#sandy kerr

[c-40]

A-T-2 393 I Gave Birth To Most Of Those MCs

Before Roxanne Shante and Sparky D there was The Sequence (which gave us Angie Stone A-T-2 214) and the Funky 4+1 (featuring +1, Sha Rock A-T-2 300, here's some great footage of the Funky 4+1 performing at The Kitchen in 1980 https://vimeo.com/115293799)

The Sequence and the Funky 4+1 were groups, these two are solo female MCs

Jahneen - Gigolette produced and engineered by bassist Wayne Brathwaite (A-T-2 150, A-T-2 262, A-T-2 300, A-T-2 302) and written with Mike Serrette, Bill Moore and Juanita Holloway (of Hardkore/South Bronx A-T-2 301)

Thug Rock could have gone in with my disco rap covers post (A-T-2 300) as the backing track is Give Me by britfunk band i-Level

Sandy Kerr is the daughter of George Kerr, who is a bit of a legend when it comes to his writing and production credits. George Kerr co-produces Thug Rock with Reggie Griffin who we've met already (A-T-2 146.) Griffin had a busy year in 1982 in addition to what I've already posted he released a solo album and under his lead the group he was in group Manchild release an album as Redd Hott, both were produced by George Kerr. I think we can surmise there's some good musicians playing on Thug Rock. M+M remix it, I'm not sure if I've posted a John Morales & Sergio Munzibai mix yet. Bob Blank is engineer (A-T-2 300 Just Four - Jam To Remember, A-T-2 111, A-T-2 119, A-T-2 285 Inner Life, A-T-2 315) George Kerr, Reggie Griffin, M+M, and Bob Blank do a string of disco rap records in 1982

Sandy Kerr - Thug Rock

Sandy Kerr - Thug Rock  (Chimental Mix)

Okay so this last one isn't a female MC, it's T/Ski Valley but it does relate to both the above tracks. !Catch The Beat! is arranged by Wayne Brathwaite (essentially its the same team as Jam To Remember involved with this record, Brathwaite, Glen Adams and Brad Osborne A-T-2 300) and Bob Blank engineers. Oh also obviously uses Taana Gardner's Larry Levan classic Heartbeat as it's basis

T/Ski Valley - !Catch The Beat!

[tomorowisjustamystery]

[pernillecfcw]

Part 1/2 of media day with the blues 💙📸

[systematic-and-somehow-tragic]

1 Actor, 2 Characters - Due South : Pilot

Inspired by my realization that RCMP Officer 2 (Pilot) and Jocelyn Kerr (The Ladies' Man) are both played by Jennifer (Jen) Parsons, I decided to check the cast list from IMDb and see if there were any other actors who appear as 2 (or more) different characters in the due South universe. To my surprise, there are several from the pilot alone! Many of these characters lack readily available screenshots (and some I couldn't identify by name alone) so I went through the episodes to compile this side-by-side list.

I may continue this search through the rest of the episodes, mainly relying on cast information from IMDb, the credits of the episodes themselves, and these wonderful annotated transcripts. And since some characters are unnamed and/or uncredited, maybe I'll even spot some new ones! Also, I am 100% open to contributions and/or corrections, so if anyone has anything they'd like to add, I'm all ears!

Without further ado, listed by actor and mostly in order of appearance...

Paul Gross - I almost skipped PG before remembering that he has indeed played another character on dS! So here's PG as Benton Fraser (Pilot) and as Frannie's German fiancé (Dead Men Don't Throw Rice, S4E5)

2. Kimberly Ange - RCMP Officer 1 and also appears in Victoria's Secret Part 2 (S1E21) as an attorney named Boswell (credited as Kim Ange)

and

3. Jennifer Parsons, the one who started it all - RCMP Officer 2 and also appears in The Ladies' Man (S4E3) as Jocelyn Kerr, who wants to have bark tea with Fraser (credited as Jen Parsons)

4. Scot Dentor/Denton - RCMP Officer 4 (credited as Scot Dentor in the pilot but listed on IMDb as Scot Denton). IMDb also identifies Scot Denton as the uncredited actor who plays Pierce (the ambassador targeted in The Edge, S2E9)

5. Barry Kennedy *** - This one I'm not so sure on. Barry Kennedy plays a character called Bert Jenkins in the Pilot but as far as I could tell, no character is called this aloud in the episode itself. Working backwards from Kennedy's other dS credit (Sgt Eddie Polito in The Ladies' Man, S4E3, uncredited, per IMDb), I still struggled with a definitive ID. Based on the annotated transcript of TLM, I believe the man on the right in TLM screenshot below is Kennedy's character Polito. Based on this, and the fact that the supporting characters seem to be credited roughly in order of appearance in the Pilot, my best guess is that Kennedy's dS Pilot character is the pilot who talks to Fraser about the lack of geese and beavers. They look like they could possibly be the same guy?? Maybe?

