#rowan hyde
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einsteinsugly · 2 years ago
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The Burkhart/Formciotti Family Tree. Simplified.
Grandparents: Jackie and Hyde, Eric and Donna
Parents: James Reginald (born 1987) and Leah Margaret (born 1990)
Kiddies (shown as teens): Caleb Steven (born 2015), Abigail "Abbie" Erin (born 2017), Olivia "Liv" Naomi (identical twin of Abbie, born 2017), and Rowan James (born 2020)
*****
Extra note: Jackie blames Donna for the fact that all of their grandkids are redheads.
Jackie: This is all your fault.
Donna (flatly): I'm so sorry.
Jackie (scoffing): You should be. *With a dramatic sigh* I can't buy them anything green, because they'll look like Christmas threw up all over them!
Donna groans.
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orchid-arts1 · 1 month ago
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lol haven’t seen this in a while…
<-previous next->
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maxintime · 3 months ago
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The more i think about tyler's behavior in the first episode, the more odd it becomes. I think the first time he met wednesday, he definitely didn't know who she was and was just acting like his usual nice self. But after that first meeting, i feel like he researched about her and asked thornhill who she was. The scene of him going through his dad's file, why did he decide to do that? Just curious? If so, why gave it to wednesday? If it's all part of his plan then why gave her key information about her dad's past that is linked to laurel gates (her dad allegedly murdered laurel's brother) it just doesn't make sense why he'd do that. Maybe an attempt to make her stay? He knows she'd be intrigued with a mystery, especially relating to her own parents.
I think, that after tyler met wednesday, he asked thornhill about her and thornhill gave him one order, to keep her in town
But when wednesday called tyler to ask him for help to escape jericho again, he agreed to help, no charge, not even a single hesitation in his voice
So, what was his plan? He could've easily rejected her, but he didn't. Which is weird. My theory is that he accepted to keep her close to him because he knew that if he rejected her request, she would've tried to escape anyway. So the night of the festival, tyler gave her gomez's file in order to make her stay. But it didn't work. Luckily, they just so happened to bump into rowan, and that was tyler's chance to make her stay. He had to show his hyde and kill rowan because he knew wednesday would be intrigued by it and tries to uncover why it killed rowan and not her.
And, it worked. She stayed in nevermore
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gardenoblues · 2 years ago
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Was bored and abused the Barbie template.
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books-in-a-storm · 8 months ago
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Currently Reading 💛
The Jakyll And Her Hydes & Dark Kings
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letorip · 7 months ago
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Can you do headcanons about meeting/first date with Jenna’s characters?
meetings & first dates
very funny to think about, i really did have quite good fun writing this one. thank you as always to the anon who requested, i was happy to oblige. also this isn’t what i originally planned to put out but casual [iii] should be out soon so maybe this’ll fill the void. i'm also on holiday at the moment, so that's why i'm posting at a weird hour (5 am) my ass had a plane to catch
i think i cooked on the lorraine one, would y'all want that one too
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wednesday addams
you meet her in jericho, working behind the counter of the hardware store your parents own, when she stomps inside in her rain soaked boots and down a random aisle without a word at you
when she comes back with a shovel, some duct tape, a taser, and some rope, you have to awkwardly joke that it looks like she's trying to kill something
she doesn't laugh at your joke, instead staring right back at you, and you feel yourself gulp
that's your first interaction, and you don't see her again for a few days, until she comes back to buy a box of nails, and then a week later, a bucket, and a few days after that, a plunger
you won't know it until later, but she didn't actually need the nails or the bucket, she just needed an excuse to go back to the hardware store and buy some stuff so she could get up close to you
after four or five trips of her buying the most odd, random shit, she works up the courage to actually start talking to you a bit more. after a few more trips after that, you ask her what the stuff is all for, and she lets you in on the creature in the woods killing the locals, and that she claims to have seen it
for what it's worth, you believe her immediately, about rowan and the hyde and crackstone, and you listen to her theorise, leaning on the counter until someone else comes in and asks you where the plywood is, and you have to actually go do your job. wednesday stares down the intruder, trying to smite them with her eyes, but you always give her an apologetic smile before you leave
she tells you later when you're better friends and she's confessing, but she thinks of you as an odd comfort and home that she never realised she desired, and being in the hardware store and having you smile at her gave her a single fluttering of that warmth
eventually she brings you on her investigations and her cold, dead heart is running a million miles an hour the entire time, but you have to hide how close you are to wednesday from your father, because of his passionate dislike of outcasts
wednesday comes to your back window and chucks rocks at the glass to get your attention, romeo and juliet style, so that you can sneak out
when you actually ask her out, it's before you've even kissed, and wednesday wordlessly nods yes with her mouth hanging open, before she grabs the collar of your jacket and messily kisses you for the first time
your first date is to a movie, and to a horror movie, to be more specific. you take her to get food at a local diner that's open 24 hours, super late at night, and though she makes a remark about how these restaurants were unhealthy and an indicator of what's wrong with america, she thoroughly enjoys her waffle and you even manage to get her to wear one of those silly diner hates for a moment. she doesn't admit it, but she likes making you laugh
the movie is an incredibly rough experience. you despise horror movies, but wednesday is left smiling at the screen as a man is ripped to shreds in front of your eyes
that is until she realises your discomfort, and she realises you only did this because you knew she would like it. the realisation literally blows her mind, and she watches your face contort in disgust and fear, before gently reaching over and hastily grabbing your hand
she doesn't say another word, struggling to process the new emotions until you're both done with the movie and walking home. you're ranting about how gross it was and how you would be having nightmares for weeks because of it, and then she reaches up to the back of your neck and pulls you down into another fiery kiss, right as it starts to rain
tara carpenter
you've known tara for years, since you're also from woodsboro. you went to the same elementary school and she’s known of you for a long, long time since you chased her around the playground with a lizard in your hands
tara's always liked you, and you've both always had some attraction to each other and magical chemistry, but there's always been something to keep you apart
tara's involvement with amber and then chad, and then your own girlfriends, it was never the right time for you both to explore whatever electricity you could feel between you, so you didn't until you were both well into your year at blackmore
you only really get close until you take the same film class as tara. tara takes it because she's a film major and you take it because you need the credit and it's the only option of a class that takes place after 8 in the morning
you sit right next to each other and for the whole semester, you two slowly grow closer and closer, poking each other and whispering stuff while the professor prattles on
she's the de facto film buff of the group, only rivalled by mindy, and so you go to her whenever you're working on a project, because you're definitely the type to watch stupid shit, and not the high-brow film stuff the class requires
it means you end up hanging out a lot, at the library, at the coffee shop, on the couch of her apartment. you both set up the '1 for 1' rule, in which she gets to show you a movie for ever movie you get to show her
and she shows you really annoyingly good stuff, while you make her watch utter garbage. neither of you admit it, but you end up liking some of the high-brow art she pushes and she ends up having fun with the stupid movies you show her
when she makes you watch the babadook, you make her watch hot tub time machine, when she makes you watch citizen kane, you make her watch bridesmaids, and when she makes you watch la la land, you make her watch zoolander. it's a mutual exchange of interests, and you both lean against each other when you watch them on the couch or on her bed
paddington absolutely makes tara carpenter cry, there, i said it, and you show it to her and hug her when she does
things are genuinely just so easy and perfect with you, and it's so natural in a way that is unnatural for tara, but in a good way. you're unlike anyone she's ever been with, and it's refreshing and new in a way that's so exciting when you both kiss during the movie before sunrise
that's why it's so funny when your first date goes absolutely awfully
it rains on you, while you both walk to the restaurant and neither of you brought an umbrella because it wasn't projected to rain. then the sushi place you're bringing her to completely forgets your reservation and you're both waiting 30 minutes to get a table, and to top matters off, you end up being allergic to a fish you try for the first time, and need to get taken in hospital
you're not even choking really, just broken out into hives and feeling lightheaded, and tara's in the ambulance with you on the way there, and you're both talking casually, like "how was your day?"
