#remember the times when heroes had cool skills

[aboutafox]

If I read another story about a hero who solves the problems of the universe with the magic of storytelling, I’m gonna cut someone up. Or not continue reading. Whatever seems more sensible when the situation arises.

[limethefirst]

Could I request a platonic Wolverine x Innocent Reader x Deadpool where the reader is a superhero and the two want to take care of them and shows them the ropes but argue about how to do it?

No pressure or rush, hope you’re having a wonderful day/night!

-W.P 💚

Hero in training

pairings: Wolverine x reader x Deadpool (platonic)

warnings: violence, swearing

summary: Wade and Logan don’t see eye to eye when it comes to training methods

a/n: thank you for requesting! I wasn’t super sure in what way you wanted reader to be innocent so please forgive me if this isn’t to your best liking, also I’m gonna start working on part 3 of void runners soon so keep an eye out!🫢

No one ever said being a superhero was easy, but it especially wasn’t easy when you were being trained by both the Wolverine and Deadpool. The two people who hardly ever got along.

You watched as Wade and Logan stood in front of you, Logan wearing casual training clothes and Wade in his normal red suit. Wade looked excited, he was ready to show you his ways but Logan had another approach in mind.

“Alright kid, first we need to learn to control your powers, from there we can begin with some drills, slowly moving up to advanced drills then work more on strength training” Logan started, his plan was to train your powers and then learn some moves with them, hoping it would help you in the self defense aspect of crime fighting.

This was something Wade didn’t find appealing, “Woah back the fuck up now Peanut” Logan glared at the man, before Wade continued, “Remember we’re both training them, and I say we need some more fun in this training, maybe learn some cool flashy moves, or we can start off this party with a dance off!”

“A dance off?” You looked at Wade, a bit confused on his method of teaching but not entirely against it.

Logan on the other hand didn’t appreciate the comment, “This isn’t some type of circus act, this is real life Wade, we need to have some type of approach or we won’t make progress, and all that will happen is they get injured out there,” you looked between the two men, wishing someone else had trained you instead.

“Well why don’t we just see what our little sugar plum fairy thinks,” Wade then turned back over to you and booped your nose, “Okay kiddo, do you wanna have a fun training with Papa Wade!! Or do you want to be all bored and tired with meanie Wolverine!” Wade asked you, his voice sounded like he was talking to a little baby.

You looked at both men, unsure of what to say, not wanting to upset the other. Then the idea came to mind, “Can’t we try both methods? Maybe a combination?”

“Fuck no, that idiots ‘method’ is going to get you hurt,” Logan quickly replied, this caused Wade to go over to you and grab your head in his arms.

He began to pet your head and started cooing, “Do I look like I’d ever let anything harm them?”

You stood there as Wade held your head tight, a sigh escaping your lips, “Please Logan, I know its unconventional but I really think it’ll work!” You started to plead with the man.

Wade slowly let go, a hand still on your head, while Logan stood there, unsure if this was the right choice, but he knew how persistent Wade was.

Logan caved, “Fine but if there isn’t any progress, only I’ll train you, got it kid?”

You have him a smile and a thumbs up, Wade just went up to Logan and clung to his arm, “Awe you’re such a softy aren’t you my little firecracker!”

Logan quickly let his claws out and stabbed him in the stomach, already regretting his decision.

Over the course of the next few weeks, you continued your combination training, Logan taught you defensive skills as well as offensive, he also showed you a lot of strategies that would protect you when the time came, while Wade showed you the flair of being a hero, without having to kill as he knew that wasn’t the type of hero you wanted to be, even though every once and a while he’d try to persuade you.

Even though you’d decided to do the combination training, both men still argued all the time.

“Why the hell are you telling them to jump through the sky light when you want to sneak attack a criminal?” Logan’s finger pushed into Wade’s chest, irritated that he’d tell you to do something so dumb and risky.

“Because they need to look awesome while saving the day, oh don’t forget the funny joke once the bad guy sees you, alright my sugar cane,” Wade looked over to you and you gave him a happy smile with a thumbs up, knowing you probably weren’t gonna do that but it was nice to make him feel good before he and Logan fight again over how that isn’t an ethical way of fighting crime.

You decided it was best to leave before they started to get at it again, you knew that tomorrow they’d go back to helping you anyway. So maybe it was better to let them get it out of their systems every one and a while.

[alyakthedorklord]

Omg literally it would be SO cool if you wrote the rest of the playboy bruce trying to kiss the justice league without them realizing it (I know you said figure it out but the way you wrote it was so good and funn I would love it if you gave maybe a couple of scenarios)

Lmao honestly executive dysfunction is kicking my ASS rn and it was intended as a prompt. I will try tho, definitely taking inspiration from the others who responded to the post because I love them.

If you haven’t, go check out the notes on the OG Post above! @britcision, @ivywing, and @help-i-need-a-cool-username all had amazing additions and @foursixtwonineoh-pieces-of-lego wrote a fic:

https://archiveofourown.org/works/48325771

As did @scrapcheck, still in progress

And Devilhorn!

Anyways LONG post under the cut

Hal Jordan

Hal is first to prove a POINT, as @britcision decided. Also because the bastard made it waaaay too easy. Remember- Hal was Joking. He genuinely thinks Batman isn’t going to try, because he’s way too straight-laced boring.

So when he’s at a bar in Coast City, and he sees this absolutely ravishing man lounging casually against the wall, bar lighting making him practically glow (he CALCULATED that) subtle makeup making his bright blue eyes pop as he looks Hal up and down… Well. Hal makes the first move.

Hal: “All on your own, handsome?”

Bruce, with “Mastermind” by Taylor Swift playing in his head, smiling sweetly at Hal: “Care to change that?”

They start talking. Hal doesn’t recognize Bruce Wayne at ALL (canonically he does not know who Bruce Wayne is, a point brought up by @help-i-need-a-cool-username) so all he knows is Bruce is a single father who works at a company he inherited from his parents, which is just (brucie voice) “so much less interesting than a test pilot!”

Bruce, grimacing internally but wrapped around Hal’s arm with the awed and interested eyes in full effect: “you have such a nice voice, tell me more about planes…”

He KNOWS what a fuselage is, thank you, Jordan. Whatever. He gets to gush about his kids, when its his turn to talk, good enough tradeoff. He can survive Hal Jordan’s bad pick up lines and pretend he’s into them. At a certain point Bruce breaks and kisses him just to shut him up. One down.

Diana Prince

I looked it up- kissing in Ancient Greece wasn’t always considered romantic, but also a greeting between two similarly-ranked people. Therefore, I think Diana would be pretty chill with kissing and honestly an easy target at a gala if Bruce plays respectful/clumsy/earnest himbo starstruck with the tall pretty woman, just a peck would make him the happiest man alive. But I wanna go a little more in depth.

Now, I’ve seen Flash and Martian Manhunter save Bruce and/or his kids and Bruce lays one on them, but honestly I think it would work well with Diana too, because she loves kids. Dick and/or Jason (whichever you want to imagine, I want them to team up screw canon) are WAY to excited for this, they’ve got a little script and everything.

WonderWoman, a kid in each arm, delivering them back to their tearful guardian: “Here we are, Mr. Wayne. Whole and healthy.”

Dick, playing into his role eagerly: “Oh my gosh, Bruce! Bruce we got saved by a princess! It’s like a fairytale! Except, you know, the princess is the hero this time, which is so freaking cool!”

Bruce, tears of gratitude rolling down his face (and he knows how to still look perfect while crying, its a skill): “I’m just glad the two of you are safe, Chum.”

Jason, big baby blues in full effect, absolutely asked Wonder Woman to be his mom earlier (to set groundwork, no other reason): “You know, usually the princess and the hero gets a kiss at the end of a fairytale, Bruce. But this princess is both. So how will she get a reward?”

Still choked up with relieved tears and now laughter, Bruce looks up at Diana and smiles: “Well, if the Princess wants a reward… then I would be a fool to refuse.”

Bruce kisses her on the lips, Dick and Jason both kiss her cheeks, Diana leaves charmed and amused by the sweet family. Such a good father, humoring his children and thier little fascination with her, so very respectful…

Two down.

J’ohn Jones

Okay, martians are telepathic. So this goes one of two ways, at some sort of charity or something-

Option 1, Batman is a realist: the charity event is a masquerade, and he wanders over to where MM is while thinking “it would be so funny, give me this.” As loudly as he can. And Martian Manhunter, who appreciates the audacity, gives him a kiss. (I don’t like this one because it technically breaks the rules of the bet, bc MM knows it’s Batman, but eh)

Option 2, Batman is a different breed: he manages to up the ante with his Himbo Persona. Creating a “slippery void” mental facade that blocks of his real thoughts and makes him read as really just that stupid. This would require functioning with two trains of thought at once, and making sure that the Martian can only read the surface level, “oh, this one is pretty” “I really wouldn’t mind kissing him” and other such decoy thoughts, instead of “target is approaching, signs of interest present despite this not being his natural form-“

Bruce also researches and copies Martian courting styles and copies them “by chance,” catching MM’s attention. (He offers him Oreos)

Martian Manhunter: “this man… he is so empty headed and yet clearly kind and willing. I would not take him for a life partner, but for some simple fun as he seems to desire…”

(Edit: Maybe, if B is confident enough, he lets through his loneliness. Missing his parents, wanting affection, an ache so strong it’s like a physical wound. J’onn feels the same ache for his lost family, and decides to try this human’s strategy to fill that void. Either way…)

Batman 3, League 0

Barry Allen

I’m strangely blank when it comes to the Flash let me just spitball and let it snowball

As I said above, people have had him save Bruce, had Bruce seduce him at his workplace while taking a tour, I even saw @help-i-need-a-cool-username have Dick set up a petition for Bruce to kiss the Flash. (An idea that I personally think would also go really well with Superman lmao.)

Anyways, I think it would be funny for Bruce to take it slow with Barry. For the irony of it all. Because Batman is doing this to prove a POINT. So he’s in central city, spots Barry coming his way, and “accidentally” slips right into his arms. Ooh, or covered in coffee, like a wealth disparity drama base script, and Barry’s like “omg i am so sorry let me pay you back.” And bruce is all “this shirt costs (stupid amount of money)”

Barry: (fear)

Bruce, rolling with it rn: “yes, it is horrendous, isn’t it? Hows this- I’m in central city for a day. You can pay me back by showing me around?”

He then proceeds to string barry along on an honest to god DATE for shits and giggles. They go clothes shopping, they go to restaurants, Bruce pays for a big meal bc this is after a fight or something and Barry got hurt, his speedster comrade needs to EAT, damnit.

After all this, he gives a cheeky smile and lightly smooches Barry. “Thanks for the fun day, Mr. Allen.”

Barry, bright red and goo brained: “hah- mmhmm. Yeah…”

Batman 4, League 0

Oliver Queen

This one… Oliver is on guard. He’s twitchy and suspicious, turning down men flirting with him, people are starting to notice. But Bruce? Bruce just walks up at a party while “tipsy” and lays one on him. Straight up. He wants to show just how EASY it is. Because Oliver doesn't even register it. He just laughs and goes: “Hey Brucie! Miss me?”

Batman 5, League 0

Dinah Lance

Of course, immediately after above, he turns and pouts at canary.

Bruce: “Dinah darling, you are a saint, I don’t know how you put up with the mess he’s got on his face. He was so much nicer to kiss when we were in (fancy private school name drop) together and didn’t have all this nonsense.”

Dinah, laughing at Ollie’s offended noises: “Oh, I don’t mind it. He’s a good kisser.”

Bruce: “Of course he is, I taught him. Care to compare?”

Dinah: “Don’t mind if I do.”

Batman 6, league 0

Clark Kent

For Clark, Bruce is originally talking to Lois before he turns his eyes on a quiet Clark and croons: “So, Miss Lane, does this lovely specimen have his own questions, or is he arm candy? And if he’s the latter, can I either tempt him off you, or secure an invitation?”

Lois, an excellent friend who will absolutely set Clark up with the hottest bachelor in Gotham: “Well, Mister Wayne, I’ve got all I need. Clark, take a page from my book and honeytrap a good quote out of him, hm?”

With an obnoxious wink, she pats a spluttering Clark on the shoulder, and leaves him with a very smug Batman.

(Bonus Superbat- Clark and Bruce’s conversation is going REALLY WELL and to the point where both of them seem on board with more than a heavy makeout when Bruce puts a hand on Clarks chest.

Bruce: “Stop.”

Clark, freezing immediately: “I’m sorry, did I go too far-?”

Bruce: “No, no. I think I might be though. See, I have all of you now, and I’ve won the bet.”

Clark: “What are you- oh. Oh- HUH?”

Cue sudden and shocked revelation, Clark’s mind going a hundred miles an hour, and then skidding to a stop on- he only did this for the bet. He’s not really interested. He stopped because I went too far-

Bruce: “You only consented to a kiss without knowing my identity. Right now, I’d like to do more, if you’d let me.”

Clark has the dial-up tone ringing in his ears, he has no idea whats going on anymore, the hot billionaire and his reclusive teammate aren’t quite slotting into place, because he wants both but rhey’re so different but they’re the same but-

“Yes.”

Lois doesn’t get Clark back that night and she is delighted.)

Anyways, final results:

Batman: 7

League: 0

Reveal:

Batman talking shit about their secret identities again, Green Lantern is scoffing about it again, says something along the lines of: “You still think you’re sooooo great, huh? Hows the bet going, spooky?” Fully expecting Batman to get huffy with him.

Instead, Batman smirks.

He leans in

And purrs: “So you didn’t notice?”

The League freezes. The implications are dangling over their head. Did he… did he really?

Green Lantern, absolutely terrified: “No. no, there’s no way…”

Batman: “Oh, there absolutely was a way. I’d say you were a good kisser, but honestly? I think it might have been the euphoria of getting you to shut up.”

He turns on the rest of the league, still smirking. “I have kissed every single person who consented at least once in the time since the bet was made. Two of you with tongue. And no one has called me out on it. Now that you know it’s happened, you should be able to figure me out, so whoever can tell me my real name first, wont get thier story used as an example in the brand new “how to avoid honeypots” seminar.”

(If bonus superbat, B shoots Superman a Look and goes “except for you, superman, because I told you my name.” Which just ends up distracting everyone else until they get THAT story)

Diana wins bc she matched up the boys to the robins. Everyone else gets their stories told in excruciating detail. Batman rates them by kissing ability and how obvious he was on his approach. Oliver gets docked points for “texture.” Dinah gets docked points because “i griped about the exact same thing in and out of costume, how did you not notice-“

(Different reveal below)

@chaos-n-kindness @she-went-that-way @geekonaleash @redh00dsbf @howabouticallyou

[darthkote]

Echo Headcanons Pt. 1

Is such a sucker for any type of praise. Of course, all the clones love to hear they're doing well, but for Echo, it's almost a spiritual experience when his actions are highlighted and he gets the spotlight for a second. Even before Skako Minor, he loved hearing positive feedback from those willing to give it. Meeting Rex was like meeting a hero from a kid's story and hearing him say Echo could hold his own was exhilarating. He also remembers making ARC and all the celebrating he and Fives had done afterward. "I knew we'd do it. Thanks for never giving up on me, Ech." The eye-roll he'd given in response couldn't be helped.

After all the torture and isolation, he's much more reluctant to accept, but he'd be lying if he said it didn't make his heart's pace pick up. To this day, he can't help but turn a bit pink when Rex hits him with a "good job" or a particularly knowing look. It makes him feel so proud when he hears his ori'vod congratulate his skills and strategic thinking.

Craves physical connection very intensely. He sometimes feels the flames of jealousy lick at his mind when he watches CF99 all climb into a dog pile after their heavy picnics on Pabu. Each of them, even Omega, will curl into one another until Echo is left to sit alone and study their peaceful expressions. He fights the urge to stare, but he's all too aware of his metallic arm and legs. He wants to crawl closer to his siblings and let himself melt into their heartbeats and breathing; at one time, vod piles had been such a comforting way for him to decompress. But metal doesn't quite belong with flesh, and he has a hard time breaking through the barrier and letting himself be held. He sits quietly for a long while as if hit with several stun blasts. (Crosshair, ever aware, is the last to succumb to sleep and the first to notice Echo's rigidity. He likes to prove Echo wrong by resting his head on his brother's cybernetic lap; flesh or metal, they still see him as their vod.)

Okay okay... Echo got his name because he'd constantly repeat strategies or rules back to his brothers during their time as cadets. I think this would eventually be replaced with him mother-henning and nagging at every brother he gets slightly attached to. "Eat your carrots, Wrecker, Maker knows your eye could use it." (Wreck acquiesces with a grumble... When Echo turns his back to practically force-feed Crosshair a piece of broccoli - his jaw is locked shut like an activated bear trap - Wrecker slips the carrots to Batcher. Tech says nothing because the vitamins in the vegetable are beneficial for most biological organisms; he finishes his helping as he watches in silence. Hunter and Omega dutifully eat away, seeming to compete in silence as they make eye contact over the table.)

Tells Omega stories about Fives. He honors his brother as much as possible; he thinks Omega would enjoy hearing about some of her other brothers. He also talks about Hevy and the other dominoes quite a bit, but none as much as Fives... He knows Fives and Omega would have gotten along well and can imagine the passed-on Clone braiding her hair as it grows over the years.

Is similar to Rex in that he wishes to save as many brothers as possible from the clutches of the Empire. He imagines them all slowly trickling onto Pabu and finding lives there. He sometimes gets caught up in this daydream and is only brought back to reality by a cool teardrop slipping down the ridge of his nose.

[mirai-e-jump]

Bakuage Sentai Boonboomger Photobook: Don't Stop the BoonBoom Main Cast Member Interviews (translations and other pages below, very long post)

Publication: February 14, 2025

Iuchi Haruhi (Taiya Hando)

-Taiya cranks up his mood without showing emotion-

Everyone wrapped up filming together. At the time, it really didn't hit me. I think it was about two days later that I actually felt it……

Over this past year, I had a routine that I set up for myself, where the day before filming, I'd reread the script for corresponding scenes, and always make sure to do a final check before going to sleep. However, I guess that's come to an end. Now that filming is completely over, I feel alittle sad, as I can actually sense that Taiya's fading away.

