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nat-20s · 3 years

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Part 8 of the wonderful! Au: the boys answer some questions! Up to you to decide if they actually clarify anything!

(also on AO3)

~*~

Martin: Hey everyone! I know what some of you are thinking right now: it's not Tuesday, why is this episode in my feed? I know significantly more of you are thinking: I don't consistently keep up with podcast releases, how much free time do you think I have, buddy? To answer your queries: this is a bonus episode! We're answering listener questions to clear the air and/or have fun. Also, I don't know, around 20 to 40 minutes a week, as that is the average amount of time per episode? Maybe during your commute? My husband's omnipotence has been gone for five years, we just have to guess at that sort of thing now.

Jon: For legal reasons, that last statement was a joke. In fact, to cover all of our bases, we do not guarantee that any of our responses are genuine.

Martin: Just because we say we'll answer things doesn't mean we'll answer truthfully. Though, honestly, I think we might make it more enjoyable if we do tell the truth. Like, I don't necessarily have a fun lie prepared for our first question from konspiracyking97: "What's their fuckin deal anyway?"

Jon: Is this referring to the oblique references we've made about being from a parallel reality and only ending up here as a consequence of ending one apocalypse and potentially starting another or the general premise of the show?

Martin: Oh, it's gotta be general premise, yeah?

Jon: In that case, I'm Jon, the other voice you're hearing is Martin, we're married, and we talk about things that are..nice? Good? Usually generally but occasionally rather specifically pleasant.

Martin: That pretty much covers it. It's not a complicated show. Uhh, next question comes from Shane: are either or both of you aliens? Nope!

Jon: Well..

Martin: No. We are 100% human people from Earth, we are under no definition extraterrestrial.

Jon: Eh..

Martin: Okay, first off, I know the tone of that 'eh' and "not fully human" is not synonymous with alien, so even if 100% is being a bit generous, we're still from the same planet as our listeners.

Jon:..

Jon: But. We sort of aren't though. Technically speaking.

Martin: No no no no no. I don't care if it's parallel, Earth is Earth is Earth, regardless of whatever nonsense metaphysics might be occurring.

Jon: So what you're saying is that if you got sucked through a portal and landed on an Earth where dinosaurs were still the predominant species, you wouldn't consider yourself to be an alien?

Martin: Nope!

Jon: I'm certain that they would consider you an alien. All of their mammals are probably shrew sized.

Martin: Sounds like a them problem.

Jon: Sounds like a-?! You know what, no, this will be an off the record debate, for now, I suppose I concede that the two Earths and our physiologies are similar enough that we might, maybe, not count as aliens.

Martin: Thank you. Anyway, our next question is from anonymous, and asks, "Is all of this an ARG?"

Jon: A whomst?

Martin: Alternate reality game. It's a method of storytelling that's interactive with audience, and usually has, I dunno, a certain suspension of disbelief to it where it pretends to be something actually happening in the real world until a dramatic reveal. A lot times it was used as a marketing gimmick, but others have done it just for fun. I can show you some examples after the show?

Jon: So it's in essence a more involved creepypasta?

Martin, delighted: Aw, babe, I'm never going to have a handle on what pop culture you are and aren't aware of, huh?

Jon: We were born within a year of each other, and I've told you that I was a deeply morbid teenager, you should probably be able to intuit some of things, love.

Martin: This coming from a man who has yet to see "It's a Wonderful Life", but has seen every film in the "Banjo Cannibals" franchise, including the Easter special. Jesus doesn't exist in the Banjo Cannibals universe, why does it have an Easter special?

Jon: The movies are rather shoddily translated from Russian, so I'm fairly certain the Easter component of that special was invented wholesale in the English version.

Martin: You say that like it answers more questions than it raises.

Jon: Yes, because it does. Oh, and to answer anonymous's question, no, this isn't an ARG. From my understanding of it, if it were, it'd be a poorly constructed one, as there's no real game element to any of this.

Martin: Hmm. Well, sometimes the game component is just trying to figure out what's going on with the story, or if there's any deeper content, and people are definitely doing that with this show.

Jon: That's not by design though. It's more a side effect of us having poor brain to mouth filters, I'd say.

Martin: Harsh, but fair. Oh, this next one is from Zac, no K, who asks, "Are you two actually even married?"

Jon, flat: We are, but it's under false names because this whole thing is an elaborate insurance scam.

Jon, incredulous: Yes, obviously, we're married. What did you hear in this podcast that would make you wonder otherwise, and how do we rectify it?

Martin: Clearly we need to up our quota for how "disgustingly in love" and "horrifically sappy" we are per episode. Which segues nicely into the next question from Gwen, "What's your favourite wonderful thing you've brought so far?" My answer: my husband. He's kind of my favourite in most things, you know?

Jon: Boooooo

Martin: Why, what's your favourite thing?

[Jon reluctantly sighs]

Jon, indulgent: being married.

Martin: A: serves you right for trying to pretend you're the less horrifically sappy and romantic one even though earlier today someone put a love note in the lunch they packed for me-

Jon:- Lies and slander! I have never, in my life, done that, even once.

Martin: Oh, sure, not even once. And you definitely don't reserve the lilac sticky notes specifically for my lunches because you know I like the colour.

Jon: I..I don't.. you're rather ruining my image here.

[Martin snorts]

Martin: Can't have the audience think that you are, on occasion, an incredibly doting husband-

Jon: -A title I would argue we both share-

Martin: - which is obviously why, even with it being your favourite thing you've brought, being married to me is just a small wonder-

Jon, audibly rolling his eyes: As I already explained-

[A Pause}

Jon: Actually, you're right-

Martin: Wait-

Jon:- I really should have brought it as a larger wonder-

Martin: Wait-

Jon: though I should warn you, I think I'd have far too much material for just one little segment-

Martin: No no no no no-

Jon:- In fact, I think I might have too much material for just one little episode-

Martin: Joo-oon-

Jon: I might have to do a whole series! Where would I even start? I mean I could talk about how every day I get to watch the early morning sun highlight your curls when I get up first, or hear you quietly humming and shuffling around the kitchen when you do, or I could talk about how the lunch notes only started in the first place as retaliation to the notes you would leave on the mirror for me to find, or how every time I get to see you at ease in a way that you aren't with anyone else, it takes my breath away, or I could talk about how cute I find the lines between your eyebrows that you only get when you're thinking something petty, but you know it's petty so you don't want to say anything-

Martin: Okay, okay, Christ, I give !up I surrender, and will cease my teasing on this particular topic.

Jon, probably making the :3 face: You don't have to stop. I mean, I could also discuss how very, very attractive I find your voice when it takes on a teasi-mmph!

[There's a pleased hum, then a pause.]

[The audio quality is slightly changed, as if the recording has been stopped and then started later]

Martin, giddy: Uh, heh, anyway, Eric asked what the least favourite thing we've brought was, and because of Jon's attempt to embarrass me live-

Jon, overlapping: It's definitely not live-

Martin:- on air, I'm gonna say it's my husband.

[Jon scoffs]

Jon : If the past few minutes are any sort of indication, I'm going to go ahead and saying that you are lying.

Martin, sighing contentedly: Maybe a bit, but how was I supposed to resist when your indigance gives you that adorable little nose scrunch? In reality, my least favourite thing was probably, um, mini golf? Which, I still don't think is inherently bad, definitely superior to regular golf, but when it's the only thing a next door two year old wants to do with you, the charm begins to wear off a bit.

Jon: Wow. A rather scathing review of a toddler.

Martin: Not so much a scathing review of a toddler as it's a scathing review of minigolf's inability to keep its appeal after the third time in the same week.

Jon: Mmm, the sound effects rather quickly go from part of the atmosphere to part of the irritation, don't they?

Martin: So what's your least favorite thing we've covered here?

Jon: Oh, love, I'm not going to pretend to have nearly enough memory of what we've covered so far to have a least favorite.

Martin: Really? Nothing that you regret or rescind?

Jon: Well, regret, certainly. It was one of the weeks where you went first, and your second item was mutual aid funds, and what they can do for marginalized communities, and I had to follow it with fucking Slapchop.

Martin, poorly suppressing laughter: In your defence, Slapchop, or whatever offbrand we have, is pretty useful, especially when either your scar or my arthritis is acting up.

Jon: I'm still not convinced you didn't somehow see my notes for the recording and decided you get revenge for the first year that we knew each other.

Martin, no longer suppressing his laughter: Yep, you got me! This marriage wasn't an act of insurance fraud, but it was a near decade long con to humiliate you on a podcast that about twenty people listen to. I'll draft up the divorce papers immediately, and then we can finally go our separate ways.

Jon: I'm glad you've at last admitted it. Such a weight off of my shoulders. Goodbye forever then.

Martin: Right.

Jon: Right.

[A beat.]

[There's a pfft from one of them, before both dissolve into giggles that lasts a good 30 seconds.]

Martin, slightly out of breath: I can't believe we're the kind of people that talk this much about speciality kitchen gadgets.

Jon: Sorry about that.

Martin: God, don't apologize. I'm, like, deliriously happy with our varying degrees of useful cooking ware filled life. If you had told 25 year old me that one day he'd be debating the merits of getting a tortilla press with his husband, he'd have wept, I tell you.

Jon: Funny, if you told 25 year old me the same thing, he would've said "You don't know the future,piss off" and then quietly have a bit of a panic at 3 am that night.

Martin: I bet you were insufferable in your mid-twenties.

Jon: First of all, who isn't, secondly, I was fresh out of Oxford, and third, I was insufferable in my late twenties, as you can attest to, and I'm insufferable now, as you can further attest to, so extrapolation would indicate that, yes, I was insufferable back then.

Martin: Probably a different kind of insufferable, though.

Jon: There are different kinds?

Martin: Of course! You used to be "prick boss" insufferable and now you're "smug in a way that I can't admit I find hot or it will go straight to your head" insufferable.

Jon, in the aforementioned smug tone: Oh, really?

Martin: See, see! Straight to your head.

Jon: Well straight is probably the wrong descriptor-

Martin: Oof, 4 out of 10 joke, babe.

Jon: That would be a far more convincing rating if you weren't grinning right now.

Martin: It's a genuine review, I'm just well known to be a sucker.

Jon: You and me both, darling.

Martin: Okay, if you're pulling out darling, you're clearly in too giddy of a mood to be focused on recording. Last question, from Jess, "You two mentioned meeting at work, but how did you actually end up together?" That's easy, Jon pulled me out of a hell dimension and then we went on the lam together to Scotland.

Jon: If that's not the way to tell a cute boy you like him, I don't know what is.

Martin: All right, that wraps up this bonus episode, and as the old saying goes, hiding from murderers in a cottage is more conducive to romance than suggesting you gouge out your eyes together.

Jon, cut off: Hey-!

#tma #jonmartin #jon sims #martin blackwood #post canon #wonderful! au #my fic

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lov3nerdstuff · 3 years

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Hi Kay!

I just wanted to take a moment and say how deeply moving (and overall comforting) I find your writing to be! I've gone through almost the entirety of your masterlist twice in the past month alone and have found myself returning more often to the pieces of literature/poems your reference sometimes. (Especially that one poem by Benedict Smith! I've read a few more by him because of you and they're just wonderfully lovely 💛 so I'm eternally thankful to you for including it.)

I may be wrong in assuming, but I believe you may have studied/are currently studying a degree involving literature. I hope this isn't too foreward of me but I was wandering if you have any other works of literature that you'd recommend? (I'd love to read anything you recommend from poems to plays 💛) I'm slightly embaressed to say but the works I've read are quite limited to a highschool level and since I'm currently studying Pharmacy, there are very few people who can recommend me such moving works. :)

I also feel like I should apologise for writing such a large ask, so please accept this apology as well hehe 💕🥺

Sincerely,

Bek 🌻

Hey there Bek 💚💕✨

First of all... I'm incredibly sorry for how long it took me to reply to this ask, I know you sent it weeks ago and I'm honestly just ashamed of myself for only replying now! I've been taking a bit of a Tumblr break again, or rather a break from literally everything, and I guess not having written anything in a while made me feel guilty whenever I opened Tumblr, so... All I can say for myself really is that I'm sorry you had to wait so long! Again, I never ever ignore anyone, I promise! It just sometimes takes a while for me to reply 😅🙈

Now, I'm so happy to hear that you've been enjoying my writing! 🥺🥰 Hearing that it's comforting and inspiring to you is honestly such a relief and indeed does make me happy more than I can say 💚 It's so cool that you're checking up on all the references I make aaahhh 🥺🥺🥺 I love it 😁 You're always more than welcome, love! I don't think I could stop including references to literature, culture, history and the science around it even if I tried 😅☺️

And yeah, I did study classics and newer literature as a minor for my undergrad degree 😄 But tbh I still work with literally a lot even now (I'm in grad school for media and cultural studies) even though it's technically not something I've been properly taught ☺️ I'm just a nerd who likes to learn on her own, and with media and culture you can pretty much delve into almost anything you want 😂😅🤷🏻‍♀️

Now, it's not forward at all to ask me for literature recommendations! 😁😃 I truly love recommending stuff!!! I have a few up my sleeve, even though you've probably heard of a few already, for obvious reasons: A lot of what I truly enjoyed reading was something Tom Hiddleston has worked on in one way or another! It's truly a magnificent guideline for picking new literature... Just look up the literary origins of his films/shows/plays and you will be in for quality literature most of the time! I don't think I've ever mentioned it on here, but me reading High-Rise (JG Ballard) because I heard Tom would be partaking in the film adaptation was actually what sparked my love and passion for literature!!! Yep, it's that good. Now on to the recommendations though 😁(This... got rather long):

Plays

Anything by Harold Pinter really, but for obvious reasons you'll find a lot of additionally fun stuff for Betrayal, which is lovely and truly funny if you're in on the kind of humour btw

Medea by Euripides (a classic, but I love it nonetheless... You can find translations in almost every language) ((and pls stay away from Seneca's Medea, because ugh... Euripides is far better AND the og story, as much as anyone can say that for Greek mythology)

La Bohème by Puccini (I know, this is technically an opera, but if you read the libretto it's honestly just like a play... And if you're up for it, the og story is in prose and written by Henri Murger... It's better than the opera, but oftentimes more difficult to find) ((this one is hilarious and basically explains an entire cultural subgroup in the 19th century)

Faust by Goethe (many people hate it, but I LOVE this one!!! It's also been translated into any and every language, and it's so interesting philosophically!!! It's also referenced SO freaking often literally everywhere, and the operas and ballets based on it are always my fave) ((there's technically Faust I and Faust II, but you're good to go just reading the first one)

Anything by Shakespeare, obviously... Though I do love me my Hamlet like every other literature enthusiast (Yes, I can do that one famous soliloquy in act 3 scene 1 by heart as well...)

Poetry

Again, anything Shakespeare for the win, but I LOVE the sonnets and keep a copy of them with me most of the time (Yes, I own multiple copies of the sonnets...) ((My faves are 116 and 91, but there's always so much truth to be found in there!!!))

A lot of the stuff William Blake wrote is amazing, though you have to pick carefully with him if certain religious motives aren't your thing... I love The Tyger, which is an individual poem, and the collection of works called Tyger, Tyger which does have many good ones and a few ones that are a little more on the mediocre side

Do not go gentle into that good night by Dylan Thomas (I know this one by heart as well... It's beautiful, and there's a version of Hiddleston reading it on YouTube, which gives you even more goosebumps than the poem does anyway)

Invictus by William Ernest Henley (same for this one, also read by the one and only) ((I love to read this when I'm feeling down or powerless))

The Love Song of J. Alfred Prufrock by T. S. Eliot (This is another wow piece with many quotable lines and truths... I love it a lot and keep coming back to it! It's also a great example of how literary modernism tried to condense the complexity and passing of time and history into a single frame that had to be intrinsically poetical in nature... As in, this poem could've been a short story in any other period, but modernists loved to make everything a poem so here you go)

Der Zauberlehrling by Goethe (This one sucks in all English translations I’ve found, poetically speaking, but in German it’s such a fun piece! If you’ve ever seen the Disney ‘The Sorcerer’s Apprentice’ with Mickey Mouse or listened to the orchestral piece by Paul Dukas, then this poem proves very useful in truly understanding either! But again, the English translation should only be taken for informational value... The German one is also worded hilariously)

Prose

Short edited by Alan Ziegler (This is a collection of short prose forms that honestly is a must for me... I love this book to pieces and have had it for years now! It’s an international anthology, so you’ll find more and less famous authors from all around the world represented with short stories, prose poems, short essays and just curious and interesting snippets of writing! I draw a lot of inspiration from this book)

High-Rise by JG Ballard (As mentioned above, I owe this book part of my personality... I don’t think I would be the same person without having read it. It’s not necessarily full of wisdom, but if you’re interested in a different kind of portrayal of the human condition, then this is the read you need to take a look at)

The City of Dreaming Books by Walter Moers (This is another piece that changed my perception of literature, even though this is a more ordinary and ‘fun’-value read... It’s one of my favourite books and it’s endlessly entertaining! So if the classics are a bit heavy for you, this one is perfect for casual readers as well! Its value really does lie more in the realisation of how fun literature can be, and the freedom you have as an author... So really, I could recommend everything by Moers, his style is amazing both in the German original and in the English translation. Yes, I’ve read both.)

