them are.

with that said i think it's a given that i despise a nuclear family treatment of the three (aka mom ines, dad hoederer, daughter w).

for one with me being highly doubtful w was a kid/teen at the start of darknights (young? sure, but not that young), which just seems like such a...widespread belief that i really do not get? arknights always put a LOT of emphasis on when a character's story was about them being a kid, 0 of that with w. like something about her expression and big cloak just gave people some different impression, even though she literally keeps looking the same aside from a change of clothes. only instance of w being called a kid during that time i can think of is that one boiler worker in her files but that seems way more like any typical old guy calling anyone on the younger side a kid. hell, even hoederer was called young in darknights, like in a sarkaz's lifespan i can believe that.

and also...hoederer had somewhat of a mentor-like role for w, but if anyone tries to tell me ines ever acted maternal towards w i will chew through your walls. read through darknights memoir and actually pay attention to ines, both w AND ines were pettyass women and they made that so very clear. cannot fathom how anyone can see ines as having been motherly towards w

seriously just feels like a case of Well there is man and there is woman....and this other character so clearly these are mom, dad and kid.

that's not even me being biased towards w/ines, just how i objectively see it. hell, i even ENJOY ines/hoederer, but my enjoyment of it is limited bc for some reason ppl like to make it weird by shoving w in as some daughter. i promise it's completely possible to like ines/hoederer without trying to fit in w as a kid figure

anyways yeah like cool i like these characters I Guess. Look at them

#gaemms whistling #arknights #long post #this is horrendously written.#the worst part is i'll never do any of my favorite characters justice bc EXPRESSING IN WORDS IS THE HARDEST THING FOR M

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nono-bunny · 10 months ago

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Thoughts from watching the ATLA live action!

Episode 2:

So I guess no intro every episode? A shame, but understandable (we literally got it twice in the first one lmao). Hopefully it's back in season 2!

Ah, so this is the aforementioned diary related hissy fit I've been hearing so much about! It is pretty funny tbh lol. Anyway, no, Iroh, Zuko had it right actually lmao, Aang is a coward! It's just... A bit strange to include that here given that his biggest running away incident isn't present in this show? So like. Yes, animated Aang absolutely is a coward, as to this one? It remains to be seen ig, so far he isn't that much, actually, which just makes Zuko seem wrong when in the animated show he would've been 100% correct

OwO what's this??? An Aang thats being proactive and interested about learning and how to control and best use his powers??? You love to see it.

Alright so. Truly I don't know what people are talking about in regards to Katara? Her sense of adventure and tendency to get in trouble while doing reckless things is still absolutely present- those are also important things about her, not just being angry and nurturing! This is a Katara that presents and composes herself differently, and yeah, it's a bit strange! But she still feels like Katara, just... A quiet Katara! She's much less out there with her emotions, which. I do miss a bit ngl, but it's a really interesting direction for her that feels like it's inevitably gonna lead to a major explosion, probably around the time of TSR too! So idk, its really not as big of an issue to me as it seems to be to other people ig. She and Aang were changed a lot- with Aang I do think it's absolutely a positive change because I hate him in canon, but with Katara I just think it's really interesting and worth giving a shot to because it doesn't seem wholly out of pocket or to be leading nowhere, not when you know that her highest emotional points still lie in wait and might, in fact, hit harder if they were a complete deviation from normal to this otherwise calm character. It may still flop and fail, but I genuinely do thing they're building up to something with her and that it's worth giving a chance to.

Kanna once again being the goat!! Idk that I talked much about her during the last episode but I think it was mostly just because I didn't really have any notes lol, I just enjoy her expanded role a lot! The entire legacy of the southern bending being lost in favor of the northern one is a thing I've seen talked about a lot, so I actually really like that there's at least one moveset from the southern style that's preserved here. Of coursing losing "I'll save you from the pirates" is a great personal loss, but I've already seen The Scarf scene so I'm glad at least there was a more or less equivalent replacement lol

Burying Gyatso is a great addition!!!

Blasphemy!!! No such thing as "chicken"!!! What is this abomination Sokka speaks of here???

God everything about Kyoshi Island, including Suki, is just... 😍 I really do love that this Aang is capable of like. Relating to others, being understanding and persuasive and cautious. It's certainly like. A whole different person aside from brief moments of silliness and levity, but it works much better for me because, again, this is a level he never reaches in the original even at the end of his story even though he SHOULD'VE.

Iroh is fr so weird with how direct he is, I just. Can't get used to it- literally his only eccentric quality atm is being a bit of a gourmand, it feels really off. For all his talk about being able to know how to talk to people to get what you want, Zhao sees through him super quick, because like, c'mon, literally who wouldn't??? It was super obviously a lie and. It's all so bizarre, he feels WAY too serious for this point in the story and it genuinely really takes me out of every scene he's in.

As weird as it is for Suki to still get offended when Sokka respects her position and calls her a warrior, the Sukka here IS really funny and fun to watch haha!

Katara is genuinely so sweet with Aang here, idk I just really enjoyed that scene! Do kinda wish we'd get to see Katara drop her water orb lmao, I keep waiting for it to happen and it just never does. She IS a natural prodigy, but I think the original show demonstrated a bit better how much she struggled without any guidance by having her fail her forms rather than just fail to get anything to happen.

It's the intro air scooter scene!!!! Also I'm really enjoying how Katara's right here about Aang being good with people, and how I noticed it myself as well!

Suki trying to flirt with Sokka is so cute oml

Aang being TOO powerful and unable to control his bending is actually such a good idea!!

Omg finally Iroh feels like Iroh!! Who knew all that was needed was literally just for him to talk in Pai Sho metaphors again lmao. Tbh, maybe just literally ANY metaphor whatsoever was missing, oof

Interesting to have Suki take off her makeup right before battle, or like. At all during her first appearance! Not really like, bad or good, just an interesting choice I felt was worth mentioning because it certainly hit me as very different

Hey, uh, Kyoshi babe, you're 100% correct and I enjoy seeing you yelling some sense into Aang but. This is the wrong Aang for this??? Like he literally never ran away it's so bizarre how they keep acting like he did when the original was all too happy to drop that angle when he consistently did. Idk it kinda feels like him not technically running away was maybe like a last minute rewrite or something? It's weird and doesn't gel with how people keep treating it- especially Kyoshi, who was there and should know he legitimately had no intent on turning back from his duties at any point. I love love LOVEE this scene but? It doesn't fit in this version of the story, sadly

Wait why the fuck can Kyoshi see the future?? This is so weird, like I get that it's his call to action and a way of pointing them to the NWT given that they haven't really talked about going there yet but. It's a really weird power for her to suddenly have lmao (unless this is a thing in the novels? I wouldn't know, haven't read them, but somehow I feel like I would've heard about it)

Can I just say that I really like Yukari, and in particular her relationship with Suki? She's a fine addition to this arc imo, and really supports the whole "young people lead the charge on making a difference". Kyoshi Island's motivations for staying neutral in the animated show were of course understandable, but I like that here we can see there's a real conflict about it even before the gaang arrive there. It really endears Suki in a whole new way (tbh she's generally amazing here) and it will make it a lot more natural when we see her again in the following seasons! Also my own personal selfish wish is for the show to find a way to make her a part of the gaang for longer and earlier on. Like, as it stands, if there are three seasons, she might show up once again in season 2 and obviously join up with them in season 3 but. Boy do I want to see more of her, always have, always will! This show is genuinely such a prime opportunity to integrate her more info the story- make her have meaningful relationships with each member of the gaang, establish a role for her and what unique thing she brings to the group (special mention as always to @emletish-fish 's Stalking Zuko for having her be "the sensible one" which worked great)... Just. Make her matter for once, because I will never forgive nor be able to get over the way her existence was just completely ignored and essentially erased in LoK. Suki has always deserved better, right down to the way she was constantly brought back each season because everyone loved her, and I want this show to better reflect that that the absolute nothing she was given in LoK. Suki is a member of the gaang and she deserves to be treated as such, not just as Sokka's girlfriend.

Anyway, back to our regularly scheduled post!Sokka pissing off Zhao while using Suki's fan is something that can be so personal... Like, I can get into the symbolism here about the connection between these characters but. For anyone who knows where the show is going, there are no words necessary to understand why that interaction carries the weight it does. It's just... A beautiful, emotional little moment amidst some really solid fighting choreography! Of course Suki and Sokka working beautifully together was great, Yukari's fighting highly suggests she was a Kyoshi Warrior in her time as well (is... Kyoshi leadership a nepotism/family thing? Questions to ask.), and Momo getting involved were all great, but. That was really the highlight for me. It would be really impactful to anyone who knows, and to anyone who doesn't it's still just like. A really kickass Sokka moment

Also may I just say I'm very impressed with how far Sokka's come in less than two days? Like, of course it's probably not very realistic, but it absolutely supports what they're getting at here which is that Suki IS a great leader and teacher (the short scene with her looking over the other warriors' training and correcting their form was great), and that Sokka is ultimately just as competent a fighter as Katara and has the same natural talent and drive. Their little exchange about nonbenders having to work harder and be better felt very... Real in a way I can't quite express, and it felt like a very important thing that deserved to be acknowledged by the show. Sokka gets underestimated so much and reduced so frequently to being the meat and sarcasm guy, even by himself, so like. Sokka's arc is very important to me because of how often it goes unnoticed or unmentioned in the face of other, more visible ones... And I feel like they're doing a great job at adapting it, slightly modernizing him ("tastes like chicken" notwithstanding) and making him stand out more while keeping the core of it. Sokka's arc was something I was already slightly concerned with initially, and the "we're removing Sokka's sexism" rumors didn't help assuage my fears given how important it was to help set the stage for the kind of person he is, so like. Genuinely I have to give them kudos for finding a way to take it out and keep how he changes and what we ultimately learn about him as a character that didn't feel forced. This is kind of just? A great episode for all of the characters, they all flow much better individually and with each other, and I genuinely really enjoyed it for the most part as opposed to the first that was a bit stilted in a lot of places- but I guess it being mostly just. All of the exposition and Aang's backstory stuff was the issue, and when they let the characters just... Be, it all works really well!

Oh my god Kyoshi is. Doing so much heavy lifting here, literally where was my girl for the entirety of the animated show, that Aang needed some major reality checks lmao. This is... A lot for the second episode when Aang is genuinely just still trying to get a handle on things, but I don't know that I really... Hate how she's preparing him and establishing the stakes? She's an absolute hardass here, but she's not overly cruel- she's genuinely trying to help as much as she can in her own area of expertise, because who knows when she'll next get to talk to Aang, and what if he never gets to hear this stuff? Would he just... Perhaps turn into who animated Aang did? Like, it's extremely harsh and kind of feels excessive for where the show and Aang are at right now, but... Genuinely I can't really say it's a bad thing for Aang to hear all of this, because I only know what happens in the universe where he doesn't. It's fucking tough to watch little Aang be verbally beaten down like this, but? Ultimately, what Kyoshi is saying are important things that Aang needs to come to understand sooner rather than later, and she IS trying to help, even if her way is harsh, so I can't really fault her for it too much because like. I understand where she's coming from all too well, both as someone who watched the original show and thus is aware of how tough the road ahead is going to be for Aang and everyone around him, and as someone who is a big OG Aang critic and wishes he could've heard all of this in the animated show. It's... A difficult scene to watch, but I don't think it's entirely without merit.

Holy shit I can't believe they kept Zuko trying to appeal to Katara even though they took out the pirates, I was genuinely surprised by that!!

Oh. OHHH. So. I was right about where they were going with Katara, wasn't I? I was fairly certain about it before, but how meek and unsure she is in battle despite how powerful she already is followed by a trauma flashback really cemented for me that they're leaning pretty heavily into the different ways Katara was affected by losing Kya. She's still very protective of her loved ones, she's still brave and powerful and driven... And, more than ever, she's also haunted by her mother's spirit with every step she takes. She's more afraid and cautious than her animated counterpart ever was, and it translates to her being "a doormat", but it's also... So clear to me she absolutely is not staying that way. This is the start of her journey, and it's just as valid as the original one. Seeing her stand against Zuko in the original show was never something that would've caused me to worry, but here I can feel her fear and how much it's holding her back.

