#reviewer kindness

[okamirayne]

Hello lovely author, I have a question if you don't mind me asking (if you do mind then feel free to ignore this) from what I recall we only ever read the scene where Naoki and Genma were captured by Shuken from Genma's POV, so I've been wondering how did Shikamaru get from where Genma hid him to where Naoki and Genma were in that scene? Like did Shikamaru just wonder on by, was Kurayami looking for Shuken to finish the game or was he found by those chimaera/hybrid people.

Now onto my rave review.

I have no words to express how much I love your work. I have sentences and scenes that are carved into my brain. Naruto has alot of dark themes but ultimately has a hopeful tone so I really like the darker tone you've created for this universe and how you don't shy away the darker topics. But what I love most is how distinct and real ALL the characters feel (I don't normally like OC in fanfics but I got invested in all of yours), they feel so lived in and how you write the relationships between the characters is just👨‍🍳💋(I absolutely adore Neji and Kiba's dynamic and lack of chemistry).

I found it interesting that Shikamaru is kinda like a bridge between Naruto and Sasuke's traumas (Neji's pointed out similarities in HHU, the whole Orochimaru/Shuken thing and they've have all been hurt in some way by Konoha, Uchiha Massacre; System of lies -despite the good intentions- etc).

Chapter 10 was wild. The mental link reveal had me reeling for all the angst potential it holds. I wonder if that is how Naruto will find out about NejiShika🤔(if he does). None of the rookie13 are aware of their relationship, right? Wouldn't that be a fun reaction. I'm really loving the flashback scenes and Naruto's POV. I'm rooting for him to get his validation about the Kusa mission especially after he got dismissed by the other rookie12 in UTS (I find it funny how Sakura uses medical jargon to keep Naruto from suspecting anything but thats an instant tell).

Thank you for all the hard work you've put in to bring us readers this amazing story💕

Hello my dear Rave Review Anon, 💕

Firstly, I welcome your question, so thanks for taking the time! I'll do my best to answer. I appreciate your patience with me getting round to responding to you. 🙏🏼

[...] from what I recall we only ever read the scene where Naoki and Genma were captured by Shuken from Genma's POV, so I've been wondering how did Shikamaru get from where Genma hid him to where Naoki and Genma were in that scene? Like did Shikamaru just wonder on by, was Kurayami looking for Shuken to finish the game or was he found by those chimaera/hybrid people.

This is an excellent question which addresses a decision I regret making when it came to editing UtS. I chopped a whole heck of a lot of stuff out. I can add clarity here, in lieu of writing a chapter (maybe slipping it into a flashback might work better). You are correct in that Kurayami did his whole hostile takeover at that point and was the one who led Shikamaru back to where Shuken was holding Genma and Naoki. It would've been a semi fugue state in which Shikamaru operated, which is why he holds no memory of it. This is why it was told from Genma's limited POV. In order to fully write it, it would need to be told from Kurayami's perspective, and his full-on emergence came towards the latter end of UtS, where he was focused on annihilating Shuken, rather than reliving his memories. Shikamaru's flashbacks often came with big ass blanks in his head, due to the alter switch.

Simply put: Shikamaru woke up in a fugue state, was directed by Kurayami, ended up locating Genma and Naoki and losing his shit when seeing Shuken. Kurayami semi-disabled Shuken, at which point Naoki moved to shut Kurayami down and seal up Shikamaru's mind, getting a knife in the back (courtesey of batshit still-live-and-stabbing Shuken) for his efforts. Genma picked up Shikamaru and he and Naoki had to hightail it the hell outta there - which sadly resulted in Naoki succumbing to his injuries (as far as Genma knew) and telling Genma to go on without him. Shikamaru's little wander into the lion's den was experienced through Genma's POV, which is why there were blanks. It would need to be Shuken or Kurayami's POV to get the full picture and I regret not adding a different POV lens to that scene; though there's always room for flashbacks from Kurayami's perspective (or possibly Shikamaru's given that he'd integrated Kurayami by the end of UtS). I hope this answers your question, luv? Forgive the confusion, I appreciate it would've left question marks hanging. God knows Genma was WTF'ing his way through that experience.