6. Philip Williams - Herb Lantrell, the pilot who gives Fraser the list of American dentists who'd been hunting in the Pilot, also appears as the arms dealer Lloyd P Nash (the P does not stand for pertinent) in Bird in the Hand (S2E4).

7. JD/Jack Nicholsen - the unnamed Airport Hustler (credited as such even though he does return the money to Fraser at the end of the Pilot) is also 2 other characters: Caulfield (one of the bad guys stealing pets in The Wild Bunch, S1E15) and Joey (Denny Scarpa/Lady Shoes' trigger man in Odds, S4E6)

8. Gene Mack - the Chicago Desk Sergeant in the Pilot is also credited as Mason Dixon, the associate of Devlin (the boxing trainer in Mountie & Soul S3E7). Mack is credited as Chicago Desk Sergeant but does have a name tag in the Pilot, although it is quite blurry.

9. Dan Lett - Dr. Weingarten (the dentist in the Pilot) is also Carver Dunn (the creepy fan who uses blackmail to barter for the singer Tracy's stockings in Mountie Sings the Blues, S4E7)

10. Ramona Milano - Francesca Vecchio! And also appears as Deputy Bernie in Dr. Longball (S4E1).

Dr. Longball of course has other main cast members playing different characters, but I plan to cover those as I make my way through the episodes chronologically in the hopes that it'll help me keep track of which actors/episodes I've checked.

11. Sandi Stahlbrand - TV Reporter Shelley Perry from Channel 6 News in the Pilot and TV Reporter Tracy Wightman (apparently from Channel 7) in Red, White, or Blue (S2E17)

12. Kevin Rushton - an honorable mention! I didn't think to include Rushton until I saw the IMDb trivia point him out in the bar scene in the Pilot. Rushton does stunts on the show and presumably appears in several episodes, which I think thereby technically meets the brief of playing multiple characters (unless there is a case to be made that Rushton plays a recurring character role? which could be an interesting take). But either way, shout out to all the dS stunt folks!

IMDb specifically credits Rushton for appearances in Diefenbaker's Day Off (S1E2), A Cop, a Mountie and a Baby (S1E9), You Must Remember This (S1E11), and One Good Man(S2E8).

[emailsfromanactor]

We're in a Redfield drought, so here's another one of his letters to The New York Times! This is from November 23, 1969.

TO THE EDITOR: Critics here and critics there. There seem to be critics everywhere. It’s enough to give a professional the pip. At times one gets the impression that we have more critics than plays. Martin Gottfried, fat with grants, is the drama critic for Women’s Wear and I think that’s nice. He seems to be on the side of the angels, culturally speaking, and that’s nice too. But when he barks so sharply at Walter Kerr because he considers him an apologist for Broadway (justifiably), he reveals himself as something worse: an amateur. Hard fact: the trouble with 99 per cent of critics is that they know nothing about the theater. So blunt a statement may seem a joke, but it isn’t. The not so surprising truth is that the only people who know anything about the theater are the people who put on plays. With all Mr. Gottfried’s endless gazings at the Alley Theater and Berliner Ensemble, he learns little of importance because he can neither act nor direct nor write nor pull a curtain rope for the theater. Until you can do one or all of these things, you end up knowing zero about what makes a production either move or be moving. Why such a polemic from me?

Because theater professionals get awfully weary of the war between critics. Granted many of them are just young fellows trying to get ahead, must they try so desperately to euchre each other? If I read one more attack on Clive Barnes by John Simon, I think I’ll throw up at the sheer “I want your job” of it all. It’s like “All About Eve,” for heaven’s sake. Mr. Gottfried, while making a painfully awkward case for resident theater, provides us a list of competing players. He lines up Zoe Caldwell, Dustin Hoffman, Jon Voight, Frank Langella and Stacy Keach against Jason Robards, Sandy Dennis, Paul Newman, Barbara Harris and Henry Fonda. He tells us, with beguiling certitude, that the first group are actors because they owe nothing to Broadway (not entirely true) and that the second group are merely Broadway-approved performers. So tortured an argument must not be pecked at too fiercely for want of space. Enough to say that Paul Newman, rightly or wrongly, never received totally approving reviews on Broadway; that Barbara Harris’s “development” (Mr. Gottfried’s word) has as little to do with Broadway as Zoe Caldwell’s; that Jason Robards’s original impact had entirely to do with Off Broadway; that Jon Voight has not had time to compete with him as a serious theatrical actor, though I doubt either of them give a damn; and that Sandy Dennis and Henry Fonda do not by any means hold firmer grips on “fine actor” reputations than Dustin Hoffman or Stacy Keach. The real point is: who cares? Reputations, as such, have always been questionable. Success is always questionable, so long as we are aware of why it is there. To say, as Mr. Gottfried does, that William Ball is “surely the finest director in America” is surely the sort of amateur’s extrapolation we expect from someone who has no idea of what he is watching. No rap on William Ball. He is a vigorous and important director, but how would Martin Gottfried know?