Regarding Taiya, when I look back, the first thing I was conscious of was raising my mental age and trying to play my role as a calm character. However, if I made him too cool, he'd be too similar to Chasshiro, so instead of expressing his emotions, I'd crank up parts of his mood……I put great value into those kinds of things while acting.

The first scene we filmed was for the first episode, where Taiya buys the luxury brand store. I remember I didn't know how to move in relation to the camera's position, and was just trying to figure it all out. Not long after that, I had the opportunity to film my Boonboom Change, and when I put on the Boonboom suit for the first time, I had the feeling of, "I'm a hero!" The other thing I remember well was post recording with Director Nakazawa's team during episodes 1-3. At first, I held back my voice in order to keep it in line with Taiya's character, but when Director Nakazawa told me to "make it much more louder," I realized that it was "okay for him to be in high spirits after the Change." That became one of the opportunities for me to broaden my perspective of Taiya Hando.

I'd been going out to eat with the other members since fairly early on, but as filming progressed, it was exciting to see the number of friends increase one by one. The first climax for the five Boonboomger members was in episodes 8 and 9, when Taiya rushed over to them and said, "This is the most…," to which the other four replied, "Cranked up." It was an unforgettable, passionate scene. I think this moment slightly changed the way Taiya interacted with everyone.

Also, the presence of Yu-kun, who joined us halfway through, was a big deal. Until then, I had always thought that the right thing to do was to act according to the image the professional Directors or Cameramen had in their minds, so I had never thought of acting based on my own initiative. However, when I watched Yu-kun, he'd constantly make suggestions like, "I wanna move like this, but what do you think?," and I saw the course of things change, as those on set would respond with, "Alright then, let's go with that!" That's when I started reading the script with the thought of, "As one of the people creating this show, I also have to get involved on set!," and my attitude once again changed alittle bit.

-A dream filled ending typical of Boonboomger-

In episode 24, I was also happy to have my special skill of playing the guitar put to good use. As a matter of fact, during our first meeting, the Producers asked me, "Do you have any special skills?," to which I answered, "I can sing and play the guitar." That's when the Screenwriter's desire to "write about Taiya's first love" was incorporated, causing the episode to materialize. The script doesn't go as far as to depict what happened to Mahiro Sensei, but I wanted to understand it in my own way, so I talked to the Director and Producers before I went into it, and I even imagined what kind of feelings Taiya would be having and wrote them down in a notebook. The subject of the story was painful, but the shoot itself was fun. Taiya's a character who I had a hard time getting into, but by depicting him during his childhood, I think I was able to dig deeper into my role.

I pushed myself to the limit towards the very end of Boonboomger and lost about 5kg, which caused some concern as my face began to look really hollow (bitter smile). Still, as a result, I was able to get into it and concentrate while playing Taiya. The scene where he conveys his feelings to the other four during episode 45 was very memorable. In the completed footage of episode 37, a flashback scene was inserted, the one where child Taiya hears sad crying in the next room, and I was there to observe the filming of that scene. I wanted to internalize Taiya's feelings, so I asked and was allowed to sit in the same spot after they filmed it. I performed the scene with the other four in episode 45 with that in mind, so I was able to convey Taiya's feelings clearly.

I liked the last scene in the final episode. I thought the reversed situation was good, as it concludes with us five who protected Earth leaving for space, and Sakito, who had said that he "abandoned Earth," staying behind. For me, it was a conclusion that I would've never imagined. I was really excited while filming our participation in the BBG, and being able to say the line "Let's get cranked up!" at the very last moment will always remain in my heart. I believe it was a dream filled ending, one truly typical of Bakuage Sentai Boonboomger.

Hayama Yuki (Ishiro Meita)

-I aimed to play a role that anyone would think was cool-

For my role as Ishiro, I first talked with BoonBlue's Suit Actor Yoneoka Takahiro-san about how I wanted to "make him a cool character by any means," and so we decided to aim for a role that anyone would find cool, from his gestures and posture, to his pose when he changes into BoonBlue. Going along with that, his passionate side also came out around episode 6. The Director in charge of each episode enjoyed those playful parts and would tease me about it, so by also adding in some adlibs myself, I think I was able to broaden the range of my role. Yoneoka-san gave an energized performance in the Go-Onger episode, but by seeing that, it made me feel that although Ishiro's a spy of the underground, he was longing for something "sparkling," and I feel that it further expanded my role.

The first time Ishiro's past during his spy era was depicted was in episode 14. It was an episode that showed Ishiro's cool, cranked up appearance, but I felt that if I didn't establish a solid "foundation" here, it would affect how he was seen in the future. That's why I was so fired up to film the flashback scene. I also received tons of motivation from Miu-chan in this episode. Miu-chan has an extensive acting career, and above all else, the ways she delivered her lines were very convincing. The sequence of events that leads to Ishiro being stunned as she says, "You want to protect the place that's important to you, right?!," is a scene that everyone needs to watch. Up to that point, Ishiro had kept abit of a distance from everyone except for Taiya, but I think this was the first time he was willing to approach another member of the team.

The next spy story was in episode 29, which features a scene where I Boonboom Change while fighting against Gong Grumer, and I challenged myself to doing action, which isn't one of my strong points. Also, I was paired up with Sakito. Compared to the other three, he had a greater sense of distance from Sakito, but since they suddenly got involved right from the start, it was difficult trying to figure out how I should treat him. Also, when Sakito says, "You didn't grow up well, huh?," he responds with, "My parents did the same work I'm doing. You can figure out the rest." It's a line that expresses Ishiro's dark past, and he tells it to the person he was most distant from. It was an important moment that brought the two of them closer together.

Episode 37 had alot of action scenes, and I believe I was able to get them done with the support of Action Director Watanabe Jun-san and Yoneoka-san. I think that different people have different interpretations of the relationship between Ishiro and Naito Konomi-san's Sutea, and although we watched each other's performance on set, we never really compromised on things. I hope everyone enjoys speculating on that point. On the opposite end, Director Hayama Koichiro gave me easy to understand examples of how the fake Ishiro would fight against Taiya, which helped me better visualize his image. What's more, for the action scenes involving Taiya, Haruhi stayed with me countless times until I memorized how to do them, which was very helpful.

-If you grab hold of your wheel, things will become clearer-

From episodes 43-47, I think some of you may have been on edge watching Ishiro's actions. Still, since Taiya said in episode 37, "I can tell just by looking into his eyes," it was properly foreshadowed. Although Ishiro pointed his gun at everyone at the end of episode 43, it's important to note that Taiya's reaction at that moment wasn't captured. This was Director Nakazawa Shojiro's goal, as this detail wasn't in the script, but since he and Taiya trust each other without needing to say anything, he purposely left out Taiya's reaction. As for myself, I think that the role Ishiro played during the very end was a great one. Mira's marriage is an homage to the first episode, and his return in episode 47 along with his partner, Boonboom Marine, made me feel "cranked up" when I read the script.

The wrap up for actors was the final roll call during the final episode, and we were all able to finish filming together. Each person's name was then called out on the spot, and everyone would cry. I was determined not to cry, but when they called my name, Producer Kuji Yoshito-san and Director Nakazawa came into my sight, and I couldn't stop crying……I'm not entirely sure if I was able to speak coherently then, but I was truly overwhelmed with emotions in that moment.

The theme of Bakuage Sentai Boonboomger is to "take control of your own wheel," and while it may have looked as if Ishiro had sold his soul to the Hashiriyans during the very end, I believe that he was able to steer his way down the path of victory by taking the wheel in his own way. In reality, things may not always go as planned, but if you grab the wheel without abandoning your beliefs, I'm sure something will become clearer. For us actors, we'd be beyond happy if you could take away such a message from our work.

Suzuki Miu (Mira Shifuto)

-I tried to be conscious of "Mira's feelings" when performing in the second half-

After filming throughout the year, I did have some vague concerns in the beginning, but I'm really glad that we were able to get through it safely without any major accidents or problems occurring. Also, after a year of working with the same staff, I realized just how much fun it is to work together as "friends" to create a production.

As for my role as Mira, I was told that she doesn't "take a backseat to the main character," but is instead the first character that the viewers can emotionally attach themselves to as the story progressed. I knew that if I didn't carefully act out Mira's growth throughout the year, it would appear rushed and unconvincing, and by extension, the story wouldn't hold up. In the beginning however, Mira was presented in a fairly fun way. In the script, her screams were written as "Piyaaa!" (laughs). That was one of the reasons why up until about the halfway point, I was more conscious of how she was being seen from the outside instead of from the inside. However, in the latter half, I tried to play the role with "Mira's feelings" in mind, rather than thinking too much about "how I want her to be seen." In that regard, there may be a big difference between the beginning and the ending. I was also happy that Director Nakazawa Shojiro noticed that and said that "I had changed up my performance quite abit."

In the very beginning, it was fun being teamed up with Chasshiro in episode 6. I think Mira's someone who can be paired up with anyone, but Mira seems to be the only one who can make teasing Chasshiro look amusing (laughs). Even in the scene where we follow Jou, I had alot of fun filming and discussing the details with Yuki-kun, such as how we'd hide ourselves by retying our shoelaces and hiding behind a telephone pole.

Episodes 8 and 9 was the first crisis that the Boonboomgers faced, and the atmosphere on set was tense and different compared to the previous episodes. During all this, I think it was just like Mira to vent her feelings towards Taiya at the end of episode 8 with, "Why would you do such a reckless thing?" However, I could understand the feelings they both had, and condemning someone for something you're not aware of was pretty difficult to perform. I thought it'd be bad if she came off as being too confrontational, so I played the role hoping to convey Mira's honesty.

-I love how everyone in Boonboomger lives their lives to the fullest-

There were multiple main episodes for Mira, such as episodes 14, 20 and 31, but episode 36, in which I performed with Mori Hinami-chan, is the most memorable. When she learns that Aki, played by Hinamin, had given up on her dream, she speaks her mind by saying, "It's frustrating….that unlike how Taiya is with Boon-chan…..I can't make her dream come true." I had discussions with Director Watanabe Katsuya about that scene, and I thought about it alot myself. Mira's story began with her easygoing personality in the first episode, but up until then, there were very few scenes depicting her being worried. Mira's usually cheerful and in high spirits, so I wondered, "Would it be okay to show her being worried?," but I think it's her worries that really show the strength of their friendship.

Also in this episode, there's a scene where I Boonboom Changed without the helmet, so I also played the last scene where the mask was equipped. I was advised to pull my chin up in order to look cooler, but I was pretty scared since my field of vision was limited and I could only see my feet. Still, I ran as hard as I could, hoping that I'd look cool.

I think the major event at the end of the show was the development of Mira's decision to get married, which was depicted in episode 47. To be honest, I had something that was worrying me as the story was unfolding, and I talked to the Producers about it. Even though she became a Boonboomger in the first episode and was working hard at her part time jobs, I wondered, does Mira have any big dreams in her life? They created this development based on that. I wanted Mira to have a dream, but instead, it's Mira's strong desire to help the people in front of her that helped her grow so much. I took this as a message that the staff had prepared for my sake. During the actual shoot, after she decided to get married, there was the line, "This is how I'll grab hold of my wheel," and just looking at everyone's faces made me cry……I believe that this performance came out because I'd been building up my role as Mira and trusting everyone.

Based on the title, many of you may have thought that Bakuage Sentai Boonboomger was a cheerful and upbeat production. I myself am one of those people, but with six people, there were six different lives, and now that it's all over, I strongly feel that the appeal of this show was that "each and every one of them overcame their struggles and became stronger." For myself personally, I have always and will always love the way everyone in Boonboomger lives their lives to the fullest.

Saito Ryu (Jou Akuse)

-I was surprised at how similar I was to Jou Akuse-

When I was in elementary school, I served as class president and was known for being a rather serious type of person. However, I wasn't serious at all, as I had more of a clumsy side in comparison (laughs). That's why when I first learned about Jou's setting, I was very surprised at how similar he seemed to myself. Also, my own father is a firefighter, so I felt a sense of familiarity towards his role as a police officer, as they're also civil servants. That being the case, I thought, "If I just honestly express all the feelings I've had over the past 19 years of my life, I might be able to become Jou Akuse." During the beginning, I went into filming with those types of thoughts in mind.

Jou's real role began in episode 5, but the first scene we filmed was in the first episode, where he gets wrapped up in one of Wedding Dress Grumer's dresses. It was fun to see his clumsiness immediately come out, but Director Nakazawa Shojiro had told me, "It's fine to make as much noise as you'd like." At the time, my performative skills were still lacking, so I was abit confused. I now have the confidence that I can make things more interesting (laughs).

I put alot of effort into the fight scene against Darts Grumer in episode 5. I knew from the moment I read the script that the action leading up to my Boonboom Change was "an absolute must." During filming, Darts Grumer's Suit Actor Imai Yasuhiko-san lent me his support by saying, "It's okay to go all out," and under the passionate direction of Director Watanabe Katsuya, we filmed with my entire body getting covered in sand and dust. That day, I went home and shampooed my hair about six times, but sand kept falling from my head (laughs), and even when I rewatch it now, I can see just how much strain I put on my body. Director Watanabe also helped me out alot in the episode where I'm paired up with Mira, but I think episode 5 was the starting point for me as Jou.

From the moment we met, I became good friends with the other cast members. We didn't have many opportunities to meet until episode 4, but after episode 5, I think we were able to join up smoothly from episode 6 onwards. I was happy to finally be able to film together with everyone.

In episode 6, he immediately gets involved with Mira and Shiro Senpai, and I was also grateful for all the opportunities after that where Jou played a bigger role, such as in the Kaseki Grumer episode, the candy detective episode where he teamed up with Genba, and the baseball episode. What's more, they were all crazy episodes (laughs). Especially for episodes 21 and 23, the one in charge of them was Director Kato Hiroyuki, and he's the kind of Director who'll constantly incorporate alot of funny things, so I also had alot of fun while getting into a playful mood. In episode 21, there's a scene where I interact with Genba in my afro hairstyle, and I thought it'd turn out funnier the more serious I performed it. I took these kinds of things into consideration when I performed.

-I cried so much during the wrap up, that I was teased by everyone around me (laughs)-

Episode 40 was the episode where I myself felt a sense of accomplishment. After episode 15 aired, I received feedback from various people telling me that "it was good," but it was thanks to Director Hayama Koichiro, who brought out Jou's appeal, that I as an actor felt the desire to show off even more of my performative range. This time, episode 40 was naturally made possible thanks to Morichi Natsumi-san's wonderful script, and Director Nakazawa and Cinematographer Kamiaka Toshikazu-san's strong tag team, but I could personally feel the growth I had made up to that point, and the line, "There's no such thing as a 100% perfect hero," went viral on SNS, with the great response from those around me also giving me confidence.

Filming for the last chapter progressed at a good pace, and it felt like it went by in the blink of an eye. During this time, what surprised me was Chasshiro's betrayal and Boon-chan's defeat. I had only heard alittle bit about it beforehand, but when it was time to read the script, I was shocked and thought, "Are you serious?!" And then, Jou quit being a police officer, and in episode 46, he was confronted by his senior officer played by Takada Masashi-san……I didn't expect things to turn out this way, so I had abit of trouble trying to wrap my head around the situation. It was as big of a situation for me as it was for Jou. In the end, the five of us left for space, so I interpreted it with, "I guess he's on temporary leave for the time being?"

The Assistant Director made the necessary adjustments to our schedules so that everyone would be able to be together for the wrap up. The night before the last day of filming, I cried all alone at home due to feeling lonely, so on the very day of filming, I thought I'd be fine since I cried ahead of time. However, when I saw the face of BoonBlack's Suit Actor, Shige-san, I couldn't help but cry. I was crying so much that everyone around me jokingly said, "You're crying way too much!" (laughs). Over the past year, there were times where I was guided gently, and times where I was guided strictly, but I was truly happy on this set.

Soma Satoru (Genba Bureki)

-From being a Procurer with a detached position to becoming friends with the Boonboomgers-

When it was decided that I'd be playing the role of Genba Bureki, I was told that, unlike the other members, I'd be "playing an alien." However, since I didn't know the reason why he was always licking lollipops or the beliefs that he held, I had to make detailed adjustments all the time while thinking, "I guess it'd be alright if I did this much." It was around the time we were filming the Summer film when I learned about the developments for the second half of the story, and I thought that his feelings toward Nicola, who was invaded by Hashiriyans, were different from everyone else's, so I was conscious of those expressions in my performance.

In the beginning, I didn't have much to work with, so I was trying to figure out how to say distinctive lines such as "Seems like you're in trouble" in a way that felt right to me. There's abit of a suspicious, older feel to him, and I thought it'd be great if I could add some expressions that were unique to Genba. The first thing we filmed was the scene in episode 2, when he receives a job request from Taiya. From episodes 1-6, he had watched them from a detached position as a Procurer, so I was very happy when we were ready to film episode 7, as he joins the Boonboomger's as their friend.

In episode 10, I was able to do some action before his transformation. I was confident in my athletic abilities, but the movements done by BoonOrange's Suit Actor Ono Yukimasa-kun, who showed me some examples, were amazing, and while I felt alittle overwhelmed, I tried to do my best. Ono-kun and I would both always talk about "how we felt during this part," and I was always amazed by the action I saw during post recording.

His destined rival Disrace appeared at the end of episode 26, and he left Boonboomger in episode 27. There's a scene where he says, "That's why I'm giving up my front row seat," and as myself, I definitely didn't want to leave, but at the same time, he doesn't want to involve his friends any further, so……it was quite difficult for me to perform. After that, I didn't get to see everyone as often as I would've liked to, and there were also no good opportunities to go out and eat together. That's why when he returned in episode 33, I was so happy that I couldn't help but talk nonstop with everyone on set (laughs).

During filming of episode 33, I almost cried when I said the line, "This is the place where I belong," and I was also deeply moved when Taiya asked, "What has the Procurer procured for us?" to which I answer, "Myself, of course." The scene where all of us perform the Boonboom Change also suddenly made me feel that "having friends is great." I was personally grateful for the fact that both episodes 27 and 33 were done by Director Nakazawa, as I was able to make progress while consulting with him.

