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matt0044 · 1 year ago

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The Electric Piper;Kids TV English;Alice In Wonderland Anime;Sean Bodine;hunterkiller1440;Skip Intro;Against The Current;Live Steam;Sodor Snippet;Hot Shots;Bruce Almighty;Evan Almighty;TrainKillers;If Luz only spoke Spanish;True Blue;Thomas Blue;Sean Bodine;A FUSCO;Noddy;Canadian TV Broadcasts;Spongebob Docupants;Mondo World;Pollyanna;Daddy Long Legs;World Masterpiece Theater;Flip Flappers on DVR;Anime on DVR;Are You Afraid of the Dark;look into the Pokemon Anime;Best Wishes episodes for inspiration;Thomas Music Compositions;The Red Engine Theme;Dizzasta;Free Guy;Kids TV English;Frankenstein’s Aunt;BRB Internacional;Pokemon The First Journey;TB76 Returns;SodorBrony;Drawn Together;Columbo Anime;turtleneck Sci-Fi;Just Weebs;Lupin The Third Part 2;Totally Spies Season 6;Marathon Media;The Secret World of Santa Claus;Mythic Warriors;ZeeToons;Jack & The Pack;Power Rangers Funniest Moments;sum;Lil Nas X;That GF FAN;Revive by Mai Kuraki;Sonic Real-Time Fandubs;Sonic Real-Time Fandubs Animated;Thomas & Friends Museum Piece (S6-S7 style);Industrial Steam Productions;KaiserNeko;Monster By Mistake;Lost Media;NickelZickel;Denver the Last Dinosaur;Last Transformation (E196);Thomasfan261;The World According To Me!;Starseed86;RiffTrax;Free RiffTrax Movies;RiffTrax: The Last Shark;THE LIGHTBRINGER;Linkara running;The Treehouse Of Horror YTP Collab;Roxanne;House of Mouse;When you remember Loona and Emira share the same voice actress;Humble Cartoon Archive;Hello Kitty’s Furry Tale Theater;TheNPRRE2;Daniel Wells (BASEDCUBE95);NateFlicks;NatesVlogs;White Rose Dubs;Crane Engine Studios;The Adventures of Tintin;Milo Murphy‘s Law;Rooting For The Enemy;Chop Away At My Heart;Phineas & Ferb;S-I-M-P Squirrels In My Pants;George Garza;Demo Reel;Chibi Maruko-Chan;Mao Mao: Heroes of Pure Heart;Ultra Seven;Ultra Seven Cinar Dub;Ultraman Tiga;Ultraman Tiga 4kids Dub;Ultraman;City Limits;Michael Bradley;The Endings of Death Note: How One Difference Shapes a Series;MasakoX;Welcome To The Space Show;Skysurfer Strike Force;Syy;The Barbarian & The Troll;Seinfeld: Rabid Elaine;Jellystone;Captain Rutlidge;Sprout Dinner - Sagwa’s Stir Fry Surprise;EggFlicker2;Red Dawn Remake;The Treehouse of Horror YTP Collab;Doug Title Card;Disney’s Doug;Kablam!;Prometheus and Bob;Pepper Ann;And how is this Ghostbusters 2?;StanTheTalkingDog;Marvel Mash-Up;R.R.S.I {Jivio};X-Men Japanese Openings;I’m Angry! 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earlgreyinpajamas · 2 years ago

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00q fic recs: madeleine pov

1. questions & quarrels by Mlle_Heloise

When Madeleine returns with Bond to the Pevsner Hotel to find room 12 empty, she starts to see a different side of him. She isn’t sure at first what she has walked into, but after a series of questions and quarrels, Madeleine starts to see everything for what it is.

~~~

ok but madeleine actually being a good character in fics is so refreshing?? and her using her psychiatrist knowledge to get them back together is mwah

2. By Manner, By Measure by ThrillingDetectiveTales

“Oberhauser is still alive,” Q explained, tapping at the keys. “The ring proves it. And it seems they were all part of one organization. Le Chiffre, Quantum, Sciarra, and your friend Mr. Silva.”

Bond’s mouth quirked. “My friend?”

“He certainly isn’t mine,” Q replied. “There was trace DNA from all of them on the ring. And do you know who links them all?” He looked up before Bond could reply and met the other man’s gaze over his shoulder, mouth curling just a little as he prodded, “Go on, give us a guess.”

“Him,” Bond rumbled ominously, voice low and black. Near to Q as he was it would only take a shift of weight from one foot to the other to bring their mouths together.

Madeleine felt herself flush faintly at the realization, but didn’t look away. How very interesting.

~~~

madeleine third wheeling 00q is such a vibe ngl

3. Second Rate by SailorChibi (@tsuki-chibi)

When the door opens again, three more people spill into the room. For her benefit, James identifies them as Moneypenny, Tanner and Q. Her attention is arrested by him, this quartermaster, this boy. She watches the way Q watches James and, for the first time, actually goes past understanding and gets it.

Then Bond laughs at something M says and cockily adds, "He can do it. Our Q has a lot of talent." And his eyes kind of get a little more of that sparkle, and it takes everything she has not to start crying on the spot. Every fragmented thought of what life might have been like from now on goes up in smoke.

~~~

ok ill admit that only the first part is madeleine pov, but i couldn’t resist another bond-doesn’t-walk-away fic + good on madeleine for having a backbone

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shortnotsweet · 4 years ago

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The Allegory of the Tin Man, the Dictator, and the Knight: a Dissection of Ironqrow and a Character Arc of Failure

“There lived in the Land of Oz two queerly made men who were best of friends. They were so much happier when together that they were seldom apart.”

— L. Frank Baum

A brief Ironqrow meta and character analysis of James Ironwood, the ultimate screw up, in three parts.

I. Qrow and Ironwood’s Homoeroticism in Canon Source Material and its Translation

II. Ironwood’s Repressed Characterization and the Inherent Chivalry of the Dictatorship

III. Ironwood, Alone

Qrow and Ironwood’s Homoeroticism in Canon Source Material and its Translation

Within the Oz series, the Tin Man and the Scarecrow are layered within homoerotic subtext, even if it is included unintentionally. Tison Pugh’s analysis Queer Utopianism and Antisocial Eroticism in L. Frank Baum's Oz Series posits that the land of Oz as portrayed within the series is a largely asexual environment of suspended adolescence that involves the deviation of binary gender norms, and of performative heterosexuality. Pugh refers to it later as a “queer utopia”. Men are portrayed as a lesser military force to women, and heterosexuality is a flimsy presence at best; all signs of procreation within Oz are stifled. While this could be chalked down to Baum not wanting to get into the subject of sex and exploration in a children’s series, it does contribute to a particular tone with real-life critiques of capitalism and a particular deconstruction of gender norms. Ozma, who will become the ruler of Oz after the Wizard and the Scarecrow respectively, for example, is originally a boy named Tip (the name itself holds phallic implications) who is “transformed” into a girl. The strongest military force is one of all-women led by a rebellious female general. Pugh observes, “At the same time that Baum satirizes...women as leaders…he consistently depicts women as more successful soldiers than men, and female troops appear better capable of serving militarily than male troops…[the] male army comprises of twenty-six officers and one private, and they are all cowards…” and cites the Frogman’s declaration that “Girls are the fiercest soldiers of all...they are more brave than men, and they have better nerves”.

RWBY itself isn’t opposed to this kind of subversion, either in its characters or its relationships. There’s an obvious effort to include LGBTQ+ representation (albeit primarily in the background), strong female characters are prevalent and make up most of the main and supporting cast, a character’s gender is not strictly reliant on its source material, and BlackSun, while cute and a valid ship in its own right, is treated as a heterosexual red herring to Bumbleby. Additionally, there have been a lot of hints by the voice actors, writers, and creators on social media that Qrow himself is queer, the infamous Ironqrow embrace included.

Admittedly, if I wanted to write an essay about the likelihood of Qrow being LGBTQ+ or having some kind of queer identity, I would probably focus more on his relationship with Clover, which had a lot more overt and probably canonically intentional Gay Vibes, and despite having known Qrow nowhere near as long as Ironwood has, it has just as much, if not more, to extrapolate. Unfortunately, that’s not the main point of this essay, although it remains relevant. While I personally don’t doubt that Qrow has had sex with women or experiences valid sexual attraction to them, I get the feeling that it is, to a degree, a performative act and a masculine assertation of enjoyment intended as a coping mechanism. It plays into the trope of the handsome, tortured alcoholic (best exemplified, perhaps, in the MCU’s Tony Stark, Dean Winchester in Supernatural, and critiqued in the superhero episode of Rick and Morty) who sleeps around just to recall the feeling of intimacy, or because he associates sexual ‘degradation’ as a reflection of his worth. Real self-deprecating, slightly misogynistic stuff. Qrow’s recall of short skirts, as well as his brief exchange with the waitress in an earlier volume, reminds me of one specific interaction between the Scarecrow and his own love interest. Within the series, the Qrow’s source-material counterpart, the Scarecrow, has one canonical love interest, the Patchwork Girl:

“Forgive me for staring so rudely,” said the Scarecrow, “but you are the most beautiful sight my eyes have ever beheld.”

“That is a high compliment from one who is himself so beautiful,” murmured Scraps, casting down her suspender-button eyes by lowering her head.

Pugh points out that the two of them never develop this relationship further than flirtation, and heterosexuality is reduced to a “spectral presence” lacking the “erotic energy [driving] these queer narratives in their presence”. Specifically, Qrow never reveals a serious or long running heterosexual love interest - he is not the father! [of Ruby] (despite much speculation that he and Summer Rose were involved) and he and Winter never really moved past the stage of ‘hostility with just a hint of sexual tension’ - and there is no debunking of potential queerness. His interactions with Clover (deserving of an entire essay on its own) seem to support this interpretation, and is more or less a confirmation of some kind of queer inclination or identity. Again, the “queer utopia” of Oz comes at the cost of the expulsion of the sexual or the mere mention of reproduction - still, through this device, same-sex relationships gain a new kind of significance with the diminishing nature of heterosexuality. Speaking of queer narratives, the Scarecrow and the Tin Man have the most tender and prolonged relationship of perhaps all the characters in the series, exchanging a lifelong commitment:

“I shall return with my friend the Tin Woodman,” said the stuffed one seriously. “We have decided never to be parted in the future.”