you both get there and realise tara forgot her phone at the restaurant, and whereas anyone else would be pissed and call it a terrible date and give up, you both are fucking laughing your heads off at how cartoonishly awful the date went, even though it's a hospital, and that probably isn't the right place to be laughing in
when you're released super late that night, you both end up just wandering around new york until the late hours of the morning, just talking and occasionally holding hands. tara mentions that it reminds her of la la land, and you kiss, and what would've been a deal-breaking, awful date for anyone else just becomes something you shared with each other, and brings you even more in love
reminds me of the song ant pile by dominic fike
lorraine day
you meet lorraine as the kid of the new corn farmer in town, after your grandfather gets too old to be able to maintain his land by himself. your father has to come back and take over, due to his declining health, and you first see each other when lorraine and her daddy come to say hello and talk business for cow feed
she spots you in the back, leaning on the fence next to the field with your arms crossed and your hat pulled low, and you're just watching her and her dad talking to yours with a frown
she's set on edge by your presence, even though you're not really part of the conversation. she has to stop herself when she realises she keeps looking over at you every couple seconds, and you're still just staring at her and her father in a way that isn't exactly friendly
your dad is a generally nice guy, and he gives her your name in a passing mention and graciously accepts the pie lorraine's momma made to bring to the new partners, but it overall isn't a great first impression, and she decides right there in her daddy's truck on the ride home that she doesn't like you very much
when you're brought up again, it's by her father a week or so later. he's mentioning how helpful you are around your grandfather's farm over dinner, saying how your grandfather is blessed to have someone so good-hearted, and lorraine can’t help but remember the look of you glowering against the fence at them and doubt how true that is
she still doesn't like you, when you actually talk for the first time. RJ is bringing her home after an incredibly awkward date and gets a flat, and just as it starts to rain, guess who spots her and decides to pull over in their rusty ass pickup truck with a weird look on your face that lorraine can't help but assume is smugness
your truck bed is full of tools and supplies for your grandfather's farm and you haven't got a spare on you, but you know there's one in the shed on your farm. there's only one seat open in your truck, and even though lorraine heavily hints to RJ that she doesn't want to go, she's volunteered, as RJ doesn't want to leave his van on the side of the road, even though there's not many people who would touch the piece of junk
you snort when he insinuates that lorraine wouldn't be strong enough to fend off anyone who would take the van, and even though she's equally as miffed by RJ's assumption she's a bit annoyed by you defending her
the ride home is incredibly tense and neither of you say much until you're pulling into your yard and you say, "for the record, i highly doubt he'll be fending anyone off either." it's funny and it almost makes her laugh until she remembers she decided she didn't like you and she has to get serious again, and tells you not to talk about her boyfriend that way, and you don't say anything for the rest of the time you're helping her
she sits in the truck watching you from the wing mirror as you roll the spare out from your shed and then hoist it into the truck bed, looking sweaty and muscles tensing with effort. even though you're kind of annoying, you're tanned and you're fit, and it's something she can't help but notice whenever she goes to your farm in search of her father, who sometimes comes over to buy corn for his cattle
you both naturally start to grow into something resembling a friendship. you'll shoot the shit when you're not working, leaning on the handle of a shovel half in the ground, and lorraine will walk over and just kind of talk to you for a while. she doesn't even really realise the annoyance has melted away until it smacks her in the face that she was really wrong about you
your first date isn't actually a date until it's over. lorraine is at a lake day with her friends when one shows up with you in tow. she didn't even realise you had friends, but you're there with them and you look damn good in your swim suit, and you actually start talking a little bit about leaving the big city for your grandfather
you're all having fun, swimming around and talking, and she sees you're pretty funny when you want to be. it's kind of jarring to see just how wrong she was about you, and you both end up dancing around to your friend playing guitar and singing along
you end up being her ride home, and though there's still an underlying tension in the air, this time your truck is full of laughter and you're both actually talking. about halfway through, you accidentally let it slip that you asked your friend if lorraine was going to be there, and though the tips of your ears are red and you're apologising, lorraine can't help but reach right over and kiss you, and suddenly everything feels right in the world
cairo sweet
you meet her on the first day of creative writing, as the new student at your school, and mr. miller's seating chart places you directly next to her. she stares at you a bit, as if unimpressed by your existence, and you stare right back at her, equally as unimpressed
though you're new, you quickly skyrocket to incredible academic success, and cairo is enraged to find that with the transfer of credits, you're now really the valedictorian, sweeping it from underneath her feet at the very end of her senior year
with that, she absolutely despises you and everything you stand for
you have to trade papers for peer grading and while you calmly grade it at first, when you see that yours is covered in marks and cairo is being absolutely brutal beyond belief, nitpicking every little punctuation mark and symbol she can, you get a bit annoyed and start doing the exact same thing to her
it's a giant game of one-upping the other, and you guys repeatedly mess with each other like a chess match of fucking each other over. neither of you will admit you find the other annoyingly magnetic and captivating, you instead resort to messing with each other's standings
you both are duking it out over each little test grade, as cairo desperately tries to regain her spot at number one and you attempt to fend her off and keep your place. she'll brag about her perfect score on the calculus exam, and then you'll clap back with your extra credit. you absolutely dominate her in maths and sciences but she has you beat in creative writing and histories
winnie is greatly amused by the whole ordeal, and keeps insisting to cairo that you both should get it over with and fuck already but she scoffs and claims to resent the implication. doesn't mean she hasn't thought about it, though
her involvement with mr. miller is something she's only doing to maintain her spot as mr. miller's favourite student. cairo has the writing skill to back it up and is incredibly gifted with the pen, but you ooze a certain charisma that makes the teachers around you all giant fans, and she would be lying if she didn't say she was worried you would pull mr. miller's recommendation letter with it, and steal it right out from under her. it's entirely possible for a teacher to write more than one recommendation letter, she just wants the satisfaction of being the first one to get it
when you're partnered up on a group writing project that needs to be done in pairs, cairo sees it as the perfect opportunity to gather intel on you. another thing she hates is how mysterious you are, and how not many people actually know that much about you, other than how pleasant you are
she insists it has to happen at your house, and though you try to argue, she insists it has to be the case. it surprises her, when she puts your address into her phone and she sees it's a small one bedroom apartment in a bad part of town, without air conditioning and with terrible plumbing, and that your father works three jobs to support you
she doesn't know what she expected, but that's definitely not it, with your ability to dress and intelligence. suddenly her arch nemesis gains a third dimension, and she understands just how hard you work
though you're guarded at first, you both actually slowly discover that you don't exactly mind the other that much. you still want to keep your spot and she desperately wants it for her own, but you say something silly and it makes her laugh- really laugh- for what feels like the first time in a long time
you work together on the project more and more, and suddenly she's enjoying your company and wanting you around. she's definitely a little bit disgusted by that at first, but it's something she can't deny
she asks you on your first date to a poetry reading on a saturday, and you're a bit confused since the group project is already over, but you decide to go anyways and you have a great time. you say something profound after one of the poems, and cairo's eyes just drop to your lips in a weird amazement
she's dragging you to the bathroom immediately before the next poem can even start, and i don't think i have to say what happens next, but it's messy and there's lipstick everywhere
your father snorts when you get home that night, and there's dark red lipstick smudged all over your lips and a bit down your neck, and you roll your eyes at him with a smile
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wyrmzier · 2 years ago
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Artists that inspire me!
I'm a huge fan of art and these are only skimming the top of the wonders of the artist community and those that inspire me.
@iliothermia a trans Jewish artist who creates undeniably trans and Jewish art!!! Hyde's linework and composition is masterful, and his attention to detail is immaculate. He has a shop where he sells beautiful high quality prints, stickers, pins, bookmarks, and a few other odds and ends! Oh, did I mention he draws everything with a MOUSE!
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@eleheba another trans Jewish artist I adore. Skilled in black and white work and color. Composition is crazy. It's the kind of work I'd think to find in old medieval books. They're definitely a modern day master artist. They also have a shop!
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@stayatsam this artist has inspired me endlessly and got me into portraiture. Another transgender W. Sammi creates beautiful portraits with a unique coloring style. Edgy, gothic, and beautiful.
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@littlestpersimmon I'm struggling to find the words to describe how incredible this artist's work is. Dreamy, ethereal, romantic, and detailed. He create enchanting mlm pieces inspired by southeast Asian art and culture.
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@godivaghoul an erotica artist who creates dashing gothic scenes. Beautiful women with spectacular line art...need I say more?
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@wiltkingart dark and moody paintings with incredible use of color. A focus on trans mlm. Another artist that deeply inspires me.
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@skulkingfoxes on instragram and Twitter (edit: and now tumblr!) Rowan has incredible lineart and character design. They have several comics as well as a shop! Their composition and use of black and white is skillful and immaculate. I wish I could steal their hands
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@the-nothing-maker their art always wows me. They have amazing control over color and use colored pencils!!! Genuinely their work GLOWS I wish I could see them in person.
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@bunabi another master of color and character design. All her art feels soft and dreamy. She also make brush packs!
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@rennybu where do I start... Adrienne's art is colorful, soulful, and dreamy. And so so tender. Not to mention they're incredibly kind! Here's a commission I got from them...agh I'm tearing up
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Unfortunately I've run out of image space. The list could go on until I've named every artist on the internet. I hope you give these wonderful people a follow!
And of course all my wonderful art friends but you can just check out my tag #friend art
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cobaltperun · 11 months ago
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Woe out the Storm (13) - Here comes the Thunder
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Wednesday Addams x female Reader
Summary: It took some time, but eventually you came to realize only Wednesday Addams could look at the raging storm of chaos and destruction and make a home out of it. Only she could listen to the cacophony of the roaring thunder and hear a melody.
Story warnings: Wednesday Addams, violence, slow burn
Story Masterlist / First part / Previous part / Next part
Word count: 3.6k
-Storms are comin', better run for cover. Here comes, here comes the thunder-
Tyler Galpin was the monster, the Hyde, the one who murdered Rowan and hurt Eugene. You were pissed, but you were nowhere near as pissed as Wednesday.
“I should have known it. His wounds weren’t nearly as serious as they should have been, I thought he got lucky, but he wounded himself,” she began pacing back and forth, the two of you still in front of the hospital.
“We need to go,” you told her, as subtly as you could pointing toward the hospital where Weems and the sheriff were coming out. “We can’t trust either of them now. H won’t turn his own son in and Weems…” you weren’t ready to say it just yet.
“Has been obstructing us since the start,” Wednesday said it for you as the two of you began walking away. You’d head straight for Nevermore, there wasn’t anywhere else you could go to, really.
“Right, let’s see, we know Hyde lays dormant, so there should be some genetics involved there. Galpin senior is a normie, but do we know anything about Tyler’s mom?” you asked, it was very rare for someone to just randomly develop an ability. It happened, but usually not with the kinds of abilities that involved transforming or shifting.
Wednesday shook her head. “No, and you’re not going to the archive to check,” ah, so she was still worried about what happened to you when you went to mayor’s office building.
“Maybe sneak into his house? See if we can find any medical records? Any history with Nevermore?” you gave in, it was adorable how protective she was.
“We can send Thing,” before you could even raise the question of his health she beat you to it. “He’s fine now,” she assured you.
“Okay, we got a plan then,” you nodded. Thing really was your best option here, even if you wished he could rest for at least a while longer. “Why would he turn on Laurel though?” you wondered.
“I’m not sure, I’m confident Kinbott is Laurel,” she slowed down a bit, as if something caught her attention at that very moment. “No, it’s not Kinbott,” Wednesday completely stopped.
You stopped as well, though a few steps ahead of her, and raised an eyebrow, silently asking her to continue.
“I thought it was her because of the flowers she left in Eugene’s room, they were the same flowers Enid and I saw in Laurel’s room, but the photos someone took of me mean that someone would have to be at Nevermore,” Wednesday explained, and you could see the frustration on her face at both her guesses being wrong.
“And since Tyler is the Hyde, the master has to be at Nevermore,” you groaned in frustration, you had no idea who it could be. “Unless it’s someone else, like the one that attacked me,” why was this so complicated?
“I don’t think it’s that one. The raijin, I mean,” Wednesday said and you halted completed.
