#rs grey
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bettslovesromance · 2 years ago
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I'm such a sucker for workplace romances 💖
Here are some fabulous books that I've read and enjoyed.
I definitely want to read more historical with this trope, do you have any rec?
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bunnys-bookshelf · 6 months ago
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So you know that TBR I planned for June??? Yeah, that didn’t happen. My mood readers understand. I DID finish 3 of the books I was reading from May, but I started more so my book count as of right now, is still 7, which is only one less than last May. But maybe I’ll finish them all this month🤣 Anyways, this was a good reading month. I enjoyed all but one of my reads. Read a life changing 5 star book❤️ Gave Freida McFadden another shot and was pleasantly surprised. And I really enjoyed Icebreaker when I honestly thought I wouldn’t.
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jeevesreads · 1 year ago
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15 Strangers to Instant Enemies to Lovers Romance Books
I love this trope, personally! It’s sort of like a light enemies to lovers scenario without the messy histories and emotional baggage. These couples haven’t been hating each other for years, but their relationships all have a rocky start in one way or another. A date gone wrong, a new coworker or boss who stirs up trouble, a misunderstanding from the get-go. There are so many different scenarios…
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allthingsdarkanddirty · 2 years ago
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madou-dilou · 1 year ago
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"Each unjust act, even committed for the sake of a just cause, carries its curse within." The Accursed Kings, 1956
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timetochaing · 2 years ago
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k-wame · 1 year ago
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Tom Courtenay as Lieutenant Robin Grey 1965 · KING RAT · dir. Bryan Forbes · WWII · LGBTQ+
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rs3outfits · 9 months ago
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messyhair-thiirstyhearts · 2 years ago
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GT4 RS in Artic Grey with Satin Indigo Blue rims 😍
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nermomi · 10 months ago
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me when I get continuum in tboi
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anmolsmsblog · 2 months ago
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U.S. Traveler Rio Rugged Fabric Expandable Carry-on Luggage Set, Grey, Set, Rio Rugged Fabric Expandable Carry-on Luggage
Price: (as of – Details) Go anywhere with the Rio 2-Piece Expandable Carry-On Luggage Set by U.S. Traveler. This luggage set is made of luxurious superior 1200 Denier rigid polyester. The thick EVA padding protects your belongings. The suitcase features an internal retractable push-button with self-locking mechanism and inline skate wheels with corner protectors. It has two large zippered…
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businessskibat · 3 months ago
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Bajaj Pulsar NS 200 Bike price in india : लग्जरी फीचर्स के साथ  मार्केट मे आया बजाज़ की यह बाइक, पूरी जानकारी यहाँ देखें 
Bajaj Pulsar NS 200 Bike :स्पोर्ट्स बाइक की चाह रखने वाले लोगों के लिए बजाज मोटर्स ने कुछ और नवीनतम फीचर्स पेश किए हैं। जो की एक स्पोर्टी और शक्तिशाली बाइक है, जो युवा भारत में बहुत लोकप्रिय है। हम Bajaj Pulsar NS 200 बाइक की बात कर रहे हैं। जो फिर से ग्राहकों को नए फीचर्स और अपडेट के साथ प्रस्तुत किया गया है। Bajaj Pulsar NS 200 Bike Bajaj Pulsar NS 200 का शक्तिशाली इंजन उच्च माइलेज देता है।…
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jeevesreads · 2 years ago
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⭐️⭐️⭐️ REVIEW: Three Strikes and You're Mine by R.S. Grey
Three strikes, and… Grey is officially off my one-click list. There was a time when Grey was one of my favorite rom com authors – if not my #1 – so it is REALLY disappointing to acknowledge how bland and generic this was. This 3-star rating leans more towards a 2 than a 4, and that’s mostly because I was genuinely bored while reading. The interactions between this couple were just so…
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officialrailscales · 6 months ago
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Two-tone setup with Sniper Grey & Black HTP Solo’s
QTR Stop | Carbon Black
HTP Solo’s | Black | Honeycomb Texture | 1-Slot
HTP Solo’s | Sniper Grey | Honeycomb Texture | 1.5-Slot
HTP Solo’s | Black | Honeycomb Texture | 1-Slot
HTP Solo’s | Sniper Grey | Honeycomb Texture | 1.5-Slot
CSMR Button | Carbon Black | Apex Style
- RS
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stariikis · 8 months ago
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colour your smile
synopsis ; when riki picks up a paintbrush, two problems surface. for him, it's fear of being unable to portray you perfectly. for you, you have no idea how to counter this fear of his. this fear that is a constant state of unrest in his mind.
pairing ; artist!nishimura riki x muse!reader genre ; fluff, established rs wc ; 1097 warnings ; kissing and implied mental disorders
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It’s pretty difficult for Riki to encapsulate all your beauty into a painting. 