Good Omens by Neil Gaiman and Terry Pratchett (This is comedic gold, stylistic gold and generally a bloody perfect book. Also a ‘fun’-value read, but it also does a magnificent job at showing you what you can do with literature, and how well-developed characters are supposed to be written)

The Penguin Book of the Undead (Penguin Classics) edited by Scott G. Bruce (This book is basically an education on fifteen hundred years of supernatural encounters and how culture wrote, used and perceived them. You get introductory texts for different periods and social groups, explaining how and why ghost stories were written and used, followed by passages of the prime source texts (eg. ancient necromancy shown on The Odyssey). Really, this book is just for cultural history nerds)

The Earthquake in Chile by Kleist (This isn’t necessarily one of my faves, but it has helped me understand what studying literature and culture can do for you. In case anyone remembers my insistence in Wicked Game that you gotta know what a pomegranate symbolises... this novella is such an instance where this knowledge would prove useful. Generally, it gives many opportunities to think about privilege and circumstance)

The Symposium by Plato (You’ll probably not want to read the entire collection of speeches tbh... But the concepts introduced mainly here and in some of Plato’s other work are well worth looking into! For example, the ‘double being’ introduces a concept that in modern fiction is called soulmates... Just sayin’)

#literature #lit rec #recommendation #literature recommendation

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vanaglori-ah · 3 years

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eternals (a review)

spoilers ahead in case anyone hasn’t seen it!!

disclaimer: this is my opinion so please do not come for me (especially if you’re a cishet yt male marvel fan).

keep in mind: eternals means i’m talking about the movie, eternals means i’m talking about the ensemble

so i finally watched the eternals and i procrastinated in actually writing this review so this is a few days late. but here’s everything i have to say about it.

general impression

i had a lot of fun! eternals was a fun movie! not necessarily a good movie but a fun movie!! idk i enjoyed going “omg jon snow” “omg robb stark” “OMG SALMA HAYEK” every time the respective actor was on screen. it was a fun movie and i think the cinematography was absolutely stunning!! the pacing was...slow. the pacing was BAD guys. i hated the cuts and how they went about the flashbacks. like they were poorly placed within the story. like WHO WROTE THE STORY LIKE THIS IT HURTS MY HEART AS A WRITER!!! eternals also could easily be a 4 hour movie with 3 hours dedicated to the characters ALONE. on a more technical note, the movie is TOO DARK! can’t see shit. the cast of characters was definitely too big for this film to cram within 2 1/2 hours. i wish we got to see what their lives were like before reuniting. like imagine makkari overseeing sites of archeological excavations, gilgamesh’s daily routine in caring for thena (can you imagine him asking her what kind of pie she likes and she doesn’t know so he ends up making multiple for her to try!!), phastos everyday routine, kingo getting up early so he can film (cue montage of him getting ready on set). i also remember a lot of people on my tiktok fyp going crazy over the ships and i expected to see...more and got crumbs. i partially think that’s because of filming restrictions which, in turn, doesn’t let the movie fully flesh everyone out. the only person’s routine we see is sersi and speaking of the ensemble...

ajak

my god my jaw dropped when she died because why? WHY KILL AJAK OFF SO EARLY? it makes me so mad because we don’t REALLY see her connection with the other eternals? we don’t see her fall in love with earth and with humankind. i think they severely underused salma hayek and i would like to see her return at some point because she’s amazing and marvel really missed out.

sersi

listen i love gemma chan but sersi? sersi was boring. i was not interested in her in the slightest. i’ve never read any comics with the eternals in them but sersi is boring. i think her character development is small and a lot more subtle but it’s not interesting to watch. her powers are definitely very interesting and i would like to see her use them more in daily life. like a daily routine with a superhero twist. i’m also curious about her relationship dane. what’s different? what comparisons can we make to her relationship with ikaris? does dane remind her of ikaris sometimes or never at all? how did they meet? how did they start dating? i think they showed sersi’s compassion for humanity well in the flashbacks and her love for humankind. i would imagine her to take part in political movements and yeah i want to see more of her throughout modern history.

ikaris

oh no! a white man! all jokes aside ikaris just fits as an antagonist, as a white man. nothing much i have to say. he doesn’t exactly leave an impression on me other than him being with sersi. he also killed ajak. will not forgive him for it.

sprite

i think we all hate sprite. “ikaris you’re the strongest! ikaris you should lead us!” really gonna turn on sersi like that? who you live with? no surprise she’s a white woman too. sprite’s reasoning for turning on sersi, too, sounds unbelievable. like you want to experience everything humans experience? then how about they show us sprite envying other humans? i guess the scene of sprite at the bar shows us but i just want more. also why even fall in love with ikaris? like what makes ikaris SOOOO special?

makkari

sweet beautiful makkari. i wish to see more of her! her powers are simple and there isn’t much to say about makkari because she’s only a side character. i would watch a whole show of makkari trying to get the emerald tablet and finding different archeological artifacts. and her and druig? please give me more!! that’s all i ask!

druig

i didn’t expect to find druig so attractive but he’s very attractive. and i wish we saw more of him. i am more excited to see him in the potential sequel because he is going to have a bigger role in rescuing sersi and the others. i think his personality fits with his powers, being that he can control the minds of humans and generally doesn’t want to be near them which, i think, makes him an interesting foil to sersi in a way?

gilgamesh

i cried when he died. enough said. this man is so gentle and he cares for thena and i just want what they have honestly because he’s sweet. i felt so sad when his pie fell from the skillet.

phastos

i think phastos is the more human eternal. i think he represents cynicism with stem and scientific development in general. seeing his reaction to america using the atomic bomb on japan was heart wrenching, gut wrenching. and why shouldn’t he be disillusioned by humankind? we’ve committed so many atrocities against one another and all of them have been justified by some bullshit reasoning! i do love him and his husband and family and i would love to learn more about phastos after world war 2, how he met his husband, what kind of college major he was (definitely can see him turning to humanities after world war 2).

thena

i am gay for a reason! i did cry at gilgamesh’s death but what got to me the most was thena’s clear expression of pain. she’s perfectly played as a tortured warrior and i think this contrasts well with a lot of angelina jolie’s characters (since she’s more known to play stoic action heroines with no depth and are victims of the male gaze). she’s given insight in small scenes which is why i would like to see more of her in the future. what i don’t like about thena’s character is just how mahd wy’ry seems to be an afterthought with her. i would like to know how she came to terms with her illness, if there was a way for her to control it without continually wiping away her memories, how gilgamesh helped her managed if possible.

kingo

there’s not much to kingo that i can give insight on since i haven’t dipped my toes into bollywood. but i think he’s funny, he’s fun. a little superficial but that makes a lot of sense considering he’s been bollywood’s leading man for like a century.

conclusion

eternals would’ve been better as a tv show than a movie. about 13 episodes with 10 episodes being more episodic to showcase each eternal (so one episode per eternal) and about 3 episodes dedicated to the plot. the first episode, i would start off with the death of ajak and the eternals reuniting and then the second one starts with sersi, her life with the eternals and, most notably, after they separated. go in whatever eternals order you want (ajak should go after sersi since she is dead) and then at episode 12 you pick back up with the plot (or something) having caught up with all the eternals AND having gotten to know them personally. this is definitely a film not for the standard cishet yt male marvel fanbase. also i’m sorry but WHY EARTH? WHAT MAKES EARTH SO SPECIAL?

final score

6/10

#marvel #mcu #eternals #ikaris #sersi #ajak #druig #makkari #phastos #gilgamesh #kingo #sprite #thena #movie review #this is really bad writing #i can probably do it better not to stroke my ego or anything #i just want more character development #fuck sprite though

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cosmicangst · 2 years

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hi! May I ask u if you watch kdramas and if u have any favs? I honestly love reading your thoughts on games/series so I was really curious. Hope u have a great day💕

hi hi! yes i do! mostly on netflix and not a whole lot bc kdramas are a hefty investment and im a creature of habit who rewatches my old shows until im sick and desensitized 😌 no particular order here…

crash landing on you: baby’s first kdrama during the pandemic that really started it all for me and my mom. which made me appreciate it less as a show and more as a great bonding experience as she swoons over hyun bin and i swoon over son ye jin. im in the minority who likes the ending. it was a nice realistic touch that grounded the usual third act melodrama level of heightened emotions in kdramas

it’s okay to not be okay: idk what else hasn’t been said but the style, the artistry, the performances, the soundtrack, the family dynamics, how well the fairy tales serve as a thematic basis for each episode 👌👌👌 i love love the individual character developments more than the romance. sometimes they infantilized the heroine at the second half but she’s still one of my favorite kdrama characters

vincenzo: i can take or leave the romance but regardless the leads’ “this is my worse half” dynamic makes the show. their rapport w their plaza neighbors is also hilarious. vincenzo as a character is fun but too cool for me to be attached. cha young though belongs to my list of favorite kdrama characters (you can see a common theme here that im partial to female characters who are assertive w varying levels of unhinged and/or moral grayness)

her private life: fake dating’s not my absolute favorite but no one has topped the chemistry of these actors. the first time they kissed i felt like i needed to turn off the tv to give them privacy lmao what really sells their relationship is how obviously they’re delighted by each other, how they establish intimacy based on their work, and the fact that he loves fangirling over her fangirling. i wasn’t a fan of the third act twist but they still reign as the best romance here

age of youth: technically my first kdrama (i just didn’t finish the second season) and i invested heavily into the narrative when i watched as a college student. i can take or leave the romances but the friend group is unmatched and the only reason to watch. season one >>>> season two all the way

run on: the second couple are EVERYTHING. i didn’t fully appreciate during my first watch until i finished and learned that this kind of slice of life, slow paced and character-driven stuff is my vibe exactly. any time im doing chores i pull up a random ep in the bg bc it feels like im just casually doing parallel play w a friend

hotel del luna: love the premise, love the ending except for the very last moment, didn’t love the romance or the hero necessarily, but i love the heroine so much i couldn’t leave it out. her backstory and relationship with the not!second lead compelled me to finish and tbh they’re the emotional core of the whole thing

my liberation notes: my friend calls this a depression simulator kdrama 😂 but this had as much heart as a ghibli film to me. best part was the ensemble who had very real flaws and emotional relatability supported by a script w depth more human than pretentious. this rly was a show that you had to earn but when you did, it was well worth it

hometown cha cha cha: small town slice of life basically the ultimate comfort food kdrama 💖 save for like two eps each one hits so well. has the second best romance and the best ensemble here although it does dip too much in sentimentality for my taste at times. but it wouldn’t be what it is without it

special mention to cheese in the trap…which i didn’t finish lol so i can’t speak on the quality of that but lil closelyknit lore facts the webtoon it was based on featured in my blog for a good number of tumblr years some time ago

#tumblr year = length of a main fandom phase #reply.#anon.#notes.#any other kdrama ive mentioned and recommended on this blog i probably didn’t include bc i haven’t finished it yet

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sepublic · 4 years

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Kipo’s Final Season

Well, it was a journey you guys.

Inevitably it’s bittersweet, because while it WAS a happy ending… You know. It’s an ending! Phenomenal final season, final trio of seasons, the show really wrapped itself up, but I’m empty that it’s gone now!

It’s why I held off on watching the final season… My heart wasn’t ready to let go yet. And sure, if the third season were suddenly to get a BUNCH of ratings, we might get those additional motives that Radfor Sechrist hinted at the possibility of! But I’m still sad because the main journey is gone, and the cast, as we’ve gotten to know them, have left!

Not entirely, but still! I will have to say that Kipo, Benson, Wolf, Mandu, and Troy are ROCKING all of their new looks! I love that Kipo looks more like her dad Lio, too! Speaking of which, I really enjoyed seeing Dave and Lio get along unintentionally… It was AMAZING to see Song return, and I just…

I’m SAY, you know! I’m sad to see it all go. It really felt a final farewell to all of the cast and world we love… We got to see the return of various characters, including Fun Gus, of all people- Love the way his and Emilia’s arcs sort of tied together! And I love the symbolism of Emilia losing herself, as the idea of her becoming the very thing she swore to destroy… Those are great stories to me, haunting and chilling!

LOVE how this year has been bringing us Gay Proms! First Grom, then Prahm! Prahm was great… I love Doag, though I feel sorry for her because of that NAME… But good for you Hoag, you’re a father and you let those paternal instincts override any fear, paranoia, and prejudice you may have had! Sure the warning didn’t come through in time, but at least you tried! Good for you…

Also, I know Asher and Dahlia had a minimal presence, but I ENJOYED every last second of them we got, even as background characters! I loved the way the arc progressed, the stories behind Mutes and Humans getting along… It all felt so organic and natural, you know? And HUGO…!

I’m not over his death. The worst part was that he DID redeem himself and fully change, so… It wasn’t like one of those Redemption-equals-Death cop outs! Hugo had already gotten his redemption. The crew really just wrote that for the sake of stomping on our hearts, huh? WELL THEY DID… Rest in peace, you funky mandrill! His arc was particularly brilliant and naturally-flowing, I love that final callback to his mess with Aurum… Hugo was just being that moody, temperamental older brother who’s a teen and insists he’s not going through a phase- But he loves his little sister and will humor her!

I miss him already… And I LOVE his interactions with Wolf, as siblings by proxy of Kipo, but also their shared cynicism and trauma as I speculated about! Hugo making a blanket-cloak for Wolf, to replace the old one she had, which represented her trauma and past… I hadn’t even considered it, but it’s right! The way Hugo and Wolf’s arcs together to take out Emilia, only for Greta of all people to make a final point… It was amazing! Superb, brilliant, it was EXACTLY what I wanted to see and MORE! How we had this powerful and meaningful growth for the two of them as siblings in their own right, without necessarily having to rely on fighting… Just quiet moments!

And Kipo… I love you Kipo! I was afraid the show might give us an arc of Kipo being ‘cured’ and having to struggle with no longer being part-mute, even if she were to eventually get that back… And they didn’t! They let Kipo be Kipo! I love her nature as a girl of two worlds, and how she brings both worlds together into one seamless creation! And her DNA gives me hope of a vaccine being made…

I’m still sad over the deaths of Yumyan, Margot, Rupert, Camille, Brad, Billions, etc.! Remember the fallen… I was REALLY wishing the show would have them brought back to their old minds, and while still having them around in spirit sort of helped (as they were basically senile after the ‘cure’)… COME ON, this show has already been so bright and optimistic and hopeful in many other regards! Is it too much to ask that the ‘cure’ gets reverted, that they recover their old minds! It’s really messed up particularly with Margot and Rupert, as they were KIDS… Rupert was just being held hostage, and Margot DID make the effort to change her mind, just like Hoag she didn’t expect Emilia to be ahead of her! Maybe if we get that hypothetical sequel film with Wolf, MAYBE we could have Margot brought back… Or at least go over Wolf’s thoughts of Margot technically betraying her, but to save Rupert, and ultimately doing the right thing- Only to die! I wish we got to discuss that.

Interesting that they never go about the origins of Mutes, but honestly… Not too important to me? The exact cause wasn’t a big deal to me, what matters is that it happened and now it’s here! Speaking of which, I LOVED the Dave episode… Controversial opinion, I think he’s a great character! I love how the show confirmed he was there as far back as THE beginning, and he was just… VIBING the entire time, over a fan! What DID happen to the fan, I wonder? Imagine if it got destroyed- Or even better, if it just ran out of battery! The implication that the fan somehow was able to run for two centuries, but still ran out of energy… Lol.

THAT episode was a masterpiece of morbid humor, what with the idea of this one loser being THAT caught over a fan, Dave being responsible for skyscraper ridge… And that bit of Daves getting KILLED, but it’s never explained and then just sort of glossed over- It’s arguably amongst the pinnacle of morbid humor! The kind that just happens, and because it’s left unexplained it’s just BETTER, more horrifying, whilst funnier… And Benson! Like I said, the background, unspoken, but obvious implication that the Daves and Fanatics (is that what those humans called themselves?) slaughtered each other until one was left. YIKES… But it was still so brilliantly done and conveyed, it really is the epitome of dark humor to me!

Benson got his kiss! He got his kiss with Troy! And now they’re running a restaurant together, Cappuccino gave them a SIX star review… But please don’t call them potato noodles. They’re fries. I can overlook anything, but NOT that! But now I crave that hypothetical sequel film that Radford Sechrist hinted at… Gimme gimme, please! Mostly I just want closure on those Mutes who got ‘cured’, I know it’s immature, but please bring them back!

All in all, this was just… BRILLIANT! It was GOOD, and it makes me even sadder because I found myself so happy to see these characters progress, like with Zane, or Greta… Wolf letting go of her cloak, she’s so PRECIOUS I love her so much, and I love how Hugo was like an older brother to her and I miss him already! I love Kipo, I love Benson and Dave’s backstory, I love Troy, Asher, and Dahlia… I want MORE, please! I feel like I’m not yet ready to let go. And maybe I don’t necessarily have to, but still…

And it’s absolutely wild to me, because this all happened within a year. It’s been a journey, huh? Once it was as simple as getting back to her old home… And while Kipo lost that, she made a new, better one! And I love that, but I’m also going to miss it- Because it feels that just as we got it back, we left! Well, I can always return in my own way, but for now…

THANK YOU, to everyone who worked on this show! I’m going to miss Kipo and the Age of Wonderbeasts! It was utterly brilliant, and I’m glad you got to tell the story you wanted! Here’s hoping you get to indulge in the world of Kipo maybe one last, or two, times!

#kipo #kipo and the age of wonderbeasts #kataow #kipo oak #kipo wolf #kataow wolf #kipo hugo #kataow hugo #scarlemagne #kipo benson #kataow benson #kipo troy #kataow troy #kipo dave #kataow dave

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pluviophile-bookworm · 3 years

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High School Musical: The Musical: The Series: The Rewatch pt. 5

Technically, I shouldn't be doing this right now. But who are we kidding? I miss my Wildcats and this seems like the only thing I can do to see them again right now. So here goes

1x8: The contractually obligated emotional rollercoaster

This episode sure is a lot... I don't know if I'm ready. But it makes no sense to skip this one. I never skip through stuff I love, even when some parts are borderline traumatising. Plus I remember this episode having a bunch of hilarious moments that are definitely worth it.

'I'm really not sure what to say' — Me neither, Miss Jenn, me neither. I'm just sitting here watching this and I know I'm supposed to comment, but I just can't think of what to say. Sometimes the silence just speaks for itself.

'The Lucky Ducky Puppet Pavilion' — I can never overlook that line. Not when I know how much it took for Matt to deliver it. Fun fact: one of my cats is called Lucky, so when his siblings were about to be born, I briefly considered naming them Ducky, Puppet and Pavilion as a joke.

Ah, the El Rey. The place where Miss Jenn totally did not suffer a professional heartbreak. Things are about to get real here. And by real I mean... real dramatic.

I've got to say, I love the duality of Big Red (well, I do love everything about him so that was a no-brainer, but still): doesn't know how to hang a light, but sure does know how to light up a room; amazing with power tools, but took three weeks to make a paper-mache basketball because he kept gluing his fingers together (that last part is far more relatable than I care to admit). I just love him, ok?

The way Carlos acts about Miss Jenn's box of production notes... honestly, I totally get it. I feel like if there's one person at that point who cares about the show much more than anyone else, it's him. And I fully understand why that is. That poor boy has been lonely for too long, and this show is giving him the chance to be part of an accepting community for what feels like the first time in a long time. Just... give my boy Carlito all the hugs.

For a place that allegedly hasn't been used in so long, the El Rey is not nearly dusty enough. I mean, you should see my room if I forget to hoover for longer than a week. And we're talking about years here. There's allegedly mould in that place, but I don't even see dust. Oh well, maybe I would, if it weren't for that lighting — or lack thereof, more like.

'Whatever it says in Miss Jenn's audition file, I am me, and that is the only me I need to be.' — A beautiful sentiment, my dearest EJ. Now maybe hold on to it for a while... just a suggestion.

'Lacks emotional connection to the material' — well, I do have to agree. My first impression of EJ when I was watching the first couple of episodes for the first time was that he was 'too polished to be Troy'. Too much Technician, too little Performer. And I do love my Performers over my Technicians.

Wait, is that a Redlyn background moment I see? I mean, everything is super chaotic and fast-paced, and my two ginger babies are just sitting together on the side of it all. Bonding, I assume. Good for them.