Also, in their confrontation scene: Zuko is SCARY here! And that made this scene like. Genuinely really special to watch? Because I didn't even know that I was capable of finding Zuko intimidating anymore- he was always genuinely so honorable in the original that when rewatching you can kinda just... Very easily chalk his whole thing up to being misguided and lost- he does bad stuff, but when compared to the ruthlessness of the other villains he's barely a threat. But here Zuko is desperate, and he's scary, and he truly feels like a big bad evil guy when he's towering over non other than Katara who we so often get the best of him to the point where you kinda forget they weren't always matched in power and... This scene just. Really works for both of them individually, to show where they're at mentally and how they clash at this point in time... And, honestly? Knowing that this is an extremely temporary dynamic for them is actually really cool- that the next time they fight may very well be when Katara beat him? It's really cool. It doesn't scream Zutara, not at all, not in the way "I'll save you from the pirates" did, but? It feels important for them to have it, still- the Zuko and Katara dynamic always advances both of their individual stories, and this time is no different. It's... A bit hard to put into words just how visceral this scene felt and how excited it made me for both of their character arcs, as well as to the progress they're gonna make together, but. This was a great scene

Ngl it's really funny how everyone is flying in this adaptation

God I already miss Suki :(

Not really... Sure about why Sokka changed him mind about sticking Aang when he mostly hung out with Suki this episode, it seems mostly like he and Katara just want some more adventure, which is cool and not an issue at this point but? The episode seems to try and imply they're both there for Aang or for the world when it's pretty clear that isn't quite it, not yet, so it feels like it comes out of nowhere and a bit out of place. I do wish that angle was allowed to be a bit more present, because so far it just feels like either the characters are unaware of it yet or that the writing isn't and thus it's never gonna get addressed. In the animated show Katara was much more obviously self interested during parts of the first season, and Sokka was mostly there for her- which I liked, it gave room for both of them to grow into this new family unit they're creating with Aang over the course of the show! Here it seems like both of them initially wanted to help Aang and found they liked the adventure, and their goals on this adventure often feel a bit inconsistent? Katara is very obviously enjoying the freedom, but she seems to be more willing to go along for wherever because the plot aligns to make things she achieved herself on her road to becoming a master waterbender just... Happen to her? She didn't aquire the waterbending scroll, she didn't suggest and advocate for going to the NWT, they're just things that happen and suit her goals really well! In that sense she feels a bit less driven, as she doesn't have to be- she's obviously dedicated to training and becoming better, but she less creates opportunities rather than fall upon them, which? I'd find it a bit hard to buy this Katara stealing, and I guess maybe she doesn't suggest the NWT because as established they don't know what state its in and she's a bit more risk averse than in the original, but... While her taking less initiative isn't necessarily a bad thing here (again, so long as it is a part of her arc rather than a continuous state), it muddles her motives a bit and serves to make the group dynamic a bit confusing. Is she there for Aang? For adventure? For waterbending? For herself? Of course it's ultimately all of those, but. I think presenting all of them right at the start makes her motivations a bit too confusing, especially when paired with Sokka who, in this order: wanted to abandon Aang out of caution, wanted to help Aang because it'd be the right thing to do, wanted to abandon Aang because he wanted to go back home, and then after hanging out with Suki for an entire episode was suddenly worried about leaving Aang alone. Their connection didn't really deepen in any way, so it feels like his motivation is much less about Aang but about what he could gain, except he doesn't frame it like that either! Idk it's confusing, and genuinely I can't tell if it's just. Bad/inconsistent writing or if it's meant to be A Thing, like, Katara and Sokka trying to find their reason for "abandoning" home. I can certainly twist the events to be that if I think about it enough, as I just did, but... Ultimately I do think there was a bit of a failure here with presenting too many motivations and not committing to any single one. It's both way too complex, and also not complex enough to work, and so in the end it's just confusing. It's truly not that big a deal but the conversation at end of this episode on Appa didn't feel authentic or earned to that episode I just saw, which was the real issue imo. I desperately hope this isn't the end of these two trying to justify their journey, and that thus turns out to have been intentional, but frankly... I do just have a feeling it was a bit of unfortunate mangled writing.

That said, I'm actually not really feeling Zhao? I've read a post that said he gets progressively more hateble as opposed to the original where he started out as immediately hateble so I'm curious if that's what's gonna happen to me too! It was cool to see Ozai though for sure haha!

I do have to shout out the way Iroh and Zhao interact with this forced politeness as something that stood out to me in an extremely good way- it's stilted, and awkward, and it's 100% meant to be, and it worked fantastically with the contrast to Zuko's being so direct and brash. I'm not like, an expert by any means, but I do have an interest in Japanese culture and it definitely felt reminiscent of the way respect and politeness is so important and entrenched in the culture right down to the language structure- it felt a bit like Zuko was just talking casually until Iroh came along and started talking in keigo, if that makes sense to anyone? Might be talking out of my ass here but that's what it reminded me of so I thought I'd mention it. It was really interesting to see regardless!

Anyway I liked this episode a lot more! It still had its issues, but they feel more like growing pains here if that makes sense? There's definitely a sense that this show is slowly getting comfortable in its own skin as a separate entity from the original, so I hope that trend continues! Evidently the direction they're going here is not for everyone, but everything I've seen so far does feel extremely like it ultimately came from fans who have their own opinions on the original show rather than people just looking to make bold new twists. A lot of the changes here, while they might initially feel blasphemous, are also ones I'd have made to the original, and the ones that aren't don't feel like they're made thoughtlessly. I'm not happy with everything I've seen so far, but I'm absolutely excited to keep watching because I genuinely do have faith in this show managing to pull off the big swings they're taking.

Also, I think it's important to note- I'm the biggest Kataang hater, I hate them, truly, I do! And yet as strange as it is and as much as I hate to admit it? There was a genuinely cute scene between Katara and Aang this episode, and if they make their relationship a bit more equal going forward... While it likely still won't make me ship them, I do genuinely think I could stomach seeing them end up together if they stay away from the worst aspects of the ship in the original show. I won't be happy about it, ever, but. There's something to be said for them managing to make it tolerable even for the biggest opposers of the ship. I still hope it won't happen! But if it does... I hope it's done tastefully and in a more thought out way than it was originally.

#avatar the last airbender #atla #atla live action #avatar the last airbender live action #natla

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punkrogue · 2 years ago

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I always feel so frustrated with how unimaginative Marvel is with Remy, the only interesting things he's had is New Sun and X-Factor. Idk if this is true, but I read there was some rumor that Remy was gonna be an alter ego of Sinister, which would've given the writers more to work with imo. I think why some writers like Rogue and Erik more since they're much easier to work with outside of shipping. Same with Kurt, whom I sometimes think Remy is a pale imitation of (Catholic, martial artist, looks demonic, ladies man, even his powers suit a thief more than Remy's). If Kurt and Rogue weren't siblings, I'd sooner ship Rogue with him than Remy. Also, since Remy can only charge non-living things, it just makes him look weak and limited compared to other characters. I don't say all this shit to be mean, but I do get frustrated with how little material he's given, and can understand why his character is constantly put on the back burner in various media compared to other X-Men characters.

Yeah I remember reading somewhere they'd thought about doing something like that with Remy and Sinister and I think instead went with New Sun? Something like that. Also considered having him be ANOTHER Secret Summers Brother and I'm glad we didn't go this route lol we need to stop the Summers-Grey family tree from taking over the whole X-verse while we can.

I'll say that I don't feel that Remy is a pale imitation of Kurt mainly because I feel Remy deals with a lotta things that Kurt really doesn't on a personal level (true parental abandonment like no margali in SIGHT kinda shit, street life, crime, child soldier gangland shit, the greys and blacks of morality etc). You see more of those things in his solos which can even get a bit of a noir vibe to them which is nice but people just rarely wanna put in the time and effort with Remy. They rarely get him so they knock him down into say, the TAS 90s Gambit mold and call it a day. Which is just ....... no one wants that. Not Gambit Haters, not Gambit Stans.

And I get what you're saying about his powers but I think if he could charge living matter constantly like he can as New Sun homie would be so comically OP. I think the real issue here is just again, fuckers don't know how to write him so they go for whatever's easiest. So it's all lame, dumb and boring. If they let him get funky with his powers a bit more it'd could be super cool.

The pro of Rogue and Magneto when made scene partners is that they do have much more solid pre-existing characterizations, vibes and "story packs". As a writer you can walk in and already there's a couple of things you can do which are kinda like Rogue or Magneto Classics. Remy not so much so he ends up being like, Rogue's loser sidekick which sucks.

I feel you tho on the shitshow that is comic Rogue-Kurt dynamics. I too can see the appeal and charm of them as a romantic ship just as much as I can see them working wonderfully as a sibling pair. My beef around them has been for years that we get this Big Reveal that Mystique is Kurt's Bio-Mom but after he has his initial freak out for a couple issues in Excalibur or Uncanny or w/e he was in at the time I forget I just remember Amanda is there this whole thing-- IT NEVER REALLY COMES UP AGAIN BETWEEN HIM AND ROGUE AND THEY JUST ACT LIKE NORMAL AND OCCASIONALLY MENTION THEY'RE SORT-OF RELATED IN A WAY THAT'S MORE OF A REMINDER TO THE AUDIENCE????? LIKE IT'S FUN TRIVIA INSTEAD OF A PLOT POINT OR IMPORTANT RELATIONSHIP????

their first serious non-combat interaction was basically Kurt telling her to drop dead when she comes to Xavier for help when she's 17 and he's 21. He finally cuts her some slack after she ALMOST DIES IN A SUICIDE BY VILLAIN ATTEMPT to save Wolverine's fiance which makes Wolverine go "yeah okay fine your not total dogshit ig" so NOW Kurt'll stop being a raging asshole to the mentally ill teen lol (I'm shit talking Kurt rn but this is genuinely part of why I love him). Then there's MAYBE a couple of scenes that are outside of Action Stuff before the X-Men "die" in the late 80s and we get Excalibur where the two of them interact, the biggest of them is him FLIRTING WITH HER.

Uncanny X-Men (1963) #192

Now-- it's Kurt so this isn't anything really all that crazy. He jokingly flirts with like 90% of the X-Men. It's just the kinda silly funny quirky guy he is. But when I'm trying to think of say, Rogue-Kurt moments POST the Mystique Reveal that really feel like People Connecting or them Actually Being Siblings I draw a blank. This flirting scene is more iconic and stand out than basically all of their 00s and on interactions because it feels like a natural and very emotional conflict they WOULD have. He goofs around like he always does, her feelings get hurt, he realizes what he's done and feels like an ass and wants to fix it. EMOTIONS HAPPENED HERE, CHARACTERIZATION AND CONFLICTED OCCURRED. THIS CONFLICT AND LATER RECONCILIATION WILL LEAD TO A BETTER FRIENDSHIP AS WE GO! THANKS CLAREMONT!

Even at her wedding he's basically just like "well I AM her brother (remember? did you see that watchmojo listicle? have you read my wiki recently) and I AM blue so I should ALSO be in the wedding."

There's really not a lot of content of them like, hanging out, post 2004 or so. Some of that is just them being in different books but a lot of it just no one putting in the time or effort. X-Treme X-Men (2001) was all about Rogue looking into shit related to Destiny's writings and grappling with some Family and Personal Grief at the start there. Kurt shoulda been around for at least the first arc. Not thunderbird that absolutely nothing of a dude. It was the perfect setting to work on this issue that the 6 degrees of Mystique™ has made. One of the only other encounters between them I can think of that's post-90s is this:

Rogue (2001) #4

And this interaction is set like VERY SOON after she joined the X-Men!!!! So it's not even a truly modern scene of them just vibing!!!!

To me, they're NOT siblings. Not in the way Kurt is with Amanda who's his ACTUAL adoptive sister or even in the way that Rogue is with Bobby, Sam or Scott who she just has Massive Broship Energies with and it's entirely because their 6 Degrees of Mystique™ is tenuous at best for how much it would really matter to them. Kurt HAS a family! He HAS siblings! Mystique abandoned/lost him and never looked for him or intended to tell him about their connection until forced to. He was raised by Margali and sees HER FAMILY as HIS family and they think the same! Like that's a standard ass adoptive family vibe.