-One thing remains for Genba, that being his important mission to retake planet Bureki-

I also enjoyed being together with Sakito during the soccer episode. We're both from Shizuoka, and I'm a Shimizu S-Pulse supporter, so because of this connection, we were invited to participate in an event by Shimizu S-Pulse in September. As for the drama, he clashes with Sakito, and well, fighting doesn't bring them closer together, but because they both love soccer, it seems like they let out more unnecessary feelings than usual. They had clashed before in episode 32, but I think they were finally able to work out their differences in this episode.

I had the feeling that the "end" was gradually approaching during the final stages of filming, but in the final episode, when their transformations are cancelled during the battle with Spindo, as we were filming the scene where they stand up while conveying their feelings, the feeling that "it was finally coming to an end" suddenly hit me. Here, Genba says, "In this universe, that's what we call love," but combined with the location, which captured the sunset, and the atmosphere on set, it made me get more into it.

The ending was a beautiful conclusion, but as for Genba, he still hasn't retaken planet Bureki. Because there's still an important mission left to do, it didn't finish with a happy ending, however, they were able to defeat both Grantu and Spindo and save Earth, so it was still a big step in the right direction.

Now that it's all over, I feel alittle sad since I no longer have to spend time thinking about the next day's shoot. Looking back, I really didn't know what I was doing a year ago, but I'm here now thanks to all the fans who supported me, and over the past year, through the feedback I received at events and on SNS, I was motivated by the fact that I was involved in a production that was loved by so many people. I'll work even harder so that everyone who got to know me through Bakuage Sentai Boonboomger will see a different side of me. I look forward to your continued support!

Miyazawa Yu (Sakito Homura)

-I was able to gain experience both as myself and as Sakito Homura-

When I "encountered" Sakito at the audition, I felt that he was so similar to me, that I thought, "If I fail this, I don't think I'll ever have a chance in any tokusatsu production." Once I entered filming, I was very happy to hear that Director Hayama Koichiro said on set that he had "wanted to film Miyazawa as Sakito." When he makes his entrance during episode 16, I played the role with the impression that he was an overly self conscious perfectionist, but as things continued with episodes 17 and 18 being done by Director Kato Hiroyuki, I was able to bring out more of his weaknesses.

During the joint reading session before I went into filming, the Director and Producers said that they wanted me to "act in a childish way," but I was thinking of taking my performance in a slightly different direction, so the most important thing was being able to create Sakito on my own terms. Also, I think that by looking for places where I could be abit playful on set, I was able to gain experience both as myself and as Sakito Homura.

Episode 41 is an episode that I'm deeply attached to, as I was able to incorporate my special skill of playing soccer. The "Pulse Ace" that appears is a play on Shimizu S-Pulse, but I used to be a member of Shimizu S-Pulse's lower division when I was in middle school, and I was deeply moved by the collaboration event between Boonboomger and Shimizu S-Pulse that took place during the broadcast. The story was rich in content, with its appropriate comedic feel, our passion for soccer, and my pairing with Genba, so I think the viewers enjoyed it. Among other things, the scene where Genba and I pass the ball to each other with napalm exploding in the background had to be done in one take, so I had a fairly long discussion with Satoru beforehand. It was quite difficult even for experienced players like us, as there was gravel everywhere we stepped, and the unique shape of the Boonboom suit's shoes made kicking the ball feel different, but fortunately, we got the OK with our very first attempt. In terms of the story, his clash with Genba reminded me of the sumo episode, and I also thought it was typical of the younger Jou for being so straightforward and acting as their middle man. That scene was effective because of Ryu's careful performance, and I thought it turned out to be a very good scene where you'd naturally think, "If Jou said it, then it must be right."

-The final scene where Sakito remains on the Earth personally gave me goosebumps-

After the soccer episode and Christmas episode, the final stages of the show had some dramatic developments, but episode 45 was the one that I put the most effort into. Bundorio stopped functioning, the Boonboomgers were split up, and Taiya was mentally out of it. During all this, Sakito and Byundi confront the Hashiriyans together……It was a hot development, as the man who abandoned Earth now fought to protect it, but in playing Sakito, I saw it as a "fight to protect his friends." If we go back to episode 18, Sakito said, "I just wanna protect my only friend and his family," but I believe that episode 45 encapsulates the change in his feelings from that point on. This episode was directed by Director Hayama, who also did the episode where I first appeared, and the scene where I pushed my way through the crowd and shouted, "You guys…didn't the Boonboomgers save you?!," was a direction given to me by the Director, so I myself also wanted to live up to the trust he put in me.

In the final episode, I felt the team's unity as they defeated Spindo, and I also thought it was wonderful that everyone's individual scenes were properly depicted. I hope that you were able to feel that high level of unity. And, the final scene where Sakito remains on Earth personally gave me goosebumps. When I first read the script, I thought, "Uwah, this is seriously good!" Living on Earth, the number of people he came to love steadily increased, and it seemed to match up with the way Sakito lives his life, so I'm satisfied with it. I felt that there was nothing wrong with the performance I had been doing, and I can only thank all the staff members for preparing and directing such a conclusion.

The last scene we filmed was our final roll call. This was the end of filming, but the show was still going on, so to be honest, I didn't really feel it. However, when the time came for them to address me, I couldn't help but tear up when I saw the large number of staff members.

I had been involved since episode 16, and was very excited to be in the position of shaking things up as the additional member, and I feel that the feedback I've gotten in regards to that has been good. The show itself will remain even after the broadcast is over, so we'd all be happy if people said, "Boonboomger was great, wasn't it?" We don't know yet if there'll be an anniversary project in the future, but I hope that Bakuage Sentai Boonboomger will remain in the hearts of all the fans forever!

Handwritten Messages

Iuchi Haruhi

"What was the most cranked up scene that you performed as Taiya Hando over the past year?" The scene in the final episode where everyone says, "This is the most cranked up!"

"What did you think was the "coolest part" about Boonboomger (or Taiya Hando)?" The parts were he wouldn't ignore!

"What part of Taiya Hando's "costume" or "weapons" did you think was cranked up?" The tool design of the weapons!

"A word to Taiya Hando!" LOVE

"A word to your Boonboomger friends!" I'm glad it was the six of us…I had fun. Thank you!

"A word to all the fans!" Thank you so much for your support over the past year! I look forward to your continued support!

Hayama Yuki

"What was the most cranked up scene that you performed as Ishiro Meita over the past year?" Bakuage 29's action scenes.

"What did you think was the "coolest part" about Boonboomger (or Ishiro Meita)?" His activities as an Informant.

"What part of Ishiro Meita's "costume" or "weapons" did you think was cranked up?" His three piece suit and necktie that would change every episode. That you could turn the Boonboom Handle with just one hand!

"A word to Ishiro Meita!" I love you.

"A word to your Boonboomger friends!" Ishiro had trouble fitting, so thank you for looking out for him!

"A word to all the fans!" Thank you for your cranked up support!

Suzuki Miu

"What was the most cranked up scene that you performed as Mira Shifuto over the past year?" Episode 36's helmetless running scene.

"What did you think was the "coolest part" about Boonboomger (or Mira Shifuto)?" That she worked hard for the sake of someone else instead of herself.

"What part of Mira Shifuto's "costume" or "weapons" did you think was cranked up?" That you could hold Boonboom Handle's Rod Mode upside down (it's dangerous, so good children shouldn't imitate that!)

"A word to Mira Shifuto!" Mira being cheerful gave me tons of energy! Thank you :)

"A word to your Boonboomger friends!" I was really happy with the six of us! We're forever friends!!!

"A word to all the fans!" I wouldn't have made it this far without everyone's voices of support. Thank you so much!

Saito Ryu

"What was the most cranked up scene that you performed as Jou Akuse over the past year?" My first transformation.

"What did you think was the "coolest part" about Boonboomger (or Jou Akuse)?" Getting dirty.

"What part of Jou Akuse's "costume" or "weapons" did you think was cranked up?" His police uniform.

"A word to Jou Akuse!" You're an honourable man!! Make sure to zip up your fly properly!!

"A word to your Boonboomger friends!" Thank you for the past year! Sorry for when I acted out of line 🖤

"A word to all the fans!" Thank you for your support over the past year! I look forward to your continued support.

Soma Satoru

"What was the most cranked up scene that you performed as Genba Bureki over the past year?" When after leaving once, he reprocured himself through his friends.

"What did you think was the "coolest part" about Boonboomger (or Genba Bureki)?" With every episode, his friends became the embodiment of ​​"taking control of your own wheel."

"What part of Genba Bureki's "costume" or "weapons" did you think was cranked up?" His fluttering costume made action scenes look more attractive.

"A word to Genba Bureki!" I'm glad you returned to Boonboomger!

"A word to your Boonboomger friends!" Thank you for trusting me and waiting for me ^_^

"A word to all the fans!" Thank you so much for always giving us tons of support!

Miyazawa Yu

"What was the most cranked up scene that you performed as Sakito Homura over the past year?" The six person transformation in Bakuage 48!

"What did you think was the "coolest part" about Boonboomger (or Sakito Homura)?" Honestly gaining control of your own wheel!

"What part of Sakito Homura's "costume" or "weapons" did you think was cranked up?" All of it!

"A word to Sakito Homura!" Sakito Homura! Enjoy living a chaotic life on Earth!

"A word to your Boonboomger friends!" Claim absolute victory in the BBG!!

"A word to all the fans!" Thank you for your support in Bakuage Sentai Boonboomger over the past year! It was the most cranked up year!!

The Heroes Cranked Up Roundtable A long roundtable discussion with the six cast members who played the heroes who protected Earth. They'll talk about their memories from the past year, as well as bombshell stories that can only be talked about now?!

-The six cranked up members have gathered-

"First, please tell us about the relationship between the six of you after spending about a year together."

Hayama: In the beginning it was just Satoru-kun, but the older members were extremely reliable.

Suzuki: Yeah.

Hayama: We got so used to it, that we slowly started to develop a habit of screwing around with them (laughs).

Soma: That's right (laughs).

Hayama: Still, I think it's because they both allowed us to do that that people have come to say, "Boonboomger had some great vibes."

Iuchi: That was a big part of it.

Miyazawa: Y'know, I'm not sure if we've forgiven you yet (laughs).

Soma: Right?

Hayama: Even in this interview, we can talk about how we mess with them, so in that sense, Satoru-kun and Zawa-nii are the greatest.

Miyazawa: I suppose so (laughs).

Suzuki: The youngest members, Haruhi-kun and Ryu-kun, are both 20, while Zawa-kun is the oldest at 29 years old, so the age difference between us is the kind where you wouldn't normally have many opportunities to interact so closely. However, I still think the reason we were able to get along so well was because we were together for a year.

Miyazawa: Normally, I'd be concerned about both sides of the situation.

Iuchi: You were cautious.

Hayama: He was, wasn't he?

Soma: In the beginning, Zawa-kun didn't get involved with us at all for some reason.

Miyazawa: That's because there's a generational gap between us (laughs).

Iuchi: I felt the same way too. At first, it was the age difference, and since I went to an entertainment high school that didn't have any club activities, I rarely had any opportunities to interact with my seniors.

Miyazawa: And yet now we're like family.

Soma: We've even been asked, "Are you guys related?"

Suzuki: During the wrap up, the staff had said, "You guys look like relatives."

Miyazawa: It made me realize that even though there's a 9 year gap between us, we become friends.

Hayama: Of course, we weren't just playing around, as Zawa-kun drew a clear line when it came to work, and I really received a ton of inspiration from him. The only exception is Soma-san (laughs).

Soma: So that's how it is, huh? How strange (laughs).

"I see, so this is how you "tease those older than you" (laughs)."

Soma: Even though Hayama-kun and I go out to eat together pretty often…

Iuchi Hayama Suzuki Saito Miyazawa: (laughs).

"Did Soma-san and Miyazawa-san have to worry about anything when dealing with the younger members?"

Soma: I was the oldest of the original five, so I didn't want them to view me as "scary" (laughs). I wanted them to be able to be carefree, so I aimed to create a "Buddha" like appearance, someone who was accepting of everybody (laughs). By the way, we're being interviewed right now while eating our bentos, and Ryu just stole my tamagoyaki……

Saito: He won't get mad at all if I take it from him (laughs).

Soma: No, no, I told you tamagoyaki is my favorite, c'mon now! This is how they mercilessly tease us (laughs).

Iuchi Hayama Suzuki Miyazawa: (laughs).

Miyazawa: I joined in the middle of the show, but after it was decided that I would perform, I searched up information on who I'd be working with. That's when I was like, "They're all younger than me!" (laughs).

Soma: I get that. You were shocked, huh?

Miyazawa: However, I still thought that there was only one person "below me."

Soma: Who? Ryu maybe?

Miyazawa: No, like you, I'm from Shizuoka. That's why I thought you'd be the first one I talked to (laughs).

Suzuki: Did you think you'd have a better opportunity with Satoru-kun since you're both closer in age?

Miyazawa: Yeah. It's because even Miu-chan and I are about five years apart.

Soma: That's true.

Miyazawa: Before we became friends, I wondered if we would even get along.

Suzuki: Usually, when there's that much of an age difference you're like, "Where do we start?"

Miyazawa: I've also said this elsewhere, but at the same time I was having my costume fit, Miu-chan and Ryu came running to the makeup room and excitedly said, "Uwah, so this is Violet!" At that moment, I felt that everything would be alright. Or, perhaps what I mean to say is that I was the one who took a step back (laughs).

Suzuki: That's right! In another interview, Zawa-kun had said that he was grateful for the two of us closing the distance between him, but just recently, when the topic happened to come up in a private conversation, he said, "To be honest, I was abit put off at the time" (laughs).

Saito: That's harsh (laughs).

Miyazawa: It's because of how energetic you kids are.

Iuchi: You're always saying that.

Suzuki: We're all energetic.

Hayama: Right, we tend to hear that alot.

Miyazawa: That's how it is now, but in the beginning I had the feeling of, "How should I deal with them?"

Iuchi: At first, I felt like I had to talk to them as adults, but Satoru-kun and Yu-kun were the ones to bring a stop to that. That's why I'm very grateful for them.

Soma: In our group chat, Haruhi initially used a large amount of emojis, which made me think, "Ah, he's being cautious" (laughs).

Iuchi: Ah, I didn't realize you had seen right through me (laughs).

Soma: I noticed it from the very beginning.

Suzuki: I see. He did use a large amount of them.

Miyazawa: Is that so? I would've liked to have seen that.

Soma: By the time Zawa-kun joined us, he was no longer doing that.

Suzuki: It's because you "brought a stop to that," remember?

Hayama: (he looks at Miyazawa-san) And here I thought you were a good guy.

Miyazawa: Hey!

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: To begin with, our generations are so different, that I don't know what's popular. People of my generation would do stuff like go to karaoke.

Soma: Yeah. Things like what's popular and fun among today's youth.

Miyazawa: I had no idea about TikTok or anything like that (laughs).

Soma: You know, the way people say TikTok now is with an intonation! (laughs).

Miyazawa: Eh, it's that true?

Soma:……that's how it seems.

Miyazawa: However, it was a completely different story when I entered the set. I was conscious of the fact that it was our place of work.

Soma: There was a clear distinction in the way you'd switch.

Miyazawa: Right, which is the most important thing!

"Do you have any painful or difficult stories that you can only talk about now?"

Iuchi: What's okay to say? (laughs).

Saito: Ah, I was late once.

Suzuki: Wha!

Iuchi: Do you feel remorseful about it?

Saito: I do.

Suzuki: I don't know what to take away from this.

Soma: Just let it play out (laughs).

Saito: However, I made it in time for the shoot itself.

Miyazawa: No, no, that's totally normal then (laughs).

Saito: When you've been doing something like this for a long time, you inevitably start to slack off, huh?

Suzuki: You can't say that about yourself! (laughs).

Iuchi Hayama Soma Miyazawa: (laughs).

Iuchi: What was abit difficult for me during filming was not using my bike. I didn't ride it throughout the filming period because I didn't want to cause trouble if I had an accident. Besides, with it being my first time living in Tokyo, I thought I'd be fine without a bike, as there are tons of trains in Tokyo. However, once I started living there, I found that there were many places that would take too long to get to if I used the train or bus, but could be reached pretty easily by bike. I'm alittle disappointed that I couldn't even go out and have some casual fun (bitter smile).

Saito: That was a model answer!

Miyazawa: Is it okay to talk about what was difficult for me?

Hayama: The Boonboom dance?

Miyazawa: No (said firmly).

Hayama: Not that, huh?

Miyazawa: Sakito's hair style.

Iuchi Hayama Suzuki Saito Soma: Yeah (they fully agree).

Miyazawa: Every time I went to a shoot, it would become coarse and stiff. After filming, I would have to go home and wash my hair because of how difficult it became.

Suzuki: After filming would finish, we'd say, "Let's all go out for a meal!," but only Zawa-kun would go home and take a shower before rejoining us.

Miyazawa: That's because if I left my hair as it was, my hat would look like it was floating.

Iuchi Hayama Suzuki Saito Soma: (laughs).

Soma: That being said, I had trouble with my hair too.

Miyazawa: What was the case for Satoru? It must've been with your Burekiian form.

Soma: Yeah, it was when I transformed into my Burekiian form.

Hayama: Putting on the makeup too.

Soma: That's right. What's more, my skin is fairly tan.

Saito: Sure is.

Soma: So, I had to apply whitening cream in addition to getting my makeup done. I also had to wear cat eye contacts, but if I blinked even slightly, they would immediately rotate. That's why it was very difficult for me to perform close up shots in that condition.

Suzuki: You wouldn't blink.

Soma: Still, they'd eventually also fall out if I didn't blink for a long time.

Miyazawa: Your contacts fell out countless times.

Soma: Yeah.

Hayama: What comes to mind for me was the action. Exercise has never been one of my strong points, and there were a few times where I just couldn't keep up. To be honest, that was really tough.

Soma: No, no, you were really cool!

Hayama: Really?

Suzuki: Yeah.

Soma: Like in episode 37, you were amazing, don't you think?

Hayama: Well, in any case, I was just desperately trying to keep up.

Suzuki: You seem to have good reflexes.

Miyazawa: And he can dance. Me on the other hand, I'm no good at dancing (laughs).

Hayama: Wasn't it quite difficult for Miu-chan to get into costume?

Suzuki: That's right. There were so many part time outfits, so I remember having to get my costume fit for almost every episode (laughs).