Seb being the only one to know why Natalie is absent, along with the two of them sitting together in 1x1, makes me think... Natalie and Seb are totally besties! I mean, he's basically besties with everyone he ever talks to, so... what can I say, that boy is sunshine incarnate. He deserves all the love and appreciation.

'I know how to hang... out' — gosh, I love this one. And I can only hope everyone was laughing with him, not at him. Because there's nothing to laugh at. My boy got dragged into this whole crew stuff, it's not his fault he doesn't know everything. He's more of an on-stage person than a backstage person anyway. Maybe put him in the spotlight next time and prepare to get your socks knocked off.

No, Ash, your baking club is not at all irrelevant! Honestly, I have nothing but immense admiration for how Ashlyn manages to be in the top two students most dedicated to theatre and do all those other extracurriculars. And she probably has a 4.-something GPA, too. I don't know what the Caswells are feeding their children, but I need it this instant.

'I just don't know how to make things light up' — 'You walk into a room?' — I just... this is one of my favourite Redlyn moments in the history of Redlyn. See, the thing about Ashlyn's line here is the tone in which she says it. She doesn't mean it as a compliment, but as a statement of the absolute truth. You can hear that in her voice. And with good reason, too, because she isn't lying at all. My boy Reddy sure does light up a room by walking into it. Both of them do, really. They're soulmates, you know.

'This place is not creepy at all...' — Yeah, and things between Ricky and Nini are not totally awkward at all, either. I'm living for this.

'I can do Troy!' — Sure you can, Eej. Sure you can. Emotional connection to the material and all.

Ok, but this entire scene... Carlos marking Gabriella's lines completely flatly, EJ emoting like he's in a freaking telenovela and also chopping onions... Carlos' reaction to the latter... I'm living for all of this.

Big Red just suddenly appearing next to Miss Jenn has me rolling... and also kind of wishing he could appear like that next to me too. I mean, it's not like I've visualised that so many times... certainly not every time I have to pass by a stray dog, or give a blood sample, or talk to people, or whatever... why do you ask?

'I never really loved the name Nina anyway' — listen, I relate to the sentiment of not being super fond of your given name, but... what was that stuff in s2 about, then? I mean, I do understand that too, but the two just seem to clash a bit, I reckon. That's all.

Also, can we talk about Rini's chemistry and how it's sometimes there and sometimes nowhere to be found? I think I've figured it out. Every time the chemistry is there, they're talking about or doing things that are not necessarily inherently romantic. Reminiscing about kindergarten, how they gave each other their nicknames, 'the ribbon in your hair, the secrets that we shared, the way that you would stare at me across the room' (yeah, I went there, and for a good reason)... see, Ricky and Nini have that kind of thing going on where, however hard you try, you just can't be indifferent to the other person. It's obvious that they love each other so much, but whenever they try to make it romantic, something goes south. What I'm saying is, when you're really good friends with somebody and you try to force it into something 'more', or better said, something else (because romance is not inherently 'more' than friendship and you can pry that out of my cold dead aro hands), and the operating word here is 'force', things are bound to go wrong and even reach toxic territory. And Rini are living proof of that. Some people are just better as friends, and sometimes the entire 'I don't want to ruin our friendship' trope is very valid. I just want them to be best buddies, is that too much to ask?

Bless Steph for pushing Kourtney forward when Miss Jenn needed someone to sing! Honestly, it's moments like these that make me feel like the background characters are criminally underrated. I realise not every character can be equally central to the plot, but with this cast, I kind of want them to be. I have the feeling that most, if not all of the one-line characters in this show are people with just as much talent and potential as the main cast. They deserve recognition, you know.

Going off of the above, Dara Reneé is living proof of the point I just made. You know how Kourtney was supposed to be a one-scene wonder with two lines? And then Dara showed up and hiding her in the background was instantly out of the question. I wonder how many more hidden gems there are in the show, just sitting in the background, delivering their single line and waiting their turn in the semi-metaphorical wings.

'I just need a minute, or a vacation, it's not clear' — Me, all the time. Especially after I read chapter 11 of @redlyncentral's Let It Go. That ending broke me. And this line by Miss Jenn just reminded me of that feeling, even if what she's feeling right now might not be the exact same thing I went through with that chapter the other day. That being said, everyone go check out my lovely friend's writing right now, I promise you it's worth every second.

'We're going to take a... long five' — What, no 'thank you, five'? I was expecting that. But I guess everyone is a little bit too distraught for that now.

I have to hand it to Carlos — even when he's very obviously uncomfortable and lowkey scared of some people, he just goes up to them and calls them out. I wish I could ever be bold enough to do that.

Wow, not EJ thrashing Carlos' 'forest of boys' idea. Again. I don't get why everyone dislikes it so much, I think it's brilliant visual poetry and should have been given a chance. I said what I said.

You know, everyone has been calling the show out for saying HSM premiered in the cinema, not on telly like it did in real life; and I have been agreeing with that sentiment. But notice how Miss Jenn said 'the Utah premiere' and how there were family and friends in the audience? What if that was some sort of semi-private screening for cast, crew and their family members? It would make sense. And of course, it was held in Utah because that was where the show was filmed and where the majority of background actors, dancers and extras are from. Idk, but it makes sense to me. Note that I have very limited knowledge of how the period between post-production and the release of a movie works.

Isn't Ashlyn the best, though, always noticing when someone is not ok, hearing them out, helping them... I wish I could be half as good a friend as she is. She and Big Red are totally soulmates in that, too. And they deserve each other more than anyone else deserves them, honestly. I just love both of them so much, both as individuals and as a couple, and I cannot be made to shut up about that just yet.

I've got to say, the entire 'me, me, me, me, me, me, me, me, me' - 'you, you, you, you, you, you, you, you, you' thing was super funny. And it makes me love Rini — strictly as friends — even more. You know, I think I used to ship them during s1 because the script wanted me to. Exactly like I didn't notice Big Red until midway through the season because the script didn't want me to. Sometimes the script, the acting, the directing and other stuff has immense power over viewers' perception of a show's plot and characters. And that is, as I always point out, what rewatches are for — noticing things that may have escaped you the first time over.

Yeah, so Nini was Ricky's first crush. So what? Many people have had crushes on their best friend at some point or another. That doesn't necessarily mean they're better off as a couple than they are as friends. The opposite idea is just amatonormativity speaking. I mean, sometimes it's nice and it works out; I love me some well-written best-friends-to-lovers, but that's just not always the case and the media should stop pushing the idea that platonic relationships are in any way inferior to romantic ones.

I've got to say I really don't like it when someone interrupts two people's romantic moment (and Big Red is not exempt from my frustration in such cases even though I love him so much — just think of the In a Heartbeat scene), but honestly, bless Reddy for not letting Ricky and Nini kiss. I mean, I know full well they do kiss later on (and how!), but it's just nice to have semi-platonic Rini for a while. If and when we get season 3 (manifesting!), I really hope we get more of them putting some stuff behind them and just being best buddies.

Kourtney and Seb's friendship is honestly goals and I really wish we'd got some more of it. Just another thing to add to my season 3 wishlist. Along with, you know, an actual season 3.

EJ saying all those nice (and very true) things to Carlos has my heart (or, well, he's renting it temporarily from Redlyn and Seblos, but you know). And Carlos really was like 'A for effort, C for execution', and I adore him for that. But EJ is seriously growing. He's pretty much reached EJ 1.8 at this point, and I love to see it.

Say what you want about the Lucas Grabeel dream sequence, but I love, love, love it. Completely unironically. I mean, he's kind of my favourite OG cast member. And the 'I'm more of a Glinda' comment referencing Kate Reinders actually being one of the BWay Glindas? Here's a note from when I first watched 1x1: The drama teacher won’t stop spilling her coffee and I love her. Also, her actress was Glinda on Broadway, so I stan. See, I didn't even know Miss Jenn's name yet and I already loved her. But then she went and did some stuff in s2 and ruined all of that. Add 'proper Miss Jenn redemption' to my s3 wishlist, I guess. But I'm getting off-track (when am I not?)

I only just noticed that all of the iconic BWay leads mentioned in the song (sans Glinda, of course, but that wasn't even a proper part of the song) start with an E. I wonder if that was on purpose or a lucky accident...

'And you never know when you'll get a cameo...' — If anyone in the HSM franchise knows anything about making the most of a cameo, it's Lucas. I'm referring to his post-credits scene in Sharpay's Fabulous Adventure, of course. That is one of my absolute favourite scenes in the entire movie. Well, that and The Rest of My Life. I very unironically love that number.

Another thing on the list of things I very unironically love — the transitions both into and out of this scene. I just think they're neat.

Have I mentioned before how much I love it that Carlos' response every time someone asks where he has to be is 'Broadway'... it just reminds me a lot of Seb's 'Friendship!' — that's some soulmate stuff right there, if you ask me.

'I just... almost did something really stupid' — Yes, Nini, yes it was very stupid. And you're going to do it anyway. You wouldn't if I had any say in this, but I don't and so here we are. In a world where Rini are a romantic thing, Redlyn get 5 minutes of screentime in s1 and two major moments demoted to post-credits scenes, Seblos haven't even properly discussed their issues, and Portwell didn't even kiss on screen. I lowkey hate it here. Still, I feel like things are going in the right direction. If we get a season 3, that is — and we better be getting it, or I will riot and I know I won't be the only one.

No but... just imagine if Kourtney hadn't called YAC for Nini, but for herself. There's so much potential there... and I think Kourtney and Ashlyn deserved that spot every bit as much as Nini did, and then some. I said what I said.

Well, this was 1x8. This post is already way too long, plus I want to do a double feature of the last two whenever I get to rewatching them, so I'm ending this here. It was just as much of a journey as I remembered it being, and not nearly as negative as I had the feeling it would be. I absolutely loved it, you know. And with good reason too.

#hsmtmts #hsmtmts: the rewatch #ricky bowen #nini salazar-roberts #ej caswell #ashlyn moon caswell #big red redonovich #carlos rodriguez #seb matthew-smith #kourtney greene #hsmtmts miss jenn #redlyn

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randomstarmuffin · 4 years

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My @runefactorysecretsanta gift for ya_boi_nye is finally done!! Hope I did your favorite characters justice!! :)

Happy holidays!!!! I don’t want to take up too much room so I’m going to throw some rambling and extras under the cut lol

So I don’t think nye has a tumblr, but on their twitter i saw that they were into VTube and youtaite and i wanted to incorporate that in their gift somehow. Unfortunately.... the characters are kind of all already anime??? So drawing-wise, i figured it would be more fun to go with a more general YouTuber AU so I could put in some variety rather than just stills of singing or badly rendered 3D models (by which i am throwing shade on myself alone, VTube rigs are sick but i regrettably have no 3D skills lol)

I’ve actually,,, never played Frontier at all, so I apologize if anyone is wildly out of character!! The wiki is extremely sparse and I didn’t have time to watch too too much of the let’s play i found, so if they’re not right just chalk it up to the YouTuber ~performance~ aspect of this AU lmao.

Even though I’ve never played before and don’t know the characters Super well though, I still had a lot of fun thinking about this AU! If you want to know the specifics of everyone’s content:

Anette does parkour (fun facts, this particular move i drew is called a speed vault!) and a little bit of vlogging, and she’s friends with Erik (as in canon, if I did my research correctly lmao). She sometimes appears on his channel and vice versa, and he helps her film and edit and stuff sometimes. She lives and works with Mist and Rosetta and helps out with their online boutique. Mist is the idea woman who comes up with crazy stuff, Rosetta is the realist and bookkeeper who pulls those ideas together into something feasible and profitable, and Anette handles all the packaging and shipments and stuff! There’s always something weird going on in their apartment and everyone ends up there a lot, so some of Anette’s vlogs get really popular just because of how out there they are lmao. Oh, almost forgot, but her channel is “DeliveryIsFreestyle” bc... get it... free delivery... freestyle parkour / freerunning... Lol actually it was almost going to be “RunTheMail” because i couldn’t think of anything at first so i think this was the right move in the end :P

Erik has a gaming channel where he mostly plays farming and dating sims / otome, and we don’t read too far into whether or not RF exists in this universe for him to play even though I put the posters for frontier on his wall xD. The reason I picked Stardew for this thumbnail specifically is because A) I have it and could easily take screenshots and B) i read that he has a crush on Lara? And she’s like, kind of a nurse? And Maru is kind of a nurse? It’s a silly joke but I thought it would be funny to cockblock him from dating a nurse he has his eyes on even in video gaming with his friends lol. His channel is pretty self-explanatory (I was really hoping his farm would have a fun name when i was looking it up but it’s really just “Erik’s Farm” huh? ...but I probably shouldn’t judge, my dnd character’s wolf is named Wolf xD)

Lute paints!! I think he does a lot of speedpaints and mostly does traditional art, but I think he would have some digital skills hidden up his sleeve as well. And also I don’t know why at all bc I know the least about him out of all 4 of them, but I feel like he has done / does some of those like “how to draw anime” videos because I just think that’s funny. He has a bunch of really popular ones about overly complicated fantasy outfits. No this is not a callout for any series in particular why do you ask? Anyway, I’m not sure exactly how the line goes because I couldn’t find it, but the wiki mentions that he’ll say he’s not doing anything suspicious when he’s painting at the lake, so i thought it would be funny if there’s some kind of running gag with his subscribers where they point out suspicious things he does and he responds in the next video or whatever. The thumbnail I made definitely does just have a screenshot of rff that’s color-corrected and blurred, because I ran out of time but also wanted to differentiate the bg from the canvas ^^; His channel was originally just “lute” in all lowercase but then i got to the part of the let’s play where he was introduced and he calls himself a “fledgling painter” so i thought this was more fun.

And Eunice has a cooking channel!! She specializes in baking, but she also has a whole playlist along the lines of “Nutritious Food Can Still Taste Good!” where she talks about healthy eating habits but doesn’t buy into diet culture bc I personally HATE diet culture lmao. I think when that gets popular, she also maybe does a side thing about easily accessible workouts for all sorts of people who want to get into shape? But with a focus on getting stronger / being active and Not a focus on Losing Weight necessarily. Promoter of healthy and happy living! I know how her events / dialogue can go in the game, i just happen to have Opinions About Things, so, that’s how she is in my version. Also, unrelated, but she’s very cute. Even though her braids were a bitch to draw hahaha. And i did end up drawing her just in her actual outfit even though i gave everyone else different clothes bc idk it just felt like it fit the aesthetic of a cooking vlog well?? And it’s not a super complicated one unlike others i could mention. Her channel is “Charming Sweets” and her cooking series is “My Cooking” because those are the titles of the books she has on her bookshelf at the start of the game :)

But that’s just all of *my* headcanons for the AU! If anyone else who knows them all better has their own ideas, please be my guest and imagine it however you like!!

Oh, also, fun facts, this is partially a screenshot of my actual web browser, lol, so if y’all want to know what all I have saved on my bookmarks bar and what my google profile pic is, now you know. However, i would like to not downplay how long i spent editing this in what was possibly the least efficient way to put it together how i wanted, rip, which is entirely the reason i am posting this so late LOL. Apologies for the delay, but technically it’s still the 27th here, so! Victory!

(speaking of the layout, did anyone catch the url? I’m disproportionately proud of the url. though i won’t lie part of me really wanted to put the rick roll url there just for my own amusement hahaha)

And, yeah! That’s the end of my spiel. Happy end-of-2020 to all, and an extra helping of that sentiment to nye!!!

#rfss2020 #rune factory #rff #rune factory frontier #rf anette #rf erik #rf lute #rf eunice #my art

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duchessfics · 3 years

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Hi! The one you posted so far is so good and clearly a lot of effort was put into it, so I'm very excited!!

Physical: I'm 5'3/5'4, black hair, brown eyes bc I'm asian

Dem quirks: I like semi-horror things. Is that a thing? Gore, thrill, mystery. But not necessarily jumpscares. I also like analyzing film and literature, learning and immersing myself in different cultures, and just being a performer; singing, dancing, acting. Which leads me to my hopes for the future: I'd love to perform for a living, one day, and just live in a nice apartment. Big enough to dance around, but small enough to have fun just cleaning on the weekends!

Personality-wise: I'm a pretty loud person when I'm around people I like but really, I like being alone and just quiet, which people don't really expect. I'm also very sentimental, like the kind to keep old ticket stubs and stuff. What's funny is that I have a somewhat narcissistic nature, but at the same time I have this need to take care of people; shower them with gifts and compliments, always give hugs, stuff like that!

Hope that helps, thank you!!

Salutations! 😄 Thank you very much for the kind words. I guess I just like playing matchmaker for people and now it’s your turn! For you I think you would do well with...

Audrey Tindall!

(I know I used her as Shelby in some gifs, but technically it’s still Audrey so...😅)

And here's a couple songs to set the mood:

La Vie En Rose--Emily Watts

Adore You--Harry Styles

Your Love--Little Mix

Toothbrush--DNCE

Physical--Dua Lipa

Alright, so you first meet Audrey on a set when working together. Your character is the best friend of Audrey’s character. While this is your biggest gig yet and the pressure is on to do well you rise to the challenge. In fact the chemistry between you two on camera is electric.

To the point that you exchange numbers to text each other after this is done. You’re able to keep a confident, at ease persona when she gives her number. But on the inside you are shocked that Audrey would want to continue talking to you. Little do you know the actress herself is shocked you would want to text her.

In the beginning you and Audrey text once or twice a day at the most. But as time goes on, without either of you being fully aware, the people around you both notice the increase in texting on your phone.

After getting to know Audrey better you learn that she has struggled with dyslexia since primary school. So she often sends voice notes to you rather than texting bace the long responses she wants to give.

Your favorite voice notes are her “good morning” ones where her voice is lower pitched and still husky from sleep as she wishes you a wonderful morning and says her plans for the day.

Because both of you work around people, the idea of going to a crowded place in public, especially for Audrey, doesn’t hold a lot of appeal. But Audrey wants to show her care for you so three months after initially meeting she reserves a private section at a hollywood restaurant and takes you on a date.

Both of you easily fall into an easy back and forth conversation and you end up spending the night at her place. While Audrey is chomping at the bit to climb all over you, you help her to slow down and savor in the moments of just being together.

One of you most intimate moments is when Audrey comes over to your home and you show her your hope chest filled with trinkets of past memories and a couple items for your dream future. In the beginning you tell Audrey she doesn’t have to listen to you ramble, but she’s happy to. And in that moment you realize you’ve fallen in love with her.

Your first “public debut” as a couple is attending an awards show together. You both put on a confident front, but by them time you get home, both of you admit the whole thing was a little nerve-wracking.

You never pop the question about moving in. It’s more like everytime you go to leave, Audrey pleads for you to stay, puppy dog eyes and all. So you slowly bring over more and more and when it comes time for you to renew your lease, you take the leap to move in with Audrey.