Rogue is found by Mystique and Irene and raised by them in near isolation ON ANOTHER CONTINENT and is never informed about Kurt even in a past "i had a baby and lost him" tense kinda way or Graydon either. To her knowledge growing up she HAS NO SIBLINGS OF ANY KIND. She meets and fights against and then beside Kurt with no idea there's literally anything connecting them but that they're both mutants and x-men for like, YEARS even IN canon. Their whole relationship is rocky as shit for a WHILE there and then she gets YEETED SECRETLY TO AUSTRALIA AND HE THINKS SHE DIED. And let's be clear-- sure he's upset about her "death" too but he is MUCH more upset over the "deaths" of Logan, Ororo and Peter who he ACTUALLY NAMES WHILE TALKING ABOUT THIS GRIEF. Because you know... THESE RELATIONSHIPS ACTUALLY HAD FUCKING SCREENTIME.

Excalibur (1988) #1

He's not a monster, he does give a shit about her, but realistically over the years VERY little time has been put into building ANY relationship between Rogue and Kurt of ANY kind and it's frustrating when they really wanna act like they've got one. They don't. And it pisses me off because realistically Rogue/Kurt is less fucked up than Amanda/Kurt and guess which one is canon. Because of the 6 Degrees of Mystique™ people don't really ship them even tho there's an even more Yikes Kurt ship that's canon and Does Not Seem To Fucking Die, there's been no real development of ANY kind of relationship between him and Rogue, they've lived their ENTIRE lives not knowing each other or not really being more than coworkers and Kurt has NO INTEREST in truly claiming Mystique as his mother which is valid-- she fucking sucks.

I think Rogue/Kurt has legs and it's aggravating to me because I also really like Rogue & Kurt siblingship! I grew up watching Evolution! The sibling vibes and friendship that grow naturally up between them even BEFORE the Mystique Reveal in that show are just CHEF'S KISS. But in comics they IMPLY a familial connection that really.... doesn't mean much... and then they don't show these two deciding it to make it mean something or organically falling into a good sibling relationship... so they cut off the dynamic at the knees. You'll be shit on if you try to go off script and explore a more romantic angle because "ew they're rElAtEd" (ignoring all the previously stated flaws in that argument), there's nothing in canon that helps you figure out how friendly they even truly are so good luck building something canon compliant and they just generally don't seem to even give a shit about this dynamic at all so without dipping into other adaptations/AUs it can be hard to find something to even SAY about them.

Like I'd love to see Rogue and Kurt engage like, finding out what the Mystique Reveal means to them and how they see each other. I'd love to see them becoming friends and then family. I'd love to see them making that CHOICE. Because really in this context it's a CHOICE. She's not his adoptive sister, Amanda is. She's not his bio sister either in 616, that idea got shot down early on. She's a girl his bio mom who is a stranger to him raised an ocean away while he was raised in a loving home with siblings he adores. They met when she was a villain, he vehemently disliked her until she almost died saving someone's life then he tried to at least be civil and friendly. He finds out Mystique is his bio mother and asks Rogue about her but at the end of the day feels no real connection to Mystique or her life. His mother is Margali. The circus was his family. He cares about Mystique, Irene and Rogue because he's a decent human being but like, not in the same amount or extent as his adoptive family.

You can't have a scene of him flirting, even jokingly, with her in the 80s then think a 1993 mom reveal some how totally erases that vibe. Especially when you then put like no effort into exploring that GOLDMINE OF A PLOT THREAD. They've got so few non-combat just hanging out and engaging in character development interactions in 616 canon I can count them on my hands. At this point you could spin a wheel and decide to give them any relationship dynamic and it could genuinely work because there's no real content of them in comics to use contest it.

Like at her wedding they bring up that he's her brother again. That shouldn't be something we have a "turn to the camera and remind the audience" moment about. That should be as "well duh" to me as Bobby being her best man or Scott and Alex being brothers. It's not. It's just not. Their connection is just a factoid at this point and I hate it. You can't close off all these other potential dynamics for them (romantic/enemies/rivals/shitty roommates/etc whatever) by making them connected via Mystique, having an line every like, 10 years that reminds us they're "siblings" (are they tho? are they really? is that how this works?) and kinda vaguely imply they don't hate each other which is really just riding on the fact that pretty much ALL the X-Men like Kurt and we the audience like both of them and then GIVE US NOTHING WITH THAT STATED DYNAMIC!

MORE TIME AND EFFORT WAS PUT INTO MAKING NATE GREY SEE MADYLENE PRYOR AS HIS MOTHER OVER JEAN THAN HAS EVER BEEN PUT INTO MAKING ROGUE AND KURT FEEL LIKE THEY'RE EVEN FRIENDS LET ALONE SIBLINGS AND I'M VERY MAD ABOUT IT!!!! EITHER GIVE ME WHAT I WANT OR CUT THE REINS AT LET ME DO WHATEVER!!!

fsdkjghksdl so i just get VERY heated about this it's a pet peeve of mine.

#answered #meta #i have similar issues with the rogue and storm 'friendship' given that storm NEVER APOLOGIZED for saying ROGUE DESERVED TO DIE #WHILE LEADING THE XTEAM IN AUSTRALIA!!!#OR HOW SHE BLEW OFF ROGUES WORRIES OVER HER POWERS POST-ANTARCTICA AND IMMEDIATELY ACCUSED HER OF AN ATTACK ON A FELLOW XMEN THE SAME DAY #USING THE INFO ROGUE HAD GIVEN HER THAT MORNING IN CONFIDENCE AGAINST HER!!!!#but yeah sure they're FrIeNdS and storm has anna marie privileges #as tho that isn't borderline rogue's dead name and only used consistently for YEARS by people like her MOTHERS or her LOVERS #WE DON'T NEED TO SEE PEOPLE ENGAGE OR GROW ON SCREEN IT'S FINE!!!!!

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angeldarkrose · 1 year ago

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“I’m sorry.”

You continuously said, “I’m sorry.” But that does absolutely nothing to me. That doesn’t fix anything, doesn’t even make a dent in the damage you did. How was that a good enough apology for what you did to me? Want to know why? Why is it not a good enough apology? Want to know what you did to me? Ig I should start with the notes I made back in June when nothing got through your head. Nobody who was in love should ever feel the way I did when making these notes on June 9th

Before that on May 29th I let my phone die just to get away from you for ten minutes. All I wanted to do was paint in peace and sadly the only thing I could do to get away from your begging was just that. Let it die. I shouldn’t have had to do that. But oh well. June 11th after those notes were made, I cried to my mom about how terrible I felt about myself. I felt disgusted (and I still do). I felt like the only reason you complimented me was so that I would get naked for you. You dragged me in with a nice guy act from the beginning of our time till the end of May. June showed your true colors but I stayed. I wish I could send you videos from May 17th when I was screaming with my best friend about how happy I was to talk to you. The first time we got off the phone, that smile didn’t leave my face for hours. Every time we got off the phone till you guessed it. June. June 22nd with me blacking out should’ve never happened. If you saw how I was, there should have been no pushing. I stayed up till 6am crying that morning while you slept.July 22 your effort slipped completely. What went from getting messages all the time, it went to only getting messages as you walked out the door. I no longer felt important. We had 2 good important conversations between these dates too. But I stayed because I felt too much love for you. July 24 as you saw on my snap story I was so happy. ANY time we talked that's what I looked like. Your voice was the light in my life, so was your laugh. I listened intently to you so I knew what you liked and how you felt at all times. Which is why when you told me a month later that I just wanted to feel included my heart shattered. I just wanted to know you. August 5th. The day my heart was the heaviest it’s ever felt. I was distant that night on the phone because I was going to block you that night when you fell asleep. But yet again I had too much love for you. So I stayed and dealt with everything. Just like you said I had to. I could’ve proved you wrong. You called me at like 3 am that day too and I thought that finally your effort would go back up. I was wrong. August 15th. The day I realized I was nothing but a sex body for you. After not talking for days no matter my mood it seemed like it’s all you wanted. I told you that. But it was blamed on me and your mental health. For months on end I put up with nothing but endless sexualization from you because I wanted you in my life no matter what. But I couldn’t stand to look at myself officially from that day on. August 19th I tried to fix us while you let us drown. My heart sank instead. I stayed through everything just for you to give up. I messaged you in mornings, at night, while riding attractions at theme parks (literally ON them. Riding them), walking around the parks, at lakes. Everywhere I could because I had the effort. I had your city on every widget on my phone. I checked the weather to make sure you were safe. I asked about your hobbies but got nothing but excuses and a stab in the heart back. Even after everything I stayed for you. I defended you to everyone who hated you. But I should’ve let them do what they wanted. I officially dislocated two of my fingers just to save you from the raft because I still believed you didn’t deserve it. Don’t get me wrong. We had manyyyyy great nights, laughs,calls and I’ll always remember them but they’ll be locked up. I don’t want them anymore. I appreciate every single gift I was given. I just wish I had more of your time than your money. You were all I wanted. You were enough for me. Now? As of the 31st I'm still stuck. You’re blocked officially from the 29th. I sobbed so hard I almost threw up after hitting that button. But it had to be done. That whole day it became clear on what happened. I was naive. And I still am. Will always be. People your age seen you for who you are but I couldn’t. But that’s okay. I can handle it now after the week of not being able to eat without throwing up and staying up 48 hours due to heartbreak. Yesterday. Goodness. Yesterday the 29th. I fell asleep at 5am didn’t wake

#personal #honesrly should have known the day you added me with a different name as your accounts something would go wrong

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sunattacksthemoon · 1 year ago

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5, 6, 10, 11, 20, 22 and 25

ask game

5. what would you be a god/goddess of and what would people sacrifice to you?

So I tried asking my my sister and mum bc I had no idea what to answer and that was the most excruciating conversation I have ever had with two people. So I’m on my own for this one. Honestly I’ve got no clue, I’ve thought about this for a good bit and I’ve come up with nothing. I keep coming back to something nature related, idk what but something to do with the forest and trees. For sacrifices or like things to put on my alter ig, I’d say willow tree branches and honeysuckle. Maybe fruits? Plums specifically, anddddd idk play me some music and I’ll be peachy.

6. name five iconic quotes that make you feel things.

I’ve actually got a list of these

“I am very interested and fascinated how everyone loves each other, but no one really likes each other.” The Perks of Being a Wallflower by Stephen Chbosky

“They who dream by day are cognizant of many things which escape those who dream only by night.” - The Tell-Tale Heart by Edgar Allan Poe

“Loneliness flays the soul, doesn't it? Strips it piece-by-piece until it feels like there's nothing left to lose, and in a way, reaching that point can seem relieving.” - Best Friends Brother by bizarrestars

“As you wish” - The Princess Bride by William Goldman

“You are beautiful, but you are empty,” he went on. “One could not die for you. To be sure, an ordinary passerby would think that my rose looked just like you—the rose that belongs to me. But in herself alone she is more important than all the hundreds of you other roses: because it is she that I have watered; because it is she that I have put under the glass globe; because it is she that I have sheltered behind the screen; because it is for her that I have killed the caterpillars (except the two or three that we saved to become butterflies); because it is she that I have listened to, when she grumbled, or boasted, or ever sometimes when she said nothing. Because she is my rose.” - The Little Prince by Antoine de Saint-Exupéry

10. describe yourself as if you were a storm.

I’d be a thunderstorm, no lightning and lots of rain. Lotsss of thunder tho. It would last for a good while but would eventually turn into just some light rain. I think I’d be a summer storm, like the ones in the middle of July, where it’s super hot and it’s misty.

11. what type of flower (other than a rose) would you offer someone you were trying to court?

Their favorite flower, idk I’ve never given anyone flowers before, like romantically. Every person I’ve been interested always said they didn’t like flowers. But I’m the type of person that wants people to like their gifts so I’ll just listen to people when they talk and if they mention liking something I’ll take note and get them gifts based off that. I want people to get use out of the things I get them. So gifts are always tailored to the people I give them too. That goes with flowers and other things like playlists.

20. tying your hair up using ribbon, yay or nay?

I wish, I have super thick hair but it’s pin fucking straight so every time I try to but a lil bow or clippy in my hair it falls out. Literal bane of my existence. But ideally in another life I’ll be able to have ribbons in my hair.

22. tell us, in detail, about a curse a witch would put on you.

Hmmmm idk I think it would be based on my fears or faults ig. So I’m thinking they would take my ability to speak. Idk what I did to deserve a curse but y’know shit happens.