Within the source material, the Tin Man and the Scarecrow voluntarily live together, and are life partners in nearly every sense of the word. The second book in the Oz series is The Tin Woodman of Oz. In summary, the Tin Woodman recalls that he had a fiancée before the events of the first book, forgot all about her, and now must search her out so that they can get married. Who does he ask to accompany him in this pursuit? None other than his no-homo life partner, the Scarecrow. Although this sounds like a stereotypical heteronormative storyline, “this utopian wonderland...rejects heterosexual procreation...First, the Tin Woodman does not desire...Nimmie Amee...” and even acknowledges that due to the ‘nature’ of the heart that the Wizard had given him, he is literally incapable of romantically or passionately loving or desiring Nimmie, and by extent, women in general - to me, that works perfectly as an allegory for a gay man who is literally incapable of experiencing legitimate heterosexual urges, but ‘soldiers on’ out of obligation and societally enforced chivalry. “The Tin Woodman excuses himself from the heteronormative imperative...Only his sense of masculine honor, rather than a heteronomratively masculine sex drive, impels the Tin Woodman on his quest to marry his long-lost fiancée.” Again, Ironwood’s character follows the lines of propriety within the sphere of the wealthy elite, and his persona as a high-ranking military man and politician, as well as the conservative values instilled within Atlas, prioritize duty and obligation. This kind of culture is stifling and in a lot of ways aloof, as the upper class deludes itself into believing that it is objectively better and more advanced than its neighboring territories. *ahem the myth of American exceptionalism ahem*

“There lived in the Land of Oz two queerly made men who were best of friends. They were so much happier when together that they were seldom apart.”

I think it’s funny that the characters that Ironwood and Qrow are based off of are canonically the closest of friends, who coexist almost as a unit. In contrast, the first introduction we get of Ironwood and Qrow is a hostile exchange where they’re at each other’s throats, never on the same page, and never in sync, not when it matters. Indeed, Qrow snaps at Ironwood for his lack of communication, which is a recurring issue between the two of them on notable occasions. If the source material is anything to go by, there should be a significant relationship between the two of them, or at least some kind of connection, even if it goes unspoken or unacknowledged. To be fair, in RWBY’s canon, I think there is.

I’ve seen this joke that while Qrow hates the Atlas military, the only people he really seems to flirt with is Atlas military personnel. “Ice Queen” is something I interpreted to be partially hostile, partially mocking, and partially flirtatious, in equal spades - the voice actors and creators have indicated that it was flirtatious, and there was a whole Chibi episode dedicated to the concept of Qrow and Winter’s extrapolated sexual tension, albeit in jest. I might argue that his use of abbreviates aren’t reserved for people he dislikes, but for people who bring out his playful side. “Brat”, “Pipsqueak”, “Firecracker”, and “Kiddos” are all drawn from a place of affection, however short or mocking it may seem, because that’s what crows do: they mock others.

Qrow has little nicknames for people; while it’s not exclusively a sign of affection, I do get the feeling that ‘Jimmy’ is an informality that irks Ironwood, but can also be interpreted as Qrow giving James what he needs, rather than what he wants.

Glynda is by no means a pushover, but in assuring him that while he does questionable things, he’s still a good person, she’s softening the blow and probably further enabling deeply rooted and pre-existing traits, many of which contribute to his problematic control complex. It is established early on that Qrow resents the military (as he should), and it is implied that he’s spent a fair amount of encounters harassing and provoking military personnel (Winter being the most evident example of this), and has insulted the military numerous times to Ironwood’s face. He lectures Ironwood about the way he conducts his operations, his inability to communicate, and basically what a complete, inconsiderate asshole he really is.

What Ironwood needs is someone who operates outside of the pretense that he works, breathes, and lives under, and just tells it like it is. Jimmy isn’t all that - he’s a person, just like the rest of us, and he can flaunt all the titles that he wants, but James stripped down is still just Jimmy.

Qrow also is the kind of person who pries, who is insistent, and not particularly sensitive. For someone like Ironwood who has a lot of (physical and emotional) barriers, logically, in order for him to receive genuine understanding, Qrow fits the profile of someone who is invasive but not exploitive, who sees past the cracks in his armor and takes him for what he is. What is just important is that whoever Ironwood is with is someone who makes him want to try not only to be better, but to be real; thematically, General Ironwood seems to have a great respect for but a deep struggle with authenticity. He clearly resents the ignorance and frivolity of Atlas’s wealthy elite, as evidenced by his support for Weiss at the dinner party in announcing that “she’s one of the only people making any sense around here”, while struggling to project the facade that he’s carefully created.

See, we don’t have evidence that there is something going on between Ironqood and Qrow so much as we have enough evidence to inconclusively say that there’s not not something going on. I think there’s enough evidence to support the idea that something could be going on, or was going on.

When Qrow saves Ironwood at the Battle of Beacon, who is under the false impression that Qrow believes him to be the culprit of the attacks, his eyes follow Qrow and we get a closer shot of his awed expression; we the viewer can only imagine what he sees as Qrow arcs through the air and slices down a Grimm from behind his back. The focus on Ironwood’s expression portrays something like shock (so Qrow wasn’t trying to attack me after all, but then what the hell is he doing?), maybe wonder (I can’t take my eyes off of him, I can’t look away), maybe respect (I know he’s a good Hunter, but I’ve rarely seen him in action), but it is unfiltered nonetheless. In a show where fight scenes are vital to the progression of the story itself, the dynamics of these fights are at their best when they are character driven, whether it is revealing or reinforcing something about the characters and their relationships, or it is deciding their fates. There’s something to be said about characters being given moments together in battles, and what that says about the significance of their relationship. The best example of this might be the battle between Blake and Yang vs Adam; it served to give Adam what he deserved, help Blake and Yang reach closure in certain aspects of their own trauma, and solidify the bond between the girls. Similarly, Qrow and Ironwood’s moment is meant to reveal a theme that will later be revisited in volume 7; trust. Ironwood is startled but not shocked when he believes that Qrow distrusts him to the degree of attacking him, and is ready to attack or defend as needed.

Qrow tells him what he needs to hear, more or less: YOU’RE A DUMBASS. Ironwood is, indeed, a dumbass. While he does extend the olive branch of trust and good will to CRWBY and co. this trust is highly conditional and proves to be, while from a place of desperation and sincerity, at least partially performative.

When Ironwood snaps, he snaps hard.

Amber’s voice actress tweeted early on, joking that Qrow has two Atlas boyfriends, and Arryn has made comments, too. It’s one of the older ships, and the crew is certainly aware of it (“...extended chest bump...”).

Kerry has stated that he finds the Ironqrow relationship interesting, and wishes it had been explored more (additionally, allegedly lobbying that Ironwood’s arm in the Ironqrow hug scene be slightly lower). I’m not saying that they’re going to both make it out alive, or canon, or even that romantic subtext was intentionally woven into the script. All I’m saying is that I think their relationship is interesting too, especially when the subtext of their source material relationship is taken into context, and the way their characters are positioned is suggestive of some sort of compatibility, even if it is a hit or miss kind of opportunity, and I have the sinking suspicion that it was missed on both accounts.

The Tin Woodman of Oz concludes,

“All this having been happily arranged, the Tin Woodman returned to his tin castle, and his chosen comrade, the Scarecrow, accompanied him on the way. The two friends were sure to pass many pleasant hours together in talking over their recent adventures, for as they neither ate nor slept they found their greatest amusement in conversation.”

Ironwood’s Repressed Characterization and the Inherent Chivalry of the Dictatorship

“I don’t give a damn about Jacque Schnee...what about the other two? Do not return to this office until you have Qrow Branwen in custody.”

“And that’s not all we’ve lost...I had Qrow in my hands, and I didn’t do what needed to be done.”

Observe: Ironwood, at this point, does not care about politics. I doubt he’s ever wanted to, or ever liked it (if his tired outburst at the dinner party is any indication) but his Knightly qualities (we’ll get to that) have, up till this point, prompted him to adhere to them for both power and etiquette. James surrounds himself in a world that he understands and despises; more than anything, he’d like to be a general, a commander, and the Knight in Shining Armor archetype, because warfare is something he understands. It is a testament to his (superhuman) willpower that he forces himself to become fluent in the language of politics, and to live and breathe in it. To clarify, Ironwood sees himself as a man who does what needs to be done; if he wants to change and control Atlas, he will have to involve himself in its politics.

Likely, his resilience has contributed to the way he views himself and what he deserves, as someone long-suffering and almost martyr-like, a silent hero doing what needs to be done. But at the moment, he’s lost his goddamn mind coming undone. He’s murdered and jailed his political dissent (and might have considered executing prisoners), but at this point, that’s all that Jacque and Robyn are to him. First he dismisses Jacque, narrows it down to the two escaped prisoners, and finally reveals what’s really on the forefront of his mind: Qrow, free and out of his hands.

[ When recalling this dialogue, please do so while imagining a bad recorder cover of the Titanic music playing over the background. Here is a sample. ]

In the most recent episode, Ironwood seems to have gone off the rails even further. The fact that Winter, his most faithful lieutenant, is losing her unshakable faith in him, says a lot about how hard he’s fallen off the deep end. In Winter’s mind, I think that she sees him almost as a surrogate father figure, or at least a patriarch who can be positively compared to Jacques in every way. The previous volumes go to lengths to compare the two as adversaries and showing James in a favorable light; Winter is in her own personal horror right now, because she is beginning to understand that Ironwood is a man who may not be her father but is just as susceptible to corruption, and may have been that kind of person all along. Skipping over the...ah, genocidal tendencies, and the fact that he’s proposing to kidnap Penny’s friends to force her to obey him and likely is starting to realize that Winter is the perfect bait (let’s just say that “Ironwood is not good with kids” is the understatement of the year) Ironwood wants Qrow back (in captivity), I think that it’s significant that while Ironwood registers that Robyn is gone as well, his first priority is Qrow, probably for two reasons. On one hand, he still refers to Qrow by his first name, instead of the formal Branwen. Of course, that doesn’t have to mean anything at all. They’re colleagues within the same age range, both members of the same secret brotherhood and similiar skill sets.