Now--Audrey may be older than you, but you love caring for your sunshine. You’ll send flowers to her on set on random days, jot down encouraging notes in her scripts to help if she gets frustrated about her dyslexia, and you make sure to have her favorite English snacks at home because American food is too sweet or too salty.

Audrey is not a fan of scary things. However you know she must love you when she hesitantly agrees you watch some of your favorite horror movies/TV shows. And it makes the experience less intense when you keep pausing what you’re watching to point out and analyze different filming and plot choices.

After being together for awhile, Audrey notices that even though you’re an excellent actress/ singer/ dancer, you’re opportunities are significantly more limited that hers. And you decide it's time to sit down and have a talk with Audrey about her privilege as a white woman in Hollywood.

The conversation isn’t easy, but Audrey lets you speak about your experiences without having to “prove” or “justify” them in a digestible way to her. She wants to listen and learn and it pushes her to do some of her own research to gain a better understanding. Ultimately Audrey loves you dearly and wants you to know she is eager to learn and grow. And she will support you in any and every way she can.

I hope you like your pairing! If you would like to be paired yourself feel free to send in an ask or submit a post!.

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365days365movies · 3 years

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April 11, 2021: Tootsie (1982) (Recap)

To be clear, I like Dustin Hoffman.

I can’t exactly claim that I’ve seen him in a lot of his most iconic roles, but I’m planning on fixing that this year for sure! On my to-watch list this year and beyond is Midnight Cowboy, Kramer vs. Kramer, Stranger Than Fiction, and Marathon Man at the very least.

But that’s not to say I haven’t seen him in other iconic roles of his, of course. Fun fact: I actually tried to do this project in 2019, and it...didn’t work. But, one of the films I watched that year was one of Hoffman’s most iconic dramatic films: Rain Man.

Oh, and by the way, that movie is not about an autistic man. Or, rather, it’s not based on a man diagnosed with one of the autism spectrum disorders. Instead, he actually most likely had a genetic disorder called FG syndrome, unrelated to the spectrum disorders. Ironic, since Hoffman’s character was the pop-cultural depiction of autism that people STILL refer to quite often, and quite inaccurately. But, obviously, that’s not Hoffman’s fault, and he was good in the movie, to be fair.

I grew up with him in Hook, as the pirate captain himself (I still do his laugh sometimes, it’s weird, I know). He had an underappreciated starring role in one of my favorite guilty-pleasure films, Outbreak (I fucking love that movie, and I’m not ashamed to admit that). He was in Finding Neverland, but I just forgot about that until I looked up his filmography to write this intro. And, of course...Master Shifu.

So, yeah, I actually DO like Dustin Hoffman, despite the fact that his role in The Graduate wasn’t stellar for me. Just seemed kinda miscast, and a little too awkward to be even slightly sympathetic. Then again, he wasn’t really meant to be, so maybe Hoffman was the perfect choice. Even then, he still acted well in it.

And anyway, I watched that movie for two major reasons. One, it was on my list of films to see, and TWO: it was a lead-up to the ACTUAL Hoffman film I wanted to watch this month: Tootsie. After all, I just watched rom-com Some Like It Hot, and if you’ve looked at me schedule, you know what film is coming next. So, this one fits in my planned schedule. Why? Well...there’s a theme.

Yup. I actually picked these movies for a reason. See, here’s the thing: this is a repeated trope in comedies, and I’ve always wondered whether or not it’s...problematic. But, much to my surprise with Some Like It Hot, they actually used the situation to comment on the female experience. I mean, not necessarily really well, but they tried at the very least. And for a film from 1959, that ain’t bad!

Which isn’t to say that it’s entirely clean, of course, but it was far better than I’d expected. So, if 1959 did that OK, how did 1982 do? Let’s find out, shall we?

SPOILERS AHEAD!!!

Recap

Michael Dorsey (Dustin Hoffman) is an acting coach, as well as being an actor himself. However, he’s not the most successful actor, as he keeps attempting to audition for pieces, only to get refused for nebulous reasons, or refuses them when he disagrees with the director. He might want to take his own advice, for the record.

In the meantime, he works in a restaurant with Jeff Slater (Bill Murray), a playwright and roommate. That night, the night of his birthday, he spends time with an actress friend, Sandy Lester (Teri Garr), and also hits on the majority of women there that night.

As the party concludes, and various people go home, Sandy is abandoned by her date, and Michael offers to take her home. She breaks down crying, and Michael guesses that she’s upset about an upcoming audition. He gives her some coaching advice, and manages to get her to produce the correct emotion for the role. Afraid that she’ll lose it without him, he agrees to accompany her to the audition and enrage her. It’s very funny.

That morning, however, she IMMEDIATELY gets kicked out of the audition, as she wasn’t right for the part. However, when he goes to help her by speaking with an actor on the show, he finds out that the actor is off the show, and is instead getting a part that MICHAEL was supposed to get. Now enraged himself, he goes to speak with his agent, George Fields (Sydney Pollack), and the two have a tense conversation. It’s revealed that because of his difficult nature, he has a terrible reputation in acting circles, and literally nobody will hire him.

Challenge accepted.

Now dressed up as a woman named “Dorothy Michaels”, he goes back to the audition that passed on Sandy. Like her, he’s also immediately rejected by the director, Ron Carlisle (Dabney Coleman), who insists that she’s too “gentile” for the part of a hospital administrator. This causes “Dorothy” to go off, in a righteous monologue that accuses Ron for conflating power with masculinity. Which...yeah, he totally is, and DAMN, it’s a good tell-off!

Producer Rita Marshall (Doris Belack) agrees, and invites “Dorothy” to read for the part. He comes in to read, and in the process meets Julie Nichols (Jessica Lange), to whom he’s IMMEDIATELY attracted. He brushes that off, and the audition commences. From there, he gets the part, which is a regular part on a soap opera called Southwest General.

Now fully invested in the dumbest idea anybody’s ever had, “Dorothy” goes to her agent and tells him the ridiculous news, and asks for $1000 to go shopping for more clothing. Back at their apartment, Michael speaks to Jeff about the whole situation. He notes that he’s doing this to get the money for his play in Syracuse, which requires $8000 to produce.

Sandy is to be cast in this play, which is an issue, as they now need to explain where the money came from, as it’s technically from the part that SHE was refused for, which would hurt her feelings. He lies and says that the money’s from a deceased relative. While in her place, and while she’s in the shower, he decides to try on some of her clothes to get ideas for Dorothy. But when she walks in on him, he lies AGAIN and says that he’s sexually attracted to her. And she reciprocates IMMEDIATELY, which leads to an unintended relationship.

On the set, “Dorothy” finds out that he’ll be kissing John Van Horn (George Gaynes), an older actor who’s clearly a bit past his prime, and makes it a point to kiss every actress on the set when they start on the show. Gross. Michael agrees, and when the scene comes, he improvises and has his character (Emily) hit the doctor instead.

While the director (who’s a DICK, by the way) notes the improvisation, he approves of it, while also discouraging any similar actions in the future, and calling her “toots”. “Dorothy” takes it, rather than talks back. John compliments her on the improvisation, and then kisses “Dorothy” anyway, much to Michael’s shock!

We also find out that Julie, who plays a nurse on the show, is dating director Ron. Later on, though, Michael observes him making out with another actress on stage. Shortly after this, Julie invites “Dorothy” to dinner at her place, which is eagerly accepted. At dinner, we find out that Julie has a young daughter and that her relationship with Ron is...not stellar.

They have a discussion about being a woman in the ‘80s, and the complexities inherent in that concept, which is an interesting theme of this movie! Gotta say, this is a more socially-conscious version of Some Like It Hot, and I really like that! But the conversation is cut short when Michael realizes that he’d promised dinner with Sandy that night, and leaves in a hurry.

Dinner with Sandy is awkward, as Sandy is...Sandy is a lot, to be honest. But, she tells Michael that the woman hired in her stead on the soap opera (who is, of course, Michael himself), is written as a wimp, rather than tough as intended, and that she should change that. Michael agrees, and actively goes against the script to make the character of Emily far tougher. and essentially a feminist.

While this causes some grief to Ron and Rita at first, Dorothy Michaels soon becomes a massively successful and popular actress on the show, and her popularity absolutely explodes. Michael’s wrapped up in the success of Dorothy Michaels, and thinks that she might be able to branch outside of the role of the soap opera. Which is difficult, as his agent points out, because of the simple fact that Michael is...well, Michael.

At a party that his agent invites him to, Michael meets Julie AS MICHAEL. He uses a line on her that she’d mentioned before to Dorothy, only to be met with a drink to the face. Which is fair, as the line was about being honest about wanting to have sex with her, so I get it.

On the set soon afterwards, we see that the show is becoming more progressive, allowing Julie’s nurse character to stand up to John’s chief doctor character. After the scene is done, the director once again calls Dorothy “toots” instead of her real name, and Dorothy absolutely snaps back at him, and rightfully so! In response, Julie goes and invites Dorothy to a weekend in the country, on her father’s farm. Despite some rebuke from Jeff for lying to Sandy AND Julie, Michael as “Dorothy” goes on the trip.

This, by the way, is an excellent time to mention that this film is exuding some real strong, uh, vibes. You know...alphabet mafia vibes. Like, it’s definitely there, heavily leaning towards Julie. Obviously, “Dorothy” is actually the heterosexual Michael, but that’s not helping, just saying. And there’s literally (and absolutely obviously) nothing wrong with that, but it’s so strong at this point that it’s hard to ignore.

On the farm, “Dorothy” meets Les Nichols (Charles Durning), Julie’s lonely and genuinely nice father, if a bit old-fashioned in his views on gender politics. He’s also got the hots for “Dorothy”, which is funny-but-awkward as shit. That night, Julie tells “Dorothy” some very personal things about her dreams as a child, which is a genuinely very sweet scene. And can I just say, that this movie is both funny and quite heartfelt? I love it! Also, again, the vibes...THE VIBES.

Meanwhile, the popularity of “Dorothy” continues to skyrocket, to the frustration of director Ron, but to the delight of producer Rita, who decides to extend her contract with the soap opera by a full year! Oh FUCK! Realizing what the hell he’s gotten himself into, Michael calls his agent, who tells him that it was in his contract, meaning he’s basically fucked.

Jeff also tries to help hi, out of it, to no avail. Just then, though, they get a call from Julie, looking for “Dorothy”. She’s been having her doubts about her relationship with Ron, and she realizes that she’s been settling for Ron and other men like him. And Dorothy’s inspired her to be a better person, and to be honest with others and with herself. Fuckin’ OOF.

Just then, Ron arrives, allowing them some alone time, as Julie is getting ready for their night out. In the process, “Dorothy” reveals that she knows about his indiscretions with other women. Ron proceeds to use the EXACT SAME EXCUSE that Michael used to excuse his lies to Sandy, and it’s well-executed! Good job, writers, that’s pretty awesome.

“Dorothy” promises to watch Julie’s daughter for the night, which proves a bit of an issue, but he works it out. Julie returns later on, having broken up with Ron. Another heart-to-heart ensues, but this one is concluded with a revelation that Julie is lonely, despite the fact that she appreciates Dorothy’s influence and friendship. And then, "Dorothy” tries to kiss Julie. OH

Yeah, Julie’s not exactly chuffed about this as, despite a LOT of “Sappho and her friends” vibes, she doesn’t actually swing that way. “Dorothy” tries to explain, but this is interrupted by a call from Julie’s dad! He asks her out on a date that night, and “Dorothy” accepts. On said date, he FUCKIN’ PROPOSES TO HER! She promises to think about it, and takes the fuck OFF.

And to continue the parade of “Fuck me, I guess” that marching down Michael Street, who should show up at the apartment but John, from the show! Having followed her home the previous night (YIKES BUDDY), he literally serenades her outside of the apartment window, before “Dorothy” lets him in. It’s there that he reveals he’s MADLY in lust with her, and it’s HILARIOUSLY awkward. Thankfully, just as John is forcing himself on her, Jeff walks in on them, interrupting John’s actions, and causing him to leave in shame.

AND FUCKING THEN, after all of that, Sandy arrives at the apartment to find out why Michael’s not returned her phone calls. And Sandy’s a lot, sure, but all of her concerns are completely valid and legitimate. And despite Michael’s impressive ability to lie, he tells her the truth: he’s in love with another woman. Which she absolutely freaks the fuck out about, but whatever, not like Michael doesn’t deserve that.

Having had it with all the drama around Dorothy’s life, he goes to his agent and hilariously recounts to him the whole series of events that’s taken place. Still struggling to find a way to get out of the situation, he goes to work the next day, for an awkward conversation with Julie. She thanks Dorothy for inspiring her to be true to herself, which cuts DEEP, but still says that they shouldn’t spend time together anymore.

Producer Rita arrives with news: the erasure of a reel of footage has forced them to shoot a scene live. Said scene involves a party being thrown for Dorothy’s characters, putting her in the starring role. And THAT is when Michael takes his chance. Dorothy improvises a monologue about Emily’s REAL past, as a twin who tragically died before realizing her dream to become a hospital administrator. Ripping off his disguise, Michael reveals himself as Emily’s twin brother, Edward!

Everyone on stage and at home is SHOCKED, especially Les, John, Sandy, and of course, Julie. And once the cameras stop rolling, Julie now understands everything. She walks right up to Michael...AND PUNCHES HIM IN THE DICK

John asks if Jeff knows, and I break in half laughing.

Months pass. Michael was able to fund Jeff’s play in Syracuse, and goes to meet Les, who lives in the area. The two make amends after an understandably awkward reunion, and they begin the journey to become friends after everything. This prompts Michael to return to the city and speak with Julie, who is...less than happy to see him. Which, yeah, entirely fair.

But, again overcoming the initial awkwardness, Julie is able to admit that she misses her friend Dorothy. And Michael reciprocates, speaking for Dorothy, who is...well, him. He says the following great line:

I was a better man with you as a woman than I ever was with a woman as a man.

And from there...the two decide to rekindle a friendship, with Julie asking to borrow one of Michael’s dresses. And y’know...I’m rooting for those crazy kids.

That’s Tootsie! And, uh...I love it! I LOVE it. I actually think this is a great film, and one of the best I’ve seen this month. But I’ll elaborate...in the Review! See you there!

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thatdamnokie · 4 years

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so, as everybody knows, our man, the lovely mark strong, turned 57 this past august 5th

since the kingsman films have had a huge influence on several aspects of my day-to-day life (gee, wonder what group of people i could be referring to...), i decided to sit down and do something i’ve been thinking about since getting my medical card earlier this year: getting high as a kite and watching them back-to-back.

to celebrate mark’s birthday, i decided to do another running commentary post like the one i did for rocknrolla ages ago, under the cut. it’s a pretty similar style, which is to say not necessarily super coherent and might be hard to understand if you’ve never seen the movies. D:

there are some mentions of the roanoke society, but not many.

if even just one person finds this mildly entertaining for four seconds, then i’ll have done my job. there is a lot of cursing and this is NOT spoiler-free.

enjoy~

edited 9.1.20 to correct typos and such, please remember that i was Not Sober while i wrote this lmao

how many times have i watched these movies at this point? i don’t even know.

i always liked the nifty like—retro arcade marv opening animation

and the thing with the tapes! we love book-ending devices!

kingsman: badass motherfuckers worldwide incorporated

like why was merlin even with them? i understand why lee and james would be there, but merlin, was he not acting quartermaster then?

i have SO MANY FEELINGS about lee unwin

i think it haunts harry and merlin more than anyone thinks, but these are fun spy movies so we just don’t talk about trauma and shit, don’tcha know

don’t look at how merlin tears up and tell me he doesn’t drink about it *HEAVILY* later

it’s such a stark contrast to see the 1990s interior vs. what it’s like when eggsy’s grown :(

michelle baby i’m so sorry. you deserved better than this.

and BABY EGGSY

omg. like this scene is both heartbreaking but is also adorable.

colin firth has gd anime legs, that dude had to straight up unfold himself as he stood up lmao

aaannnnd swooping logo, whooooo, goin’ over some mountains~

and mark hamill, ladies and gentlemen!

this whole thing with james deciding to kinda go rogue makes me wish that we knew more about his backstory as well. like, is this james being james, or was this a weird one-off situation and he was just unlucky?

YES unlucky. nobody could plan for the hurricane of sleek destruction that is gazelle

who has one of my favorite aesthetic designs as a villain (although i guess i’d put her more on maybe henchman level? but idk, it seems like valentine looked at her more as a partner, less like an assistant? and they had a very interesting chemistry together too, like i would’ve added more valentine x gazelle scenes)

i would LOVE to be this chill about just—draping blankies over bodies

blankies over bodies sounds like a cool band name

DIBS you guys can’t have it

i am SO GLAD samuel l. jackson gave valentine a lisp!

valentine, to me, does fit a lot of the usual spy movie villain tropes

but since this movie doesn’t take itself super serious, it’s more fun than annoying

and we never hear about any of the other knights?? like

half of this is just gonna be me whining for additional footage that there just wouldn’t have been room for realistically lmao

michael caine, you are lovely

MARK STRONG, LADIES AND GENTLEMAN

WITH LEGS THAT DON’T QUIT AND AN ACCENT THAT I’D DIE FOR

i’m an embarrassment

like let’s all stop and thank god that mark didn’t have time to learn the welsh accent

not that i would’ve been disappointed, because all accents are good accents on this blog

but at this point i can’t imagine merlin as—not scottish

“try picking a more suitable candidate this time”

arthur you DICK

like were you this cold-blooded when lee died, you fuckin’ reptilian-ass son of a bitch

no wonder you were charlie’s pledge person thing

and enter the fabulous taron egerton, stage left!

