#sansa quotes

[greywoe]

child ward in search of belonging indulges in juvenile fantasies as a coping mechanism. sad!

[llutik]

sun, moon & roses

[norakbubbles]

Sansa: If I fall…

Theon: I’ll be there to catch you.

Jaime: *looks at Brienne* What if I fall?

Brienne: Then I’ll fall with you, never leaving your side.

Gendry: *watches both interactions*

Gendry, to Arya: And if I fall?

Arya: I’ll be the one who pushed you.

[jon-quil]

on sansa’s hero

1.09 baelor // a game of thrones - sansa vi // 5.03 high sparrow // a dance with dragons - jon ii

[flying-ham]

“It was a hair net of fine-spun silver, the strands so thin and delicate the net seemed to weigh no more than a breath of air when Sansa took it in her fingers. Small gems were set wherever two strands crossed,”

- Sansa VIII, A Clash of Kings

[barelyanartblog]

Careful what you ask for Arya

[irlplasticlamb]

you may be as different as the sun and the moon, but the same blood flows through both your hearts. you need her, as she needs you...

prints + merch + instagram

[atopvisenyashill]

people really think arya is going to hate sansa when they meet again, even going so far as to hate her, want her executed, perhaps even as far as kinslaying with her own damn hands. meanwhile arya-

When she thought of seeing Robb's face again Arya had to bite her lip. And I want to see Jon too, and Bran and Rickon, and Mother. Even Sansa . . . I'll kiss her and beg her pardons like a proper lady, she'll like that.

does NOT give a shit lmao she just wants to see her sister alive again!

[akarena]

Sansa: *discussing politics* Jon: *questions his existence*

[nogoodsheepstealing-greatgrandma]

The enmity between Queen Alicent and Princess Rhaenyra was passed on to their sons, and the queen’s three boys, the Princes Aegon, Aemond, and Daeron, grew to be bitter rivals of their Velaryon nephews, resentful of them for having stolen what they regarded as their birthright: the Iron Throne itself. Though all six boys attended the same feasts, balls, and revels, and sometimes trained together in the yard under the same master-at-arms and studied under the same maesters, this enforced closeness only served to feed their mutual mislike, rather than binding them together as brothers.

'bitter rivals' and 'mutual mislike' is so funny to me because yeah Jace and Daeron were the same age but Aemond and Aegon how are you rivals with little kids half your age?

Like this is pre-Driftmark (120 ac). This is before the royal family split. At Driftmark their ages are 13 (Aegon), 10 (Aemond), 6 (Daeron & Jace), 5 (Luke), 3 (Joffrey).

Like when Aegon was, say, 11, was he bitter rivals with a 4 year old Jace? That is a wider age gap than Joffrey Baratheon and Tommen. That's not rivalry that's a big kid bullying a little kid.

"poor Aemond it was 3 against 1!" - the 3 in question being an actual toddler and two little kids half his age.

[amaltheas-garden]

Jon and Sansa will bring the story of Rhaegar and Lyanna full circle:

We have very few details on the relationship between Rhaegar and Lyanna, but what we do know is Lyanna was in an unwanted betrothal to Robert at the time she disappeared with Rhaegar. Whether she went willingly or not is up to speculation. Aside from Robert, most accounts agree that Rhaegar embodied the fairy tale prince-like character (prior to the war). Lyanna wept at the beauty of his music, and was crowned his queen of love and beauty before leaving her family forever. Her story ends alone in Dorne, dying in her bed of blood, abandoned by the man she thought would save her, begging to go home.

It's easy to see then, the parallels between Lyanna's ill-fated romance and the romantic dreams of her niece, Sansa Stark. Although the two share few similarities in personality and hobbies, both became enamored by princes who hide their darker nature, and lured them away from the safety of their homeland, before going to war with their families. However, Lyanna's story ended far from the North, dying in childbirth, whereas Sansa has escaped that fate (even more interesting considering Lyanna's book storyline is a near one to one of Sansa's in the original outline). And, if we recall the very beginning of A Game of Thrones, Robert proposes to Ned that they wed Joffrey to Sansa, joining their houses as he and Lyanna might have. There is a conscious effort on Robert's part to set the past right through the relationships of their children. So right from the jump Sansa is cast as the Lyanna stand in, though she too escapes her "Baratheon" betrothal, and is on course to run straight into Rhaegar's son (as per the girl in grey theory).

