#rocky reviews

[imakemywings]

A+ Library Review: "Loveless" by Alice Oseman

This is not technically the first installment of this, but it is the first time I'm making it A Thing. A+ Library is my new segment where I review books with asexual and/or aromantic characters.

Previous review: The Circus Infinite by Khan Wong

The book description for Loveless is:

Georgia has never been in love, never kissed anyone, never even had a crush - but as a fanfic-obsessed romantic she's sure she'll find her person one day. As she starts university with her best friends, Pip and Jason, in a whole new town far from home, Georgia's ready to find romance, and with her outgoing roommate on her side and a place in the Shakespeare Society, her 'teenage dream' is in sight. But when her romance plan wreaks havoc amongst her friends, Georgia ends up in her own comedy of errors, and she starts to question why love seems so easy for other people but not for her.

The character: Georgia Warr, aro/ace

So let's get to it.

TL;DR: Thumbs up from me

Since Loveless centers entirely around the aroace experience, I will not be breaking the review into sections like last time.

Loveless is a coming-of-age story about Georgia's first year at college. It begins with her graduation party out of high school and ends with her establishing plans for her second year of college. It's very slice-of-life, with a focus pretty much exclusively on Georgia's interpersonal relationships and her personal growth.

Oof. Okay. Loveless was at times hard for me to read, and not because it's bad, but because it hit so close to so many of my own experiences at Georgia's age. There were so many times I felt myself going "Oh yeah, I remember that. Yep, there's that phase. Yep, I told myself that story too. Yep, yep, yep."

Just like Georgia, I considered myself someone with "high standards" who would inevitably break the romance and sex barrier when I got to college. This book hit on so many of my own insecurities from that phase, some of which I still struggle with at times, but I will try to be objective about this review nonetheless.

Loveless does a wonderful job of unfurling Georgia's journey, from the start where she considers herself "just like everyone else" but a bit slow on the romance front, to realizing she's Different, through the difficult process of starting to accept that difference as part of her.

Unlike my last review, Loveless earns its found family by showing how Georgia and her friends grow together and apart and back together--with additions. Everyone in Loveless is on their own journey--and at different stages of it. From Pip who's been out as lesbian since she was fifteen and eager for a first girlfriend, to Rooney who's long suspected she's not really straight, to Georgia who's only just grasping the words to describe her experience.

And sometimes they hurt each other! One of the complaints I had about One Last Stop was how all the relationships (protag's mom aside) are entirely fluffy feel-good. Loveless eschews that by showing how friends can hurt each other even when they don't mean to, and how people have competing needs, and how past struggles can impact your present. But in spite of that, it's clear how much all of the main cast grow to care for each other over the course of the book, such that the ending is truly heartwarming.

The prose suits Georgia's voice, which is to say it sounds like an 18/19 year old girl is speaking. That means it's not very eloquent, and it can be blunt and cringy, but in a very believable, realistic way to me.

Georgia's coming of age isn't limited to just her orientation. At the start of the book, she is painfully alien to herself. Georgia doesn't seem to know anything about herself, as if she's spent all her adolescence wrapped in a thick blanket glued to fanfic and refusing to interrogate any of her own feelings--which is probably what happened. It means that she has a very rough time when she enters college. Unlike many such stories, Georgia is not jumping at the bit to be on her own--in the moment when her parents dust off their hands and prepare to leave her with her boxes of stuff in her new dorm, Georgia contemplates begging them not to leave her.

Loveless really captures a sentiment I experienced with asexuality, which was the sense of being left behind by your peers, of feeling childish and immature. Desperate to shake the feeling, Georgia makes an admirable effort at "putting herself out there," doing all kinds of things she doesn't really think she'll like, but wants to give a try, just in case. In some cases, she bombs--but in others, like the Shakespeare Society, she really blossoms. I thought the book makes an excellent picture of a lost young person beginning their adult life with no real idea of who they are, and trying to solve that problem.

Perhaps most painful of all, Loveless captures Georgia's fear of not knowing what her future will look like now that whirlwind love affair-->marriage-->2.5 kids is off the table. It's particularly difficult for her because Georgia so desperately wants that romance--except that for her it's something of a mirage: as soon as it gets close--like when a boy tries to kiss her--all her interest is gone in a flash. Georgia wants to want romance and sex...but she doesn't, really. Even when she's accepted her orientation, she really struggles with what this means for the rest of her life, which also felt very relatable. Partnering up is seen as virtually inevitable, and as the book points out: life is scary! It's way less scary when you have a Person! Therefore, part of Georgia's insecurity and uncertainty focuses a lot on what her future is going to be, and it's not a question she's solved by the end of the book. But it is one she's becoming less afraid of.

There were a few things that struck me as odd, like Pip's claim she had never "fully connected" with friends who aren't Latina, a sentiment echoed by Sonil's refusal to accept his asexuality until he met other Indian people who also used the label...obviously there are certain things that friends who don't share your racial or cultural background may not fully understand, but the idea that you can't connect with anyone who doesn't share your same racial make-up is...uncomfortable, I think. But these remarks pass quickly.

Additionally, the way Rooney and Georgia berate themselves for "experimenting" comes off unnecessarily harsh to me...part of dating is learning whether you're compatible with that person. And yeah--sometimes that means figuring out if you are or are not attracted to them, or their gender more broadly. There's nothing inherently wrong with starting to date someone you're not sure you're into, and then realizing you aren't.

The book also beats Georgia's fanfic reading to death a little, in my view. It gets mentioned way more than it needs to, and citing specific ships and tropes a) is going to date the book like hell; and b) is irritatingly obtuse to anyone who doesn't know what "Stucky" or "flower shop AU" is.

If you're deep into the ace/aro online community, this book may come off as retreading a lot of well-trod ground for you. There's nothing especially ground-breaking in it. But if you're not so connected, or you're new to the aro/ace community, or you just want a book that still-coming-out you needed, I think this is a great pick.