Hayama: You went in to get your costume fit all the time.

Suzuki: Also, my legs were very cold.

Hayama: I had a feeling you'd say that.

Suzuki: Especially during Winter (bitter smile).

Hayama: And, those weren't even the worst ones. There's the wedding dress you wore in the final episode.

Suzuki: Yeah.

Hayama: You had to have the staff help you when you moved.

Suzuki: I couldn't move without my attendants.

Hayama: "Attendants" (laughs).

Miyazawa: It really seemed like that.

Suzuki: Also, I couldn't sit on a chair, so when filming stopped, I had a blanket laid out on the floor to sit on until my next turn.

Saito: You were like a princess!

Suzuki: The dress looked like it was floating as it spread out on the floor.

Saito: She often called upon us (Saito-san and Hayama-san) and gave requests like, "Please get me some sweets" (laughs).

Iuchi: She simply couldn't move.

Suzuki: (speaking like a princess) "Excuse me, can you fetch me a drink?"

Miyazawa: She's totally a princess now (laughs).

Suzuki: Another challenging thing was that this production has shorter shots so that smaller children watching wouldn't get bored. In scenes where we convey our feelings, they weren't that long and involved a series of cuts, so we had to raise our emotions pretty intensely, which was difficult. If I had to put it another way, I think it really strengthened our responsive skills.

Hayama: That's a good way of putting it.

Suzuki: You get it though, right?

Hayama: Yeah, I know exactly what you mean.

Suzuki: Zawa-kun had a difficult time with that at first too, right?

Miyazawa: I'd usually start from one or two of my previous lines, but if I thought that it'd still be too difficult, I was allowed to start from even earlier.

Hayama: Yeah, you'd do that.

Saito: Everyone's talking about something serious…

Soma: Ryu, do you have anything else since your story about being late didn't work out?

Saito: Yeah. I play a police officer, so it was quite difficult putting on all that equipment. It was pretty heavy, and there's a proper way of putting it on, so I had to make sure to check it every time. I thought this was to be expected by all the people who actually work as police officers.

Soma: Oh, that was a good story you just gave!

-Looking back at each memorable scene-

"From here, we'd like to ask each of you to pick one person at a time and name a performance or scene of theirs that left a lasting impression on you."

Soma: I guess Haruhi should be first, right?

Hayama: I think I was the closest to Haruhi's Taiya, but when I met him as fake Ishiro in episode 37, the performance Haruhi gave was completely different from what I usually did with him, and I thought the detail in how he differentiated his role was amazing.

Suzuki: The expressions Haruhi-kun showed were really great, as his emotional range swings between the line of difficult and exceptionally good. The facial expression he made at the end of episode 24 also conveyed his delicate feelings.

Iuchi: Thank you very much.

Miyazawa: I still love the, "Let's all hurry!" line he says in the final episode.

Suzuki: That was great too!

Miyazawa: All I can say is that it's like you can see the very moment he switches.

Suzuki: It gives off a similar feeling to when your body trembles with excitement, you close your eyes, and then shoot them open, right?

Miyazawa: Right, it's like that kind of switch.

Suzuki: The scene in episode 45 where Taiya loses sight of his own wheel was really impactful. It's like he was performing with his soul.

Miyazawa: I'll never forget the one on one performance I did with him in episode 18. It made me think, "So this is the man called Taiya Hando, huh?" That scene is still fresh in my mind.

Hayama: (to Iuchi-san) Were you nervous?

Iuchi:……I was (laughs).

Saito: There was a scene that I really liked, the musical scene with Itasha was in the Christmas episode, right?

Soma: Yeah.

Saito: At that point, Taiya makes a face that's like, "Eh?," looks around, then sits down without saying a word, and that made me burst out laughing.

Iuchi: That was entirely Director Kato's direction.

Saito: It was hysterical.

Iuchi: This is especially true since Taiya's not the type of person to do something like that.

Saito: I desperately wanted to say, "Don't just sit there in silence!" (laughs).

Soma: It would've been even funnier if he responded to it with something like, "That was cranked up!"

Suzuki: Yeah, like in the Toilet Grumer Limited episode.

Saito: Yeah, that happened.

Iuchi: That's where I tried to play the version of Taiya that Mira had in her mind (laughs).

Hayama: That was alot of fun.

"Next, what do you think of Ishiro Meita's Hayama-san?"

Iuchi: My favorite scene is in episode 14, when he relies on Mira. Ishiro had always operated in his own world, but Taiya also had the desire to draw him into everyone world, so Taiya felt happy when Ishiro was able to rely on Mira, someone he had come to love. I had read the script beforehand, but when I saw the broadcast, I was moved all over again.

Hayama: That was also made possible due to Suzuki-san's help.

Suzuki: No, no, that's not true.

Iuchi: But it was just the two of you!

Suzuki: Of course, when we were filming that scene, I thought, "Yuki-kun really likes acting." In the aquarium scene in this episode, when Chasshiro shows his annual pass, I (Mira) try to take it, but he quickly pulls his hand back. He was the one who suggested we do that with, "How about if we improvise like this?"

Hayama: All while I acted like a brat (laughs).

Suzuki: I felt that I wasn't capable enough when imagining things that weren't written in the script. That's why Yuki-kun's suggestion made me think, "That could happen!"

Miyazawa: Yuki's really serious, huh?

Suzuki: Yeah, I get him.

Miyazawa: Over this past year, he'd be thinking about the character of Ishiro Meita more than anyone else, and whenever he'd talk about his performance, it was always, "Ishiro's this, and Ishiro's that" (laughs).

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: There were times when Ishiro would fool around, which I thought would've been difficult, but Yuki was able to express it in his own way. My favorite scene was in the final episode, right before he leaves Earth. He happily says, "An Informant in space, I like the sound of that.

Soma: I also thought he looked happy when I watched him.

Miyazawa: He'd been separated from the Boonboomgers for quite some time, so I think he might've felt bad about it. By doing that performance, I could really feel that he had come back as Ishiro.

Hayama: I'm grateful.

Miyazawa: It was "the best of Ishiro."

Hayama: I'm glad to hear you say that.

Soma: Personally, I liked it when Chasshiro got teased by those around him. Like in episode 40, when Itsuki-kun said, "I want to be a cool hero like BoonBlue," Mira and Jou's reaction was to look at Chasshiro and say, "Cool?" (laughs).

Suzuki: I liked it when Mira pinched his cheeks.

Iuchi: Yeah.

Hayama: That was in the final scene of episode 37.

Soma: It was fun to watch scenes where Chasshiro "comes down" from a stressful situation, as I would think, "Ah, so this is how it's being done this time."

Saito: Yuki-kun mentioned earlier that he's not good at action, and looking back at our first action practice, I could sorta sense that he was having a hard time. However, the action with Gong Grumer in episode 29 was really cool. He must've practiced alot, but it was still captivating. After that, in episode 37, he did action scenes for both Ishiro and the fake, and I felt like he had come a long way with all the moves he was able to do.

Hayama: You sound like a parent (laughs).

Saito: I'd like to mention that I've rewatched your boxing action with Gong Grumer about six times.

Hayama: Eh?!

Suzuki: Amazing, you've got a fan.

Hayama: Ryu, thank you~ (laughs).

Saito: No, I was just curious about the moves you were doing.

Hayama: I guess everyone was looking at different parts. This is the first time I've heard all of that.

Iuchi: You're embarrassed, huh?

Hayama: I am. Ryu should be the first one I treat to some gyudon, don't you think? (laughs).

Suzuki: For me, it was probably when he was paired up with Mira in episode 14. It's the scene where Chasshiro's desperately struggling to keep Reizoko Grumer from going to the aquarium. I had never seen Chasshiro with such intense passion before. Mira had already transformed, so the first time I saw him like that was during post recording, but it was Yuki-kun's acting that really got me into the mood during recording.

Hayama: It was all thanks to the Screenwriter (laughs).

Suzuki: You looked happy (laughs).

Miyazawa: He was all smiley.

Suzuki: And, I know I keep saying this, but when Chasshiro talks to Mira face to face like a normal person in that episode……seriously, his visuals were just too good.

Hayama: It was both an Ishiro episode and a visual episode.

Soma: Visual episode he says…..(laughs).

Suzuki: And, I guess he was really fired up since it was one of his main episodes, as during filming, he made constant efforts every morning to get rid of any swelling (laughs).

Hayama: You didn't have to bring up that part! (laughs).

Iuchi Saito Soma Miyazawa: (laughs).

"Now for the next turn, we'd like you to talk about scenes featuring Mira Shifuto's Suzuki-san."

Soma: Speaking of Miu-chan, she was a monster during post recording.

Suzuki: Eh? What?

Saito: He means to say "you're very skilled."

Suzuki: For real? That makes me happy!

Saito: How is it that you're always able to skillfully match up your voice?…..

Suzuki: Yay! (laughs).

Hayama: Another thing is the straightforward way in which she communicates. In episode 14, when she said, "You're so stupid, Chasshiro!," I could really feel Mira's energy just from watching the footage, and I felt that there was alot to learn when it came to making emotional outbursts like that.

Suzuki: That makes me happy.

Hayama: I learned a…alot!

Suzuki: Don't stutter at the best part! (laughs).

Hayama: (laughs).

Soma: Yuki-kun mentioned emotions just now, but I liked Miu-chan's part when we spoke our lines one by one before defeating Madrex in episode 9.

Suzuki: When I say, "That's what it means to take control of your own wheel!," right?

Soma: Yeah. Your eyes sparkled, and your line was filled with emotion, so that moment really grabbed me emotionally.

Suzuki: Everyone's injured makeup looked good too.

Soma: That combined with the atmosphere of the setting sun made it even better. Towards the end of the show, when Mira makes up her mind to get married, Me, Sakito and Jou were on the receiving end of things, but we were also greatly helped by her. It was easier to do our performance since we could understand Mira's feelings.

Suzuki: That makes me feel good (laughs).

Iuchi: My favorite Mira scene, and the one where I also thought Miu-chan helped me out, was in episode 45. They had created a rather dark scene in regards to Bundorio's shutdown, and I went into the scene worrying about how to go back to Taiya's usual self within the 30 minutes we had. However, thanks to Miu-chan's performance, I was able to bring Taiya back to his energetic self.

Suzuki: Heh~ I didn't know you felt that way.

Iuchi: Taiya saying, "Thank you, I'm glad you guys are my friends," followed by Mira's genuine look of relief on her face as she said, "You've finally regained control of your wheel," was very comforting. That put me in a better mood as we faced the final episode, so I really feel thankful for that.

Suzuki: No, no, I wouldn't have been able to cry if I hadn't seen the look on Taiya's face. I feel the same way, you really helped me out.

Soma: Are you reciprocating your love to each other?

Suzuki: That's not it (laughs).

Miyazawa: It's the result of their synergy.

Suzuki: That's it!

Miyazawa: I don't have any specific episodes in mind, but rather, when I think of Miu-chan, her persuasive words come to mind. I especially felt that in Mira's main episodes. I think it's Mira who connects the Boonboomgers together, and I think she had a big influence on the production.

Suzuki: That makes me happy.

Miyazawa: What I also thought was interesting was that when I saw Miu-chan on set, she would adjust the number of steps she took in order to match the camera's position.

Suzuki: Yeah, I did that (laughs). I'd usually be good with three steps, and then I'd just say my lines from around there.

Miyazawa: Seeing that up close, I thought of her as a very hard worker. Mira's good balance was likely the result of Miu-chan's hard work.

Suzuki: Thank you!

Saito: This might overlap with Zawa-nii, but while I think that each person had their own main episodes, Mira would be right there next to us.

Iuchi Hayama Suzuki Soma Miyazawa: Yeah!

Saito: When you pair up with someone like that, the explosive power is incredible. How would you describe it? Like an amino acid??

Soma: Something like an umami seasoning that makes everything taste better?

Saito: Ah, that's it! If you don't add it in, it's somewhat tasteless, but with it, I'd say it adds depth and takes it up a level. That's why I think Mira's presence was of great help to our team.

Hayama: Thank you for being an amino acid.

Saito: Thank you amino acid.

Suzuki: I did my best as an amino acid! (laughs).

"Next should be Jou Akuse's Saito-san. What does everyone think?"

Iuchi: What I'd like to mention with Jou is his injured makeup for the baseball episode. The makeup artist told me that a role like Jou's is one that's really deserving of injured makeup.

Hayama: That's true.

Iuchi: The way he got covered in dirt, was sprawled out on the ground, and yet still stood up was really cool.

Suzuki: You know it!

Iuchi: As for Taiya, he's happy to watch Jou's growth, or to put it in a slightly weird way, he likes seeing Jou get dirty (laughs).

Saito: Hahahaha (laughs).

Suzuki: It's kinda nice when Jou gets dirty.

Hayama: It's great.

Iuchi: It looks great on film, doesn't it?

Hayama: Going along with that, I guess I'd pick his first Change in episode 5. The scene where he crawls while still standing his ground is really memorable, don't you think? Boonboomger consists of a group of people who hold various beliefs, but among them, Jou possesses an honest sense of justice, and I think that was most strongly portrayed in episode 5. Watching him on set, I honestly felt like, "Ah, he's a hero."

Miyazawa: I think that out of all the characters in Boonboomger, the one who was closest to their role was Ryu, and there were countless times where I felt that he really linked up with Jou's honest character.

Iuchi: Yeah

Hayama: There were.

Miyazawa: Especially when he was trying to appeal to something. There was something about it that would just resonate with you. The same goes for the Keytarou episode, the scene with Itsuki-kun in episode 40, and the scene against the police squad in episode 46.

Hayama: Episode 40 was especially good!

Miyazawa: When it comes to tearful episodes, I think that most people would pick the one where Genba leaves, but I'd cry every time there was a Jou episode.

Saito: Eh?!

Miyazawa: No, it was frustrating how Ryu's performance made me cry.

Iuchi Hayama Suzuki Soma: (laughs).

Miyazawa: Still, it really touched my heart. I really think that only Saito Ryu could've played the role of Jou Akuse. He's also really good at action. He moves his body well.

Saito: That makes me happy!

Soma: For me, it's the part in episode 28 where he Boonboom Changes while running into the fight against Neon Grumer.

Saito: Yeah, I was filmed wearing a maskless Boonboom suit.

Soma: That maskless facial expression, and the intense passion conveyed through his lines. I guess you could call it a "feeling of hitting the right mark." Zawa-kun mentioned it too, but his honesty resonates with you as you watch him, which is exactly in line with Jou, but I think is the same for Ryu too.

Suzuki: I talk about it in every interview we do, but my pick is always going to be episode 15. His crying face at the end when he took down Kaseki Grumer was heartbreaking, and there's also the scene where Jou makes up his mind.

Saito: It was when he said, "I'll take him down!"

Suzuki: Yeah. Despite feeling conflicted, he said he'd fulfill his duty as a police officer. That was also bittersweet. It was a scene that was really painful to watch.

Saito: My performative skills were still pretty rough during that episode, so I had alot of trouble with it. I think Director Hayama helped me alot in that episode.

Miyazawa: It's usually Jou who gets caught in the middle of a dilemma, don't you think? I guess expressing that is also quite difficult to do.

Saito: Yeah, it was. Every time I'd wonder at what point the conflict between what he wanted to do, what contribution he'd make as a police officer, and what decisions he'd make as a hero would alternate.

"What are some of the most memorable scenes involving Genba Bureki's Soma-san?"

Miyazawa: What should we do?

Suzuki: There's really nothing to say, right?

Soma: Why~?!

Hayama: I guess there's nothing in particular.

Soma: Well, guess I'll head home early then (laughs).

Iuchi Suzuki Saito Miyazawa: (laughs).

Iuchi: Alright then, I'll start! I also like the scene in episode 27, where Genba leaves Boonboomger, but I've talked about it in many other places, so I'll name another scene. I recently had the chance to rewatch the clip of his first Change in episode 7, and I thought the whole sequence of movements, starting with the line, "I'm gonna accelerate you guys," and then raising the Boonboom Change Axe to then pull out the Boonboom Booster was incredibly cool.

Iuchi Suzuki: It was when he said, "(speaking in unison like Genba) Let's take control of the wheel of being Boonboomgers together!"

Saito: A key point is the part where he bounces his hand alittle.

Soma: You were paying attention, huh?

Iuchi: Furthermore, in Genba's case, he isn't characterized by his quick decisions, but by his slippery movements instead.

Soma: Was that……a compliment?

Iuchi: Huh, you don't get it?

Hayama: You're saying his movements are sexy, right?

Iuchi: Right, right, sexy!

Suzuki: Genba's movements had some sex appeal to them.

Iuchi: I could feel his mature sexiness, which is exactly in line with Genba. I felt that again when I rewatched it.

Miyazawa: For me……yeah, I think it'd be the part where he's sucking on a lollipop in the opening credits.

Soma: Why?!

Miyazawa: Sorry, that just sorta came out.

Soma: That's going way too far (laughs).

Miyazawa: That was just a joke (laughs), Genba and Sakito were involved in many scenes, so I had many opportunities to talk with Satoru, and I found him to be a really passionate guy when it came to his performance. In particular, he kept the alien setting a secret. That was the most surprising thing.

Suzuki: Eh, you knew from the start?

Soma: I knew about his real identity, but details like him being an heir of planet Bureki and the Hashiryan invasion came later.

Suzuki: Eh~. Still, you knew from the beginning that he was an alien.

Soma: Yeah, I knew.

Saito: So that's how it was.

Suzuki: Did everyone know?

Hayama: No, I also didn't know.

Soma: I think I mentioned it to Taiya along the way.

Iuchi: I only overheard alittle bit about it.

Suzuki: Heh~!

Miyazawa: Not only did he keep that a secret, but he also kept a clear plan in mind and made sure to express the way Genba "should be" in each and every scene. What was particularly memorable was the expression on Genba's face at the end of episode 26 when he saw Disrace. I thought that he had really brought out the best of everything he had accumulated up until that point. I'll never forget it.

Hayama: From there, Genba left Boonboomger and suffered for awhile, but in the beginning of the next episode where he had come back, Genba had a really refreshed look on his face (laughs).

Suzuki: I noticed that~!

Hayama: I once again thought that that kind of carefree vibe is unique to Genba Bureki.