On the other hand, it reminds me of the moment when Qrow and the kids first fly into Atlas, and they see the heightened security, and Qrow mutters, “James...what have you been doing,” under his breath, sounding concerned, apprehensive. He’s not addressing the kids, he’s talking to himself; he regards James much more seriously both as a potential threat and a friend than he’d rather the other know, and I think that James’ focus on Qrow at this point is similiar, only not only is this a sign of them knowing each other well, but of Ironwood’s slipping control. He offered Qrow his trust and camaraderie, his last attempt to keep a handle on his humanity (or, his heart). Qrow, in return, withheld vital information, got close with another operative instead, then allegedly killed him and and escaped ‘rightful’ imprisonment.

The Tin Man is offering Qrow his heart, at least proof of it, and the Scarecrow [and co.] steps back to observe the situation, and assesses that no, what you are going to do is wrong, and I cannot agree with it.

Ironwood is not an objective person, as much as he wants to be. He’s angry, desperate, scared, and humiliated. Worst of all, he’s rebuffed, and he’s taking Qrow’s escape personally. First, he understands that Qrow is a threat. He’s Ozpin’s best agent, he has years of field experience, and he knows too much, probably more than James knows. Second, they have history.

My personal interpretation of Ironwood is something this:

He’s a sad, sad, lonely bitch. What Ironwood longs for, just like his source material counterpart, is a heart. He will go to any lengths to achieve this, because he believes that he has self awareness and therefore is able to check and balance himself. He treats his subordinates well, is diplomatic, skilled in a variety of trades, fighting the good fight, and longs for the affirmation that yes, he is a good person, and yes, he’s had a heart all along. He just strays from the path, and loses his way.

This is symbolically represented by his partially mechanic exoskeleton; we have no idea how far the cyborg extremities extend, or how deep, but we do get the visual notion of humanity in conflict, or a man’s soul deconstructed and split between the cold efficiency of machinery and the very real warmth of a human body. Ironwood wants to appear human, and benevolent, and genuine, and in return, loved; he is human, and he could be all of these things. If my reliance on the source material holds any merit (although I highly doubt it), then there is also a potential struggle with sexuality, (Glynda herself even explicitly and exasperatedly references a testosterone battle between Ironwood and Qrow, suggesting a regular overassertation of masculinity) and a further incentive to achieve love and subsequent acceptance.

To clarify, I do believe that there were less-than-subtle allusions to Ironwood and Glynda having a vaguely flirtatious history, taking their shared scenes and background dancing into account, but this, again, does not “debunk” the presence of queerness within a narrative; it could be an assumption of heterosexuality, or performative itself, or just not an exclusive interest. Besides, Ironwitch isn’t what this essay is about. I’m not trying to persuade or dissuade someone of the notion that Jimmy is gay, or straight, or something else, only that the potential ambiguity exists. What I do think is most important is that James doesn’t openly ward people away, not when those people aren’t under his command and are technically outside of his jurisdiction. He’s friendly with Glynda, tries to extend trust to Qrow, is kind to people in the aftermath of battle, and overall clings to diplomacy as his first weapon. He wants to be accepted, to be liked, and to be welcomed. This is not an outrageous want, nor is it uncommon. Unfortunately, Ironwood’s understanding of love and acceptance is entangled within the concept of control, and he associates unquestioned compliance with this Want.

Ironwood’s introduction into the series shows him being openly cordial, and very considerate, especially his interactions with Glynda and Ozpin. He’s a gentleman, he’s apologetic, and, as Glynda assures him, he’s a “good man”. She doesn’t really elaborate on what a “good man” is, exactly, but we might presume that a “good man” is a person with good intentions, who strives to do what’s right, regardless of his options.

Here’s the thing - one similarity between Ironwood and the Tin Man is that they both have the capacity to love, but they fool themselves into thinking that they don’t; before the Wizard gives him a ‘heart’, the Tin Man suggests that he is only kind and considerate to everyone in Oz because he believes he needs to overcompensate for what he lacks, and is therefore doubly aware of how he treats others. However, the Wizard knows no real magic, only tricks and illusions, and what he gives the Tin Man is essentially a placebo that enables the Tin Man to act towards and feel about others the exact same as he always had, only with the validation that what he feels is authentic. Similarly, Ironwood has always had the option to be empathetic and not fucking crazy open to collaboration, which he’s very aware of, until his own paranoia cuts into his rationality and compels him to cut himself off from all allies and alternative perspectives. He then uses his difficult position and responsibilities to justify unjustifiable actions, to rationalize irrational urges, and to gaslight and brainwash his subordinates into compliance.

The Tin Woodman knew very well he had no heart, and therefore he took great care never to be cruel or unkind to anything.

“You people with hearts,” he said, “have something to guide you, and need never do wrong; but I have no heart, and so I must be very careful. When Oz gives me a heart of course I needn’t mind so much.”

Qrow sees through this, however, and not only seems incapable of following orders himself, but disrupts the decorum that Ironwood is used to. In return, I think we see a little more of James that he’d like to reveal.

“If you were one of my men, I’d have you shot!”

“If I was one of your men, I’d shoot myself!”

In case this entire ass essay doesn’t make it obvious, I do really ship Ironqrow. I’m open to other pairings, definitely, but this one in particular is just more interesting to me. It feels more revealing, more subtle. I have more questions.

In hindsight, maybe the dialogue example above ^ didn’t age well, considering where they’re at, but I do like how their professional animosity is flavored with a kind of camaraderie, and understanding. This exchange isn’t exactly playful, but they’re taking each other seriously - and, like repressed schoolboys, taking the piss at each other in a childish way, and isn’t that part of the fun of banter, when they’re so focused on each other that they forget to act their age? In a lot of ways, this is a really fun dynamic to watch. They’re opposite-kind-of-people, which I like, at least on a superficial level, and I can easily imagine them tempering each other in ways that would make them ultimately happier people.

They even look well-coordinated, with similar color schemes that lean on the opposite sides of the shared spectrum (white, grays, reds and black); I think the decorative design on Qrow’s new sleeves are supposed to be more ornate simply to communicate that Qrow is committed, and willing to be sentimental, but some viewers have suggested that it resembles the pattern on James’ weapon, Due Process (the revolver is based off of the Tin Man’s pistol, although, curiously, in The Wizard of Oz, the Scarecrow was the only character to carry a pistol, and the commentaries suggest that the 2007 Tin Man miniseries was the “basis of the allusion”. Does that mean anything? I don’t know. Probably not.). Still, it raises the questions: who was in charge of designing the team’s new clothes and gear? How much input did Atlas get, and was this intentional? Personally, I think that the vine-like pattern on Qrow’s sleeves also bear a resemblance to Ozpin’s staff, a subtle reaffirmation and foreshadowing of his allegiance in contrast to Ironwood, but I digress.

They can also deliver that UST kind of banter that takes up their attention, and get up really close to each other, in each other’s faces, and just be pissed, which I think is very sexy of them, mhm. Enemies to Colleagues to Reluctant Friends to Lovers is a trope that I very much appreciate. Gaining some sort of common ground at the Battle of Beacon only to reunite, tired and battered, after the shit has already hit the fan? Slow burn kinda vibes.

That hug between them was something genuinely vulnerable and a sign of Ironwood letting his guard down because he is tired as fuck. It also was uh...kinda fruity.

Ironwood approaches closer, and Qrow scratches the back of his head, a characteristically nervous gesture that he’s made before; it’s a nervous twitch, manufactured nonchalance. He has no idea what Ironwood wants, but he does know that Ironwood wants something. James is the one to initiate the hug, and Qrow startles and even freezes up before relaxing into it. He seems suprised, but gives the bisexual eye roll of grudging fondness. This is out of character for James - Jimmy - but Qrow doesn’t think that Ironwood is a bad person. He leans into the hug, and the camera cuts out before they separate, suggesting that they probably end up standing there for a long ass time. You can also see from the side shots that it’s a close hug; their torsos are pressed up against each other, front to front, and there’s not a lot of wiggle room. James must be really goddamn depressed. It’s a long, manly, intensley heterosexual hug. Like I said, kinda fruity.

Other people have analyzed the hug shot for shot, so I won’t get too into it, but I think that it was intentionally left as a double red herring; some people thought that maybe he bugged Qrow, and after finding out that he didn’t, we were forced to conclude that this is a genuine olive branch. To find out that Ironwood is sincere but was still susceptible to corruption is that second subversion that I didn’t really expect. I hadn’t prepared myself for it, at least, and neither did Qrow. I wouldn’t go as far to say that Ironwood’s descent into fucking craziness paranoia is triggered by Qrow not ‘reciprocating’ or something, but I do think it’s interesting how the volume opens up with a signifigant interaction between Ironwood and Qrow, only for Qrow to spend the rest of the volume homosexually bonding with Clover, while Ironwood basically has no one as emotional support (again, his subordinates do not have the power or the place to be viewed as equals and the veil of formality is one of isolation). Qrow initiates nothing further, and nothing further happens.

Ironwood’s downfall, in a thematic sense, is that what he Needs is a heart, and when he gets that chance to demonstrate tolerance and empathy, James ultimately rejects his Need (a heart) and his arc reverts into one of villainy. To be specific, Ironwood is essentially a fascist dick, and that is not very sexy. (Speaking of dicks, the thought of Ironwood’s dick makes me laugh. I bet in the RWBY universe, people have made memes about that. I do not accept criticism because I am correct. Anyway,).

Dictators are charming, charismatic, and one of the pillars of their method is absorbing potential political opponents into their own administration to reduce the threat of rebellion, to appear openly tolerant to their supporters, and to further consolidate power. A good example of this would be Mean Girls, which runs on a comedic commentary of dictatorships as a political structure of power. I hate to compare James Ironwood to Regina George, but Regina’s posse includes Karen and Gretchen, two of the only girls who might take away from the authority she holds over the rest of their school, both in their wealth and attractiveness, and Cady’s interesting backstory and conventional attractiveness is the main reason Regina draws her into her own sphere - because she detects a potential threat. Much in the same way, while Ironwood likely has good intentions, his efforts to win over team RWBY and co. - including Qrow himself - is a logical way to consolidate resources. His willingness, at first, to cooperate with political opponents (ie Robyn) is because he’s not inherently evil, and he has nothing to lose. It’s when he is openly opposed and diplomatic gestures no longer hold the necessary weight that he snaps.