“Raijin? The raijin? Japanese ‘lightning god’ raijin?” Wednesday just nodded at that. Well, that explained a lot of things, the pressure you felt, the difference in your level, the overwhelming presence. You weren’t dealing with a beast, you were dealing with a damn god of lightning. “Well, we better hope that guy doesn’t show up, because all that talk about not dying goes out the window in that case,” you just said it. There was absolutely nothing you could do, even if you shifted you felt like you’d be powerless against raijin.
“I know, I saw a vision of Diego, the raiju Goody had a bond with, fighting him. You can’t fight him,” you could hear the hints of panic in her voice. Wednesday knew, even better than you did, from the looks of it, just how strong the raijin was. And it pretty much confirmed you were attacked by someone who’s been alive for centuries.
You closed the distance between you two and took hold of her hand. When she squeezed your hand in return you leaned down, resting your forehead against her left shoulder. “I’m not going to let you deal with this alone, if that’s what you were going to suggest,” you could hear the sharp, though barely audible, gasp. “I’m on your side no matter what,” you let red sparks surround the two of you, completely safe for Wednesday. And in the midst of all that she raised her other arm and placed it on your back, her fingers digging into your back through your shirt.
“Don’t die for me,” she whispered, so softly you almost wondered if you heard it right.
You told her you wouldn’t die, but given the situation, it seemed more like wishful thinking than anything else now. “We’ll cross that bridge when we get there,” you couldn’t say anything else, you could just hope it wouldn’t get to that point.
And if it did… Well, there was no point in thinking about that right now.
You had no idea how long the two of you stayed like that, in the middle of the road between Nevermore and Jericho, not caring one bit about who could see you. You both just committed the moment to your memories, cherishing the feelings you weren’t quite ready to talk about just yet, but you were feeling them nonetheless, perhaps even more intensely than you would if you were to put them into words.
It wasn’t a generational bond. This ran deeper, this was entirely personal, and it brought out a side of each of you that you didn’t even realize existed. The more emotional side of Wednesday, and a side of you that wasn’t afraid of your lightning hurting someone.
~X~
For whatever reason you chose to stay in the quad, saying something about giving Wednesday some space. Considering how emotional she got less than half an hour ago she was more than willing to accept that. When she came into her room, she realized exactly why you gave her space.
Wednesday stopped when she saw Enid there, unpacking and it somehow made a heavy weight she was feeling since Enid left disappear. She could admit that she preferred to stick to certain habits, and you and Enid living with her became a part of her daily routine, so to have Enid back, from the looks of it, made her feel like things were going back to how they should be.
“Hey,” Enid greeted her.
“You’re back,” Wednesday wasn’t sure what else to say.
“I’m gone for a few days, the place gets trashed, and Thing almost dies. Someone’s gotta look out for you two and Y/N can’t do it alone,” Enid stopped unpacking and walked around her bed to get closer to Wednesday.
Like getting emotional with you wasn’t already enough. Wednesday could feel emotions clawing their way out of her body against her will, so she changed the subject. “What happened to rooming with Yoko?”
“Yoko’s great. I just decided I needed a few more boundaries,” Enid was already pulling the tape out.
Wednesday looked away. “Skip the tape.”
“Don’t tell me Wednesday Addams is mellowing out,” Enid dared to tease her.
“Never. More like evolving,” she retorted right away, once again meeting Enid’s eyes.
“Well, one inch of duct tape at a time,” the pastel werewolf smiled, not as brightly, but just as genuinely as Wednesday was used to seeing.
“Why the sudden change of heart?” she couldn’t help but ask.
“Because we work. We shouldn’t, but we do. It’s like some sort of weird friendship anomaly. Everything you said about me is true, but I don’t apologize for it, not anymore. It’s just who I am,” Enid told her, confident and relaxed.
“Thing said he missed you,” it was true, it was also the way to express a part of what she felt without saying it entirely.
“I missed him too,” Enid replied and Wednesday could feel the unspoken words.
“I,” she paused, cursing herself for how soft she had gotten since coming here, how soft Enid and especially you made her. “missed you too.”
Enid remained too stunned to respond and Wednesday took that opportunity to step away from the conversation.
~X~
The plan was set in motion. Enid, who came back and had a much-needed conversation with Wednesday, that you chose to give them privacy for, would make sure to cover your and Wednesday’s absence from your room. Bianca would use her siren song on Tyler, Xavier would offer his shed as the place to bring Tyler to, and Ajax, Yoko, Divina and Kent would be the back-up.
Of course, if anything went horribly wrong you’d be the first line of defense and the one who’d fight the Hyde, even if Wednesday wasn’t too thrilled about that part of the plan.
You watched as Bianca put Tyler to sleep. This was the extent of her siren song. It wouldn’t be helpful for the interrogation; she couldn’t make someone tell the truth. That was the issue with her ability, she could make someone believe something, but in doing so she influenced them. Meaning that she’d influence Tyler into believing he was the Hyde instead of pulling the truth out of him. You stood at the back of Xavier’s shed, behind Tyler, and far enough that he couldn’t realize you were there. If he thought he could fight his way out of this he was sorely mistaken.
Yet, as Bianca woke him up, he immediately put on an act, pretending he was confused and afraid as Wednesday tased him.
The yells of disapproval from everyone else annoyed you. Tyler killed people, he did it in a brutal, painful way, he felt them die. Getting tased was the good outcome for him. But one by one, the Nightshades left Xavier’s shed, with Bianca trying to get Wednesday to go to Weems.
“Wait, wait please! Don’t leave me here with her, I’m begging you!” Tyler cried and whined, knowing that Wednesday wouldn’t stop. But, Bianca left, just like everyone else, leaving only you, Wednesday and tied up Tyler in the shed.
“Wednesday, please! I’m not the monster! And even if I was you’re alone now!” he tried, he bargained, he wasn’t aware of the full circumstances he was in.
“Not quite. Trust me, I’m more than enough to handle you,” you spoke and he froze as he realized you were there as well. “You didn’t think I’d leave her here alone with you, did you Galpin?” you came up to him and placed a hand on his shoulder, zapping him lightly, not any harder than Wednesday’s taser, but he definitely felt it. “Talk,” you demanded.
“I have nothing to say! I’m innocent!” he cried out.
“We know you’re not,” Wednesday stood next to you. “What is Laurel Gates using you for?”
“I don’t know what you’re talking about,” you had to give it to him, he was good at hiding who he really was. You were almost tempted to believe him.
“Tyler, the body parts in the basement of the Gates mansion, what are they for?” she wasn’t giving up.
“Wednesday, please,” but he just kept begging, like a broken record.
“Who is Laurel Gates, Galpin? Come on now, either transform or talk, but don’t make this harder than it needs to be,” your eyes turned red and you released a strong burst of lightning around you, though you wouldn’t hit him with it unless he fought back he didn’t know that.
But he just kept whining, crying and begging for mercy and it wasn’t his crying that got you to pull Wednesday back. It was much simpler than that. “He’s not going to talk,” and you could see it in Wednesday’s eyes that she figured it out as well.
Not that it mattered, even considering the fact that Tyler was no longer tased or tortured in any other way, the police, let by Tyler’s father, came in and prevented any chance of Tyler talking.
You were ready to be taken away, but the police ignored you, courtesy of Weems trading in the information of Tyler’s abduction and location for your freedom. You glared at the woman as the police took Wednesday away. She wanted to avoid you attacking someone at the station, she could see the way you felt about Wednesday, and she wasn’t risking those feelings causing you to shift.
~X~
Wednesday was seething. Tyler was getting away with it and now he was gloating. Telling her about his victims, how their fear was delicious. And then, as if to make sure she completely understood the situation she was in, he leaned toward her, pulling her closer by the collar of her jacket.
“You have no idea what’s coming. And your raiju? That beast that you like? I’ll make sure to bring you her head,” he promised to hurt you, he promised to kill you and bring remains to Wednesday and the rage within her reached a boiling point as she seethed while staring at his retreating back. It was as if he really was innocent, that’s how he was behaving and Wednesday pushed the doors open and briskly walked outside. She needed to get away from him, otherwise she’d make her situation even worse than it already was.
When she stepped outside the police station she saw you sitting on the stairs, clearly you zapped from Nevermore to the station and Wednesday couldn’t help but feel her heart hammering nails against her chest.
You heard her coming out and got up right away. You looked concerned, worried about Wednesday and she just took a deep breath. Her time at Nevermore was more than likely over.
~X~
“Expelled?! You expelled her?!” you yelled, lightning bursting all around you and damaging Weems’ table where you were gripping it.
“Calm down Y/N. That’s the quid pro quo for sheriff Galpin not pressing kidnapping charges,” she explained, only fueling your rage even further.
“So, expel me too! I was just as involved!” why was Wednesday expelled why you got to stay?
Weems stood up, anger radiating from her in a way you never saw up until that point. And it was somehow fitting for her.
“You know as well as I do that I can’t expel you. Setting a raiju free would only tarnish Nevermore’s reputation,” she said it in a tone so low you nearly stopped glaring at her. Weems was imposing, but she was never intimidating like right now.
You didn’t back away though. “We’ll see how long you can stick to that,” you promised and blasted the doors open with your lightning.
~X~
Weems wasn’t the only one you were going to confront, but before you could deal with Tyler the only remaining way you could think off, Bianca and her Nightshades came up to you.
“I’m sorry we got Wednesday expelled, it wasn’t our intention,” you would let it go, you wouldn’t react to her words. “We just couldn’t let you torture him,” you couldn’t walk away from that. You turned around and walked up to Bianca.
“Bullshit! He murdered people!” you exclaimed, your anger making your eyes turn red and subsequently making Bianca and others step back.
“You and Wednesday tortured him!” Bianca snapped back, always the boldest of them all.
“And any one of us would have gone through much worse if we were the monster,” you reminded her that was how it worked, how it was for the outcasts.
“Y/N,” Wednesday calling your name calmed you down and your eyes went back to normal, her voice, her arrival put a stop to the argument you had with the Nightshades.
