#richard yap

[akingyouniverse]

Of course I forgive you! I still want to know what happened, though.

Bonus:

[artistaforever]

[bemybaebaebae]

Richard Yap

[my-little-random-world]

THE FEEEEEEELS 💕😭 This is the 6th time I've watched this flipping show, but it still makes me giggle and smile like an absolute idiot. It's just so wholesome and innocent and ugggh they make me feel so single LMAO 😅 I know it's been 9 years since the show ended, but I'm still hoping for a revival with their kids all grown up 😭

[angel-fruitcake]

i am not okay

[bludhavens-finest]

Haley photo dump :D

[mind-lost-in-the-stars]

a very minor thing about Richie’s death that’s bothered me for awhile now is how Pete and Ruth (I suppose Grace and Steph as well) don’t piece it together after it’s mentioned that Zeke the Fightin’ Nighthawk was murdered

clip for context

i will say that the digital ticket shows more remorse from both Ruth and Steph, but only after Richie is name dropped so yeahh…why didn’t they know Richie was the mascot when other people like Jason (and most likely Max) did? we also know him being the mascot isn’t a recent development after Max dies thanks to Jason’s “member of this team who’s gone unappreciated for far too long” line. that to me implies at least since the beginning of their senior year

a few ideas:

- he never told them because max threatened him is the theory that makes the most sense since “Jägerman doesn’t let nerds go to football games”, but this means he let Richie be the mascot for some unknown reason. was it to let Richie have a bit of happiness that Max still ultimately had control of. I don’t know, but it’s fun to think about

- it’s also very possible he never told them because he never had a reason to tell them, but Richie seems like the type of person to talk about the things that make him happy, and he clearly enjoys being zeke

-maybe max never knew, and Richie knew that if he found out that Max would beat him up for it, but this leaves the question of how Jason knows. if Jason knew and not Max, shout out to Jason for not being a snitch—love that man

- (take this one with a big ol’ grain of salt if u don’t like michie related things) there’s a chance that Richie being the mascot allowed him to see other sides of Max that weren’t just the bullying side which made Max grow on Richie even just a little bit. he of course wouldn’t want Pete and Ruth to know about this, so he kept that and him being the mascot to himself. Jon matteson mentioned once on a stream how out of the nerds Richie felt the worst about Max’s death and maybe that’s because he was (by process of elimination) the closest to Max in that group

- a sadder theory is that Pete, Richie, and Ruth actually just weren’t that close of friends. they all kind of just formed a group at a young age cause they were all labeled as nerds and sorta just stuck with each other through life cause they didn’t have anywhere else to go. I know it’s implied in “go, go nighthawks” that Richie being late to class isn’t abnormal, but for him to be missing for NEARLY THREE FUCKING DAYS and to have neither Ruth or Pete bat an eye either says something about them, something about Richie, but definitely says something about their dynamic as a group. (this is absolutely just theorizing about worst possible scenarios in no possible way do I see this one being the case)

I know it’s not a big deal like at all (and is a problem with a lot of other slasher media), but it always gets to me when characters move past the death of one of their best friends so fast just because a show needs to keep the plot moving.

*sigh*

either way, Richie deserved so so so much better and I hope he’s being held by Rei and Asuka in wherever the hell he ended up <33

[joejhang]

i've figured it all out. gansey and adam have sexual TENSION. ronan and gansey have SEXUAL tension.

[mostlyelliott]

I love rich I love rich i love rich I love rich I love rich

[slaybestieslay946]

I firmly believe that Julian was Dionysus (even if it was only in their imaginations).

Thematically, I think it makes perfect sense.

Julian was regarded with utmost respect from all of the Greek class, more so than is usual for a teacher. Henry thought of him as a paternal figure, and Richard constantly found himself in awe of his charm and charisma.

In fact, the way they all speak about him, and the way the take classes in his office, is almost akin to that of worship.

Take for example, the photo of Julian stuck on Henry’s wardrobe. There isn’t (to my memory at least) a description of any other photos in Henry’s house of family or friends, and by having this photo of Julian, presumably found in a magazine, is similar to what you see in religious households with framed photos of Jesus or the Virgin Mary.

This only demonstrates Henry’s unwavering dedication to Julian, but it also has a distinctly cultish flavour. As does the isolation of Julians students.

Furthermore, the Greek class (to me anyway) is a parallel to the cults of Dionysus and Bacchus in ancient Greece and Rome, which were banned due to their intense secrecy.