I have no words to express how much I love your work.

And I fail royally when it comes to expressing how much I love that you love my insanity, you glorious reviewer.💜🫶🏼💜

Naruto has alot of dark themes but ultimately has a hopeful tone so I really like the darker tone you've created for this universe and how you don't shy away the darker topics.

Thank you, my luv, I am dastardly like that and I appreciate that the darker themes and tone don't make you go running for the hills. I have big love for you being in the trenches with these characters. Everyone has their comfort zones, and I am distinctively shit at giving much warning other than the bare-minimum kind of tags (habit of being an ffnet creature rather than an AO3 one). My human wiring is tangled up in the veins of these issues, and while that's sometimes gotten me flak, I will always tell the story that wants to be told and hope I do it justice.

But what I love most is how distinct and real ALL the characters feel (I don't normally like OC in fanfics but I got invested in all of yours), they feel so lived in and how you write the relationships between the characters is just👨‍🍳💋(I absolutely adore Neji and Kiba's dynamic and lack of chemistry).

Ah, damn. 🥹💖 I am so, so touched, chuffed, and ridiculously thrilled that you felt invested in my OCs. Though I've joked about interpretive dance being my only way to express my gratitude, I have no moves which wouldn't result in dislocation and hospitalisation. So please just know the feels are doing insane little flips and fancy twirls inside my writer's heart. 💖

Ha! Neji and Kiba.

Yes, well...chalk and cheese, oil and water...the list goes on...so does Kiba's insufferable ribbing. 😅

I found it interesting that Shikamaru is kinda like a bridge between Naruto and Sasuke's traumas (Neji's pointed out similarities in HHU, the whole Orochimaru/Shuken thing and they've have all been hurt in some way by Konoha, Uchiha Massacre; System of lies -despite the good intentions- etc).

Very true, luv. Those parallels are spot on.

Chapter 10 was wild. The mental link reveal had me reeling for all the angst potential it holds. I wonder if that is how Naruto will find out about NejiShika🤔(if he does). None of the rookie13 are aware of their relationship, right? Wouldn't that be a fun reaction.

*grins* Yes indeed. Sometimes I'm surprised by how much a character does or doesn't know and sometimes it only ever comes as I write. *waggles eyebrows*

I'm really loving the flashback scenes and Naruto's POV. I'm rooting for him to get his validation about the Kusa mission especially after he got dismissed by the other rookie12 in UTS (I find it funny how Sakura uses medical jargon to keep Naruto from suspecting anything but thats an instant tell).

Aw! I'm glad you're enjoying them. It's a whole new experience being in Naruto's POV. Especially when he's hurting.

I'm so glad I watched Shippuden from start to finish...that was a marathon worth investing in. And yes, precisely. He's more clued in than he lets on...or realises on a conscious level. It feels very reactive, visceral, and instinctive with Naruto. So different to writing Shikamaru, Neji, and other cerebral or controlled characters.

Thank you for all the hard work you've put in to bring us readers this amazing story💕

And thank you in return for being so kind and supportive as to give me this beautiful exchange via your feedback. It's the payoff that keeps me persisting when I'm getting hamstringed by burnout or low motivation. I appreciate it so damn much. You reviewers are precious. I salute you, dear Rave Review Anon, and I thank you again for making the time to reach out in solidarity and support - it matters in ways I can't express❤️💜❤️

[stuckinapril]

I love Tumblr because nothing matters here truly. There are no influencers. Having followers doesn’t mean anything. It’s just a site where people post their sporadic thoughts and rb pretty pictures. Anyone who thinks any of this matters is woefully missing the point

[aropride]

[chalkrub]

various art trades from the past month! had FUN as usual

[celebrimborium]

the rings of power + color palette (season 2)

[charcubed]

There's one specific aspect of Deadpool & Wolverine that's important in relation to the queerness of Wade/Logan:

The fact that Vanessa isn't single.