Next review: The Bruising of Qilwa (TBP)

[quietbatperson]

[disdadandon]

when i say that Rocky aur Rani is one of the best bollywood movies and one of the most bollywood-esque movie i’ve ever seen, i mean it.

Ranveer Singh is the finest actor in bollywood right now. He’s JUST. TOO. GOOD.

AliaB is Alia-ing as usual. Goddess.

don’t listen to strangers on the internet but if you ever do, listen to me and PLEASE GO WATCH ROCKY AUR RANI RIGHT NOW!!!!!!

[suspect-percy]

So gonzo goofy

[hamliet]

It's A Boys' Love Story, Your Honor: Be Gay, Do Crimes

This review is often satirical and sometimes facetious. Or is it?

Anyways I got dragged into watching HIGH&LOW, a Japanese action show full of pretty boys punching each other. Aside from me wondering how all of them don't have CTE and screaming CHEST COMPRESSIONS when one character codes and the nurse like... walks away (he's ok the power of friendship is stronger than any defibrillator), it turned out to be a surprisingly excellent, enjoyable, and even poignant watch.

The plot is vibes at best and the narrative ideas are less formed than, say, those of Kinnporsche. But, what it does have down pat is characters. Pretty much every character is compelling from their introductory scene (except for the Mighty Warriors who exist purely to suck). The characters may not necessarily be the most complex or psychologically challenging, but they come across as intriguing enough, flawed enough, to carry series on their own. Like, I would honestly watch a full series based on any one of them.

To be honest, this show does more to establish who a character is, what they want, and make them interesting within a character's first 30 seconds than some high-brow directors do with three hours of film. I would honestly recommend it to anyone trying to understand how to characterize.

Also, it's basically a yaoi but with fighting instead of f*cking. It's just dripping in homoeroticism that they infuse with just enough plausible deniability that insecure straight guys can watch it too!

Although, being straight in this 'verse is pretty much a misery sentence for everyone except Kizzy and Kaito. I haven't seen such flagrant use of bury/break up your straights since Togashi.

But:

It's not a yaoi! you say.

To which I shall respond with numerous examples of what the f*ck is this then? The power of (b)romance?

Doubt. (Heh ifkyk.)

Cobra + Murayama

The same episode we get a girl having a crush on Murayama he's shown as completely disinterested because he's too hung up on Cobra. This leads to him seeking Cobra out. And also to him having realizations about himself. He's then kind to the girl, but not romantically interested. The framing of this Cobra-Murayama realization about himself with the episodes opening with a girl pining and ending with his kindness to her is clearly to get the audience thinking about romance and the other interactions in light of that.

Murayama embarrassingly asks to join Cobra in front of all the other gangs.

Murayama calls him Cobra-chan and sides with Cobra when all the other leaders of SWORD refuse. All three others have left but Murayama still tells Cobra he has his vote, even though it's not going to do anything, just so Cobra knows Murayama's on his side.

In End of Sky Murayama literally going behind Cobra's back to get Hyuga to agree to join Cobra's alliance to protect him, at personal risk to Murayama, even though Cobra will never know what he did for him, when even those most loyal to Cobra have abandoned him, is literally a romance trope as old as time. And it's literally set to inspirational music.

Murayama calls him Cobra-chan and sides with Cobra when all the other leaders of SWORD refuse. All three others have left but Murayama still tells Cobra he has his vote, even though it's not going to do anything, just so Cobra knows Murayama's on his side.

At the end of the movies, Murayama gets a motorcycle and is implied to join Sannoh eventually with clever color symbolism as @eatprayworm points out.

As if we didn't get it, The Worst literally shows us Murayama calling Cobra-chan on his phone and tells us that he frequently drunk calls Cobra by having him say that he's not calling about bikes... this time. This phone call shows 0 narrative purpose besides reminding us that Murayama's endgame is with Cobra.

Chiharu + Yamato

Yamato saves his life and then is told he has to "take responsibility for" Chiharu, which is totally not a reference to the common idea of a guy taking responsibility for knocking a girl up--

except it is explicitly because even Yamato's mom directly asks if he knocked someone up when she hears that he has to "take responsibility" for someone.

When they finally reconcile after Chiharu confesses to drugs Tetsu tells them "you look good together."

Chiharu then takes a bullet for Yamato. I mean, not actually, because it was a blank, but no one, not even the person firing the gun, knew it was a blank.

Tetsu + Dan

Whenever Dan expresses interest in a girl Tetsu gets mad at him and when Tetsu cuts off his dreads to be more appealing to girls Dan gets mad at him. They're in love your honor.

They'll leave a gang for one another.

They exist only in proximity with each other.

Tatsuya/Kohaku/Tsukumo

These old men are so gay. They started the fall. And by old I mean they're supposed to be like 26 but they are clearly played by actors in their mid-40s and so I'll just pack off and head to the Villages then.

Smok(e)y + Hiroto

Ah yes when you're wandering around Nameless Street looking for your older brother and he's not there so you and your other brother decide to leave but then! then! a sickly man wasting away everywhere but his hair (which remains luscious) walks in front of you, barely glances at you, and you instantaneously walk away from your brother and your life to go follow the twink. Much straight.

Rocky + Koo

Here.

They also use "anata" for one another. Which means "you," but also is frequently translated as "dear" because it's what married couples often refer to each other as.

The manga also implies they live together.

Yasushi + Kiyoshi

Everyone in canon refers to them as "Yasukiyo." They exist in a state of symbiosis with weird hair and insanity.

If anyone implies Yasushi was involved with drugs Kiyoshi will fight to defend his honor.

"He sacrificed himself for me!" ?????? That's a love trope, Your Honor. Don't worry, though. They're gay, so Kiyoshi survives his sacrifice.

Odajima + Todoroki

Fellas is it gay to spot a man across a battlefield and be so in awe you run over to him right away?

Is it gay if you then ask said man "you're different from the others. Want to play with me?"

Tsukasa + Fujio

Tsukasa mopes around like Bella after Edward left after Fujio moves away for like a week.