Suzuki: It was that scene, where the camera pans from his legs to focus on his facial expression.

Hayama: Right. Also, Satoru-kun's scripts were amazing. I could catch a glimpse of them from the post recording microphone next to me, and they'd be completely red. This of course varies from person to person, as I myself am the type who doesn't write many notes, but even so, I was impressed by his enthusiasm to learn.

Soma: I'm just prone to worrying (laughs).

Hayama: They were so red, that it makes me want to post a photo on SNS so that everyone can see.

Iuchi: You really pay attention to the smallest of details.

Saito: Regarding the scene in episode 33 where Genba returns, the Action Director of "Kamen Rider Gavv," who I had the opportunity to speak with at the studio, highly praised it by saying, "The expressions on Taiya and Genba's faces as they stared at each other were really good."

Soma: Eh, really? Should I move over to Gavv's set now?

Iuchi Hayama Saito Miyazawa: (laughs).

Suzuki: Please stop (laughs).

Saito: I'd like to bring up the scene in episode 15, where Jou and Genba talk. At the end, Genba mutters, "A lonely dinosaur, huh?…," and at the time of filming I thought, "What is this line?" When I look back at this scene now, the kind, lonely, and indescribable expression on Satoru-kun's face really hit me.

Suzuki: For me it'd also have to be episode 33, but it's for the scene between Shirabe-san and Genba. I felt like he poured out everything he had been holding back up to that point.

Soma: That's something I discussed with Director Nakazawa Shojiro.

Suzuki: On another occasion, the Director told me, "I told him that it'd be more like Genba to hold back there," but finding the right balance must've been very difficult, right? Mira is someone who can show her emotions, but he won't be the same Genba if he shows too much, and if he holds back too much, it'll seem like he's lost his humanity. After hearing that story, I rewatched the second half of episode 33, where he comes back to us, and was convinced as I thought, "So that's the reason." Something will make his heart tremble, but he won't shed tears, and I think that's appropriate for Genba.

Iuchi: Come to think of it, Yu-kun mentioned his identity being revealed, but is it okay if I add something quick?

Miyazawa: Go ahead!

Iuchi: At a later date, Satoru-kun told me why he only revealed it to me, that being, "I think Taiya would've already noticed." Just hearing that…no, he really thinks about the details of details.

Suzuki: That's Amazing!

Soma: Not at all.

Iuchi: What's more, at that time, the details hadn't been worked out yet, but when I read the script for episode 27, Chasshiro asks, "Did you know?," to which Taiya replies, "I had a feeling he wasn't an Earthling," so it was just as Satoru-kun had predicted.

Suzuki: I see!

Iuchi: Satoru-kun is amazing, even though it wasn't his role, he thought Taiya already noticed.

Hayama: How do you even think that far ahead?!

Iuchi: Right? It's really amazing.

Soma: It's embarrassing.

"Finally, there's Sakito Homura's Miyazawa-san."

Hayama: After all, he has the longest acting career out of all of us, so I was always inspired by him.

Iuchi: No, seriously. With that being that case, it'll be hard trying to narrow it down to just one thing.

Hayama: My favorite scene was without a doubt the one at the beginning of episode 29. I had created my performance to a certain extent and took it to the set, but then Sakito started doing moves that I would've never expected (laughs).

Suzuki: You were like, "Wait, this isn't what I had in mind!" (laughs).

Hayama: That's how I felt. Still, I thought that if I became intimidated here, I'd lose to Zawa-kun, so I tried a variety of things on my own. I think it was one of the opportunities for me to grow as an actor, and it's a scene that left a very strong impression on me.

Miyazawa: If we were at the Deliverer's garage like normal, you could imagine what you'd be like, but with filming on location, you don't really know until you get there. In my case, I was pretty much doing things in the moment.

Iuchi: When I got involved with Yu-kun, that's where I'd really learn something. If I'm not mistaken, the scene where we're all talking and having fun in the final episode was also changed on set.

Suzuki: Eh, is that true?

Iuchi: I talked it over with Yu-kun, and he asked me something along the lines of if I wanted to be the "first to respond," but with Sakito, I thought words were unnecessary, so I just tapped my fist against his chest and said, "I'm counting on you" ……I said that just before the take, right?

Miyazawa: That's right.

Iuchi: I really liked the look on Sakito's face in that scene, and thanks to that, Taiya felt like, "Now Earth is in good hands," and even though it was done on the spot, Yu-kun responded perfectly in his performance.

Miyazawa: I think I was able to respond because there was something about Haruhi's performance that resonated with me.

Soma: Even without any lines, Sakito was able to convey the message he wanted to say. That was also the case with the sumo episode, and I learned alot from watching it.

Miyazawa: I'm grateful.

Soma: Genba himself isn't a character with many lines, so when he was silent, I would just look at everyone's expressions, but even in those moments, I felt that Zawa-kun had a wide range of performative skills to draw from.

Saito: I was impressed by his interactions with Byundi. He was constantly talking with Suit Actor Takada Masashi-san, as well as BoonViolet's Tsuta-san, but seeing him talk all the time, even when the cameras weren't on, taught me how to approach acting.

Miyazawa: I'm sure this is true for everyone, but this was the first time I interacted with a Suit Character and performed a role together with a Suit Actor. With that being the case, I think we each had our own ideas of, "What I'd do if I were you," and I wanted to present a character that matched that of BoonViolet, and by extension, Sakito Homura.

Suzuki: Sakito has a childlike charm, a presence that makes everyone tremble easily, and a unique sex appeal, and while we were shown various sides of him, there's a sense of unity that made him look like a proper individual. I think that's what Zawa-kun put into consideration when playing the role of Sakito.

Miyazawa: That makes me happy. Let's all go out for yakiniku next time.

Iuchi Hayama Saito Soma: Yay!

Suzuki: We've been waiting for that!

Miyazawa: Ah! Is that what you guys were after?! (laughs).

-The six people who finished Boonboomger-

"I think it's time we conclude, but we'd like to ask each of you one last time for your thoughts on the past year."

Iuchi: It was fun.

Hayama: It was, wasn't it?

Suzuki: Wait, wait, hold on (laughs).

Soma: Isn't that too short?

Suzuki: It is!

Saito: Well, it is true that it was fun…

Miyazawa: No, stop, speak one at a time, let's do this properly.

Hayama: We got along well with each other over the past year, and I of course hope that we can continue to be friends, but when I see the five of them, I feel like I've learned so much as an actor. In that sense, what was great about being a Boonboomger was that I was able to gain some really good experience for my future acting career by working together with these five people. I realize I'm talking seriously now, but I'm truly happy that I got to meet these five actors.

Suzuki: I'm truly happy from the bottom of my heart that I was apart of these six, and I hope that even after 10 or 20 years have passed, our current relationship will continue. They're my best friends.

Hayama: If something ever happens, us five will be there for you.

Suzuki: That's reassuring!

Saito: Miu-chan summed up everything just now. I thought the same thing after finishing filming, but I think it was actually a good thing. I would've hated it if any one of us was missing, and I honestly feel that the hard work we all put in over the past year was well worth it.

Suzuki: It's kinda sad that it's over…

Soma: On the very day of the wrap up, I think I was relaxed, as I thought, "Ah, it's over~," but when we actually wrapped up, I was so overwhelmed with emotion, that it surprised even myself.

Miyazawa: It was more than you were expecting, huh? I'm surprised.

Soma: Over the past year, I really saw alot of what I liked about everyone, and it was also really exciting when Zawa-kun joined us halfway through. I really think that the balance between these six people is outstanding, and I think we became such a great team because of all the wonderful qualities everyone has. Thank you so much!

Suzuki: Encountering you all and the time we spent together was irreplaceable, and it'll stay with me for the rest of my life.

Miyazawa: I arrived along the way, where I ended up joining a team already consisting of five people, but they were five truly charming people. We got along well in the drama and in our daily lives, and there was so much that I learned from them, so I want to be the first to say how grateful I am that we were able to do this together for a year. And, while this may be the end of Boonboomger, I hope that each one of us will take the experience we've gained from this production to the next level, and that one day, when the time comes for "all these members to gather," we'll already be capable of aiming higher and attract the attention of many people. That's why I hope you'll still support us and continue to carefully watch over us.

"And now, we'd like to ask Iuchi-san for some closing remarks."

Iuchi: Is it alright if it's abit long?

Hayama Suzuki Saito Soma Miyazawa: Of course!

Iuchi: Boonboomger was my first drama job, and I played the main role of Red. Super Sentai productions are a team effort, so I didn't want to get too worked up about being known as the star or leader. However, in interviews I was often asked, "What's your enthusiasm as the leader?," and in the beginning, I'd go into the set being 90% anxious and 10% excited. Also, I'm the type of person who values spending time alone, and while I don't know if there were moments where they didn't think well of me, everyone accepted me for who I was and treated me in a really kind and friendly manner, so I have nothing but gratitude for that. Recently, I've had more opportunities to hear people say to me, "You've grown in the past year," and while I think that's only natural due to how I interacted with people on set and how the staff guided me when I didn't know anything, the most important thing was that I received so much from everyone I performed with. That said, I do think I've grown over the past year. We were all talking about it before this interview, but even after it's over, I sincerely hope from the bottom of my heart that we can get together regularly afterwards to talk about casual things and spend time together. Finally, I have a confession…….I came to Tokyo by myself for this job, and these five are the first friends I made! Let's continue to get along well!

Hayama Suzuki Saito Soma Miyazawa: That makes us happy!

[risrambles]

possible hot take but lowkey the reason that the hype for doomsday isn’t as high as endgame or infinity war and the the reason it’s getting more joked about is kinda bc they haven’t done much building up to the movies and nothing has really connected like it did in the other phases. like all the movies leading up to the avengers were so tightly woven into that eventual product. then phase two everything led up to civil war and such, and then obviously endgame. but phase 4 and on has jumped around so much and introduced so many characters that it’s like… we know these all won’t tie in. like we get a hawkeye show but neither protagonist is in the cast (yet), we get moon knight and not a character is in the cast (yet), we get she-hulk and not a character is in the cast (yet). they overload it with tv shows and movies that end up being one-offs bc it’s quantity over quality atp. whereas phases 1-3 all lead up to something together, this is just. kind of a mess. and i say this as someone who was in the fandom a lot in 2021 and kinda saw the beginning of the end. and i say this now as someone who loves marvel so dearly.

not saying i don’t think it’ll be good—i think it has potential. but instead of marvel being the epitome of modern superhero storytelling and being considered good media, it’s turned into more of a joke bc people a) hate too much for the wrong reasons b) the movies are actually not good c) we get one good movie or show once in a while that is actually really high quality with meaning that is immediately followed up by something less hype d) the characters are going up against things so much bigger than themselves that it’s just plain unrealistic to the MAX. like sure thanos was a Big Bad but at least it kinda seemed like an avengers level threat. all this multiverse stuff with Not Enough multiverse-level superheroes is wearing on me. not to mention they either kill their best or most interesting characters (aka wanda, who had a lot of potential) or bench them (moon knight). the strongest characters currently in rotation off the top of my head are doctor strange, loki, and sentry (who is apparently in doomsday, so that’s cool!) but honestly other than that it’s all supersoldiers or people with physical skill over the skill and power actually needed to fight god level villains.

i’m not a hater, i promise. i just miss when it wasn’t so unrealistic that it was hard to get past and have a fun time watching. (and i get that it’s movies so it can be unrealistic, but comparing it to the actually decently realist tones of the first few phases it just takes me out of it when i’m watching) it’s probably a part of the reason that people always seem to like ca:tws or the avengers or iron man, because it was smaller scale and it makes sense why it’s only those heroes in those movies. cause why is it just the thunderbolts trying to handle sentry?

take catws. it’s captain america, black widow, and falcon against hydra and more specifically the winter soldier. THAT makes sense. it makes sense why it wasn’t anyone else. it was a small scale threat that can be played off during the movie as a big one bc to the characters in the movie it is and to the ones not in it, it isn’t. the entire avengers team doesn’t have to assemble to fight the winter soldier and they don’t, which is good! Then take wandavision, where it was jimmy woo, monica rambeau, and a few others against the literal scarlet witch who was bending reality, not a single avenger really even tried to stop by. this is a situation where every avenger should have been locked and loaded and ready to step in but it just WASNT.

now remember i say this as a marvel FAN. i love marvel and ive loved marvel since i first watched captain america the winter soldier. i guess im a sucker for old marvel but it comes to a point where even though they’re doing a lot, it’s just like they’re trying too many things at once. i hold out hope for doomsday and secret wars, and i hope they wrap all of these individual projects together nicely, but i dont know. if im going to be honest, im not the biggest fan of the multiverse saga even though some of my favorite projects have come from it.

[dasnercaret]

i had so much fun drawing this guy it's unreal. please observe siffrin from @protectorcraft's fic a bell chimes somewhere!! what a dude. what a lad. what a weirdo (positive)

some more details under the cut! (spoilers for isat and the fic under the cut as well!)

i imagine that since siffrin's creachur form has something to do with wish craft, it wasn't too far-fetched to say that his eye would be colored too, especially given how the sky kid focused on it. however since this isn't his wish to stay with his family, i thought it would be nice to make it a different color... something representing the universe........ Sky Blue It Is

it helps that i am also obsessed with shades of sky blue AND the line from the fic that the sky kid said that it had "everything" in its eyes

i didn't illustrate it, but i think it would be extra cool if creachur siff's eye color changed as per time of day. just because. he's like the eye color version of that one 'do you love the color of the sky' post

i like to imagine that siffrin still has a strange Light in his eyes even when in his human disguise. can't remember if the fic mentions it or not but he has a sky blue highlight in those eyes now in my design. because i can :3

speaking of human disguise, i like to think that even with his transformation he's still not that subtle. mirabelle picks up immediately that he's weird but also that he's friendly and VERY good at survival, and so isn't too bothered by his... quirks. this might end up being canon to the fic honestly but i just wanted to trot out my two cents regardless while i'm here

i'm hoping i managed to communicate some of that off-putting nature in his face! especially his eyes. they're almost unnaturally gray aside from that strange highlight

i originally wanted to make his eyes even weirder but then i thought that being Too Weird would kind of defeat the point, and the point of this is that siffrin kind of has to pass as a normal human which means no glowing pupils, unfortunately. i can totally Give Him Pupils though. gotta get that subtle horror/ creepiness in :3

he gets glowing pupils / tapetum lucidum in the dark though. or when he's angry (see top left). as a treat

didn't draw his in between state (between human and dragon) but i imagine it looks kinda fucked up ! his horn and ears grow, his tail gets longer, teeth get sharper, his whole face sort of. Distorts. in a distinctly uncanny valley way. the blue highlight starts bleeding into his eyes (and his pupils start transforming from round to slit to star-shaped)

continuing, this in-between form in my head is sorta like the dragonkin soldiers from elden ring, just in terms of 'this is a weird hybrid of human and dragon and it just Doesn't Work'. like human, cool, dragon, cool, in between? fucked

siffrin is INSANELY floofy. even with the fact that he hasn't bathed in ages and his floof is all matted and tangled from lack of care he's still crazy soft. i think his fur also has similar insulating properties to his cloak so he never overheats or gets too cold. always the Perfect Temperature

if i were more confident in my skills (and which way this fic is going to end up going) i would have drawn a big hero 6 style moment where everyone is just lying with their face buried in siffrin's fur, like how everyone lays on warm marshmellow baymax.

i originally meant for siffrin to be more cursed and body-horror-y, and then i was looking at the fic descriptions for him (as of chapter 7, so there may be more detail later that i didn't get to see as of writing this) and was like 'wait... he kind of looks like the dragons from BOTW doesn't he' and then the inherent majesty kind of. just. Happened.

i like the fact that he looks kind of majestic though! i think it's a good representation of siffrin's terrible body image issues in this fic where honestly he looks awesome but he just doesn't realize it because, hello negative self-worth

didn't color the last doodles of human siff at the top left. apologies. i got sleeby

in another life mirabelle rides his dragon form into battle and it is exactly as awesome as it looks like it would be

kind of shoehorned my own oc into here as well but i SWEAR aleph is so absurdly similar to this design it's actually kind of hilarious. if i had a nickel for the number of space dragon designs i've made i'd have two, which isn't a lot but

and the full page of doodles! just cause

[synergysilhouette]

"Batman: Caped Crusader" review

Binge-watched this show, and I wanted to be one of many people to share my thoughts on this--plus I was spurred on by getting a wish of mine granted from the show. Make sure to check out the show if you can!

The animation is beautiful--I know this is a weird comparison, but soemthing about the animation reminds me of 2010s Scooby Doo animated films, and I kind of adore that.

The voice acting was...fine--I can't tell if it was poor performances or poor direction; Hamish's Bruce Wayne sounds too raspy/rugged some of the time, like he's still playing Batman, and many of the other actors felt like they were just reading lines rather than performing lines, not enough emotion. IDK if they're more used to live-action work, but voice-acting is a different ballgame, since your voice is all you have to convey the character. A lot of performances fell flat for me, but it wasn't 100% unbearable, just underwhelming. I have some people I'd recommend instead (both familiar to the role and otherwise), but I don't wanna start anything.

LOVED Harley (but not her costume)--Jamie Chung had one of the better performances in the group, and I really LOVED the angle they did for Harley; I feel like the media often flanderizes her as the goofy crazy chick, so seeing her actually utilize her psychology skills (like I've been asking for!) is so satisfying. That said, the outfit has GOT TO GO. Gold and black is gorgeous, but it ples in comparison to her black and red look. And a weird nit-pick; when I first saw the stills, I was under the impression she was wearing a carnival-esque mask rather than face paint, and I find that idea a lot creepier. I wish we'd gotten more of Harley's antics--and even seeing her get close to Bruce in the way she did with Barbara and Renee--before revealing her as a big bad to the public. And I appreciate that she isn't 100% evil; she is doing what she believes is a noble cause, just doing it in an illegal and unethical way. I needed a backstory!

Not enough Batman--Maybe it's just me, but it definitely felt like there were some episodes where Bruce and Batman were supporting characters and more focus was on the GCPD. While I don't mind it too much, I enjoy superhero shows for the superheroes, not the heroes; this is why I had a love/hate relationship with "Gotham."