So where does Jon lie in all this? If we take the girl in grey prophecy to be about Sansa, we know the two will meet sometime in the near future. Sansa has already become disillusioned of her chivalric ideals of love and knighthood (that's not to say she doesn't believe in heroes and honorable knights, just that she's far more skeptical of surface appearance), and yet, it will be her bastard brother who will embody the traits of the hero Sansa has been searching for. Rhaegar appeared as the perfect prince, yet was the one to kill Jon's mother, and Sansa, in a similar situation, is seduced by the charm and beauty of Prince Joffrey, only to be exposed to his vicious cruelty, narrowly escaping his family (even more interesting to consider Lyanna, had she survived, would not have been Queen, as Elia was still his lawful wife, and would be considered a mistress to the King as there was no chance of her escaping Rhaegar now that she carried his child, similar to Joffrey marrying Margaery, while threatening to make Sansa his mistress). Jon on the other hand is the brooding, solemn, plain-featured bastard, sharing no traditional qualities with that of the typical hero. That is to say, he's about as far from Rhaegar as you could get. And yet, it is Jon who commits himself to defending and protecting those who cannot (Sam, the wildlings, Alys Karstark) because that's who he is. No songs are sung for the men of the Nights Watch, he doesn't gain anything by protecting those others might deem weak, unworthy, or exploitable, but he does it anyway. Jon does not look nor act the part, but the strength of his moral character is what distinguishes him as the unconventional hero of the story.

I would also draw a comparison between the legend of Azor Ahai sacrificing his wife Nissa Nissa and Rhaegar's "sacrifice" of Lyanna, to bring about the third head of the dragon he thought necessary to save the world. After reading @/stormcloudrising's phenomenal metas on Sansa's connection to Nissa Nissa/the Amethyst Empress, I believe the idea of sacrifice will appear again in relation to Jon's character arc. Many in the fandom have speculated that AA/NN and the Bloodstone Emperor/Amethyst Empress are one and the same, the former featuring the sacrifice of a wife, the latter a usurpation of a sister. Sansa already occupies the (false) position as Jon's sister, while Jon has refused to usurp her rights as heir to Winterfell. However, with Jon's parentage reveal, the opportunity of a Jon/Sansa romance becomes possible, potentially elevating her to the status of love interest. And, if we're going with the NN/AE are the same theory, it would mean she occupied the role of both sister and wife. As for Rhaegar, his prophecy obsession is what led to him endangering Lyanna, placing his need for the third dragon above her own safety, ultimately killing her. Jon spends a good chunk of ADwD with Stannis, a claimant to the title of AA/the Prince that was Promised, who similarly struggles with the question of sacrificing one life to save the world, "What is the life of one bastard boy against a kingdom?” (ASoS) To which we already know the answer, Everything. Stannis, like Rhaegar, will fail the moment he sacrifices Shireen to fulfill his "greater purpose". Daenerys is also a claimant to the title, and we will likely see a contrast between how she and Jon approach being Rhaegar's heirs and inheritors of the prophecy. Stannis will lose everything after Shireen's death, the same as Rhaegar when he left Lyanna to die, condemning House Targaryen to death in the ensuing war. Jon will likely face a similar decision of sacrifice upon discovering he could be the subject of prophecy that consumed his father and once honorable king. And just as he refused to usurp Sansa's claim, he will reject the sacrifice of a loved one (lover perhaps?) as prerequisite to fulfilling his role as AA/TPtwP.

Jon's character always comes back to his identity as a Stark. Discovering his true parentage will undoubtedly be a source of inner conflict, culminating in his decision between Stark and Targaryen (spoiler: its Stark). It's a classic case of sins of the father, and how Jon asserts himself as an individual outside of his father's tainted legacy. Jon being the hero to Sansa and helping her return home would effectively resolve the generational conflict caused by Rhaegar's "kidnapping" of Lyanna away from the North. Rhaegar caused immense amounts of pain to the Stark family through his one act of selfish cruelty, which Jon will rectify through one of loyalty and selflessness. And narratively, Lyanna's son being the one to save her niece and return her to Winterfell would just be so chef's kiss.

[florianandjonquil]

Of late Ser Osmund had taken Sandor Clegane's place by Joffrey's side, and Sansa had heard the women at the washing well saying he was as strong as the Hound, only younger and faster. If that was so, she wondered why she had never once heard of these Kettleblacks before Ser Osmund was named to the Kingsguard.

— A Clash of Kings, Sansa VI

[jon-quil]

6.09 Battle of the Bastards // A Clash of Kings, Sansa IV // A Feast for Crows, Alayne II // Exist for Love, AURORA // The Third Hour of the Night, Frank Bidart // Collected Poems, Edgar Allan Poe // A Storm of Swords, Jon XII // Orestes, Euripides (trans. Anne Carson)

[lavenderfroggy]

AGOT Sansa I / AGOT Sansa II / ACOK Sansa VI

[borgialucrezia]

george r.r. martin, a game of thrones (1996) // neil jordan, the borgias (2011-2013)

[inncorrect-starklings]

Catelyn: Girls! Get down here! There’s a lot of work to do!

Arya: Ugh, she’s in a mood

Sansa: You know what we have to do right?

Arya & Sansa: {both nod}

Sansa: THERES NO WAY YOU’RE MY REAL SISTER

Arya: I HATE YOU! I CANT BELIEVE HOW SELFISH AND SHALLOW

Catelyn: That’s it! That’s it! I cannot take the fighting! Just get out of the house…

Arya: heh

Sansa: Works every time