Tsukasa takes a bus ride across the country for the chance to fight his BFF again in the rain (wet, what is symbolism) and then tells him "I'll be waiting for you." And also "I should move here because it's boring without you."

Tsukasa might be held as a hostage but he knows Fujio will come for him. In fact his relationship with Fujio is explicitly paralleled with Amagai and Suzaki's.

Amagai + Suzaki

The redemptive power of love, as beautifully written by @eatprayworm here.

I mean Suzaki literally can barely stand and limps over to protect Amagai when Amagai is experiencing the consequences of his actions and then saves Amagai from himself.

At the end of the day all he wants is to be boyfriends with Amagai.

Probably my favorite ship because it's everything I love, meaning one of them is too good for this world and one is a bastard.

Nakagoshi + Nakaoka

Nakagoshi sacrifices himself for Nakaoka even in a parallel to Yasushi and Kiyoshi (don't worry, they're gay, so they live too).

Tsuji + Shibaaan

Do I even need to comment here?

And I didn't even get into Sachio's sunset conversation with Fujio, in which you visibly see the twink fall and then they, not knowing who the other is, subsequently meet and recognized each other on the battlefield like Mr and Mrs Smith.

Themes Too!

High&Low isn't exactly an uber-deep thematic exploration of what it means to be gay and do crimes, but the themes it does do it does pretty well.

One of those is indeed the redemptive power of love, which involves being seen and known. Y'know, that mortifying ordeal. Because love itself leads to freedom. It's true for Chiharu, it's true for Noboru, it's true for Arata.

Rocky and Kizzy/Kaito's story is kind of one of the best examples of the redeeming power of (platonic) love leading to freedom, and it takes like... 3 minutes? of the story. And it's not left unexplored; it's just succinct. Kizzy and Kaito are trafficking women and Rocky comes to stop them, and when fighting, notices that Kizzy is actually a transwoman. He stops the fight and says that he doesn't fight women. That's enough for Kizzy and Kaito to follow Rocky, giving up their life of cruel crime and atoning--truly atoning--by spending the rest of their lives doing exactly the opposite of their crimes: fighting to free women from traffickers and protect them.

The significance of that moment is that by seeing Kizzy as she really was, Rocky pointed out to Kizzy that she was engaging in self-harm, keeping herself trapped (symbolically) and never able to live as she could. But for Kizzy, to be truly free to be herself means helping other women also be free. It's also, even if unintentional, a good twist on the transphobic trope and conservative talking point of a transwoman trying to harm women (cough, she who shall not be named).

Kizzy also never styles herself super feminine even after gender confirmation surgery (as implied by Rocky that she received), but she still is a woman, and her being herself leads to redemption and freedom for everyone around her. We stan Kizzy and her loyal boyfriend (husband?) Kaito in this house.

Another theme, and connected to the idea of self-discovery and freedom and love and all that, is how to handle the past, a question everyone is always asking because as long as we're alive, we're evolving. Obviously we see that with the Amamiya brothers and the Mugen backstory, and we also see that in the present with Murayama and Todoroki. But we also see this most sharply highlighted in the conflict between Cain and Smokey.

Cain is not subtly named after the first murderer in the Bible, who kills his brother. Cain, of course, kills Smokey in cold blood, with Smokey asking him "did you come here to kill me?" and Cain affirming that he did indeed because if he doesn't, he won't be able to completely erase his past.

But the thing is, you can't kill your past without killing yourself. You have to embrace it and let it live. And something as precious as a life won't be so easily destroyed. To live, you have to live with all of yourself, the past and the present and the hope of a future. It's a struggle, it's a fight--but with people beside you, it's worth it. Almost like the fights in the series are a metaphor for struggling through life or something.

And then we have gentrification. Let's just say the horrors of it are not exaggerated. Smokey's death--and life--offer poignant social commentary on what happens when people treat others like they don't deserve to live, like they are forgotten, like they don't exist. Because they do exist, because they love.

When Cain kills Smokey, Smokey tells him--in all sincerity, despite being abandoned by his parents, living in a homeless slum, and being terminally ill his entire life because the rich poisoned the people in the slum--that he lived "the best life." Why? Because the scenes flash back to him meeting his adopted sister Lala, caring for Eri, meeting his gang. He had a family, and he loved them, and they loved him. When he dies, he's buried in that same slum and Takeshi comments that "to Smokey, this [place] is heaven." And it is, because heaven is love.

(Also, the "rich poisoning people by being careless because these people don't matter" is hardly unrealistic. Bhopal would like a word with you, Dow Inc, you sh*theads.)

In Conclusion

Things you'll have to endure: multiple Mighty Warrior music videos.

Things you get to enjoy: Hyuga being a Barbie girl in a Barbie world who shows up to fights with all the Durama Ikka and planned choreography and bespoke songs.

Things you get to enjoy: multiple twinks needing rescue from being dragged into the drug trade to save their loved ones only to get whumped in true hurt/comfort fanfic fashion before sobbing in the arms of their friends who welcome them home.

Things you have to endure: Noboru trying to convince Cobra et al to join the Mojo Dojo Casa House Kuryu Group.

Things you get to enjoy: The power of friendship saving Noboru from himself, Rocky from dying alone, Smokey from having no meaning to his life, Amagai from himself, Murayama from himself, Todoroki from himself, Arata from himself, setting captives free, and rich bastards who trod all over the poor getting what they deserve.

Things you have to just not think too hard about: gangs seeing drugs as the biggest taboo which I'm pretty sure is not usually the case but hey, hoodlums have standards, and also the evil guys keeping their secrets in a folder literally stamped with the label TOP SECRET.

Things you have to endure: Smokey dying. I'm not over it. Someone fight me to bring him back. But also it's one of the most beautiful death scenes in fiction.

Things you get to enjoy: Generally no one, unless you're Smokey, straight (Takeru), or yakuza (no one cares).

Things you have to ignore: why no one ever studies at these high schools and why they all look like they're in their 30s-40s.