John Simon, for his part, has publicly chastised Harold Prince for daring to direct professional productions. Simon pointed out that directing is a far more difficult art than “all but the greatest acting” (sic) and that Prince would certainly shrink from starring himself in a production. Therefore, Simon says, how dare he direct? The question is gorgeous and the logic sublime. It places Mr. Simon, by his own request, at the lip of Mauna Loa—from which he obligingly dives into lava. What is certain, obviously, is that Mr. Prince directs Broadway productions because they are hugely successful. Also that he is hard-nosed enough, as producer, to discharge anyone, including himself, who cannot measure up to his assignment. It is no insult to Mr. Prince to say that if he were to star himself, he would close in Medicine Hat. Before disgorging themselves of so many top-hatted judgments, shouldn’t our more pretentious young critics learn how to dress a dancer? Or speak one line of dialogue before an audience? What is distressing for the theater workman (barring producers) is that such sweeping determinations too often quite literally control a fellow’s next job. This situation, by the way, is considerably more damaging to the “developing actor” than all of Gottfried’s eyewash about the importance of playing Pinter rather than being “directed by Abe Burrows.” I am not at all persuaded (after 33 years) that one experience is necessarily more developing than the other. The fact is that a great deal of resident theater acting is absolutely dreadful while a great deal of Broadway acting is pretty good. One of the reasons is, as Minnie Maddern Fiske pointed out some years ago, that repertory companies are often stuck with the wrong actors for too many of the parts. It is nice to know your fellow player and to have worked with him before, but it is not so nice if he is ghastly in his role. Individually cast productions—granted a sufficient rehearsal period—frequently work out better. Mr. Gottfried’s heart is nicely placed but he has badly blown his mind because he confuses goodness with creativity, reputation with ability, success with accomplishment, and Broadway with the devil. Mr. Kerr, on the other hand, and despite his sometimes maddening commercialism, knows what he is watching because he is a theatrical professional of considerable experience and decent accomplishment. And it is my belief that Mr. Barnes does not entirely deserve the continuing contumely of his colleagues. The fact is they know no more than he. And, in many cases, they know a great deal less. All I ask is that a critic either genuinely understand the creative process or leave off trying to fool me and the public into thinking that he does. Opportunism is not evaluation. Wrestling for reputation is not criticism. It is not even reviewing. A little less regal, gentlemen. In a very real sense, we are all in this together. And, if you don’t know that, you don’t know your proscenium from your apron. WILLIAM REDFIELD New York City

[oldbaton]

It’s genuinely crazy Sandy Duncan didn’t win a Tony for Peter Pan. I mean she was up against Patti in Evita so obviously it went to Patti. But if she had done it a year later she easily would have beaten Lauren Bacall for woman of the year. It’s a shame because Walter Kerr wasn’t kidding that when she flew it was like she let go of gravity. That footage of her is INSANE. She was one of my top choices for Dolly.

[kwebtv]

Season 1 Episode Unknown

Police Station - Syndicated - 1959

Crime Drama

Running Time: 30 minutes

Written by Sandy Howard

Produced by

Directed by Sandy Howard

Stars:

Baynes Barron as Sgt. White

Larry Kerr as Detective Mitchell

Henry Beckman as Detective Abramson

Roy Wright as Detective Green

As of this writing only two episodes are available. Little Online information is available on this series which is why the information here is limited to the screen dumps of this episodes credits.