You turned around and saw her coming down the stairs. She really was leaving. “Wednesday,” you clenched your fist, feeling powerless to do anything about this.
“This isn’t over, I need you to stay alive, don’t pick unnecessary fights,” she stopped right in front of you, almost as if she was going to take hold of your hand, but changed her mind at the last moment.
You nodded. “I got this, and I’ll stay in touch with you, I promise,” you told her, which prompted her to slip a piece of paper into your hand.
“My address, if you send letters, or if you want to visit,” she said and you nodded once again, grasping her hand before she could pull it away.
“Be careful, especially until you get out of this town,” you rubbed circles into the back of her hand, much like you did the night Thing was stabbed.
Wednesday nodded, only pulling away from you when Bianca chose to speak up, to apologize for getting her expelled.
~X~
It’s only been hours since Wednesday left and you still weren’t willing to fully accept it.
It was the irony at its best. Because here you were, doing the exact thing Wednesday did when you left the room. You were laying on her bed, just staring at the ceiling. You should have been expelled as well, you should have went with her, you shouldn’t have just accepted her leaving. Now you were stuck in the remnants of her presence. Her scent, her half of the window and her part of the room, void of any color. If you concentrated enough you could almost hear her cello, you could hear Thing’s insistent tapping.
You could feel him jumping on your shoulder and pulling your collar.
Wait? What?
You sat up so abruptly Thing nearly tumbled off the bed. “Thing? What happened?” him being here wasn’t a good sign, no matter how nice it was to see him.
He began frantically signing and you tried to understand him, but you couldn’t follow.
“Wed-Wednesday is- Wednesday is what?!” you were getting frustrated, and so was Thing, as he began signing even faster, fumbling over words and making it impossible for you to figure it out. “Slow down! It’s terrible when you stutter!”
He gave up on signing and jumped down, running to your table. You followed him as he grabbed a pen and tried to write, but he didn’t have a piece of paper. Frustrated, he began tapping the morse code with the pen.
“Wednesday is in danger!” your eyes widened when you finally understood what he was saying. “Tyler and Thornhill took her! To Crackstone’s crypt!” you grabbed your phone as Thing slumped down onto the table, relieved that you got the message. You immediately called Enid, not caring one bit that she was with Ajax.
“Damn it, Enid, pick up!” but she wasn’t picking up as you took the knives you would hopefully stab deep into Tyler and Thornhill, Laurel, whatever her name was. You quickly called Ajax instead and nearly began yelling when he picked up. “Put Enid on the phone, now,” you demanded.
“She’s talking to Eugene,” he tried to tell you.
“Now Ajax!” you didn’t have time for this.
“Okay, okay, you’re on speaker!” you heard him telling Enid it was you.
“Y/N? Eugene told me Thornhill is Laurel!” Enid exclaimed.
“I know, she took Wednesday! I’ll take Thing to Poe’s statue, he’ll explain about Nightshades, take Ajax with you, bye!” you hung up before Enid could say anything and grabbed Thin as you ran and, much like a few nights ago, jumped off the balcony. Only this time you didn’t need to catch anyone, you just held Thing close to you and slowed down your fall enough to land without any injuries.
“I’ll go and get her, I promise,” you assured him as you ran toward the statue.
Thing just tapped that he knew against your palm.
You left him at the statue and threw your knife, zapping toward the crypt. The lake? It didn’t matter. You threw your knife right across it, zapping and catching it and throwing it again, not once looking at the water beneath you. It didn’t matter, the danger, the fear of water, all you knew was that Wednesday was stuck with a revenge driven lunatic and her pet monster that enjoyed slaughtering people.
~X~
The one person that ever made Wednesday feel fear stood in front of her, revived because of her blood and Laurel’s ritual. And he even thought she was Goody. Not that it mattered, he had used his telekinesis to keep her from moving.
Hypocrite, using outcast abilities while trying to wipe them out.
“Goody Addams, you will suffer the same fate you bequeathed me!” he promised as he approached her.
Wednesday glared at him as she tried to break free, but it was even stronger than Rowan’s telekinesis. She couldn’t do anything. She was powerless as he pulled out a knife. The flames flickered, and the glint of the blade made her more than aware of how this would end. She was alone, and she had no way to defend herself.
Doors burst open behind her and the moment of surprise cost Crackstone his chance to stab Wednesday, a knife passed right by Wednesday and she felt arms wrapping around her waist as she was pulled to the side and away from the resurrected man.
“Raiju, I see you found a new one, Goody Addams,” Crackstone growled as he recognized the ability you had.
“Hands off my Addams,” you… just had to… Didn’t you? Even if the threatening tone of your voice made Wednesday a bit more forgiving of what you said.
A/N: Raiju to the rescue! No mortal wounds for Wednesday, yet. Honestly, I feel like the middle of the chapter is a bit bare, so I might go back and add some more scenes, but as it is, I’m okay with this. Do tell me what you think about the chapter. Is the middle bare, or is it enough given the fact that I’m writing slightly altered canon and you could just go and watch the show instead of reading about it.
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missmonsters2 · 2 years ago
Text
—Just Last Lifetime | Two
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Please do not copy, repost, or translate my work anywhere else.
Pairing: Wednesday Addams x Fem!Reader/OFC
Summary: Wednesday is determined to recreate the special moments of your relationship to revive your memories—to revive your feelings. But it becomes apparent that the same memories cannot be created twice.
Warnings: Heavy Angst. Heartbroken!Wednesday. DestinedToBeAlone!Wednesday. Amnesia. Flashbacks. Violent emotional outbursts.
PART ONE
Masterlist | Library Blog | AO3
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Note: so this is it! The end...haha unless...👀 lol jk...unless ☝️
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⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷
"We're going somewhere for our studies today."
You look curiously at Wednesday, clutching the straps of your backpack a little tighter at the sudden spring of information. 
Wednesday pretends to not notice your anxiousness, turning to walk off and expecting you to follow. She pays attention to the footsteps behind her, satisfied that you trail along despite clearly being reluctant. 
It's been easier to spend time with you lately, with Yoko being incredibly busy with her club activities, and Enid has been keeping herself busy on purpose to leave you with no choice but to spend time with Wednesday. 
Wednesday doesn't think you particularly hate spending time with her. You're always cordial and friendly. You've thanked her multiple times for taking the time to help you catch up on your studies and assistance with your current assignments. 
Just a few days ago, you gifted her 99% dark chocolate for all the help. Wednesday had been intrigued, thinking you recalled how she preferred the bitter taste. But the intrigue swiftly died when you informed her Enid let you know as you wanted to do something for her. 
It didn't matter. It was the fact alone that you went out of your way to give Wednesday something she'd like that mattered. 
"Where are we going?" You ask, your voice tinged with curiosity and wariness the further you walk past the school entrance, clearly leaving. "Are we actually studying?"
Wednesday's eyes peer to the corner of her eyes to look at you. 
"You study too much."
⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 
Then.
"You spend too much time investigating, Wednesday." 
Wednesday didn't even look up at you as she continued to pack her backpack for the day. 
"I thought you were interested in coming along to find answers?" Wednesday's voice was dispassionate. There was a part of her that was tinged with annoyance that you constantly invited yourself along to her trips if you were just going to get sick of tagging along now. 
"I very much am, but we've clearly hit a wall and I'm not particularly looking forward to walking around in circles in the forest today," you pursed your lip but then smiled. "Why don't we take a little bit of a break today? If you really want to, we can continue investigating tonight instead."
"You're willing to sneak out?" Wednesday raised her brow at you. She thought you were ridiculous for trying to bargain with her. The investigation was important, and Wednesday had no desire to lose any time. 
She would investigate, and you were free to come along or not. 
"I'll break any rule for you, Wednesday."
You said it in such a natural way, and Wednesday found that she was unable to reply right away. She looked back down at the ground for a moment, blinking before she looked back up at you.
"Where are we going?"
Wednesday had several ideas of where you might take her. There was the music hall, the planetarium, or even the garden. But what she hadn't expected was that you'd take her to the carnival.
"You didn't get to enjoy it, right?" You asked as you stepped out of the taxi, paying the driver cash. Wednesday didn't answer, but you knew the answer. "I mean, probably hard to enjoy since you were chasing the Hyde and almost died after Rowan did."
That was another one of the reasons why Wednesday didn't mind that you came along with her investigations. You were the only person who believed her when she said Rowan was dead, despite also being of the people who saw him in the aftermath. 
When Wednesday asked why you believed her, you simply said she didn't come across as someone who would lie about it. So, if he was dead, he was dead. 
"I suppose," Wednesday looked at the carnival before her. It was moderately busy for a weekend, and she wasn't particularly interested in doing any of these mundane activities. 
"Alright," you clapped your hands, bringing Wednesday's attention to you. "We're on a mission today. I come here every year the carnival opens up to win the biggest prize, but my tickets were short since the carnival got cut short last time with the entire…situation."
"What are you trying to win?" Wednesday asked.
You grin at her, pointing far down the carnival with a specific booth. "That mini motorcycle."
⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 
"This is rigged," Wednesday seethed, glaring at the booth worker who was nervously sweating ever since she approached. 
You laughed, grabbing Wednesday's attention and the relief of the worker. "I know, right? We're totally just losing money at this point."
It was a simple game. A gun with 9 rubber bullets and 10 balloons to pop, and you had to win 5 times in a row with no supernatural abilities to get enough tickets to win the motorcycle. 
It was not impossible, Wednesday knew that, but the balloons were not close enough where she could get away with hitting two with one rubber bullet. 
They've both spent $100 at this point and while Wednesday would get 9 of 10 balloons every time, you would hit one balloon before you missed every other shot, hitting the corner of the wooden target. 
As often as you refilled, it was starting to wear a dent. 
"You're terrible at this," Wednesday bluntly said, but you merely smiled and shrugged. 
A bit of wind was picking up, making the balloons circle around in their spot. Wednesday spotted her opportunity and chance when two balloons circled close enough towards each other, barely grazing. 
Wednesday timed it perfectly and shot her 9 bullets, using her last one to wait as they circled towards each other before shooting and getting them both. 