He’s tried, time and time again. Sat you down in his allocated ‘art studio’ room, a tiny part of the house where the grey walls are splotched rainbow. Watercolour palettes lie uncovered all over the room, one sitting just beside your boyfriend on the wooden bench he’s parked himself on. 
In front of him is a blank canvas – tainted only by the strokes of graphite that sketch the outlines of your features. Wispy hair that partially covers your eyes, your button nose quickly drawn into a nub, and your smile accurately depicted, eager and wide. Riki captures the very essence of who you are, with little effort at all. 
It doesn’t look difficult to you, because he makes it look effortless. Like with one snap of his fingers, he can churn out another portrait of you. But it really seems like he does. To Riki, however, it’s not so easy. He tilts and turns his head, muttering dissatisfied remarks to himself. More often than not, he spends more than an hour sketching you and touching up ‘mistakes’. ‘Mistakes’ that you never even saw. ‘Mistakes’ that look like nothing in your eyes, but make all the difference to your perfectionist of a boyfriend. 
“You know what?” You murmur, slightly tired of having to endure another few hours of him scrutinising your portrait. “Why don’t you just try to paint freely? Without thinking about the quality. Keep your focus on me, paint as if you have nothing to hold you back.” 
Riki finally draws his eyes away from the surface of his canvas. He meets your gaze, looking remorseful as he does so. “I wish I could. But then I’d see all the errors and feel guilty. Wouldn’t you?” 
You slide closer to him from the opposite side of the wooden bench. You gently tug the paintbrush from his fingers, placing it beside the watercolour set that looks horrifyingly dry and crackled. “Are you scared?” 
Deep emotions. You take his hands in your own.
You feel them surging deep inside his veins, the whimsical vibrancy of colour flowing along the current. His imagination is running wild but he’s restricting it himself. Out of fear he’s going to mess up. Afraid it’s going to turn out worse than expected. When he looks away, running a hand through his hair and nodding, you’re hardly surprised. 
“Relax.” 
You whisper into the silence. 
“It’s going to be fine.” 
His fingers start to tremble. 
“Your beauty is too complex to be depicted in a simple painting,” he finally speaks, inhaling deeply from his own confession. “Everything looks grey — it looks so plain and so boring, and your smile there – so not you. I have to make this you, I have to do you and your beautiful smile justice.” 
“One hue off the right colour of your hair already scares me to my depths. Everything is so colourless and bare and empty I can’t even tell these strokes apart.” He runs his fingers along the bumps on the wall, forest green fading into baby blue and a harsh strike of vermillion. “I don’t remember how these came about but I remember they’re strokes of frustration.”
“Frustration?” You urge him, patiently. He’s still distracted, rambling and refusing to meet your eyes. But he’s an artist, and you’ve already resigned to putting up with episodes like these for a while now. At the same time, you understand. In your own way, you are an artist too. The only difference between you and Riki is,
you’re bold and daring. You see all the shades the rainbow has to offer. You complete your pieces without a second thought. Of course, they’re never top quality, but they’re satisfactory to yourself. 
Riki is hesitant. He sees in black and white, occasionally shades of grey bleeding into borderline brown. He feels it’s his duty to reflect and duplicate everything about his object perfectly. Like looking into a mirror, it should properly align with reality. It should elicit appropriate emotion. It should reflect all his object’s best qualities. He should be able to make them shine. 
And when he doesn’t, he lashes out. 
“What if?” He scrunches the apron hanging over his thighs. Lost in thought, you wonder whether he’s coming back down to earth or if his head is still in the clouds. Worrying and worrying and worrying. “What if I can’t do it again?” 
“You need to free yourself…” 
Ironically, you know what he needs the most to free himself, is a long, warm embrace that calms his mind. Bring him back down. Teach him to breathe again. You lean back to snatch the paintbrush and palette, holding it in front of him. His gaze clears and begins to transfix onto the materials in your hand. “This is what you came to do. Is it not?” 
He takes it with a shaky hand and blank stare. 
“I think it looks pretty,” you kiss his cheek quickly and slide back into position. “That’s your intention. I know. I look pretty there.” 
Your heart aches for him. Will he ever shake off his overbearing perfectionism and learn to enjoy the talents and skills he’s been blessed with? 
With adoring eyes, he turns back to the canvas and thankfully begins working on it. You hope the profound sparkle in his eye has signalled a change. Everything falls into routine, and you’re stuck breathing in the same scent of must and dried paint for the next few hours. 
Luckily for you, Riki seems to have let the weight evaporate from his shoulders. He can finally take smiley glances your way to compare his portrait and you. He can lean back with a pleased and impressed glimmer in his orbs. Every once in a while, he gives you and kiss and thanks you for staying so still and remaining so patient. 