In one really interesting meta about Ironqrow’s archetypes (that I reread occasionally just because I really love it), @onewomancitadel posits that Ironwood is framed within the archetype of the Knight in Shining Armor, which should inform us of the moral consistency of his character. The meta was written around the beginning of volume 7, I think, and obviously we have a lot more character development and information to go off of now, but I think she makes a really interesting point about the nature of parallels and how that might help drive Ironwood as a character. I love her analysis of the visual of Ironwood stepping out of an airship wreckage, onto the street, the smoke billowing around him to reveal his cyborg prosthetics, and of the intentional framing. Once his uniform is stripped back, we see a man who is literally half-armor, which could be indicative of a lot of things. He’s emotionally guarded, he’s used as a human weapon, and he wants to be a line of defense. In her words, “The symbolism is really obviously put into perspective of his actions in trying to do the right thing: in the flesh (his true physical self) he is literally a knight in shining armour. From the ground up. Even if it's unseen or distorted by his uniform, his nature is still true.”

While Ironwood clearly has gone down a darker path in the most recent volume, I think this analysis holds true in a crucial way. “Ironwood is working with different information, and he’s doing exactly what he knows: stick to his knightly virtues, even disgraced.” Disgraced, indeed. Ironwood is holding onto his knightly values, and doing what he believes is right. If not right, he believes that it is necessary. The problem is that these values are manifested within Atlas’s sociopolitical-military culture in an inherently toxic way - his response is, at this point, neither rational nor empathetic, but it can be explained partially due to his cultural (flawed) understanding of justice, and because of the extenuating circumstances. The harsher the conditions become, the more difficult it is for anyone to project a facade that is not sincere at its core. If James is to uphold his Knightly virtues, he needs to be a protector, a leader, and a servant all at once while operating under limited intel with dwindling trust. All he has left are the few key players still in his grasp, and the control of the people he is responsible for.

To digress: generally, knights take an oath. It could be to a King, or Lord, or some noble, but Knights are supposed to operate on a code of honor, and chivalry, and to uphold these values throughout the land as an extension of whoever they have pledged themselves to. The story of Sir Gawain and the Green Knight is a really good example of the way that, back in the day, chivalry and honor was supposed to place knights on a moral high ground compared to the common people.

In the middle of a celebration in Camelot, an obligatory tradition that has since lost real value but is rehearsed because Camelot fears that failure to uphold traditions that once had meaning is disrespectful, a Green Knight interrupts the celebrations and offers a strange challenge that boils down to a fight to the death. Gawain volunteers because accepting this challenge is what is expected of him, and Arthur would be humiliated if his knights, supposedly the best in the world, would not rise to the challenge. Gawain - and to a certain extent, the rest of Arthur’s knights - are fickle, in a sense, because their adherence to this code is performative, and it allows them to delude themselves into moral superiority and lie both to the commoners and amongst themselves; their identity as knights is based on a falsehood. Gawain is offered the first blow, and after beheading the Green newcomer, is horrified to see him become reanimated and immune to mortal blows. He invites Gawain to receive his own - likely fatal - blow, and gives him a time in which to meet, before promptly leaving.

Throughout the story, Gawain is tested in a variety of ways - in his final test, he fails, and allows his greed for self preservation and the fear of death to lead him to lie to his hosts and proceed to his meeting with the Green Knight under dishonest pretenses. While he is spared at the last second and becomes a better person (after it is revealed that Morgan le Fay orchestrated the ordeal to spook Queen Guinevere) - and by extent, a truer Knight, by the end of the story, the superficial and hypocritical nature of Arthur’s court is still in question, and still unanswered.

See, the entirety of Gawain’s trials was a test, not necessarily for him, but for Arthur and his court as a whole. Morgan wanted to prove the fickle nature of Arthur’s knights. The Knights of the Round Table were considered the best in the land, and to discredit one was to discredit all. What use is tradition if the meaning is empty, what use is chivalry if it is performed for reward instead of merit, and what use is loyalty if it is blind and unearned? Returning to Oz, the Tin Woodman, or Tin Man, grew to be made of tin because his axe became enchanted by the Wicked Witch of the East to sever his own body parts instead of the lumber he tried to cut down. A nearby tinsmith replaced each amputated limb with one of metal, until his entire body became tin and his meat body had been entirely discarded. Something to note is that Nick Chopper’s, (General Ironwood’s) wounds are technically self-inflicted. Each time he swung his axe, he made the decision to continue, knowing of the end result each time. In losing his bodily functions, the Tin Man believed that he had lost his humanity and ability to love.

The tragedy of his origin story draws a pointed correlation to Ironwood’s current dilemma; his unwillingness to stop, his self-imposed isolation, playing into the hands of the witch, and finally, the decision to let go of his ability to love remain consistent throughout both stories.

Watts even refers to Ironwood as a “Tin Solider”; a reference to the Tin (Woods)Man, no doubt, but could also evoke a soldier clanking around in metal armor. Ironwood is a Knight in Shining Armor, through and through. He wants to save the world, but at the terrible cost of civilian autonomy and possibly life. The problem is that he’s pledged himself to a discriminatory and hypocritical system, and his code is something that can easily be misconstrued by fear ( @disregardcanon ), much as Gawain’s own values. The Tin Man is, after all, still a man, and if we’ve learned anything from real fairytales, it is that men are fallible, whether or not they are made of metal.

Ironwood, Alone

he’s a lonely bitch

I know I f- up, I'm just a loser

Shouldn't be with ya, guess I'm a quitter

While you're out there drinkin', I'm just here thinkin'

'Bout where I should've been

I've been lonely, mm, ah, yeah

— Benee, Supalonely (2019)

You do get the sense that Ironwood is riddled with self-loathing conflicting with pride, with self-doubt clashing with competence, and that he is the kind of person who longs for things without verbalizing. Maybe his dad never paid enough attention to him as a kid. Maybe he suffered some terrible physical and emotional trauma, which might as well be assumed, given the extensive nature of his cybernetic limbs. Maybe (probably) he’d be more well-adjusted and would’ve made better decisions if the people around him trusted him and were a little more open. To be fair, though, he is the one at the wheel, and he is making the calls; no one else is to blame for his mistakes, and to pretend otherwise is to deny him accountability. I think we do enough of that in everyday life, in excusing powerful men of their responsibilities. To his credit, I do think he wants to help people. I think James also wants to project the personality of a leader who is stoic, controlled, and measured. He is charming when he wants to be, sympathetic when it suits him, and influential in just the right areas. He is not a sociopath, but he is a politician, and in a lot of ways, those are the same thing. We see in his brief flashes of temper, often prompted by Qrow, or most notably by Oscar, that this is not a calm, stable person. This is someone is on the verge of exploding, who is so fucking angry that he is not in control that it’s killing him, and so he is going to lash out and kill the things that are not within his grip. If the people beneath him will not reciprocate the heart that he offers, then he has no real use of it. James Ironwood does not begin this story as a bad person. This is a tragedy, in however many parts it takes.

I read, in one very smart and very put-together analysis that I cannot find and properly credit at the moment, that part of Ironwood’s (many) failures can be seen in Winter, and how, like Ozpin, he has appointed a woman as his talented, no-nonsense, second chain in command at his right hand. In this way, Winter is an intentional parallel to Glynda, who is, without question, a bad bitch. In theory, surrounding yourself with strong individuals is a demonstration of self restraint, in implementing your own checks and balances. James wants to project that he is powerful, yes, but he is reasonable.

I take this to mean that, to some degree, even if it’s unintentional or subconscious, Winter serves to boost Ironwood’s ego.

The issue with this is that within the inherently hierarchical structure of the military, Winter cannot question, undermine, or challenge Ironwood in a way that is particularly meaningful and their relationship is one of commander and subordinate before colleagues or equals (link to a fantastic post about Winter’s role as the Good, Conscientious Soldier by @fishyfod). Whereas Glynda is free to argue with, converse, and be as combative as she needs to be with Ozpin (although their power dynamic is arguably one of commander and subordinate albeit informally), Winter cannot temper Ironwood effectively, and through the illusion of equality, Ironwood is further isolated.

His head and arms and legs were jointed upon his body, but he stood perfectly motionless, as if he could not stir at all.

Dorothy looked at him in amazement, and so did the Scarecrow, while Toto barked sharply and made a snap at the tin legs, which hurt his teeth.

“Did you groan?” asked Dorothy.

“Yes,” answered the tin man, “I did. I’ve been groaning for more than a year, and no one has ever heard me before or come to help me.”

The Tin Man needs oil to lubricate his joints; without it, he cannot move, and he is rendered helpless and inanimate. When Dorothy and the group find him, he is entirely isolated with no one in sight, and he has been there for such a long time that he has begun to rust. Similarly, Ironwood needs valued voices of dissent to keep him in check. His colleagues were able to serve that purpose in the beginning, and out of them, Qrow is the best example of someone who doesn't take his shit, openly questions him, and looks down on the performative decorum of the military culture that Ironwood is surrounded by. What Ironwood needs is to be flexible and adaptable; his Semblance, Mettle (heh, metal, very nice pun, RoosterTeeth), is a double edged sword in that it gives him supernatural focus and willpower - enough, perhaps, to flay/chop off your own limbs - but it blindsides him, and is only further prolonging his pain.

There is a lot of sympathy to Ironwood’s character, as much as I’ve ragged on him for being an authoritarian, kind of a dick, and bad with kids. There are moments, such as the previously mentioned dinner party, where he shows his colors a bit, and when he assures the students at the Vytal Festival that there’s no shame in leaving before the battle begins, and in giving Yang a prosthetic arm before her father even has to ask. As far as Generals go, it seems that he’s seen soldiers come and go and understands, at least in his best moments, that not everyone is the same, and not everyone has power of unflinching determination to rely on. Ironwood performs his best when he tempers himself because he understands himself, and others. It’s when he fails to self-reflect that his hypocrisy shows through. Glynda points it out, too, as does Qrow; Ironwood advocates for trust but often fails to give it himself, going behind Ozpin’s back, being absolutely shit at field communication, and now the whole fascist, borderline-genocidal keruffle he’s gotten himself into.