DEAN you are DISGUSTING

god, michelle, you need better friends, if you were my bro this entire relationship would’ve never happened

;-; and eggsy’s so sweet with his sister! i know there probably wasn’t “room” for it but i AM glad that there are scenes showing that family is one of eggsy’s kinda “core values”or whatever you want to call it

dude is a hufflepuff through and through imo

can you imagine eggsy as a villain? we would be so fucked. he’s sly, he’s smart, he could’ve made life v e r y difficult for lots of people if he really wanted to

but look at him with the squad!

eggsy’s just like the british version of a good ol’ boy

this car scene is some dukes of hazzard bullshit (ramp-jumping and fun car horn aside)

if butterflies are harry’s main symbolic critter, would foxes be eggsy’s? or would it be a pug instead? i guess that’s like asking if harry would be either a butterfly or a cairn terrier, like mr. pickle. let’s say both.

this fandom is pretty on top of character associations like that

you get symbolic associations! YOU get symbolic associations! EVERYONE gets symbolic associations whether they’re actually in the canon or not! don’t have any? don’t worry, we’ll assign you at least one!

the guy playing the interviewing officer is ALSO the patriarch in the witch which i didn’t realize until—like, a while after

and it was while @circlesofbone was visiting, and we were just “oh, okay, guess we can’t escape this cast at all, this is fine”

“your father saved my life.”

harry you’re such a fucking peacock, waiting all posted up and posing so you’ll look cool

you big doofus

i’d kill to be inside his head during this first conversation with eggsy though

like is eggsy like lee? is harry seeing lee the entire time he’s talking to his son, in his mannerisms, how he carries himself, how he speaks?

or is eggsy the opposite? which—i don’t know if that would somehow be sadder?

there’s just a lot going on in the background of this bit that’s left up to interpretation

“although i’m sure it’s well-founded—“

harry’s just so casual about this entire thing, nobody’s that casual without practice

harry you rabble-rouser, what kind of life have you led

“manners. maketh. man.”

our timeless motto, my flowers

kingsman STILL to this DAY has some of the most well-choreographed fight scenes i’ve ever seen??

like yeah the church scene but even just this initial bar fight

harry could’ve been a dancer

in a way i guess he already is

like he moves so fluidly and gracefully, it is BONKERS

colin you did so good! i’m so proud!

the way eggsy’s just O.O

whether or not you ship hartwin, like, you gotta admit, that was hot

and his BODY LANGUAGE, he’s sitting like RAMROD straight, this poor dude lmao

nobody prepares you for a situation like that in public school is all i’m saying

harry, exiting stage left like a suave, smooth motherfucker

remember when iggy azalea was relevant

ugghhhh i hate this part

“I WASN’T WITH NO ONE”

can you imagine being harry hart listening to your dead friend’s son getting the shit beat out of him

like, surely he heard the cleaver, he knows dean was going to fucking gut eggsy right?

listen to how cold and icy his voice gets, oof

yeah, he’s pissed, and dean is lucky

PARKOUR

ugh, i want to go to london ;-; i want to walk in front of the shop and visit harry’s house and kiss cute english boys

i’d like to think harry’s super excited to show eggsy everything but he’s gotta keep it dialed back because “decorum”

the way eggsy pauses though

“come on.”

and he says it so softly.

if i was eggsy, i’d be nervous, too.

but i didn’t realize how quickly harry tries to give off signals like “hey there’s no reason to be scared.”

“like my fair lady?” “well, you’re full of surprises.” <3 one of my favorite sceneeesss.

harry’s voice is so soothing but eggsy is so freaked out by the elevator that he’s just—there’s no room for anything else beyond processing the elevator lmao

“how deep does this fucking thing go?” asking the real questions

aannnddd KINGSMAN BULLET TRAIN

i’d like to think they have like soft jazz or something playing in there

and then they get to the hangar and there are obviously a buuuuunch of people out on the tarmac that we just—never hear about? i just assume they’re all like technical officers or maybe other agents

“your father had the same look on his face. … as did i.”

harry is already rooting for him.

“late again, sir.”

that. brogue.

fuck, i could listen to him talk for hours, scottish accents are my favorite thing

#squadgoals

not a very diverse cast :/

the body bag speeeeech

and of course nobody was in any actual danger, but merlin doesn’t want them to know that so he becomes mr. hard as steel, i am emotionally stoic at all times, do not test me you bunch of rugrats

“classic army technique.”

ROXY

ROXY I WANT TO JUST HOLD YOU IN MY ARMS TT.TT

aannnnddd charlie, also

who we might’ve found sympathy for if we knew aaannyytthiinnggg else about his backstory

like, could he just be Like That, yeah

but most people i know who are assholes like that are that way because their parents were first /shrug/

can hardly fault the dude for turning out like that when poison was all he was given to drink

anyone else a hundred percent positive they would’ve drowned in the first trial

i would absolutely have panicked and bit it

but then again, i’m not kingsman material, i’m roanoke

and if this is the exact same test that merlin and harry went through, does that mean there might be some weird drowning trauma hidden back in there that’s just ANOTHER thing we’re not gonna talk about?

(yes the correct answer is yes)

god that’s such an american response to the problem though

glass can’t cause problems if it’s in a million pieces!

“yeah you can wipe those smirks off your faces…”

i wonder if there was ever a situation where a trainee actually drowned

and i don’t mean like amelia, i mean some poor kid who just failed the test

merlin knows how to put the fear of god in people though!

and mark strong, very handsome, yes, very scary, also yes

he and colin both look like they’re 80 percent leg in every single scene

harry literally had brain matter smatter ALL OVER HIS FACE and still somehow had the mental facilities to be aware of those dudes, leave a bomb and dive out of a window (and then escape said dudes)

billy badass, y’all

“just get it done.” okay, i took back what i said earlier, maybe he does see her as more of an assistant, less than a partner. their relationship is weird.

the puppy scene!

“it’s a bulldog innit?”

YASSSS the golden trio

because of what happened with our other canon charlie has become a weird character for me to watch, like, yeah, i “watch” charlie be himself in tss but the charlie i “see” is like—”our” charlie.

“bollocks!” and then he just runs with jb in his vest, makes me smile

aannddd we see valentine’s super cool factory

harry your hair gets so long <3

“water!” wow, who wants to bet that the fact he was instantly screaming means that maybe he’s gonna have some stuff to talk about in therapy later

roxy baby i’m sorry they made you hold the balloon and have to trust these dumbasses to not shoot you on accident

i would trust roxy to not shoot me

i love, love love valentine’s house

it’s gorgeous

set design is always such a cool way for filmmakers to include details about a character using pure aesthetics and i’m such a slut for it

tilde!

see also: one of the characters done the WORST by these movies imo!

the fact that she not only says no, she says no with enthusiasm and gets blatantly pissed, is one of the best insights we get into tilde’s character and then it just—gets wasted

like it takes three steps and then gets mowed down in the hallway like her guards

i would never be given the opportunity to be asked if i wanted an implant but i draw the line at having stuff put into my neck

awwww harry’s so proud!

that finger point “yeah, see, be more like your uncle”

merlin is SO TALL

“a bit much innit?”

he’s just—tapping a normal clipboard

… nobody wanna talk about how that’s a normal clipboard

anyway

i also love how they show him in professor sweaters for the beginning acts of the movie

definitely a softer aesthetic than one would guess for a dude who apparently did field missions sometime within the past decade or so, but i also have a theory that lee’s death directly contributed to merlin maybe being the man behind the screen as opposed to afield

because trauma is a thing but this is a FUN movie so we’re NOT gonna talk about it

“you’re gonna be all right. you’re top of the class!” this was the scene that made my mom a reggsy shipper

regardless of how you feel about them as a couple, their friendship is one of the best things about this movie, along with their dynamic with charlie, asjdnaskdjna WHY could we not have had a trio movie instead

eggsy you show-off “lemme just throw my arms up and dip outta this plane like it’s not a big deal”

roxy you can do it!

ugh, there goes my baby, off to have a near-death experience under merlin’s immediate supervision lmao

“good girl, rox, glad you made it!”

guys, they’re just kids.

i love this big group scene because it reminds us that these are just young folks, still

“my, my, you’re all very cheerful...”

“rufus, come on!” dude eggsy—and not even just eggsy, charlie and rox too--at least made an attempt at teamwork. you get points for that bro

but man, for all they know, they’re about to beef it in a very permanent way, i’d be freaking out too

merlin getting caught up in the drama

because again, he’s supposed to know that eggsy has a parachute

i think he wasn’t prepared for these two to get that close to not making it and that’s why we see him break face and drop his mug

*WHAM*

i HATE the sound of them landing

it’s not like you can hear bones breaking but it hurts me, guys

and then there were three

plus one daddy long legs quartermaster

“if you have a complaint you come here and you whisper it in my ear.”

yes SIR

“you need to take that chip off your shoulder.”

merlin coming’ in with the tough love portion of the kingsman core squad

there’s no reason for me to think harry’s persona was inspired by cruella de ville somehow but i do anyway

she reveals the mcdonald’s and valentine is just :D

idk if he was expecting a specific reaction or was just excited to see a reaction period

valentine is definitely a fun villain, which, given the tone of the movie, makes sense, it’s all supposed to be fun

one of the reasons i love kingsman is that it’s like, this golden ray of goofy cinematic fuckery in a world of grim!dark remakes and other superhero/spy films who are presented as more serious stories

“and thank you for such a—happy, meal.”

harry got a puppy smile

but see, then, here at his house he’s a lot more relaxed with gazelle! like, patting her butt, etc.

maybe what we see of their relationship is dependent on setting, because valentine himself has it compartmentalized?

perrrrrrhaps

“and i am never, EVER GOING TO AGREE!”

tilde, you deserved better, and i think all the weird hate you get from our ohana is unfair

you don’t twist a runner’s ankle before the race starts and then get mad when they don’t win

your story was mishandled from the beginning

asmr: hanging out with the golden trio watching worrying news in the kingsman trainee bunker room

the way he says “biblical sense” lmao

i have never been able to figure out if the way he says that line is supposed to infer spiritual respect, or lack of it, but i might be looking too into it

“it’s an acquired taste, mate.”

what—what would you even do if you were at a club and three people as hot as taron, ed and sophie all came up and start talking to you at the same time

like i know the target got up and left pretty quick because of the training exercise

but i’d be doing it because i’m ugly and if three hot people are all talking me up at a bar something is Bad and Wrong

which—the CAHONES on both eggsy and roxy

they both literally said “yeah i’m willing to die for this organization that hasn’t even given me a permanent place yet, what of it”

look at harry’s dimples in this scene, he is fighting a huge grin, he’s SO PROUD

i know that charlie’s response is supposed to be just more fodder into the “charlie hesketh is a tool” fire

but given that i’m not unconvinced that his home life wasn’t super shitty, like—

idk, this makes this scene a lot less fun to me. it makes it sad.

like, maybe charlie didn’t even want to be there deep down, maybe this was all for like, arthur, or his dad, or some other person he looked up to

and the way merlin looks when he tells charlie to go home, the way that he’s kinda grimacing? i’m wondering if he’s along the same kind of feeling. he’d know more about charlie’s history

have i also mentioned how much i love harry’s war room?

“YES harry!”

an evil plan is being born!

“true nobility is being superior to your former self.”

eggsy is still in his club clothes, so like—has he slept? y’all let those kids sleep after fucking drugging them, right? … guys?

“—when one is popping ones cherry.”

and eggsy is just CHEESING he is SO EXCITED

am i the only one who wants to learn more about the store clerk guy though?

he’s like the one person around who’s legit just there to run the shop

has no idea about any of the spy stuff happening

his name is donald, he’s married with three children and has two spaniels he loves

“THAT is sick.”

i would KILL for this room.

i don’t need anything in here for any reason but still

foreshadowing, foreshadowing, foreshadowing, more foreshadowing—

harry is such a NERD

“put it back, eggsy.”

the amount of self-control it would take to not have a sudden change in expression in that moment, omg

i wonder how THAT gets trained up in kingsman

“i guarantee it.” ha, get it, it’s a reference to that one commercial

“y’all—talk so funny.”

and this all means that they had a contact at that hat shop and got all that info to them before valentine got there, and somehow made sure he did end up buying a hat that they could also successfully put a bug on, how deep does this goooooo

“jack bauer?”

it says a lot about eggsy that out of all the jb’s it could’ve been, it was jack

uggghhhhhh of course they HAD to do this scene with eggsy with arthur

obviously harry couldn’t do it

i just think most of us would NOT be fans of arthur at this point in the movie, we’re all rooting for eggsy, like, he needs this moment with this other character because we gotta drive home that he’s an asshole

also—would have absolutely failed that test

and i’m not sorry at all

“welcome to kingsman--lancelot.”

i was really happy that it was a female agent who ended up getting the handle

aannddd more echoes of past scenes, man, nobody can say that this crew wasn’t intentional with their cinematography

when eggsy rolls the window down you can see his chest moving up and down, like, he is MAD

dean you asshole

so no wonder he gets so pissed that the car suddenly decides “nope, no, we’re not doing this, c’mon”

this entire conversation at harry’s house is—tense

and you don’t pick up on it the first time, i don’t think, but uh

i’m seeing it now

harry’s not just mad, he’s hurt, and eggsy’s furious but he’s also maybe regretting his actions.

it’s these two men who are rapidly trying to figure out their headspaces and trying to figure out how to navigate this situation with each other

and the way eggsy tries to apologize ;-;

kentucky is a beautiful state, actually

ohhhhhh y’alllll

we’re at the churrrccchhhh

we’re gettin’ closer to the coolest part of the movieeeee

it’s telling that gazelle was trying to make sure that they’d be safe

“… so hail satan, and have a lovely afternoon madame.”

the most metal lines colin firth has ever uttered on camera

the siren noise after it’s switched on bothers me in a way i can’t quite articulate

it might be because i have silent hill-colored trauma, who knows

FREEEEEE

BIIIRRRDDDDDDD

THE GREATEST ACTION TRACKING SHOT IN THE HISTORY OF CINEMA

but then eggsy and merlin are reacting aaaanndddd it’s—a lot less fun

because you realize that they’re watching their bro mercilessly slaughter innocent people and not stopping

and still not stopping

but plot twist, i’m really glad they kept the track going, because if they’d suddenly picked *this* part of the scene to get serious, that would’ve brought the mood down so low that i don’t think there would’ve been any bouncing back

i just

how do people exist who aren’t attracted to harry hart

that man is a machine

and colin worked so hard to be able to do the scene himself, and that work SHOWS, that man cuts a FIGURE

i don’t know how they managed to somber it up just the right amount, either? maybe because they waited for the “fun action sequence” to be over so there wouldn’t need to be noise that had to be masked by a fun rock track?

“… what did you do to me.”

i cannot imagine what harry was feeling in that moment.

the way he spoke it was like he didn’t even have time to be afraid to die

“that tends to happen when you shoot somebody in the head. feels good, right?”

“no, it does not feel good!”

i love that exchange because we normally hear the opposite.

also—whiplash.

mark has this way of expressing grief without showing any—blatant signs.

like merlin’s not especially tearful, or crying, but his eyes look MASSIVE. and SAD. and he has just the tiiiiiniest tremor in his voice.

and eggsy, dude, like, we’ve all had it come on us really quick and suddenly it’s like your chest is pumping like a piston and when did it get so hard to breathe?

ARTHUR you REPULSE me

like look at how egssy’s shoulders sag when he realizes that arthur isn’t on his team

and in a way, this is eggsy’s final test as a kingsman trainee, imo

do you realize how quickly he had to assess what was happening and figure out what to do, all without arthur noticing?

“you are all alone. it is all up to you. remember all you have learned. good luck.”

it’s a very—almost horror-esque situation from that pov

and he passed with flying colors to go on his first true mission, because after he puts on the suit, that’s his visual cue of graduating, if that makes sense

that’s the knight putting on his armor.

“i’d rather be with harry. thanks.”

“so be it.”

*click*

me: *laughing at arthur’s big dumb stupid head*

… man i’d love a replica of that decanter and glasses set though

not to mention that eggsy recognized the flaws in arthur’s character and weaponized them, which is a whole other level of shit that isn’t necessarily easy; he knew that arthur carried the kind of pride that would leave him open

god, he looks so exhausted though when rox has him at gunpoint.

i think he was being pretty serious, about harry

sick helipaaaaaaad

that thing looks vaguely like a rock-‘em sock-‘em robot but in pieces though

more grandpa sweaters <3

man. you can see roxy swallow, you know she’s scared, but then she just sets her jaw and—

roxy baby you are the best i love you

i like the vintage vibe of the mountain lair

i think that’s another visual poke at the aesthetic themes of some of the older, og spy flicks out there

merlin looks SO LANKY walking back to the plane for some reason??

he stays until the last second for roxy. that’s love right there.

“a bespoke suit always fits.”

which can be good spiritual life advice too but that’s a separate conversation

“what the fuck is WRONG with you people?”

and his fuckin’ disco ball

uuggggghhhhh his speech reminds me of so many… “public figures” that i dislike

even though it’s obviously a bad thing that the chips are everywhere, i appreciate that phones and such are being shown in a positive manner (like, michelle talking to someone in the park, people at a ball game taking selfies, people at the beach, etc.) because i get so sick of that anti-tech boomer humor tbh

and the big reveal of eggsy in his suitttt

A KNIGHT IS BORN

“how’s the view?”

“hideous.”

you’re allowed to be crabby baby, you just let it out.

“lookin’ good, eggsy.”

“feelin’ good, merlin.”

merlin is so calm heading into the fortress and i don’t know if it’s because he’s very, very good at compartmentalizing and that’s genuinely how he is at the moment or if he’s that way through extreme self-control and effort

he can rock a pilot’s uniform though

just like eggsy can rock a suit

they’re both so handsome, help

i also wonder how eggsy’s feeling right then

like, i’d imagine that the pressure of having to perform a role to literally save the world would be enough to distract him from the bite of grief

that’s—probably enough to distract everyone, tbh

i a hundred percent believe there are breakdowns we don’t see

i wonder if eggsy told tilde he’d spoken to lindstrum(sp?) after everything was said and done

like, that’d be some kind of weird foreshadowing in hindsight

this scene is anxiety-inducing in a big way so to distract myself i imagine roxy as a mech pilot

dude i’d totally watch sophie in a role like that, like, let her be in a movie like pacific rim, she’d kick ass

and now we have The Chaos

otherwise known as that point when Everything Is Happening All At Once All The Time

also a thing that doesn’t exist in spy movies: hearing damage

because like his voice is right in eggsy’s ear and without it he’d have a LOT harder time surviving

imagine being an agent, merlin trying to talk to you, but something either hits your ear or goes off right next to it and suddenly it’s just silent

SYSTEM FAILURE

YAAASSSSS

WE WIN

GGOOOAAAAALLLLLL

THE AUDIENCE IS DOING THE WAVE

except JUST KIDDING

The Chaos 2 Electric Boogaloo!

merlin with a huge gun: hot, also, very scary

eggsy is just 10000% done

“this is mine. i’ll show you yours.”

i wonder who e man was supposed to be that valentine called.

like is that a reference to a real person that i just did’t catch?

… elon musk? maybe? idk

eggsy slides like a gd anime character

when he uses the rainmaker, it’s just like harry’s protecting him from somewhere else

(oh—wait, technically kentucky, i guess)

“merlin, i’m fucked.” you can hear the anger there. not only did he fail, but he—and everyone else—is about to die

but this? this is the pinnacle of eggsy showing himself as a kingman agent

he was staring death straight in the mouth and STILL

SOMEHOW

REMEMBERED THE IMPLANTS

so i guess if i say that the moment when he puts on the suit is when he becomes a true agent, then maybe this is the moment when he becomes galahad.