25. favorite childhood story? (doesn’t have to be a fairy tale)

Alice in wonderland, I’ve got the white rabbit as a lil charm on my necklace. On the same chain as my moonstone. Both very sentimental things for me. I’d also say Calvin and Hobbes or Pooh bear. Goodnight moon but that was when I was really little, I also remember liking Shel Silverstein as well. Idk I know that a lot of little kids books made me unbelievably anxious. Or overall upset. Like when my mum read me the ugly duckling I was so sad. And Dr. Seuss was my enemy.

#sunny’s playin games

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lucindarobinsonvevo · 2 years ago

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here’s how im envisioning elle/summer journalist conflict -

Summer applies for the cadetship at the paper based on her experience with the school paper. Elle is back being the editor of the paper, Paul is ‘hands off’. She thinks she has no chance because of the history of conflict between their families, and also because she’s Andrew’s ex girlfriend. To her shock, Elle gives her the cadetship over hundreds of other applicants. She’s excited to work.

To her shock and disappointment, Elle has her working on shit like cutest baby competitions, and model ship club meet-ups. Summer is used to being the top of her class, and the smartest person in the room. She doesn’t like being at the bottom of the ladder and she doesn’t like the caliber of stories she’s reporting on. Yes, there are a lot of very intentional parallels drawn between Elle’s first year at the paper and her. She begins to ‘realize’ that Elle has only hired her only to give her crap jobs as a way to cut at her father, or get payback for Tash and Andrew SOMETHING, ANYTHING.

Summer, disappointed, decides to get journalism tips from ex-journo current school teacher and Elle’s arch nemesis Libby Kennedy. Not having the full story and always happy to think the worst of Elle, Libby agrees that Summer’s stories should be given more credit and Elle is behaving unfairly. Libby encourages Summer to chase the big story, and then defect to another paper or some such. Elle is completely clueless to this - She thinks of Summer as a more mature version of her younger self and is genuinely enjoying working with her. She tells Tash as much, and tells Karl she thinks Summer has the potential to be running the paper one day. Summer doesn’t know any of this.

Summer chases the Big Story of the year, which Elle is already investigating, some kind of bad business thing ig it doesn’t really matter. She decides to do something dramatic and breaks into the building or something and promptly gets into some serious trouble. Elle becomes worried when Summer won’t answer her messages about the paper the following day, and asks Chris, Andrew and Tash where she is. They don’t know and by this point Libby is gone. Eventually, Chris spills the beans that Summer said she’s chasing the big story and Elle rushes off to go and stop her from being injured.

After saving Summer (albeit at the expense of the story) Elle is furious with her. Summer thinks it’s about losing the story but Elle is actually angry because Summer could have been seriously hurt, OR WORSE. Summer asks why Elle wouldn’t just let that happen so she would have an excuse to fire her. Elle is like? Why would I fire you? And Summer is like because you’re still mad about Cameron and you’re using me to get back at my family. This makes Elle mad as Hell because she would never let anyone take Cameron’s name in vain like that and she’s like that has nothing to do with why i hired you! I hired you to do a job! and Summer is like but you said I had potential! and you won’t let me do the job! so Elle can say back yes you have potential, Summer but so did the 150 other applicants I turned down so I could hire you. You have potential, but ONLY potential. You don’t have skill, you don’t have instincts and you don’t have a firm knowledge base. You just have potential and the only way you can get any of those thing is to WORK! to do lots and lots of little stories before I let you do bigger ones, i cannot put the work of an 18 year old highschool drop out on the front of my paper, we’d be a laughing stock. You have potential but you need to learn how to use it and I promise you, I promise you, that chasing the big story before your ready will just end up with you getting a crushed lung and losing the love of your life. She finally talks to Summer about the roof collapse, and losing Riley and how her career nearly ended before it even started -- Before Paul basically gave her the keys to the kingdom before she was ready. And they have a long talk about developing skills, and Elle apologies that Summer thought she wasn’t good enough because that wasn’t what she wanted and promises to be more clear in the future about why she does what she does. Sumer apologies for thinking the worst of her, and for costing them the story. Elle is like, I’d rather lose the story then you.

Then we fade to ‘next week, on neighbours’

#neighbourspost

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kyoryu · 3 years ago

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We have heard your gospel on the shitty finale. Now, dear prophet, I humbly ask for your fix-it ideas

OK SO

you said FIX IT... so how would i fix it. oh in so many ways. but to make what we had WORK, its simple. ive said it before and i will say it again. 3 simple things:

- having no way back to amphibia is treated by the characters as something unfair and theyre all very broken up about it, especially anne. she's inconsolable. shes not accepting just cuz omg i changed i will just take every bad thing life keeps throwing at me here throw some more

- we get to see anne reunite with her parents when shes back (sasha and marcy with theirs too would be nice but thats another can of worms to open)

- after the trio hug in the timeskip, have an actual open end where we see a light flash when they walk off screen. like they went... Somewhere 😳 thatd be cool, like have they opened it before? is this the first time? is it even a portal? dont know, actual open end ✌️

(people keep saying what we got was an open end and the more i think about it the more i call bs. it wasnt open ended they just didnt go back to amphibia and ur in denial. cry about it ig)

anyways id be so happy with an ending like that. im not even changing much its just adding 3 things.

(also id probably skip on the trio growing apart and shit. like i keep saying, i dont think them growing apart in the situation where amphibia is closed for good works out. its just weird. like yeah we close this chapter that totally didnt mark us for life and we move on 🤟 BUT AGAIN JUST LIKE SASHARCYS PARENTS, THATS ANOTHER CONVO)

AS FOR AN ACTUAL FIX IT... to make exactly what we got work we'd have to rewrite the whole thing. not make it about saving the world, not making it so much about family, changing everything. cuz that ending just shits on everything lmao if the ending we got actually worked then amphibia would have to be a completely different story

ANYWAY a fix it would be what i said. tbh i like it when u add those 3 things. its genuinely bittersweet like that. it makes me angry about how its only 3 simple little things that couldve been added and i wouldve been content. but whatever

HOWEVER, A DELUSIONAL ENDING THAT WOULD MAKE ME HAPPY WOULD BE: annes given 3 full stones, bc i dont see why tf not if she meets god. i mean if its gonna be nonsensical then lets be nonsensical all the way and have 3 stones. each of them get one, and they can use it to travel back and forth by themselves. each time they have to charge it.

this means they dont usually Go together. they go separately, and if theyre ever in amphibia at the same time they might not even know. sasha always warps at toad tower, anne in wartwood, marcy in newtopia. they go to amphibia for their own purposes and business. and thus the trio grows apart.

it makes more fucking sense, ofc i think the trio growing apart makes sense, it just Doesnt when you add it up with closing off amphibia forever lol. but with amphibia being accessible i totally see it. theyre all doing their own stuff and making their own friends (both human and amphibians). even like this, after what they went through, sasha anne and marcy are intertwined for life. no matter how much time passes, how different they become, theyre unique to each other. they always come back to each other at one point. other than that, amphibia is open, they get to grow up in a place they love with people they love without having to sacrifice choosing one or the other bc that Sucks Ass and they've been thru enough, and have enough mental scars that will keep haunting them even after if they get to thrive in both worlds

this version is kinda. unrealistic. i get it. but the realistic ending we got was bullshit and shitted on everything, its sad and not to mention Boring. i think this ver still gets the point across (point that was already made so many times in the show anyway), sprig and anne grow up together, anne still becomes a herpetologist but now instead of fucking tragic and sad its very fun and cute, sasha has a getaway from her chaotic homelife and can be with grime who never ever EVER left her side, marcy gets to become close to olivia like shes failed to do and hence gain an actual mother figure in her life, etc etc. hehe

(and as adults sasha and marcy choose to move to amphibia. or as teenagers they just straight up stay there. but thats another convo as well)

i actually do enjoy a version where they only go back after 10 years and they have to reconnect, its fun to explore, but it never stops being Sad. i think of it and make hcs about it and comics about it but it never stops being full on sad ending to me and when i remember its not just a fun concept im exploring, its the genuine ending we got that is supposed to be Good and Satisfying, i become enraged. i continue not to see the sweet in the bitter. i wish people would at least admit its full on a very sad ending instead of pretending it was something else (people who liked it say it makes them want to d1e or say "idk i just like sad endings" so u agree. u agree it is a sad ending where characters end up sad)

anyways. kind of a stupid ramble here. i love amphibia (kicks the ending on the throat)

#amphibia finale hater sandbox #new ask tag

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silentprincess0302 · 4 years ago

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I’ve watched I Told Sunset About You at least 5 times in a row now, but I apparently have no one to rant to and I NEED to rant so bear with me.

First of all can we just appreciate how beautiful the story is? The way it’s portrayed, the way they talk, the location, songs, idk everything is just so poetic. I love how some scenes didn’t need words, and you’d understand it anyway. I love how there are no actual bad guys. The ones they are fighting with are themselves. And everyone has a personality. There’s a story in each and every one of those beautiful, well-written and portrayed characters. I’ll rant about how the story amazes me another time, I just need to focus on the two- Teh and Oh-Aew.

1. Teh

He’s an enigma. Like there’s so much going on with him and sometimes (or most of the times), he doesn’t even understand himself. And there’s so much added to his inner turmoil and identity that just makes me want to try and piece the puzzle but at the same time smother him with a pillow and blanket and yell “PLEASE REST AND BE HAPPY.”

First of all, his family. God, I can’t even start to say how much I relate to him with this. Being compared to hurts like hell. It’s like every thing you do, every step you take, you’d think “Would this be approved? Is this right? Or is this wrong and I’ll be compared again? Will they be proud of me? Will I ever be number 1?” You seek approval for your whole life. First your family, and it will branch out to your whole life. It’s haunting. He solidified his dream to become an actor because his mom was, for once, seemed so proud and excited at the prospect (I’m sure she is proud of him, it’s just that SHOWING it is another story).

And then there’s Oh-Aew. God. The person who shook his entire world. His entire being. If I’m to use Twighlight terms, I’d say he really imprinted on Oh-Aew, and it’s not hard to not see it. There’s a few posts talking about it on Tumblr, and I absolutely agree with them. It’s like, Oh-Aew is really the centre of his world (whether he realises it or not). I know they were kids when they fought, but that person has to be super important to you if it affects you that deeply. They say there’s a thin line between love and hate, and I think this is a good example of it. And to have a strong rivalry meant the love was strong as well- to be able to cross the line.

But “enemies” might be too strong of a word as well. It’s kind of funny, how Teh acts a bit tough and kind of picks a fight with Oh-Aew when what he did the moment he saw Oh-Aew was staring at him again and again. And it’s not even the hate kind of stare. Fascination? Wonder? Curiosity? Longing? Yeah, he talks big with Tarn about their “animosity ” but is it really animosity when he keeps staring, keeps scrolling through this person’s ig, keeps thinking about this person? Who the hell copies someone’s hairstyle if you want to be their enemy? Wouldn’t an enemy want something equally or more amazing, but different? Also he had the audacity to not acknowledge the fact that he was staring at him the whole damn day when Oh-Aew pointed it out. Oh Teh. This is just the tip of the ice-berg.

And when he finally made up with Oh Aew, the dam bursts. He thinks of ways to be close to him again, and not just as friends, but as BEST FRIENDS. He wanted to go “hardcore” immediately and chose his weapon- tutoring. He wanted Oh-Aew with him. He didn’t quite understand why, but he NEEDED Oh-Aew with him. And he wants Oh-Aew to acknowledge it, and see it the same way. He wanted to be special to Oh-Aew too, just like how he is to him. He gets unsettled and upset when he feels like he’s been treated the same as their other friends, and I find this so interesting. He went intense so quick, that I don’t doubt that these intense feelings were there since they were kids. It’s just, at that time, they were kids. As people age, feelings grow into different things, and I guess these their feelings grow to desire, fascination, longing, and love. (Also I squeal every time he admits this. “I don’t like it when ...”)

And his desire grew even more. The more time he spends with Oh-Aew, the more he seems to be wanting to possess him. To see him. To be in his presence. When Oh-Aew’s not there, he’s so unsettled. He touches random things, he paces, tosses around.. He’s lost. But his desire was so apparent. Sometimes, the way he looks at Oh-Aew, it seems like he wanted to devour him whole. This aspect, I feel, clicked when he sniffed his “friend”’s hair so intensely. Damn, the way he sniffed.. You can see the desire. He literally sniffed with his whole body!! Damn. And from there it gets intense and more intense. He’s suddenly aware of it bit by bit. “Coconut, coconut, coconut.” He went home, sniffed the coconut. I use the word sniff and it sounds super cute, but he didn’t do it very cutely haha. Sensual would be more fitting. The scent that he used to hate, is now the scent he seems to yearn as well. Desire by association?