Even the lack of involvement by Julian in the novel feels distinctly divine, as he drops by every 50 pages or so, in the same erratic and casual way that gods appear in myths. He floats above regular worries of mere mortals such as the Greek class, so he needn’t concern himself with their trivial matters.

But, of course, he isn’t really a god. He only positions himself in the place of one. He has all the hallmarks of the divine, but truthfully he’s a fraud, which is why he flees at the end once he finds out the true extent of their crimes.

This is why I propose that he is only the representation of Dionysus in the minds of the Greek Class, rather than in reality. And by the Greek Class, I primarily mean Henry.

When Richard mocks the idea that they saw Dionysus, Henry grows defensive, claiming that you cannot know something is truly real until you have seen it, and that you cannot grasp a concept as large and powerful as the sea simply by seeing a crude, children's drawing of it.

Here he isn’t only defending the idea that he saw Dionysus, but also the form that he took, which I believe to be Julian.

This vision of Julian as Dionysus (almost certainly a hallucination produced by the ritual) is something Henry would naturally be defensive of, due to his complete devotion to Julian, so it makes sense that his cool facade would break at this moment.

Further more, the idea of Julian appearing to be Dionysus only makes Henry’s death make more sense.

When Julian runs away and affectively snubs Henry, this is an equivalent to his god, that he has dedicated so much time and love to, abandoning him.

Whether this leads him to see the truth of Julians humanity or simply plunges him into despair, it aligns with his decision to kill himself.

hope i explained this alright, feel free to disagree with me, i just really want to discuss this book haha

[xanderjkz]

Knox Overstreet- Fixing the problem of a kind boy

I like fucking love the concept of Knox's character and the message he portrays but holy shit they really fucked up when it came to the execution. Both in the movie AND book (ESPECIALLY there). This fandom takes its time to reconstruct his character to be likeable. But how would this actually play out in a better-constructed storyline for this dude with girl problems?

Well, that's the answer I would like to answer today

Knox in the official dead poets media

Like every poet in the movie Spotlight, Knox comes from a family that's enforcing the path of a lawyer. His father is one, which is how his storyline even starts. He is invited to the Danbury's because his dad helped the only responsible and well-mannered dude in the house. And in that same scene, they literally tell us that people expect him to be a lawyer. So there's this kind of pressure.

But not really because we never get to see that side of Knox in the movies where he clearly states that he doesn't like the path people chose for him. All he has is girls problems.

Which is sad considering that he could be so much more

But then we'd have to extend the movie by about 1 hour and that would make it unenjoyable because this movie is perfect because of the pacing they chose. It's fast and yet slow and kinda counts down to Neil's suicide in a way that gets stuck. Because he is one of the main characters and most scenes should be with him. Not with Knox considering if his life expectancy is okay.

So is there any extra scenes in the book?

...yeah no

"But how do we solve this issue with knox's awful storyline?"

Rewrite the book and hope for the best.

Since I'm an author myself I know that writing often gets complicated when your creative streak is gone but since I'm an author I'd solve it this way:

Keep the Chris storyline

Let that boy be problematic, let him make mistakes but not once that deeply traumatises someone like SEXUALLY ASSULTING someone. Knox is the message bringer of the bad side of carpe Diem. Sometimes seizing the day will make things worse because you didn't think it through. That's a great message to bring across, I mean how many 16-year-olds make mistakes that we thought were okay? A lot, and he is the one who made the mistake in the story.

"So how would you change his mistake?"

The storyline reinvented

He meets Chris like usual

Look he didn't fuck up here in the slightest. I too would be stuttering if I met a beautiful girl. And him meeting her through the Danbury clearly shows the problem he has to date Chris. It's classic anyway

Cut the bike scene and use his sister instead

From what I gathered his sister goes to the same school as Chris (can be mistaken but for this story she does! ) so he uses her to kinda pry into Chris's life and find things out. It is problematic if he literally implies stalking her but c'mon, at least someone in the Overstreet family has common sense and only observes in the distance...right? Besides who doesn't use their siblings for their advantages? Plus it brings depth to that mean. Seeing how he treats his sister could indicate his behaviour with people extremely close to him.