*bobs head to pomp & circumstance*

i remember getting a huge kick out of how colorful they made this

because in real life you know a bunch of people literally blowing up would be like—DISGUSTING

viscera everywhere

no fun rainbow mushroom clouds

“i’ve always wanted to kiss a princess.”

ANOTHER knight reference, very clever matthew

mmmmm Do Not Like that noise

aaaannndddd *that* line

which—maybe that’s mr. vaughn’s sense of humor, or what he thinks the sense of humor his core demographic has, idk

but it always kinda rubbed me the wrong way

the mass brawl scenes are edited so like--jarringly compared to the other fight scenes in the movie

that’s probably for a reason

also, a showdown to the tune of something disco: kind of another trope homage

this shot of gazelle is so sick, i love everything about it, she is so cool

this entire fight with eggsy is awesome tbh

we got a little bit of what gazelle can look like in combat earlier with tilde’s guards, but now we get this epic showdown seeing her at her full potential against someone who’s actually a challenge

and the way valentine is shouting for her to kick his ass from upstairs and yelling encouragement lmao that’s how real friends act when there’s a fight

daisy ;-; ugh, that’s the visual gutpunch that makes it juuuuuust serious enough by reminding us of the stakes

which is why it’s fitting that then we see the Slo-Mo K.O.

and that smile with the fun little chimes in the back, lmao

and eggsy, quick on his feet again byyyy being quick on gazelle’s feet—foot—whatever

man, impalement deaths are always fun.

coulda done without the vomiting but that’s also one of valentine’s quirks that makes him different from a cookie cutter villain

aaannddd have a heavy sigh from merlin

that dude needs a full-body massage and a drink

“is this where you say some really bad pun?”

reminder: i love that this movie is self-aware! i could not picture a super serious kingsman movie! i just picture something depressing!

there had to have been a better option besides—this, for this eggsy/tilde ending scene

i’m not saying i’m mad it ended with them fucking, i’m mad that the extent of the joke was anal and that was it.

also the idea of my boss possibly seeing me having sex would have me a little more concerned about the hardware on my face, but okay??

aannddd the tapes.

gah, we love visual throwbacks!

we love being able to see that despite all this growth and change, family remains very important to eggsy—he hasn’t changed into a different person, he has grown more into himself than ever before! THIS! THIS is eggsy unwin!

… GET READY FOR IT

time for tgc! (and to get into my roanoke feels, maybe, this is the nexus where our canons connect)

the BAGPIPES

okay

i did not stop to consider how unpleasant this was going to be to watch stoned but we’re gonna power through it and get through it together

if i cry i cry

the way the music swells into the main theme <3

and the perfect reveal for our boy eggsy!

reflected in gold, looking sharper than broken glass

and SUDDENLY CHARLIE

the pacing in tgc leads me to believe that matthew had huge plans for this movie, and a lot of cool stuff probably ended up on the cutting room floor for time

i also love that they brought charlie back

i love his voice box and his cool robot arm

and i’m not just saying that because it made it super easy to blend him into our canon, either, this is like—charlie’s evil twin in terms of his new aesthetic, the contrast is really cool

YYAASSSS THIS SCENE

WITH PRINCE PLAYING??

*CHEF’S KISS*

like we are IMMEDIATELY thrown back into the gold parts of it all, like how physics is a little broken so we can do cool shit like have a knockdown drag-out fight all within the space of a small cab

i wonder what would’ve hurt charlie worse—being thrown onto his organic side, or having all his weight land on his metal arm if it hadn’t disattached

but then he’s up and standing so i guess we’re fine?

MERLIN! <3

otherwise known as the character entrance that literally changed my life

i try not to think about it too much or i get weirded out

ANYWAY

(and to think i almost never even saw the movie)

Sick Car Chase, Bro

and as an american, like, everything’s on the opposite side to me, it’s stressful to watch a little bit

“i seem to remember in your training you were rather good at holding your breath.”

man, that’s uh—kind of a macabre thing to say, merlin

just a little bit

i’m not even gonna attempt to hold my breath to see if i’d survive this scene just assume i’m dead in that universe

we all live in a kingsman subarmine, a kingsman submarine, a kingsman submarine~~

“not boasting, but i trained him well enough that even he wouldn't mess that up.”

merlin are you okay??

gah, i love that chest-deep laugh though.

is it real love if they won’t crawl through the sewer to get to your house in time

i love that harry’s house looks basically the same

i know they talk about eggsy not wanting to change anything in the novelization but i haven’t read it yet so I’m not a hundred percent sure what all is in there

and we still get to see him hanging with his friends, and his girlfriend, like, this dude is still all about the family

“wwwwOOOOO!”

i love this group so much omg

for as much as he’s galahad, he’s still eggsy

the transition in the weed bag looks super cool

… oh, i guess watching this while high makes the main storyline hit a bit different

welp

i love that poppy is an aesthetic slut and really doesn’t give a shit about anyone’s opinion about how she makes her space

like, “i want a big 50s-style diner with a gourmet kitchen that i can cook people in, soooooo i’m getting one”

it’s also refreshing to see julianne moore in a bad guy role!

not that i’m super familiar with her filmography but i feel like i’ve mostly seen her cast as like a good guy?

i could be wrong

awwwww jet and bennie!

there’s so much to love about this set

cannibalism and the fact that she bulldozed jungle to build all this aside (suspend that belief!)

the breakfast sceeeeeene

it’s so bittersweet, for obvious reasons

and it’s more evidence that he’s not super ready to move on into new territory yet, like making new memories with tilde that ring close to home

“i wish i could have met him.”

and the way he has to turn away, ugh.

eggsy. i’m sorry.

tilde, i’m sorry, too. you had good intentions, but they lost against his pain.

michael gambdon! the new arthur we didn’t know we wanted until we got him.

charlie had a moral glo-down, it’s fine, happens to everybody

FFFFFF his imitation of merlin lmfao

man, poor charlie, like

you wake up, you can’t make a sound, your arm has been blown off and your family’s dead

like his reaction to that entire scenario isn’t entirely unrealistic, i’m just saying

also LOOK AT ROX

omg everyone in this movie can wear the FUCK out of suit, y’all

man, i’ve gotten a few tattoos that were exquisitely painful—i can’t imagine how much it would suck to do it with literal molten metal

dude this means clara laid on her stomach and probably screamed at the floor as she got hers D:

this kinda—riffs off of hannibal, a teeny-tiny bit

like we’re so overloaded with the aesthetics and behavior of a certain character so it’s like, we forget about the much darker parts untillllll there’s a mood change and we’re looking at that dude’s legs, to the burger this other dude puts in his mouth, and thinking “oh, oh dear, ew”

i love eggsy in the orange jacket <3 snaps for the wardrobe crew across this series.

tilde’s face, omg, she was heart-eyeing so bad. and like, that little proud nod at her dad (who was of course being Like That on purpose)

and roxy, coming in in the clutch, you are tonight’s MVP

uggghhhhh i hate this part

because again, it’s just--a bunch of bad shit colliding outside of anyone’s control

(it was also really jarring seeing the war room with blank walls the first time i watched this)

like—granted, you should maybe not touch stuff that’s not yours, but…

like we *just* saw eggsy and brandon in a very casual, intimate scene with each other, how can anyone get angry with brandon?

this is all stress-inducing

i remember being in the theater watching this and feeling like i was watching some awful slow motion car wreck and i couldn’t look away

idk what other story i would’ve wanted to see but i was NOT a fan of Sudden Death For Christmas, especially concerning roxy!

and poppy is such a *bright* villain, not just because of taste but because of her personality, which is another weird thing to have next to the cannibalism

gaaahhhh charlieeee your arm is so cooooool

this shot is gorgeous and incredibly depressing.

what do you do?

gah, and the way merlin comes out of the dark, like

i probably would’ve drawn a gun on him too

“you think *i* would?”

this scene shows 1. how much he trusts eggsy to not shoot him, and/or 2. how good merlin is at compartmentalizing, because this is an even bigger blow than harry’s death, and he’s following the protocol like it’s an art form

i hope that we see some reference to this safe in the next movie, that’d be a cool way to tie the narratives all together

“i suppose that must be upper class humor. … i don’t get it.”

reminder, merlin is working class.

if you’re a ho for this fandom and went and bought this whiskey specifically because of this movie clap your hands *clap clap*

and they proceed to just get HAMMERED

“country rooaaddsss… take me hoooooome…”

another reminder: kentucky is a beautiful state!

i would love to tour a whiskey distillery, that’d be super cool

“shame it’s not scotch”

again, with his weird night vale clipboard.

who would win: two highly-trained kingsman agents vs. one (1) cowboy

channing tatum, ladies and gentlemen!

“y’all look damn sharp!”

i am forever gonna be mad we didn’t get more of tequila in this movie, and not just because of roanoke either, but like, “that dog don’t hunt,” whatever he has in his mouth sealed a leak in a barrel, and it took him all of two minutes to incapacitate both eggsy AND merlin? hello??

i’m glad we’ll get to see more of him in the another movie.

“you know why the measurement of alcohol is called proof?”

just dumping it on their laps, so disrespectful

“—and you can go fuck yourself.”

eggsy fucking just giggling.

these two doofuses

also it’s hot to see merlin be sassy ngl

“HARRY!”

these guys have been fast thinkers in stressful situations but as it turns out, people being unexpectedly not dead can kinda fuck with your day

aaannddd halle berry, everybody! i love ginger ale omg

(and so does merlin, he is instantly enchanted)

;-; this reunion scene

i don’t know how colin manages to be two completely different people at once

like there’s a huge difference between former agent galahad and harry hart the lepidopterist and i can’t explain it

i really, really hope we see at least one little hint at kinsman’s relationship with statesman in the new movie, i just think it’d be really cool

in roanoke canon, there’s an office rumor that the nanobot tech used by statesman was influenced directly by the same technology developed by dr. wernicke in the outlast games. i still think it’s one of my better crossover ideas.

also

god bless whoever decided to get elton john involved with all this?? because i was DELIGHTED

i love poppy’s wardrobe as much as i love her weird 50s-land in the jungle

i also really love the main statesman theme? it reminds me of all those fun epic westerns

jeff bridges! :D

champ vaguely reminds me of my dad

“can you imagine us in the tailor business?”

and he’s super quick with the questions. my headcanons for champ are all over the place but one that i really like is that he was maybe a sheriff or in law enforcement before being recruited by statesman.

aaanndddd pedro pascal, everybody!

otherwise known as *another* character that this movie did dirty, that’ll probably come up in this later

imagine being harry hart, not remember all of yourself, and suddenly your entire room just—fills with water

that had to have been so terrifying, and it was just as hard for merlin to watch (and possibly remember something unpleasant)

and like

that sounds like SUCH bullshit, too, like “yeah we thought if you came close to drowning it would help”

which, is that what merlin meant, no, but is that what harry heard, probably

enter jb the second ;-; <3 sweet baby

tilde’s trying so hard. i see you!

aha, penis jokes.

and all of the unnecessary weird festival stuff, uuggghh

there are so many different things they could have done, like, all of this is just weird from the get-go

first of all, whiskey striking out? hello?? saying no to a man like mr. pascal???

not realistic

the way whiskey takes a shot as he walks away lmao, relatable

and poor clara, like, it’s not like she was asking for any of this D:

hmmmmmmm don’t know how i feel being a stoner watching other stoners get this blue rash thing when i know it kills some of themmmmmmm

i love charlie in his newsboys cap!

poppy has a little bit of a point. like, booze is way more dangerous than pot, as is tobacco. like i would never advocate anyone try meth or heroin, but i think weed and some hallucinogenics get bad wraps.

seeing a dude get torn in half in the reflection of elton john’s sunglasses is the surprising bit of gore we need to remember that oh, yeah, the villain isn’t fun, she’s a murderer

uuggghhhh the TENT SCENE

and, look, i’ll defend tilde forever, but i did NOT like the weird marriage ultimatum. i still think it’s a dick move, like, in that situation either decide to trust your boyfriend or break up with him

the tent interior is super cool-looking

and like, man, he tried, he tried to bounce D:

/sigh/ work hazards, i guess

mmmmmm we don’t need any of what’s happening on screen right now so i’ll just sit patiently and wait for it to be over

and like, there’s nothing funny about merlin and ginger being able to hear everything that’s going on, it’s so grosssss, poor ginger has to have heard some shit before to be so nonchalant about it

everything about this sucks

and then he tries going to the one person who he needs the most and having to deal with him still existing in some state between alive and dead

his body is here

but harry is not

“maggots turn into flies, perhaps you mean larvae!” :D he is SO CUTE

but this entire conversation, with harry still not remembering and eggsy trying so hard to reach him through the fog, is so depressing

like, i’d need a drink too

*and* a joint

i’m seeing my coping mechanisms on screen here folks

the way he comes up with the idea is kinda ingenious though

like, he’s looking at stuff to make himself bummed on purpose, but therein he finds the thing he needs to fix the issue

harry’s smile when eggsy hands him the puppy TT.TT

and then eggsy just becomes a stone cold motherfucker with no emotions

“no one’s sick enough to shoot a puppy!”

hi, flashback!harry

and as SOON as he remembers himself, it’s like his eyes are different, something about him looks like it did before kentucky

“… eggsy.”

one of my favorite movie hugs

and eggsy has to stand on his tiptoes because harry’s so tall

like yeah merlin and harry’s reunion isn’t as overtly emotional, but there’s definitely a sense of joy and relief there.

harry my baby ;-; much better with the sunglasses (and merlin was so close to telling him he looked spectacular)

“now is that any way to welcome a visit from outta town, moonshine?”

he! tried! to! defend! harry!

i hate that jack got a villain story line!

we could’ve had something so much better and infinitely more compelling!

“hurrrr durrrr morgan you just like redemption arcs because you don’t want anybody being a villain permanently” i also like them because sometimes that’s better writing, y’all sit down

“that is NOT what i call a kentucky welcome.”

i love so many things happening in this scene, like

we get to see whiskey kick ass, like yassss gimme those sweet action sequences and give us some character development by showcasing his fighting style

and also NOBODY shits on harry for not being able to handle the situation. both eggsy and merlin were like “dude we’re still celebrating the fact that you’re alive tbh it’s fine if you’re not back up to speed right this second”

you can really tell that this was penned by british people writing american slang because having grown up in the southern half of the u.s. i have never ONCE heard ANYONE say shit like “i feel like a tornado in a trailer park” lmao

and poppy’s fun little death threat infomercial, so great

“what have you done to me you FUCKING BITCH” oof, that’s a mood

!!!!! gonna be honest i kinda forgot that bruce greenwood plays the president

okay but save lives, legalize isn’t an entirely bad idea tbh

hnnnnnnng the scenes about people not being able to get into the hospital hits different in the year of our lord 2020 huh

… y’all i’m being weirded out by all this hospital scenes, this is unpleasant

i, too, wish i could pull a tequila and just be slipped into a chilly coma until shit wasn’t so fucked up

“the fact is, this presidency has won the war on drugs!”

THIS SCENE!

look, y’all can come into my inbox and call me a pothead, or a lazy stoner, or some third insult, but this dude’s VP is bringing up some very, VERY important points when it comes to any kind of discussion about drug use in the u.s.

am i drug-friendly, sure, but i’m more friendly to the notion that we stop demonizing addicts/users

harry looks fucking SCANDALIZED when he sees champ spit into his spittoon thing

i don’t think whiskey even brought up harry not being ready to return to the field in an insulting manner, he literally just saw him get his ass beat in a bar, but eggsy’s faith and loyalty are up there in the category of unstoppable force/immovable object, so here we are

am i the only one curious about the whole charlie x clara thing? because he’s definitely grown up a bit by tgc, and i wanna know how much of that might be because of clara

and he MISSES, e for effort harry

“so sorry about this—“ WHAM

and now that guy can say colin firth busted his face with a fire extinguisher, which is very cool

“*you’re* wu ting feng?” “… yes?”

“you motherFUCKER” ohhhhhh charlie maaaaaad

ginger and merlin though, #couplegoals

the only person more pissed off about the hallucinations than everyone else is harry

imagine remembering that you’re one of the top people in your field and you just keep seeing imaginary butterflies everywhere

like, yeah, i’d be pissed at not being able to do what i knew i was capable of, too

if it wasn’t careening towards a random retirement center, getting stuck in a wildly rotating gondola thing could be fun

nice tuesday afternoon activity

i would loved to have seen more galahad/whiskey field stuff

“you’ve got to be fucking kidding me—“

meanwhile, in the continuing adventures of eggsy and jack: shit goes from bad to worse like a formal spiral only going downward

their expressions as their both just SCREAMING always make me laugh

”that’s the first decent shit i’ve had in three weeks.” <- as does that line, that old dude’s just telling it like it is

eggsy’s comment about the antidote just reminds me of when boromir looks a the ring and says something like “all this for such a tiny thing”

dun dun DUN what are THOSE? hints that whiskey may not be who we think he is??

great. so excited about that. i say, rolling my eyes into the sun

“i’ll fix their wagons.” no one says that matthew!

i. love. this. scene. because now we get cool gun tricks AND the second most metal thing that happens with a lasso in this movie (we’re coming up on the most metal thing)

like please please PLEASE show us more lasso tricks in the statesman movie

“well thank fuckin’ christ i didn’t need any backup.” i wonder if whiskey’s acting angrier than he actually is to throw off the fact that he might’ve caught harry’s glance at him betraying suspicion

RIP jack

imagine the timeline where whiskey was never a bad guy and harry hart just blew a dude away for NO REASON

now THAT would be an interesting movie

because harry and eggsy, for all they went through in the first film, never had a conflict where it was harry in the position of mangling the ropes up

but of course eggsy would never, never tell merlin what happened because he’s still ultimately on harry’s team

damn, charlie, literally blowing up your girlfriend seems kinda extreme

“THIS is vital!”

and here we get to see the biggest difference between merlin and ginger

now, i know there’s extra stuff in the novelization about their relationship and i can’t talk about it because i have no idea what’s in the book

but!

i DO still headcanon as merlin quitting fieldwork after lee’s death

his comment is either what he genuinely believes, or maybe what he fashioned his beliefs into after stepping down from his field role, and ginger is just as sincere in her desire to break into that aspect of working for statesman

it’s like seeing the same character but in two points in time, and it’s really cool

that balance would’ve also been a fun aspect of their romantic relationship to explore but alas! ’twas not to be

colin and mark could both play slenderman

look at those limbs.

gracious.

also this facetime scene with eggsy and tilde T.T

that has to be so terrifying to watch when you know the steps of death and what they look like as they get closer

but it also puts a fire under eggsy though

“i’m leaving with, or without you.”