I'm not kidding lol

Doesn't seem like people are talking about this so I'm going to be the one to say it I guess!

So… beyond trying to save his world / family, Wade's (flimsy) motivation is indeed partially motivated by Vanessa – or more specifically by things she said to him during their break up. He wants to figure out how he matters or how he can be a hero without being an Avenger, etc.

Shitty as it is that Vanessa is relegated to being a two-dimensional motivation mouthpiece… She and Wade didn't just break up; they tell us immediately that she's seeing another guy. By my memory, Wade never disrespects that, not even jokingly. And the plot isn't framed as a quest to ~win back the girl~ either.

The end scene underlines this too, where [SPOILER] he says he did it for her even if she doesn't want him or whatever the line is. Their little hand touch isn't really a romantic rekindling.

So, what am I getting at?

This all gives weight to Wade's mischievous flirting and (later) built connection with Logan.

If Wade and Vanessa were framed as "taking a break," or if she was still single and he was trying to win her back, the queerness with Logan wouldn't work quite as well. There'd be more room to claim it's an unserious joke.

But Vanessa's moved on.

Wade, taking LOGAN home, did too.

[t-hirstreview]

[jinprint]

"was that its name?"

rewatching the acolyte (well, parts of it) and i am currently obsessed with reading into the dialogue with a slightly different perspective. like during jecki's death:

sol: jecki!

the stranger: was that its name?

sol: she was a child.

the stranger [shrugging]: you brought her here.

the first time i watched this scene, i totally thought qimir called jecki "it" at first just to be a dick. but it really speaks to the fact that qimir finds the jedi's values and philosophies to be inherently broken.

was jecki a soldier or a kid? pick one. was she a tool or a child? if she was the latter, why would you bring her here to hunt down a criminal that already killed two masters? obviously this is not a person who will hesitate to kill jedi.

you treated her it like a tool, and now you see the consequences of that unfold right before you; hence qimir makes a point of this. (also interesting to wonder how this could tie into his backstory with vernestra)

why would you bring a kid there? is it the enemy's fault when you choose to bring a child to the battlefield? is the enemy really responsible for her death, or you?

referring to jecki as "it" is, i think, a jab at the jedi for treating their padawan as tools, for choosing specific moments to humanize them or weaponize them (perhaps as his master did to him?) it's not because he didn't see her as a person—it's because he doesn't believe that the jedi truly did.

"the jedi live in a dream... an acolyte kills the dream."

but that's just my two cents.

[adobe-outdesign]

I've been reading some of your Pokemon reviews and you've mentioned the design philosophies of earlier gens vs later gens and I wonder if you've ever done a post elaborating on that? Like, how later gens have Pokemon be more characters and such, and how earlier gens they can be more monochrome in color and such? Idk if I'm making sense

There aren't any hard "rules" and each Gen tends to have its own subtle design philosophies and whatnot, but as a general rule here's some Gen 1-specific design things that you don't see as much of later on:

Colors tend to be muted and less saturated overall. Trends towards naturalistic colors, i.e., lots of browns

Often (though not always, see the Dragonair line as one exception) very simple in concept

More naturalistic fur/feathers—compare original Arcanine's fur, which is very fluffy, to Hisuian Arcaine's fur, which is comprised of easy-to-model shapes

Anatomy generally fairly realistic; less emphasis on shapes (as they weren't originally thinking of things like the anime or plushies)

Gen 1 specifically had an entire subgenre of designs based off kaiju that tended to be abstract monsters with a heavily "plated" look. These tend to be some of the earliest designs and mostly disappeared after this gen

Kind of a vague idea of what a Pokemon is. Can it have mechanical cannons? Sure! How about an item it carries? You bet! (Pokemon carrying items decreased drastically after this gen with more thought put into what the item is and how they obtained it)