Let him attempt the party but be extremely obnoxious

That's what he's best at

His nickname is literally knoxious. But what the hell do I mean by being obnoxious? Let that boy not leave Chris's side. Why? Because that sets up his mistake. Being attached to someone's hip can be extremely uncomfortable and with Chet's provoke able (?) ass this can go wrong fast. (Also we can't forget that Chris is the one being played around like an object in this and this should be his biggest mistake as we do not treat anyone like that, especially women!) But what would be the breaking point for CHRIS and Chet and the thing where he decides that "carpe diem" is good to use (even tho it's not)?

HE DANCES WITH CHRIS

Okay, instead of him being an ass and kissing Chris, he's an ass and dances with her. He was under the influence when he made both decisions which isn't an excuse but something that pushed him towards it. Because Knox in his most sober self wouldn't even talk properly to her.

So, some lame-ass song from the 50s is playing and he grabs her hand. Maybe she danced with someone else and he stole her. Considering that the tension between Chris and Knox is already uncomfortable, this would bring it to the maximum. Chris (as the beautiful woman she is) would try to use this moment to finally talk about his behavior so he lets her go. And the moment he finally talks chet comes in.

This small synopsis is weak but let's be honest, no one would read a whole ass script abt this.

Anyway

Chet comes in, the situation becomes way out of control and the only person getting extremely hurt is Chris. As she was toyed around by Knox and Chet. So she leaves the party prematurely (as she should, take care of yourselves) and Knox returns to Welton with the same bloody nose as in the movie

He goes directly to her house

Him doing so is a direct response to his failure. Between the party and them talking he needs to reflect on his failures and feel genuine guilt. It sucks that he can only do so once he gets punched but at least he has the mind to realise that.

But Chris isn't that easy to talk to. Obviously, this whole thing made her feel weird and sad so she avoided both of them. When he goes up to her house and gets rejected? He talks with Keating.

Mentor Keating

Not only would this solidify his last scene in the movie more but it also gives them a connection more than Keating humiliating him. Okay, but can we fit this into the movie? Not the conversation but he could easily fit it into the scene where he returns to Welton after talking to her.

"What would Keating tell him?"

The same thing he told Neil. Honesty.

Fate decides itself in the decisions you make and Knox knows that lies won't wrap her around his fingers. So maybe honesty carries them to a state where they can be friends.

So his masterplan gets made and it's the most trope-st shit you can think of.

Throwing a rock in the night at her sweet sweet window

Why did I think of this? Well, do you like the scenery of how he originally apologised and made everybody look at her?

At least it's at night so fewer people look and it would show us the skills he earned from sneaking off bc of the poet's meetings. Thus showing the audience more connection to the group. Plus at night people are mostly at their most vulnerable time and it would get Chris to talk.

But what would they talk about?

Considering that he finally saw the wrong parts of his obsession with her, he would give her the space to express her discomfort to its fullest after he of course apologises. But I think Chris wouldn't even express herself to the fullest because she has sympathy for him. She understands that loving someone can make you sick and twisted when you're a teenager but she is still her flesh and mind who clearly didn't want it to cause her relationship to break.

She might not express the worst anger that comes with something like this but she still expressed her sorrow in this mess. And Knox listens and sees the wrong in his actions. He doesn't need to justify himself because no justification could make this play in his favour. And when all is said and done, she forgives him for being so damn obnoxious.

But she doesn't like him in the way Knox wishes her to feel. And knox needs to learn to accept it. Like we all do

The story progresses without knox getting what he wants

Through this whole story he went through, we as viewers get the message that even if you apologise, it's up to the victim of your actions to give you what you want. And throughout the film, I never even got the notion that Chris has an interest in Knox. Hell, they don't even talk that much to build a conclusion on their goddamn relationship before he kissed her. He sets the message of a "Carpe Diem" gone wrong. After that, he is a reminder of us humans and our way of going through those problems you cause.

There are probably better ways of doing his arc, heck give him a different one. I mean he has potential. Maybe he's better off once the group splits or maybe he isn't.

But the way he is in the movie is a horrible portrayal of romance. I get it, the script is from the 80s but c'mon you're allowed to admit that it's bad.

Well, there's nothing we can really do, the movie in itself is an art and should be viewed as it. It fits into the zeitgeist of past generations and our present ones. I love the movie but if I had to change one storyline it would always be Knox oversteet's

Btw can be talk about how stupid his fucking name is? Who names their child Knox? With the last name OVERSTREET

[artistaforever]

[bemybaebaebae]

Richard Yap

[calix-amini]

ringo starr as an apel

also other drawings i did

[angel-fruitcake]

everyone remember this moment and this picture when Misha is announced to be joining the cast of The Boys