Things you get to enjoy: pretty great rep of a trans woman that directly counters some of the most harmful tropes.

Things you have to endure: Noboru being resurrected by the power of True Love's Handholding, because the nurse literally RAN AWAY from a coding patient to "get the doctor" but it's okay, his friends beg him to live and he does.

Things you get to enjoy: a series that founds its premise in action and violence that offers a surprisingly wholesome, kind message on relationships, humanity, redemption, and love... whether that love is platonic or romantic.

But, I mean, Final Mission literally ends with the gangs defeating the evil corporation with a rainbow-colored smoke that takes over the sky of the city. So it's gay.

[letterboxd-worth-a-damn]

[mirambles]

Rocky Aur Rani Ki Prem Kahaani - An honest review

I watched Rocky aur Rani ki Prem Kahaani because everyone I know on social media and few close folks in my real life said it was very entertaining - funny, progressive, feminist , and it showed gender equality.

So I was taken aback, because the general sentiment for KJo movies should be ‘It’s so shit, but I love it’ - that is a sentiment I can live with because we all have our guilty pleasures.

KJo has his audience who love the shit he pulls off every time he ‘directs’ a film with toxic masculinity, regressive female leads , justifying infidelity (always the answer to unhappy marriages) , glorifying Indian culture, where he adds 30 mins of melodrama and lectures to make the characters redeem themselves. Kjo’s movies are as lame as they can be, but people love them. I get it - ‘this shit is so bad, it’s so good’ category of films. Guilty pleasures are exactly this!

So sell me his new offering in exactly this manner - but all reviews and social media comments were glowing words of praise of how he has addressed today’s issues and it’s a progressive film. Are people suffering from amnesia or have they not watched better Bollywood films? Because I have a whole list of films you should watch that actually deal with ‘progressive’ mindsets - way before Kjo’s time!

Rani is a feminist. A FL as feisty news anchor who gives a 5 min lecture on men’s gaze, objectification of women and rape culture, but does an absolute U-turn 5 mins later by objectifying a handsome man in front of her. This is gender equality. Tit for Tat.

Wearing open back blouses to work is sign of new age feminism (Will I get trolled for sounding old school - has KJo ever stepped inside a corporate workspace - who dresses like Rani does?) What’s next? Women CEOs wearing bikinis? And why not get all men to dress like Rocky Randhawa - that would be peak gender equality in dress code at workplace.

Infidelity is the answer to all unhappy marriages. Remember KANK? Yes, let’s repeat that here, but let’s twist it into unrequited love between the senior citizens. Then add memory loss and illness excuse to get the 80yr old grandpa smooch his 75yr old ex-lover in front of his wife and entire family. The issue is not old age love, age is never a restriction to fall in love, the issue here is infidelity. But if this isn’t cringe enough, let’s completely destroy the most beautiful romantic number in Bollywood by playing it in the background to immortalise infidelity and later lust under the garb of love.

Let’s get back to our feminism torch bearer Rani, who has now jumped from knowing the guy for two meetings to lusting over him. She is honest with herself (not with Rocky mind you, because at no point have they had any conversation about themselves) that she is in it purely for the physical attraction, it’s just a fling for her. She is an elitist , feminist, Colombian grad, Bengali Girl (who has a terrible Bengali accent) and the crude, can’t speak English well, Gucci/Fendi wearing, Ferrari driving, protein shake drinking, loud Punjabi boy doesn’t match up to her standards. Kjo’s new level of feminism - make women pull the exact shit on men that men have put women through for decades. Tit for Tat! Gender Equality.

Btw at this point I still don’t know why Rocky loves Rani - love at first sight is always about the looks and physical attraction, so convince me why he loves her - because isn’t he this walking-talking green flag just by being understanding of his grandpa’s feelings and calling out Rani checking him out. A walking green flag who gets his grandpa’s ex-lover and his grandpa together to help his grandpa get better - because love is the cure for all illnesses. All doctors and medical researchers have been wasting their time on getting degrees and super specialisations - please enter Kjo’s school of love.

So now Rani realises she is in love - when and why and what changed her feelings from lust to love - I do not know. She drives on a 4-lane highway in the opposite direction - woman should have died there for her reckless driving, but she lives to propose to Rocky on a f&*king Highway! Bollywood I love you for pulling off this shit.

This is supposed to be the pivotal point in their relationship where she professes her love to him, going down on one knee (because hey you see role reversal - she is the feminist, the alpha female) and telling Rocky everything that HE IS NOT , listing her resume and her exes’. Therefore implying he doesn’t deserve her, but she is taking the high road and still falling for him. All the reasons she lists that she loves about him are actually about his physical aspects = Lust. She doesn’t list one meaningful quality that she actually ‘loves’ about him.

It is at this point that I gave up on the film, because after this RRKPK became a collation of scenes dedicated to social media trending topics:

1. Women burdened with household work

2. Women not liberated enough to pursue their dreams

3. Women being fat shamed

4. Cancel culture

5. Men being shamed for pursuing classical dancing (KJo research FFS - 50% of India’s top kathak dancers are males right from 1940s! )

Each topic got 1-2 scenes, tweets converted to preachy dialogues uttered by our ‘feminist’ queen and zero closures or character growth.

The only thing that works in this movie - is Ranveer , not his character, but him! He is effortless in this role, his comic timing is superb, needs some work on emotions.

Alia is a shadow of her awesome self on screen post her marriage to Ranbir. It hurts to say this, cause I have loved her in all her movies except SOTY.

Can people age gracefully, I couldn’t bear to look at Shabana Azmi and Jaya B - former was gorgeous as hell in her younger days, now is swollen with all the Botox fillers! Jaya has forgotten to act completely. Dharmendra should not even be acting anymore.

What was the point of rest of the cast? Only Alia’s dad was a decent act.

The one thing I absolutely love in KJo movies is the music and songs! These were crap too. What Jhumka? Because ruining all the songs from ‘The Golden’ decade of Bollywood was not enough, so they made a terrible mashup of Badtameez Dil & Jhumka Gira Re and killed both the songs in one go! Takes some skill doing this - well done!