Lines sometimes less coherent due to different 'mons getting slapped together during production

Less emphasis on making the mons "friend-shaped", for lack of a better term. A lot more designs that are creepy or more monstrous

Tend to be more animalistic without as much emphasis on having pre-defined personalities (like how Gholdengo is a radical surfer dude or how Sobble is always sad)

Lots of triangle eyes along with common 90s anime faces

Not too many finicky details like lots of markings due to sprite limitations

Disconcertingly large amount of head spikes

Many lines either change really drastically during evolution or barely change at all with little in-between

[okamirayne]

AHHHH!!!!

As always, amazing chapter! Love, love, love how the plot is slowly unfolding. It will be interesting to see if Naruto figures out Shuken or Shikamaru’s past.

And Neji flirting while on a mic mid mission? Getting Shikamaru all hot and bothered! Was that part of the dream or an actual memory? Such a cute moment.

Just wanted to spend a few minutes to shower you with all the loves! ❤️❤️❤️

Thank you for sharing your passion with us! It truly means a lot!

Hello dear, All-The-Loves-Anon ❤️🫶🏼!

Firstly...

As always, amazing chapter! Love, love, love how the plot is slowly unfolding. It will be interesting to see if Naruto figures out Shuken or Shikamaru’s past.

So, so happy you enjoyed it, luv! Ah yeah, the trouble of sharing headspace and heartspace is definitely gonna be border control of privacy for Shikamaru.

And Neji flirting while on a mic mid mission? Getting Shikamaru all hot and bothered! Was that part of the dream or an actual memory? Such a cute moment.

I can confirm that was most definitely a legit memory of Shikamaru's. Actual factual, you betcha.

Just wanted to spend a few minutes to shower you with all the loves! ❤️❤️❤️ Thank you for sharing your passion with us! It truly means a lot!

You taking the time to leave this kind message means a whole hell of a lot in return. It's bascially a chakra pill for me. So thank you for feeding my beast and for the emotional shower of happy hearts - they are both most humbly and gratefully received! 💖😍

[starcurtain]

What do you think Aventurine would be like as a boss?

Aventurine's first character story tells us that people both outside the IPC and internal to the Strategic Investment Department are explicitly racist toward him, so I would say first that I suspect Aventurine's team is much, much smaller than other Stonehearts like Topaz. For example, we constantly see Topaz's dumb "support squad" following her around in most of the events she shows up in, while we've never been introduced to a single "Aventurine support squad" member.

My suspicion is that, between the rampant racism and the undoubtedly common rumors about Aventurine's dangerous behavior, very few people are even willing to be put on his team in the first place. I suspect he's much more likely to be paired up with one or two "strategic partners" (like Ratio) and sent to handle things that way, rather than actually having a large group of underlings he directly supervises.

But just logistically speaking I'm sure he does have a few underlings, and I think... He's probably a very difficult person to work for, for a couple reasons:

He will almost certainly beat assholes to the punch. If a majority of the people who have been assigned to work with him don't want to be there, you can bet he's not going to wait around for new people to prove they are racist garbage. I imagine that, for the most part, he's off-putting and offensive to new people from the get-go. You ask which desk is yours and he just goes "Oh, feel free to set your things anywhere!" then turns around like: "Wowwww. Jim, this rookie is trying to steal the desk you've had for ten years! How inconsiderate our new friend is proving to be~!" New people on his team probably have the worst few weeks of their lives. (Because... If people are going to hate him on principle alone, he might as well give them a reason, right?) However, this has the effect of weeding out most of the people who are incapable of dealing with Aventurine's antics, so I imagine that the few who persevere through the hazing are probably genuinely decent folks. Those that make it past the initial "Let's see how much you hate Sigonians and disrespect me personally" vibe check probably end up on Aventurine's good side, and I think he eventually eases off his newbies after a while. (Not before they've proven their exceedingly high tolerance for shenanigans and even higher ceiling for shock factor, though. If a new employee makes it past the first month of working for Aventurine, literally nothing else will ever phase them. An elephant-sized Warp Trotter could warp them all six galaxies over and they'd just be like "Anyone got a working cell? I need to tell my babysitter I won't be back by 9.")