I think that Ironwood reaching out to Qrow was his ethical last stand, his last chance and conscious effort to choose the right path. Qrow is unequivocally an equal, not like how Ozpin is the Big Boss, the authority that James becomes disillusioned with and tries to overthrow. He wants someone to trust, desperately so, and Qrow wants that too, but narrative subversion has hands. The Scarecrow and the Tin Man have no brain and heart respectively, and are in need of them. As it turns out, Qrow is actually a pragmatic guy with solid principles angled against authoritarianism, and Ironwood is a dick who would rather enforce martial law than to empathize and tame his military-shaped boner for one second.

I might conclude that someone like Qrow might be best for Ironwood, but that does not mean that someone like Ironwood would be the best for Qrow. Qrow has a brain after all, but Ironwood does not choose his heart when it matters, case in point. Even the intro of the current season features Salem and Ironwood on a chessboard; his white pieces are disappearing, dissolving into dust, as hers transform into Grimm. Ironwood is isolating himself by depleting himself of allies. As this post by @hadesisqueer points out, Ironwood isn’t even positioned as King, the supposed commander, but the Queen, the most versatile player on the board that is so far underused, since he hasn’t moved from his spot. Ironwood’s refusal to unify against Salem is his failure to strategically utilize the best resources that were available to him; soon, the pieces will be swallowed by the dark.

James is guilty of something that a lot of us are guilty of: doing a Bad Thing for what we have convinced ourselves is a Good Reason, when in reality, it is actually a lot of Very Bad Reasons. James Ironwood is a Knight archetype, through and through, and he is charging forward to do the right thing. He is afraid, he is lying to himself, and he will never surrender.

“All the same,” said the Scarecrow, “I shall ask for brains instead of a heart; for a fool would not know what to do with a heart if he had one.”

“I shall take the heart,” returned the Tin Woodman; “for brains do not make one happy, and happiness is the best thing in the world.”

Dorothy did not say anything, for she was puzzled to know which of her two friends was right, and she decided if she could only get back to Kansas and Aunt Em, it did not matter so much whether the Woodman had no brains and the Scarecrow no heart, or each got what he wanted.

The lesson of James Ironwood is a lesson of failure, and of the way that we succumb to fear, because that is Salem’s agenda, really, in the end: fear. It’s the negative emotions, fear being first and foremost, that draw in and empower the Grimm, and it’s fear and uncertainty that causes chaos. It is when Dorothy’s friends give into their fear that they are truly defeated. FDR’s assertion that “The only thing to fear is fear itself” holds true here; it’s not so much that these characters are afraid of losing their lives, their loved ones, and of the dark, but that they do not have the love or the resources to be brave for themselves or for others.

Qrow as a character is introduced as one who is already defeated, in a sense. Half of his team is gone, dead or estranged, he’s forced into the shadows of espionage to protect a world he knows is darker than it should be, and he’s fighting a losing battle with alcoholism. As charismatic as he’s written, he’s referred to as a “dusty old crow”, a hunter of renowned skill but past the prime of his life.

Dorothy’s three titular companions are defined by what they lack; in the same vein of the Disney I Want song (a main character’s main monologue song in which their wants and desires that motivate them throughout the rest of the film is laid out in song; ie Part of Your World, Reflections, How Far I’ll Go), the Lion, Tin Man, and the Scarecrow want bravery, a heart, and a brain respectively. RWBY relies on flipping the script of its characters based on what the audience might expect from the source material; Ruby is not just a helpless little girl - her introduction is a badass with a scythe. The Scarecrow is a chronic alchoholic. Cinderella is a victim of abuse, and is also a villain who wants to set the world aflame. Subversion, subversion, subversion.

There are obviously parallels between the characters in RWBY and in their own fairytales to keep them in character, and part of the fun is spotting those clues and occasionally connecting the dots to anticipate the direction of the narrative and certain connections between characters and the significance of their arcs. While I’m not aware of Dorothy Gale’s RWBY counterpart, if she has already been established or is yet to be introduced, I don’t think it’s unreasonable to assume that Ruby has adopted a Dorothy-eque persona and can act as a surrogate in a way. She begins as a sweet, naive child eager to join a world of color and excitement, who initially believes that she has “normal knees” and is thrust into a political scheme full of powerful and older players. She even has a small dog as a companion, Toto Zwei, who seems like an odd addition, since he’s usually sidelined and basically forgotten about except in a few spare moments, unless he’s there to draw further comparisons to Dorothy. She may not be from Kansas, but she is first helped by Glynda (the Good Witch), and later expects assistance from Ozpin, Qrow, and the later Ozian counterparts. I find it a peculiar detail that for Ruby to be Little Red Riding Hood alone, she is surrounded specifically by Dorothy’s companions. This, of course, only increases the importance of the relevance of the Oz series in particular and the characters that are borrowed.

In the case of Ozpin’s inner circle, Dorothy’s closest comrades (sans Toto) differ in crucial ways to their source material. (After finishing this essay, I found a much better, condensed explanation by @neopoliitan )

Disillusioned by the Ozpin, the Wizard (who has been projecting an illusion of a failsafe) and overwhelmed by the rise of the Wicked Witch of the West, Lionhart (the Lion), gives into his cowardice and ultimately forgoes the arc and redemption of his character from the source material; as such, he is by all definitions, a failure and a premonition, as Ironwood eventually follows. If RWBY is a dark take on classic fairytales, then it is only fitting that these characters are charred husks of their fairytale selves - these are people, and some people are selfish, scared, and cowardly, and they do not overcome these traits.

This is all opinion based, pure speculation. I have no idea what will happen in the next episode, and whatever goes down will be...shit will hit the fan. I’m under no delusions that Ironqrow is going to be canon in a healthy, tender, endgame sense. They’re both kind of losing their minds, and Ironwood is shitting absolute bricks. No, they’re going to try to kill each other, and I personally cannot wait for Qrow to cleave this man in two. (Not sexually, just, literally. Like, with a scythe.)

On that note, I think that the RWBY writers are good at callbacks, at drawing attention to their own connections, and if Ironwood and Qrow’s inevitable confrontation is scheduled, then it will include visual callbacks to Qrow saving James at Beacon, maybe shot for shot. Their visuals have only gotten better as time goes on, and I imagine Ironwood’s eyes widening as Qrow leaps through the air, scythe drawn, in recal of a moment so long ago when they weren’t on the same page, but they were at least on the same side. When Qrow brings the blade down, there will be no enemy behind him. Only Jimmy James. The difference between the two of them will be that Qrow isn’t fighting out of fear, but out of love, for what happened to Clover, and to what could happen to his girls.

Qrow’s reliance on alcohol, as well as his (mostly) feigned nonchalance is meant to fit with the motif that the Scarecrow has no brain, and, had he a mind to desire anything, would desire it most of all. His role is, also, notably, gathering intelligence for Ozpin (his character is also based on Munnin from Norse mythology). There is so much about Qrow that is an act and so much that is not, and I think that this act is born both from this motif and from his own cynicism, and the alcohol contributes to this act. However, he eventually gets sober after Ruby expresses legitimate frustration, and he understands that he’s putting their lives at risk. While one could say that he gave up drinking for the kids, I would argue that the kids - Ruby in particular - made him want to give up drinking for himself, to better himself.

While Lionhart and Ironwood betray the people depending on them, Qrow’s love for his nieces (and for the kids) allows him to deviate from this pattern. The answer to fear is perhaps not merely bravery - Qrow’s triumph is love.

Ironwood knows triumph in the context of a military state, but he’s backed himself into a corner. Soon he will find himself alone and friendless. Hopefully, his last stand will not be in vain.

#ironqrow #james ironwood #qrow branwen #rwby #rwby8 spoilers #rwby volume 8 #rwby meta #ok this is all just based on my opinion ok #like i ship ironqrow but ironwood is a dicktator if u know what i mean #he is probably gonna die but anyway #ironqrow meta #winter schnee #snowbird #also includes links and credit to other posts and metas #I just had to get this off of my chest ok

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ivyprism · 3 years ago

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Picrews/Pictures: The Return

Three Cups. Three Willows.

Ian finally gets attention.

Knight Ian

Ian~.

Ivy in a red hoodie.

Chibi Doll Ivy, Prism, and Piper. (+Harmony)

A Few OCs (Villain!sona, UF Prism, Tessora, Ivy, Melissa, Missy, Camari, Kami, and Axetale)

Bitty H! (Holly)

Sleeping H~ (Aka. How I sleep.)

Picrew of non-specified character.

Bitty H up close?

Bitty H and Bitty Ivy!

Skeleton Sisters' Bitties

Ivy without her glasses. (+ Harmony and Camari)

Anime H!

Big Bitty H!

Ivy~!! Yay~!

More Duck Ivy!

Anime Me!

Hehehe. Me and Popsicles.

Shiva, me, and Ivy!

Nebula and Peach

Random Skeleton

Ilon (Horrortale Ian)

Ilon (More Horrortale Ian)

Isaiah (Underfell Ian)

The Beast Tamers (Altair, Leigh, Jinx, and Felicity)

Altair (Hehehehe)

The Beast Tamers 2 (Altair, Leigh, Jinx, and Felicity)

Leo (Circus Mafia OC)

Long Haired Boys Spotlight (Leo, Ilon, and Altair)

Tyr!

Sarafina!

Sarafina and Jinx

Shall we dance? Tyr and Jinx

Kitty Prism!!!

Hello new OC

Kitty Prism, Piper, and Ivy

Leigh and Her Brother

Sarafina in cute outfit

Aurora~!

Frog Me

Animal Crossing Ivy

More Bitty H

Haven and Felicity~

Haven Present and Past

Yokai Jake and Haven

Mermaid Me

H AUs

Resting Bitch Face Kitty Ivy

Sarafina and Valeria

Skelesona~

Hibiscus Picrew!