Why this long rant if I disliked the movie so much, that too KJo movies? I wouldn’t have written one, if the reviews and comments were honest about the movie being average, typical entertainment; but the moment people praised it to nth level of being socially relevant with feminist heroine and gender equality - they deserved to be called out for their shallow thought process thinking that KJo actually cares about any of this stuff.

Worst people think this is ‘quintessential’ Bollywood. Please watch better films - like Amitabh’s roaring 70s, the romance films of 90s, the fun comedies, the glorious slice of life films from Hrishida, the Yash Chopra multistarrers - that’s quintessential, genuine, charm of Bollywood.

Lastly before I wrap this up - RRKPK when literally translated is Love Story of Rocky and Rani. I spent 2.5 hours on this shit show and I still don’t know the answer to why and how they fell in love! They didn’t have one decent conversation about themselves! The latter half is about them wooing their families. The film should have been aptly titled ‘Randhawa and Chatterjee Ki Prem Kahaani’ - It’s all about loving your family - K3G Part 2!

[jazzystudios82]

Webcomic Recommendation: Lackadaisy ♡

Summary: "Set in 1920s St. Louis, Lackadaisy is the story of an unlikely gang of jazz cats, alley cats and fat cats doing their best to survive the bootleg business while keeping their subterranean speakeasy afloat."

Distributer: Iron Circus Comics

Source: Webtoon

Creator: Tracy J. Butler (@lackadaisycats)

Genre: Historical, Comedy, Dark Comedy, Crime, Alternate History, Mystery, and Thriller

Status: On Hiatus (?)

Personal Rating: 4 out 5 stars ⭐️

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[rabbitechoes]

first week of september!! fall is drawing near!!! there were some pretty cool tracks that dropped this week, two in particular that are on the shortlist for some of my favorites of the year. 2024 is drawing closer to the end, but this continues to shape up to be one of the best years for music in recent memory. In other words, NEW PHIL ELVERUM MOUNT EERIE ALBUM WOOOOOO WOOOOOOOOO YEAH YEA H YEAH YEAH!!!!!!! also feel free to follow me on rate your music and twitter <3

"Made Out of Memory" - Nilüfer Yanya

◇ released: Sept. 2, 2024 ◇ featured on My Method Actor (not yet released) ◇ genres: indietronica, alt-pop

Starting to sound like a broken record, but this new Nilüfer Yanya single is very solid. We're only a few weeks out from My Method Actor, but it's shaping up to be one of the most promising releases of the year. I love the subtlety she implements into these songs. Everything is given just the right amount of attention. The guitars on this track are buried, but crawl to the surface at the most opportune moment. Her vocals are also gorgeous, as are her melodies. Really good cut here, can't wait to dive into the full record.

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"Broom of Wind" | "I Walk" - Mount Eerie

◇ released: Sept. 3, 2024 ◇ featured on Night Palace (not yet released) ◇ genres: singer-songwriter, indie folk, slacker rock, post-rock

4 years after the biographical meditation of Microphones in 2020, the highly prolific singer-songwriter Phil Elverum is returning in November with a new record under the Mount Eerie name. This announcement was accompanied by these two brilliant singles, the brief jaunty "Broom of Wind" and the weird atmospheric "I Walk." As a massive fan of Elverum's work, these songs were exactly what I could've hoped for - especially the latter. Spacey yet organic atmospheric sounds held together very loosely. Everything feels free-flowing. The traditional rules of song-structuring are construed in subtle, yet effective ways. His lyricism, as always, is just amazing. He makes you feel so much, deep in your core, even when he's crooning what seem to be abstractions.

In the press-release for this record, Night Palace is referred to as a spiritual successor to The Glow Pt. 2 - arguably Phil's magnum opus and one of the greatest records of all time - it also states that "These are songs of re-surrendering to a state of wonder and abandoning the wrung-dry skepticism that this hard world can impose." It doesn't seem like a cheap way to get fans re-invested, he has no reason to do that. If you're a fan of Elverum's music, you're most likely locked in for whatever he has coming down the pipeline. This genuinely, like his previous record, feels like treading old ground with more experience this time around in order to reinvigorate the creative process. Anyway, I'll try to save my ramblings for when I can dive into the full record, but this is firmly my new most anticipated album of the year.

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"th1 [evnslower]" - Aphex Twin

◇ released: Sept. 4, 2024 ◇ featured on Selected Ambient Works Volume II Expanded Edition (not yet released) ◇ genres: dark ambient, drone, space ambient

Another track from the Aphex Twin archives has been officially released leading up to the deluxe edition of Selected Ambient Works Volume II. More savvy Richard D. James heads will probably know much more about this track than I, maybe it was leaked through a big Soundcloud dump or found in a trashcan behind his house. Whatever the case, this is pretty great. Very ominous ambient piece that sounds like it would fit on the soundtrack to a horror film set in space. It feels claustrophobic in a way, unlike the previous single "#19" which felt very peaceful and optimistic. "th1 [evnslower]" puts you on edge, makes you feel like there might be something looming just around the corner.

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"Magic I Want U" | "How to Teleport" - Jane Remover

◇ released: Sept. 4, 2024 ◇ genres: glitch pop, alternative r&b, breakbeat

Jane Remover is back again with another set of seemingly standalone tracks. Like the other two tracks that dropped a little bit ago, they're a bit of a departure from her last album - which is honestly a bit refreshing. I enjoyed that record a decent amount, but there's a bite to these songs that's irresistible. The star here is "Magic I Want U" with its hard-hitting production and tight melodies that just sound absolutely exhilarating. "How to Teleport" isn't bad either, it's got a ton of cool sounds. These new Jane Remover tracks are some of my favorites of hers and although these aren't attached to a new project, I really hope she pushes some of these ideas further in the future.

