#resistance mix

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.

[marlowe-art]

honey honey

[wouldntbehim]

mix: firstprince (taylor's version)

[togament]

what’s the sluttiest thing a man could wear?

[nexttimeisnotthesame]

美孟 & 小林 🎉 || 2024.12.28 九重紫终映礼

[eustasskiddsprosthetic]

"You got the best of me."

Wips, different colours and context below the cut. (TW: Religious themes)

If you're curious, this illustration is based on a comic (which is based on a fan fiction) I worked on for a long time called "You Got the Best of Me". Yes, it's a BTS song. It's a good B-side.

The idea is that traveller!Antonio finds his way to a small, wayward tomato farmed owned by this grumpy man called Lovino. He's the son of the village's head priest who had passed away from cancer when he was a child, not long after his younger brother, Feliciano was born.

Feliciano was always sickly and couldn't do very much. He was a crybaby. He was kind of pathetic but always cheerful and Lovino loved him very much, and worked hard to support him.

Growing up, Feliciano became very religious like their grandfather and trained to become a priest. Lovino didn't exactly disapprove, since it meant Feliciano would be taken care of, but he didn't believe in God as much as he used to. Afterall, God let his grandfather—the epitome of Godfearring—die so painfully. Feliciano tries his best to reconnect but their difference in faith made it difficult.

In the present day, Antonio and Lovino met when Antonio just stumbles into a village party one day. He leans against an empty barrel, exhausted, until someone taps his shoulder. He turns around and sees a handsome, albeit drunk as fuck young man giving him a bottle of alcohol, telling him to cheer up and drink. Antonio fell in love at first sight. That smile was gorgeous.

They meet again the next day when Antonio walks into the church and sees the same young man sitting at the back. The young man didn't say no when Antonio sits with him, and doesn't do anything when Antonio talks to him and asks to share his Bible.

After service, they walk around the church in silence and they go to a quiet stretch of meadow where Antonio plays some childhood songs on his guitar. Antonio was surprised when Lovino knew the words and could speak Spanish. Lovino said the 'weirdos' his grandfather made friends with taught him whatever he knew, which was surprisingly a lot.

They continue chatting and without knowing, it had been hours.

"Brother, it's lunch time," Feliciano said softly.

Lovino screamed. "H-how the fuck did you find me?"

Feliciano laughed as he pointed to the footsteps in the ground. "There's coffee! No alcohol, don't drink so much." Feliciano acknowledged Antonio with a curtsey and a suspicious glance. Lovino did not always have the best judgement.

The three of them walked together, Lovino walked ahead because he was hungry and knew that he needed to explain himself. Antonio and Feliciano introduced themselves. Feliciano was not as paranoid as before—Antonio seemed like a nice person. Antonio liked that Feliciano took things well despite his sickliness and hoped that he would get better soon. Feliciano gave him a look.

Antonio understood immediately. Feliciano was unnervingly pale and skinny. The only thing about him that was strong was his will to live. Antonio promised to never talk about it again and Feliciano smiled.

A few months go by and Antonio was helping Lovino harvest tomatoes and that was when Lovino pulls him aside and asks, "Do you know about my grandfather?" Antonio said vaguely because he and Feliciano slipped it in conversations here and there. Lovino nodded and then elaborated more on what Antonio 'vaguely' knew. Lovino usually wasn't this open so what happened now?

"Doctors said Feliciano won't have longer than a year left."

Antonio felt devastated. He did not know them for very long and yet he knew Feliciano was one of the better sort of people out there. He could only imagine how painful it must be for Lovino—his own brother!

"Is God trying to take a piss at me?" Lovino said angrily. "For not believing? For fucking giving up? For calling Him a bastard? If He feels bad, then maybe He should stop fucking killing everyone I love! My own family, Antonio! What the fuck is wrong with Him?"

Antonio listened. Lovino started ugly sobbing, understandably so. Antonio nodded.

"Feliciano's a good kid. He's always doing his fucking best. He never whored around, he's always nice. He cooked for old ladies. He prays and reads the Bible every fucking day. Why do you Hate your own, God? Is it because he's dating some guy? Well, I don't like the blonde son of a bitch either but I won't kill them. What the fuck is your problem? Aren't you the good one?"

Antonio pat his back. And then, Lovino said, "Why can't He just kill me instead? Let Feliciano go. Let him be happy."

"That won't change anything."

"Yeah that fucking won't but at least I won't be sad."

"Well, I would."

Lovino looked at Antonio like he was crazy.

"But you'll fucking bounce in what? A week? Two weeks? I know your type. You idiots never fucking stay in one place, always running around, bumming around without doing anything proper. Piss off, Antonio. You'll find another one in China or some shit."

"No, Lovino. I care about you. I don't want you to die. Feli's not dead yet. What would he say?"

"He'd tell me to pray."

"Praying isn't dying, sí?" Antonio said. The sun was setting and the birds were chirping. Antonio picked up a plump tomato from the ground, wiped it with his shirt and gave it to Lovino. "Eating this beautiful tomato won't cure you or Feli of your pain but it sure tastes really nice."

Lovino laughed at that childish response. He ate the tomato and smiled. It was quite delicious. Antonio thought he looked like an angel when he smiled, especially now. They looked at each other with an unspoken emotion, something at the tip of their tongue. Antonio knew it a bit better than Lovino but it was still scary because it meant giving up his freedom to stay here.