and of course they’re both gonna go because that’s NOT characteristic eggsy behavior based off of how we know he views family/squad

that’s how they know he’s being for cereal

uugggggGGHHHH and THAT FORESHADOING

stacey pruitt, attorney at lawwwww

hmmmmmmmmm

what does this conversation between poppy and the president remind me of

gonna just sigh into the void

and now we have harry and eggsy on the jet along with the BIGGEST LIE harry hart has ever told in his LIFE

kingsman and statesman aesthetics at least tend to be the same color schemes. lotta golds, yellows. browns.

eggsy, yeah, it’s a bummer your gf dumped you, but this relationship wasn’t very well-developed or written so i’m not as bummed as i could be

“… and in that moment, all i felt was loneliness and regret.”

harry shut the FUCK UP

you felt NOTHING??

you weren’t thinking of, gee, i dunno, EGGSY? or MERLIN?? your MOM???

like these lines from him just seem to come out of left field and i can’t even halfway suspend my belief long enough to come close to believing him

like mr. hart you just gonna be like that in front of jesus and everybody????

so, yeah, of course he’s on board with saving tilde! because he recognizes (apparently just right that second) that “having something to lose is what makes life worth living”

and i don’t know if they felt like there need to be some weird, deeply contrasting reason for harry to swing around to being in support? or something?

i’m forever pissed about this characterization and i don’t even know if i’m expressing my anger in a way that makes it easy to understand lmao this is fine, i’m fine, literally not a single person in this fandom ever believed those lines anyway, it’s fine

moving on

... and even if they WERE true then honestly that just makes me more excited about butterfly knife, because that means that harry acknowledged both the bad side of the coin, and also the side with rae on it (which would mean seeing her for who she was and also recognizing his feelings for what THEY were) and drew the ultimately correct conclucision that love! is! always! worth! it! let that shit in like a welcome guest in the home of your heart, and they will stay as long as you let them!

as SOON as he wakes up ginger looks a thousand percent done lmao

and the “process” that they use to wake people up or whatever is—interesting

because all it is, is trauma turned into a tool which is kind of a weird concept to see in a “fun spy movie” imo

and this is one of what i feel were like only what, two? glimpses we get into whiskey’s Tragic Backstory

and the other scene isn’t a glimpse it’s just straight up exposition in his dialogue :/

jack, i’m sorry, you deserved better than this as a character

i’m sure the name “silver pony” is a reference to something but i don’t know what

“lookin’ GOOD merlin!” “feelin’ good, eggsy.”

ladies and gentlemen when i tell you that i lost my pool-noodle mind seeing him put on that suit watching this in a theater, i--

ANYWAY

because now that i have the horrible burden of having seen these movies a million times

i know it’s more symbolic

he stays in sweaters so long, as an agent of the background, because he walked a man to his death

so it figures when he puts the armor back on for the first time in ages

he walks to his own

uuuggghhhh the minesweeper

i hate this

i hate it

i hate everything about the feelings i’m having while this is happening

*beep-beep*

“you move, we die.”

i HATE IT

but like, i don’t know, how preferable is this to the end scene we almost got, which was merlin dragging his newly-legless corpse through a doggy door?

because it’s been literally multiple years and i still have no fucking idea

they’re both horrible in their own terrible, awful ways

damn, matthew, it’s not often someone manages to come up with multiple versions of a thing and have every version be so gut-wrenchingly horrific, i’m truly impressed and completely disgusted

“do as your told!”

god

everyone just going through twenty shades of Bad Feelings in the space of fifteen seconds here in the jungle

and colin and taron do this thing where it’s like—their eyes go dead? like, there was a light here, it’s gone now

it SUCKS

oh no

ALMOST HEAVEN

WEST VIRGINIA

… fuck

LIFE IS OLD THERE

OLDER THAN THE TREES

“… singing?”

this sucks.

this sucks this sucks this sucks

MOUNTAIN MAMAAAAA

TAKE ME HOOOOME

COUNTRY ROOOADDSSSSS

*THUNK*

and he even took off his glasses before he hit him, he had his end coming towards him and he was still a gentleman

TAKE ME HOOOME

COUNTRY RROOOOAAAADDDSSSSS

his EYES AT THE END

FUCK

… okay i had to get up and go for a lil’ walk

anyway

(and again, roanoke canon, fucking fixing’ shit left and right, because we’re the goat)

harry and eggsy look MURDEREROUS

MERLIN SAID KNOCK YOU OUT

it DID make the grand ending fun action scene a lot more satisfying

because like, without merlin there, that means harry and eggsy get to go full feral

poppy you big idiot you just robbed them of all their motivation to show any kind of restraint and now everybody’s gonna get blown up

except for those dudes who get kicked by elton john

which would be an HONOR first of all

(the part where eggsy’s using his gun and shield vaguely reminds me of the specialist, @bloodofthepen)

and harry and eggsy just—they’re drift compatible! that’s it! the teamwork! the grace! the flow! my god!

eggsy vs. charlie: round like 4 if you count the first movie

it was also satisfying to see charlie’s new arm in action

we love fun robotics and gadgetry in this house

colin firth is really just not afraid to throw himself full force down a bowling lane huh

ugh, seeing charlie slam eggsy over and over again makes my chest hurt

the sound mixing on all these films is top notch which isn’t always a good thing T.T

ROCKETMAN~~~

that shit will never NOT be funny

a wild elton john appeared!

eggsy is indestructible, he can walk off anything

but charlie, charlie i feel really sorry for, imagine being attacked by a superior version of your own limb, i.e. something that you can’t exactly quickly remove from yourself, that would be TERRIFYING

harry + elton = dream teaaaammmm

“darling if you save the world, you can have a backstage pass.”

i love you elton john :(

i would have been the most OBNOXIOUS hype man in the background of the entire kingsman vs. poppy land face-off

“let’s make this fair.” eggsy you’re fuckin’ cheeky

and poor harry, all that lank just getting tossed like noodles

i thought the robot puppers were very cool

“for the record charlie i’m more of a gentleman than you’ll ever be.”

mmmmmm do NOT like this death for charlie

SUPER glad we fixed it

and another scene where i can’t stand the sound mixing T.T it makes me cringe every time

“i don’t consider genocide especially lady-like.”

and are we gonna talk about how merlin knew how to make heroin?

… no?

nobody wanna talk about that?

ugh that houndstooth dress is so PRETTY though

high!poppy is weirdly comedic for all of two seconds and then it stops being funny real fast

whiskey D:<

this is so dumb

this is all so, so dumb

“our agencies were founded to uphold peace, to protect the innocent—“

there’s that nobility again

is what happened to whiskey fucked up, yes

i’m not saying we have to completely remove that from his story

i just

literally anything but this would have been preferable

and then HOT DOG it’s one of my favorite shots in the movie with the whip where harry’s just chucking it away from his face like a bamf, YES

how great is this cover, let’s be honest

like, i’d be lying if i said i didn’t enjoy this scene visually

plus

HARRY GETTING PEGGED RIGHT IN THE FACE WITH A FRYING PAN

gracious

it’s one fluid tracking shot, so kinda in alignmentment with what we’re used to

some people get annoyed with repeated junk but when you can do it THIS WELL you can get away with anything

but then jack

you did NOT desert that

yes, you were in dire need of an attitude adjustment but jesus

“this is for you, merlin.”

/ugly sobbing/

and tilde is all betterrrrrr ;-;

you guys did itttttt

COUNTRY ROOOAAADDSS

TAKE ME HOOOOOOMMEEEE

TO THE PLAAAAAACCCEEEEE

I BELOOOOONNGGGG

and the scene with jamal and liam T.T #wholesomecontent

poor tequila, after i knew that you would have a bigger role in another movie, i was less annoyed by the fact that they iced you so quick into the story

#FOX2020

“… now we’re brothers, working side by side.”

spoiler alert i actually love champ’s toast

“y’all shittin’ in high cotton now” WHAT DOES THAT MEAN???

and ginger becomes the new whiskey like she always wanted T.T

merlin is proud from heaven (or london, depending on which canon)

iiiiiii have mixed feelings about the whole wedding scene, which is probably because i take HUGE issue with the weird proposal ultimatum thing that happened earlier

but the way eggsy says “not a doubt in my mind,” he says it so seriously and i remember that tilde almost died

there was such good intention packed into this couple that was so badly written that i just

augh

“but it is perhaps the end of the beginning.”

there’s ***merlin! lmao i see you dude, they did you dirty

look

i was pissed off about a lot of things that happened in this thing but i was honestly hype seeing tequila at the very end walking into the tailor shop

like, yeah, i’ll stick around to see what happens in this universe but i’m gonna complain the whole time

GO JACK RABBIT

RUNNING THROUGH THE WOODS

and again, i almost didn’t see this movie.

… i think about that morgan sometimes.

hope she’s doin’ okay.

…

she’s probably not. D:

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meichenxi · 4 years

Note

For the ask game! 9, 12, and 22?

Yay more askies :D this is going to be likewise long!

9) What does a week in your language learning routine look like?

- I’m not particularly disciplined in the way that I study, though I do tend to study most days. I’m very good at making plans but less at following them consistently, so this is a more realistic depiction of what I do!

- Because I’m currently studying with HSK Online and they have two classes a week which cover about 3 chapters, I have a lot of vocabulary and grammar that I need to cover in the app before attending those classes, so most of my studies at the moment are focused on getting that done. So:

Vocabulary and grammar:

(I do this all most days, depending on what exactly I need to do for the next lesson, but I try to do Quizlet every day)

1) I go through the vocabulary and grammar lessons, and write down the vocab and any example sentences.

2) When I input this into Quizlet, I use Baidu Translate to look at example sentences to get a better feel for how the word is used. I also write a couple of sentences / say a couple of sentences with each word. Baidu Translate is a fantastic tool, much better for Chinese than Google Translate, and it has an example sentences section where you can get the pinyin if you hover over the characters.

3) After I feel I vaguely know the words for that day, I will go back and actively study them on Quizlet. For any words I forget I’ll write more sentences, or look at more examples. If there are any grammar points, I look them up on Chinese grammar wiki.

Input and reading

(I don’t do these at any specific time, but luckily I quite enjoy this section so am very happy to Consume Media)

1) Try to read something every day. It doesn’t matter exactly what this is - often it’s Bilibili comments! I also like to skim through my graded reader and try to practice scan-reading.

2) I do dedicated HSK-style reading practice a few times a week as well. Again, I use the HSK Online app for this. It’s terrifying but necessary. This one I do have to motivate myself to do.

3) I watch a lot of Chinese shows. Some with English subs, some with Chinese subs. My favourites include The Untamed (obviously), Nirvana in Fire (will always need the subs for this rip), Tian Guan Ci Fu (a donghua on Bilibili) and Street Dance of China. I probably watch a good 5-10 hours of TV a week.

4) I learn other things through Chinese. So I watch lectures or courses on Bilibili or do workout videos. I especially like watching videos teaching beginners Cantonese and Japanese, two languages I am interested in learning, as well as Literary Chinese.

5) I listen to podcasts in Chinese when I’m walking around. My favourites include 聊聊东西, 听故事学中文 and 面包吐司. They are all in Chinese, but all specifically designed for foreigners, though the first and last are not learning podcasts, just podcasts of fairly accessible content where people chat about things like smoking, health, dating and so on. The second one is a podcast where stories are read in Chinese, and then explained sentence-by-sentence in Chinese, so it’s more ‘learning’.

12 - What tips would you give to people that want to study the language/s you’re studying?

1) It’s an uphill slog, but you’re at the hardest place right now. So if you feel discouraged, if you feel overwhelmed, nobody else got it after one month either! It will take time, but is there anything worthwhile that doesn’t?

2) Invest in good pronunciation training right from the beginning. If you can’t take classes, watch videos (YoYo Chinese, Outlier Chinese, Mandarin Blueprint etc have good tone series). Practice tone pairs. Tone pairs are your saviours. Practice repeating what the speaker actually says, not what you think they say. Learn a little bit about phonetics.

3) Listen to Chinese right from the get go, as much as you can. Listening is many people’s weakest area, especially if they are learning it in a non-Chinese speaking environment. Play podcasts all the time. Differentiate between ‘learning’ podcasts (which will mostly be in English at the beginning), and podcasts that just train your ear to the sounds of Chinese. Have Chinese podcasts on all the time, regardless of whether you understand them or not.

4) Invest in a structured course. I don’t necessarily mean classes with a teacher, though if you can I would recommend italki (feel free to contact me to see which teachers I’d recommend). But consider something like Chinese Zero to Hero, where they have videos explaining HSK1 through to HSK6. It’s about 100 dollars, but even if you have to save up for a few months to get that, I’d recommend it. Why? Because Chinese is overwhelming and there’s so much to learn. Having someone to tell you what you need to learn next is an absolute god-send. Plus, they know more than you what beginners need to tackle. They also have beginner-appropriate audio, which is absolutely crucial to learning to speak. I really would recommend this course.

5) Learn properly about how characters work from the get go. Learn about phonetic and semantic components. Learn what types of characters there are, learn the most common components, and learn to hand-write them too.

6) Record yourself speaking as much as you can. Play it back. How does it sound? Record it again.

7) Practice reading from the moment you have around 150 characters. There are excellent physical graded readers as well as apps like The Chairman’s Bao and Du Chinese. THIS IS SO IMPORTANT, PLEASE DON’T LEAVE IT OUT. It takes time for you to get used to reading in a second language, especially one with unfamiliar characters.

8) Decide whether you’re going for traditional or simplified, and stick with it. Do not learn both unless you have a very good reason. If you think you might go to Hong Kong or Taiwan, have family there, want to read literary Chinese, or even understand ‘deeper’ how certain characters have developed, you can learn traditional, but if you’re less than 100% sure, go with simplified. It’s easier for beginners, and if you have a good level of simplified Chinese, traditional isn’t that hard to pick up later down the line - some common characters are completely different, but many are different in very predictable ways. If you are not absolutely sure you are going to need traditional, I’d recommend simplified.

9) Really, really consider your motivation. Why are you learning? Do you just think it would be cool? It is cool, but that’s not enough of a reason to embark on any language, much less one with extra difficulties like Chinese. In an ideal situation, you’d be intrinsically motivated all the time: but that’s not always going to happen. Do you have Chinese family you’d like to communicate with better? Do you want to travel to a Chinese speaking country? Do you want to read Chinese poetry? Do you just really love Xiao Zhan?? If you’re doing it ‘for your career’, please bear in mind that you won’t get any points for learning half a language. If you’re not willing to engage with the culture and the people, you’re just not going to be successful long term.

10) Find things you like watching / listening to / reading in Chinese as soon as you can. Bored? Unmotivated? Stick a favourite episode of your favourite drama on. It still technically counts as immersion, and when your language skills are better, you’ll be able to use that as your textbook!! Try and find something that will make you want to read or listen in Chinese, and then it won’t feel like a chore. It’ll also become a motivation, because inevitably the more you explore the Chinese language internet, the more you’ll find things you can’t interact with in translation and need your language skills for.

22 - How has learning about the culture of the country impacted your language learning?

Hmm, this is a really interesting question!! I'll have to answer in a few ways.

1) I'm interested in a lot of things about Chinese culture, which fuelled my interest for learning Chinese, and also let me learn in a more fun way. I’m a huge tea nerd, I enjoy listening to Chinese traditional music though I know very little about it, and I enjoy calligraphy. I think that some hanfu is just objectively the most gorgeous clothing on the planet and I enjoy Chinese water-and-mountain style landscape art. I also love the karst landscapes of some parts of southern China (OH MY GOD LIMESTONE MY FAVOURITE ROCK) and I’ve had a faded picture of Zhangjiajie on my wall since I was about nine. This is very different from my experience with German: I love the German language, and I have a lot of great friends from German-speaking countries, but I’m not intrinsically interested in the culture the same way I am Chinese-speaking countries. Because there’s so much I want to learn, it gives me a) huge motivation for continuing studying, b) makes it a more holistic, rounded experience, and c) provides me with wonderful study materials. At the intermediate level, I can avoid textbooks if I really want to and just learn about tea. Isn't that just the dream. Also, realistically, if I want to be able to read poetry in literary Chinese, my modern Chinese has to be a lot better. So I’m very motivated because of this.

2) My interest in martial arts! I originally started learning Chinese because I had gotten interested in Chinese culture via wuxia and martial arts. My dad is a huge martial arts nerd. By that I don’t mean someone who sits on his sofa all day with a nunchuck collection and Bruce Lee pictures, I mean he gets up at 6 every day and trains for about 2-3 hours. He can run a 5:30 minute mile aged 56. I have so much respect for this man, seriously. He used to practice karate, taekwondo and Muay Thai, but after he got sick he started with taiji. He’s practiced taiji and qigong now every day for about twenty years. So I was brought up on a diet of Hong Kong and mainland Chinese martial arts cinema - my dad would regularly show me clips of films because I couldn’t watch the whole ones until I was older, and get into trouble when my mum came back! We spent hours learning forms together and doing push-hands in the kitchen. Even now when we go home our form of affection is trying to kick each other without being kicked back lmao. I discovered the Jin Yong books in English about 15 and was just entranced by the names of the movements, by the action, the galloping across the plains, the sweeping scenery. I have inherited this interest, and am also a huge martial arts nerd and so a large motivation for me learning Chinese is that a) I love the genre of wuxia and want to know more about it, and b) I’d like to spend a few years training at an academy in Wudang and want to be able to understand as much as possible and for that, I obviously need the language to a high level!!! I started jiu jitsu when I was 8, started a southern style of Kung Fu when I was fifteen, studied for a few months in China in an academy, and it’s been my dream to go back since.

3) Different cultural attitudes, the outside park culture, and how people talk to each other. I’m from the UK, alright - we don’t do things in public and we certainly don’t approach strangers!! So when I was in China this was one of the weirdest things to get used to, next to just the sheer amount of people (I grew up in a village of 2000). But though it was tiring at times, I liked it so much. It was so refreshing to have people ask me questions because they were curious, and start talking to me. One of the reasons that I think my accidental immersion-only approach to learning Chinese the first time I was in China worked was because I just couldn’t stay away from the parks. People practicing taiji, playing badminton, chilling with kids, doing calisthenics: isn’t that just so so cool??? And naturally if I was in the parks, people would chat to me. This patience and friendliness (because my Chinese truly was awful) combined with many people’s lack of ability / confidence in English meant that I was able to improve in a way which would have been impossible in, say, Germany or Finland. Can you imagine?? Once an old guy came up to me, peered over my shoulder at my (English) book, then announced loudly, ‘I can’t read it.’ I was like - can you read English?? He shook his head, and then pointed to a small boy: ‘This is my grandson. He’s learning English.’ That kind of interaction repeated daily, as well as being in a second-tier city where I had to speak Chinese, did so much for my language skills. It also made me very motivated to improve. Also, training and exercise is just a great way to meet people: no matter your language skills, if you are dedicated people are going to respect that, and if you’re both there every day, you’re going to get chatting eventually.