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"We Will Rock You (Megan Thee Stallion Version)" | "Neva Play" - Megan Thee Stallion

◇ released: Sept. 5, 2024 | Sept. 6, 2024 ◇ genres: southern hip hop, trap, pop rap, drift phonk

Big week for Megan Thee Stallion fans it seems! First, with the bizarre collaboration with Queen for a remix of sports stadium staple "We Will Rock You" ... it's fine. A bit gaudy and awkward, but I don't hate it. The next day she released "Neva Play" with RM of BTS, which is a bit better, but not particularly amazing either. I think it's the beat more than anything. I don't want to hear Megan over a phonk beat in all honesty. Neither Megan's or RM's verse stood out to me either. Oh well!

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"For Sure" - Ethel Cain

◇ released: Sept. 5, 2024 ◇ featured on American Football (Covers) (not yet released) ◇ genres: slowcore, dream pop, post-rock

Following Iron and Wine's indie folk reimagining of "Never Meant," Ethel Cain is the next to contribute to the new American Football covers album with her version of "For Sure." I definitely appreciate what she does with this one. The slow-burning, super lush sound just lulls you into a trance all the way until the big climax in the middle. I didn't have high hopes for this covers project - although I'm mostly just butthurt because I thought American Football were teasing NEW music instead of an anniversary celebration of their first LP, but I digress. This is a really great cover and I'm a bit more excited to hear what the rest of this project has in store.

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"Unt" - Pinhead Gunpower

◇ released: Sept. 5, 2024 ◇ featured on Unt (not yet released) ◇ genres: punk rock, pop punk, power pop

Green Day side-project Pinhead Gunpowder are back with their first new song in 16 years. It's a bit of a snoozefest to be honest. Billie Joe Armstrong has settled into his ways as a vocalist and everything he sings has this level of cleanness to it which is a bit unbecoming of a punk record. It sounds a bit rougher than what you would expect from Green Day proper, but it still just feels a bit toothless. Not doing much for me instrumentally either.

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"The Emptiness Machine" - Linkin Park

◇ released: Sept. 5, 2024 ◇ featured on From Zero (not yet released) ◇ genres: alternative rock, alternative metal, post-hardcore

Linkin Park are returning years after the unfortunate passing of former frontman Chester Bennington, but this time with a new vocalist Emily Armstrong - who definitely doesn't have ANY baggage whatsoever! Truth be told, I've never been a big Linkin Park fan and unfortunately that remains to be the case with this new single. It just feels way too drenched in dramatics to the point where it feels a bit sterile to me. Armstrong's verses were fine, albeit a bit generic. Yeah, I just don't think this is for me. To longtime fans of the band, I hope you guys like this!

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"Ego" - Halsey

◇ released: Sept. 6, 2024 ◇ featured on The Great Impersonator (not yet released) ◇ genres: pop rock, alternative rock, pop punk, power pop

Halsey is releasing her new fifth studio album soon, which will feature all of her singles over the past few months as well as this new one "Ego." I don't dislike this song or anything, but I'm not seeing the picture she's painting here. I guess these new songs have been eclectic, but I fail to see how they'll coincide on a full-length project together. This is definitely a departure from the nostalgic alt-rock of "Lonely Is the Muse," instead leaning more into poppier sounds. Her songwriting is very personal and intense across these songs, but I worry that these constant flip-flopping between sounds will obscure that. We shall see.

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"ELEMENTS" - wolfears

◇ released: Sept. 6, 2024 ◇ genres: post-punk, funk, afrobeat

This groovy new single from wolfears is really cool. There's this palpable anxiety to it that amps up the excitement so much, everything is in constant motion. The grooves are prickly, never giving you the opportunity to settle into them. Their vocals sound like they're reciting mantras and chants which adds to the uneasiness. It's a good feeling of unease though. Her musicianship is pretty impeccable on this cut too as she handles every bit of instrumentation here. I could've been fooled into thinking this was the work of a full band. "ELEMENTS" is a really solid track and if you're a fan of either the Talking Heads or Fela Kuti - hopefully you're fans of both - give this a listen!

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"Ruby Rosary" - A$AP Rocky feat. J. Cole

◇ released: Sept. 6, 2024 ◇ featured on DON'T BE DUMB (not yet released) ◇ genres: jazz rap, east coast hip hop, cloud rap

A$AP Rocky has released the third single leading up to his new record DON'T BE DUMB. This is a really good track, I'm loving the jazz rap production a lot. Rocky's verses continue to wow me during this rollout, more than they have in some time. They're not the most impressive, but they're undeniably smooth as hell. He's bringing some confidence into this one. Even J. Cole's verse wasn't that bad, he needed a verse that was at the very least good after "Grippy" and his rough MIGHT DELETE LATER tape. Yeah, I'm loving this. This is shaping up to be a really promising project, hopefully we get a concrete release date in the coming weeks.

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[fizziepopangel]

Lackadaisy Pilot Review

Based on a comic series by Tracy J Butler, Lackadaisy is an animation set in 1927 St. Louis Missouri, during the time that prohibition was a thing, and features a cast of anthropomorphic cats who seem to be trying to keep a slowly dying speakeasy alive.

Straight away we're introduced to three of our main characters as they begin their duty of gathering booze to bring back to the speakeasy. It becomes clear early in the show that the trio each have their own "skill set"; one being a driver, one an odd combo of the anxious voice of reason and the trigger-happy gunman, and the third being the groups hopeful and slightly reckless musician. Soon after we're introduced to our trio of illegal liquor distributors, we're introduced to what seems to be a slightly more sophisticated trio of bootleggers with trigger happy tendencies. While we're introduced to a few more characters by the time the credits roll, the trio put on screen first (Ivy, Freckle, and Rocky) seem to be the main focus of this episode, making it easier to digest rather than having thrown into the first episode full force.