Ivy getting love!

Amaryllis

Me and Ivy (Cat Monster Style)

Hina using green magic!

Georgia's Teddy!

Me and Crys

Some Ilon!

Knight Ian and Knight Ilon!

Human Form Georgia

Georgia's Teddy Bears!

Rivulet and River!

Hydrangea and Serenity as Cat Monsters!

Hydrangea's brothers! (Biological and Otherwise)

Sona look change~

Rosie and Sophie!

Cherry, kind of

Angst Human Hydrangea (TW)

Human Josiah and Kayden!

Random Character Deisgns~.

Mage Terra (The Masquerade Pirate Mermaid AU)

Terra and Savanna's face!

Dante!

More Dante.

Terra in water

Yōkai Dante

Himani Kitsune Form

Dextera and James!

Atlas

Eris and Echo's Face

Children and Parents (James, Dextera, Echo, and Eris.)

Viper human form!

Echo in high school

Shadow Hydrangea: Helena

More Dante!

Eowyn!

More Dante because yes!

Dante Returns!

Fellswap Amaranth: Dhara and Lapis

Cute Elizabeth!

Like Mother, like Daughter (Elizabeth and Cornelia)

Like Father, like Son (Zachary and Matthew)

Animes my sona and me

Anime Outcode H

Amethyst and Jade

Jade, H, and Clover

Hydrangea and Helena!

Tomoyo and Juno

#picrews #Some of my art #lots of picrews #you'll know if they're picrews from if there's a link #underfell #ocs #villainsona #persona ocs #undertale #skeleton sisters' diner au #pictures #lots of them #villain ocs #overgrowth ivy au #angel's fall au #villain oc au #kh au

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theangrypokemaniac · 5 years ago

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I don't know if anyone's interested, but I thought you might like to see the magazines we had as children.

Most of them were simply cashing in on the Pokémon popularity and were just posters with very little text.

This one however actually had some effort put into it. It was the only one I ever found that focused on Team Rocket. I loved it so much, as you can probably tell.

Here's the history of Jessie, James and Meowth. At the close of James's, it says this:

Well, to make a long story short, Jessibelle once again scares James off the estate, and he inherits nothing. James returns to Jessie and Team Rocket. Then and there, Jessie and James both decide that they may not have money, but no matter how unfortunate they may have been in the past, they are still fortunate to have their freedom.

At the time I had no idea Rocketshipping was a thing, believing no one in world but me saw it, so I always felt the way James returning to Jessie counted separately sounded significant.

This is the first place I ever read about Ma Jessie and Madame Boss, and the only printed acknowledgement of their existence I have.

Look at Ma Jessie punching Mew in the head!

Pa Jessie's mentioned briefly. What happened to him?

This bit's intriguing:

Jenny is a sixteen year-old member of Team Rocket. She kind of has the role of Mondo [eh?]. Jenny and her three other friends (Lauren, Danielle and Mondo), are the Chibi Rockets, and they all run around and help Team Rocket when they fall in holes 'n' stuff. They make a great crew and are very helpful to Jessie and James. They all have their own Pokémon which are very helpful to T.R.. But unfortunately there is another little Rocket crew that causes more trouble to the Rocket Gang than other Pokémon trainers. They are called the Dark Rockets (Eric, Krista and Ron). They are more on their own than they are members of Team Rocket. And they always manage to cause fights amongst other Rocket members. The Dark Rockets' enemies are the Chibi Rockets, and they will do anything to take their place helping Jessie and James. Jenny and Krista are rivals more than any of them. They both had Eevees, which evolved into two different Pokémon. Jenny has a Flareon, and Krista a Vaporeon.

Don't know what happened there.

#team rocket #pokémon magazines #jessie #james #meowth #Ma Jessie #Jessie's Mom #Kanto

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night-loop · 5 years ago

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A look into “Diamonds”

From Spill Magazine

While often exploring the lower octaves with minor chords and midnight dance beats, there is always a shining beacon of hope and light within.

An exciting series of dark and light moments that is a trademark of the band’s music, Diamonds explores themes of heartbreak to anguish and from lust to love. “Diamonds is a current reflection of where Falcore, Chibi, and I are at creatively,” says guitarist Rainbow. “For my part, I think the lyrics are quite contemplative and philosophical. Underneath the surreal metaphors and imagery are some very raw and personal sentiments.”

Set apart from many of their post-punk contemporaries by their distinctive soaring synths and guitars that are paired with Chibi’s beautiful familiar and reassuring vocals, The Birthday Massacre have mastered the art of balance. Exploring the darker register of music and songwriting, their songs beg to peek into the depths and look inside, while at the same time, offering hope and joy… and with their pounding beats and rhythms, an invitation to dance.

From the epic and majestic opener “Enter” with its pounding bassline and soaring guitar textures to chugging guitars of “Run” to the propulsive beats of “Mirrors” to the atmospheric and contemplative closer “Parallel World,” Diamonds is a consistently cohesive album that highlights Falcore’s and Rainbow’s searing guitarwork, textured keyboards via Owen, and a solid rhythm section in drummer Rhim and bassist Nate Manor, all anchored by Chibi’s pristine and vibrant vocals.

“Throughout the writing process we had the opportunity to collaborate with some of our closest and dearest friends,” recalls Rainbow. “We did some writing sessions in L.A. with Amir Derakh and Ryan Shuck from the band Julien-K. The guitar solo on the track ‘Flashback’ was actually written and performed by Amir. We also worked with Brett Carruthers from the band A Primitive Evolution for much of the recording process. Kevin James Maher of Fake Shark also contributed some melodies and inspiration. And former member O.E. returned to contribute vocal melodies and lyrics throughout the record.”

#the birthday massacre #diamonds #the birthday massacre diamonds #tbm

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enchantedchocolatebars · 5 years ago

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Good Omens Chibi Headcanons Part 1

Headcanons for if Aziraphale had his own little chibi. (Got inspired by cute chibi fanarts I saw on here made by artists with the usernames asunnydisposish and kimmigawa.) THANK YOU TO @luna-sheep FOR READING THIS FOR ME!👍 For space reasons, these headcanons are going to be split into three parts. First is Aziraphale, second is Crowley, and the last ones will interactions between both of their chibis. I’ll post the second and third ones later and link them all in each post.

Part2: https://enchantedchocolatebars.tumblr.com/post/186898556182/good-omens-chibi-headcanons-part-2

Part3: https://enchantedchocolatebars.tumblr.com/post/187062920297/good-omens-chibi-headcanons-part-3

Chibi Aziraphale:

• HE'S THE CUTEST SMOLEST MOST GOODEST ANGEL BOY EVER!!!😇👼❤️❤️❤️

• You can thank Aziraphale’s heavenly influence for that!

• The chibi gets little reminders from Aziraphale to be happy and to think positive.

• Chibi Aziraphale is happy to have formed a friendship with Aziraphale, and is very glad that both he and him get along so well!

• Aziraphale enjoys reading to him.

• Chibi Azi wishes the humans would invent books in his size so that he’d be able to read them.

• Chibi Aziraphale likes fictional characters such as Winnie The Pooh, Molang, Pusheen The Cat, and Moomintroll.

• Aziraphale takes Chibi Aziraphale to St. James park to visit the ducks by the pond and feed them. At first, the sight of the ducks frighten the little angel. They were much more bigger than he was! W-What if they tried to eat him?! Noticing the scared look on his small friend’s face, Aziraphale kindly reassures to him that the ducks were merely just water birds who enjoyed bread, and that the tiny celestial being had absolutely nothing to be afraid of. He even shows the chibi how to properly feed the birds by placing a crust in his hand and allowing him to toss it at the nerby drake who caught it immediately. This makes Chibi Aziraphale beam in delight as the two angels spend the rest of the afternoon giving food to the ducks.🦆🍞

• As a reward for helping him around the bookshop, Aziraphale miracles Chibi Aziraphale sweets.

• The angel had a love for food similar to his bigger counterpart. Chibi Aziraphale’s favorites include crepes and sushi, (of course) coffee cake, raspberry cream pie, and shortbread cookies.

• He’s not aware of it, but Aziraphale does indeed spoil his chibi at times.

• Aziraphale likes to dress his chibi up in 17th and 18th century male doll outfits/attire. (Imagine a clothing montage of Chibi Aziraphale trying on/wearing the outfits and looking adorable in them all while classical music plays. Aziraphale would squeal at how cute Chibi Aziraphale looks in each outfit, telling him that he looks like a wittle gentleman.)

•Chibi Aziraphale loved wearing the outfits when he and Aziraphale had tea parties. It made him feel fancy! The chibi's Harry The Stuffed Rabbit plush would also be at the tea party as well, dressed up in a 17th or 18th century outfit that was similar to his.

• I can see Aziraphale getting his chibi a pair of round lenseless doll glasses. There! Now he looks nifty too!

• Since he’s become fairly good at it, Aziraphale shows his chibi how to do the gavotte! It’s really cute to see the two angels both have ridiculous pleased expressions on their faces.

• Chibi Aziraphale really likes this song! Everything about it was just so pure and divine. (https://m.youtube.com/watch?v=TWps8vw8oCo) Imagine during a cold, winter day Aziraphale happily knitting his miniature pal a sweater near a warm fire place all while this plays in the background on the wood metal gramophone sculpture.

• Aziraphale finally has a little assistant for his magic act!

• Chibi Aziraphale loves Aziraphale’s “magic” and was easily impressed by it, believing it to be real! His favorite trick had to be the ‘pull the coin outta the ear’ trick.

• Aziraphale gets one of those really big old doll houses for him (you know, something similar to the Astolat Dollhouse Castle) to live in so that he had a place he can feel at home in and be in control of.

• If someone or something new scares him, Chibi Aziraphale would quickly hide behind Aziraphale’s leg similar to how a timid child would hide behind their mother.