"Oh," you grinned. "That was really impressive." 
Wednesday didn't react to your praise, waiting for the worker to rotate the next round of balloons and repeating her actions while the wind continued. 
So far, Wednesday has won 4 times in a row. She had to pause as the wind died down, but it was sure to come back in a few moments.  
"What do you want if we both win?" You asked. "There's only one motorcycle, so you may have to settle for something else."
Wednesday snorted. "I'm not sure I should get my hopes up on getting anything." It was a dig at the fact you've been absolutely terrible with your shots.
"C'mon, Wednesday," you grinned. "Dream a little."
"I don't dream."
"Nightmare it up a little," you quickly rebuttal.
Wednesday sighed, looking at the prizes that hung and framed the booth. Outside of random useless knick knacks, there were just stuffed animals—which were also useless.
But Wednesday's eye caught on a large scorpion stuffed animal. She wasn't one for being sentimental, but this was as good as it would get.
"That," Wednesday pointed at the scorpion stuffed animal.
You looked at it, grinning as you knew the story behind it. "Sure thing."
The wind picked up again, and Wednesday took the opportunity to win the 5th time in a row. The booth worker, whom Wednesday also assumed was the owner, looked relieved and reluctant to hand over the mini-motorcycle.
"I don't want to stand here for hours," Wednesday deadpanned, having already spent 2 and a half hours winning this prize for you. You would be here for 2 and a half days at the rate you were going.
"We're just about finished," you told Wednesday, and she raises her brow, thinking you'd given up. 
But you slap down another $20 bill, smirking. Wednesday looked to your side of the targets and noticed the small dent you've managed to create with the rubber bullets. She narrowed her eyes, wondering if that was your plan all along. 
Wednesday gets her answer within minutes. Suddenly, you've turned into a master marksman, shooting every balloon precisely until you were down the last two side by side. You tilted your gun, aiming it at the target, where you created a dent in the side. When you shot the bullet, it shot inside the hole and bounced against the wood, flying out with just enough force to hit the two balloons from the side. 
Wednesday furrowed her brows in disbelief. 
It continued like that until you won 5 times in a row without pausing. The owner looked like he wanted to say something but merely rolled his eyes with a certain kind of fondness Wednesday was sure you earned over the years coming here. 
"The tickets get you two of these," the owner said, handing you two large scorpion stuffed animals.
"Did you have fun?" you grinned at Wednesday.
"It was passable," Wednesday admits, unable to fully say that even mundane activities like carnival games were interesting if she was with you. 
As you left the booth, you handed Wednesday the stuffed scorpions to hold while taking the mini motorcycle. 
"Look," you said. "Now your scorpion has a little friend to keep them company, or a little girlfriend," you wriggled your brows at her while Wednesday sighed, not commenting back.
She looks at the motorcycle and then at you. "Do you even know how to operate this?"
You smiled at Wednesday. "Not at all."
⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 
Now.
The biggest prize of the carnival is still the mini motorcycle, as they don't change the award until next year. It seems they've stocked up since the last time the two of you were here. 
Wednesday knows you already have one, but it wouldn't hurt to have another one. 
You seem spirited to be at the carnival playing games, as it's obviously familiar to you. 
They walk up to the same booth with the same owner, who clearly recognizes them.
"Oh, not again," he sighs. "You're going to run me out of business. Any chance I can talk you out of winning again?"
You look confused, but when you see the motorcycle as the prize, a moment of recognition dawns on your face from the one in the corner of your room. "I've already won this," you slowly say as a confirmation but not as a memory. 
"Close," Wednesday drawls. "I won it."
You look confused as to why Wednesday would win the big prize for you, but before you question it, Wednesday speaks again. "It's time to repay the favor and win me one too."
You smile weakly as if the pressure is on, but you pick up the gun, studying the targets. The dent you created on the target was gone as the owner replaced it. You play a couple of rounds to get a feel of the game, while Wednesday puts little effort into her own game. It's unlikely there'd be wind again this time around. Even if Wednesday now knew the other method, it was something Wednesday hoped you would get on your own. 
As time goes on, you're starting to get the idea of how to win. It's rather satisfying to watch you get to the same conclusion. 
Wednesday takes her time achieving the same method as you. You're focused on your own game, not checking how Wednesday's faring. 
You both created a dent relatively around the same time before shooting in sync, winning 5 times in a row. 
The owner sighs, shaking his head and muttering about changing the rules about damaging the targets to win. Still, he hands you the motorcycle before asking what else you want.
"Uh," you hesitate, looking at the various prizes before you. Your eyes spot two stuffed animals that make you grin. "The bat and the wolf, please."
With the prizes in tow, the two of you leave the booth. 
"What are you going to do with the mini motorcycle?" You ask. 
"Teach you how to ride," Wednesday bluntly tells you. 
You look surprised. "Oh," you chuckled weakly. "Right, I guess I probably told you I wouldn't know how to ride one."
Wednesday doesn't know what to say about your comment, so she veers off topic. "What are you going to do with the stuffed animals?" Wednesday internally sighs at the ridiculousness of the question. There are very limited things you can do with stuffed animals. 
"I'm going to give them to Yoko and Enid," you smile. 
"Right," Wednesday mutters, feeling something bitter rise in her throat but unable to identify it. Despite coming here and doing it correspondingly, none of this feels the same. "Did you enjoy yourself?"
You shrug your shoulders before nodding. "It's not bad to take a break from studying."
⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 
The second time Wednesday takes you somewhere, you give her a confused smile.
"I'm pretty behind on my classes still," you gently point out, hinting that you're not up for another day of playing hooky, and Wednesday concedes with a nod.
"I'm aware. We aren't taking a break today," Wednesday clarifies, "we're merely studying in a different scenery." 
The walk is silent as you follow Wednesday's lead. She takes you further down the river to an area you haven't explored before until you eventually reach a tall wisteria tree, probably the only one in Vermont, preserved with magic. 
"Wow," you breathe in awe, "I didn't know we had one so near campus."
The gothic girl is lost in her thoughts as she settles near the base of the tree, grabbing the books from her backpack on autopilot. 
You used to trail beside her, and now you always walk one step behind. 
It's something Wednesday noticed as she took you around various parts of the school during your study sessions in an attempt to recreate the memories. She knows you're starting to find her odd, but Wednesday can't afford to tell you what she's really trying to do.
Wednesday's goal wasn't necessarily to make you remember everything by taking you to these places that hold special memories. If you never remember, that's okay. What Wednesday wants is to recreate the memories in hopes they'll lead the two of you down the same path it did the first time.
But instead of growing closer like you did the first time, it feels like you're pulling further away. 
Even so, Wednesday can't stop trying. 
"Um," you mumble as you search through your notebooks. "I was hoping we could pick up where we left off on ancient languages?"
Wednesday nods, and the two of you delve into the usual strict business of studying. 
Everything is fine, and Wednesday is grading one of your practice sheets while you work on another. It's fine until she notices your trembling fingers. It's subtle as you were obviously trying to hide it, tightening your hands into fists and keeping them at your sides as you attentively look at the worksheet.
"I can't seem to understand the syntax—" you start to say but abruptly stop when Wednesday suddenly stands up, reaches up, and rips off a wisteria flower stock from the tree. She sits back down, reaching over and grabbing your wrist. The gentle squeezing of her hold prompts you to open your hand up, and Wednesday places wisteria stock into your hand.
The shaking stops, and Wednesday begins explaining the syntax to you without skipping a beat while you stare at her, stunned.
⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 
Then.
"Let's go to the wisteria tree," you were holding Wednesday's hand as you dragged her along. "Today is such a beautiful day, and your skin is way too fair—I mean pale—I mean pallor—to be out in the sun."
Wednesday merely gave you an unimpressed look. 
"Once again, you're disrupting my investigations. At this rate, it will take me a lifetime to solve the murders going on here," Wednesday's tone was disgruntled. "It would tarnish not only my reputation but also my ego, and I will make sure you die a miserable death for doing so."
"Ignoring the fact that everyone on campus would totally be dead," you turned around and grinned, "We'd have spent a lifetime together—before you killed me, of course."
You didn't add anything else to your words, but Wednesday could catch the insinuations between the lines. 
A lifetime together. 
A lifetime with you. 
The idea didn't displease Wednesday at all; if anything, the fact that it didn't was more disgruntling. 
A large wisteria tree appeared, and the two of you easily settled in. Wednesday was grateful that she had an inkling she should bring a book today in her bag. 
"I love this place," you sighed with happiness. "I can't believe you found this place, and I've never noticed it in the years I've been going here."
"It's colorful," Wednesday drawled in response. The flowers that grew were vibrant violet and lavender, something she thought was entirely putrid, but she knew you would love it. 
Wednesday was about to say something else when she noticed your fingers were shaking.
"What's wrong with your hands?" Wednesday asked with narrowed eyes.
You looked down, finding you were shaking, before clenching your hands into fists. "It's nothing, it just happens sometimes."
"It's not nothing," Wednesday seethed, angered that you would dare lie to her face. "Why is it shaking? What's wrong?"
You looked like you were debating something for a long moment before you asked her. "Can you grab me one of the wisteria flower stocks?"
Wednesday narrows her eyes at your avoidance, but she gets up, pulls a flower stock off from one of the branches, and passes it to you as she sits down.
"Why does it shake like that?" Wednesday demanded again.
"It's my power," you answer softly, wrapping your fingers around the flower. Wednesday watched as the flower in your handle steadily withered and died. You were smiling at her, but your eyes had a distinct melancholy look.
"This happens when I don't use my powers enough or use them too much. Air is generally made up of a lot of different gases but too little or too much of one causes disruptions in my body because the equilibrium between the air outside and the air inside my body isn't stabilized," you shrugged, holding the withered wisteria flowers in your hands that no longer shook. "I try not to if I can, but plants are a cheat way for me to expel and absorb air to find the equilibrium."
"Why not? It's obviously the most efficient way to stop the shaking," Wednesday frowned. 
You shrugged. "I don't think it's a good idea for people to realize there are drawbacks to my powers and how to fix them. It may start with plants, but people will eventually start fearing I can use people the same way."
