#russellmoreton

[russellmoreton]

Veiled Melancholy/Book Narratives : Film Collages. #3 by Russell Moreton Via Flickr: pictify.com/user/russellmoreton The Politics of Architecture : Theorizing through speculative spatial practices. "He rubbed his eyes. The riddle of his surroundings was confusing but his mind was quite clear - evidently his sleep had benefited him. He was not in a bed at all as he understood the word, but lying naked on a very soft and yeilding mattress, in a trough of dark glass. The mattress was partly transparent, a fact he observed with a sense of insecurity, and below it was a mirror reflecting him greyly. Above his arm- and he saw with a shock that his skin was strangely dry and yellow - was bound a curious apparatus of rubber, bound so cunningly that it seemed to pass into his skin above and below. And this bed was placed in a case of greenish-coloured glass (as it seemed to him), a bar in the white framework of which had first arrested his attention. In the corner of the case was a stand of glittering and delicately made apparatus, for the most part quite strange appliances, though a maximum and minimum thermometer was recognizable." H. G. Wells : The Sleeper Awakes. 1899/1910 Spatiality : The Spatial Turn, Robert T. Tally Jr. 2013 Immediate Architectural Interventions, Durations and Effects : Apparatuses, Things and People in the Making of the City and the World. Alberto Altes Arlandis, Oren Lieberman. 2013 Preface (1921) ” The great city of this story is no more than a nightmare of Capitalism triumphant, a nightmare that was dreamt a quarter of a century ago. It is a fantastic possibility no longer possible. Much evil may be in store for mankind, but to this immense, grim organization of servitude, our race will never come” H.G. Wells. EastonGlebe, Dunmow,1921.

[hogbu]

Transparent Folder : Nineteen Eighty-Four par Russell Moreton Via Flickr : sensate ˈsɛnseɪt,-sət/Submit adjective 1. perceiving or perceived by the senses. "you are immersed in an illusionary, yet sensate, world" independent.academia.edu/RussellMoreton

[waving-madly]

Pleiades : Map with human outline. by Russell Moreton on Flickr.

[russellmoreton]

Speculative Fields/Spatial Practices by Russell Moreton Via Flickr: www.flickr.com/photos/russellmoreton/favorites russellmoreton.blogspot.com

[russellmoreton]

Chorismos by Russell Moreton Via Flickr: An Irreducible Gap. Qualities and relations are much the same thing, since they are born in interactions between the object and other things. Timothy Morton

[russellmoreton]

Drawing around the body, 2010 Pencil,cyanotype and ink on paper with astronomical data. by Russell Moreton Via Flickr: russellmoreton.blogspot.co.uk/ independent.academia.edu/RussellMoreton Practitioner using the creative receptiveness of material together with the inclusion of drawing to harbour transits and passages of human presence, vulnerabilities centred around the human condition. My work adopts strategies which articulate a sense of absence and anonymity within the abandonment of the work to its location. I feel drawn to this registering of passage, encounter together with its farewell. The choice of materials gathered together implies a personal geography, with both an emotional and aesthetic sense of locality and place. The performative recording by physical means which renders itself as a trace of human presence, now becomes a vacant territory open for the consideration of others. My work continues to investigate this sense of material response with the performative trace of a human absences. The place-ment of these acts attempts to promote thresholds from which to reflect upon spatial, sociological and psychological conditions and perceptions. Currently working in clay, low fired to produce and promote a fragile vessel. This vessel is installed to act as a dwelling presence reverberating in a resting place. from which work is drawn into the human form to register a surface of absences resulting from past gestures and solitudes. Order and randomness, meticulousness and impulsiveness, drawing excess and graphic reduction are just some of the vibrant, tension-loaded poles that characterize the large-format drawings of the German artist Jorinde Voigt (b. 1977). Her works condense various elements of the cultural environment in the dynamic sequences of strokes, turbulently curving lines, diagrammatic structures, numbers, word fragments and collaged color areas of her drawings – which the passionate cello player refers to as “scores” or “notations”. She systematically analyses pop songs or pieces of classical music, kisses, temperature profiles, an eagle’s flight-path, horizon lines or the color values of individual plants and the contents of philosophical texts. Voigt uses measureable parameters like place, time, or sound volume, and self-defined rules or selected algorithms, and combines these fragments and impressions of reality to produce dynamic relational structures, thus creating a polyphony of different ways of perceiving the world. Jorinde Voigt’s largest solo exhibition to date – which builds a bridge from her early notations, reminiscent of classical conceptual art, to her most recent works that reflect the human desire to fly – traces the development of the specific system of symbols the artist uses to document and orchestrate processes of perception, imagination and thought. Curator: Stephanie Damianitsch Russell Moreton a visual artist uses simple gestures of drawn Human traces gathered and presented amongst natural materials. Exploring themes around the Human condition, vulnerability and abandonment. Materials are employed to further underpin our sense of place and time. The act and gesture of drawing adds a ephemeral mark amongst the materiality and locality of place. Currently using clay to register these themes, installing work Augury Vessel 2010 into Chapel Arts as part of their research residency programme.

[russellmoreton]

EMERGING COSMOLOGY : Ritual, fire and stone : Human Filament 2010 by Russell Moreton Via Flickr: russellmoreton.blogspot.co.uk/ Astronomical data with outline of human form,candles,string and stones on paper.150cm x 240cm www.artreview.com/profile/RussellMoreton

[russellmoreton]

Spatiality/Corporeal Traces : Space over Time by Russell Moreton Via Flickr: Art as Spatial Practice. independent.academia.edu/RussellMoreton Space folds : Containing "Spatialities around historicality and sociality" All that is solid melts into air" Karl Marx, Friedrich Engels, (Poetic observation concerning the constant revolutionizing of social conditions) Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013

[russellmoreton]

Ceramic Vessels on Site Specific Ground 2019 by Russell Moreton Via Flickr: On the nature of creative inquiry Indexical markings into the aesthetic realm between objects

[russellmoreton]

Russell Moreton’s photostream

[russellmoreton]

Sequential Photograph : In the space around the "spatial turn" (539) by Russell Moreton Via Flickr: Art as Spatial Practice. Space folds : Containing "Spatialities around historicality and sociality" "All that is solid melts into air" Karl Marx, Friedrich Engels, (Poetic observation concerning the constant revolutionizing of social conditions) Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013 pictify.com/user/russellmoreton

[russellmoreton]

Camera Obscura : Reflections and the dark room. by Russell Moreton Via Flickr: pictify.com/user/russellmoreton

[russellmoreton]

The Blue Books : Beyond Visual Information by Russell Moreton

[russellmoreton]

Seed Dispersal (702) Tidbury Ring by Russell Moreton Via Flickr: pictify.com/user/russellmoreton

[russellmoreton]

DSC_9635 Outpost Studios, Norwich. by Russell Moreton

[russellmoreton]

https://www.flickr.com/photos/russellmoreton/24532236875/in/dateposted-public/