I think he's just never there. Absentee boss in the extreme. It's not that he ever slacks or doesn't do the work--it's just that he's constantly going off and doing the missions all on his own. It doesn't matter how many times the higher-ups assign him to do a team task, tell him he has to take the full squad... He just scampers off and does the deal entirely on his own, comes back covered in blood, and is like "Hey guys, I took care of the problem; enjoy some comp time on me!" I don't think he drags his average-level underlings into his dangerous gambles; I think he just does all the work with their clients by himself or with a high-caliber partner. You would think this would make him a great boss to work for, but I implore to put yourself in such an employee's shoes: You go into the office every morning only to see your to-do list is empty. Your boss isn't there to give you any new direction. After twiddling your thumbs for four hours, you find out the reason he isn't in the office this morning is that he's recovering from betting he could take an entire pack of Borisin in a fist fight. He's not in the hospital because of the fight (which he won). He's in the hospital because he was then promptly shot in the back by the guy he was betting with. Why is your life like this? Why must you be subjected to the soap opera of your boss's own self-destructive spiral?

Even when he's around, he's probably weirdly awkward. Don't get me wrong, I bet when he's in a good mood he throws all kinds of extravagant parties in the office, and his employees would never lack for bonuses and perks. But I think he has never really bothered to learn--or perhaps simply does not care--about normal managerial behaviors and boundaries. Like, you slip up and tell him your mother-in-law is in the hospital. He comes back five minutes later to tell you he's just bought six bouquets (sent from your address), commissioned a personally embossed card for her with your monogram, and contracted the services of the best-reviewed individualized medical team in Pier Point under your name. He's patting himself on the back for being an incredibly thoughtful boss. You don't know how to tell him that you haven't spoken to your mother-in-law in years, not since her last attempt to poison you. Every six months he buys the whole team new cars. You have no idea what to do with all these cars. It's too many cars. Put some cars back. He calls everyone his "friend," but even after working for him for years, you still have absolutely no idea about his likes, dislikes, or hobbies outside of the IPC. You could not name his favorite food if someone put a gun to your head. Does he exist outside of the workplace? You literally can't imagine him anywhere but on a mission or at a poker table. He's constantly bringing an "I am the party!" vibe to the room, but everyone else is a bored 8-5 worker who doesn't have a drop of enthusiasm left in their veins. It's like when a singer asks the audience to cheer along with a song, but nobody in the audience makes a peep. Absolutely no one in the IPC cubicles can match his particular freak. Aventurine's a smooth-talker and a street-smart cookie for sure, but something about the way his smile looks like it's made out of plastic when anyone tries to engage him in chitchat at the water cooler gives you the vague impression that he's probably never had an actual friend in his life. If "uncanny valley" was a vibe a workplace could have, Aventurine's office would have it.

Long story longer, I think Aventurine has very few people willing to tolerate him as a boss, whether because they are racist or simply because his quirks are just too quirky. However, I like to imagine the few who have hung in there are ride or die. You know they have an "Aventurine Protection Squad" group chat. They probably all wear peacock-teal and gold accessories in solidarity. They have definitely disappeared people for talking shit on their boss before. Aventurine has no idea how much they actually like him.

[saturdaynightspecialpresentation]

Poor Things

First of all, Emma Stone’s performance is as good as everybody is saying. Stone takes a very difficult role that easily could have gone very, very wrong and makes it look like the most effortless thing in the world.

I have been looking at the reviews, good and bad, and I think that the minority of people who didn’t vibe with this movie had slightly skewed expectations.