• At night, after Crowley drops him off at his bookshop, Aziraphale goes inside and immediately heads to the back room to check up on Chibi Aziraphale. He had miracled the angel sheets of paper and a pack of crayons before he had left to keep the little guy from being bored while he was away. When Aziraphale walks inside the room, he spots Chibi Aziraphale asleep on his desk. The chibi was nestled up near his Harry The Stuffed Rabbit plush and several sheets of paper and crayons. Aziraphale simply smiles. “Aw, he’s sleeping.” Just when the angel was about to attend to the papers and crayons that were on the desk, he notices a drawing on one of the papers. He picks it up and takes a look at it. It was a drawing done by Chibi Aziraphale! It was an adorable childlike drawing of Aziraphale and Chibi Aziraphale smiling with a heart above them. On the top of the picture the words “Friends Forever” was slightly sloppily written in crayon. Seeing this beautiful artwork made Aziraphale’s face melt into an expression of pure joy and happiness, tears welling up in his eyes. He sets the lovely art down on the desk and gently picks up Chibi Azi without waking him up. “You’re so sweet.” he softly whispers to him before walking over to the chibi’s doll house to get him to bed. As Aziraphale tucks the tiny angel in, Chibi Aziraphale smiles in his sleep and snuggles underneath his little blanket. Aziraphale can’t help but smile sweetly once again. After that, the principality returns to his desk to take care of the papers and crayons. When finished, he catches up on some late night books. Tommorrow he plans on finding a safe place to keep the drawing that Chibi Aziraphale drew for him.

• Aziraphale and Chibi Aziraphale have a sorta almost parent and child relationship.

• Chibi Aziraphale didn’t look so happy today. He seemed pretty sad in fact. The angel was currently sitting on top of a book that was on Aziraphale’s desk with a glum look on his face. Aziraphale sees this and now makes it his duty to cheer his little buddy up! Let’s see, he knows that Chibi Aziraphale really likes it when he performs fake old timey human magic, so, switching into his magician outfit that he wore at Warlock’s party, he tries doing just that. He does the basic tricks like the card trick, pulling Chibi Aziraphale's Harry The Stuffed Rabbit plushie from his hat trick, and even the coin trick, but it doesn’t seem to change the small angel’s gloomy mood. As a final act, Aziraphale makes a “pie” (which was really just a paper plate filled with whipped cream) “vanish.” (vanish as in he basically just shoves the “pie” in his face, pieing himself.) He then is all like “ta da!” and does the whole jazz hands thing. Chibi Aziraphale looks at him for a moment before laughing. Aziraphale then starts laughing too.

• While he does like Aziraphale alot and was pleased that the both of them were really good friends, Chibi Aziraphale does get…slightly envious of Aziraphale sometimes. Mainly because of his size. Because Aziraphale was so much bigger than he was, he didn’t have to ever worry about getting accidentally or purposely stepped on, he could reach for a book on the book shelf and read it without any problems at all, and he could eat all the crepes and sushi he wanted whenever he wanted. It’s not fair! How dare that angel be big enough to do all those neat things! (It’s meant to be a cute jealousy though so it’s nothing too serious. He still loves him.)

#good omens #aziraphale #live action shows #chibi au #writing #my writing #headcanons #not a cartoon

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davidmann95 · 6 years ago

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Two questions! 1: what should I read if I want to read a good Nightwing comic? And 2: I just re-read Multiversity and enjoyed the hell out of it! But were any of its concepts/themes/ideas/universes revisited later on in other books, and was it any good? Also, 2B: is Venditti’s Freedom Fighters continuing the story of Mastermen or is it its own thing?

1. Nightwing: Better Than Batman, or alternatively the full Grayson book.

2. Sadly, the only substantial Multiversity followup thus far has been in the form of Superman: Multiplicity, which blew so hard in proportion to the radness of the base concept it was frankly offensive. However, if you’re curious about exploring the individual Earths further, I do have recommendations for you! (I mean, maybe this is silly recapping of stuff you already know, but if you’re asking about good Nightwing comics I figure there’s a chance some of these will be new to you)

Prime Earth/Earth 0: Uh, DC Comics in general.

Earth 1: Mostly don’t pursue this because these books are terrible, but Wonder Woman: Earth One is…interesting, at least, and I’ve heard good things about Green Lantern: Earth One.

Earth 2: This Earth had essentially its own mini-line for several years there in various Earth 2 books, though they seemed to largely be tepidly received. If you’re curious about the Justice Society in general though, I’ve heard very good things about Geoff Johns’ runs with them, and absolutely check out Starman by James Robinson.

Earth 3: Was at the center of numerous Justice League stories recently, but they were all terrible, so just check out JLA: Earth 2 (I know, I know, but this was during a period where the multiverse wasn’t a thing so that was the only parallel Earth).

Earth 4: Based off Watchmen, so that.

Earth 5: The old Captain Marvel comics this springs from are I understand in the public domain and largely available online, but if you want something more contemporary in that spirit I’d recommend Jeff Smith’s Shazam: Monster Society of Evil or Jeff Parker and Doc Shaner’s Convergence: Shazam.

Earth 6: This is the home of the characters from What If Stan Lee Created The DC Universe, which I believe is all collected in a single trade.

Earth 7: Seemingly based off of Ultimate Marvel and Marvel Zombies, so I guess go for the better stuff from those (i.e. Bendis/Bagley era Ultimate Spider-Man, Ultimates & Ultimates 2 along with Hickman’s run, the Ellis Ultimate minis, the first Marvel Zombies mini and Dead Days, and I understand Marvel Zombies Return as well as I have to assume Marvel Zombies vs. The Army Of Darkness).

Earth 9: The Earth of Tangent, a line that I also believe was collected in a one or two trades.

Earth 10: I’ve heard conflicting word as to whether or not the new Freedom Fighters mini is set in this world.

Earth 12: Totally watch all the DCAU cartoons if you haven’t. If you already have, know the then-contemporary Superman Adventures and Batman Adventures tie-ins were also excellent, and DC did a number of Batman Beyond books set in this world from around 2010 to 2015ish.

Earth 13: The superheroified John Constantine of this Earth made his first appearance way back in 1993′s Doom Patrol #53 by Grant Morrison and Ken Steacy, a Silver Age Marvel pulpfest diversion from the usual somber mindfuck tone of the title that gives a bit of a glimpse at what the tonally-reversed Earth 13 might be like in certain corners.

Earth 17: Loosely based off of Atomic Knights, one of the most ruthlessly bonkers titles of the Silver Age that’s absolutely worth your time.

Earth 18: I understand this Earth was loosely based off of 1997′s Justice Riders.

Earth 19: This Earth pairs the Victoriana settings of Batman: Gotham By Gaslight and Wonder Woman: Amazonia, both of which I understand featured their leads battling Jack the Ripper.

Earth 21: The world of DC: The New Frontier, which you should read.

Earth 22: The world of Kingdom Come, which you should also read.

Earth 23: This world’s President Superman starred in Grant Morrison and Gene Ha’s Action Comics #9, which rules.

Earth 25: Some interpreted a throwaway line recently in The Terrifics as indicating that Earth 25 is home to the characters of ABC (America’s Best Comics), so you should read all of those. Heck, you should read them anyway!

Earth 26: The Zoo Crew had their own title, which I’ve frequently seen available cheap as one of DC’s Showcase black-and-white collections.

Earth 29: This world starred in the wonderful Action Comics #40 by Greg Pak and Aaron Kuder, and I know awhile ago DC put together a collection of their Silver Age backup feature Tales of the Bizarro World.

Earth 30: Superman: Red Son.

Earth 31: I understand this riffed on Batman: Leatherwing.

Earth 32: This lightly spins out of Batman: In Darkest Knight, and a similar mashup story was in Superman/Batman #60-61, a debt acknowledged by the main team of this Earth being dubbed the Justice Titans as in that story despite being an entirely different lineup.

Earth Prime/Earth 33: Open up a window, go on a stroll, catch a movie, eat something nice, get laid, write a poem, cuddle your pets, call your friends or your folks, then once all that shit’s out of the way get back to this list and back to comics.

Earth 34: Based on Astro City, which you should definitely read.

Earth 35: Based on Awesome Comics, mainly known for Alan Moore’s run on Supreme; sadly the collections of that are old and crappy but still very much worth tracking down, and the recent Supreme: Blue Rose is also wonderful.

Earth 36: Based on Big Bang Comics, which I’m afraid I haven’t read. However, this Earth in particular leans hard into the idea of heroes being inspired by comics of the adventures of heroes on other Earths, so might be worth looking into The Flash Of Two Worlds! and the old-school Earth Prime stories.

Earth 37: This is based off several Howard Chaykin DC titles, specifically Batman: Thrillkiller and Twilight.

Earth 38: The world of John Byrne’s Superman & Batman: Generations; I’d say the first two books are very much worth your time but I’ve heard to steer clear of the third.

Earth 39: Based on the T.H.U.N.D.E.R. Agents, whose adventures I’m afraid I’m unfamiliar with.

Earth 41: Based on the vaguely defined Image Comics shared universe, the best example of which I’d say was easily Invincible even if he seems to lack a direct analogue here.

Earth 42: This chibi Earth seems to reflect the L’il League story in Superman/Batman #51-52 (with an epilogue in #75) and directly acknowledges Batman: L’il Gotham, both of which you should read.

Earth 43: Based on the Batman: Red Rain mini and its followups.

Earth 45: Features again in Action Comics #9, as well as Morrison’s final arc in #14-18.

Earth 50: As well as its original appearance in the Justice League cartoon, this Earth appeared in the aforementioned recent Batman Beyond comics.

Earth 51: Home to Jack Kirby’s wonderful Kamandi and OMAC titles.

#Multiversity #Nightwing #Opinion

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myaekingheart · 6 years ago

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So I’ve been having really intense dreams almost nightly for the past week, and then forgetting to document them, so here’s a shit ton.

May 4th

There was something about playing video games at some random girl’s house, but the details have since grown hazy.