Batman (and Bruce) isn't quite likeable enough--In earlier incarnations, Batman was more kind and caring before becoming more emotionally closed off with time, but here he's that way from the get-go. Not to mention that Bruce Wayne puts on a facade around everyone, even people he trusts (he probably did that anyway; I can't remember), and his session with Harleen really frustrated me because I don't expect his walls to come down immediately, I don't expect them to be this high this early. I wanted him to be a bit warmer and transparent, rather than curt and cold like he's usually seen in the show. I feel like this is an issue often seen in comics, too; people prioritize Batman's "coolness" and thus push his feelings to the wayside.

Using underrated and familiar villains--I'm sure the real experts are gonna chew me out for this one, but as someone who got into comics in the 2010s and didn't catch up on the acclaimed 90s series, it was fun to see villains I loved and villains I didn't know; one of the best things a popular property can do is use underrated characters, since it helps the show feel original and fresh (thus why "Teen Titans" is so enjoyable; the whole franchise is underrated).

Too modern for the 1940s--I can't put my fingers on it exactly, but the vibes feel too modern; I assume the 1940s was for aesthetics, but since everything else feels updated (from the way people talk to Harley and Renee seemingly being open about their feelings for each other), I don't think it was a wise choice to have it both ways. I see no reason not to have it in modern-day, but I suppose you'd have to get more creative with technology.

Barbara and the Robins--First off, I should've gambled with someone that Jason would be a redhead; I'd have made SO MUCH money. Secondly, I'm not crazy about how all four kids are orphans; If I recall correctly, both Carrie and Stephanie's parents were alive when they joined the Batfamily. In any case, I'm confused on why Barbara is significantly older than them when they're all supposed to be within the same age bracket (I think; someone has told me otherwise since posting this, so I could be wrong). Not to mention, a part of me worries that because of the quartet's young ages and Barbara getting so much screentime as a lawyer, we won't get any of them as Robins or Batgirls unless something drastic happens, and/or we get a time jump.

Overall, I think my biggest gripes are the voice acting and how Batman/Bruce Wayne is written. That said, I enjoyed the show overall. IDK why HBO Max dropped it. Hopefully season 2 will introduce Poison Ivy, Catman, Tim Drake, Ghostmaker, and Gardener, since the finale already showed us a certain someone who IS coming to Gotham.

[white-wolf-buckaroo]

Chapter 6: Goodbye, Emily

This is probably one of my favorite chapters, and also one that broke my heart while writing it (it didn't help that I was listening to the Monsters Inc soundtrack while doing so, especially Boo's Going Home). Check out the full hearbreaking playlist for this fic here!

Word Count: 2500 ish

Warnings: it's giving Sully leaving Boo, iykyk

Fic Masterlist here!

Age 7

Summer came, and with that, the rest of the half-bloods.

Luke and Annabeth had been at camp for a bit longer than a month now, and they had settled in pretty well; after the initial turmoil of Thalia’s demise, life at camp went back to normal, and before they knew it, summer had arrived.

Emily had gone back at training with her siblings and some other demigods from various cabins, but she purposefully kept her distance from Annabeth; unspoken tension lingered between the two, and they avoided direct confrontation in the arena. Luke was an excellent swordsman, though; apparently, he and Thalia had been on the run for a long time, and he was experienced with combat fighting. His presence, and his skills, were a constant reminder of the dangers lurking outside of camp.

That summer, though, Thalias’ sacrifice and Annabeth and Lukes’ arrival wasn’t the only big thing to happen to Emily: every year new demigods arrived for the first time at camp, and this time, a young girl, around two years older than her, made it to camp, accompanied by a satyr named Gleeson. Her name was Clarisse La Rue. Claimed by Ares, she was Emily’s older half-sister.

Maybe she couldn’t be friends with Annabeth, but she had now a new sister!

Clarisse settled in their cabin in the morning, and in the afternoon she was already training with her siblings. Emily had flying class that day, and although she was super excited to meet Clarisse, she loved the Pegasi too much to miss out on riding them.

At dinner, the tables were once again full of demigods, all of them gathered for the summer. Emily loved it. Clarisse was there too, on the opposite end of the table, and she seemed to be fitting in nicely, which Emily thought was good. She was a bit louder than Emily, though, and she also seemed a bit harsh when another camper, a son of Hephaestus, accidentally pushed her while walking by; he apologized, but Clarisse’s face still looked angry.

They all sang songs together by the campfire, and Emily felt like the weight of loss on the shoulders of everyone who had been there when Thalia died lessened. That night, she dared to sneak out again; she hadn’t done it since the night Annabeth and Luke arrived, but she felt better again, and so she went outside to look at the stars.

What she didn’t expect, was to see her father that night.

Ares materialized in the quiet darkness, his form merging with the shadows; he never visited Emily during the summer (too many children around for his liking), but at night, with her alone sitting on a rock by the beach contemplating the stars, he thought otherwise.

He was starting to go soft on her.

“Anything interesting up there?” Emily looked at him, her whole face lighting up, and an instant smile appearing on her lips “Is there seat for one more?”

Emily moved to the side a bit, allowing her dad to sit down. She remembered then their last encounter, when he told her to not be friends with Annabeth; he didn’t seem mad at her now, so she guessed she had done good. His approval was everything that mattered to her.

“Don’t you get tired of sitting out here, all by yourself?” he knew of her little escapades, for a long time now. She always sat outside, even in the colder months, looking up at the sky.

"I like the stars. They keep me company" she said in a hushed tone "They're all sparkly, shiny… and they've been twinkling for, like, thousands of years! Chiron tells me their stories, often, and one day… I wanna do something super cool like the heroes from the stories, something… so brave like what Thalia did, so that when I'm not here anymore, my spirit can go up to the sky and turn into a brand new shiny constellation”

You didn’t hear stuff like that from Ares’ kids very often.

They were children of war, not poets or dreamers. Yet Emily’s yearning for heroic deeds, echoed something familiar to Ares – the desire for glory in death, to be remembered as a warrior… that was a fighter’s last victory, and it was something else she had also inherited from him.

“Look, that one looks like Chiron!” she was pointing at the sky, at the Archers’ constellation, which certainly looked like a centaur. Ares hummed, looking up as well; he never looked at the stars, not anymore. Why bother, if they looked the same as thousands of years ago? “He knows a lot of things. And he teaches me a lot too”

“Seems like that old centaur has been keeping you busy, huh?”

There was a sense of… ease, between them. They felt comfortable with one another. That was something Ares hadn’t felt with his children in a very, very long time, not since he withdrew from their lives. Whatever it was that drew him so much to Emily both intrigued and unnerved him. It scared him like nothing else could. Feelings, attachment, love… emotions were dangerous in war. They could be lethal.

But they were also the very essence that fueled one’s determination to keep fighting.

“Oh!” Emily looked back at him again, having remembered something “Guess what? I got a new sister today!”

She told him about Clarisse, who had arrived that morning. How she had already began training with them all. How she had seemed to settle easily among her siblings. Ares knew, of course; he had claimed her after all. That girl was different to Emily: she embodied the typical traits associated to him, and that most of his children had. He had seen her fewer times than Emily, and he wasn’t really interested in seeing her again anytime soon. She didn’t spark anything remarkable inside of him.

Ares listened to Emily talking about her new sibling, his stoic expression revealing little of the thoughts swirling within him; she expresses joy at having another sister, the news however, didn’t elicit the same enthusiasm from her father.

“That’s great, Ems” he responded, although he didn’t really mean it; he didn’t really care, to be honest. His face was neutral now, not really showcasing any emotion – there was a stark contrast between what he felt when he thought of Emily, to when he thought about his other children, and he was starting to become aware of that.

“She’s more like my brothers and sisters than me, though. She seems tough, and she’s loud. I think you’ll like her. Maybe you could come one day and meet her!”

Ares felt a sudden pang, a subtle discomfort, that made him want to disappear that same second. A crippling, uncomfortable feeling on his limbs and his chest, that made him clench his jaw and his muscles tense.

Emily’s innocent anticipation of him confirmed his fears. He sensed her growing attachment, her yearning for connection, which was something he had encouraged himself with his visits, and her believe that these sporadic meetings were something normal, when it was the opposite. It sparked an uneasy realization.

In that moment, Ares had to choose; if Janus had showed up that instant, he wouldn’t have been surprised. He couldn’t meet Emily’s expectations… and he was convinced that not even trying he would reach them – they were so high as the stars above them.

As the god of war, he had spent millennia cultivating the image he uphold even nowadays: ruthless, strong, an unyielding force indifferent to softer aspects of existence. He embodied the cruel moments of battle, where there was no sanity, but only raw emotions and an instinct to survive, to fight, to kill, and to thrive. Emily’s presence challenged this self-imposed narrative, the very essence of his divine existence.

She was still pure, and he could understand her eagerness for a real father-daughter relationship – he’d had that same feeling once, when he still believed Zeus could be there for him not only as a king or a ruler, but as a parent. For Ares, the idea of fatherhood clashed with his persona as the god of war, and the vulnerability that accompanied it was a territory he was unaccustomed to navigating.

The realization that Emily expected more from him than what he thought he could provide made him decide to distance himself for good. These sporadic visits would only encourage and enliven the idea she had of him, which was something he didn’t see himself as: a father.

He would end up disappointing her. He knew that it was inevitable. In his divine logic, a clean break seemed a safer option. So even if it pained him… he would ignore those feelings, and move on. He couldn’t be the father she sought. The remains of what he felt would vanish in time, and in a few centuries, he wouldn’t even remember them.

At least, that’s what he told himself, not entirely convinced.

If Emily’s mother was still around, everything would be better. She had been nothing but perfect to raise their child, in his opinion. Now without her, he didn’t know how to be the only parent Emily had left. He was… scared of ruining everything, so he’d step back. It was the best option.

He’d never stop caring, but he couldn’t stay by her side. Not anymore. For her sanity, and his own.

“You should go now” he said, looking at her little face. She resembled him, kind of. Every day that passed he saw more of himself in her than he thought was originally there “Warriors need their rest”

“But I’m not tired” the yawn that followed said otherwise. Ares didn’t hold back his chuckle.

“Oh, really?” she nodded, but another yawn came to her.

She then did something that made his heart skip a beat: she slid to the side, resting her small frame against his arm, and started playing with his fingers, tracing the patterns of little scars on his skin, and fumbling with one of his rings.

“I miss Mommy” she mumbled “But I’m happy to have you, Daddy”

She insisted that he accompany her to her cabin, since he’d never been there at night, and he gave in; he made darkness surround them, hiding them from anyone who could still be up and see them, but Emily didn’t seem to notice as she pulled at his hand in the direction of the Ares cabin, giggling. He found himself tucking her in, something he never thought he would do; she clutched that stupid teddy bear to her chest, smiling sleepily at him, in a bubble he created so none of his other children would see him. He didn’t want to deal with that.

“All set?” it was certainly an unfamiliar task, even slightly awkward for him, but he easily draped the thin covers over her, shielding her from the fresh summer night air, and she seemed content enough. He didn’t relish much in the feeling of making her smile, though - it was time “Goodbye, Ems. Stay strong for me”

“Can you stay until I fall asleep? Please, Daddy?”

“No, kid. Daddy has to go”

She sighed, fighting back tiredness. Oh, his little warrior.

“Goodnight, Daddy” she lifted one of her hands, and rested it briefly against one of his cheeks. She fell asleep a few seconds after, hugging her teddy bear off to dreamland, mumbling one last ‘love you’ before completely succumbing to sleep.

Ares stood up quickly, not bearing to stay there any longer. He may think this was going to be a clean break, but right now, it felt rough, sharp, and bloody. He made his way out of the cabin, off to the night, but he halted in his step one last time, looking at his hands; Ares could still feel Emily’s fingertips tracing the skin on his own fingers, playing with one of his rings.

Taking off said ring, he snapped his fingers, and made it disappear. It didn’t vanish, though, no. It appeared on Emily’s camp necklace, resting over her chest alongside the bead she had acquired last summer. With that, Ares left camp half-blood, for good this time.

Things didn’t get better for Emily from then on.

The sister she had thought could be her friend, turned out to be uninterested in her, rejecting her for her youth (she was only two years older than Emily, but that seemed to make a huge difference, being so young), and also because she wasn’t as rough as most of their siblings. She just wasn’t how Clarisse thought Ares’ children should be; Clarisse proved to be a stark contrast to her own demeanour, and while Emily cherished the gentle moments at camp, Clarisse, embodying the more traditional traits of Ares' children, sought intensity, sharpness, and harshness.

The dynamics within the Ares cabin began to shift as well. Her siblings, once fond of Emily's sweet nature, now gravitated towards Clarisse, recognizing familiar traits in her that resonated with their own. The demigods outside the cabin acknowledged Clarisse's formidable temper, making it clear that she wasn't to be underestimated.

Initially, Clarisse struggled to accept Emily as her sister. The stark differences between them, from their personalities to their approach to combat, baffled Clarisse. While Emily displayed skill in the arena, it wasn't enough to bridge the gap between the two sisters. Emily found herself grappling with the shifting dynamics, losing favour with her siblings as Clarisse asserted herself as a formidable force within the Ares cabin.

There was this one time where Emily asked one of her older brothers if he wanted to go to the strawberry fields to help the satyrs collect the harvest, like they had done the previous summer, but then Clarisse got in the way, laughing at her for wanting to do something as mundane as that.

“It’s fun, though” replied Emily “And last time they gave us extra strawberries”

“Oh, yeah, that sounds like something Ares would love seeing his children do” Clarisse snorted, and she nudged their brother, who still hadn’t answered Emily; he was older than both girls, but not as harsh as Clarisse, and she intimidated him “Do you want to go pick up some strawberries like a little boy? Or do you prefer to go to the arena and fight some Hermes kids with spears?”

He looked conflicted, until he sighted, shaking his head no to Emily’s direction.

“Maybe next time. Have fun, though”

The Ares cabin, once filled with warmth for Emily, became a battleground for dominance, and Emily found herself on the outskirts.

Clarisse reveled in the admiration she received from her siblings at her fighting skills, whereas Emily struggled for the first time to reconcile her own identity with the expectations placed upon her as a daughter of the god of war. She sought solace in the familiar embrace of the night sky, fiddling with the ring her father had gifted her at the beginning of summer, tracing the braided metal, memorizing every quirk and curve.

Her father didn’t show up anymore, not even when she was outside alone, at night; she hoped that at least then he would appear, but nothing happened. The very last day she had been truly happy, was when she had last seen him.

She remained hopeful, though, thinking that probably in autumn, when most of the campers went back home, he would visit again. Until then, she would wait for him. She would be strong, like he wanted her to be, and she’d resist. She could do that until he’d come see her again.

Little did she know, he would never visit her at camp ever again.

----

Taglist: @strawberryys-stuff@ladysybilchronicles@kyuupidwrites@nhloversblog@beansficreblogs@priyajoyyy@zeeader@lightsgore@gengen64@holb32@therockywhorerpictureshow @jasontoddorjasongrace @lflores2008 @mymelodymia

[in1-nutshell]

Hello! Another request from Beast Wars

Blackarachnia's twin sister and and who ends up dating or in a relationship with Waspinator later on?

Blackarachnia and her twin were the closest twins. They also have similarities like having skills/abilities, spider beast mode, etc. However, they also have differences.

Ex. Blackarachnia is known for being a sultry femme fatale, smart, sly, and dangerous, being a bad girl. while Buddy is kinda sultry-but-moral(?), has a calm/cool demeanor, honest, quick-witted/intuitive, selfless, and compassionate (or kinda like Jessica Rabbit from Who Framed Roger Rabbit movie)

Also Blackarachnia's twin and Waspinator's relationship/dynamic is pretty much like Jessica and Roger Rabbit

Thank you and also remember to take breaks and care for yourself!

I can see that the 'Jessica Rabbit and Roger Rabbit' dynamic is a common one so far.

Not complaining though!

Waspinator deserves all the hugs he can get!

Hope you enjoy!

Blackarachnia's twin sister dating Waspinator

SFW, Familial, Romance, Cybertronain reader

BW

The two were infamously known as the ‘Spider Twins’ amongst the two factions.

There was the first twin, Blackarachnia.

The femme fatale.

The bad girl.

The master manipulator who spins her webs of lies to have the odds in her favor.

The spider who accidentally managed to fall in love with a Maximal.

Then her twin sister, Buddy.

The femme fatale.

The morally grey/ the-only-Predacon-who-seemed-to-have-some-part-of-her-Maximal-code-in-in her.

The spider who was kind and had fallen helm over pedes with a Predacon.

Strange how things worked out.

Blackarachnia and Buddy spying on some of the Maximals from behind a boulder. Buddy smirks a bit seeing her twin’s gaze stay longer on the Maximal who had wormed into her spark.

Buddy: “SO, how is the whole talking with Mr. Hero working out?” Blackarachnia gives her a halfhearted glare: “Please Buddy, I don’t love him or anything. Its just fun to mess with him.” Buddy: “I never said ‘love’.”

Her twin stiffens a bit suddenly noticing her slip.

Blackachnia: “Well, what about you and that pathetic Waspinator? You don’t seem to be hiding that dirty little secret.” Buddy blinks a bit before turning to her: “Wait, do you think I’m hiding that?” Blackarachnia now turning to her: “Of course!” Buddy: “I already confessed.” Meanwhile with the Maximals… Silverbolt: “I think I can hear My Lady!” Rattrap: “You said that last time we were on patrol.” Silverbolt: “I can see her!” Rattrap: “I think you need to get back in the CR chamber pal. This heat is brutal.” Faint sounds of Blackarachnia screeching at Buddy are heard in the background.

Blackarachnia does not know what her twin finds in the weakest Predacon in the faction.

Fully believes that she can do better.

… but with the given, it is going to be hard to weed the best out.

Has given him The Talk multiple times without her sister finding out.

If this is what her twin is going to settle with for now, Blackarachnia is going to make sure that he treats her right.

She quickly finds out his treatment wasn’t going to be an issue.

Buddy is laying down on the berth with Waspinator on top of her. Her servos gently playing with his antennas. Waspinator was just looking at her as if she painted the sky. His servos wrapped around her middle.