[alexbkrieger13]

Guro is missing sam kerr, she plays best with her guro hast worked it out with mayra or sandy. She's also being played out of her position she's a winger but she been playing more centrally and sandy has been pushing up to become the winger

yea they have an amazing connection. Hopefully when Sam is back we can see it again

[catstarrecordings]

DOWNLOAD MP3 | ???? | ???????? | Ucretsiz indirin Descarga gratis | ?? ???? | ????? ????? | ????? ??????

donate for catstar recordings IBAN: UA643052990262026400959343044 PayPal:4ervonograd24@gmail.com card 5168752096564490

01.beatsbyhand, Rona Ray, Jimpster - Say Yes [Stay True Sounds] 02.Sebb Junior & Husky - Beautiful Thing [Bobbin' Head Music] 03.Sonic Soul Orchestra, Mr. V, Jo Paciello - Stronger [In It Together Records] 04.DJ.A-BOR & Skryabin - Ne Dumay Pro Zavtra (Dj.A-Bor Rmx) [Catstar] 05.Paolo Bardelli, TonyMontana dj, Camilla Norman - Spicy Drink (Nu Club Mix) [B Club Milano] 06.Discotron, Disko Junkie, Sandy's Groove - I'm Coming Out [Tasty] 07.Block & Crown - Pasilda [Supercircus] 08.Chemars - Inside Out [ArtFunk] 09.GooDisco - Just A Man [Pink Funk] 10.Micky More & Andy Tee, Angela Johnson, Dj Meme, Danny Krivit - Is It Love You're After [Groove Culture] 11.Bonetti - A Real Good Time [ArtFunk] 12.Discoplex - Secrets (Tommy Mambretti Remix) [Let There Be House] 13.Danny Losito, Joe Mangione - Ghetto [Groove Culture] 14.Disco Milieu - Love Me Good [Ginkgo Music] 15.Purple Disco Machine, Chromeo - Heartbreaker [Sweat It Out] 16.Hey Cabrera! - The Moment (Dj.A-Bor Rmx) [Frank Music] 17.Qubiko - Lightness [Groove Culture] 18.Le Babar, Alessandro Pacifico - Hurry Up [Onako] 19.Oden & Fatzo, Poppy Baskcomb - Tell Me What You Want (Extended Mix) [Defected] 20.Luccio B - All About The Music [Spacedisco] 21.Sean Finn - Murder on the Dancefloor (Extended Mix) [Tribal Kitchen] 22.Sean Finn, Funkera - Batucada - (Funkera Extended Remix) [Tribal Kitchen] 23.DJ Fudge feat. JV - Movin' (Mix) [Soulfuric] 24.YOURS - OUR LOVE (80'S) (David Penn Remix) [Defected] 25.Never Dull - BONKERS (Extended Mix) [Lick My Disco] 26.Konfluence - In My Soul [Loulou] 27.Duke & Jones, Katy Alex - Let Me Go (Extended Mix) [Love & Other] 28.Housequake - Maximize (Fletcher Kerr Remix) [Altra Moda] 29.Dario Nunez - You Know (Extended Mix) [Toolroom] 30.Divine - Don't [Purple Tea] 31.Nora En Pure - Pretoria (Extended Mix) [Enormous Tunes]

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[fred-the-curator]

Global Groove Show 002 w/ The Whispers James Otis White Jr Delegation Yeow DJ Fresh and more

Global Groove Show 002 w/ The Whispers, James Otis White Jr, Delegation, Yeow, DJ Fresh and more Découvrez le dernier Global Groove Show, une aventure musicale de 1h50 où le Funky Disco et la House s'entremêlent avec brio. Plongez dans l'univers des classiques des années 80 et des perles du Nu Funk contemporaines.  De The Whispers à James Otis White Jr., en passant par Sybil et Sandy Kerr jusqu'aux sonorités actuelles de Yeow et Falcxcne, ce mix est une célébration de la diversité et de l'évolution de la musique. Parfait pour dynamiser vos trajets, égayer vos tâches ménagères ou enflammer vos soirées entre amis. Laissez-vous emporter par des rythmes irrésistibles et des mélodies envoûtantes. 🎶Exprimez-vous en un clic : likez, partagez, commentez ! #EchoMusical via Blogger https://ift.tt/HvfNJxZ March 10, 2024 at 02:00PM

[stradarecords]

SANDY KERR / THUG ROCK : CATAWBA (12") オリジナルは1982年リリースのダンス・クラシック～オールドスクール12インチがリマスタリングされて正規復刻！カッコいいスラップ・ベースに都会的なシンセ、それに絶妙な女性ラップが加わった中古市場でも人気の1枚！ミックスにはJohn Morales(M & M Productions)も参加！B面のインストもオススメ！ #SANDYKERR #CATAWBA #disco #nudisco #12inch #strddisco #strd12inch #vinyl#record#stradarecords#dj#vinyljunkies#kobe#motomachi#strada#recordshop#recordstore#神戸レコード#元町レコード#レコード店#レコード#アナログ https://www.stradarecords.com/shop/item/22399/index.php (at Strada Records) https://www.instagram.com/p/CpUpOkxP0gH/?igshid=NGJjMDIxMWI=