I don’t think he’s stupid, and he’s damn aware that there’s something different he’s feeling about Oh-Aew. He might not understand it at that moment, so he started to play a bit dumb, continue with Tarn, and act “normal”. Is that really normal though, Teh? And Oh-Aew, bless his wit (or else we’ll forever see this static state) made him realize that boy, think different. Think, desire. Think, love. The scene at the beach, the coy atmosphere, was beautiful. I love how Oh-Aew coaxed him gently, and didn’t force him to come to him. To let Teh see him that way. The possibility. And when Teh just came to him, followed him around, desire just radiating in waves, eyes heavy-lidded with it,.. Ah, their relationship shifts yet again. And the scene where he “scratched” his back, Teh was almost lost in it. Almost gave in. Until he touched Oh-Aew’s chest and well damn. He’s a boy. And he slips away.

It’s not that simple, because this wasn’t his plan. He wanted to go to his chosen university, make his mom proud, make his family proud, succeed, have a good career, have a family with Tarn (which his mom apparently will be proud of so, bonus points). And where does Oh-Aew fit in this? Ideally, a friend would be perfect, but they’re not exactly friends, are they? But if he chooses Oh-Aew, what about his plans? His mom? The person who he seeks approval the most. It’s too much.

So he overcompensates with tutoring, the thing that made sense to him. What fits. But it hurts both of them. To Oh-Aew, who wanted Teh’s heart, and Teh, who also wanted Oh-Aew, but is trying to hold himself back and pushes Oh-Aew away, YET try to be close through tutoring. He wants to get away, but he can’t. He mentally, emotionally, and physically can’t. So he made the idioms book, in hopes Oh-Aew would appreciate it, and possibly forgive him (while staying friends?). But why was he lying to himself? The moment he saw Oh-Aew receiving his book, he couldn’t leave. He paced, and he peeked again. And he just can’t win. He’s lost in Oh-Aew’s presence and gaze, and the yearning builds up again, and he wanted to be close, close, close to Oh-Aew. He wanted to inhale his scent, inhale Oh-Aew. When they finally hugged behind the staircase, it’s like, ah, yes. I’m grounded again. (Also can we appreciate the music and cinematography during this scene? BEAUTIFUL). Still in this grounded trance, they went swimming, until oh, he’s pulled down, to a place where no one could see them, no one could judge them. And that’s when he finally let his yearning take over more and kiss him. Finally have him where he actually wanted him, but wasn’t possible due to the reality, the world, people around him. Masterpiece of a scene. Istg.

But of course, everything went straight to hell after. Sure, there were initial blissful moments, and then, when he realized that ah, this is the world again, he took two steps back, and broke Oh-Aew’s heart, and his own. And he knows this. Knows that he actually really damaged them now, and when he was told he couldn’t be friends anymore, it crushed him. How would he be able to live without Oh-Aew? His world. His anchor. So he grasped at things to save his world when he knows Oh-Aew was hurting, and made one desperate, big-scale attempt. Give up his place at university. His dreams. He gave everything to Oh-Aew. He can’t bear to see him suffer and lose his dreams, so he gave up his. I just, I can’t describe it in words.

This was a huge sacrifice. Might be the biggest sacrifice yet. And damn, Oh-Aew didn’t take it? He rejected his efforts, rejected him. The world he was protecting, rejected him (I’ll talk about Oh-Aew later). It hurts. And when he opened the pages of his book, it’s all cut out. He’d already given everything to Oh-Aew. And the one thing he had, the one weapon he had, tutoring, he can’t use it anymore. He just lost both his spot, and Oh-Aew. It hurts. It hurts.

I like that he was a bit passive aggressive at class, and he hinted that Oh-Aew shouldn’t have taken his efforts so lightly, etc. But when Oh-Aew didn’t quite return his passive aggressiveness, and he had this sincere exchange conversation with Bas instead, Teh’s world stopped again. How could Bas tell Oh-Aew what he wanted to tell him so easily? Why is everyone okay about it? How was it so easy? And there it is. He saw Oh-Aew smiling. “This was what I couldn’t give him. Now I lost him.”

He doesn’t have any more cards. No tutoring cards. He only had his words and his heart. But if he can’t fully accept himself, how’s he supposed to face Oh-Aew? Losing Oh-Aew was devastation. The conversation he had with Hoon was so important. The first time he confessed his feelings out loud. With words. And Hoon’s reply.. I just. Wow, he’s a wonderful brother. And ah, now that he had some acceptance, he could finally accept himself. But he can’t do anything at the moment of course, because Oh-Aew’s with Bas now.

So he fulfills his promise to Oh-Aew at least. I wonder what he was thinking at this point. Did he come to terms that he won’t be close to Oh-Aew anymore? Was he ready to let him go? AND THEN THE MIGHTY SCENE. When Oh-Aew said he just wants Teh to not disappear on him and could be anything Teh wants, Teh’s just like. “Ah. My world’s coming back together. And I’m ready.” “If I can be anything, can I be your boyfriend?”

UGHHHHH THE AMOUNT OF FEELS. Teh’s character is SUCH a journey, but it’s a book I’d love to read and reread, and discover the little things I haven’t discovered before. I love how complex he is, and that we can see so clearly his struggles, turmoil, yearning, and finally, acceptance.

2. Oh-Aew

One thing that I would love is more insight on Oh-Aew’s character. But he, too, is a whole character journey. Have you ever felt like you had no aim? Nowhere to head to, just a mindless walk?

Oh-Aew didn’t have a dream. He didn’t want anything, but it’s not like he’s doing it on purpose. It sounds like it’s nothing much, but imagine being in a desert. With no directions. Or like a dark room, where you desperately try to find a light, just somewhere to look at, somewhere to go, something to do.

And then he found it, his light. His passion. Acting. It’s like when a starved man finally sees food, or when a locked person finally sees the world. He sees motivation. He sees purpose. He sees something he could strive for, and make his parents proud of him. Now imagine that when you finally found that motivation and sense of purpose, someone who you care about, someone you hold dear and never thought would betray you, says you wouldn’t be able to do it, and that you’d give up anyways.

I don’t know how to stress this, but being told that you’re incapable of succeeding at a young age really affects your thinking. Humans by nature, don’t like to be told what they can or cannot do, and it’s the same for Oh-Aew. So he takes that as a challenge, and tries his whole life to prove Teh wrong. To be honest, it’s both a blessing and a curse. A curse because he had ongoing thoughts about how he needs to be the best, and that he needs to prove someone wrong. But a blessing because he now has another motivation to strengthen his attempts to reach his dreams. Personally, I, too, find competitions a push for me to be better. But it also had negative impact on me. I wasn’t satisfied with anything I achieved, I just wanted to bulldoze through. And if there’s even a smallest mistake, I’d beat myself up. It’s not a healthy lifestyle.

And when he finally met with this person again, not only did he keep on staring at him, he also brought up his academic weakness and implied that he’ll fail. Again. Again. And what’s worst is he was partly right. He didn’t get the placement.

Okay I’m going to stop there for Oh-Aew’s motivation and ambition, because I’ll get emotional lol I relate too much. So on to Teh.

What’s interesting about Oh-Aew is that I’m not really sure what he’s thinking, and he’s quite a mystery. But at the same time, he has this presence that’s just, healing and addictive. He doesn’t force, doesn’t push. He coaxes, he’s gentle. But he knows what he wants, and he’s clear about it. I’d love to know the thoughts he had for Teh when they met, though. Because, even though we weren’t shown what was going through his head, or the degree of which he thought of Teh, he obviously sees Teh as different from the rest.

When Teh told him he’s upset that he’s being treated like everyone else, Oh-Aew was just like. “Bestie, why didn’t you tell me? Let me affirm your position. Here’s my big secret.” WITHOUT hesitation. He didn’t think it was weird or anything, all he wanted was to make Teh smile again. And he’s so in tune with Teh. Whenever Ten’s upset, he just knows, asks, and he’ll wait for Teh to be ready, and when he’s ready, he’ll listen to Teh and comfort his unease. I understand how Teh would be so entranced. Oh-Aew was like a breath of fresh air, the quiet comfort, yet alluring and addictive.

And one of my favorite parts would be when Teh told him to not give his time to others, Oh-Aew said it to him right back with such a challenging look on his face. And I think it’s interesting, because he doesn’t really show that much aggression (it wasn’t really aggressive, but he had a harder tone than usual). It shows how Oh-Aew is quite clever in hiding what he wants to hide, or maybe he could even store it in a secret box inside his head and try to ignore it. I’m saying this because we kept seeing how Teh checked and rechecked who saw his story with Tarn, but he couldn’t see Oh-Aew’s name, and Oh-Aew didn’t really seem affected by it. But when Teh mentioned about time, he suddenly took off mask and it’s as if he said, “You’re bothered with me giving your time to others? Okay my bad, but you’re also giving my time others. You think I don’t know? I’m also bothered.” And at this point I was like, ah, so Oh-Aew does notice. And he does gets bothered. It continues on to Teh sniffing the hell out of his hair and he’s just like what? And he thinks, and he thinks, and he looks at the coconut shampoo. And he thinks.

Teh.

And he puts on more shampoo, which suggested how he actually welcomes the thought of Teh liking the smell on him. He wants Teh to like him. More coconut, more coconut. Like me.

But he’s patient, Oh-Aew is. He doesn’t push Teh, he just observes, tests, and when he’s quite sure, he launches his gentle yet dangerous attacks. He made sure Teh was looking at him, thinking of him (not that he actually needed to, Teh was already full of Oh-Aew thoughts HAHA but it does help, to push Teh a bit), and he coaxes. He introduced the possibility of them gently.

But how long could a person wait? How many times can a person get rejected? When he realized he liked Teh, he didn’t tip toe his way around Teh like he did with Bas, he went full force. It’s like, just as Teh was like a hungry lion, Oh-Aew was a prey enticing to be eaten. He wanted to be eaten. He liked Teh’s attention, wanted Teh’s attention, more than anything. He wanted him. After all, Teh was behind his motivation his whole life. He wanted Teh to see him, to love him, to embrace him. Accept him. How long can he be patient? The lion knows he’s hungry, but he refuses to eat. Yet; the lion keeps the prey to himself, to his clutches, to his territory. But the lion won’t do anything directly, so is the prey not worthy enough to be eaten? If not, why put it in the lion’s yearning clutches?

Every time Teh seemed to move forward, Oh-Aew gets disappointed when he moves two steps back. And it’s maddening, because now Teh is just at the center of his world, but he can’t access it. There’s a wall, and this wall keeps him from truly being with Teh. And he’s so addicted to Teh, to Teh’s attention, and he wants more. He had the taste of it, but just as he gets to taste- it’s gone. And he knows why. And it goes back to his own anxiety of being not worthy. Not worthy of a dream, not worthy for a person. Are his parents even proud of him? He desperately tried to change, maybe if I change my gender, he’d like me? He’d accept me? But of course it’s not possible; and it breaks him. Is he even worthy of anything?

And he decided to give up. I might be just assuming, but it’s as if “I’m not smart, why bother. I’m not lovable, why bother.” And he wanted to lock himself in that dark room again, to be aimless, to be numb, to not feel anymore of the pain of not being enough.

And this is the part where I want to rant the most. His rejection of Teh’s place in university. Yes, at first I questioned it too, but did he look happy at all when he rejected it? People have mentioned that Teh’s sacrifice was the answer to Oh-Aew’s earlier question “If the teacher chose you, would you have given it to me?” (Somewhere along these lines). That yes, he would give it up to Oh-Aew.

But Oh Aew too, was answering an accusation made on him. He doesn’t, and never did, want to steal Teh’s dream. All he wanted was an inspiration, a rival to compete with, not to crush. Not to destroy. To me, Teh giving up his place could mean two things to Oh-Aew: Teh was first offering to be destroyed, and second, it would mean that the whole rivalry, inspiration, chase, ambition was colored gray when before it was a burning bright red. There was an idiom that they learned, “Easy pickings.” To get something when you didn’t put so much effort in. And I think, if I was in his place, I’d feel that it was an easy picking, because someone intentionally gave it to him on a silver platter. More so, his love, his rival, his inspiration gave it to him, like the whole competition didn’t matter. I don’t know the intention of the writers, but I feel that it was like Oh-Aew also didn’t want to be the one holding the knife of destroying Teh’s dream. Because he never wanted to. And the competition, the inspiration to his ambition and growth which all started and continued from and around Teh, would mean less. To be a competent rival, he needs to get there by himself.