Blackarachnia: “This is sickening.” Buddy lets out a yelp of surprise as Waspinator quickly let’s go and points his blaster at the intruder. Blackarachnia is leaning on the door unimpressed. Buddy: “Blackarachnia!” Blackarachnia: “Calm down I just came here for the screws. You two can continue with… whatever that was.” She closes the door. Waspinator huffs putting his blaster away and latches onto Buddy pulling her close. Buddy just giggles a bit before snuggling closer to the bot.

When news got back that Blackarachnia had defected, Buddy knew she shouldn’t have been surprised by this.

She could bet her left pede that Silverbolt had a play in her defecting.

Her betrayal led to many pointed glares and rude comments thrown at her around the Predacon base.

Waspinator now refused to let her out of his sight in fear that Megatron or one of the others doing something to her.

The first few nights without her twin, Buddy spent it in Waspinator’s room crying as he attempted to consol her.

Waspinator was sitting on the berth holding Buddy in his lap.

He could still feel the left-over tears on his shoulders.

Waspinator: “…if Buddy want to go with other spider bot… she can.” Buddy looks up at him in disbelief. Buddy: “What?” Waspinator looks down a bit sad: “You not happy here… happier with her around… Wazpinator help you escape—” Buddy: “No.” Waspinator turn to look surprised: “No? But you sad…” Buddy: “I am NOT going to leave you here by yourself. Where you go, I go. I do miss my twin… but I’d rather stay here with you than go somewhere else without you. Waspinator tries to talk but only choked on buzzes and a sob. Buddy pulls him closer, crying again. Waspinator reciprocates holding her like his life depended on it. Hopefully things would turn up for the best…

[guster-animations]

Gavv Episode 19 Production Blog

i can’t believe i fucking called it

this one might have been rushed, please point out anything if it looks weird

TOKU TRANSLATION MASTERPOST HERE

taken from this website

Looking at the Next Episode

Lage9/Vram’s true motive has been explained in episode 19. I also wrote this last episode, but the kindness of Eitoku, playing his Granute form, showed itself in the flashback scene. He’s changed the character to so much… We’ll continue to learn about Vram. Next time, have Shoma’s words reached him? They break into the Granute world and the Dark Snack factory.

“Gavv’ began its first episode with Shoma coming from the Granute world to the human world. Remember the space with a lot of doors? “If we’re going to do an infiltration, we have to have Director Sugihara who directed the pilot do it!” It’s a long-awaited Teruaki Sugihara episode. We needed to figure out a way to show the unknown world of Granutes while also having action. So, sorry it took so long! A new pink Vram form will be seen. What kind of attacks does he do when he changes forms? What changes? Action Director Fujita and Director Sugihara both focused on this and made it explosive.

While episode 20 takes many breaks, it also has a lot of starts. I’d definitely like you to watch it in real time.

(Written by Naomi Takebe)

The Episode in Short

Thank you for watching episode 19! Director Sugihara has already made his fourth round. And next week they’ll finally break into the factory! The big developments will continue.

He’s being instructed how to take his helmet off in a cool way. Hidekazu Chinen, playing Shoma, had a hero-like expression on his face. (He’s dead-set…)

Rushing Into Suga’s Laboratory!

The freelance writer Mr. Karakida has took a hit in the last scene and lost consciousness into the next week several times now.

Gavv: (Oh no, it’s already 9:27? This can’t keep happening…!

It’s great that humans can even just fight and survive, even when already strong Granutes are transforming and giving them a beating. I want to celebrate his guts and toughness.

Gavv managed to come in and save Hanto from Vram’s follow-up attack, and carried Hanto away with the Gochizos’ help. For the first time, Shoma enters the laboratory of our good acquaintance, Suga!

Shoma first encountered him in the early stages (he also silently kidnapped Gochizos!), but this is the first time he’s heard about Suga being a Granute researcher and having created Valen.

Shoma investigates someone who doesn’t know what or how much he knows. Meanwhile, Suga has a domineering and peculiar way of speaking where he can destroy the other person’s rhythm while still being clever and cool. I was utterly amazed at how Shintaro Asanuma, who plays the role, completely showed off all of his various skills, large and small. Last time the aloof Lage9 was in here, he livened up the small laboratory (Laughs).

This episode, when he touches Shoma’s shoulder, it feels like there was some sort of disturbing movement of the fingertips… surely it was nothing, right?

Hanto’s feeling better already!

A Floating Jellyfish and a Red Gavv

Lage9 is choosing his next hunting ground.

Oh, that’s a good place to look.

At the script meeting, otherwise known as the human world invasion meeting, we decided “let’s have it be a university this time!”, but he had to walk around the campus until he reached the lecture hall, and it was difficult to do so while wearing conspicuous black work clothes (work clothes?!)… so we made up a setting for a school with many fashionable students that are learning about clothing.

(He was just wearing that vest, so he should go in that outfit! But we couldn’t keep that promise. He might be thinking, “I was wearing these clothes when Lango ordered me to work!”. He’s very conscientious.)

Lage9 looks glad that he managed to safely enter without being seen.

Toei Tokusatsu Fan Club members participated as extras during filming. While there’s still some information we can’t share, we’re very sorry for injecting you with Wonder Happiness poison!

[fun fact: i think someone here leaked the existence of vram]

I'd like to take a director's cut division course…

And now Shoma marches in, and a competition filled with tension unravels.

Chinen was a little bit nervous before doing this scene with a lot of extras, and this time, the movement before transforming was a challenge for him! He was blown away, stuck in a chair, and did his best to complete the scene with so many eyes on him!

This is the scene where Lage9 (thinking it was a belt!) tries to rip Shoma’s Gavv off of his stomach.

Ah— visitors, please don’t grab each other there! (Laughs).

This scene where Chinen’s body is held up was actually filmed going up and down. The sequence was made by Eitoku, Chinen, and the people hanging him up working together in harmony.

He was also sliding, running and falling, being raised up…

The tension of not being able to make many attempts at a cut with a lot of tricks was seriously felt in the situation.

Even in the confrontation after the transformation, the colors of Director Sugihara and Action Director Fujita are on full display, as they use vertical space and letters as shields! The action is full of energy.

Also, judging by Lage9’s reaction, it seems like Shoma’s Gavv is such a different kind of Gavv that Granutes can’t recognize it as one either. Every time Shoma’s called “Red Gavv”, he becomes more alienated… that must be horrible…

The Wavering Pudding’s Bittersweet Memories

The person who transforms into Kamen Rider Vram. He’s called Lage9, but that was just his codename for the job. His real name is “Rakia Amarga”. There are many characters in Gavv who have characters for different tastes in their names [Karakida, Amane, Shioya, and Suga have kanji meaning spicy, sweet, salty, and sour respectively]. Amarga means “bitter taste” [Spanish word for bitter].

And he had a brother named Comel. His suit actor is Mutsumi Igarashi, and he is voiced by Kazuomi Yamamoto. He exudes cuteness even in the photograph. And the voice is cute too! And kind!

An obedient subordinate caring for his senior A loving younger brother who is also using an electric fan (Laughs) [?]

The dull Rakia was once an ordinary person. Eitoku’s excellent acting was full of warmth. He speaks with such a kind voice towards his cute brother?! How cunning… It’s one of the true pleasures of tokusatsu to make one character with depth from the performances of two people.

Oh, also, “Start Up!! Kamen Rider Vram”, containing an interview with the two people portraying Vram and a recording of Kohei Shoji’s first day on the set, is now available on Toei Tokusatsu Fan Club! It’s full of explosive conversations about the approach they take to the role and Vram’s unique charm, so you have to check it out. Eitoku and Shoji also talk in the audio commentary for episode 18, so don’t miss out on that, either!

The bread of the Granute world looks rock hard (Laughs)

The life of the once cute and kind Comel has gone horribly wrong, and the only clue to who took his life are the words “Dark Snacks”.

Rakia followed that clue and finally arrived at the Stomach Company. However, as if it were a streamlined process of part-time employment, he is simply being put along the same route that Comel seems to have followed. The fact that he was given the power of a Kamen Rider is a treatment that no other Granute has received, but it also seems to be binding, doesn't it? There is no certainty that he’ll find the truth by carrying out either Lango’s work or the secret agreement with Nyelv, and perhaps it is his own current situation that he finds to be the worst.

And, in the last half of episode 19, his past and his current emotions suddenly come to light, and it’s mostly acted out by Eitoku. Every scene, he would act really considerately from the program (on-set rehearsal) and afterwards.

Chinen responds with an enthusiastic performance brimming with soul, and his words seem to have reached Rakia’s heart.

And then Eitoku passes the baton back to Shoji. He has a dependability that Eitoku can trust him to do it a certain way, grasping a good sense of distance that the role of Rakia has.

He watches over Chinen on the set, and occasionally supports him by giving good advice.

Director Sugihara saw a chance for a moment of brotherhood in this exchange, and had a moment where Rakia sees Shoma as Comel for a brief second in the scene.

Now, what’ll you do, wavering pudding (this was actually written in the script before the name Vram was decided on, haha)?

(Written by Minami Takishima)

[cheriladycl01]

Quirk #9

Here is my ninth quirk idea! Feel free to use this in your fanfics (just give me credit if you directly got it from me) obviously I know however I’m not the only creative person in the world and that some people may have also had these ideas before me!

Quirk: Vanish

She can make herself or anything else vanish in different ways.

This entails:

- This would be an incredibly strong quirk that would just keep growing and growing at every pivotal point. It would start of with simple vanishing techniques such as Invisibility and Teleportaion. Both having the impact of vanishing.

- Then they'd be able to make others and objects invisible or teleport.

- A quirk awakening would or could consist of the user being able to make themselves vanish from the current timeline which could help with fighting. There could also be mental manipulation in respect of making someone think that they arent actually there.

Weaknesses

- They can only teleport to out of eyeline of the person intended, even if its not a place they can see, but this is a weakness in itself as they cant control where they teleport.

- Cool down period on using their quirk as its very versatile but certain ones like invisibility will have a time limit on them.

- When it comes to making themselves unseen by certain people there would be a limit of how many people at once.

Strengths

- Its a very versatile quirk that you could develop with intagibility to make them 'vanish' from the physical plane etc.

- Her quirk would be useful in a lot of scenarios whether that be combat or rescue. Stealth however would be an great route for them.

- She's one of those where you could make her like the user of Twin Impact whose given an incredibly useful and cool quirk but just doesnt know the right wats to use it and thats her development getting stronger with the use of her quirk. Theres so many different routes you could go down with this quirk.

Hero Name: The Unseen Hero: Poof

Zodiac: Sagitarius

Ethnic Background: Japanese/ Austrian

Height: 5ft 7

Weight: 163ibs

Style: Grunge

Physical Traits: She has little sparkles on her skin whenever she uses her quirk and she hates them. Thinks they make her look too girly.

Mannerisms: She’s very cool calm and collected so she isn't one to rage or yell and so she has these long blinks when shes listening intently to someone.

Favourite:

Food: Ice Cream (Specifically Pish Food)

Drink: Oasis Citrus Burst

Colour: Purple

Weather: Clear Skies but Colder

Possession: Her electric guitar

Morning Routine:

She does NOT do mornings, she hates them with a passion and most of the time will be rushing after eventually waking up to alarm number 13 knowing she'll be late if she leaves any later.

Hobbies:

She would 100% consider sleeping or napping as a hobby.

Special Skills:

Very good at practical things like cooking and remembering fine details

Pet Peeves:

Being too woke would piss her off even though she is also the type to comment on titkoks 'this pmo' or 'flying cars they said' and she'd defo troll people on the internet.

Bad At:

She isn't very creative and so struggles to think on her feet and doesn't use her quirk to the best of her ability which would be a really major plot point for her to work on.

Biggest Fear:

The Ocean

Greatest Flaw:

Like said before she isn't very creative and doesn't think well on her feet, so its sort of like when a plan is made she's groovy but when spare of the moment decisions.

Goals:

To become a great hero who doesn't need to rely on others.

Who I see them with:

Guys - DEKU, Dabi

Girls - MOMO, Midnight

[crystal-moon-101]

-Joshua Armstrong- The 14-year-old son (Demiboy) of Helen and Manny, along with being Becky’s younger sibling. Joshua is a very rare case of a child of two hybrids inheriting the same side either parent has, in this case human. He certainly sticks out within his family, especially given his sister was born fully alien. Many expected Joshua to feel like an outcast within his galactic family, something his parents were very worried over. But Joshua is kind of just a chill guy who cruises through life. Enjoys music and skating, he’s never seemed to have an issue with his genetics. Even has a cool relationship with his older sister, very casual in their dynamic.

-Archer Redwind- The 10-year-old son of Looma and Ackhill (OC), and younger brother to Aife. Archer is a delightful young boy, with a lot of energy to spare. A little too much at times, as he has a habit of running into danger without thinking, but it is to be expected in Tetramand culture. He idolises his sister, and is her number one cheerleader. He’s eager to be a war hero like her, that he has trouble understanding he still needs time to grow up. -Taha- The adopted 24-year-old daughter (MtF) of Tini and Synaptak. When the Galactic Enforcers opened up try outs for new members, the three leaders were surprised to see a 13-year-old among the candidates. Upon talking to them, they learnt that Taha was an orphan who ran to the try outs the moment she heard, having been a big fan of the heroes for as long as she could remember. It didn’t take long for Tini to scoop up the little fish, claiming she only wanted to “mentor” the next generation of heroes, but everyone knew she had practically adopted Taha, much to Synaptak’s dismay. But he warmed up to the kid when seeing her smarts and bravery, bonding over their mental powers. Taha is a bright star among the Galactic Enforcers, a beaming hero with a golden heart, even if she can be a little cheesy in her mannerisms.  

-Valentina- The 25-year-old daughter of Rojo and Azul. Valentina came about during a time Rojo and her gang decided to change tactics in their life, finding a place for themselves in Undertown after helping out a couple of homeless folk or runaway families in need of help. Turns out they had a calling beyond being robbers. Opening up a shelter, Rojo and her girls focus on helping the weak in need, mostly abuse victims or young kids. Now Valentina and her own friends help run it, Valentina often out and about keeping danger away, like sketchy folk hanging around Undertown. She has the local nickname “Espina De Rosa”, and many do not like dealing with her, as it’s best to avoid her temper. She’s a spiteful woman, and loves sticking up for the weak, even if she goes a little overboard. 

-Isabell- A 23-year-old Human/Arorenda hybrid woman. Bell’s family used to be members of the shelter until they got a better path in life, but Isabell always kept in contact before joining when she was older, being a close friend of Valentina. She’s a beauty in Undertown, and commonly gets a lot of flirty looks her way, and she holds herself with confidence and being polite. It leads to some underestimating her, but when needed to she is quite the skillful fighter, using some of her fire to send a few messages to those that don’t take her politeness as a chance to back away. She connects with a lot of folks in the shelter, many of them feeling safe talking to her.

-Helga- A 26-year-old Human/Shocksquatch hybrid woman. Helga met Valentina in Undertown during a scuffle she aided in, eventually joining the shelter as she found it a good way to express her energy in a helpful way. Helga is playful, but also intimidating without realising it. She’s not always the brightest of people, but her strength helps a lot in keeping the shelter up and running. She’s known to be an escort for people who don’t feel safe alone, and always has a sense for danger that others might miss.

-Charlie- The 16-year-old kid (Genderfluid) of J.T and Sabrina (OC). Known for being tired and done with everything 24/7, Charlie just wants to work hard and get through school without any issue to live a reasonable life. Sadly, they’re best friends with Sereia Murray, and thus has to be the main brain cell holder of the two. In a world of constant world threats and endless space, Charlie thinks it’s none of their problem, but the world seems to disagree. But it’s not all bad, and Sereia is at least a genuine friend despite the chaos she brings.

-Briley- The 16-year-old adopted daughter of Emily and Jon (OC). Briley's family history isn’t the most cheerful, her original parents, and human and lewodan, spent quite a bit of hospital money to have her, only to realise that parenthood was nothing like they thought it would be, and thus gave her up. Briley loves her current parents, and will forever be grateful for them taking her in, but whether or not the truth of her birth still stings she never talks about. Growing up, Briley was Thea’s childhood best friend, the girls did a lot together and never seemed to have any issues. Until they had a massive falling out when they were 12-13 that they never talked about again, and everyone watched the two drift away. Briley now studies at a prestigious school, focusing on her work and moving up in her life. She can come across as uptight, but really it’s a sense of proving she can make it in this world.

-Cotopaxi- The 20-year-old daughter of Vulkanus and Krakatoa (OC). When Vulkanus needed a place to hide away from the cops, he stumbled upon a lady named Krakatoa. He somehow managed to swoon her, moved into her place, only to get kicked up when she learnt the truth of who he was. Cotopaxi was born later, and since then has been trying to live a life without her father. Sadly for her, Vulkanus tries to be in her life, but is a lousy father as he just can’t change who he is. Giving the bare minimum for child support, and every birthday gift he got her ended up being something stolen she had to return. Now as an adult, Cotopaxi is leading a successful life researching rocks and minerals for places like Galvan Prime, but still has to deal with her loser father trying to be a part of her life.  

-Sinen- The 17-year-old apprentice (Nonbinary) to Sunder. Sinen is a loud, bombastic lad that has a fantastic time living life on the edge. It seems strange for someone like Sunder to have taken in a kid that is so out there, but he’s actually a pretty good teacher to the excitable bat. Sinen is basically the close friend to Oneone, the two spending a lot of time blowing stuff up. When they heard Oneone was forced to join a Plumber team to “work on his behaviour”, Sinen thinks it’s the funniest thing ever. Though a part of them does secretly think this might help their friend, knowing Oneone has been having identity issues for a while.

-Rook Mar- The 9-year-old son of Rook Shim and Dasht (OC). Mar is one of Rilla’s cousins, and is the eldest of his siblings. He has three younger sisters, one newly born. He strives himself to be the best big brother, and has a habit of trying to act older than he actually is. But he is a sweetheart and very responsible for his age. Though as he grows, he finds himself curious about city life rather than country life. 

-Me'alla- The 20-year-old child (Agender) of Viktor and Liesl (OC). Me’alla takes after their father quite a lot, being a hard working genius, though lacks his darker background. Given his history, he has made sure to teach his child to be kind and more open to the world than he ever was, leading them to be a wise young adult. Me’alla has even become a teacher for the young children of the Anur System, having a lot of patience, no matter the crazy thrown their way. Though Me’alla is a little protective of their home, and will be quick to jump to it’s defence no matter the danger it puts them in.