Poor Things starts out at Tetsuo The Iron Man levels of fucked up, but by the end it has dropped to Edward Scissor hands levels of fucked up. This is probably plenty of weirdness for the average movie-goer, but true connoisseurs of mondo cinema should calibrate their expectations.

Second, apparently this is being talked up as a sort of feminist coming of age fable chronicling an everywoman’s sexual awakening and liberation, and it really isn’t that, and I think if you are hoping for that you’ll come away disappointed.

Better, I think, to look at it as an autistic coming of age fable and power fantasy, which I think it does a tremendous job at.

Very minor spoilers under the cut; really, this is more an essay about what I thought the film was about than a review, my review would be that it's somehow simultaneously a feel-good crowd-pleaser AND a movie where an adult woman with the brain of a toddler stabs the eyes out of a corpse with a scalpel and then plays with its penis (I wasn't kidding with the Tetsuo comparison)

Honestly now that I've actually written that out I have maybe underestimated how impressive it is that Yorgos Lanthimos made a movie where that happens on screen but somehow basically everybody loves the movie.

In terms of sex, we do watch Bella discover sex, but she very quickly comes to a conclusion about her relationship with it which never once changes throughout the rest of the movie:

She likes it, she likes it more with an attractive partner, she is utterly lacking in any kind of sexual jealousy, and she doesn't attach too much more to it than that.

This is an odd comparison, but Bella treats sex the way Joey did on Friends. A man acting this way is a sitcom cliche, but a woman acting the same way…

This is a film that is really, really not interested in the real-world consequences of this kind of sex; in fact, given that a pregnancy is the inciting incident of the film, it came off a little weird to me that the possibility of a pregnancy or STD was never really addressed (unless there was a line or two that I missed while I was in the bathroom).

For the most part, though, I was able to get past it by just thinking of it as a heightened world. The sets and settings are extremely artificial, and ultimately I figured, “Hey, if I can buy this kind of thing as harmless and fun in a sitcom, I can buy it in this other kind of heightened reality.

I will say, I don't think Bella is meant to be an every-woman, and that there's textual support for this in the film itself.

All of the women Bella deals with in some way question her approach to sex, making it clear, sometimes through explicit dialog, other times more reading between the lines, that her approach to sex is not for them.

If there’s any particularly feminist message in the film, it’s that when confronted with Bella’s bizarre approach to the world, none of the women get angry at her, and most of the men she meets do.

But Bella’s relationships with other women aren’t really the meat of the film, that’s more about her relationship with men, and particularly the way that they feel, deep in their bones, that they should have control over any woman that they have sex with.

Duncan Wedderburn, when he first discovers Bella and convinces her to go away with him, thinks he is tricking and seducing a beautiful naif who he can use and then discard when he tires of her. Their relationship disintegrates as it becomes clear that Bella hasn’t been tricked at all; she wanted exactly what he was able to give, a chance to sow her wild oats by having some no strings attached sex with an attractive, likable person in an exciting foreign city.

This makes Wedderburn increasingly unhappy and unhinged (He says at one point that he has become what he hates, a “grasping succubus”) much to Bella’s growing consternation. She has no idea why he can’t simply be happy having sex with her and otherwise letting her do what she wants, and he is so committed to a certain vision of gender roles that he can’t even begin to explain it, he can only lash out in frustration.

And that I think is the meatier part of the film; Bella doesn’t so much flout social expectations as she is simply totally unaware that they exist. 

Honestly I think the character isn’t so much coded as autistic as she just is autistic. Bella is a woman who is basically totally unaware of social expectations and constantly taken aback to discover that they exist.

More than that, she has to figure out a way to work around the fact that many of the people who become most enraged by her are also so totally lacking in self-reflection, and view their social situation as so normal, so self-evidently obvious that they cannot explain to her why it is she has made them angry. They suddenly fly into rages that clearly perplex Bella and which they themselves don’t even bother to explain, because they regard their own ideas as self-evident.