Also I think if he did accept it, it would be a whole cycle again. Teh would have a card, and he’d never realize that the card’s not what Oh-Aew wants. Oh-Aew only wants his heart. Both of them needed this. Teh needed to know this, and Oh-Aew needed a push to realize his supposed purpose and motivation again. Which he will achieve, by himself, with his own hands, as a worthy rival. And if he gets it, he can say HE did it. He won’t have to feel guilty all his life for “stealing” Teh’s place. Damn. I’ve always wanted to say this since I don’t see much about people talking about Oh-Aew’s side in this.

On to Bas, it’s actually quite heartbreaking to see how he treated Oh-Aew exactly how he wanted. To be accepted and loved without hesitance, to hold hands without a care in the world, to be able receive love without walls. Bas is truly golden. But it’s just not who Oh-Aew wanted. He wasn’t quite Teh, and Bas knows this, and guided him back to Teh. UGH BAS I HOPE YOU FIND SOMEONE AND BE HAPPY.

And finally, the sunset scene. I like how he didn’t apologize about the university placement, but he knew he didn’t want to lose Teh. He already accepted that he might not be what he wants to be by Teh’s side, but he’s willing to take it. Anything. He just wants Teh to not disappear again. And oh, Teh suddenly confessed.

AAAAAAAAAA I CAN’T GET OVER THIS T.T The series is SOOOOO beautiful and well-written. I’m so nervous for Part 2. Pls don’t give them a sad ending. PLEASE. I BEG YOU. Or I might really hypnotize myself to forget the second part and only remember the first one. And and if anyone wants to talk to me and discuss this with me please do!!!!! I love a good discussion T.T and I’m lonely hELP I need to talk about it with someone

#itsay #i told the sunset about you #oh aew #teh #tehaew #ppkrit #billkin #ppbillkin #MY FEELS #rant #i love this series so much #literally art #a masterpiece #bkpp #billkinpp

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sleepless-in-starbucks · 4 years ago

Note

Hi could you talk more about why youd recommend not watching ww84?

Sure!

warnings for under the cut: spoilers for WW84 and a bit of the first wonder woman; i only saw WW84 once a few days ago + it’s been a hot sec since i saw the original so if i get a few details wrong i apologize

tl;dr with no spoilers: WW84 is a poorly executed movie that insults its viewer with its messy and self-proud plot, bad character/relationship portrayals, and offers a personal slap in the face to a majority of its audience in their various discriminations, generalizations, and plot points.

the first point is the racism, made well by the post i reblogged here, (edit: found a second post that goes more in depth here) so i’d just suggest looking at that for that matter

next is just How they portray wonder woman in this one

i really appreciated the way the first movie portrayed diana because they did very well in keeping true to her Amazonian raising and life while still clearly showing she was a woman

when i say this i mean that a lot of media has a tendency to either make women who are very fem and keep to traditional gender roles or women who more or less shun femininity and attempt to largely fulfill only male gender roles

diana in the original is a warrior, strong and fierce, but still a woman, not trying to shun that or anything. she wears styles that suit her while still being woman’s styles (she doesn’t force her way into a suit), she talks of and addresses her womanhood proudly and without issue, etc

i want to note here i have no issue with female characters who act extremely masc and reject femininity- i love them tbh- but it’s important to remember that it’s not inherently against womanhood or anything to be a strong fighter who doesn’t stick to every stereotypical social gender norm

and the first wonder woman movie shows this very well

WW84... oh boy

first of all, wonder woman’s changing outfits every other scene. even between scenes where it makes no sense! i’m not saying she can only wear one set of clothes but Geez this was too much

not to mention an entire scene dedicated to her helping steve pick a fashion look? i understand this was to highlight the ‘80-ness of the movie, and it would’ve been fine if it seemed diana was helping him pick a period appropriate look, but it was clear she was trying to help him pick a ‘fashionable’ look which. wonder woman? from the island without a sense of popular outfits or fashion? what?

and the amount of focus on her wearing high heels.... ugh

i’m not saying you can’t have a badass woman who also likes social gender norm fem things but it felt clear that wasn’t what they were going for

wonder woman in the first movie liked practical fashion and not only were many of her outfits not that, her high heels? one hundred percent not practical

it didn’t fit her character and felt horribly out of place, clearly just the producers / directors / whoever going ‘oh, wonder woman is a woman how can we show this? fashion! high heels!’ and i hated it

(warning: imma be jumping from thought to thought as they bump into each so uh... enjoy the train-of-thought style of flaw informing)

and starting at the beginning like.... wow that scene had no purpose

wonder woman cheats in a competition and is punished for this by losing it in the end. except. this is stupid for two reasons

as the audience is shown she didn’t cheat on purpose. she made a mistake, lost her horse, and made a strategy to get back into the race despite this. honestly? i thought the story was going to be a lesson in ingenuity in the worst looking situations. but it wasn’t, which is bad storytelling, because the lesson is then based on a point that isn’t even that true

it is literally Never important again later. unless you count what was going on with the wishstone as ‘cheating to victory’ which i dont. that’s not even what the villain did. he wanted to take over the world. there’s no victory there you get without cheating. wtf. why did that message even happen

going into the actual story we meet the cheetah pretty quick, when she’s still whatever-her-civilian-name-is

and the cheetah... she’s such a bad villain

she doesn’t have the same backstory as she does in the comics

in this one, she uses the wishstone- which is a whole ‘nother thing in and of itself- to wish to be like diana, because ig being smart as hell but social awkward as hell too is so bad you need to desperately wish to be someone else? i hate that trope, but onwards-

she gets that, but in exchange for not only diana’s likable personality she also gets her wonder woman powers (and she loses her glasses, because pretty and cool means no glasses, right? /s), she loses her kindness bc of the rules of the wishstone- in exchange for your wish, it takes smth u care about a lot from you; for her, it was her kindness

this makes her villain! just because she lost her kindness. yep. honestly not a good look regarding all those people out there who are low/no empathy and can still be wonderful nice people but i digress

at one point she complains about why she needs to keep her power rather than go back to being just Her and i fucking wanted to scream

she has like. half a dozen degrees, clearly a couple of friends even if she’s awkward, and she’s got a life that was perfectly okay before she made the wish. as someone who is also socially awkward as hell, it infuriated me to here her acting like it was the fucking end of the world she couldn’t be more extroverted or whatever. there are ways to work on that!!! the movie trying to convince the audience she had a legit reason to not un-wish her wish (for the good of the entire world) was stupid and insulting

also her transformation between ‘looks human, wearing cheetah-pattern clothing‘ to ‘humanoid with cheetah fur/skin/appearance’ literally just. happened. for no reason. that was stupid

y’know what else is stupid? the wishstone. it was clearly just a plot device, and a poorly executed one at that. it isn’t even consistent in how it works

and they did a whole side thing with like. how it had the language of the gods written on part of it and it appeared in random locations across history around the time of great tragedies and,,, that was it???

they never explored the divine connection??? who planted it or why??? how it location traveled or anything????

like i said. poor plot device

i move on now to steve

oh boy steve

he’s brought back to life by diana’s wish on the wishstone, but... it causes him to come back in someone else’s body, quantum leap style. this is. weird. and is never ever addressed by him or wonder woman except once in a throw away comment. like. diana and steve kiss and are implied to have sex while steve is in someone else’s body and neither of them seem to care. this is not good!!

and then his relationship with diana? HORRIBLE

in the first movie they were barely starting to fall in love, only barely a couple even if that. more importantly they were friends, and that night he died diana didn’t lose a potential lover so much as she lost her first non-Amazonian friend

but WW84 portrays their relationship as if they were not only already a couple, but one close enough that even after forty years since steve’s death diana is still completely and hopelessly in love with him to the point that she’s literally hanging off his arm as soon as he’s back and making love that very night

it plays again once more into the misrepresentation of wonder woman’s character (how stereotypically hollywood female to fall over herself at the sight of her love interest) and it wrecks their relationship, which had been a lovely friends-who-could-be-more

what they should’ve done was focus on that friendship, build it back up after the long gap for wonder woman, and then started to rebuild that possible romance (and tear it down at the perfect moment... right when steve had to go again... ah that would’ve been lovely)

but they wanted to go in full-haul on the romance and it just felt. wrong and weak to me. diana’s refusal to consider giving up her wish (to get her powers back and save the world) is bc she doesn’t want to let steve go again, which makes more sense in the context of a first and true friend rather than a hastily slapped together love interest

steve’s character was generally good tbh but the way he played into the story? bad

moving on... the main villain of the movie? sucks. he’s just. fucking awful

despite a motivation being given that he wants to have money, he launches into wanting to take over the world for no real reason. he takes advantage of people for this and almost destroys the world he wants to rule for it. the main reason he stops this is for his son, who up until now he largely ignored and didn’t seem to care that much for outside of basic obligations. and the movie dares try to make him sympathetic by throwing in the fact he grew up poor and was bullied and not liked which i HATE

lots of people are/have been poor. lots of people are/have been bullied (myself included). that does NOT justify them DESTROYING THE WORLD TRYING TO TAKE IT OVER. can it be used to show the audience why he does what he does? yes. but to use it and clearly try to make it a reason to hand-wave-away what he did? NO. FUCK NO

also fucking. y’know how wonder woman took down this villain? she talked to him and the world. she gave a stirring speech while she laid slumped against a wall, not injured, just too weak to beat a bit of wind. she talked and she looped her lasso around his leg so she could talk to the world to to convince them to give up their wishes

once again... the mischaracterization

in the first movie, wonder woman gives a stirring speech while fighting Areas. it’s done in her battle, beating the god of war up while reminding him of what she stood for, who she was, why she would keep fighting for a broken world

it was BEAUTIFUL. it was MEANINGFUL. it was BADASS but SINCERE

this was weak. and it clearly wanted to be more than it was

the whole movie wants to be more than it is- it wants to have an important meaningful message like the first movie, about wishes for the self and war and the world and whatever. and it wants it so badly it does it horribly

the message is ham-handed yet messy and unclear and not right. it doesn’t make sense, and it feels poorly plotted. the movie thinks it’s more than it is and that makes it very hard to watch

and to finish my rant off... WW84 lied to its audience

did you see any ads for WW84? i did. they were bright, vibrant, funky music, stunning moments, action and intrigue. i was thrilled for a movie like it

the actual movie isn’t that

it’s not nearly as action filled, it’s not as ‘80s-focused as it leads you to believe, some of the most prominently featured moments barely matter

the lightning swing? pointless, as at that point in the movie wonder woman’s learned how to fly and does it for no reason but the trailers

and that cool suit? introduced in a random myth for no reason halfway through the movie, brought in at random with no explanation, only there for show and the trailers

WW84 is not the movie is lead people to believe it was, and the movie it is is poorly executed and insulting to a variety of peopler/minorities

if you’re gonna watch it, pirate it. i can give you a link. just don’t give dc your money or your legit views for it

#that got long #but what can i say? im passionate about my bad movies #and ww84?#that was a bad movie #if anyone wants clarification on smth let me know #wonder woman 1984 #ww84 #ww84 spoilers #the cryptid speaks #lost in the fray

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lover-of-trash-and-people · 4 years ago

Text

bittersweet netflix shadow and bone finale (s1 e8) rewatch; accoutrement: white wine with ice cubes in it (no YOU'RE a mom drink shh)

my wine's like fruity I love her

light and darkness title card we love to see it

Inej looking at Alina before she goes below deck to hide <3

okay that 'what can you really do on your own' was like not fun that shit hurted

okay but Jesper's 'not enough'? <3

oh no my baby Zoya's first inkling that Darkles does not really care

omg Helnik just appeared and I remembered how much heartbreak I have to face in this episode

gods I love Danielle as Nina so so much

'this can't be it' said she with her pleading smile with downturned eyebrows MA'AM I-

don't break my dumb little heart

I might hate Calahan's little accent but they're making me tear up

oh gods I literally cannot keep a hold on myself when Dani's accent bleeds through with full force, it's like she comes more alive or smth