Sticking to the topic of characters, I loved that while every character wasn't shoved down my throat for the full 27 minutes, but each character did have moment in the spotlight with a brief introduction that left them stuck in my head despite how minor their role in this episode seemed to be. As for our trio of merry alcohol fetchers, I believe that for being the first episode and only being about a half hour long, their stories and characters were construed very well; well enough that I already have twos characters that grabbed my attention enough to want more story for him (and of course one of those was Freckle, the anxious, trigger-happy cat😂). For someone who usually isn't into period pieces like this, me wanting more story for a character within a history-based animation like this one seems like a success story to me.

Speaking of the animation, oh. my. god. This is animated beautifully done! From the bright, vibrant colors that caught my attention in the first few second of the episode, to the way the way each character's voice is perfectly suited to the style of both the character and the time period. It's wonderful to see.

In the end, I believe this can and will be a solid series if the creators and the studio choose to continue past just the pilot. If it's continued, I would definitely recommend this series, but until then I would highly recommend watching the pilot and going to check out the comic (like I plan to do now!).

[theinyshlobster]

project hail mary by andy weir [review]

read from august 20th - august 23rd

review:

beware - (slight) spoilers ahead

i did not expect to like this that much?? i did not expect this book to go how it went either!!!!! now i’m just gonna say up front - the only reason this isn’t a 5-star is because there was a LOTTTTT of space jargon. the book tries its best to explain it so i at least had some idea but…. i’m sorry by the end i was lost with how much jargon there was. not only was there insane science technical terms but made up concepts???? my brain short circuited it couldn’t keep up. even if i had no idea wtf was going on usually i could excuse that, but i will say when there were paragraphs of jargon by the end i just started skimming because i knew i would just be wasting my own time and hating every second of it. sue me. other than that? this book was PERFECTION. i get why this guy had his book made into an award winning movie. ngl this needs to be made into one too. idk how they’d make rocky but honestly i don’t care! grace was so funny and quippy. he did lose a bit of this by the middle, but tbh at that point based on the personality established i had grown to love him without his funny bone rearing its head every sentence so i wasn’t mad. i loved his flashbacks appearing in progression, especially his dynamic with stratter. now - i gotta spotlight my boy rocky. ROCKY!!!!!!! i started crying over him because i actually just loved him so much. i won’t lie i did have to google illustrations of what the actual fuck he looked like cuz i actually could not imagine it at all. yes i am an avid fantasy & sci-fi reader with slight aphantasia and what? but after i got over that slight hump (i’m so serious i googled a drawing of him literally when his physical description was given so… this didn’t take long) i ADORED rocky. he’s my homeboy. i actually started panicking because i thought rocky sabotaged the ship at the end. i was FREAKING OUT!!!! thankfully he didn’t or i would’ve been PISSED. he was so quirky and made up for grace’s lack of funny one liners later. the world building here also needs a great pat on the back. i mean i imagine the brain behind a blockbuster space movie would be great at world building…. and i would be correct in thinking that. everything down to the hypothetical(?) aliens & planets & situations felt so realistic that i actually forgot this book wasn’t sci-fi and was real. like if i went to space i would see a rocky. i saw on the news tokyo had 100mm of rain in an hour and my brain went “oh yeah that makes sense based on what the prediction surrounding astrophage’s effect on earth” and i had to pause. and realise. oh wait that’s not even real. it’s just raining a lot because of global warming and…. idk rain. not an alien parasite(?). even tho i had no actual idea what was happening on the logistical/technical side of things, from the dumbed down versions of events provided, it felt entirely realistic!!!!! i was so locked in reading this. can u tell seeing i read this in like 3 days as well. the relationship between rocky & grace ate so bad. god and the ending too?????? ugh impeccable. no notes. chefs kiss. i had such a fun time reading this. anyways omw to add the martian to my letterboxd watch list 🫡

[imakemywings]

A+ Library: "Every Heart a Doorway" by Seanan McGuire

The reviews continue! Although this may be the last one for a while; I recently added about thirty new books to my TBR thanks to a library rec list, so I'll have to dig through some of those. However, I will say that so far, this has been my favorite of my ace/aro book list.

"A+ Library" is my bit where I review books with asexual and/or aromantic characters.

Previous review: The Bruising of Qilwa

The description of this book is:

Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world. But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter. No matter the cost.

The character: Nancy Whitman, asexual

Verdict: Thumbs up!

The Asexual Rep This one falls somewhere between Loveless, which is all about the protag's identity, and The Bruising of Qilwa, which hardly touches on it at all. Protagonist Nancy is a self-declared asexual, something she states in such terms when her roommate nudges her about maybe wanting to have sex with a cute boy at the school. Obviously Nancy feels something for Kade, but she does privately think to herself as they grow closer that it might be complicated when her interest in physical intimacy doesn't go beyond kissing (however, she does have fun with a good flirt). However, romance is not a part of this book, and although Nancy might occasionally contemplate the idea that she has a crush on Kade, this story isn't about that.

Nancy, like many of the teens and young adults in this book, feels out of place in our world. That was what drew her to her fantasy realm (The Halls of the Dead) in the first place, and her time there only exacerbated the feeling when she did return to our world. I think this makes her, as a protagonist, particularly suited to an asexual story. As an asexual, I've often felt strange and out of place in a very sexual world, and I can understand, particularly as a teen or young adult, the allure of a world where you don't feel that way.

But within the school and among her peers, Nancy's asexuality is never what makes her odd.

The Rest This book obviously hit a nostalgia chord for me, because surprise surprise! I loved books about young girls falling into fantasy worlds and having crazy adventures well beyond their maturity levels growing up. This book made me think of every one of those stories I read growing up (Hello Alice, and May Bird, and Lucy, and Alyss, and Milo, and all the rest) and it felt like such a love letter both to those stories and to the children who cherished them growing up. I remember being a kid who wanted so badly to have an adventure like that. So I found it completely understandable that all of the characters in this book are desperate to get back to their fantasy realms. The one thing that unites them more than any other is the understanding that any of them would give anything to go back.