And then I was five years old again. There was a magic school bus that would take you to different dimensions. The first trip we took, I was with an asthmatic boy who reminded me of Mikey from The Goonies, or my childhood best guy friend, or maybe a combination of the two. The bus took us to this pink mountain range, kind of like the one time space Kaguya sends Naruto, Sasuke, Sakura, and Kakashi during that fight arc in Shippuden. Another person joined us for the second trip, but I can’t remember where we went. The third time was the most memorable and the most haunting, though. We were on a field trip to some pavilion, and I had flashbacks to when I was a kid and we visited the Indian River Lagoon. Me and this boy and three other kids snuck off to the bus, or maybe it was four other kids so that the math I present next will add up, because when we got to the bus it turned out it had a capacity of only five. We tried to pile inside but it was like the bus knew how many kids were inside of it and the boy was automatically, magically outside somehow. Our teacher was Steve from Blue’s Clues and when he noticed what we were doing, he started to gradually lose his mind. He panicked when he saw us all on the bus, and then the bus started slowly moving through the parking lot, and then it began to shake as if revving up for interdimensional travel. By this point, he had sprinted across the parking lot and was outside screaming “OPEN THE DOOR! OH MY GOD, OPEN THE DOOR! OPEN THE GODDAMN DOOR!” banging on the door and the windows and just overall losing his goddamn mind. And then one of the windows shattered and broke the bus’s magic, effectively stopping us all. I don’t remember what became of us afterward.

May 5th

My boyfriend and I were in what was supposed to be the guest bedroom at my grandmother’s house. There was a mattress on the floor and a window at the furthest end of the back wall right next to the corner, and the view outside was that of a street. My boyfriend and I were sitting on the floor hanging out when a black man on a cell phone shows up a little too close to the outside window, and he looked sketchy just by the way he was dressed and presenting himself (almost like he was homeless), and I had no idea what he was doing there so I start to panic. I tell my boyfriend to get down so he can’t see us and we do. And then outside, another man shows up, an older white man with long greasy gray hair. He’s carrying what I’m assuming is a machine gun. He starts shooting. The bullets break the glass and start coming through the window. I’m assuming he likely killed the black man. My heart is racing and I know if we stay where we are, we’re going to die so I grab my boyfriend’s hand and race to the bedroom door but it was shut (it always was). I’m standing there trying to turn the knob as the bullets rain in but I’m freaking out and my palms are probably sweaty and my anxiety is getting the best of me and I can’t fucking get it to turn so I basically have to tell myself to calm the fuck down and concentrate and I eventually do finally get the door open.

This dream then fades into something about an old dream I had once about my grandmother’s master bathroom being connected to the guest bathroom by way of a door or a closet or something like that.

And then that transitioned into a really weird dream about walking to school. It was the same school that has appeared in my dreams many times before, some strange take on my high school that I’ve never seen in real life before. But anyways, I was walking through this neighborhood with the intention of getting to campus, only to soon realize I was being followed. Behind me was this nerdy girl with mousy brown hair, long and parted down the middle, and glasses, and her nose constantly stuck in a book. She had this very plain look about her, no makeup, not necessarily pretty but not ugly either. She kind of reminded me of a girl I knew back in middle school. But anyway, her presence only made me that much more nervous about all of this seeing as I had no real grasp of where the fuck I was going. At one point, when I was in what looked like an empty town square (there was a brick office building about three or four stories tall that kind of reminds me of downtown where I live currently), we ran into another group of students who were also walking to school. They were being led by who I can only assume was my most recent French teacher. She called after the nerdy brunette following me to tell her that she was going the wrong way and had to turn down the next street, therefore passive-aggressively telling me that I, too, was basically going the wrong way. I was left with an overall overwhelming sense of panic and frustration feeling as if I was completely lost and incompetent.

May 7th

I was on this weird, giant cruise ship, the inside of which resembled this mall that I kind of recognize appeared in a different dream from a while back. There was this princess procession, mainly girls dressed like Belle first, that I of course took great interest in. As it turned out, it was part of an audition for a local party princess company. Afterward, all of the girls auditioning left this little shop that the company was based out of. I was standing outside. One of the people who leaves the shop is Cory Nation who, if you’re active on TikTok most likely, posts a lot of Disney cosplay vids on there. So he’s standing outside this little shop as all of the other girls auditioning are leaving and I guess mistakes me for one of them as he comes over to me to tell me how I had done such a good job. I feel kind of awkward about it knowing full well I was not among these girls, and feel as I don’t deserve the compliment, but I don’t say anything about it. Later on, I end up going swimming with him and some others and we’re all in the ocean in full on mermaid tails swimming alongside this sidewalk that looks like a pool deck with lots of greenery in the background. On our way back afterward, I run into my mother who I guess at this point I hadn’t seen in a while and so I start walking along with her. She asked me if I had seen my wealthy aunt at all on the trip and I said no. Then just then as we turn the corner on the pool deck, there she is sitting in a lounger. The last thing I want is to get into a conversation with her, so to avoid the confrontation, I grab my mom by the wrist and start running, dodging other people and whipping around corners just to get away from this woman. Running leads us into this weird Alice in Wonderland type maze thing—I just remember finding our way into a small room made out of ivy-laced black wrought iron fencing that had this diorama windows inside like the ones you find on Main Street in Magic Kingdom. One of them was really bizarre, displaying something like a bunch of chibi Lumieres dressed like Belle? I don’t know, it was weird as fuck.

May 9th

The first dream was brief and kind of boring but I was at a bar and ran into my elementary school crush, who started flirting with me, and it was overall just very weird.

The second dream returned me to my childhood best friend’s house for some birthday party. I remember some sort of mermaid theme. Anyways, my childhood best friend and I haven’t spoken since middle school but we follow each other on social media so I see all of her shit and everything that goes on in her life. Everything about both of our lives at this point is completely separate, and that really shone through in this dream. I was back in this house that, as a child, I had considered a second home, but I was surrounded by people I didn’t know and I just overall felt very awkward and like I didn’t belng there. It was really jarring, especially scrolling through social media the next day and seeing a lot of posts from her.

May 10th

The first dream had me back in my creative writing class at my community college, or at least a version of it. I had forgotten my book. I remember sitting there only half-listening to the teacher as I tried to devise a plan to sneak out of the room with the smaller backpack that was inside my bigger backpack so I could get my book unnoticed. I excused myself to the bathroom. I remember slightly panicking inside a cramped stall as I reorganized my clothes-- I had a hoodie that I slipped on and a button down that I tied around my waist. I forget the rest.

The second dream was the most vivid and perhaps the most unnerving/surreal. I was in what was supposed to my grandmother’s neighbor’s house. This was based on my grandmother’s real life next door neighbor, a woman we’ll call Dolly, who died a couple months ago. She loved puzzles and her house always smelled kind of musty. When I was a kid, she bought me my first Webkinz, an elephant. But besides all that, in my dream I was in what was meant to be an iteration of her house. It was one of those sweeping two story homes that you’d expect an old person to live in. It was me, my grandmother, my parents, and a few other people (all anime characters: a knight with long blue hair in a ponytail, and his daughter who had matching blue hair and a dress, and then Jessie and James from Pokemon and their two canonically non-existent children) who were there, and the house was empty. Dolly, in the dream, had just recently died and I guess we were there to help clean out her things. There was a lot of dust and cat hair (even though she doesn’t have a cat) clinging to the staircase so I took it upon myself to wipe it all down. As I was cleaning, I came across what I had thought was a clump of dust sticking out from underneath one of the stair boards, so I forced it up to pull it out only to find Dolly’s lifeless, disembodied head. So of course I start freaking out, calling for everyone to come take a look at this shit. My mom almost immediately turned back around on the verge of vomiting. My grandmother lost her shit. My dad just kind of stood there calm as he could be and was just kind of like “Well that’s intense.” And the anime gang (save for the little girl, who was not there) kind of exchanged looks and then ultimately decided they could not do this and that they needed to leave. Then the scene switched and we were all outside. The backyard was a makeshift cemetery where patches of dead grass shaped like Christian crosses indicated where the dead were buried. A weird game was ensuing where there were two teams of three people, each run by an old man coach, and the goal was to see how many points each team could rack up by having people take turns kicking golf balls across a field. I was on a team with my boyfriend, who was a soccer player in the past so I remember thinking to myself “He’s got this,” with our captain an old stout man with a plaid newsboy hat on. He was probably from the UK somewhere, I’m thinking Scotland. The other team was led by a rather crotchety old man in a suit, and I don’t remember any of the other members except for a little baby no older than two. The baby was the one I was up against. I gave a decent kick of the golf ball, and then it was the baby’s turn to go but she just kind of waddled around off in her own world, so the crotchety old man took matters into his own hands. He picked up the golf ball and launched it across the field on his own, which made the Scotsman incredibly angry. He started fuming, grabbing a shovel and threatening to dig up one of the corpses, I’m assuming Dolly. Chaos ensued. Everyone started running around and screaming “Don’t do that!” And then next thing I know, I’m on the ground staring into a hole where a corpse had been buried, and all along the dirt wall leading downward were tiny doors in dark muted colors with gold plated numbers, like apartment doors for a dollhouse. And then the next scene saw us all sitting around the staircase staring at this disembodied head, which we had quickly discovered was fake. A hyper-realistic rubber head. Someone, maybe it was myself, made a comment about “Well, you know Dolly and her dolls.” Someone else demonstrated the way you could see the cross-section of the different layers where the neck was, and how you could take the head apart to study each layer. For the last scene, I was outside of my own body watching from afar as the anime group trekked past the house at a great distance through deep snow, feeling unresolved and yet as if they did what they had needed to do. The little blue haired girl, the knight’s daughter, suspected nothing, but everyone else was relatively forlorn.

#weird dreams #ramblings

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defendersoftheearth · 2 years ago

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I wrote a scene based on what James posted recently with Jedda enjoying the view from where Hadea was ruling at the time. I understand he mainly had it for his DoE Retold story but I felt compelled to write something like this for SMD.

Also, Rick is startled by a vision/dream of a red crystal with purple around the edges and finds out information. Plus, Chibi Chibi returns.

#Defenders of the Earth #DoE #DotE #Flash Gordon #Mandrake #Phantom #Ghost Who Walks #Lothar #LJ #Rick Gordon #Jedda Walker #Kshin #Ming the Merciless #Krotan #Mongo #Monitor #submission

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matt0044 · 2 years ago

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