You know his words carry more intent than he wants to let show. 
“You like it?”
Three hours later, he finally spins the portrait around and lets you have the first look as the muse. Though many portraits of your face have lined his walls since you started dating, you’re pleasantly surprised to feel something different. Though the paintings may all look similar. Same face. Same eyes, nose, ears, cheeks, hair, moles in the same spots. There’s a hint of confidence emanating from the mish-mash of colours. 
And Riki looks satisfied. 
“I can finally see the colours,” he rasps in excitement, cutely clapping his hands together. “I could finally colour your smile.”
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i just got diagnosed with chronic migraines (i'm having one rn but it's because i'm not sleeping) so this is pretty self-indulgent. i am riki riki is me. ALSO. riki's aotm i'm shitting tears
more of my works >
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violent-viscera · 11 days ago
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okay, so most definitely an unpopular opinion considering the amount of caitlyn fans/stans (in addition to fans solely bc of caitvi) but i wanted to articulate my thoughts on her s2.
firstly, i loved the idea of her character in s1. along with jayce, i understand that they were both fundamentally flawed due to inherent, latent prejudices that they held against zaunites. they often misspoke and stepped out of line when speaking to ppl like vi and viktor just on the basis of their privilege of being born piltovan.
but it was interesting to see how their good hearts and intentions led them to being forced to face their troubled and unfair prejudices. of course, i didn't agree with how they viewed zaunites, but i was rooting for them to become spearheads of change and reform.
anyway, i digress to where i am now where i am feel incredibly disappointed by the writing of her character.
i love a good villainess and was actually quite excited to see where her fascist arc would take her. it would be such a diametric, polar opposite of her character in s1 where she was slowly beginning to see piltover's role in the systematic oppression of zaun.
it would've been compelling to see her become completely lost to her grief and rage and the message behind how the repercussions of cataclysmic calamity that she and jinx cause as mirrors of one another would've been interesting (ie. jinx shooting a rocket launcher at the council in her loss of silco vs. caitlyn gassing innocent civilians in a bid to discover jinx after losing her mother)
but again, the writing didn't do much for me in the way of caitlyn or her mother in s2 in so many different ways.
i understand that there are nuances and complexities in difficult mother-daughter relationships and i understand caitlyn has every right to grieve. but her grief is not parallel to the grief of vi or jinx or any other zaunite when most of the misfortune that befell zaunite deaths can indirectly stem from the choices made by ppl like cassandra and the council.
yes, cassandra built systems to ensure that the grey did not completely suffocate zaunites. but this still by no means absolves all her other sins in her complacency in the oppression of zaunites–not to mention her attitude towards zaunites or anyone else that she deems "less than"
caitlyn's villain arc was watery and diluted at best. it was initially really interesting to see count caitlyn and her cape step up to the plate under ambessa's encouragement, but by the next episode she was already wavering and uncommitted. it seemed like a pointless route to entertain with how brief it was. and as others mentioned, caitlyn was being a cruel asshole without the direction of ambessa with the usage of chemical warfare.
caitlyn's choices had very little repercussions throughout the season. she hits vi with a rifle and turns her back on her and is basically instantly forgiven. she performs chemical warfare and her guilty conscience is the only real consequence she faces. she loses her eye in a fight, yes, but it is also a battle she invited when she accepted tutelage under ambessa to sustain a fascist regime. she makes it blatantly clear that she accepts vi bc she views vi as an entity separate of the rest of the animals of zaun and there isn't really any content that implies these views have changed or that there will be any reform imminent for enforcers/piltovan-zaun relations aside from reluctantly allowing Sevika a spot on the council
i dont even want to get into how vi become completely a shell of the amazing, compelling character she was in s1 and how the heart and soul of the show (the sisters' rs) was essentially abandoned to make caitvi happen rather than rly considering the optics and pragmatism of having an oppressed, falsely imprisoned, vulnerable zaunite being with an enforcer without due sensitivity and consideration of what needs happen to make caitvi happen in a sensible fashion.
i just feel like by the end of the show, caitlyn ends up right where she started where she's a privileged piltovan living her cushy life with no repercussions. there was no real reason to write her as an empathetic character, struggling with what she knew as a piltovan vs. what she sees when she is with vi down in zaun, bc in the end, the empathy did nothing to change how she treated zaunites or how her enforcers operate on the day-to-day.
and i actually think if the writers didn't try to play caitvi off as being a healthy, beautiful representation of a lesbian relationship instead of toxic one marred by power imbalances, it would've been a compelling and tragic message.
TLDR: i think many ppl have expressed their disappointment in how vi (and jinx) were written in s2, but i also think the writers did a terrible job in writing caitlyn as well.
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