-Satis- The 17-year-old daughter of Set (The Mummy) and Nephthys (OC). Satis is mute just like her father, though has better communication with others via local sign language she started learning when she was very young, and is more people friendly than her father is. That being said she can be just as quiet and calm as her father, a drifting shadow on a mission. This eventually led to her becoming the bodyguard of a young prince to one of the royal groups around her homeworld, Prince Atbek II. She takes her job seriously, even if she can be a little too intense at times.

-Prince Atbek II- The 14-year-old prince to the royal family Kha’Sahur. Due to his upbringing, Atbek is very proper in his mannerisms, having held himself high since the moment he could walk. He’s so used to his lifestyle that he can sometimes be a little oblivious to it, an inside joke among his friends. He’s an old friend of Etherea’liss, being the one who pays for the group’s letters to her while she is out training with the Plumbers. He is very keen to see her build bridges with the galaxy, as his political side sees the many benefits through this.

-Cerebell Uzz & Stalwart Uzz- A pair of 13-year-old Transylian twins. Another pair of friends from Etherea’liss home, the pair are known by the locals as being kind of insane, as their method of research and learning always goes above and beyond what it normally should. Property damage is to be expected from them. But they mean well, and are loving people, just getting a bit too far in their own brains to realise the consequences they may create. Cerebell is a little more crazy than her brother as she happily chooses to be the test subject 99% of the time, while Stalwart at least has some form of safety measures to not kill his sister.

-Mosbach, Freki & Dira- The 16-year-old children of Baskerville (The Werewolf) and Lupercal (OC). Each sibling is rather distinct in personality. Mosbach (FtM) is the most reasonable of his siblings, often keeping his sisters in check. He likes collecting things he finds in the works and crafting new things out of it, shaping nature in his own image. He is also a friend of Etherea’liss, and worries over the hard work she must be putting in at training. Freki is the largest of her siblings, and likes displaying her strength, accepting challenges and hunts with other teens, and is a popular figure among them for how cool she is. She also has been seen wearing a piece of jewellery that clearly comes from the Thep Khufan, so rumours are that she might be dating one. Dira is the smallest, and the little shadow of the family. She sneaks out a lot to explore and party, often ending up with her father tracking her down and dragging her home. She wants to be like Freki, but comes across as more wild and less chill than her.

-Lady Cama Umbra- The 15-year-old distant niece of Lord Transyl. When Zs’skayr came back, he knew he needed to collect new minions to start his awful ways again. He rounded up a few young folk to manipulate over his side, but decided he wanted to try again with his original vladat plans. Except this time he wouldn’t bring back someone like Lord Transyl, wanting someone younger that wouldn’t lead to a power struggle with. So he found the remains of another family member, some random niece of Lord Transyl, and brought her back. Only it appears the young lady did not have the same pride and bloodlust as her family, still young enough to be innocent enough that she freaked out upon hearing what Zs’skayr had to say, before running away, being found by Jay and Etherea’liss. She just lives between Zs’skayr old crew, who wish to make amends for what their old boss did, and teach Cama about the world around her. Because while Cama isn’t as bad as her family, it’s very clear she was sheltered and still parrots a lot of what the grown ups in her life said about the locals. Cama is dealing with a lot since being revived, but is willing to learn.

-Circy- A 13-year-old Fortumina. Circy is another friend of Etherea’liss, a childhood friend at that since their families are old friends. Circy knew of Etherea’liss Plumber dreams, and while she supported her friend, she had her own reserves towards the Plumbers and the outerworld. She does wish for something better, but fears pushing it will cause more harm than good. Circy has a joking personality, but under that is a lot of wisdom for someone her age. She holds the friend group together with Etherea’liss gone, even though she is deep in her magical studies. 

-Myli- A 14-year-old Mortechrum (Demiboy). Given the common view of the mortechrum, a young Myli had been surprised when Etherea’liss and Circy wanted to be his friend. He had always been taught by his family to beware the hand that feeds you, and thus took a long time warming up to the girls and eventual other friends in the group. Once he did though his real personality shined, being playful and always eager to help. Though when around strangers he goes quiet and watches with wide eyes, often unnerving people. 

-Bai'Kel- A 13-year-old Anoplopisth. He had been the most recent member of Etherea’liss anur friend group, and he is a little unusual to people who don’t understand him. Bai’kel is not very expressive, and thus his phrasing with words can sometimes sound a little off putting, sometimes being scarily honest with no filter. He doesn’t mean to be rude, it’s just who he is and is hard to read. But he is very loyal, often shadowing his friends to make sure they’re safe, something they don’t realise half the time.

[acourtofquestions]

THRONE OF GLASS SERIES SPOILERS

While Aelin losing her powers is sad; primarily because she loved her powers and spent a long time without them, then fighting for them back, and accepting herself with it. And also they’re cool… but so is she (regardless :-)

It’s important to remember she never needed them. Not in this sense at least.

She carries the same power level of Heir of Fire, where she makes shields and daggers of flame, and can hold her own against Skin-walkers & terrors. Then in combination with Rowan as her Carranam she pushes past burn-out & wipes the Mistward slate clean of the Valg Generals; something she still maintains, only now imbued along with her own Cadre.

In the following book, these things remain, as Queen of Shadows sees her once again without magic, or fae form (meaning she’s more powerful now in a post-KoA world then she was than). It reminds us again, that she is more than capable of acting without them (and frankly kicking-ass; she takes out a lot of Valg with nothing but her wit & skill).

As she had for the prior three books: she got through all of those on her own, without fae strength, without firepower, she became “The Assassin of Adarlan” she won as the “King’s Champion” that alone was just her, without even a team or an army at her back. Or arguably one of the bigger strengths she gains; something worth fighting for.

And, as Kingdom of Ash takes time to show: she makes it through half the battles without her power at all. Anielle was greatly overpowered by her & the cadre, and not a lick of flame touched that battlefield. Only did it announce itself to save them from the dam (not from the fighting). Along with another demonstration/reminder that she began breaking out of the iron coffin without her power, that was pure fae strength alone (of which she maintains).

And in all of that she did keep the piece dearest to her: her mother’s magic, her droplet of water, of Mab, of healing. One that can grow over a thousand years, as Rowan said (albeit jokingly but truthfully). …And a gift of Mala, flame much like that of Essar… and now without the fear it once carried for her of “having no end”. Besides, her truest power always rested in Fireheart — a name not of power, but of her; her strength, her will, her intelligence. Herself. That was what mattered. And matters going forward.

Especially in this new world, where that plot was needed: without it, you would have an unchecked power-scale, in a reset world, with no villains to fight, no gods ruling, only her & Dorian with their powers at those levels without need; when the world desperately needed a reset so it didn’t collapse in a single battle between such sources. … And even more importantly you would miss the “Heroes Journey” of losing everything, of prices paid that are not all fixed (sad as it is; it is a price, no refunds). And more than anything, you would lose the arc; Aelin paid the price (and while I do not believe she had some debt due, that she owed Terrasen; because again SHE WAS EIGHT AND KIDNAPPED BY AN ASSASSIN… what was she supposed to do? But now any of those that were argued are gone… perhaps she needed that herself more than anyone else).

And while I know this led to frustration for some that “the hero” did not defeat “the villain” in the end… I’d beg to differ, and think it was important to the arc going forward: starting with the fact that Aelin had nothing to prove in it. Whether it be with her sword of flame & the assistance of her Carranam/Cadre (which did not make her weak or “dependent” on men; no this was strength in working together with her friends), or with her fists & nothing more, or with a gods’ arsenal of flame & power & starlight, the truth stays the same; we all knew her strength & capability. But her soul; her heart of fire (that we knew), had yet to live without that weight (of the world, of fate, of the power & sacrifice) all solely on her shoulders. To trust them in carrying that with her, for her, together. And to be fully be a part of the team that she assembled (somewhat accidentally) but threads pulled nonetheless. Aelin did not accomplish it alone, for she had never needed to. And for the first time that is shown. And she was not alone, never to be again. … Making it a huge breakthrough for all of them.

Because this was not a story of a singular hero… or even villain. It was rather complex in the latter to begin with. So this was crucial, especially for her character to have grown; to have asked for help, to allow it. And even the contrast to have The Assassin not be the one to deal the final blows; because that is not all she is, (will be, or has ever been). Nor was this her fight, not anymore. It had been so many people’s fights both before and after it was hers… from Elena’s, to the elder King Dorian’s, Marion’s, Josefin’s, even Sam’s… because they & that fight had led them all here. Them; the original trio of Chaol (his new-found wife), Dorian (his power another catalyst & hero), and Aelin (fully embraced in her name and story. And to the many they found through themselves; Yrene (as aforementioned), Manon, Lysandra, Elide, etc.

And because Erawan was not her death to take — if anything, it was Dorian’s. He needed it. It belonged to the threads & the lost children of it: it was Elide’s for her mother who died by the Assassin of Erawan to save Aelin to bring them here, it was Yrene’s for her mother Josefin who died to save her daughter from a fate Erawan set into motion & sent Yrene running into to unwittingly stop him, it was a team; Lysandra, Nesryn, all of them. From old to new. Those who came before. And those who will follow after (including the child Yrene is fighting for in these moments, just as their mothers had). Teams that can build a better world going forward (beyond this war), and set them up to bring the many broken countries together (now the leaders of Adarlan, Rifthold, Anielle, the Ferian Gap, Terrasen, Orynth, Perranth, the Wastes, the Southern Continent (all the way down to the Healers of the Torre & connections to Ellywe & the Far of Doranelle). — And one that they paid for together… They all carried a price too: Dorian whose power also got downgraded in check for the same reason as Aelin’s (though not to the same extent), Yrene who broke her oath to never take a life to save the lives of many others (& while the Valg King debatably didn’t break an oath as “life” within the Valg is very messy to begin with) she still gave an awful lot for it (& did it with help once again), Elide who faced it brave as her mother. As I said, this was theirs. — Dorian whose father was not the true villain yet would be remembered & forgotten as such, Dorian who needed to know, Dorian the King his country needed & his father had fought for, his father who was as forgotten & twisted & fallen as that very place. Yrene, who had been led here, who had followed the sound of where she was needed and braved it over & over, just as the Towers women had for centuries; it was their closure. Elide… who in combination with the latter represented the love that fought from day one, that did not yield, that gave their lives to spare their children all in hopes for a better world (knowing they would not live to see it; they paid that price). And in doing so, it repeated, every player on the board; another mother giving it all to build a better world for her child’s future, a son of King Dorian; of Gavin & Elena, who remembered their names, a daughter who was brave & unafraid as Aelin and mother that had taught them both that (Marion). The first children of the fallen, and the last to fall.

And when it came to Maeve; it was equal. It was Rowans, for Lyria, for his child, for all she had done to them; to Aelin, to his brothers, to him. Lorcan, for every dark, twisted misery he endured for her. Fenrys… the one Aelin offered the final blows too because after centuries of not knowing freedom, of losing everyone (much like herself) she knew he had felt it just as much as she had. And of course, Aelin, for Rowan, for Fenrys, for her Cadre, for the Lion, for Aedion, for her mother, for herself. And with their help, all together, even without power, they could do it; together only the arc does not end there, no, it is met with mercy within her end, facing it & rising above it.

In consensus: Aelin is still incredibly powerful. As is her court. This is a new world, a reset to the scale. This is a book with consequences, and those will always ache. But there is more than just that ache. Because this arc is beyond a hero and villain; it is a story of love, of friends, of family, of mercy, of kindness, of fighting & living & going on. And that will always hold magic. Regardless of if she is a firebringer, or human… regardless of who beat who in the end… they did; together; as who they are.

& For me, while hard to process in some pieces & sad, I actually think this was the only way to do it properly. Not some “epic failure of the hero not defeating” the “main villain”, but an inevitable arc of character growth that could not come without that teamwork & passing of things to fully flesh out the storyline. And as one that is true to the fact, it is full of many heroes.

Such as The Thirteen, who broke the curse, (and our hearts)… and while I wish they had not or at least Asterin had survived; even Manon said it earlier, the Matron was Asterin’s, for her, for all of them, for every Witchling that came before and would come after. The Thirteen (who were meant to save Manon) & to save the world; who defied every rule by how they loved, and lived… and who died as one. In a way, that was a well-written story, not a “cry points” death of senseless heartbreak (overwhelming, yes, but not a last-minute script change of insanity), nor was it one to (unfortunately) receive a reversal; because it was such a powerful moment to lead to the better end of broken curses & saved worlds… and I don’t know how the story would’ve gone otherwise… None of these moments were solely their own. Nor were they simple. This is how you do it in a story, one with many points of view and plots, and where “yes”: Aelin is “the hero” but she is not the entire story. … Or at least it’s what I’m pondering right now, lol.

[cleabellanov]

Fighting for good, one widow bite at the time: Black Widow's cultural impact

Critics scoff when I call the Black Widow movie a favorite, but hear me out. It deserved a better release window, maybe at an earlier time, when things would've been viewed differently. Sure, it doesn't rise up what it could've been, leaving so much lingering dreams in the hearts of us, fans. So much potential remains untapped, so many questions unanswered... but Natasha Romanoff? She rises above it all. If you doubt her power, think again, and as I said, hear me out.

Black Widow, the assasin with steely eyes that hide and protect a heart of gold, has transcended the screen to become a cultural icon. From her first appereance in the MCU in Iron Man 2 (2010) to Black Widow (2021), she truly went through a lot, took us with her, and thaught everyone some lessons on the way.

Shattering the mold of the damsel in distress: She's no sidekick, she's a strategist and a fierce fighter. She is a vital member of the Avengers, that's a fact we saw in the 2012 movie. After all, how many characters can you name that tricked the God of Mischief? Nat didn't only do it exceptionally, she is the first we saw doing this on screen.

Reclaiming Narrative: Unlike many superheroes defined by singular origins, Black Widow carried the trauma of a dark past, manipulated by the Red Room, a notorious spy program. Her movie explored this narrative, acknowledging the exploitation and abuse she endured. This resonated with survivors of violence and abuse, offering validation and representation. Her journey of breaking free from her past resonated on a broader level, highlighting themes of resilience, empowerment, and overcoming hardship. Furthermore, she hasn't always been a hero, an avenger. "Regimes fall everyday. I tend not to weep over that, I'm russian" and "I've got red in my ledger. I'd like to wipe it out" show how she's not just using the power she already has, but has the power to change as well. This isn't about brute force, it's about internal struggle and choosing to become a better version of herself despite her history.

Sisterhood and Solidarity: Black Widow's story wasn't solely focused on herself. In "Black Widow," she teams up with other women who share similar experience, even if at first this doesn't seem to work, indoctrinated as they are in the Red Room programme. This depiction of female solidarity resonated with audiences, particularly feminist movements advocating for women's support networks and collective action.

Representation Matters: Black Widow's portrayal as a skilled leader and strategist challenged existing portrayals of Russian characters in Hollywood. They are often depicted as villains or stereotypes, but her complex identity sparked conversations about diversity and representation within the superhero genre.

Defying stereotypes: As the sole original female Avenger, Black Widow carried a unique weight. She didn't need superpowers or a revealing suit — her determination and arsenal spoke for themselves. That's true power. I mean, in some situations she only had two cool firearms, but did better than Captain America with a vibranium shield! I also love how her costume evolved over time, prioritizing functionality over sexualization. Ditching the impractical neckline in her solo movie? A much-needed win! It shows that Black Widow commands respect through her actions, not her body.

Her impact and importance punches like her combat skills, if you ask me.

So, the next time you see the Black Widow, remember, she's more than just a character. She's a symbol of strength, resilience, and the unwavering human spirit. Thanks for being a constant source of inspiration, Nat ❣️

[secretsunbird]

Character Introduction:

🌊THESEUS🌊

Theseus is known as the greatest hero Athens has ever had. He fights for his people, is a loveable and courageous prince and never ever does anything just for glory's sake! He also doesn’t kidnap girls and doesn’t abandon women on islands. Theseus…may be perceived as more heroic than he is in reality.

Theseus is the son of COUGH Poseidon COUGH COUGH King Aegeus of Athens and Aethra of Troezen. In other words, Theseus believes he’s the mortal son of Aegeus and is super annoying about how strong and cool he is for not being a demigod. He’s going to be so mad when those paternity results come in the mail…

Theseus was raised by his mother in Troezen until he was 18 years old. During his youth he was trained in combat by the locals of his village and became skilled in swordplay. When Theseus reached adulthood, his mother directed him to move a large boulder that was probably just sitting inconspicuously outside their house. Under this rock was the sword and shield of Aegeus (as well as a really old musty pair of sandals). Aethra then told Theseus to travel to Athens to meet his father. Theseus has a lot of adventures that happen before the beginning of the story, including: His seven labours, sailing with the Argonauts, hunting the Calydonian Boar and getting his ass stuck to a rock in the underworld.

Theseus and Icarus meet during Heracles’s 12th labour to fetch Cerberus. Heracles asks Icarus to go along for “strategic reasons” but really he just loves his lil Sunbird! Theseus and his homeboy, Pirithous, are trapped in the underworld and Heracles manages to free Theseus only. Shenanigans take place and then they go back to Athens and then they go to Crete and then,,,

Theseus is a big fan of Heracles and sees him as the peak of heroism. This is funny because Heracles hardly remembers him from their time sailing on the Argo and later on in the story he’s ready to kill him on sight so– never meet your heroes, I guess.

Fate is a main theme in this story and Theseus plays a large role in it. While Icarus being alive allows him to influence other people’s lives, potentially changing their fates in small or big ways— Theseus is the opposite. Throughout the story, his actions often course correct the fate of others and lead the myths to play themselves out as expected! I’ll go into further detail on this in a later post.

Fun Fact: Theseus’s hair is naturally kind of flat and wet looking. He assumes it’s because his hair doesn’t like the humidity of living near the ocean but it’s actually just his weird demigod trait. He styles it in the morning. He’s also an excellent swimmer! Lastly, despite it being his father’s patron animal, horses don’t like him very much…

((I promise I don’t actually hate Theseus, he’s just one of the antagonists and he hurts Icarus’s feelings so I have beef. (I love him so much, my little unapologetic asswipe <33))