"Can you?"
You quirked your lip in response, and Wednesday knew the answer. 
"Besides," you sighed, dropping the dead wisteria stock with a regretful frown. "Some plants are really beautiful. It's a shame to kill them."
Wednesday looked up at the hanging flowers and scrunched her nose in disgust. "I encourage you to kill this offensively colorful tree."
"When it makes you so miserable? I can't deprive you of that."
⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 
Now.
The silence drags on too long, and your lack of response prompts Wednesday to look at you.
You're staring at her before Wednesday watches peer down at your hand, intensely in thought. There's a mix of disbelief and curiosity in your eyes, and Wednesday doesn't understand why. 
This was normal.
"Wednesday," you call her name softly, making Wednesday's eyes nearly flutter at the sound. But the next words make her freeze. "Was I in love with you?"
It's something in the way you say it, curious and accepting. Something rushes into Wednesday's chest like a stampede, and she realizes it's hope.
Your tone doesn't suggest you remember anything, but Wednesday rationalizes that it's fine. While it would be ideal that you remember everything, it's not a condition Wednesday holds. 
You’re biting your bottom lip, looking reluctant. The silence falls again and lingers until you speak up again, trying to be firm.
"Wednesday, I don't know you—at least not anymore. I don't know what I felt about you before the accident...but that's gone. I'm not going to feel it just because you bring me to places that mattered to us. I don't remember it and I don’t understand it."
Stop talking.
Wednesday wants you to stop talking. She closes her eyes, turning her head away as if that would stop her from hearing your words. 
You don't take the hint. 
"I don't feel that way about you anymore." 
⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 
It was fine—it was. 
Wednesday spends the rest of her week doing various things. She writes, then she goes to the library; she briefly goes to the bee club until she can't stand Eugene's chattering and leaves. She goes on walks with Enid, who smartly avoids talking about you, and sometimes subjects herself to Xavier's monologuing and brooding in his art studio. 
Wednesday fills the days with various activities while simultaneously avoiding areas you'd be in. It's not that she's afraid of seeing you, but simply that she doesn't want to. 
This is fine. 
The day has come to an end, and the sun has long gone from the sky. Wednesday decides to return to her room and play the cello before bed.
This is for the best. 
Wednesday focuses her thoughts on her cello and what she'll play, and perhaps Thing will be there to turn the pages for her. 
It is meant to be this way. 
The room is dark when she enters, and Wednesday knows Enid is not around. There's a small feeling of relief that she doesn't need to face her roommate right now. 
The silence in the room feels jilting in a way Wednesday's not used to. She used to be content in the quiet...until you. Then she grew used to your presence and soft chatter around this hour. 
Wednesday clenches her fists.
Good riddance. 
You were a mistake, and you did her a favor by cutting ties. This was something Wednesday should've done herself a long time ago. 
Thing greets her on her bed, and she acknowledges him with a nod. She shreds off her backpack and changes out of her uniform before grabbing her cello and heading out onto the balcony.
The scuttling footsteps behind Wednesday tell her that Thing is quickly following. 
"Bring me the new music sheet to play," Wednesday directs. She needs to play something different that would require her focus instead of her usual repertoire, which would allow her mind to drift.
Wednesday starts playing immediately, eyes focusing on the notes she's playing while Thing diligently flips the pages for her. 
This is good.
This keeps her mind focused and sharp. Wednesday doesn't have time to think about anything else when she has to focus on what note she'll be playing next. 
Despite the new piece, though, Wednesday's mind begins to drift. She has to make a conscious effort to keep her focus on the music sheet in front of her, but you pop up in her mind interspersedly.
"Wednesday, I don't know you—at least not anymore."
Her fingers falter, her cello emitting a jagged sound from her mistake. It's so unbelievably frustrating. She hasn't ever made a mistake while playing her cello since she first started learning it as a child. Years and years have gone by without a single mistake, and it was all ruined because of you.
You plague her like a disease that festers under her skin. Wednesday's done her best to ignore you for days now. She's been ignoring the sight of you, the talks of you, and everything down to the thought of you. 
Yet, you were still there, underneath everything. You simmer like a slow boiling kettle until you can't be ignored anymore. 
Wednesday closes her eyes frustratingly, willing you to leave her mind. She threatens her brain to erase the thought of you. It'd clearly be so much easier to forget you. After all, look how simply you live now without a memory of Wednesday. 
But you don't go away. The memories remain with Wednesday, torturing her for what will likely be the rest of her life. 
This was not a form of torture Wednesday ever thought she'd have to endure. 
Wednesday opens her eyes and stands abruptly as she walks back inside. She didn't bother turning on the lights, and the only thing illuminating the room was the moonlight shining through the balcony.
"I don't feel that way about you anymore."
Wednesday clenches her jaw and tightens her grip on her cello. 
How entirely damning. 
Suddenly, a white-hot ball of rage forms in Wednesday's chest; everything she's been trying to push down for the last few days spills over. Emotions run a rampage inside her, unable to be controlled and ignored any longer. 
Wednesday lifts her cello before violently smashing it into the floor, the body of it breaking in an uneven half, wood splitting into multiple pieces. The tailpiece cracks, and the strings snap, one of them into Wednesday's hand and cutting it.
The rage and adrenaline in her body don't allow the pain to register, even if she can see the blood. 
How could you forget?
Wednesday begins destroying other parts of her side of the room—her bed, her clothes, her books. She pushes her wardrobe over and knocks over the chair at her desk, the loud banging ringing in her ears but not loud enough to cover the pain in her chest.
Thing scuttles back and forth in worry, but he cannot do anything to help his friend. He immediately leaves out the door with a mission. 
How could you not want to fall in love with her again?
Wednesday pushes her typewriter off her desk—she thrashes everything off her desk. Her beloved typewriter crashes into the floor, the carriage breaking off along with other various parts. Keys pop off, making a ruckus on the floor as they hit it, but it doesn't bring any relief. 
None of this is. 
Wednesday pulls open the drawer, grabs out her manuscript, and looks at the last few pages she's written. Viper falls in love with someone who helps her with her investigations, and Wednesday has written up to the part where Viper begrudgingly accepts that fact she has feelings for this person and accepts their confession. 
Wednesday has never gotten rid of any parts of her work all these years. Sure, she's done revisions and draft editing, but every scene down to its core idea has never been removed. Wednesday is a stern believer that every scene is meant to happen, and she cannot change the course of her writing when she looks back. 
But Wednesday begins to shred multiple pages. She shreds page after page but doesn't know when to stop. Should she stop before Viper gets involved with this person? 
Along with the anger settles in hollowness. 
It's the realization that even if Wednesday destroys these pages, she can't really undo the fact that Viper has met someone and fallen in love with them. 
How could you leave Wednesday to remember everything alone?
Wednesday hears the door open, but she doesn't turn around. 
"Wednesday?" Enid's voice is soft and unsure, full of concern. 
Wednesday doesn't answer. 
Enid steps further into the room, shutting the door behind her as she looks around. The room is a mess with so many broken items on the floor, but her side remains untouched, nearly down to the tape they removed ages ago. 
Enid is careful as she makes her way to Wednesday, the girl's shoulder tense with obvious rage. But even so, Enid knows her roommate would never hurt her. So, she places a hand on her roommate's shoulder when she's next to Wednesday. 
"Wednesday—"
Wednesday is quick to whip around and look at Enid with violently accusing eyes. "This is your fault," Wednesday spits out. "I wouldn't be feeling this—this loneliness if you haven't been spurring lies to me about love." The tone is filled with disgust at the last word.
Wednesday has never expressed any ounce of emotion that would allow her to scream at someone, but she wants to scream at Enid and can't. Even if she wanted to, her throat feels so raw with something Wednesday can only detect is the urge to cry. 
But even if Wednesday threatens her body to refrain from crying, the salty water spills from her eyes without permission. The spill and spill, even if Wednesday doesn't make a single sound. 
Enid doesn't care if Wednesday punches, stabs, or even kills her—she pulls Wednesday into a bone-crushing hug. Her roommate resists at first, pushing against Enid, but it's useless against her werewolf strength. Enid holds on, even as Wednesday's pushing turns into desperate clinging. 
Wednesday's tears are hot, and Enid knows logically tears are always hot, but she finds herself surprised they are. It's just another sign her roommate is all too human too. 
"It's okay, Wednesday, I swear," Enid whispers, rubbing Wednesday's back in soothing circles, even caressing her messy braids. 
There's no heaving or loud sobbing, as that would be too much for the somber girl. Even so, Enid can feel the tears soak her neck and dampen her shoulder. 
"It's not," Wednesday's voice is so raw, as if the girl had been violently sobbing. She clutches at Enid's back, her eyes blankly staring at the mess she's made of her room. Everything is out of place or broken. 
It shouldn't be Enid here, but the person Wednesday wants will never show up.
"I don't have anyone anymore."
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gallowdancingmuck · 19 days ago
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Analyzing W(e)yler Part Three:
This is a long one that focuses on Wednesday and her arc and is a little messy.
The thing that has really stuck with me since my first viewing is Morticia telling Wednesday “sometimes you get in your own way”. I think if any one line can summarize what Wednesday’s arc is all about, it is this one. Wednesday has all the brilliance she needs as well as resources to sail through life easily. I would even argue that Wednesday could fit in socially (because look how easily she made friends) but she constantly makes decisions that set her back. It could be argued it is her ego, but I genuinely think Wednesday does not think she’s better than everybody, I think she is genuinely very afraid of emotional hurt. She has been raised in a loving family and loyalty has been ingrained in her, the very worst thing that can happen to someone with this background is loss (and betrayal). I think what set Wednesday forth on this path of emotional detachment was Nero’s death.
Even if Nero is only meant to purely be a pet, imagine how traumatizing it would be to see your puppy or cat killed in front of you (she literally walked him on a leash). However I think Nero also acts as a symbol. Him being odd and a loyal pet is equivalent to her feelings towards her family, and then with him being a small scorpion he also represents innocence and outcasts. We have seen Wednesday is very protective of these things and I think she is so afraid of these things being ripped away from her she doesn’t know how to act. She’s setting herself back with this avoidance though because unfortunately, life is filled with loss. She either risks not having it all (lost potential) or losing it after she’s loved it (grief). She’s getting in the way of her own experience.