'I will keep you warm' SIR WHAT-

I am surprised they showed a leaning in for a kiss so soon but I'm not mad about it

her little eyebrow twitch at 'what are waffles'

when that rando said 'i hunt slavers now' a dread settled into me because I knew what was about to go down

Matthias looking somberly at the stuffed wolf's head </3

I am so incredibly entranced by this exchange between Fedyor and Nina and what it represents, it's very interesting that they pushed up their storyline to match with the timeline

damn it's kind of jarring to be back in the Fold

'REMEMBER WHO'S DRIVING'??!!!! *you better stop* meme, *i am, disgusted* meme, *oh wow, oh wow* meme

Mal you fucking idiot you could never take the crows by surprise

the music rising as Kaz starts explaining his thought process, fucking perfection

haha Mal bitchass Inej caught you

'Because if he isn't with Kirigan's crew, he's with ours' WHEN I TELL YOU I SCREAMED

'And why would we destroy the Fold? It's the greatest weapon we've got' valid point at the moment but you know I don't necessarily agree with your methods

the use of the light tunnel in the show instead of Alina just being a super flashlight in the books is quite an interesting addition as well

is this an inappropriate time to point out how pretty Ben Barnes is

okay I kind of love the depiction of the shadow powers okay sue me

'they are traitors who tried to kill you' why are you suddenly making valid points despite having kind of committed low scale genocide

'i never said I was smart' YES MAL BE THE VOICE OF HIMBOS EVERYWHERE

Kaz's face going from 'can you believe this idiot' at Mal to 'fuck me I'm gonna do the same thing aren't I' at Inej

'For who would oppose us now?' *himbo romantic rival appears out of nowhere and shoots at him* god I love this show

him standing calmly in his ridiculous all black attire after nodding at his soldier to stop the himbo in his tracks, i fucking can't

could she summon light without the Darkling making her after he put the collar on her until the uhm moment in the books? idts but in the show she can hmm

'only because I'm not in the game' you tell him Jesper

not me snickering at 'you'll be seen not as a saviour, but as a heretic' LMFAO

'Shame. I'll have to give that speech again now.' THIS SHOW IS A FUCKING COMEDY AND YOU CAN'T PROVE ME WRONG

YES LET'S FUCKING GO SULI SOLIDARITY

Darkles casually whipping the Cut out like a shuriken or a throwing knife at Jesper because he shot at him lmao I can't

INEJ FUCKING GHAFA STABBED ONE THE OLDEST AND MOST POWERFUL PEOPLE IN THAT WORLD AND THAT IS VERY TELLING OF HER POWER

that moment where you actually think that affected him despite having read the books and watched the show

and then he has to go and fucking say 'it will take more than this' and I can't be help but be a little bit impressed at this old fool's resilience

throwback to when he said 'the king is a child' sir you make some valid points sometimes and it does make it difficult to hate you

I would just like to inform everyone that it is currently 6:09 am IST and I am sipping my second mug of wine while watching netflix sab for the second time instead of doing my three papers that are due tomorrow

I'm sorry but Inej jumping to check on Zoya after she gets knocked over by the volcra? first class display of solidarity and sisterhood as well as Inej's inherent kindness

Kaz jumping in front of a FUCKING VOLCRA AND STABBING IT WITH HIS CANE to save Inej, you best believe love is true, kids

god the volcra are so ugly and gross, they did such a good job with them

they kind of remind me of these creatures (I think they might have been called Hollows or smth) from the Miss Peregrine's Home for Peculiar Children movie

STAG VISION TIME

despite my dislike for the callous nature with which the stag plotline was handled, I kind of dig the stag vision scene

'It's just me and you now, Alina. And we're all we need, anyway.' I actually feel bad for this old fool simping for this wonderful gorgeous powerful woman despite lying to her and manipulating her and exploiting her power

okay 'I never needed you' *stabs the bone fragment out of his hand* beautiful power move I fucking love you so so much

alright ben looking like ✨ that✨ not only in physical pain but also emotional pain at what the Darkling clearly considers another betrayal from this girl he wants to give the world and maybe? loves? maybe? or at least has feelings for makes my fucking heart hurt while simultaneously soar at Alina taking back control and reclaiming her power as her own and stepping into her own

'how do you claim such power' okay could have had better dialogue there writers

the fucking score lifting as she says 'you cannot claim what was not given to you' good people my heart is full

one day I'll talk about my defense of the chosen one trope because god damn I kind of love it

hmm I wonder was that brief hesitation that we saw on Alina's face due to her thinking about the 'you chose to betray our people' comment or the 'i was trying to save us' comment because that will define some of her actions in the later seasons (hopefully god if we get some, I honestly don't know what with this stupid brownface debacle)

I'm not saying talking about brownface and pointing out that it is wrong (for further context, I am actually brown) and harmful is stupid btw I'm talking about the incidents involving brownface in question

I don't wanna talk about this anymore but I might feel like I need to and end up posting about it idk

goodness Ivan actually believing in this cause makes me so sad because he too has been victimized by the system that ostracizes Grisha and he has every right to feel the way that he does

Ben actually fighting in that ridiculously heavy cloak and kefta when he's about to turn 40 this year makes me super impressed because I as a 19 year old sometimes wake up with muscle pulls after weeks of inactivity it's weird idk

also I understand that this Mal Darkling fight is completely fanservice and serves nearly no purpose to the plot in general but like I? love it?

'I don't have to kill you Darkling. Your past will do it for me' YES HIMBO GO OFF YOU TELL THAT OLD MAN GODS THAT WAS SEXY AS FUCK

maybe it's because I know Darkles will survive and will come out of it more powerful but I can't get myself to feel bad for him at the moment

Inej and Mal tearing up at Alina's condition made me almost feel something despite it being super obvious she was gonna be fine and save their asses at the last moment

HER POWER

a solitary Kaz in spotted on the western side of the newly expanded fold in his signature all black emo boy look

okay but the crows with zoya and malina is such an adorable team? I literally love them so much?

INEJ'S FUCKING SMILE AT ALINA GIVING HER THE DAGGER AND KAZ LOOKING AT HER AGSGSGSHSJSJSK MY HEART CAN'T TAKE THIS ANYMORE

SHE KNOWS JUST WHAT TO NAME IT WELL GIRLIE I KNOW IT TOO AND MY FUCKING HEART IS LITERALLY GONNA BURST

okay I know they had one interaction but Mal and Jesper would be besties in another universe

Kaz glaring at Jesper when he answers ''course not' to Alina's 'will you still be trying to kidnap me?' tell me one fucking adaptation that got the dynamics between characters this perfectly

okay why do I love that Alina kept the jewellery as maybe a small nod to she has the wits to, um, you know, I don't wanna say steal, but, um, yeah, steal it because she knew she would need money to survive on the run

oh Jessie I love you so much I wish you hadn't said those things on you ig story about the brownface

it's like every single celeb I grow attached to god's like nope that one is going to do or say something problematic (hey btw im not reassigning blame to god for stuff people have done out of their own free will, 'twas a joke)

AAAAAAAH them saying 'the deal is the deal' in the show even though they didn't have to but like they did and I love them for it

Inej literally not being able to not stare at Kaz's face and smile after this <3

'I didn't expect it to burn at all. But it can be destroyed in the end. Just like him' babe you're not wrong but like um just you wait

god Mal being on supportive boyfie mode is well, absolutely adorable, obviously, but I wish we got to see more of him as a person outside of his attachment to Alina

kaz my little demjin I wish you hadn't have had to suffer so much to meet the crows and find your calling

fastforwarding Zoya's arc is also an interesting choice to me

I wish the hug hadn't been done though, it didn't feel earned

maybe Alina awkwardly and half-heartedly (remember, at this point the alliance is fresh and they still don't entirely trust each other) reached for a hug and Zoya avoided her? and then the rest of Zoya's lines followed? that would have made more sense to me at least

I love Sujaya as well, she brought life into Zoya with whatever little screentime and scraps of writing she got

inej asking kaz 'what's your angle?' beep bop bleep morp I sense another incoming embarrassing love confession

'but we do need you' *stares at her face intensely* 'I need you' ah look at the clock, look's like it's time to screech and flap your arms like you're a volcra because you're incapable of containing your emotions

NO YOU CAN'T GO DIRECTLY FROM KANEJ PROGRESS TO HELNIK BREAKUP (TEMPORARY, MIND YOU)

helnik my loves you don't deserve this I'm so sorry for both of you

Matthias fucking smiling ruefully while he says 'this was... just a cruel joke all along' THIS IS NOT FUCKING OKAY

omg hellgate

AAAAAAAAH NINA IS ON THE SAME FRAME AS THE OG CROWS I CAN'T HANDLE THIS

CAMERA PAN FROM KAZ SAYING 'JUST HOW THIS ALL STARTED... WE'RE GONNA NEED A HEARTRENDED' TO NINA OVERHEARING HIM AND LOOKING OVER?????!!!!!! WHO DO YOU THINK YOU ARE DOING THIS TO ME?!

Nina genuinely being curious as to the status of the sun saint because she obviously still cares

Also, 'But she is a Saint' okay Kaz trying to earn brownie points you have succeeded

DID THAT SAILOR JUST SAY 'GOED MORGEN FENTOMEN' TO MALINA BECAUSE I AM NOT OKAY WITH THEM JUST THROWING THAT IN MY FACE ALL OF A SUDDEN

gods I know I'll probably see them again but my heart is full of sorrow as my eyes drink in the sight of my crows for the last time for a while

I know people were annoyed at the meadow flashbacks but guess what? as a darklina, I loved them

'now that the Darkling is dead' could have phrased that a little differently my dudes that line needed to hold more weight

am I glad that they showed Darkles in this state with his nichevo'ya as a tasty little cliffhanger despite not being entirely true to the source material? maybe but only because Ben Barnes saying 'follow' and the nichevo'ya doing exactly so sent a chill down my spine

well, that's it for now, I'll have to move on I guess, get back to my real life which I'm obviously not ready to do

thank you to whoever actually read these things

I probably should have just made reactions or commentary videos instead but I'm lazy

my tumblr will probably go into inactivity once more as I emerge from my stint in the grishaverse

it was quite short (less than 2 months), considering the length of my other obsessions but it was definitely more intense than the other ones

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tuff-and-fluff-archives · 3 years ago

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Okay before I try to sleep, here's what I've come up with as a possible story for my ship with Alexei Shostakov, aka Red Guardian 🥺💖 Uhhhh I guess I'll put this under a read more cuz it might get kinda long and also ig spoilers for the end of Black Widow pffff

OK HERE GOES So the idea I had is that we would meet AFTER the events of the film. So after the movie ends, Alexei would join his "daughter" Yelena to search for the remaining brainwashed Widows and give them that anti-brainwash serum to give them their free will back. As for his fake wife who he supposedly still had feelings for, I really didn't see a lot of chemistry between them (i mean she named a pig after him) so I feel like they'd stay friends and/or allies but not really be involved romantically.

Now as for my s/i, this is where the details are a bit rougher (I mean I just came up with this story hehe) but I like the idea that I would be some kind of hacker or informant who came across a government conspiracy for some random country, so their government hires some of the remaining Widows to assassinate me, but Yelena finds that out and figures that my information-hunting skills will be a big help to ger mission, plus I'll basically be a Widow magnet for a while so that will be a good opportunity to capture those assassins and un-brainwash them. Two birds with one stone!

Okay finally, this is how we'd meet! So Yelena sends Alexei to "retrieve" me and keep me safe from the assassins coming after me, but he gets a bit annoyed that he has to be on what he calls "babysitting duty" and that he can't have a mission that's more exciting (basically he just wants to punch stuff 🙄), and I'm not really given any warning beforehand so he kind of just breaks into my house and tries to kidnap me??