Phew, that got long again (what a surprise). But thank you very much for your questions!! :D

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anhed-nia · 4 years

Text

BLOGTOBER PRE-GAME 9/30/2020: 30 MILES FROM NOWHERE/CONFESSIONAL (2019)

Spoiler alert. Or whatever. It’s not going to matter, you don’t care.

So, I've been away for a minute. Just about any reason to be away from Tumblr is probably a good reason, but I have an especially good one. I'm finally working on a "real" writing project, which demands, and deserves, all of my attention. My social media abstinence isn't just a matter of time management, though. Once I had a long term obligation on my plate, I became very aware of how the short term satisfaction I get from posting mindless rants was eating away at the fuel I have available for sustained efforts. When I wind myself up with a 500-1000 word blog post, it generates a lot of electricity, but I blow it all as soon as I experience the catharsis of posting it, and I'm further pacified by ego-stroking likes and reblogs. Not to sound like a sanctimonious luddite--I mean, I'm still here, after all!--but it turns out that the staying focused on the long haul has been surprisingly revivifying. In fact, I haven't been talking about my big fancy project for the same reason; I don't want to lose any of the juice I've been storing up by wasting it on the shallow pleasure of describing it. Also such things should probably be somewhat confidential until they're approaching the publishing stage, but I digress! There is an actual reason I'm saying all this, that has more to do with this blog.

(Don’t get all excited, I’m not doing EVIL ED right now, I just need a relatable image.)

As I got deeper into my experience of "real" film writing, I started to reflect on the meaning of my personal writing. Like, the point of it. I tend to write in a sweaty, compulsive, sadomasochistic haze, in which I'm sometimes hyperbolically generous, and sometimes--perhaps more often, unfortunately--as nasty as humanly possible. Sometimes the movies deserve it, when they're lazy, pretentious, or otherwise demonstrate an open contempt for the audience aka ME. Often, though, I'm just creating an opportunity to vent my generalized rage and frustration. That can be very entertaining for myself and (hopefully) my teensy-but-devoted readership, but lately I've asked myself whether there isn't some negative tradeoff for all this amusement. In this phase of my life, it's reasonable to assume I'll make more and more friends and acquaintances who create things I don't always care for, but I don't necessarily think they deserve to be abused for it. As much as I have a right to say whatever I want, technically, I'd be embarrassed if I were caught just jacking myself off by making fun of their work in public. And more to the point, I don't necessarily want to contribute to the growing atmosphere in which people feel more afraid to try and fail, because the public so commonly misidentifies sarcasm and mean-spiritedness as intelligence and superiority, and that form of petty darkness spreads across the internet a lot faster than a movie can reach a wider audience. After all, I'm in the process of potentially turning myself into one of those well-meaning failures right now. I could stand to be a little more deliberate about how I speak, and about what, in general.

My father is an art critic, and once in an extra petulant moment, teenage-me asked him in an accusative tone what he thought the point of his profession was. He replied calmly that he wouldn't publish any comment that he didn't think the artist could make use of somehow. I don't know if he always stuck to that policy, but the thought sure stuck with me.

So anyway, over the last few months I've been giving myself a bit of an attitude adjustment, through a combination of personal reflection, and hard work on something meaningful/not for the internet. I've been feeling all proud of myself and shit, but today reminded me that any path to enlightenment is always marked by setbacks, doubt, and temptation. For today, in complete innocence (or at least a melange of innocence and ignorance, as I very much invite this type of problem), I managed to watch TWO (2) movies about an academic film-cum-psychology project, focused on a gang of college buddies who inevitably reveal what bad people they are under the unique conditions of the project, and then the project turns out to be run NOT by its presumed-dead originator, but by the originator's even-crazier lover. It's amazing how particular something can be, and still be utterly obvious and cliche. In my defense, I really tried to turn the second movie off, because it was...just instantly terrible, but the seed of suspicion had taken root--is this randomly selected movie ACTUALLY EXACTLY THE SAME AS THE PREVIOUS MOVIE?--and I just had to find out if this could be true. I suffered, deliberately, for another hour and a half, to confirm my awful hunch. I don't know how I would have felt if I had turned out to be wrong (better? worse?), but I don't have to worry about that now. Now I just have to worry about my overpowering impulse to be as ugly as possible about what I have personally subjected myself to.

(The completely deceptive poster for our not at all witchy or eerie opening feature.)

In need of a passable time-waster this afternoon, I put on 30 MILES FROM NOWHERE. Released in March of 2019, Caitlin Koller's claustrophobic black comedy feels oddly like a product of 2020. A group of estranged, middle-aged college pals of the BIG CHILL ilk--which one of the characters calls out, out loud, just so ya know--come together for a fallen comrade's funeral, only to find themselves trapped in his widow's increasingly creepy cabin in the woods. Said comrade was driven to suicide by the failure of a psychological experiment he conducted that plunged its subject into madness, and if you don't realize right away that the obnoxious and unstable cast are the new subjects of their not-quite-dead friend's renewed project, then you're firing a lot slower than 24 frames per second. The dialog is often decent, aiding a handful of funny, natural performances...but it's hard to forget that you're just waiting for the conspicuously crazy widow to reveal that the "unexplained events" in and around the cabin are part of a controlled attempt to get the guests to devolve into their worst selves, which isn't such a difficult task considering the undesirable state they all arrive in.

It just made me ask myself, what was the point of this? Why do people make movies that are entirely predicated on the shock of the twist, knowing that if the twist isn't so shocking--or is baldly obvious from the start--then the whole experience just falls apart? Why not hedge your bets with a little more depth, or purpose, or style, or really anything more reliable than a smug attempt to prove that your script is smarter than your audience? Even if you do manage to pull off this dubious accomplishment, it reduces your movie to something like the experience of having somebody jump out of a closet and scream in your ear to "get" you. I've always felt concerned that if somebody ever tries to "get" me like that, I might just automatically punch them in the face. But anyway, whatever shred of good will this movie could have accrued with its plucky performances is blown away by the final insult, when the cops arrive to clean up the inevitable bloody mess. The responding officers are hilariously unimpressed and unsurprised by the byzantine scheme that has resulted in a shocking act of violence, because the cabin's "guest book", which our heroes all filled out, was actually the signatory page of a complicated waiver form granting full permission to the hosts to, like, do whatever the hell they want to everybody. Presumably this shit just goes on all the time, leading the local law to shrug off anything that happens to or because of the dumbassed lab rats who frequent the cabin? I dunno. I mean, what can I say? ACAB, I guess!

At the time, I managed to resist the urge to take to the internet and decry the crimes of this lame-o party joke. I really don't like the sensation that a movie is just trying to trick me into thinking something that isn't true. But, this isn't, like, an affront to cinema. People make annoying, below average movies all the time, and maybe you kinda have to, if you eventually want to make better movies. I imagine myself in the shoes of the people who actually put some elbow grease into this production, having to wade through the rantings of internet ghouls like myself while they're trying to see how their efforts are paying off. Making a movie is probably a lot harder than I think it is.

But that's part of the point I'm heading toward. I'm always amazed by people's willingness to pour huge amounts of energy and capital into something to which there is ultimately very little point. I mean, I have bad, unoriginal, boring ideas every single day of my life. But I almost never DO any of them. I have a hard enough time convincing myself to just get out of bed in the morning, let alone devote blood, sweat, and money to deliver unto the world material evidence of my personal mediocrity. I can't imagine thinking it would be worth it, for myself or the unfortunate people who are subjected to my project, to actually execute on my bad ideas. I'm being judgmental, but honestly, I don't even know if my attitude makes me better or worse than someone who accomplishes the task of completing and selling a movie that's mainly a waste of time. Movies are so complicated, and realizing them requires the consensus of so many people, that it's sort of incredible that there are people capable of making one that doesn't have a powerfully compelling motivation behind it. People who are able to do such a thing obviously have something that I don't, and it isn't just "consideration for the audience."

So, I could probably stand to be more forgiving--or just, less eager to absolutely flay someone alive on my dumb little blog because they so opened themselves up to my arsenal of elaborate insults. But like...not all the time. Sometimes, a movie really fucking asks for it, and in revealing itself to me, it has effectively signed a waiver giving me patent freedom to do whatever I want to it. CONFESSIONAL is the latest movie to give me such a gift. After the final credit rolled in 30 MILES FROM NOWHERE, I looked for a little palate cleanser. As little as I like movies that put their single egg in the motheaten basket of a "shocking twist", I also have a problem with what I identify as canned theater. Not that I think all movies have to be lavish productions, but I think they should try to do something that is natively cinematic. It's very rare that I'm impressed by anything that is literally all talk. So, I went in search of some more familiar form of trash to help me recallibrate, and trash is definitely what I got.

(Me crying over my own bad decisions.)

To be fair, I kind of should have known that I was in for a challenging experience. The 2019 found footage thriller CONFESSIONAL is more or less based on the "confessional" part of sleazy reality TV shows, isolating each cast member in a soundproof stall so they can spill the rotten contents of their guts. Unfortunately, I spotted a review suggesting that the movie succeeded, against all odds, at remaining visually dynamic despite the unchanging scenery, and I was intrigued. The reviewer was correct, impressively; the monotony of the coffin-like environment with its dark foam walls was the least of my concerns. Other problems superseded that threat, immediately. The plot concerns a group of college pals who come together to remember a recently deceased friend--a filmmaker who expired mysteriously while completing a psychology-tinged project in which she recorded all of her friends' most shameful personal secrets. Now, somebody else has taken over the project...someone who "has never been identified", according to an early title card in this movie-within-a-movie (EVEN THOUGH THIS PERSON WILL BE EXPLICITLY IDENTIFIED AT THE END OF THE MOVIE SO LIKE WHY), but who seems likely to be the decedent's ex-lover...who continues to expose their subjects' most shameful secrets on film. I mean, what the fuck? Did I somehow manage to pick a second movie with almost the exact same plot??? I couldn't believe it. I didn't know if I could take it. My prospects only got worse when the cast showed up and started talking. I tried to turn the movie off. I backed out and walked away from it, twice. But I couldn't leave it alone. I had to know if it was really the same movie.

CONFESSIONAL concerns characters who are contemporaneously in college, which actually goes a long way to making everything worse. Each of these walking cliches is connected in some way to Amelia, a film student whose mysterious death has created a campus scandal, leaving shattered hearts and lives in its wake. The living have each received a blackmail-flavored invitation to speak about the deceased in a tiny "confessional booth" somewhere on campus, where, predictably, they find themselves locked in until they confess whatever they know about Amelia, and their classmates. I don't know why practically every single movie about young people has to be so miserable, but this is one of those. I assume that it has something to do with the fact that youth is simultaneously so desired and so ignored. People in their teens and early 20s are so sexually coveted, yet so easily dismissed as individuals, that we wind up with all this media that panders to them relentlessly (or at least, panders to the legions of ticket-buying perverts who enjoy watching them prance around), without almost any consideration of how they actually think and act, and look. Movies like FAT GIRL and WELCOME TO THE DOLL HOUSE may be accused of their own form of pandering, a venal form of voyeuristic schadenfreude, but at least they reflect something of the awkwardness, isolation, and incompleteness of adolescence; something more than the dissociated, pornographic fantasies of adults who have long since forgotten what it was like to be powerless and ignored, or desired by people who don't even like you.

Not that CONFESSIONAL is supposed to be a work of grim realism, but it is most definitely rooted in a fantasy about college life that makes its contrived, message-y plot a lot harder to take. With almost the sole exception of "the nerdy one", every single character looks like a Bratz doll, oozing an exaggerated indecency that belies the movie's pretentious insistence on addressing the sex & gender Issues of the Day. What you get is a really good example of what happens when millennial characters are modeled, not on any actual millennials, but on other forms of marketing that are aimed at millennials, which are themselves just based on other preexisting youth-targeted commercials, et al ad nauseam. Even setting aside the deliriously slutty wardrobe choices, makeup appears to have been laid on with a trowel, coating each actor in a thick creamy layer of spackle that only makes any scars, pits, or other evidence of individuality look utterly bizarre. Accordingly, everybody preens, pouts, and generally behaves as if they're about to take off their clothes, which might be a huge relief given the profusion of chafing, cheapo mesh and straps they're laboring under.

So, ok, not every movie can have a great costume department, but the dialog here is a perfect match for the disastrous aesthetic decisions. Actually, this is the real reason I almost walked out on CONFESSIONAL. If I may ramble briefly, without substantiating any of my broad-ranging claims: Sometime in the late 90s/early 00s, horror cinema seemed to suffer a degenerative slide away from genuine thrills and chills, and into a version of the genre that is best characterized as the Slutty Halloween Costume approach. Any sense of existential dread, revulsion, or bodily vulnerability was widely replaced by a cutesy, Hot Topic-y preference for fast fashion and sex appeal, in which bloodshed more facilitated an informal wet teeshirt contest than any real fear induction. Horror's new mall goth look came with an equally shallow, boring verbal affectation: a sullen, sleazy, tooth-sucking sarcasm, that ushered in a new era in which, instead of making fun of the scummy coked-out dialog in porno movies, we now expect everybody to just talk like that, because it's hot. There's probably a line to be drawn between this unfortunate development, and the boneheaded real-world trend of identifying "sarcasm" as an important personal selling point on dating sites, but I won't try to prove that here. For now, I will just say that as soon as I heard the CONFESSIONAL characters start to speak, with their sneering, insinuating tones, with the vocal fry, with the head wagging, the jutting jaws, the smoldering gazes, the juvenile dragging-out of horny grownup words like de-bauch-er-y...I almost lost my nerve. Listening to these little creeps hissing and spitting for 84 minutes is a lot like being hit on by some barfly who continues to bludgeon you with his hot breath and corny lines without ever noticing that you've thrown up into your pint.

Uh, anyway. So what actually happens in the movie. Why would anyone ever allow someone to record video of them revealing the ugliest, most embarrassing parts of themselves? Especially a kid, for whom popularity and reputation are often a matter of life or death--literally and specifically, in the case of this story. The flimsy reason is that the late filmmaker, Amelia, was the most awesomest girl ever. Everybody loved her, because she was so sweet, and so smart, and so cool, and so nice, and so deep, and so original, and so talented, and so sexy, and just like, the bestest most perfectest girl in the whole wide world. N.B. "The greatest of all time" is, perhaps counter-intuitively, a really bad quality that makes for really shitty, boring characters. For better or worse, Amelia is rarely on screen (and when she is, she's no Laura Palmer, frankly), so it's up to the viewer to just sort of imagine a type of person who could make you act against your best interests on account of you just like them so much. After all, so many of the characters were obsessed with her in some way, that it's like they're here to help you clap your hands and believe in this seductive, compelling part of the movie, that just isn't actually there on the screen. The anonymous antihero behind the confessional booth scheme slowly extracts from each character the selfish, destructive behavior that in some way contributed to the tragic loss of the most amazing person of all time--and part of the result is, if not a very interesting excuse for Amelia's death, then a story so wacky that I really wish they had centered the movie on it, instead of on the tawdry soap opera we're locked into. Even if that imaginary movie had been really bad, and it probably would have been, at it would at least have been entertaining.

Part of what leads up to the death of Amelia is the existence of a secret school fight club, led by a stereotypically sleazy gender studies major, named Major, who is out to prove men's inherent superiority. The club is called CFB, or Cock Fights Back, which is somehow a garbled pun relating to cock fights, and Trump's famous line of "locker room talk": "grab'em by the pussy" > "pussy grabs back" > "cock fights back". CFB is different from your ordinary fight club in that the fights are always between girls and boys, and the boys are always blindfolded, in order to prove that a fully-abled female is no match for even a handicapped male. To complicate things, a new designer amphetamine is gaining popularity on campus, called "odds-on", meaning that it makes you the odds-on favorite in your CFB fight. As awkward as that is, it also seems that men are never the guaranteed winners of these fights, which makes you wonder why Major insists on continuing to host them. As much as I would have preferred to watch a stupid movie about this stupid idea, I'm stuck instead with a movie in which Major is such an aggressive MRA because he's secretly gay, and he thinks that hating women is a great way to hide that...as if that isn't what we all openly suspect about aggro MRAs. Secret gayness is a big part of this movie, involving multiple characters, although it amounts to very little other than the perpetuation of some stale, harmful cliches about how unfulfilled homosexual urges lead to suicide, sexual abuse, and murder. CONFESSIONAL is just as reliant on this grim vision of gay life, as it is on its weirdly obtuse discussion of drug addiction, for the suffocating sense of self-importance that it uses to try to elevate itself above its porn-y trappings. None of the movie's hot button issues are given any real thought, but are only dragged through the mud to create the illusion that there's a point to all this, thus relieving the film of any sense of innocence that could have made its condescending sleaziness forgivable.

Admittedly, I can't really remember all the details of the film's tortured intrigue anymore, even though I basically just saw it. A lot of its meandering revelations just left me thinking, "Why did I need to know that? Why should I care?" I do know that about half way through this ordeal, I became really anxious about whether it would turn out that CONFESSIONAL did NOT have exactly the same plot as 30 MILES FROM NOWHERE after all, and I put myself through all this for nothing. But no, I was right to begin with. The wonderful Amelia's ethically dubious film project has been picked up by the unhinged lesbian character who loved her so much she wanted to become her, and killing Amelia and usurping her confessional project was apparently the best way of doing that. I guess exposing all the dark, violent secrets of all these tangentially involved characters was just an added bonus, or whatever. Ultimately, this ugly, ignorant PSA about something-or-other only deals itself further damage by relying so heavily on the potential of its clumsy twist to blow your mind, which it does not at all.

So that was it, that's how I burned a whole afternoon allowing my mind to implode-not-explode under the ponderous force of TWO (2) movies about exactly the same exhausted cliche that is still being peddled by certain pretentious assholes as fresh and exciting, and beyond the capacity of the audience to anticipate. There's probably a whole slew of other movies that employ this overly familiar "surprise", but I don't have it in me to dig them out of my long-suffering brain. Feel free to contribute in the comments. For now, I must prepare myself for the ordeal of Blogtober, during which I will *hopefully* choose my screening selections and words more thoughtfully than I have in previous years, when this blog was motivated by just as much abject misanthropy as these movies, which do nothing but willfully insult the audience's intelligence. Maybe today's detour into degradation will help me go forth toward more additive experiences, having purged several lungfuls of meaningless venom from my system, and this season will bring with it more interesting, provocative posts than the last. Or maybe not! In any case, I promise to keep trying my hardest to make it funny.

PS I actually love both FAT GIRL and WELCOME TO THE DOLLHOUSE. I’m “just saying”.

#blogtober #2020 #confessional #2019 #30 miles from nowhere #horror #thriller #black comedy #found footage #brad t gottfred #jennifer wolfe #jennifer bosworth #caitlin koller

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