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when paul dies and andrew gets that ring he's throwing that thang into lassiters lake.
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sick of problematic old man alcoholic characters. make that alcoholic a problematic WOMAN. stat!
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signed up for round 14 of character20in20 with Andrew Robinson. Its going ok so far. Also been trying monthly inspo but that is not working much for me. like the theme is 'art movements' and i am straight up struggling
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90s neighbours is not my tea but like. paul takes bad business advice, hits rock bottom, tries to kill himself, has a nervous break down, becomes catatonic, is revived by his baby son then cheats on his wife with her twin sister is like. an insane run of stories.
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outmugging lucas during a police interview...andrew robinson you will always be famous.
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the downside of paul being free childcare for abi is that he has been feeding her caviar
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hey! if you're a fat bitch who can choke me with your thighs, then i have a message for you😍😵💫:
i am stuck in a cave in new mexico. i am fading . there is something in here with me. 34.9727° N, 105.0324° W
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puppy dog eyes
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theyre actually so special to me
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adz sad posting on instagram........who hurt him. please disregard the large rock i am holding.
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I've spoken often of Gail saying that the hotel corrupts people, because that is kind of like the thesis statement of the Lassiters hotel storylines but what Elle said before that is also what I consider to be a pivotal line in the way I read her character.
Gail: Come home. Elle: I can't. I've put in too much hard work to walk away now.
I really think Elle is the personification of 'You can never go back your mothers house' because...well because it would kill her. This line is about the hotel, but it has a double meaning when you read it in context of what happened in 2006.
Gail can't move on. That's the crux of her character. Why she can't stay. Can't get along with Elle. Can't have a relationship with Harlow because all of these things would have an element of moving on, accepting, and perhaps even taking responsibility for what happened with Robert and Cameron. Gail says she can't lose half of her life by staying with Paul, she has to go back to Hobart, and her home, and her memories and stay there. At the expense of her living daughter.
Elle's the opposite. The only way she could survive losing Cameron is to move forward. To keep moving forward. To not let herself...Be consumed with grief. And that was not easy for her. She was literally on her knees in front of Paul begging for him to get revenge, and when he couldn't...She did. And we know how that turned out for her.
For Gail, the triplets childhood, it was a good time in her life. Hard work, clearly, but she loved them and did her best. She wants to relieve that, relish in it. For Elle, her childhood seems to have been very difficult. Everything she says suggests Gail was only slightly less absent that Paul, that she was drinking and partying from ~15, that Robert made her life difficult...Why would she want to go back there? Tasmania, for better or worse, is not her home any longer. Her home, also for better or worse, is Paul.
Gail did the right thing convincing Paul to talk to Elle, that she is a symbol of the love they used to have and all that. It doesn't take long for Paul to fall back in love with his favourite daughter, and Elle of course forgives him, because she loves him more than anyone else ever has or ever will. Even Gail admits, they are very alike...More so then perhaps she wishes they were.
Ultimately, this small storyline from 2007 is the end of Gail's motherhood over Elle. By leaving, Gail chooses to leave not just Paul, but also Elle. Next time we see her, the two of them are on the outs and don't seem to have been close for a long time. Elle and Paul meanwhile seem to be as tight as ever, with Elle being the one who suggests he move to New York before the fake finale. She can't go back. Gail can't move forward. Sometimes, you and the people you love just get stuck at an impasse.
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Neighbours ep. 6122 (2011)
#neighboursedit#neighbourstv#andrew robinson#paul robinson#stefan dennis#jordan patrick smith#okay jps fans have have a little andrew. as a treat.#thinking about paul cuddling baby andrew in the living room of 22 ramsay st after christina left btw.#andrew being on the show twice can be so interesting but also so painful sometimes. like hes baby. to me.
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lately ive been really thinking about this idea i had where robert becomes the post apocalypse chaperone of Andrew and his gang of misfits.
Robert is like hey man it's not that im ungrateful to you for breaking me out of jail but literally why would you do that. and Andrew is like well Dad said i needed to go and find an adult in the family who can take care of me. so.
and it becomes extremely obvious very quickly that what Paul was actually trying to tell Andrew was to go find Scott and Charlene, Phillip and Ruth, or even some of the Alessi's that might be around. Andrew, being the screw up that he is, critically misjudged this statement to mean he should find the closest Robinson to take him in. The closest being Robert.
and at first it seems like Rob is just gonna fuck off and leave these four extremely unequipped (breaking him out of prison was very easy because the prison was mostly abandoned) teenagers to fight for themselves but has a change of heart at the last second because he IS lonely and he DOES long for human connection. and also Paul is dead so what the hell else is he gonna do with himself.
idk. i just love the idea of a totally ambivalent to human life guy with zero qualms about mass murder taking charge of a bunch of kids.
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watching one soap opera occasionally gives a glimpse into the lives of other soap opera viewers. coronation street viewers, for example, seem to hate the show that they watch and are praying on its downfall.
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i dont care if americans hate robbie williams but there's no reason for rock dj to be catching bullets.
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