He was supposed to introduce himself and explain the situation to me before escorting me to safety but he just wanted to get the mission over with so yeah. My first meeting with him is him breaking down my door in the middle of the night and throwing me over his shoulder, and of course I try to fight back (but there's no way I'd be a match for his super soldier strength uwu) but as he's trying to get me in the car, one of the Widow assassins show up and it quickly becomes clear that he's the one trying to protect me, so I finally comply and let him take me to safety, and as we're escaping he also gets into a fistfight with a few of the assassins and gets to really have some fun and kinda relive his glory days of fighting, and also I get to see that he's seriously the real deal and in that moment I secretly start to go 😳 over him as well. I also end up driving us out of there to safety and I pull off some pretty good maneuvers that I didn't even think I was capable of, so he gets to see that I'm not entirely powerless either and in a way I get to save his skin as much as he saved me 🥺💖

So, sorry if this is an abrupt ending BUT he gets me to safety to join up with Yelena and the other liberated Widows, who recruit me to help them in their mission of freeing all the Widows and I absolutely agree, but because of that very first mission where Alexei came to my rescue, we ended up really forming a bond and getting close with each other, pretty much because I'm the only one willing to listen to his crazy stories and I kind of love praising him up because he definitely shows his appreciation for that in return 🥺💖💖💖

#whoof this is an absolute MESS but here it is!! my idea of how we'd meet 🥺💖🥺💖🥺💖🥺#i really like this idea especially because it basically makes canon mine now 🥺💖🥺💖🥺💖🥺💖#and if any of y'all actually read this?? ily 🥺💖💖💖💖💝#ruby rambles #🐻‍❄️

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mogsk · 4 years ago

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So I watched an anime called “Violet Evergarden” recently, the elevator pitch of which is basically “feral girl is taken in by military man, turned into a child soldier, military man dies, but not before telling her ‘I love you’, but she doesn’t know what that means, so after the war she becomes a ghostwriter with the ostensible aim of figuring out what ‘I love you’ means through other people’s expressions of love via letter-writing.

It’s a good little concept, and while I enjoyed it, it’s also stuck in my brain as being profoundly odd from a storytelling perspective.

Like, the initial premise is v strong, Violet’s driving objective is to understand the last thing she heard her father figure, “The Major”, say to her before she blacked out and woke up with no arms. She was a feral orphan child with little grasp of language or expression, and so she is burdened with not understanding what this very important person to her was trying to convey before they parted ways. Good shit.

And it seems to carry this fairly well at first. Each episode varies in how much it advances the central plot, but each boils down to Violet having to learn a lesson about how people express their feelings for each other, how they express love through words, or how they fail to do so, and so slowly she goes from only being able to produce very precise and terse letters which read more like military reports, to being able to swoop in and fix people’s interpersonal problems with the power of a well-dictated love note.

Where it kinda falls apart for me is about halfway through the series, where we see that Violet has more or less grown into her role as protagonist in an anime about the power of letter writing and the meaning of love (-ish). She’s gotten so good she’s tasked with facilitating one half of a romantic correspondence between the nobles of two nations whose relations are still tense after The War (which Violet fought in), and so have decided to arrange a marriage between their noble children -- a 14-year old girl and a 24-year old man.

Now up to that point, the messaging around the central theme felt odd, but it made sense, like, Violet is growing to understand love, and so how the show does this is by giving her a lot of weird and fraught situations around that theme: we have a woman who is in love with a man, but she wants to play hard to get which Violet ruins by writing a letter that just directly states ‘I have no feelings for you, please stop calling on me’. So then she goes to letter-writing school where one of her classmates has an alcoholic brother who she wants to express her love and thanks towards, but doesn’t know how to pierce the barrier of grief surrounding him due to the death of their parents in The War.

It keeps on like this p consistently, the central question “What is love? What does someone mean when they say ‘I love you’?” is addressed fairly cleanly, but then, once the issue of Violet’s struggle with being able to convey people’s emotions becomes effectively resolved, we kinda start to leave the rails!

Back to the mid-point episode, so, through trying to properly convey this 14yo princess’ feelings, Violet learns what her true feelings are. No, it’s not that she is discontent with being forced to marry a man ten years older than her because, you see, they already secretly met at a royal party when she was, like...10?? And he found her crying and was, like, “Hey kid, you okay?” and that was the first genuine expression of human emotion outside of her dutiful maid she’d ever gotten. You see, what her discontent is is that she knows the man she met, with a heart so simple and pure he feels compelled to comfort a crying child, would never write these letters, and so Violet conspires with the prince’s ghostwriter to allow them to have a more honest correspondence (which is then reprinted in all the newspapers around both countries.)

What got me about this episode is how it, like, throws all these different narrative threads in the air around this central theme of “What is love?” -- the concept of arranged marriage, the idea of confusing appreciating someone’s kindness for having other feelings for them, the MAID who is, like, the princess’ closest friend and confidant, but who has to explain that, once she’s married off, they will have to part ways because she doesn’t serve the princess, she serves the royal family and there’s this great scene where the princess is weeping after she says that and the maid is like “I cannot accept that command, I will continue standing here right by your side” and it’s really intense!

But then...it all gets dropped in the interest of the final note being...yeah sometimes you have to marry a guy in his twenties when you’re just a teenager, but love’s just funny like that ig!

Which sounds ungenerous, and like, I wanted that to be the case, I wanted it to be setting up something, like, “Despite Violet gaining proficiency in letter writing, she still is struggling to understand the more nuanced dimensions of love and so her shortsightedness will come back round to bite her in the ass” (it does not, we even get a montage of all the people she’s helped including the newly married royal couple smiling happily at the camera.)

We then get more episodes like this, where Violet’s done learning about Love and is now in effect teaching it to others. She does this by...sitting and looking pretty with a guy while they wait for a comet to go by, imitating a playwright’s dead daughter so he can be inspired to finish his play, and...writing a bunch of letters on behalf of a mother dying from anime mom disease, but who wants to be able to speak to her daughter as she grows up through a series of pre-written birthday letters.

And, like, in isolation, it’s all very moving! Each story has a very touching emotional drive to it, but it seems like the question of “What does ‘I love you’ mean?” p much falls to the wayside, even after we get the big 3/4s of the way through reveal that the Major is dead and Violet didn’t know! So we’re treated to flashbacks of their relationship, including the moment where he repeats that damning phrase!

But then we really don’t pick it back up again? It kinda superficially grows in relevance as we approach the conclusion, but it’s never again properly addressed until after a sudden spat of military drama breaks out with people trying to reignite The War and Violet suddenly having to put down her typewriter and pick up her combat knife, but now, for some reason, she refuses to kill people because...she isn’t just a tool?

And I think this is what ultimately frustrated me, is that those are two great themes “Discovering what it means to love” and “Can a person conditioned to fulfill a specific purpose ever be free to choose their own path?” but the problem is, the series really has centered itself on the former while kinda sorta implying the latter, but in the final scenes, we are suddenly given a resolution to the latter (which is basically Metal Gear Solid, “You are not your DNA”, “Just live Snake” that’s been done beautifully and with more thought already by, well, Metal Gear Solid) whereas the former, what was the entire driving force behind Violet’s character development is kinda sorta hand-waved off as “What is love? I still don’t think I know, but maybe that’s just how it is!” which is fucked up coming from someone who by the midway point is basically counselling or facilitating love between people!

So, like, I enjoyed it a lot, there were some great moments and the supporting cast, while mostly one-dimensional save for Violet herself, made for at least nice scenery, but I’m just so blown away by how they seemed to manage to forget (or ceased wanting) to tell the story they laid out in the beginning in favor of some p uniform military drama that suffered precisely because most of the series was dedicated to developing the central theme that it ultimately seemed to abandon, or perhaps came across as being burdened with having to carry into the conclusion.

Also it was super fixated on dads, like, The Major is basically Violet’s dad, his best buddy who goes on to hire Violet as a ghostwriter has a big reveal in the end that he’s been writing letters to his hypothetical future child, the sad dad playwright with the dead daughter -- I dunno what to do with all this besides the usual base level of suspicion I have for all dead-heavy content, but yeah!

There’s two movies, a side story from mid-way through the series and a sequel, and I feel like I almost have to watch them at some point, just so I can tie a neater bow on how I experienced this whole story, but yeah, Violet Evergarden, come for the cool metal typing hands, stay for the heartfelt explorations of what it means to love people, shift nervously in your seat when dads suddenly become involved!

#spoilers

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koelnhbf · 4 years ago

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bump into you (knj)

part two: think of you

genre: idk? some fluff ig?

warnings: a very cute and frustrated namjoon

The line had been reaching your favourite café a few kilometres from the bookshop the moment you had stepped into the place. Soul Books had opened three months ago, the opportunity to cater to broke students’ needs to have easy access to cheap books serving as opportune for its existence in the small nook between dorms and cafes.

It was fair to say that the bookshop was your favourite spot in all of Seoul, even after the cafe that served the Bingsu you needed whenever the academic stress got the best of you; even after your friend Mina’s house (probably because the absolute idiot that was your best friend Seojoon was living there, too); and even after your and Mi-sun’s shared apartment. Soul Books was where work made place for pleasure, no matter how much you had to do, no matter how many books were being thrown at your head because the customers wanted a copy of the most acclaimed book of the year, or “the decade” as the homepage of the Pulitzer Prize had so nicely put.

You had not guessed that all of Seoul would be after a copy but you had been quick to catch on and stashed a copy away before your boss had opened the doors.

Hours passed when it finally began to calm down in the shop, though a few customers would continuously stumble into the shop and ask for it. Orders were placed and the shop was empty again, which gave you enough time to browse through the other novels that, in the chaos of the day, were long forgotten, overshadowed by a philosophical treaty on the black swan theory. With curious fingers, reminded by the joined student and employee discounts you got on books, you grabbed one, a simple love story, and placed it atop the one you had so neatly hidden behind the cash register. Then the bell on the door rang and a cold breeze filled the heated shop momentarily as a new customer made their way towards you, a mask and a black cap covering their face, while an equally dark hood hid the rest. Remnants of fallen snow flakes melted into their heavy coat as they hovered over you, a tall and broad frame blocking your view from seeing the street outside slowly being covered in a white blanket.

“Excuse me, hi,” the person spoke, their low voice sounded welcoming in your ears, as if you were the customer and they were the employee ready to help you. You smiled, though you still could not see their face, the faint echo of a grin being audible in their greeting.

“How can I help you?” A simple question, one you asked every customer, having given up on counting how often those five words left your mouth after the first day of work. The person, though, stood still, and you felt them stare even under the hat, so you had no other choice but to blame the heat in the shop for the redness creeping up your neck and cheeks.

“I’m sorry,” they spoke again and shook their head, as if to wake up from whatever state they were in. “I desperately need a book.”

You stared and said nothing, but waited for him to proceed, mind-reading unfortunately not being one of your talents.

“It’s new,” they said, scratched their cap and then their upper arm. “It’s called… what is it called? Uhm…”

You were ready to apologise, tell them there were no copies left but that you were more than happy to order one for them, but they spoke up before you even had the chance to open your mouth.

“I need it for, uh, work in a few days. This shop was my last chance to get it.” They turned slightly to the side, ready to hear your answer and leave accordingly. You saw a bike outside the window, a white film cooling down its saddle and then looked back at the customer.

“You came here on your bike?” You asked dumbfounded. “It’s snowing outside.”

“It wasn’t when I left the house in the morning.” They shrugged as if it were natural to ride a bike on the icy roads of Seoul.

“Well…” You sighed and walked to the cash register, grabbing the copy you could not wait to read later at night, cuddled up to Mi-sun, whose eyes would be fixed on her laptop screen as she was going over her thesis. “I saved this one for me but it’s okay. I can just pirate it. I bet it’s online already.”

“I could not…” They extended their hand to decline the book but you shook your head.

“It’s okay, really.” You scanned the book and, as was typical at Soul Books, stuck a bookmark and flyers for poetry slams and workshops into it before carefully placing it into the brown paper bag, topped off with a sticker that said: “I buy independent!”.

They handed you more money than the book cost, and put the change into the big mason jar in front of you.

“Thank you so much,” they said and bowed, leaving you flabbergasted at their sympathy. “I’ll make sure to think of you… uh, I mean at work, uh, because you were so nice.” And with another bow they left the store, almost knocking over a row of books.

— as a high-achieving student from a poor background at SNU, your life has been all about studies. apart from your three friends, your time was divided between your dissertation and the independent bookshop you worked at after class. looking forward to buying the most sought-after book you desperately need for your thesis you notice the only way to keep it is to stash away a copy. what happens when your bookshop is a stranger’s last resort of buying the book? and what if your copy was the last one in all of seoul?

⟸ m.list ⟹

taglist: @aquaalanah @lettersfromsalome @poutyoongiiii

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