Growing up, I was always a little disappointed when the isekai protag returned home, but it was the way those stories always ended. Coming up the front steps of the childhood home, at once familiar yet now grown distant, a light on in the bedroom lit by parents still awaiting the child's return, and a deep breath as the protagonist steps back into their old life, now armed with new knowledge and maturity. But as a kid, I never thought that much about what happened after that moment.

This book does a marvelous job of exploring that. What it means for kids who have been through this, what it's like trying to resume an old life, and most of all, what it's like when you weren't ready to leave your fantasy realm behind. Each child went somewhere different, so they all have different stories to tell, but they all refer to those places as "home." 

I would have gladly read an entire book that focused exclusively on the emotional fallout of their return and the struggle to reintegrate into a world they had chosen to abandon, which made  the turn halfway through the book to a mystery feel slightly jarring in terms of genre shift. Nevertheless, the heightened stakes do give our former fantasy child protags a chance to shine, by using the skills they picked up on their adventures and proving that actually, sometimes they're exactly the people you want in a pinch.

I enjoyed the prose a lot; it's poetic without being clunky and very vivid, particularly in emotional terms.

Every Heart is the first in a ten book series, but it's also self-contained, so if you finish this one and feel satisfied, there's no requirement to read the others. I do plan to go on with the others though, because I found this one so delightful.

[fdblaize]

check out this lovely fucking fic (by @ginkotracks) where deaged afo is taken in by yagi. I'm going insane with that premise omg

[married-2-the-music]

ASTRO's Moonbin: A Special Post

(TW: mental health, depression, suicide)

Hi folks. I figured that this anniversary was a good time for this post.

This is a special review, so I’m starting with a personal note. I admit I didn’t know much about ASTRO before last year, until Moonbin, one of their members, passed away, but as a ShaWol (SHINee fan) and a huge fan of Jonghyun, who left us in the same way, I decided I wanted to discover who he was outside of one more sad story on my news feed. So, come with me.

[album-a-day-project]

1/15/24

Kid Cudi

INSANO

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I think Cudi needed an album like this; full of major players like Travis Scott, Pharrel, A$AP, Yachty among others. The production goes really hard and Cudi really does shine through on each track. I'm typically very critical of Cudi as I've been a serious fan of Man on the Moon and seeing his falls on 'Speedin' Bullet' and 'Passion & Pain...'. It's great to see a rebound album like this. The track with Pharrel 'AT THE PARTY' sounds exactly like the old Cudi flow with an elevated production. It's exactly what I was hoping from Cudi. To reiterate--he needed this album.

8/10

[not-available-for-comment]

Sleep deprived and rambling about yuri today apparently

Keepers:

The Two of Them Are Pretty Much Like This by Takashi Ikeda - Gentle slice of life about two semi-closeted women in the anime industry: a young up-and-coming voice actor and a slightly older writer. (Early 20s and right around 30, respectively.) Established relationship, any conflict is minor and of the typical "learning to live together" sort. Occasional, usually post-coital, nudity.

A White Rose in Bloom by Asumiko Nakamura - Vaguely gothic English boarding school romantic entanglement between a pretty and emotionally frank underclassman (underclasswoman?) and the icily reserved but secretly kind Balkan refugee upperclass…woman. Nothing racier than kissing so far, fucking gorgeous art, seems to be improving as it goes on.

SHWD by sono.N - Absolutely bonkers horror/yuri crossover in which a trio of women built like bodybuilders fight big gloopy psyche-destroying monsters, lounge around naked in the baths after, and occasionally engage in homoerotically charged sparring matches. Plenty of nudity, no sex yet (have only read volume 1, which is the only one released in hardcopy).

Doughnuts Under A Crescent Moon by Shio Usui - I avoided this one for a while because it *does* have a treacly name, and it's turned out to have a very lesbi-ace approach, which I can't imagine will help its reputation much (yes I've seen the tumblr post). But it's also a really beautifully written examination of the process of coming out to yourself as an adult (albeit a young one), and both the core relationship and the secondary characters are very well-written. I think I'm only missing the last volume, and I'm looking forward to completing the story.

To Try:

Asumi-chan is Interested in Lesbian Brothels! by Kuro Itsuki - A girl hears her first crush is working at a local brothel and resolves to visit them all until she finds her. Sounds like sudsy fun and I’m interested to see what the erotic sensibility will be since my other encounter with lesbian sex workers in Japan is in My Lesbian Experience With Loneliness. Which on the one hand has one of the most profound meditations on sex I’ve read and on the other hand has a ~very different sensibility~.

Our Teachers Are Dating! by Pikachi Ohi - I mean, to be honest I'm always going to at least consider a series that's about adults. But this one has good reviews for the main couple's chemistry, and apparently they are loved and supported by their community, which I enjoy in any romance but especially in a queer one. Plus apparently it gets spicy! 👀

My Androgynous Boyfriend by Tamekou - A beautiful kept boyfriend and his hardworking girlfriend. I like my men pretty and my het/het-passing relationships nontraditional. Will definitely at least try the first volume.

On The Fence:

Love Me For Who I Am by Kata Konayama - Lonely nonbinary teen finds community and maybe love at a nontraditional maid cafe. Honestly the blurb sounds like something I'd adore, but considering the main character is in tears on the cover of volume 2 I'm afraid of it turning out to be melodrama farming rather than a good story.

Goodbye, My Rose Garden by Pepperco - Reading between the lines of the blurb, a Japanese novelist ends up broke in Victorian England and takes a job as a maid, only for her new [probably lesbian] mistress to ask her to kill her. Instead, they kindle a relationship. I mean... sounds lugubrious. But reviews are actually good. I'll think about it.

Ditch:

Days of Love At Seagull Villa by Kodama Naoko - I want to like Kodama's writing (I've also read her one-shot, I Married My Best Friend To Shut My Parents Up!) because her premises are often engaging. But her pacing is usually incoherent and she tends to over-rely on boob jokes and under-develop her emotional arcs. It's probably unfair to tap out of a series for being under-developed at Volume 1, but I just don't see improvement from the one-shot and there are better ways to spend my money.