Wednesday is so caring and loyal that everybody sees it (Weems points it out in her office and Tyler/Hyde knows to mock her with his betrayal). Where she falters is she intellectualizes these feelings rather than work through them. In terms of Tyler, she does not hate him for being a murderer or a monster (she’s an Addams, she probably likes him more) she hates him (right now) for being a traitor and a liar. What we are going to hear her talk about is how he undermined her intelligence and then it’ll fall to him being weak, and then how it is unjust, and then eventually we will finally hit the core of this problem, Tyler hurt Wednesday’s feelings. Notice how she added a few superficial layers? Betrayal cannot exist without trust and I think Wednesday is going to take a long time to actually digest that fact, but she’s a smart girl, she knows that!
Looking at how she defends the underdog (Pugsley, Rowan, Eugene) Wednesday will say it’s because of what is fair. But in reality it's because she feels sympathy for them. If Wednesday was truly Machiavellian, she would know life is not fair and cut her losses and move forward, even at the expense of the underdog, but she never does. This trait of hating injustice is going to be the driving point because eventually she’ll forgive Tyler, but only in the intellectual pursuit of removing the stigma around hydes (not because the sympathy intertwines with her attachment to him, silly goose).
The Addams Family is odd and unusual and centered on the fact that the Addams are immensely loving and good people. Wednesday, despite showing love in odd ways, loves her people a lot. This care is what drives the story forward. While she is curious, her bouts of serious action are spurred when someone she loves is threatened. Pugsley is bullied, piranhas, now she's at Nevermore. Eugene gets attacked, her vitriol (no longer just curiosity) fuels her need to find the monster. Her father is arrested, she pushes herself to reconcile with her mother and make further discoveries on the Gates family. Thing is stabbed, she goes to the manor. Tyler is hurt and she goes back and reveals her cards. Her curiosity and intelligence is a great tool, but like a mathematical problem it is the same in every language and every place, decipherable once learned. Love and emotion however are contingent on specific circumstances and people, it can't ever be truly replicated. (“There are all kinds of love in the world but never the same love twice”) Enid, Eugene, Tyler, Pugsley, those are all irreplaceable to her, and that's why her love for these people is her strongest, most unique trait. That is what makes her Wednesday Addams. Her whole problem she has right now is thinking her emotions and her connections weaken her, when in reality the show proves she wouldn't have gotten anywhere without her people.
Another thing that causes her to get in her own way and she is warned about is her negativity. The nature of her being a Raven and Morticia warning against trusting Goody is really important! Ravens are predisposed to only see bad visions and circumstances. This is important because it causes Wednesday to only see a partial picture, leading her to make inaccurate assumptions and hasty decisions. Tyler plays into this because she only saw him getting manipulated and abused and being manipulative ,and she threw out her real life observations of his goodness for visions that she has been warned against trusting. I think being warned of Goody’s vengeful nature by Morticia is a sign that Wednesday is prone to letting the darkness sabotage her abilities and become impulsive.
Wednesday’s whole story seems to be based on the idea she can’t rely on only seeing the darkness in people, that is why her greatest allies are Enid, Eugene, and (previously) Tyler. All three of these people are gentle and present as pieces of light within the show and are people she doesn’t understand but truly shines with. Even think about “I did a terrible thing but I’m not a terrible person” like that’s the whole thing. Wednesday needs to learn (much like Tyler) that you can enjoy the dark and macabre, but that you can’t feed into negativity. There is a difference, and that’s how the Addams family has always been. They’ve never been negative, they’ve just been positive towards the shunned things in life. That’s what her story is!
Now, I love Jenna but I think she is so like Wednesday with her idea of “no romance”. Jenna is getting in the way of Wednesday’s story because I think Wednesday's whole arc is about her emotional development and defeating her tendency of denying the care she has for everybody. I think we have to move away from the idea that Wednesday has to be the spooky, mean, goth girl, intellectual who only pursues her career. She can be all of those things and be autonomous and still dedicate herself to family and love! Again guys, this is literally what the Addams Family has been about since its creation. You can be alternative and spooky and still love people and be happy! None of this has to be an either or situation. Do not let Wednesday limit herself based on a patriarchal idea that love only comes for women who conform and women who do fall in love are somehow vapid or less than!
I know a huge criticism of Wednesday has been how it messed with the Addams Family dynamic and made Wednesday act angsty towards her family, but if this is the arc they are following, it actually makes sense! Every iteration Wednesday has loved her family and in two of them she was a little romantic, it would be out of character to only make this a horror series.
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wolpatinga · 1 month ago
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okay, i'm losing my mind here. read the whole thing for details about a cash reward
does anyone remember a jekyll and hyde adaptation called Hyde: the Return?
i think i saw a poster for it once that looked like this, but i can't even find the poster anymore...
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i think i got the names right... jekyll was Frank Deumoy and utterson was Rowan Miller, i remember that, and i think hyde was Paul? Peter? something like that. and it was by grimm studios
the last recording i saw of it was really shitty, like, someone made a home video of a public screening in some gym. i can't find the site it was on anymore, nor can any of my mutuals, so i'm asking y'all
i will pay $200 USD to the first person can get me this video
thanks in advance
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caffeinatednecromancer · 1 year ago
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There is a lot of parallel between Enid and Tyler. There situations with their parents didn't treat either one kindly. But Tyler became a bully where Enid became caring.
Every story beat involving Tyler shows Wednesday making the wrong move where the ones with Enid have her making the right move. Yeah Tyler was the bad guy so duh, but from a story standpoint, the push and pull between Enid and Tyler is great.
She involves Tyler leading to the guys at the fair coming after her, leading to bumping into Rowan and then the Hyde killing Rowan. She shows Faulkner's journal to Tyler, he distracts her, Thing gets stabbed and they lose the journal. Wednesday goes to the dance with him and leaves Eugene unprotected, and the Hyde gets him. She brings him to the Gates house, he scares them off as the Hyde.
~As opposed to~
She asks Enid about Rowan, leading to discovering the nightshades library. She helps during the Poe Cup and has a vision pointing her in the right direction. Switching assignments on Outreach day let her protect Eugene and push her towards figuring out who Goody was. Enid helped her get out of the school to go to the Gates mansion, and she got the garage door open and she found Laurel's room, before the Hyde could scare them off. Enid pointed out Tyler was closing the Weathervane the night she kissed him and had the vision of him being the Hyde. She saved Wednesday from the Hyde.
There are other parallels between the two besides their push and pull in the story. Wednesday cared about both of them, expressed herself more to both of them. They both took her to Crackstones crypt for her birthday. They have the same scar on opposing sides of there face. I'm sure there is more.
Tyler was always the negative choice. Enid was always the positive one. I think Tyler would bring her down a darker path where Enid makes her a better person.
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altf4d3lete · 9 months ago
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EPISODE TWO
- “maybe it’s one of your classmates” erm or maybe it’s your fucking son and you just decided to ignore the fact that he could be a Hyde too because you didn’t want that to be true
- Weems trying so hard to protect the school. Love her even tho she’s controversial
- Bro wednesday is better than me bc if Rowan walked in smiling at me like that I would have actually lost my shit right then and there
- “Was it to gain attention” what a horrible therapist wtf
- Why does this therapy session feel like a fight omg
- EW TYLER. Sorry.
- Court ordered therapy how badly did you fuck Xavier up bro
- “I believe you” i wonder why bro you’re so manipulative
- ENID MY BBG 😭 “i will literally scratch my own eyes out” “i would pay money to see that” and enid just whips around with a huge smile THEYRE SO CUTE
- HUH??? BY EPISODE TWO THING IS GIVING ENID NECK MASSAGES THATS CRAZY
- Enid not being mean about Rowan being alive unlike SOMEONE (Xavier)
- Yoko looks so done im sobbing
- The gentle rejection from Wednesday and Enid taking it with no issue
- ENID’S WINK
- Is the choir only sirens
- THE FAINT BARKING AFTER SHE SINGS THE NOTE DOGS CAN HEAR
- “Ever shot a bow and arrow” “only on live targets” proceeds to mansplain how to shoot a bow he’s so annoying I can’t stand Xavier im sorry
- She HATES him it’s so funny
- EUGENEEEE
- poor guy aw she just left him there
- There’s just casually a severed hand running through the train station
- THE WAY SHE SLAMS XAVIER’S SPIDER IS SO FUNNY
- Xavier is so awkward sitting between his ex and his crush AND they’re beefing
- Sheriff Galpin is kinda annoying
- HELP ENID BEING SASSY BC THING IS MAD
- Not her coaching wednesday on thing
- “go apologize” “yes ma’am 😐😕”
- Imagine losing your family to a pink sparkly werewolf
- Awww her opening up to thing is so cute
- COUGHS her GREATEST FEAR is being responsible for something terrible and y’all r saying she’d be okay dating someone who was going to help genocide her classmates that’s crazy.