[c-40]

A-T-4 047 Tracy Kerr - If You Want My Lovin'

Tracy Kerr is George Kerr's Daughter and Sandy Kerr's sister. George Kerr produces and around this time he is working with Vaughn Mason of Bounce, Rock, Skate fame. He's also giving Marley Marl early remix work although not on this track, more on that in a few days

Vocal

Instrumental Dub

[tomorowisjustamystery]

Media day fun

[pernillecfcw]

The badge tap 💙

[parkerbombshell]

Addictions and Other Vices 915 – Colour Me Friday

Addictions and Other Vices Fridays 3pm Repeats Saturday 3pm EST and Sunday 8am EST  bombshellradio.com #NowPlaying #indie #rock #alternative #Synthpop #indierock #community #radio #BombshellRadio #DJ #AddictionsPodcast #NewMusic #ColourMeFriday #Radio247 New Indie finds, previews of Just Another Menace Sunday artists coming up this weekend into next week ala Dennis The Menace, and Alex Green of Stereo Embers The Podcast and Bernard Frazer of The Essence of Cool and Sandy Kaye of A Breath of Fresh Air. Discoveries from our social media followers and a few more surprises. Thanks to all the artists, labels and PR companies that submitted tracks this week. Photography : efes Fix Mix 915 - Kelly Time / Owl City - Nothing Left To Lose / Everything But The Girl - Panopticom (Bright Side Mix) / Peter Gabriel - Nelly / Pomme - un million / Pomme - Good Lovin' - Single Version / The Young Rascals - Black Gold (2022 Remaster) / Soul Asylum - Courage (For Hugh MacLennan) / The Tragically Hip - Buy Me A Million Dollars / Love Tractor - Lost Without You / Freya Ridings - Lights / Band of Horses - Mercy / Suzanne Santo - Waterfront / Simple Minds - Traffic / Simple Minds / Russell Mael - Last Of The Red Hot Fools / The Jitters - I Don't Know / Blair Packham - Consequences / Kate Davis - You Can't Keep It From Me Forever / Peter Doherty, Frédéric Lo - Broken Things / K.C. Clifford - Never Gonna Give You Up / Milo Greene - Anything / Frankie Rose - Domino / Nicole Atkins - Homemaker / Jill Barber - Hurricane / MS MR - Bored / Low Girl - Fables - Edit / Interpol - Sideways Skull / The Hold Steady - I Need Ya / Somebody's Child INTERVIEWS THIS WEEK Friday January 20 Stereo Embers The Podcast w / Jim Kerr (Simple Minds) Rainbow Country  w / Vacaya LGBT+ Vacations Reimagined The Essence of Cool  w / Leslie Stanwyk (Universal Honey) Just Another Menace Sunday w/ Pomme A Breath of Fresh Air  w / Felix Cavaliere ( The Rascals) Saturday January 21  Stereo Embers The Podcast w /  Mark Cline (Love Tractor) Just Another Menace Sunday w/ Freya Ridings Sunday January 22 Stereo Embers The Podcast w / Suzanne Santo (honeyhoney) The Essence of Cool  w / Blair Packham Just Another Menace Sunday w/  TBA Just Another Menace Sunday w/ Kate Davis Monday January 23 Stereo Embers The Podcast w / K.C. Clifford Just Another Menace Sunday w/Milo Green Tuesday January 24 Stereo Embers The Podcast w / Author Bianca Marais (Hum If You Don't Know The Words) A Breath of Fresh Air  w / Just Another Menace Sunday w/ Nicole Atkins Rainbow Country w / TBA Wednesday January 25  Stereo Embers The Podcast w / Author Hannah Sward (Strip) Just Another Menace Sunday w/  TBA Just Another Menace Sunday w/ MS MR Thursday January 26 Stereo Embers The Podcast w / Jim Kerr (Simple Minds) Stereo Embers The Podcast w / TBA Just Another Menace Sunday w/ Interpol Addictions and Other Vices Read the full article

[tcmparty]

DVR/viewing alert: Things get out of hand ostensibly over some new curtains in THE COBWEB (1955), screening on @tcm, Tuesday 10/05 at 6:00 a.m. Eastern