Bella is an idealized autistic hero; personally as outlandish as she is I don’t really think the film expects us to take the side of anybody else, and I think there are some fairly subtle and accurate bits of autistic behavior on her part.

She responds to life as a kind of social experiment, attempting to parse out a set of logical rules and, especially in the latter parts of the movie, she often justifies her actions with a perfectly sensible internal logic that the emotional men in her life can’t parse out. Late in the film, when she and Wedderburn are destitute, she prostitutes herself for 30 francs, and with implacable logic, explains the two reasons that Wedderburn ought to be quite happy she has done so: First, her john was much worse at sex than Wedderburn, which ought to satisfy his ego, and second, they now have 30 francs and the potential to earn more.

Wedderburn does not appreciate her logical approach.

Another thing that strikes me as very true is that Bella has a very odd theory of mind for other people. There’s a scene where, traumatized by the unspeakable poverty and suffering she sees in Alexandria, she puts all of Wedderburn’s money in a box and rushes out to give it to the poor. Unfortunately the ship is leaving, but two port attendants tell her that they will be staying on the island, and would be happy to deliver a package. She tells them that she has a big box filled with money and they should give it to the island’s poor, and they agree to do so. Now, the film never tells us one way or another whether they keep their word; but Bella herself retains an iron certainty that they did exactly what she asked them to. Now, we know Bella understands what lying and deceit are, because we’ve seen her trick people before, like when she chloroforms McCandles to run away with Wedderburn. But it never once occurs to her that these sailors might do something similar. Call it paradoxical, but that kind of thinking is common in autistic people.

There’s also the scene where the self-professed cynic Harry Astley shows her the suffering in Alexandria; he admits, when he sees how terribly it has affected her, that he didn’t tell her simply because he thought it was the truth of the world, but that her attitude made him angry, and he wanted to hurt her. A very common part of the autistic coming of age is the slow realization that not everything people tell you is part of a dispassionate, scientific search for the truth.

There’s also a scene in a whorehouse in which Bella argues that it would make more sense to have the women decide who is to sleep with the johns, so that then the john could be more confident that the girl was attracted to him, which he must doubt if he chooses. You can tell I’m autistic because I immediately had the thought, “Well, but the johns would probably be worried that nobody would choose them.”

One of Bella’s fellow working girls instead tells her, “Some of them like the fact that we don’t have a choice”.

[ohello0]

SAG-AFTRA you dumb bitch

There was cross industry solidarity for actors for MONTHS only for gaming and voice acting to get thrown under the bus with ai shit. This is gonna fuck over so many people who will be underpaid to “touch up” something ai did or not paid or consulted at all

[ckret2]

Have you watched Transformers One?

Yes, and it is—no exaggeration or hyperbole—the best Transformers movie to date.

And not only is it the best Transformers movie

it's also an actually good movie.

I came in with high standards prepared to judge the hell out of Optimus & Megatron's new origin stories, but no they pulled it off, I 100% believed that within the span of a movie they had both evolved from a couple of nobodies into the leaders we know & love. They made it work.

The one downside is I would've wanted to get to know more of the characters better (especially more Cons), but after so many "we've thrown thirty Transformers at you and only got to know one or two well enough to form an emotional connection, if even that much," I think maybe dialing back the cast was the right decision until they've mastered making good Transformers movies.

Sentinel Prime was a VERY good Sentinel Prime, kinda 1/2 IDW and 1/2 TFA.

The art style's gorgeous, I love TF continuities that go for a colorful cartoony easy-to-read CGI style.

Iacon is beautiful, GREAT city design. All the environments & vehicles are great but I can't talk about the others without spoilers.

Every single background character is SOMEONE, you could watch the movie just looking at the background characters and going "HEY THAT'S— AND THAT'S—" and have a great time.

Steve Buscemi is Starscream.

10/10.

[chaosfantasmic]

transmasc botw Zelda lol, he’s just vibing

[braisedhoney]

so this is basically the whole space trip thing right.