Forever.

Of course, he can talk about travelling with Lovino but he knew lazy bastard wouldn't want to do anything. He could try to get Lovino out of the house. He could lose his dignity and leave and reclaim that freedom. He could... Lovino laughed again and that smile was gorgeous.

[audsomeartist]

Let’s start the new year strong with more Jayvik brainrot

[sunscall]

Charlie and Dennis giving in to Mac

[elvisqueso]

Pocahontas (1995): 3 times Pocahontas is compared to her mother + 1 time she's recognized on her own merits.

rambling lil meta under the cut

see, what's crazy about this whole situation is that it makes me wonder what exactly pocahontas's mom was like to have left such a massive impression on literally everyone in their community? there's that outright statement that "yeah, your mom's spirit is in the wind, basically, and our people venerate her as a spiritual guide (at the very least)." we know that she's the main connection between pocahontas and grandmother willow, and there's an implication in there that whatever leadership role she held in the village is expected to fall on pocahontas's shoulders someday.

i am so convinced that this role is some kind of spiritual leader/shaman position. wise-woman, priestess, whatever it's called. we don't see anyone else besides kekata performing any kind of spiritual rites, and even he isn't seen acting in direct contact with spiritual entities. kekata has to perform chants, provide offerings, and use a medium. pocahontas can just fuckign. talk to the things. how is she doing that? why isn't anyone else really able to do that? john smith could talk with grandmother willow but would he be able to if pocahontas wasn't there (i actually think he could but that's a different post)? has she ever done that for literally anybody else? nakoma never mentions grandmother willow. nobody mentions grandmother willow. apparently, the only two people who knew about her before pocahontas brought her new bf over was pocahontas and her mom.

i'm losing track of myself here, but the point is pocahontas is Highly aware of the ghost she's expected to live up to. and it sucks. and there's a lot more to her character arc about this but the eventual come-around to accepting that she has a responsibility to be more than herself and more than her mother's ghost is so heartbreaking because it also meant she had to let go of her soulmate at the same time so i c ry

[nocapesdahling]

I want adventure in the great wide somewhere I want it more than I can tell And for once it might be grand To have someone understand I want so much more than they've got planned.

Inspired by @oraeliaa’s Ghoulcy Beauty and the Beast AU, “He’s a Demon, He’s a Devil, He’s a Doll.”

[apuff]

my chemical tober :D

[atompalace-official]

kirakira kirarun- kirakirarun! 💫✨

since starting KiraKira Precure A La Mode, I just had to get the Sweets Pact and KiraPati for myself!!! the Sweets Pact is super cute, and the KiraPati is surprisingly big but such a super idea and so nicely designed 💕 the icing on the cake is the Animal Sweets which have to be my favourite Precure trinket yet..! 🥹🌈🍰

[dyke-in-crisis]

I LOVE HER I LOVEVE HERR

commissions

[gingerteaonthetardis]

[ TWELVEROSE AU: Victorian Vampirism ]

"You're not gonna, like, ram a stake through her chest or something, are you?"

For a moment, the Doctor could only stand there and blink at Bill, who he was relieved to note did not look terribly thrilled at the prospect of snuffing out a life—or unlife, as it were. But then, she'd sat by the poor woman's side all night, looking after their patient while the Doctor attempted to track down the creature that attacked her; Bill was far too kind-hearted not to have bonded with her in that time, at least a little.

He hated to let her down. But what the Doctor found had not given him much hope.

The attacker was a Sanguine Wavelength Haemovariform. A vampire.

"She doesn't want to hurt anyone," he reasoned. "And she did come to us for help."

Glancing back through the sliver of open doorway, he took in the stark, unlovely room they'd been summoned to.

The woman on the bed, though weakened by the attack, remained determinedly awake, her gaze keenly focused on the window to the world beyond. She clung to that world, the world of daylight—to her own existence—with a tenacity he truly admired.

She said her name was Rose.

"We have a duty of care," he finally finished, after a hesitant pause.

He could hear Bill's growing smile. "So... That means we're gonna help her. Even though she's turning into a vampire."

"Yes," the Doctor nodded. "We are."

[skeletonpendeja]

Nothing Girl! But... Different!

Designs for a hypothetical Nothing Girl comic drawn in a more traditional format. Smiles an actual raggedy doll, Bad Seed is a bit more rooted and things are a bit sweeter and harsher

[cosmic-ships]

Name: Haylee Reese Kenobi

Age: 17

Location: born and raised on Tatooine

Date of birth: September 22nd, 10 BBY

Parents: Kaden Reese & Obi-Wan Kenobi

Hair colour: ginger and blonde

Eye colour: green/blue

Showed signs of being force sensitive at the age of 12.

Stayed on Tatooine with Kaden during the events of A New Hope sadly finding out later that Kaden's partner/Haylee's father was killed.

More in depth lore will be provided when I have a little more time but ...say hello to our fan kid 👉👈

Tagging: @heatobrienswife // @lances-capeloving-wife // @ama-ships // @dragonsmooch // @hyperfumetsu // @literally-just-there

Lemme know if you want to be added or removed from my tag list for art.