- “I can’t let that happen”
- Y’all she was genuinely concerned abt being the reason the school is in trouble
- Her crushing Eugene about Enid is crazy
- Tyler is so manipulative holy shit
- God she trusted Laurel that sucks so much
- Sigh she can relate to Laurel and that sucks so bad
- I feel so bad for her the one adult she felt like could understand her
- Damn Xavier is so argumentative towards Bianca wtf
- Wednesday was so mad about Bianca cheating to hurt Enid
- MY POOR BABY CRYING ENID :((
- SHES JOINING FOR ENID BE FR WEDNESDAY. YOURE MAD ABT BIANCA’S COMMENT TOWARDS ENID
- I love how they’re always attached at the hip
- WEDNESDAY PUT ON A CATSUIT FOR ENID BE FR EARS AND EVERYTHING
- Enid just not being afraid by Wednesday’s threats
- The way nearly getting beheaded by an axe in the poe cup is just normal
- Enid trusting Wednesday to get the flag
- YES GIRL BREAK THEIR BOAT ENID
- The way she’s way faster than Xavier and Ajax because they got there before and she’d practically caught up with them by the time they got to the crypt (she took a shortcut nvm)
- Goody my bbg 😞
- Xavier getting so mad abt losing is crazy bro literally fell off his seat
- AND YELLING “CHEATERS” HELP
- WWWD I love you enid
- YEA THING PUNCH THAT MF FOR YOUR BEST FRIEND
- ENID WAITING TO RUN TO THE FINISH LINE FOR WEDNESDAY TO HOLD THE FLAG TOO IM ILL
- AND THEM HOLDING IT TOGETHER
- ENID LITERALLY SIDE HUGGING AND SHAKING HER AND WEDNESDAY DOESNT CARE
- they’re so cute
- With how far wednesday went from the quad and how quick enid found her, enid probably immediately went looking for Wednesday after noticing she was missing
- The way she’s hugging Wednesdays arm is so cute
- And the way wednesday looks at enid awww
- WEEMS BEING MORTICIAS COPILOT AND WEDNESDAY BEING ENIDS THATS SO CUTE
- “Ah yes. Me, my gf, and her 5 foot tall trophy”
- Why did she write everything in caps except the “i”s
- The ol’ Addams family snap
- Damn bro got kidnapped that’s crazy
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pupsmailbox · 8 months ago
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ACADEMIC ID PACK
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NAMES︰ adeline. agatha. alastair. alex. alexander. alexandria. alisa. amber. ambrose. ambrosia. amorette. andrew. annabel. annabeth. annalise. anya. arden. artemis. arthur. ash. ashford. aspen. athena. atlas. atreus. augustus. avery. beatrix. blair. blake. blythe. bram. bronwyn. caspian. charles. charlotte. christopher. circe. claude. coraline. crimson. damian. damien. damon. daphne. darcy. demeter. diana. dorian. durant. ebony. eden. edgar. eleanor. elenor. elizabeth. elvira. emberl. enid. eris. everett. fantine. felix. fern. genevieve. george. grey. griffin. haven. hazel. hecate. henry. hester. holmes. hyde. inkesse. inkette. inkie. inky. isolde. ivie. ivy. james. jane. journalle. julian. julius. juno. kane. killian. lenore. lilith. lorelei. luna. magnus. malachi. mallory. maude. meredith. naomi. narissa. nicodem. nightesse. nightwing. nimue. noire. noiresse. noirette. odessa. odette. oliver. ophelia. orion. percy. persephone. peyton. phineas. phoebe. quill. quille. quinn. raven. ravenesse. ravenette. ravenne. remus. romero. rory. rosalind. rose. rowan. rowena. rufus. salem. scriptesse. sebastian. stoker. sylvain. tanith. theo. theodore. theodosia. trista. tristan. victor. victoria. vincent. virgil. wilhelmine. willow. wynona. xanthe. zoltan.
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PRONOUNS︰ acade/academia. amber/amber. an/antique. arch/architectself. arch/archive. art/art. art/artist. arti/article. arti/fact. artifact/artifact. baro/baroque. bea/beauty. bis/bisque. book/book. bookworm/bookworm. calligraphy/calligraphy. can/vas. candle/candle. cer/ceramic. char/charcoal. chess/chess. clas/classic. clay/clay. clock/clock. co/collect. coco/coco. cocoa/cocoa. cof/coffee. coffee/coffee. col/color. coll/collection. collage/collage. con/cept. crea/cream. crow/crow. cur/curate. dra/drama. dust/dust. essay/essay. fea/feather. feather/feather. fig/figure. fil/film. flicker/flicker. gal/gallery. glaze/glaze. globe/globe. gold/gold. hazel/hazel. his/history. history/history. hon/honey. hue/hue. hypo/hypothesis. illus/illustrate. ink/ink. journal/journal. ki/kiln. knowledge/knowledge. le/letter. learn/learn. letter/letter. li/library. lig/ligature. lit/literature. mar/marble. mur/mural. murder/murder. muse/muse. muse/museum. night/night. no/note. novel/novel. page/page. paint/brush. paint/paint. paint/painting. paper/paper. para/dox. pen/pen. pho/photo. pi/pigment. piano/piano. poe/poet. poem/poem. por/trait. porcel/porcelain. print/print. qui/quill. quill/quill. raven/raven. rea/read. read/read. ren/renaissance. rev/revolution. scrapbook/scrapbook. script/scripts. scroll/scroll. sculp/sculptor. sculp/sculpture. sketch/sketch. speci/specimen. spine/spine. sta/stamp. stai/stain. stamp/stamp. statue/statue. story/story. stu/dy. study/studie. study/study. surreal/surrealism. tea/tea. theo/theory. theory/theory. thes/thesis. time/time. tweed/tweed. violin/violin. wheel/wheel. ⌛. ⌛︎. ☕. ✒︎. ✒️. 🏛️. 🏺. 📜. 🕯️. 🖼️.
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fullofwoe5321 · 4 months ago
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Delulu time of the day is back!! The discussion topic is about our infamous Hyde! LOL
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I've already said here that I really think there's something in the air about the Hyde -I don't know if it's the correct word but there you go- likes Wednesday somehow. There are some fragments that made me realize that and then I'm going to share. BUT ONCE AGAIN: THIS IS A THEORY!!!!!!! MY OPINION AND ANALYSIS THROUGHOUT THE SHOW.
I guess up to the episode 3, Tyler didn't remember or couldn't handle the Hyde properly. So my guesses are based until episode 3 but I'll use some examples from other episodes.
1- The hyde SAVED Wednesday from the attack of Rowan. Tyler didn't even remember what had happened the night before. He was in the woods stalking his father to check things up or hide eventual proofs from the monster's attack. SO that confirms that Laurel didn't order him to kill Rowan. He made Wednesday tell him exatcly what happenned and he looked surprised. I don't believe he was lying even though he was nervous. So the Hyde acted instinctively in order to protect Wednesday? Why? Once Tyler didn't know who Wednesday was for Laurel's plan.
2- Then Wednesday went to an unsafe place, according to Tyler, and found a man who threatened her. She had a vision and she thought it was the man, BUT NO!!!! The hyde was stalking her and HE DIDN'T ATTACK HER!! in fact he has a frightened and soft stare ? The monster went there to check if she was okay? hmmmmmmm He probably saw her laid on the floor and waited to her wake up to leave? At night, THE SAME MAN WHO THREATENED WEDNESDAY was the his victim. The monster killed another man who threatened Wednesday. HMMMMMMMMMMMMM And Tyler was clever enough to use this man to collect a body part for Laurel so she won't suspect anything about Wednesday.
3 -I keep telling you this BUT I DO BELIEVE that line ' I knew there was a reason I liked you' was said by the Hyde and not Tyler. If we analyse better, we can see when Wednesday confronted him about Xavier's assault, he got pissed and maybe that triggered the Hyde in order to manipulate the situation one more time. I mean Tyler has anger issues and it benefits the Hyde emergence. When he sits, he is already different! His stare is deep and dark. He also has seductive stare! I'm sorry but Tyler has puppy eye! I KNOW THE DIFFERENCE! LOL and the most important: his voice was snarky and husky. He has a low tone. It was not Tyler!!! (There will be a video for you to see what I'm talking about).
4 - THE DATE! Ok, since episode 4, the Hyde was more present. At the beginning of their perfect date, Tyler was there. BUT when he decided to confess his feelings and they had that small banter, it was not Tyler. THE EYES WERE DIFFERENT! Whenever the Hyde is out, Tyler has a deep and dark stare. I don't how to explain exactly, but there is a sort of dark fog in his eyes. I know that Tyler wanted to kiss Wednesday, but why does the Hyde have to come out as well? Maybe Tyler needed some confidence from the Hyde to try something else with Wednesday? Probably! And maybe Wednesday wanted to kiss him because she saw or/and felt something different through the darkness of his eyes? Definitely! And he only shifted to Tyler again when they were interrupted by his father!!! So yes, the Hyde wanted to kiss her as well.
5- With the help of my friend @weylerforever, we found out that in the scene of 'Kind of a déjà vu thing we got going on, huh?' we have the same voice and stare from episode 4. THE SAME! Even the shadow on his face is the same! (check the video below).
Well, what I'm trying to say that MAYBE, IN MY OPINION, MY PERSONAL BELIEF, is that the Hyde KNEW since the beginning about their connection. THAT explains why he protected and saved Wednesday from Rowan and never attacked when he had the opportunity (the original Pilgrim House). I mean she was a potential prey to him when he attacked Rowan. It would have had more sense if he had attacked her than had saved her. BUT HE CHOSE TO PROTECT HER ?? WHY?? And no, it was not because of Laurel's plan because he didn't know about it! He was about to head her to the train station some minutes ago. He would have helped her to escape for sure.
I'm not talking about a romantic connection here because I don't want to be biased LOL I'm serious! I don't want to lead to this discussion because I don't even know if the Hyde might have good feelings. I believe that maybe the Hyde sees her as a potential Master!!!???? Because I don't know how to explain that behaviour as well.
Well the only person (?) who can answer this question is the Hyde himself. And I hope we had scenes with him on S2.
The chances of my theory are correct are 0, but it's been on my mind for a while. I need to get it off my chest! So tell me, Cockroaches.... Am I delulu and I need some break from my Weyler obssession? Or does it make sense to you?
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streamdotpng · 2 years ago
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Au where the whole season one sheneinegans happens when theyre older and in Nevermore university (20 smth year Olds)
Enid is disowned bc she's old asf and still can't transform. After sneaking around in the gates mansion, Enid gets cursed with a symbiote esque creature a few months before she starts working in Nevermore as a teachers aide/librarian
Used to getting confused as a normie, Enid goes on runs at night for food and usually stops the Hyde from hunting down people with the help of Nine.
Wednesday is a new student, told to finish her literature major in Nevermore before she's free to do whatever she wants. After nearly dying to the Hyde, she's very curious about the hulking wolf that saved her.
(just a few days ago, Wednesday nearly trips down the stairs in the library by rowan but is saved by Enid)
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